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Paradise FreaksRecording with a core group featuring Al Doyle (Hot Chip/LCD Soundsystem) on bass and guitar Rob Smoughton (Hot Chip/Grovesnor) on drums and guitar and Kenny Dickenson (KT Tunstall/Red Ken) on keys, Seahawks invited some of their favourite singers to contribute vocals. Maria Minerva, Tim Burgess, Indra Dunis of Peaking Lights and missing-in-action psychedelic songsmith Nick Nicely all added their unmistakeable tones. A set of final overdubs from Tom Furse (The Horrors) and some tinkering from Seahawks' regular Cornish musical mates sealed the deal. The whole process took time but what is time when faced with the epic expanse of the cosmos - a cosmos full of soft tones and brilliant corners, unexpected collisions, warm openings, deep colours and fresh textures.1. Rainbow Sun (feat. Maria Minerva)
2. Looking At The Sun (feat. Tim Burgess)
3. Drifting (feat. Indra Dunis Of Peaking Lights)
4. Safe Harbour (feat. Indra Dunis Of Peaking Lights)
5. Paradise Freaks
6. Moon Turn Tides (feat. Maria Minerva)
7. Sky Is You (feat. Maria Minerva)
8. Didn't Know I Was Lost (feat. Tim Burgess)
9. Electric Waterfalls (feat. Nick Nicely)
10. Islands$23.99Vinyl LP - Sealed Buy Now
DF-2 LP Flattener 115V
Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.
This is the new improved version of the Furutech LP flattener that is now approved for FLAT-PROFILE/NO GROOVE-GUARD discs.
Every vinyl enthusiast has records in their collection, or come across LPs they'd love to own, but were just too warped for any cartridge/arm to track. The DF-2 the one-stop, one-button solution to your problems! The DF-2 provides controlled-heat perfect flattening for all your warped records, even those with only slight irregularities just enough to unsettle your cartridge and cause mistracking. Warps are bad news no matter how you look at it. If the arm/cartridge remains parallel to the LP's surface as with a flat record, VTA (Vertical Tracking Angle) remains unchanged throughout every rotation. Additionally, as the arm/cartridge tracks a warp on its upside, it places greater pressure on the stylus which changes VTF (Vertical Tracking Force) until the peak of the warp, whereupon the cartridge becomes "unloaded" with too little VTF on the way down. Of course, all this muddles the sound, changing the tonal quality, imaging and soundstage characteristics of the cartridge. A flat record also tracks better with less distortion. An LCD keeps you informed of progress with a tone sounding when done.
The following LPs should not be treated in the DF-2:
1. LPs weighing less than 110g
2. Light LPs that were manufactured between 1973-74 (Oil crisis) weights range from 100g to 115g$2,550.00DF-2 LP Flattener 115V Buy Now
Cosmic LogicLos Angeles, California-based duo Aaron Coyes and Indra Dunis A.K.A.
Peaking Lights are thankfully back and set to release their new album Cosmic
Logic via Weird World Records / Domino Recording Co.
Cosmic Logic is a heady brew of dub, kraut, minimal house, disco and pop
influence all rendered in the inimitable Peaking Lights fashion. Recorded by
the band themselves in a couple of LA studios and then mixed by Matt Thornley of DFA, Cosmic Logic follows the outer space pop explorations of 2012's
critically acclaimed Lucifer and 936 before that. This time around, however,
the band have gone for a more concise, lean approach - abandoning some of
their psychedelic sprawl for a more pure pop experience.
Cosmic Logic opens with the guitar and drum-heavy "Infinite Trips," a song
which Coyes says is "an homage to the opening track 'Der Song von
Mandelay' on The Flying Lizards debut album - we wanted to come in from
left field." The mood of the record takes a sharp turn when the sputtering
drum machines and spacey keyboards kick in on "Telephone Call," a song that
tucks the cosmic into the quotidian. "It was influenced by ideas in the
Carpenters' version of the 1977 cover of Klaatu's 'Calling Occupants of
Interplanetary Craft,'" Coyes said. To which Dunis added: "It's about keeping
an open mind to cosmic messages that can come from anywhere."
The album traces a singular trajectory through Peaking Lights' current sonic
palette, full of coruscating synths and percolating drum machines. "I think
Aaron's rhythms are definitely influenced by whatever is on his mind:
reggae, dancehall, funk, Afrobeat, disco, etc." Dunis said of the beats that
power the album. Cosmic Logic both looks to other musical cultures as well
as up to the stars for inspiration, and is a beacon in dark times, a reminder to
be at once mindful of the terrestrial and the celestial, to be open-eared and
Or, as Dunis sings on "Telephone Call": "Use your heart and not your ears."1. Infinite Trips
2. Telephone Call
3. Hypnotic Hustle
4. Everyone And Us
5. Little Light
7. Eyes To Sea
8. Bad With The Good
9. New Grrrls
11. Tell Me Your Song$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Drogas LightA decade after Lupe Fiasco exploded onto the hip-hop scene with his seminal 2006 debut Food & Liquor, the Chicago native is closing the chapter on his career with his most visualized projects yet. The independent rapper, who parted ways with his former label Atlantic Records following the release of 2015's Tetsuo & Youth, hits his creative peak with a trilogy of albums-Drogas Light, Drogas and Skulls-the final curtain call on one of the most gifted lyricists and visionaries to grace the mic.
If anything, Drogas Light, the first delivery to fans arriving in early 2017 via 1st & 15th/Thirty Tigers, is a testament to Fiasco's artistic growth throughout the years. The 14-track LP is free of restraint, and daring by his standards: the sonic and storytelling palettes are vast and diverse, more so than ever before, traipsing genre and style with ease and touting songs to soundtrack everything from a night at the club to a quiet listen on headphones. Where Tetsuo & Youth leaned into more experimental pastures, Drogas Light is the embodiment of a musician whose foray beyond the boundaries of hip-hop feels increasingly natural, a glimpse into the genius that will be Fiasco's legacy as he inevitably walks away from the spotlight.
From the start of Drogas Light, Fiasco lays his rhyming skills bare, attacking a haunted beat accented by a screwed vocal sample on opener "Dopamine" that self-reflectively emphasizes the magnetism of the album ("Over-d off of this, but don't fall asleep 'til the dopamine hit!" he chants). The set is dotted with several trap-inflected songs-"NGL" featuring Ty Dolla $ign is a turn-up anthem that entertains the reasons why success comes slow to many, while the STREETRUNNER-produced lead single "Made in the USA" catalogues the various home-grown, illicit products manufactured in the country.
Fiasco has often been pegged as a socially conscious emcee, likened to peers including Common and Nas, and he lives up to the reputation on "City of the Year," where he explores the economic disparity of Chi-town. He flexes his storytelling muscle on the hypnotic, spinning "Jump," on which he unfolds the tale of going from a "trapper to a rapper" by supplying a female adversary with a career boost. But it's when the album hits the relax button that Drogas Light coasts on cushy grooves: "Kill," also featuring Ty Dolla $ign, is an after-hours ode to women who work at gentleman's clubs, and the vamping closer "More Than My Heart" is an emotionally charged hat-tip to all the mothers who would sacrifice anything for their children.
