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Pearl Jam Colored'
The Rock And Roll Hall Of Fame: Volume 2 (Colored Vinyl)
Limited Edition Red/Orange Swirl Colored Vinyl
Collectible All-Star, Jam-Filled Performances By Paul McCartney, Eddie Vedder, The Who, Axl Rose, Lindsey Buckingham, John Fogerty, Johnny Cash And More!
For over a quarter century, rock and roll's biggest stars have gathered annually on one special evening for an exclusive party: The Rock and Roll Hall of Fame Induction Ceremonies. Honoring music's most influential figures with the most prestigious of awards, it's also an evening where both artists and fans celebrate rock and roll with once-in-a-lifetime performances. For the first time on vinyl, Time Life has pressed a selection of the most memorable moments in the history of the induction ceremony, previously only available in digital and physical formats. ROCK AND ROLL HALL OF FAME LIVE: VOLUME 2 LIMITED EDITION is a unique, collectible vinyl album pressed in bold red/orange swirl featuring an unforgettable "set list" including the biggest names in rock 'n' roll.1. Whole Lot Of Shakin' Going On - Jerry Lee Lewis (2005)
2. Roadhouse Blues - The Doors With Eddie Vedder (1993)
3. Pinball Wizard - The Who And The Rock Hall Jam Band (1990)
4. Big River - Johnny Cash And The Rock Hall Jam Band (1992)
5. Come Together -- A Tribute To John Lennon - Bruce Springsteen And Axl Rose (1994)
6. Landslide - Stevie Nicks And Lindsey Buckingham (1998)
7. Groovin' - The Young Rascals (1997)
8. 634-5789 (Soulsville, U.S.A.)/Mustang Sally/Land Of 1000 Dances Medley -- A Tribute To Wilson Pickett - Solomon Burke, Marc Broussard & Leela James (2006)
9. Green River - John Fogerty & Friends (1993)
10. Let It Be - Paul McCartney And The Rock Hall Jam Band (1999)$25.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
I Am Mine / Down
Turquoise Colored Vinyl
I Am Mine was written by vocalist Eddie Vedder and was originally released on October 8, 2002. It was the first single from the band's seventh studio album, Riot Act (2002).1. I Am Mine
2. Down$8.99Colored 7 Vinyl Single - Sealed Buy Now
Light Years / Soon Forget
Yellow Colored Vinyl
Light Years features lyrics written by vocalist Eddie Vedder and music co-written by Vedder and guitarists Mike McCready and Stone Gossard. It was originally released on July 18, 2000 as the second and final single from the band's sixth studio album, Binaural (2000).1. Light Years
2. Soon Forget$8.99Colored 7 Vinyl Single - Sealed Buy Now
Into The Wild (Soundtrack)Import
Includes 24-page full color booklet.
Taking a break from his day job fronting rock heavyweight Pearl Jam, Eddie Vedder immerses himself into the big-screen story of a young man who gives all his money to charity and hitchhikes to a new life, and his eventual death, in the wilds of Alaska. Prompted by the film's creator, Sean Penn, to contribute to the musical score, the Seattle musician tackled the entire project, playing every instrument on the soundtrack's nine originals and two cover songs.1. Setting Forth
2. No Ceiling
3. Far Behind
5. Long Nights
7. Hard Sun
9. The Wolf
10. End of the Road
11. Guaranteed$44.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Nothing As It Seems / Insignificance
Turquoise Colored Vinyl
Nothing as It Seems was written by bassist Jeff Ament and was originally released on April 25, 2000 as the first single from the band's sixth studio album, Binaural (2000).1. Nothing As It Seems
2. Insignificance$8.99Colored 7 Vinyl Single - Sealed Buy Now
Save You / Other Side
Save You was originally released on February 11, 2003 as the second single from the band's seventh studio album, Riot Act (2002).1. Save You
2. Other Side$8.99Colored 7 Vinyl Single - Sealed Buy Now
Such Blinding Stars For Starving EyesBlue With White Starburst Colored Vinyl
After 20 years, Cursive's first record, Such Blinding Stars for Starving Eyes, has finally been remastered and
reissued on glorious colored vinyl. Remastering done by Ed Brooks (Mastodon, Minus the Bear, Fleet Foxes, Pearl
Jam) and reproduction of the artwork by Grammy winning graphic designer Zack Nipper, this is a lovingly reissued
album sure to please Cursive fans new and old as well attract new listeners. Limited edition, 180g LP is blue with
white starburst.1. After the Movies
2. Downhill Racers
3. Ceilings Crack
4. The Dirt of the Vineyard
5. Target Group
6. Eight Light Minutes
8. Dedication to Desertion
