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Permanent Waves

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  • Timeless Wavelength Timeless Wavelength Quick View

    $32.99
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    Timeless Wavelength


    Double 140g Vinyl LP In A Gatefold Sleeve


    Recorded Live At Kiel Auditorium, St Louis, Missouri, Usa, February 12, 1980


    Mastered At Abbey Road Studios, London


    Timeless Wavelength is a high quality vinyl-only 1980 double live set from one of the
    biggest rock groups in history, recorded live at Kiel Auditorium, St Louis, Missouri, USA, February 12, 1980.


    Rush are Canada's biggest rock export, with millions of sales of their nineteen studio albums recorded between 1974 and the present day.
    Formed in Toronto at the end of the 1960s, it was their second album Fly By Night which saw drummer Neil Peart join forces with singer / bass player Geddy Lee and guitar gunslinger Alex Lifeson on the path to rockstardom. Which came in 1976 with their fourth album 2112, the sci fi concept piece that fills side one being performed on Timeless Wavelenth in its entirety.


    Rush hit the charts with 1980 smash The Spirit Of Radio from the album Permanent Waves (that year's tour is when Timeless Wavelength was recorded).
    The following year saw the biggest album of their career, Moving Pictures (including the hit Tom Sawyer).
    Since then they have sustained their position as one of rock's biggest bands, with millions of tickets, records and t-shirts sold -- even the kids in South Park (led by superfan Cartman) are in a Rush tribute band.

    LP 1
    1. 2112
    2. By-Tor And The Snow Dog
    3. Xanadu
    4. The Spirit Of Radio


    LP 2
    1. Natural Science
    2. Beneath Between and Behind
    3. Working Man
    4. Finding My Way / Anthem
    5. Bastille Day
    6. In The Mood / drum solo
    7. La Villa Strangiato

    Rush
    $32.99
    140 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Permanent Waves (Awaiting Repress) Permanent Waves (Awaiting Repress) Quick View

    $29.99
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    Permanent Waves (Awaiting Repress)

    200 Gram Vinyl


    Remastered From Original Analogue Masters


    Remastered on 200-gram, heavyweight vinyl at legendary Abbey Road, all from original analogue masters, Permanent Waves is RUSH's seventh studio album. Released on January 1, 1980, and recorded at Le Studio in Quebec it was their first U.S. album to go Top Five, peaking at #4 on the Billboard charts. The effort marked a transition from the band's long, conceptual pieces into a more accessible, radio-friendly style on such rock airplay hits as 'The Spirit of Radio' and 'Freewill,' with the album going platinum.

    1. The Spirit Of Radio
    2. Freewill
    3. Jacob's Ladder
    4. Entre Nous
    5. Different Strings
    6. Natural Science
    Rush
    $29.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Geocidal Geocidal Quick View

    $15.99
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    Geocidal

    tetema is a new duo project from Mike Patton (FNM, Bungle, Fantomas, principle Zorn interpreter) and Australian composer/pianist Anthony Pateras (Thymolphthalein, Pivixki, Pateras/Baxter/Brown, Beta Erko). geocidal is audio caffiene injected direct into your eyeballs. Recorded across half the
    continents on the planet, this record investigates the murder of place. Do borders even matter any more? Should we even leave the house? Is there any specificity left in this generalised cesspool of culture? Or has the tidal wave of digitally-fuelled apathy swamped any sense of tangible individuality? tetema
    demand another universe to this one, and have built one especially for you.


    Boasting a 12-piece all-star cast of incredible musicians and featuring special guest drummer Will Guthrie (absolutely slaying), tetema hand picked a devastating team of instrumental virtuosi to assist their quest to make indispensable music in the age of permanent refuse. As a result, geocidal brings the
    most glorious noise, interrogating the deepest cosmogonies and malformations of man. It's true! Antique synths? Check. Outlandish orchestration? Definitely. Face-frying vocals wrapped in velvet? You know it.