While Drogas Light signifies the beginning of the end for Fiasco, it represents how far he's come since he first entered the game and merely accents the intellectual breadth of the discography he'll leave behind. At the onset of career, rappers including Jay Z and Kanye West regarded him as the future of hip-hop, with the latter tapping him for a standout guest verse on "Touch the Sky" after Fiasco remixed West's hit "Diamonds from Sierra Leone." His debut album Food & Liquor earned him three Grammy nominations and a win for the Jill Scott-assisted "Daydreamin'," which netted the trophy for Best Urban/Alternative Performance in 2008.
In the years since, he evolved from the backpack rap of his debut with a string of classics including 2007's Lupe Fiasco's The Cool and 2011's Lasers, a prelude to the following year's Food & Liquor II: The Great American Rap Album Pt. 1. While Drogas Light is just a taste of what he has to offer in the new year, it's yet another earmark on a track record of an artist who continually comes into new bloom.1. Dopamine Lit (Intro)
2. NGL (feat. Ty Dolla $ign)
4. Made In The USA (feat. Bianca Sings)
5. Jump (feat. Gizzle)
6. City Of The Year (feat. Rondo)
7. High (Interlude) (feat. Simon Sayz)
8. Tranquillo (feat. Rick Ross and BIG K.R.I.T)
9. Kill (feat. Ty Dolla $ign and Victoria Monet)
10. Law (feat. Simon Sayz)
11. Pick Up The Phone
12. It's Not Design (feat. Salim)
13. Wild Child (feat. Jake Torrey)
14. More Than My Heart (feat. RXMN and Salim)$25.99Vinyl LP - 2 LPs Sealed Buy Now
Range Of LightS. Carey's chosen musical expression is a hugely beatific,restorative panorama of beauty - perfect given how
landscape and the wonder of nature inspire much of Carey's imagery. His new album Range of Light - the
follow-up to his 2010 debut All We Grow-takes its title from the name that 19th century naturalist John Muir
- Carey's hero - gave to California's Sierra Nevada, and follows suit with a dazzling array of musical light and
shade, drawn from Carey's love of jazz, modern classical and Americana. Like a weathered mountain range
changing shadow form and color, or the ebb and flow of a river's current, his music is simultaneously restful
and rhythmic, complex and simple, and always evolving.
"My music has specific connections to nature and place, my surroundings, and my experiences," says Carey. I
travelled the Sierra Nevada area many times as a boy,fishing small mountain streams, hiking to the top of'half
dome', exploring the Redwood groves at Wawona, in awe of the Yosemite Valley. The term,'Range of Light',to
me, denotes the spectrum of light and dark a person can have in their life - peaks and valleys of happiness,
sorrow, challenges and growth - for me most recently and more specifically: marriage, having a baby, and
maintaining a spiritual connection to nature, place, friends and family as an adult."
While he studied classical percussion and piano at the University of Wisconsin in Eau Claire, Carey imbibed
rhythmic minimalists such as Steve Reich and Philip Glass. Immediately after graduating in 2007, he caught
wind that Eau Claire resident Justin Vernon was forming a band to take his For Emma, Forever Ago opus on
the road. Carey learnt the drum and vocal parts for the album,rehearsed with Vernon, and has been a mainstay
of the Bon Iver live band ever since.
While on tour with Bon Iver, Carey developed his own song writing ambitions, and after many less than
frequent recording sessions between tours, released All We Grow in 2010. Those nine songs sat between a
folk/modern classical hybrid and rarefied jazz climes. Carey's warm melodic nuances, reflected in the lush
folds of his singing, added to the mutable percussive syncopations of his instrumentation.
Range of Light incorporates elements of his previous work, but also amplifies Carey's percussive proclivities,
and is altogether more developed than its predecessors, with more input on the performance and even
composition side from the band of musicians and best friends he assembled originally to bring All We Grow
to life in the live setting. "Therewere times during recording sessions when there were three percussionists, all
with different styles and fortes, playing at once, adding different textures."
From the flurry of violins over a circular rhythm in 'Crown The Pines' and the beautiful cries of 'Alpenglow',
to the pensive depths of songs like 'Fire-scene' and 'The Dome', Range of Light is a still life of an artist in this
particular stage of his life; a stage that has been met with the highest of peaks and the lowest of depths all
within the range each of us treads through.1. Glass/Film
3. Crown The Pines
7. Fleeting Light
8. The Dome
9. Neverending Fountain$17.99Vinyl LP - Sealed Buy Now
LuciferLucifer is the third full-length release from West Coast dub heroes Peaking Lights. The golden duo of Aaron Coyes and Indra Dunis continue to crystallize their mesmerizing sound and find new dimensions within. Lucifer also comes at a time of great transition for this married couple and it reflects the possibilities that they have found during this new life era, especially with the birth of their son, Mikko, a guiding light muse for the album.
Recorded in Brooklyn, NY at Gary's Electric studio over the course of a month, Peaking Lights consider Lucifer a nocturnal version of their sound. It's slinkier and full of grooves. To us this record is about play and playfullness, unconditional love, rhythms and pulses, creation and vibration, says Coyes. Lucifer is also Peaking Lights' most ambitious release to date in terms of its approach and scope.
Through their studio experiments, the duo has managed to link their musical loves ie dub, krautrock, analog electronic dance music, sound collages, pop music, all while maintaining cohesive songs. Lucifer was self-produced and engineered by Al Carlson (Yeasayer, Ford & Lopatin, 0PN). LP is a limited numbered edition with an embossed jacket.1. Moonrise
2. Beautiful Son
3. Live Love
4. Cosmic Tides
5. Midnight (in the Valley of Shadows)
6. LO HI
8. Morning Star$13.99Vinyl LP - Sealed Buy Now
William Onyeabor: LP Box Set 2William Onyeabor is a box set of four of the albums elusive Nigerian synth-funk pioneer William Onyeabor self-released between 1977 and 1985 - remastered and officially available for the first time. His music represents the epitome of the golden era of Nigerian funk, before he gave up a life in music to become a devout Christian. Luaka Bop released the critically acclaimed compilation Who is William Onyeabor's in October of 2013, and has since seen the release of the documentary Fantastic Man, which was fabricated around the myth of the musician, attempts to unearth the man behind the music, which is also now a full blown live show touring the world, paying tribute to the music of William Onyeabor featuring a supergroup of Damon Albarn, David Byrne, Kele Okereke from Bloc Party, Alexis Taylor from Hot Chip, the Lijadu Sisters, Money Mark, Pat Mahoney and Sinkane. To this day, William Onyeabor has not spoken about his music in one single interview.
