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Pearl Jam Hits'
Backspacer (Awaiting Repress)
Includes 24 Page Booklet
Original Art by Tom Tomorrow.
Monkeywrench/Republic records is making the classic Pearl Jam album "Backspacer" available to all retailers for the very first time! Originally released on
September 20th 2009, the album contains 11 tracks including the hit single "The Fixer".
Since their inception in 1991, Pearl Jam has sold more than 60 million albums worldwide. The band has released nine studio albums, five live albums,
hundreds of live concert bootlegs, one double-disc b-side record, one double-disc greatest hits record and five live DVDs. In 2011, Pearl Jam celebrated
their 20th anniversary with a special concert weekend at Alpine Valley, WI followed by the release of Cameron Crowe's film, Pearl Jam Twenty, along with an accompanying book and soundtrack of the same name.
1. Gonna See My Friend
2. Got Some
3. The Fixer
4. Johnny Guitar
5. Just Breathe
6. Amongst The Waves
7. Unthought Known
9. Speed of Sound
10. Force Of Nature
11. The End$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Drive All NightThe Drive All Night EP is anchored by Glen Hansard's compelling studio recording of the Bruce Springsteen classic, a live highlight of his 2012 tour with Eddie Vedder. Eddie rejoins Glen here to recreate the magic of their onstage performances, singing harmony vocals as Jake Clemons, nephew of the late great Clarence Clemons, plays saxophone. The whole track becomes a tribute to Springsteen and his musical and activist legacy: Hansard performed the song with Springsteen on stage in Ireland in what quickly became a viral YouTube hit with Hansard donating profits from the EP to Clarence Clemons' Little Kids Rock foundation. With three additional new Hansard originals, this EP will be a must have for fans of Glen Hansard and Eddie Vedder and the thousands of fans who saw their tour, along with Springsteen fans who have already embraced Glen's version online.1. Drive All Night
2. Pennies in the Fountain
4. Step out of the Shadows$11.99Vinyl EP - Sealed Buy Now
As Good As DeadLocal H will dig into their back catalog and release their breakthrough album As Good As Dead on 180 gram vinyl via srcvinyl. This re-issue marks the first time that the album will ever be available in this format. The high-quality, double LP will have a premium gatefold jacket and insert.
As Good As Dead, Local H's second full-length album, was produced by Steven Haigler (Quicksand, Pixies) and was originally released on April, 16, 1996 on Island Records on CD and cassette. The record was the band's first foray into making a concept album and is centered around life in a dead-end, small town. Venerable rock critic Robert Christgau gave the album a stellar A- review in the Village Voice, writing, at the time, "...I wish Pearl Jam, whose leader stars in the title song, packed such isometric power -- that sense of tremendous force bravely exerted against implacable reality -- and I say the exercise makes all of us stronger."
"The question I get asked the absolute most is when are we gonna put the older records out on vinyl?" says Local H frontman, Scott Lucas. "Here's the answer -- in the best possible way. The package is looking pretty good and I'm ALMOST as excited as anybody to finally drop the needle on this album -- on double vinyl, at last."
As Good As Dead spawned four modern rock radio hits including the above-referenced "Eddie Vedder," "Fritz's Corner," "High-Fivin' MF" and "that copacetic song" -- "Bound for the Floor," a track that remains a staple on alternative radio station playlists around the the country two decades later. The band made videos for each of the singles.
Local H, whose members during this time period were Lucas and original drummer Joe Daniels, toured the U.S. non-stop for two years after As Good As Dead was released, headlining their own small and large club shows; opening for Silverchair in bigger venues and Stone Temple Pilots in even bigger arenas (including Madison Square Garden in New York and Rosemont Horizon in Chicago); and performing to audiences of thousands at radio station festivals across the the country, including 1997's HFStival at RFK Stadium in Washington, DC. They toured Australia and played some played some European shows on this album, as well.LP 1
1. Manifest Density Pt. 1
2. High-Fiving MF
3. Bound For The Floor
4. Lovey Dovey
5. I Saw What You Did And I Know Who You Are
6. No Problem
7. Nothing Special
1. Eddie Vedder
2. Back In The Day
3. Freeze-Dried (F)lies
4. Fritz's Corner
6. Manifest Density Pt. 2$32.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
Big Fish SoundtrackImport
180 Gram Audiophile Vinyl
Gatefold Sleeve / 4-Page Booklet
PVC Protective Sleeve
The soundtrack to Tim Burton's neo classic moving picture Big Fish (2003), starring Ewan McGregor, Helena Bonham Carter, Marion Cotillard and Jessica Lange, collects classic Pop songs and a score of longtime collaborator Danny Elfman (Edward Scissorhands, Tim Burton's The Nightmare Before Christmas, Mars Attacks! and others).