9. Warped the Wood Floors
11. The Farewell Party$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Storms Of Early Summer: Semantics Of SongClear With White Smoke Swirl Colored Vinyl
After almost 20 years, Cursive's second album, The Storms of Early Summer: Semantics of Song, has been
remastered and will finally be available on vinyl for the first time in the US. Remastering done by Ed Brooks
(Mastodon, Minus the Bear, Fleet Foxes, Pearl Jam) and faithful reproduction of the artwork by Grammy winning
graphic designer, Zack Nipper. Limited edition, 180g LP is clear with white smoke swirl.1. The Rhyme Scheme
2. A Career in Transcendence
3. The Road to Financial Stability
5. Break in the New Year
7. Semantics of Sermon
8. A Little Song and Dance
9. When Summer's Over Will We Dream of Spring
10. Northern Winds
11. Absence Makes the Day Go Longer$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Emperor Of Sand (Pink Vinyl)Pressed On Pink Colored Vinyl
Emperor Of Sand finds Mastodon returning to a deeply imaginative and complex conceptual storyline that ponders the nature of time. Threading together the myth of a man sentenced to death in a majestically malevolent desert, the band conjures the grains of a musical and lyrical odyssey slipping quickly through a cosmic hourglass. Emperor of Sand is like the grim reaper, says drummer/vocalist Brann Dailor. Sand represents time. If you or anyone you know has ever received a terminal diagnosis, the first thought is about time. Invariably, you ask, 'How much time is left?'
We're reflecting on mortality, adds bassist/vocalist Troy Sanders. To that end, the album ties into our entire discography. It's 17 years in the making, but it's also a direct reaction to the last two years. We tend to draw inspiration from very real things in our lives.
Emperor Of Sand was recorded at The Quarry Recording Studio in Kennesaw, just outside Mastodon's hometown of Atlanta, with producer Brendan O'Brien (Pearl Jam, Neil Young, AC/DC, Rage Against The Machine), who first worked with Mastodon on their seminal 2009 album Crack The Skye.LP 1
1. Sultan's Curse
2. Show Yourself
3. Precious Stones
5. Roots Remain
6. Word to the Wise
1. Ancient Kingdom
4. Scorpion Breath
5. Jaguar God$39.99Colored Vinyl LP - 2 LPs Sealed Buy Now
AbovePearl Jam + Alice In Chains + Screaming Trees = Mad Season. Includes 3 songs from mythical unfinished second album with NEWLY RECORDED vocals by Mark Lanegan.
Previously unreleased instrumental Interlude, Remixed version of John Lennon cover I Don't Wanna Be A Soldier, 180 Gram, 2LP gatefold
Think of the one-shot Seattle supergroup Mad Season as the grunge version of sober living. Guitarist Mike McCready, best known as the main six-string slinger in Pearl Jam, met bassist John Baker Saunders while in rehab, and the two paired with Screaming Trees' drummer Barrett Martin and Alice in Chains vocalist Layne Staley, partially in hopes of steering the singer onto the path of the straight and narrow. Ultimately, the plan didn't pan out, but for a brief while, the quartet -- who adopted the name Mad Season -- did have their moment of clarity, captured on the 1995 album Above. There was a single issued to modern rock radio -- River of Deceit -- but this record downplayed easy hooks and melody in favor of churning introspection and slow vamps that occasionally flirt with blues (the never-ending 12-bar Artificial Red, balanced by the distorto riffs of I Don't Everything), but usually conjure nothing more than the dank sludge of Seattle. Mad Season aren't quite mired in the darkest areas of grunge -- they're clever enough to let a saxophonist lend color to Long Gone Day -- but the lack of melodicism is a bit of a drag over the long haul, turning Above into a bit of heavy mood music. In a sense, it's the id of Seattle run rampant: all the bands involved, outside of Saunders' Walkabouts and Martin's Trees (who were nevertheless considerably more popular than Saunders' group), enjoyed commercial success in 1995, so they could have gotten away with anything and, in a sense, they did, as a major-label actually released this turgid bit of soul-baring heavy rock. McCready gets plenty of room for his elliptical guitar, the players has space to dig into their minor-key vamps, Staley essays his only set of completely original lyrics, but the whole thing feels kind of inert and indulgent, which may be appropriate for a band treating rock & roll as therapy.