Box Set Includes:
Crashes in Love (2nd Version)
Body and Soul
7 of William Onyeabor's Body & Soul by Peaking Lights
16 Page 5 x 7 booklet with text by Michael RubinLPs Included:
Crashes in Love (2nd Version)
Body and Soul
7 of William Onyeabor's Body & Soul by Peaking Lights$74.99Vinyl LP Box Set + 7 + 16Pg Booklet - 4 LPs Sealed Buy Now
The Air Conditioned NightmareThe Air Conditioned Nightmare is the new album by
Doldrums. The title was spawned by Henry Miller upon his
return to the US after ten years as an expatriate. Keen to
rediscover the country he left behind, Miller found it a
stifling place of big business, pollution, credit, misinformation
and prejudice. "Nowhere else in the world," wrote in his
1945 collection of essays "is the divorce between man and
nature so complete". The Air Conditioned Nightmare.
Seventy years on and the book lends itself to the title of the
anticipated second album by Doldrums, the band led by 25
year old musician Airick Woodhead. On the follow-up to his
2013 debut Lesser Evil (which yielded tours with Unknown
Mortal Orchestra, Crystal Castles, Grimes and Purity Ring,
and remixes for Peaking Lights, Grimes and Portishead), the
DJ, producer and performer makes a sizeable leap from
being darling of the Montreal warehouse creative explosion
that gave the world the likes of Grimes, Majical Cloudz, Blue
Hawaii to being a stand-alone artist and composer on the
cusp of something quite special.
Doldrums apply a punk rock ethos to electronic music,
creating songs using samplers and DJ gear in place of
guitars. Bold, anxious, dream-like, uplifting, glacial,
hypnotic, constricting, expansive, alien - this is an album
that is ever-changing. "Conflict is at the heart of this
album," explains Airick. "There's a lot of paranoid sentiment
and dystopian imagery in there. The threat of a mundane
reality ties it together, as does an obsession with plasticity.
Songs come from specific feelings or images. Anxiety is my
The Air Conditioned Nightmare is an album of texture and
taste, an extra-sensory overload. Weaving through the mix
are Woodhead's androgynous, tweaked vocals singing lyrics
like voices down broken phone-lines. This is music born of
the 21st century. The Air Conditioned Nightmare is an album
that is punk rock in its DIY beginnings and militant commitment
to originality. Ten snatched seconds is enough to pull
you in. Ultimately,The Air Conditioned Nightmare stands
alone. Doldrums have created something special. You need
to hear it.1. HOTFOOT
2. Blow Away
3. Funeral for Lightning
4. We Awake
5. Video Hostage
8. My Friend Simjen
9. Industry City
10. Closer 2 U$16.99Vinyl LP - Sealed Buy Now
Chinatown SoundtrackNewly Remastered Audio
Housed In A Deluxe Stoughton Tip-On Jacket
Sometimes, it doesn't take very long to create something brilliant. When producer Robert Evans rejected Phillip Lambro's original score for Chinatown, Jerry Goldsmith was hired to create another, from scratch, in just 10 days.
To say he rose to the challenge is an understatement. Goldsmith, a 20 year veteran of the TV and movie industry with credits including Dr. Kildare, Planet Of The Apes and even The Waltons theme, turned in a work that was both a career peak for him and the savior of Roman Polanski's masterpiece of neo-noir.
What was clever about it? It wasn't quite straight jazz, it wasn't quite classical. It was identifiably a movie soundtrack, but an unusual one at that, leaning heavily on Uan Rasey's mournful trumpet solos, sparingly using pianos, harps, strings and percussion, and employing sounds and crashes as overtures. It doesn't try to speak to the film's 1930s setting so much as to the mood and feel of the movie, a piece about political and moral corruption in a water-starved LA featuring Jack Nicholson at the absolute top of his game.
"I remember [Evans] speaking about the music having a contemporary feel, contemporary meaning the '30s," Goldsmith said in an interview before his 2004 death. "I said, 'Bob, I don't think so - you see that on the screen, why should I do that in the underscore? Emotions are timeless.'"
Originally released as a soundtrack in 1974, and long out of print, Cinewax's reissue is remastered from the original tapes and is presented with brand new artwork by acclaimed illustrator and painter Sterling Hundley, with layout by Jay Shaw. Drop the needle and hear why Chinatown is, reportedly, David Lynch's favorite soundtrack. Goldsmith was right about emotions1. Love Theme From Chinatown (Main Title)
2. Noah Cross
3. Easy Living
4. Jake And Evelyn
5. I Can't Get Started
6. The Last Of Ida
7. The Captive
8. The Boy On A Horse
9. The Way You Look Tonight
10. The Wrong Clue
11. J.J. Gittes
12. Love Theme From Chinatown (End Title)$25.99Vinyl LP - Sealed Buy Now
I'm Just Like You: Sly's Stone Flower 1969-70Compilation And Notes By Alec Palao
An Exclusive New Interview With Sly Stone Himself
In-depth Liner Notes With First-hand Reminiscences Of The Stone Flower Era From Many Of The Participants
Features All Five Stone Flower Produced Singles Plus Ten Previously Unissued Cuts From The Label Archives
All Tracks Newly Remastered From The Original Tapes
In 1970, The Family Stone were at the peak of their popularity, but the maestro Sly Stone had already moved his head to a completely different space. The first evidence of Sly's musical about-turn was revealed by the small catalog of his new label, Stone Flower: a pioneering, peculiar, minimal electro-funk sound that unfolded over just four seven-inch singles. Stone Flower's releases were credited to their individual artists, but each had Sly's design and musicianship stamped into the grooves-and the words "Written by Sylvester Stewart/Produced and arranged by Sly Stone" on the sticker.
Set up by Stone's manager David Kapralik with distribution by Atlantic Records, Stone Flower was, predictably, a family affair: the first release was by Little Sister, fronted by Stone's little sister Vaetta Stewart. It was short lived too-the imprint folded in 1971-but its influence was longer lasting. The sound Stone formulated while working on Stone Flower's output would shape the next phase in his own career as a recording artist: it was here he began experimenting with the brand new Maestro Rhythm King drum machine. In conjunction with languid, effected organ and guitar sounds and a distinctly lo-fi soundscape, Sly's productions for Stone Flower would inform the basis of his masterwork There's A Riot Goin' On.
The first 45 came in February 1970: Little Sister's dancefloor-ready "You're The One" hit Number 22 in the charts-the label's highest showing. The follow-up, "Stanga, also by Little Sister, made the wah pedal the star. The third release came from 6IX, a six-piece multi-racial rock group whose sole release, a super-slow version of The Family Stone's "Dynamite, featured only the lead singer and harmonica player from the group. Joe Hicks was the final Stone Flower stablemate; his pulsing, electronic Life And Death In G&A" is one of the bleakest moments Sly Stone ever created on disc (Hicks' prior single for Scepter, "Home Sweet Home," the first released Stone Flower production, is also included).