The 2LP soundtrack also contains a new song from Pearl Jam, specifically written for the movie: Man of the Hour. The soundtrack's Pop songs range from Bing Crosby's early-'30s Jazz hit Dinah to the '50s nostalgia of Buddy Holly's Everyday and Elvis Presley's All Shook Up, right up to the '60s and '70s recollections of Canned Heat's Let's Work Together and Ramblin' Man by the Allman Brothers Band.
The album was nominated for the Academy Award and the Golden Globe Award for Best Original Score.LP 1
1. Pearl Jam - Man Of The Hour
2. Bing Crosby - Dinah
3. Buddy Holly - Everyday
4. Elvis Presley - All Shook Up
5. The Vogues - Five O'Clock World
6. The Allman Brothers Band - Ramblin' Man
7. Canned Heat - Let's Work Together
8. Danny Elfman - Pictures
9. Danny Elfman - Big Fish (Titles)
10. Danny Elfman - Shoe Stealing
11. Danny Elfman - Underwater
12. Danny Elfman - Sandra's Theme
1. Danny Elfman - The Growing Montage
2. Danny Elfman - Leaving Spectre
3. Danny Elfman - Return To Spectre
4. Danny Elfman - Rebuilding
5. Danny Elfman - The Journey Home
6. Danny Elfman - In The Tub
7. Danny Elfman - Sandra's Farewell
8. Danny Elfman - Finale
9. Danny Elfman - End Titles
10. Danny Elfman - Jenny's Theme
11. Bobbi Page And Candice Rumph - Twice The Love (Siamese Twins' Song)$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
RideFor his fiftieth birthday, Anthrax guitarist Scott Ian wanted one present more than any other - the reunion of one of his favorite unsung heroes, Mother Superior - only he wanted to be a part of the lineup. They're a great, classic band that hit me in the same spot as all my favorite '70s bands, whether it's UFO, Ted Nugent, Cheap Trick or KISS, Ian explains. I knew getting to play with them would be like joining KISS.
Thanks to Scott's wife Pearl Aday, who has been working with Mother Superior front man Jim Wilson for years, all it took was a quick phone call and the stage was literally set for Scott's dream gig.
The band, which quickly gained the interests of Joey Vera (Armored Saint/Fates Warning) and John Tempesta (White Zombie, The Cult) called itself Motor Sister after the Mother Superior song Little Motor Sister and got together the day before the party to rehearse in Ian's jam room. The energy in the room was amazing, Ian says. It felt awesome. It was just something we did for fun and to celebrate my birthday.
The minute I started to play with Scott, Joey and John the chemistry was amazing, Wilson says. We sounded like a band that had been together forever. Enthralled at the idea of making a record of his favorite Mother Superior songs, Ian contacted producer Jay Ruston (Anthrax, Steel Panther, Stone Sour) and asked if he thought it was possible to recapture the same spontaneous energy generated at their makeshift gig. He said, 'Yeah, we can make the record in two days and we can make it sound really good.' So that's what we did, Ian says. A week and a half later, we made the record in LA over a two day period. We recorded the whole thing live in the studio.
While everyone in Motor Sister is busy with their day jobs, they are all interested in playing live as much as possible. We are a great live band Ian says. We proved it to ourselves in my jam room. It was our ability to play live together that made this happen and I can see us getting onstage and playing this shit back-to-back, Ramones-style, and just blowing people's minds with the power of these songs. And the door is always open to write more material because Pearl and Jim are always working together and I'm always with them. So we'll see what happens in the future.LP 1
1. A Hole
2. This Song Reminds Me of You
3. Beg Borrow Steal
4. Fool Around
5. Get That Girl
6. Head Hanging Low
1. Fork in the Road
2. Little Motor Sister
3. Pretty in the Morning
6. Devil Wind$30.99Vinyl LP - 2 LPs Sealed Buy Now
Hard Times Are RelativeOur favorite songs are like one-night stands: passionate or sad, capable of recalling moments with Proustian power. Our favorite artists are lifelong companions: fixtures we turn to for comfort and highs.
Over the last two decades, Jason Boland and the Stragglers have delivered and become both.
"We've always just wanted to entertain ourselves and put out music that would be a part of people's lives, not just something passing to them," says Boland. "We want to be something more monolithic." He pauses and grins as he adds, "We're just a social experiment at this point."
Boland is talking about the deep body of work he's created with his band of jangly honky-tonk aces, the Stragglers--Grant Tracy on bass; drummer and background vocalist Brad Rice; Nick Worley on fiddle, mandolin, and harmonies; and Cody Angel on guitar and pedal steel. Fronted and co-founded by Boland with Tracy and Rice, the band has featured only a handful of other members over the last 20 years, all of whom--whether they're currently Stragglers or not--are like brothers. As they've independently sold more than half a million albums, the outfit has packed iconic dancehalls, theaters, and other big rooms across the country.