-All Music GuideLP1
1. Wake Up
2. X-Ray Mind
3. River Of Deceit
4. I'm Above
5. Artificial Red
6. Lifeless Dead
7. I Don't Know Anything
1. Long Gone Day
2. November Hotel
3. All Alone
6. Black Book Of Fear*
7. Slip Away*
8. I Don't Want To Be A Soldier (Remix)
*Previously unreleased$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Handwritten (Awaiting Repress)
Blue Colored Vinyl
The late Nashville songwriter Harlan Howard famously defined the ingredients of a great song as three chords and the truth. Every songwriter knows three chords, but laying bare the truth? Now that can be an altogether trickier affair. In January of 2012, The Gaslight Anthem piled into their old tour van and headed across the New Jersey state line for a 14 hour road trip to Nashville on their own quest for the truth. Their destination was 2806 Azalea Place, Nashville, Blackbird Studio, where the New Brunswick quartet had booked five weeks recording time with producer Brendan O'Brien (Bruce Springsteen, Pearl Jam, AC/DC). Their mission: to reconnect with rock 'n' roll in its most feral, pure, stripped-raw form.
Brian Fallon was thirteen years old when he discovered The Clash's self-titled debut album in the racks of Sound Effects Records in Hackettstown, New Jersey: the owner of the store promised the young teenager that the record would change his life. He wasn't wrong. But there was a time, not so very long ago, when The Gaslight's Anthem frontman had grown weary of the sound of electric guitars. After three albums of soulful, impassioned, hearts-on-fire punk rock, Sink Or Swim (2007), The '59 Sound (2008) and American Slang (2010), Fallon needed a change of pace, a change of scenery.
And so, in January of 2011, together with TGA guitar tech Ian Perkins, he formed The Horrible Crowes, a darkly melancholic side-project inspired by his love of The Afghan Whigs, Tom Waits and PJ Harvey. After the band's acclaimed debut album Elsie dropped in September, Fallon joined fellow punk rock troubadours Chuck Ragan, Dan Andriano (Alkaline Trio) and Dave Hause (The Loved Ones) on the acoustic Revival Tour, airing stripped-down versions of Gaslight Anthem and Horrible Crowes songs to packed rooms across Europe. And then he returned home to New Jersey and Gaslight, re-energized, renewed and ready to make a full-tilt rock 'n' roll record again.
After six weeks of that there's nothing you want to hear more than a Marshall stack turned all the way up, he says with a laugh. The result is Handwritten, the most committed, affecting and compelling album of The Gaslight Anthem's career to date. Introduced by muscular lead-off single 45, which received it's world premiere on BBC Radio 1 as Zane Lowe's Hottest Record In The World on April 30, it finds the Jersey boys in inspired form, decanting '60's soul, '70's stadium rock, '80s hardcore and '90's grunge into eleven white-knuckle, blue-collar everyman anthems. Fallon likens its incandescent electrical storms to Tom Petty songs (being) played by Pearl Jam. Put more simply, it's a supercharged American rock 'n' roll classic.
We've taken everything we do and gone to 10 with it, explains Fallon. This is definitely the Gaslight Anthem record I would want next, if I were a fan. American Slang was cool, but this sounds like a band who has plugged back into the electric socket again. I think these songs are the closest thing to what we should have always sounded like, adds guitarist Alex Rosamilia. We just hadn't figured out yet how to play it right.
Fallon credits Brendan O'Brien for capturing the raw, live-off-the-floor feel of Handwritten. Fine-tuned in the living room of the small rental house the band shared in Nashville, its eleven tracks were recorded with the whole band eyeball-to-eyeball in one room at Blackbird, vibing off one another's energy. The electricity in the recordings is tangible. Brendan taught us a ton about songwriting and recording as a band, Fallon notes. The whole experience was amazing. That's the guy that recorded Pearl Jam, that's the guy that recorded Bruce Springsteen, that's the guy that did Rage Against The Machine; and that's the guy you want to say 'It's good', because when he says it's good, that's when it's good.