This long overdue compilation of Sly's Stone Flower era gathers each side of the five 45s plus ten previously unissued cuts from the label archives, all newly remastered from the original tapes. In these grooves you'll find the missing link between the rocky, soulful Sly Stone of Stand! and the dark, drum machine-punctuated, overdubbed sound of There's A Riot Going On. I'm Just Like You: Sly's Stone Flower 1969-70 opens up the mysteries of an obscure but monumental phase in Stone's career.1. You're The One (Parts 1 & 2) - Little Sister
2. Just Like A Baby - Sly
3. Home Sweet Home (Part 2) - Joe Hicks
4. I'm Just Like You
5. Somebody's Watching You (full band version) - Little Sister
6. Life & Death In G & A (Parts 1 & 2) - Joe Hicks
7. Trying To Make You Feel Good
8. Stanga - Little Sister
10. You're The One (early version) - Little Sister
11. Africa - Sly
12. I'm Goin' Home (Part 1) - Joe Hicks
13. Somebody's Watching You - Little Sister
14. You Can, We Can
15. Spirit - Sly
16. I'm Just Like You (full band version)
17. Scared - Sly
18. Dynamite (alternate version)$26.99Vinyl LP - 2 LPs Sealed Buy Now
SONM-LEG-4512xKings Of Leon
Youth And Young ManhoodNow Available on Remastered 180 Gram Gatefold Double LP
Youth & Young Manhood is the debut album from American rock band Kings of Leon, released in August 2003. The title was taken from a drawing of the family tree of Moses, found on the inside of one of their Pentecostal preaching father's Bibles. Each branch contained a line that the band was quoted as saying could easily have passed for an album title. Youth and Young Manhood, however, seemed fitting and was quickly agreed upon by all members.
The album was recorded between Sound City Studios, California (where Nirvana's Nevermind and Fleetwood Mac's Rumours were made) and Shangri-La Studio in Malibu. Molly's Chambers, Wasted Time and California Waiting were all released as singles. Spiral Staircase featured on the PS3 game Motorstorm. Red Morning Light was also featured on a Ford Focus commercial, and as the opening song in FIFA 2004 by EA Sports. Holy Roller Novocaine was featured in the movie Talladega Nights: The Ballad of Ricky Bobby as well as on the soundtrack.
The album peaked at number 3 in the United Kingdom, but fared worse in the band's homeland, peaking outside the top hundred. The band's popularity exploded in Australia during the weeks of the 22nd and 29 September 2008, when all four of the band's studio albums reached the top 50.Youth and Young Manhood making its first top 50 chart appearance since its release in 2003, peaking at number 46. The album sold more than 940,000 copies worldwide, and was ranked at #80 in Rolling Stone's Top 100 Albums of the Decade.LP 1
1. Red Morning Light
2. Happy Alone
3. Wasted Time
4. Joe's Head
6. California Waiting
2. Molly's Chambers
5. Holy Roller Novocaine
6. Talihina Sky$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Little Death ShakerStripped of all noise influences and focusing on straight-up songs, Little Death Shaker is a record evocative of late nights and dusty parking lots, long drives and boozy hookups. This is the work of a dude who's spent his youth and young manhood on tour and it comes through in both the music and the lyrics. Where Castanets' lyrics gave us Ray Carver-ian fragments and it's-what-you-leave-out-that-counts minimalism, here we see Raposa back from the battleground with stories to tell.
This is the most lyric-heavy Raposa's been and it's also the most playful and humorous, and you get the feeling some of these songs would be the ones that would go down best near 2am at some weird sports bar dive in southeast Alabama/Iowa/Mississippi. (We can just see some big biker dude/fallen NASCAR star/Gary Busey lookalike sitting back-to-bar, Bud in hand, having a good-natured laugh over the punchline from Some of My Friends or the WTF premise of the Dan Reeder penned You'll Never Surf Again.)
The record begins with fighting spirit. Allegiance comes on with a punch of electric guitar and Raposa singing I woke up feeling/bold as shit. It's his rowdiest and most confident song to date, a real knockabout that'll take you by surprise if you're used to Castanets. Up next the title track verges on Queen (Flash Gordon soundtrack?) and Some of My Friends is a barnburner with the ghosts old Sun Studios players holding court.
Highlights are many. The dark-as-Skoal interstate roller Whippoorwill, the slowly ramping Some Kind of Fool, which rolls easy and pretty with backup vocals from Matthew Houck of Phosphorescent before building to a shitkicking rock 'n' roll peak where we find Raposa delivering some of his best and most racy lyrics, singing the very un-indie-rock, I could spend this good money wherever I care to/taste all the honies that I choose /lay myself down beside anyone's flower/all alive in the morning with the dew. It's a song about libertine freedom and heartbreak ignored and taking the bull by the horns and being, well, kind of a bastard.
More highlights: Castanets collaborator Talia Gordon taking main vocals on You're Not Standing Like You Used To (Kate Wolf); the after-afterhours minor chord jam Stateline, Little Death Shaker's most ruckus track of all, a late-night spent trapped in the stripclub/rig cab/country bar/tour van/your own damn head. At 10 minutes it's a tale of drugs and wayward love, a real red-lit kind of aloneness, backed by a legit live crawl, with high and ghostly organ and distorted vocals crackling like a bad CB connection.
With Meridian, Raposa and Houck bring back the vibe of Some Kind of Fool and take it on a humid trip through the deepest South, gators in the water, snakes in the sand, a stormhead looming over the sun-dappled river. When Raposa sings oh honey here comes the storm you can just FEEL the weather breaking.
One of this record's real charms is you can close your eyes and see these 13 tracks played live; you can see the drummer leaning over his kit with his brushes (and sunglasses on?), the backup singers standing around the mic, beers in hand, eyes closed, swaying side to side, the lights crisscrossing the stage. Meridian is no different. You can see this band. You can see these people playing together, and in a world of records that bands can't duplicate live, it's crazy-refreshing!