With their new record Hard Times are Relative, Boland and the Stragglers stack the smart, road-ready outlaw country longtime fans have come to expect alongside creative risks that flirt with punk and psychedelic sounds. The 10-song collection is a rare blend of instantly gratifying and rewarding of closer listens--a definitively Stragglers accomplishment. "It's an upbeat album--a lot of fast songs, but it doesn't try to be fast," Boland says with characteristic insight. "It just sits in the pocket."
No one has combined Woody Guthrie's conscience with Waylon Jenning's panache quite like Boland and the Stragglers. Since debuting in 1999 with the Lloyd Maines-produced Pearl Snaps, the band has matured without taming their refreshing irreverence. "We always joke that we try to take as much as we can from Lloyd and apply it to producing our own records," Boland says. "We've worked with him so many times. The most obvious thing he taught us is: just be musical. Don't hammer through the songs like a garage band all the time."
That mix of subtle musical sophistication and unruly Oklahoma junkyard pedigree has resulted in some of the best independent honky tonk in recent memory. "You just have to be where you are--keep plugging away and doing the best you can at any moment," Boland says, reflecting on their career thus far. "For a bunch of slackers [like us], that's not too terribly tough."
Co-produced by the Stragglers, David Percefull, and Adam Odor, Hard Times are Relative is the band's ninth studio record. All songs were recorded live to tape and without the use of any computers--now a Stragglers' hallmark. Upbeat steel guitar kicks off album opener "I Don't Deserve You" before Boland's signature baritone thunders in, smooth and stronger than ever. When fellow sly honky-tonk champ Sunny Sweeney joins him in out-front harmonies, the two become the rootsy dream team you never knew you always wanted.
The album's title track is a masterpiece: an epic story song about a young orphaned brother and sister depending on the land and one another. Rich details layered over strings paint a scene that's compelling and lush. The song has become one of Boland's favorites. "Folk music is hard to write. Country music is hard to write," he says, reflecting on the difficulty of spinning a long tale while keeping it simple and engaging. "When you hit your own little tuning fork in your head, that one is a hard sell, even to me. But I enjoy that song."
"Right Where I Began" sounds like vintage Stragglers: clever wordplay and muscly guitars ready for two-steppers. Fiddle and vocal showcase "Searching for You" shows off Rice's and Worley's harmonies that are downright divine. Crunchy guitars drive "Dee Dee OD'd" as Boland offers another round of wry observations. Easy gem "Going Going Gone" makes a solid argument for fiddle in rock-and-roll as Boland deftly turns a baseball metaphor into a classic leaving song.
Gorgeous waltz "Do You Remember When" bemoans some of modern life's emphasis on disposability and the dismissal of heritage. Rollicking "Tattoo of a Bruise" picks up the same idea, and is tongue-in-cheek country doo-wop, fueled by fiddle, steel, and drums. "I'm not judging anybody," Boland clarifies. "Our music has always called it like we see it, right or wrong, smarter or dumber."
Praise for the past but acknowledgement of nostalgia's limitations is a career-long theme for Boland, and one that this record continues to carry. "We don't want to lose the chili recipes and the Schroeder Halls because people are moving on to faster, louder, and newer," he says. "But instead of just hemming and hawing, remembering what's old and gone, we want to have new experiences within those frameworks--make memories with what's left of the good stuff."
With lines like "Empty pockets don't mean you need money / It's just another place to put your hands / And focus on that rock you've been kicking / One day it's going to be a grain of sand," "Predestined" challenges listeners as it soothes. The song is a lyrical victory for Boland, who's long-since become a master of distilling heady ideas into digestible nuggets.
Penned by Oklahoma music godfather Randy Crouch, "Grandfather's Theme" serves as the album's climactic closer. Attacked with psychedelic ferocity by the band, the song picks up the record's recurring concepts of the ground's insistence on shifting, inevitability, and our complex relationship with the past. Stripped down as Boland sings, the song soars off into a trippy, robust jam-band send-off--a serious triumph especially considering it's a defiantly analog recording. "We're fighting the digital world because they can make it so huge," Boland says, discussing the balancing act of filling out songs while letting them breathe. "I'm really proud if what we did."
As he mulls over where the Stragglers have been and where they're headed, Boland comes back to one idea over and over again: he and his band are who they are, and with that genuineness comes grit, beauty, and staying power. "We're fortunate that we're not trying to fool anybody," he says. "That's what it comes down to. We're all loners but somehow a team. Now that I can look at it all, I can see: it's been fun."
Here's to the next 20 years.1. I Don't Deserve You
2. Hard Times Are Relative
3. Right Where I Began
4. Searching For You
5. Do You Remember When
6. Dee Dee OD'd
7. Going Going Gone
8. Tattoo of a Bruise
10. Grandfather's Theme$18.99Vinyl LP - Sealed Buy Now