The purity of O'Brien's stark, unadorned recording process served to inspire Fallon's approach to the lyrical themes on Handwritten too. Where previous Gaslight Anthem albums evoked deathless images of Americana, all Cadillacs, jukeboxes, Ferris wheels and wistful, romanticized vignettes of star-struck lovers disappearing into the great wide open, Handwritten is rooted in Fallon's own experiences, lending the record a more immediate, emotional edge. Now I am no angel but I got nothing to hide, the singer rasps on the brooding grunge-noir of Too Much Blood. Can you say the same thing for yourself tonight?
It's supposed to be a letter to whoever is listening, says Fallon. Like, this is what we got beat up by and maybe you did too. There's so many things that I just never wrote about, real personal stuff that I just wasn't ready to talk about yet. Now I think being an adult I have some reflection on it. We wanted to look back on the music that we first found when we were in high school. The truth is, if you're my age, you were listening to Peal Jam and Nirvana and Soundgarden. When that music came out these were guys that we could relate to. They weren't the biggest bands in the world by accident.
And it's no accident either that with Handwritten, the Gaslight Anthem themselves sound built to take on the world. After years paying their dues in the punk rock underground, their major label debut is assuredly the work of a young band who know their time is now. And their laidback, charismatic frontman is ready. I've always been ready for arenas, Fallon smiles. I've just been waiting for them to catch up to me. I want to play Giant Stadium, I always wanted to be a major label, major league band. If I can be the kid that's on the cover of Time magazine, I'll take it. And I'll buy you a drink while I'm at it.1. 45
3. Here Comes My Man
4. Mulholland Drive
6. Too Much Blood
8. Biloxi Parish
11. National Anthem$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Cosmic PriestessFor well over a decade now, Tia Carrera have been melting minds with their own twist on the '70s rock n' roll jam. Mostly improvised, each live show is more of an experience than a performance, transporting you from wherever you are to places you didn't even know existed.
Erik Conn, Jason Morales and now permanent member Jamey Simms have taken their music to a new level both live and in the studio. Simms and Morales switch instruments seamlessly, sometimes mid-jam while Conn whales on, taking the listener on a wild, mind altering ride.
Their new release Cosmic Priestess, Small Stone 2011, highlights these elements to near perfection, bringing to the music new depths and lengths. Whether you're strapped to a chassis of a Texas hot rod in Slave Cylinder, exploring the colorful world of a coral reef in Sand, Stone and Pearl or three quarters of the way through the near 33 minute Saturn Missile Battery, Tia Carrera's improvisational scores will not disappoint.1. Slave Cylinder
2. Sand, Stone And Pearl
3. Saturn Missile Battery$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Tomorrow Is My TurnRhiannon Giddens, singer, songwriter, multi-instrumentalist, and founding member of Grammy Award-winning Carolina Chocolate Drops, makes her solo recording debut with Tomorrow Is My Turn, due out on Nonesuch Records. (The vinyl will follow on March 3.) The album was produced by T Bone Burnett.
Burnett first worked with Giddens when she performed last fall at a concert he curated at New York City's Town Hall that was later broadcast on Showtime: Another Day, Another Time: Celebrating the Music of "Inside Llewyn Davis." Backstage, Burnett was immediately moved to ask if he could produce a record with her. "It was clear the first time I heard her at rehearsal that Rhiannon is next in a long line of singers that include Marian Anderson, Odetta, Mahalia Jackson, Rosetta Tharpe," Burnett says. "We need that person in our culture."
For her first solo disc, Giddens chose a broad range of songs from genres as diverse as gospel, jazz, blues, and country. In addition to the traditional "Black Is the Color," tracks include Hank Cochran's "She's Got You," made famous by Patsy Cline; Dolly Parton's "Don't Let It Trouble Your Mind"; "O Love Is Teasin'," popularized by the Kentucky-reared "mother of folk" Jean Ritchie; and Elizabeth Cotton's "Shake Sugaree."