The album's closer, Allegiance 2, brings backlongtime Castanets collaborator Bridgit Jacobsen (nÉe Decook) for a hushed and barely-there apology. Oh lord be kind to me/after all these devils I have kissed. As a prayer, a shrug, and an exhausted offering, it's a fitting way to end an album so concerned with sin and vice. It's also a fitting end-introduction to this new band. So meet Raymond Byron and the White Freighters and their record Little Death Shaker. Here's to the new!1. Allegiance
2. Little Death Shaker
3. Some of My Friends
5. You'll Never Surf Again
6. Don't That Lake Just Shine
8. A Little More Credit
9. Some Kind of Fool
10. You're Not Standing Like You Used To
12. Meridian, MS
13. Allegiance 2$19.99Vinyl LP - Sealed Buy Now
The Big Wheel In The Sky: The Chicago Broadcast 1979Recorded At Comiskey Park In Chicago - August 9th, 1979
The concert presented here, recorded at Comiskey Park in Chicago on 9th August '79, featured as part of the tour in support of Evolution clearly demonstrates how far Journey had excelled in just a few short years. Featuring an array of favourites from their back catalogue, including 'Just The Same Way,' 'Lights,' and 'Wheel In The Sky,' this live show is a prime snapshot of a band enjoying fame and beginning to reach the peak of their musical powers, while, incredibly, some of the group's best work was still to come.LP 1
2. La Do Da
4. Feeling That Way
7. Lady Luck
8. Too Late
10. Winds Of March
11. Lovin', Touchin', Squeezin'
1. Just The Same Way
2. Lovin' You Is Easy
3. Guitar Solo
4. Wheel In The Sky
5. She Makes Me Feel (Alright)
7. Opened The Door$37.99Vinyl LP - 2 LPs Sealed Buy Now
Floating Into The Night"Floating Into The Night" is the 1989 debut album by vocalist Julee Cruise featuring songs written and produced by composer Angelo Badalamenti and film director David Lynch (who wrote the lyrics). The songs Falling and Rockin' Back Inside My Heart were both featured in Lynch's cult television series, Twin Peaks. The instrumental version of "Falling" was the theme song for Twin Peaks while the album as a whole is almost an unofficial soundtrack to the series. The track "Mysteries Of Love" was prominently featured in Lynch's classic film Blue Velvet. Cruise's dreamy, light vocals match perfectly with the music and lyrics to make this album sound like it is unattached to any era or time. Reissued on 180 gram vinyl with a double sided insert by Plain Recordings.1. Floating
3. I Remember
4. Rockin' Back Inside My Heart
5. Mysteries Of Love
6. Into The Night
7. I Float Alone
8. The Nightingale
9. The Swan
10. The World Spins$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Floating Into The Night (Red Vinyl)Pressed On Red Colored Vinyl
"Floating Into The Night" is the 1989 debut album by vocalist Julee Cruise featuring songs written and produced by composer Angelo Badalamenti and film director David Lynch (who wrote the lyrics). The songs Falling and Rockin' Back Inside My Heart were both featured in Lynch's cult television series, Twin Peaks. The instrumental version of "Falling" was the theme song for Twin Peaks while the album as a whole is almost an unofficial soundtrack to the series. The track "Mysteries Of Love" was prominently featured in Lynch's classic film Blue Velvet. Cruise's dreamy, light vocals match perfectly with the music and lyrics to make this album sound like it is unattached to any era or time. Reissued on red vinyl with a double sided insert by Plain Recordings.1. Floating
3. I Remember
4. Rockin' Back Inside My Heart
5. Mysteries Of Love
6. Into The Night
7. I Float Alone
8. The Nightingale
9. The Swan
10. The World Spins$23.99Colored Vinyl LP - Sealed Buy Now
ACSO-APO-7191xEddie Davis & Johnny Griffin
The Tenor ScenePart of the ultimate audiophile Prestige stereo reissues from Analogue Productions - 25 of the most collectible, rarest, most audiophile-sounding Rudy Van Gelder recordings ever made. All cut at 33 1/3.
All mastered from the original analog master tapes by mastering maestro Kevin Gray. 200-gram LPs pressed at Acoustic Sounds' state-of-the-art pressing plant, Quality Record Pressings, plated by Gary Salstrom
Deep groove label LP pressings, tip-on jackets on thick cardboard stock
During the two-year existence of their Tough Tenors quintet, Eddie Lockjaw Davis (a Prestige artist) and Johnny Griffin (under contract to Riverside/Jazzland) satisfied their contractual obligations by recording five albums for each company. This was the pair's first for Prestige, and the first of a four-album series taped over the course of an extremely productive evening at the legendary Minton's Playhouse in Harlem. The album, also known as The Breakfast Show in an earlier reissue, gives the rhythm section several opportunities to shine, with Ben Riley's drums dominant on Woody'n You, Bingo Domingo featuring Larry Gale's bass, and Junior Mance's piano solo almost stealing the show on Light and Lovely. It is the leaders, though, who consistently deliver with their complimentary brand of intensity, which is heard at the boil throughout and reaches a particular peak when they exchange ideas on Straight, No Chaser.
This title is not eligible for discount.1. Light And Lovely
2. Straight, No Chaser
3. Woody'n You
4. Bingo Domingo
5. I'll Remember April$34.99200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Sister"Let's get something straight. There is no album in the entire corpus of indie rock-not Loveless, not Surfer Rosa, not Psychocandy-that reaches the heights of invention, joy, and magic of Sonic Youth's sublime fifth album.... The haunted reveries of Sister remain with you for years, even if you only hear them once . Sister is the sonic manifestation of refracted light. It's a record that changes you."
One of Sonic Youth's most beloved albums, 1987's Sister incorporated the dissonance of their earlier releases into more traditional song structures. It's an innovative and thrilling work assuredly delivered by a band at the peak of their powers.1. Schizophrenia
2. (I Got a) Catholic Block
3. Beauty Lies In the Eye
4. Stereo Sanctity
5. Pipeline/Kill Time
6. Tuff Gnarl
7. Pacific Coast Highway
8. Hot Wire My Heart
9. Cotton Crown
10. White Cross$20.99Vinyl LP - Sealed Buy Now
A Place In The SunOpaque Orange Colored Vinyl - Limited To 1,000
First Time On Vinyl In US And First Time As A 2 LP
A Place in the Sun is the second studio album by the American rock band Lit. Produced by Don Gilmore, the album was released on February 23, 1999 through RCA Records. It is their first release through a major label. The album peaked at #31 on the US Billboard 200 and spawned the successful singles ''My Own Worst Enemy'', which reached #1 on Billboard's Modern Rock Tracks chart for eleven weeks, ''Zip-Lock'' and ''Miserable''. The song ''No Big Thing'', which originally appeared on their previous album Tripping the Light Fantastic, was re-recorded for this album. A Place in the Sun has been certified platinum by in sales by the RIAA, in the United States.Side A
3. My Own Worst Enemy
6. No Big Thing
2. Lovely Day
3. Perfect One
1. The Best Is Yet To Come Undone
2. A Place In The Sun
4. Down (Acoustic Version)
Etching$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
Anxiety's KissFounded by Louisville musician Ryan Patterson and including Kayhan Vaziri and Carter Wilson, power trio Coliseum have grown to become one of today's quintessential contemporary punk bands. Successfully melding progressive musicianship, hardcore fervor, and vital social awareness into one constantly evolving artistic vision.
Over the last decade Coliseum have released music on a host of labels including; Temporary Residence, Relapse, Level Plane, Auxiliary (Ryan's own label), and Deathwish.