    If we could name some references for you to file this under, we would, but some application is eventually going to tell you what it sounds like anyways, so we won't. To us, it sounds like two maniacs in their respective studios having the time of their lives, rebirthing some of the most insane songcraft this side
    of the godforsaken Miley-Cyrus worshipping millennium. So stop like-ing cat jpegs, stop drooling into your phone and listen to this freaking record - it will literally re-wire your existing perception of sonic possibility, although that's probably underselling it. Featuring absolutely gorgeous drawings from Sydney
    artist Nik Kamvissis, this album brutally articulates the hell of now!

    1. Invocation Of the Swarm
    2. Pure War
    3. Irundi
    4. The Hell Of Now
    5. Ten Years Tricked
    6. 3-2-1 Civilisation
    7. Tenz
    8. Suishaman
    9. Kid Has Got The Bomb
    10. Emptiness Of Ecstasy
    11. Death In Tangiers
    tetema
    $15.99
    Vinyl LP - Sealed Buy Now
  • Coliseum Deluxe Reissue Coliseum Deluxe Reissue Quick View

    $21.99
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    Coliseum Deluxe Reissue

    Founded by Louisville musician Ryan Patterson and including Kayhan Vaziri and Carter Wilson, power trio Coliseum have grown to become one of today's quintessential contemporary punk bands. Successfully melding progressive musicianship, hardcore fervor, and vital social awareness into one constantly evolving artistic vision.


    Over the last decade Coliseum have released music on a host of labels including; Temporary Residence, Relapse, Level Plane, Auxiliary (Ryan's own label), and even Deathwish ("True Quiet / Last Wave" 2009).


    And now, 2014 brings Coliseum and Deathwish together again as their permanent label home. "We have a long and storied history with Deathwish and their family of bands," says Patterson. "Not only did we work with the label on the 'True Quiet' 7", we've toured around the world with Deathwish bands, released a split with Doomriders early on, and I've been fortunate enough to design a number of Deathwish releases. While Coliseum officially joining the label's roster is a new chapter for us, it feels like a homecoming."


    To celebrate Coliseum's 10th anniversary, we are proud to present the "Coliseum" Deluxe Reissue: A twenty song collection featuring their classic self titled debut album (out of print since 2006) paired with eight essential bonus tracks from their primordial years. Originally recorded by Jason Loewenstein of Sebadoh and now fully remixed by Joel Grind of Toxic Holocaust, the release also features new deluxe packaging, insightful liner notes, and cover artwork by John Baizley of Baroness.

    1. Detached
    2. Children Of Our Own Creation
    3. Hostage Of Privilege
    4. Burn Out Bright
    5. F.F.P
    6. In Time
    7. This Mind Locked Inside This Body
    8. Mire
    9. Claim Control
    10. Give Up and Drive
    11. Pretty Situation
    12. The Simple Answer Is
    13. No Salvation
    14. Born To Hang
    15. I Don't Care About
    16. Judy Is A Punk
    17. Detached (Demo)
    18. This Mind (Demo)
    19. In Time (Demo)
    20. Pretty Situation (Demo)
    Coliseum
    $21.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Unspell Unspell Quick View