"I had already started putting together a list of songs that didn't really fit into the Chocolate Drops world," Giddens explains. "At the top was 'Tomorrow Is My Turn' [immortalized by Nina Simone]. Seeing Nina do it on YouTube was revelatory. I knew she'd gone through a lot of hard times, as so many people did in that time period. Watching her sing this song, with the words 'tomorrow is my turn,' I began to think about the struggle of her and women like her." The significance of this song led Giddens to make it the title of the album as well. "Other songs started getting on my list and they were all by women or interpreted by women," she says.
Tomorrow Is My Turn was recorded in Los Angeles and Nashville, with a multi-generational group of players whom Burnett assembled. Among them are fiddle player Gabe Witcher and double bassist Paul Kowert of label-mates Punch Brothers; percussionist Jack Ashford of Motown's renowned Funk Brothers; drummer Jay Bellerose; guitarist Colin Linden; legendary backup singer Tata Vega; veteran Nashville session bassist Dennis Crouch; and Giddens' Drops touring band-mates, multi-instrumentalist Hubby Jenkins and beat-boxer Adam Matta.
Tomorrow Is My Turn follows Giddens' work with Elvis Costello, Taylor Goldsmith, Jim James, and Marcus Mumford on Lost On The River: The New Basement Tapes, an album also produced by Burnett that was released in November 2014. Her contribution was hailed by Rolling Stone magazine as the "showstopper evoking antebellum blues with a magnificent voice that interrogates the myths stirred up at Big Pink." The New York Times agreed, saying "On lead vocals she's the album's revelation, singing melodies that hark back to Celtic modes with a decisive presence and a haunting grace."1. Last Kind Words
2. Don't Let It Trouble Your Mind
4. She's Got You
5. Up Above My Head
6. Tomorrow is My Turn
7. Black Is the Color
8. Round About the Mountain
9. Shake Sugaree
10. O Love Is Teasin'
11. Angel City$22.99Vinyl + CD - Sealed Buy Now
TigerFace (Awaiting Repress)Over three previous studio albums, pianist/sound-sculptor/songwriter Marco Benevento has set forth a vision for instrumental music that connects the dots between Explosions In The Sky and Tortoise on one side, Brian Eno and Brad Mehldau on the other. On his fourth studio recording, 'Tigerface', the 34-year old artist takes the next step forward in this evolution. Benevento paints his songs in a myriad of sonic colors, shimmering in acoustic piano, synths and analog keyboards. The tunes themselves conceptualized from seemingly every wisp of melody, hook and cadence that s ever tickled his ear. The album was recorded and mixed by Tom Biller (Silversun Pickups, Fiona Apple) and Bryce Goggin (Pavement, Akron/Family), while Benevento invited a stellar cast of musicians to help capture his ideas, including drummers Matt Chamberlain (Bill Frisell, Pearl Jam), John McEntire (Tortoise, The Sea & The Cake) and Andrew Barr (The Barr Brothers), bassists Dave Dreiwitz (Ween), Reed Mathis (Tea Leaf Green) and Mike Gordon (Phish), violinist Ali Helnwein (Traction Avenue Chamber Orchestra) and saxophonist Stuart Bogie (Antibalas, Superhuman Happiness). For the first time on record he uses vocals, inviting Kalmia Traver (Rubblebucket) to sing on the infectious dance rock rave-up 'Limbs Of A Pine' and the pastoral psych rock meditation 'This Is How It Goes'. Other standouts include the angelic Arcade Fire meets The Flaming Lips anthem 'Eagle Rock', the soaring garage psychadelia of 'Going West', the piano riff rock jaunt 'Escape Horse', and the happily lilting 'Fireworks', which bounces along like a long lost Italian folk song beamed down to him by ancestors from his father s homeland. As anybody who's seen Benevento perform live can attest, the pianist eyes closed, smile wide across his face, fingers free-flowing across the keys is a satellite to the muse. 'Tigerface', indeed, is the commitment to this idea; a record that rides the yes wave and in the process becomes a soundtrack for fellow travelers chasing the horizon ahead.1. Limbs Of A Pine
2. This Is How It Goes
4. Going West
5. Eagle Rock
7. Do What She Told You
8. Escape Horse
10. This Is How It Goes (instrumental)$16.99Vinyl LP - Sealed AWAITING REPRESS Buy Now