"Anxiety's Kiss" is the new album from Coliseum, recorded at The Magpie Cage by producer/engineer J. Robbins (Jawbox, Burning Airlines). "Anxiety's Kiss" is a hook-laden maturation of the Coliseum sound. Nods to their early D-Beat leanings are there, but it is their willingness to embrace Post-Punk melody and explore the space between notes that make "Anxiety's Kiss" so alluring. Confidently growing within the punk world, without ever leaving it behind.
"We Are The Water" kicks things off with a synth-driven stomp while lyrically serving as a poignant social awakening and call for human empathy. Amidst a tangle and twang of melody, "Course Correction" and "Wrong/Goodbye" then emerge to tackle the ripe subjects of class division and police brutality. "Drums & Amplifiers" picks up pace, taking on those who reflect on their punk past rather than absorb the spirit that still charges the air around us. It's not all social and subcultural commentary though. The dizzying "Dark Light Of Seduction" and sultry "Sharp Fangs, Pale Flesh" (where J. Robbins guests performing the BulBul Tarang) are darkly provocative narratives about the power of lust and love. In soul and tone, they both interject an emotional underbelly to it all. Robbins also adds bass on "Comedown", an industrial-tinged romp led by Vaziri's baritone guitar and Wilson's booming toms. Coincidentally, it is also the first Coliseum song ever recorded to not feature Patterson on guitar. "Sunlight in a Snowstorm" is the band at their most melodic, with a snow-covered New York City as its lyrical backdrop. The high beam lit, cinematic noir of "Driver at Dusk" and infectious, fuzzed-out "Escape Yr Skull" lastly descend to close out the album. A flawless, yin and yang pairing that is Coliseum at the peak of their experimental and anthemic powers.1. We Are The Water
2. Course Correction
4. Drums & Amplifiers
5. Dark Life Of Seduction
6. Sharp Fangs, Pale Flesh
8. Sunlight In A Snowstorm
9. Driver At Dusk
10. Escape Yr Skull$15.99Vinyl LP - Sealed Buy Now
Lady, Give Me Your Key: The Unissued 1967 Solo Acoustic Sessions13 Previously Unissued Solo Acoustic Demos
Remastered From The Original Analog Tapes And Acetate
Booklet Includes In-Depth Interview With Buckley's Lyricist Larry Beckett
In 1967, the face of rock was changing. In that year alone there were debut albums from The Velvet Underground, The Doors, and Pink Floyd, to name a few. The Beatles had combined orchestration with their music-the result was Sgt. Peppers in June, the same month that Tim Buckley recorded Goodbye & Hello.
Buckley was no longer just another singer-songwriter with an acoustic guitar; he was drenched in acid-folk tinges of harpsichord and harmonium. Lyricist Larry Beckett embellished Tim's songs with introspective lyrics at times, worldly views at others. It was the first major triumph for Tim as an album artist, partially because there were a remarkable amount of pre-production demos that led to it.
Available here for the first time are these newly discovered master tapes, recorded by Goodbye & Hello's producer Jerry Yester, along with an ultra-rare acetate, found to be in co-songwriter (and best friend) Beckett's possession.
Of the 13 previously unreleased solo acoustic songs contained here, six of them did eventually appear with more expansive instrumentation on Goodbye & Hello (along with another four not included here). However, the crown jewel of this package is seven never-before-heard compositions. These will be new to even the most devoted Buckley fan. Arguably, two of them crept out decades after Tim's death (albeit, much different recordings than what you have here) but with little fanfare.
So much has been written about Tim Buckley but so little of it by people who actually knew him. This booklet, however, includes a detailed interview with both Larry Beckett and Jerry Yester, providing real insight on how these recordings came to be and attempting to uncover the man behind all the myths, the real Tim Buckley.
Several rarities releases in the 1980s and '90s shed light on his talent, especially the live recordings, but all of the studio material has generally been alternative versions of songs that fans already knew-until now. This is the first-ever posthumous release that reveals a wealth of previously unreleased and unheard tracks from Tim at the peak of his career. In short, you need this!1. Sixface
3. Lady, Give Me Your Key
4. Once Upon A Time
5. Once I Was
6. I Never Asked To Be Your Mountain
7. Pleasant Street
10. Carnival Song
11. No Man Can Find The War
12. I Can't Leave You Lovin' Me
13. She's Back Again$29.99Vinyl LP - Sealed Buy Now
Alive 1997Alive 1997 reveals the French duo Daft Punk as one of the brightest entertainers in the occasionally stale world of album-based electronic dance. True, techno and house DJs can light up a crowd like few others, but the increasing artist slant of electronica often results in push-button programming and straight-from-DAT live performances, with most of the heavy lifting relegated to the lighting supervisor and effects computers. This brief glimpse at Daft Punk's live show circa 1997 (their major breakout year) is a tour de force of high-energy theatrics and flair. Aside from the pair of WDPK interludes, Alive 1997 includes only three tracks, but they're so radically different from their album versions that they're only barely familiar. The duo's biggest hit so far, Da Funk, is stretched out to 16 minutes with a start-and-stop improvisation section that brings the crowd to a peak, while Rollin' & Scratchin' never looks back after breaking right on through the red-line. An energizing document, Alive 1997 is one of the few live records to approximate the excitement of the original live show.
- John Bush (All Music Guide)$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Lover, Beloved: Songs From An Evening With Carson McCullersWhen Suzanne Vega first discovered the novelist and short story writer Carson McCullers as a teenager, she thought, "If I ever want to play a character at any point in the future, I could play this woman." That time has arrived. On Lover, Beloved: Songs From An Evening With Carson McCullers, Vega inhabits McCullers' extraordinary character and renders the life of a woman who, revolted by the politics and racism of her upbringing in the American South, arrived in New York in her early twenties and became one of the literary lights of the 20th century. In such esteemed books as The Heart Is a Lonely Hunter (1940), Reflections in a Golden Eye (1941) and The Ballad of the Sad CafÉ (1951), McCullers used the South as a lens through which to view the painful, nearly always unrequited, search for love in a world that often punishes individual self-expression and rewards repression and emotional compromise. McCullers battled those limits in her life as well as her work - a personal heroism that makes her, in Vega's view, a figure of great contemporary significance. She was an instinctive rebel whose message of personal freedom resonates profoundly in our own insurgent age, nearly fifty years after her death at the age of fifty in 1967.
"I feel that McCullers' ideas and thoughts are very modern," Vega says, "and she incarnates them in a way that other authors don't. She tried to live them and paid a price for it. She would refer to herself in a kind of transgender way - she would say things like, 'I was born a man' -- and she probably was bisexual even if she didn't always act on it. She was one of the first females to write about civil rights and the struggles of blacks in the South. Also, she suffered several strokes and was disabled for pretty much the second half of her life. To use today's parlance, her life and work embodied human rights on just about every level - race, gender, trans, queer, disabled, youth."
The ten songs on Lover, Beloved are part of a two-act play in which Vega and another actress perform the role of McCullers at two historical moments that bookend her career: the first, set in 1941, when The Heart Is A Lonely Hunter propelled her to literary fame, and the second shortly before her death, as she movingly reflects on her life and work. There are also plans to perform it as a one-woman show. Vega wrote the script, and co-wrote eight songs with Duncan Sheik, the singer-songwriter whose keen theatrical sense helped create the Broadway hit show Spring Awakening and the current groundbreaking musical, American Psycho. (Two additional songs, "Carson's Blues" and "The Ballad of Miss Amelia," were co-written by Vega and pianist/composer Michael Jefry Stevens.) In songs like "New York Is My Destination," "We of Me" and "Lover, Beloved," you can hear the signature cool detachment of Vega's singing and revel in the characteristically incisive observation of her lyrics, many of which deftly draw on McCullers' own writing.
But the songs' elastic melody lines, loping rhythms, idiosyncratic instrumentation (including clarinet, harmonium, banjo, ukulele, trombone and accordion), and surprising arrangements (by guitarist extraordinaire Gerry Leonard, who also produced the album) are like nothing we've heard from Vega before. "It was great working with Duncan Sheik," Vega says. "All you have to do is give him the barest bones of an idea and then he delivers this fabulous piece of music." For "Annemarie," an aching ballad about an androgynous adventurer with whom both McCullers and her husband fell disastrously in love, Sheik delivered a lovely, simple melody that, Vega says, "practically made me cry. I couldn't believe how beautiful it was. I wanted something with all that yearning, and I love what he came up with." For "New York Is My Destination," which describes the youthful McCullers' vision of her future as a celebrated novelist, Vega says she wanted "something classic, something that sounded like Rodgers and Hammerstein, something glamorous," and, once again, Sheik delivered a melody that perfectly complemented the heady excitement of Vega's lyrics.
Overall, Lover, Beloved finds a sound that exists outside of time. It's traditional enough to suit the iconic quality of its subject; clever enough to capture her originality and daring; and contemporary enough to help establish McCullers as an avatar for this century as well as the preceding one. Most of the instrumentation is acoustic, but, in particular, Gerry Leonard's evocative, atmospheric electric guitar playing lifts the music into another, more imaginative realm. That McCullers herself was an accomplished, classically trained pianist - and that the lyricism of her writing reflects that innate musicality - only further enhances the shivery dynamic between words and music on the album.
In order to realize the theatrical quality of this project, Vega, with Sheik's encouragement and assistance, also handled her vocals in a different way. "Duncan really pushed me out of my comfort zone," Vega says. "I was shocked at how high he wanted me to sing. But he was like, 'No, no - you can hit that.'" Sheik's goal was to achieve a kind of sonic drama in Vega's vocals, "as much drama as he could squeeze out of me," she says. "It works for the character. McCullers is kind of childlike, and you can believe her singing in that naïve, simple way. I'm pushed beyond my limits in both the low notes and the high notes, and also the emotion. I definitely feel as if I was being pushed beyond what I usually do."
Unquestionably, rendering a character like McCullers in words and in sound represented a serious creative challenge. All the songs on the album attempt to capture the innermost feelings of a writer who was highly ambitious, immensely complicated and fiercely dedicated to her conception of herself and her work. She was simultaneously shy, introverted and wildly provocative, as "Carson's Blues," the album's opening song, announces: "A childish liar/A devilish bitch/I can be innocent and charming/And suddenly switch." "Harper Lee," a song Vega describes as "upbeat and bitchy," chronicles McCullers' sense of her place in the literary pantheon - a spot, in her view, well above the wildly successful author of To Kill a Mockingbird. ("I'd like to kill more than just that mockingbird," she sings.) "Instant of the Hour After" and "We of Me" all explore the loving and loathing, the sexual adventurism and missed emotional connections, that swirled inextricably in McCullers' marriage to a bisexual man who shared her literary ambitions but was never able to realize them. On the title track, Vega limns the dizzying dance of unsatisfied desire at the heart of McCullers' work: "The lover pursues,/The beloved one flees Each one alone/In the land of the heart."
"12 Mortal Men" indicts the provincialism and brutal racism of Columbus, Georgia, where McCullers grew up. "The Ballad of Miss Emilia" essentially recounts the plot of McCullers' novella, The Ballad of the Sad CafÉ, a saga, like so much of her writing, of failed joinings, loneliness, and proud, if isolated, survival. By the time the album concludes with "Carson's Last Supper," McCullers has abandoned the ideal of erotic desire in favor of a more universal love that could embrace all the various characters in her books and the many people in her life - as well as, perhaps most importantly, the ravaging contradictions within herself that both drove her art and caused so much hardship in her life.
With Lover, Beloved: Songs From An Evening With Carson McCullers, Suzanne Vega achieves a new peak in her already distinguished career. With these songs and the play they inhabit, she hopes that "a new generation of people will discover Carson McCullers, that they will realize how cool she is and how compellingly her work can speak to them. I want to put her on the stage again so that her spirit lives. Really, no one is excluded from the vision she defined. I'm so excited by the possibilities." In these beautifully transporting songs, many of those rich possibilities have already been realized. - Anthony DeCurtis1. Carson's Blues
2. New York Is My Destination
3. Instant of the Hour After
4. We of Me
6. 12 Mortal Men
7. Harper Lee
8. Lover, Beloved
9. The Ballad of Miss Amelia
10. Carson's Last Supper$18.99Vinyl LP - Sealed Buy Now
News Of The World (40th Anniversary Box Set)
Pure Analogue Re-Cut Of The Original Vinyl LP, Direct From The Unmastered Analogue Master Mix Tapes
Presented In A Facsimile Original Sleeve
Three Posters And A 60-page Book Of Images
Original Album On CD, Plus Two Further CDs Of Recently Unearthed Out-Takes And Rarities From The Band's Archives
Brand New One-Hour DVD Documentary, Queen : The American Dream
A special box set of Queen's landmark 1977 album News of the World is set for release, marking the 40th anniversary of the original release.
Originally launched in October 1977, News of the World is one of Queen's biggest selling albums of all time. It opens with two of the band's most indestructible worldwide hits, the Brian May-penned We Will Rock You and Freddie Mercury's We Are The Champions, monumental stadium anthems which remain a staple of major sporting events all around the world to this day. With songs written by all four band members, NOTW, Queen's sixth album, set a new standard in stylistic diversity, from Roger Taylor's proto-punk blast of Sheer Heart Attack to the salacious funk-rock groove workout Get Down Make Love, to the fragrant tropical calypso-pop Who Needs You. News of the World also features the hit Spread Your Wings, the epic rock saga It's Late and Freddie's wistfully romantic My Melancholy Blues.
The new package includes the original album on CD, plus two further CDs of recently unearthed out-takes and rarities from the band's archives, one of which is a newly created 'alternative' version of the whole album - Raw Sessions.
For many Queen devotees, this Raw Sessions CD will be the most intriguing component of the new release. Mined deep from long-vaulted studio multi-track tapes, this extraordinary parallel album brings to light never-before-heard alternative versions of each of the album's 11 tracks. Every lead vocal is different, as are most of the lead guitar parts and a great many other instrumental details. Here we experience We Are The Champions anew, with many unfamiliar vocal and instrumental elements, and for the first time at its full-recorded length rather than the edited 1977 album cut. Here also is the chance to discover peak era Freddie Mercury vocals on a track that nobody outside Queen's inner circle has heard him sing before at all - Brian May's All Dead, All Dead. The original album version features May himself on vocals. Roger Taylor's Sheer Heart Attack can be heard with its original long-lost guitar intro and uncut ending. Taylor's other song, Fight From The Inside, is more remarkable in that we hear his demo vocal worked on in his home studio in preparation for the next sessions, 'homework' that all of the band members would regularly carry out. As a point of note, Taylor plays all instruments on these two recordings, except for some lead guitar. In this age of digital leaks and obsessive fan culture, there is already great excitement that these recordings are, in 2017, truly New to the World.
The third CD in the package, Bonus Tracks, features a feast of previously released but hard-to-find versions of News of the World tracks recorded in concert, for radio shows, or in alternate mixes. Included is the band's entire five-song final live session recorded for BBC Radio in October 1977, seven live performances of NOTW songs, plus rare backing tracks and instrumentals of the Queen classics We Will Rock You, We Are The Champions, Spread Your Wings, Get Down, Make Love and Fight From The Inside. Also on this third disc is the seldom-heard US radio edit of It's Late, making its belated CD debut, and the rowdy stomper Feelings Feelings, which was recorded during the original NOTW sessions but not included on the final album.
Another outstanding feature of this weighty 40th anniversary box is another first - a pure analogue re-cut of the original vinyl LP, direct from the unmastered analogue master mix tapes. This exceptional album collector's piece is presented in a facsimile original sleeve. There is also a rich selection of NOTW related memorabilia including three posters and a 60-page book of images, mostly previously unseen.
The package is completed with a brand new one-hour DVD documentary, Queen : The American Dream, created from backstage material filmed during Queen's 1977 USA News of the World tour. In November that year, Queen embarked on another headlining US tour. The highly respected British radio and TV presenter Bob Harris, complete with full film crew, followed their journey as part of a proposed documentary that has remained incomplete and unreleased - until now. The crew had unlimited access to the band on and off stage, in the recording studio and during rehearsals. This one-hour documentary includes superb live footage of Queen at the Houston Summit in December. We also see moments from the birth of We Will Rock You and We Are The Champions, songs that would both earn a place in the Grammy Hall of Fame. Queen : The American Dream is a fascinating behind-the-scenes insight into a young British band at a creative peak, defying the odds as they take the USA by storm.
For casual fans and Queen connoisseurs alike, the new NOTW package, with its feast of extra material, is manna from Heaven - a bumper haul of buried treasure from a world-beating band in its prime.VINYL LP: The Original News of the World Album - new Pure Analogue Cut
1. We Will Rock You (May)
2. We Are The Champions (Mercury)
3. Sheer Heart Attack (Taylor)
4. All Dead, All Dead (May)
5. Spread Your Wings (Deacon)
6. Fight From The Inside (Taylor)
7. Get Down, Make Love (Mercury)
8. Sleeping On The Sidewalk (May)
9. Who Needs You (Deacon)
10. It's Late (May)
11. My Melancholy Blues (Mercury)
CD 1: The Original Album (Bob Ludwig 2011 master)
1. We Will Rock You (May)
2. We Are The Champions (Mercury)
3. Sheer Heart Attack (Taylor)
4. All Dead, All Dead (May)
5. Spread Your Wings (Deacon)
6. Fight From The Inside (Taylor)
7. Get Down, Make Love (Mercury)
8. Sleeping On The Sidewalk (May)
9. Who Needs You (Deacon)
10. It's Late (May)
11. My Melancholy Blues (Mercury)
CD 2: NEWS OF THE WORLD : RAW SESSIONS
1. We Will Rock You (Alternative Version)
2. We Are The Champions (Alternative Version)
3. Sheer Heart Attack (Original Rough Mix)
4. All Dead, All Dead (Original Rough Mix)
5. Spread Your Wings (Alternative Take)
6. Fight From The Inside (Demo Vocal Version)
7. Get Down, Make Love (Early Take)
8. Sleeping On The Sidewalk (Live in the USA, 1977)
9. Who Needs You (Acoustic Take)
10. It's Late (Alternative Version)
11. My Melancholy Blues (Original Rough Mix)
CD 3: NEWS OF THE WORLD : BONUS TRACKS
1. Feelings Feelings (Take 10, July 1977)
2. We Will Rock You (BBC Session)
3. We Will Rock You (Fast) (BBC Session)
4. Spread Your Wings (BBC Session)
5. It's Late (BBC Session)
6. My Melancholy Blues (BBC Session)
7. We Will Rock You (Backing Track)
8. We Are The Champions (Backing Track)
9. Spread Your Wings (Instrumental)
10. Fight From The Inside (Instrumental)
11. Get Down, Make Love (Instrumental)
12. It's Late (USA Radio Edit 1978)
13. Sheer Heart Attack (Live in Paris 1979)
14. We Will Rock You (Live in Tokyo 1982)
15. My Melancholy Blues (Live in Houston 1977)
16. Get Down, Make Love (Live in Montreal 1981)
17. Spread Your Wings (Live in Europe 1979)
18. We Will Rock You (Live at the MK Bowl 1982)
19. We Are The Champions (Live at the MK Bowl 1982)
DVD: QUEEN : THE AMERICAN DREAM (One hour)$149.99Vinyl LP + 3 CD + DVD Box Set - Sealed Buy Now
PompadourWouter Hamel (born 1977) is a Dutch Pop singer. After winning the Dutch Jazz Vocal Competition in 2005, Hamel received significant attention from the Dutch media. He has since performed on several television shows and on the internationally-known North Sea Jazz Festival. His debut album, for which he wrote all of the twelve songs, was released to critical acclaim. It peaked at #40 on the Dutch Albums Top 100. Hamel also released the song "Breezy" as a single in Japan, where it reached #36 on the Tokio Hot 100 chart. In 2011, Hamel released his third album Lohengrin and also supported Caro Emerald on her tour in Germany.
Wouter and producer Benny Sings joined forces for the new album Pompadour. Their combined efforts have previously resulted in two successful albums: Hamel (2007) and Nobody's Tune (2009). "The Lights" is a Pop song full of sparkle and warmth and it sets the mood perfectly for the upcoming album Pompadour.1. The Lights
3. Nothing Can Stay The Same
4. Double Dutch
5. New Disguise
7. Beautiful Misfits
8. Traveling Alone
9. Giant Move
11. Live A Little
12. Gretna Green
13. Sunny Days
14. Never Trust A Man$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now