    $19.99
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    Unspell

    Revered Belgian DJ and producer Mugwump proudly presents his long awaited debut album on his Subfield imprint. An impeccable nine track LP, informed by two decades as a globe-trotting DJ, producing tracks that have inspired everyone from Andrew Weatherall to Mr. Scruff. A mainstay from the Belgian club scene, on the ground in Ibiza in the early 90's, behind the cult Food Club in the late 90's, now running his own Leftorium club night in Brussels, with releases on the highly influential Kompakt label but also on R&S, Gigolo, Cocoon, Gigolo, Eskimo, Permanent Vacation or Throne of Blood Mugwump has the CV to deliver one of the year's most eclectic and inventive studio albums, a timeless excursion into modern-day, leftfield dance-pop and mutant disco with heavy New-Beat influences. Produced with his partner Olivier GrÉgoire, it also gathers a solid list of collaborators Circlesquare's Jeremy Shaw (!K7/Output), Brussels guitar wizard Raphael Lee (aka Spookhuisje), Luke Jenner (ex-The Rapture), Norway 's cosmic disco lords PÄl Nyhus of Mungolian Jet Set and Tore Gjedrem from Ost & Kjex, Belgian multi-instrumentalist Stephan Fedele, Philip Janzen (frontman of Cologne's Krautrock-Disco band Von Spar) and Sami « Morpheus » Birnbach from 80's cult punk funk/new-wave band Minimal Compact.
    1. After They Fall (feat. Circlesquare)
    2. Doobie Shine Troube (feat. Raphael Lee)
    3. Halo (feat. Luke Jenner)
    4. Lurline
    5. Memento Lies
    6. Until You're Worth It (feat. Mungolian Jet Set and Ost & Kjex)
    7. Breakdown (feat. Sami Morpheus Birnbach)
    8. A Quarter Heart Left
    9. School's Out (feat. Von Spar)
    Mugwump
    $19.99
    Vinyl LP - Sealed Buy Now
  • A Period of Review (1975-1983) A Period of Review (1975-1983) Quick View

    $29.99
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    A Period of Review (1975-1983)


    Expert Mastering By Greg Davis, Liner Notes By K. Leimer And Dave Segal


    Double LP Packaging Features Unique Reverse Flap Exterior, Full Color Eurosleeves, &
    16-page Booklet


    For the third installment in RVNG Intl.'s archival series, the tape is wound back to 1970s
    Seattle, home place of ambient music savant K. Leimer. A Period of Review (Original
    Recordings: 1975-1983) unearths unreleased portions of Leimer's vast archives and
    highlights the work of a self-taught visionary whose use of generative compositions ferried
    his music to infinite resonance.


    Kerry Leimer was born in Winnipeg, Canada. He was raised in Chicago before his family
    permanently settled in Seattle in 1967. Kerry's teenage interests and artistic experiments
    blossomed from the seductively strange tendrils of Dadaism and Surrealism. In the early 70s,
    Leimer found musical parallels to these visual movements by studying import copies of NME
    and Melody Maker and inquiring with local record store clerks about the exotic descriptions
    he read of Can, Neu! and Faust-innovators who were bringing the wild dictates of 60s art-discourse into music


    The tape-manipulated serenity Leimer experienced with Cluster's II was a key revelation.
    Leimer realized the potential to compose with minimal training and scoured pawnshops
    for cheap instruments and recording equipment to transpose his wayward musical instincts.
    Leimer's sound palette and composition soon refined and heightened with the accessibility of
    dynamic equipment such as the Micromoog and TEAC multi-track tape machines.


    Synchronously, the Terry Riley indebted loop-based compositions of Robert Fripp and
    Brian Eno's No Pussyfooting inspired Leimer to form recursive musical passages of bare
    timbre and melody that would become hallmarks of his sound. "The loop provided an
    instant structure-a sort of fatalism," recollects Leimer in A Period of Review's liner notes. "The
    participation of the tape machine in shaping and extending the music was a key to setting
    self-deterministic systems in motion and held a clear relationship to my interests in fine art."


    The underground music scene of Seattle/Olympia in late 70s was small but seeded.
    The vestiges of prog rock pompously pummeled the few clubs and record shops before
    punk and New Wave became the rage. Leimer sought to support a growing community of
    experimental composers by launching the Palace of Lights record label in 1979 with his wife
    Dorothy Cross (this was years prior to the birth of regional titans K Records and Sub Pop).


    Leimer rarely performed live, averting the litmus of instant appreciation for his solitary
    studio pursuits. Tellingly, the "K." that abbreviated Leimer's first name was a nod to Kafka's
    doomed pariah Josef K (from The Trial and The Castle). This gives a sense of the reclusive
    and literary realm Leimer was fond of working in. Despite his reticence, Leimer's debut 1980
    album Closed System Potentials would reach a receptive audience, and eventually sell more
    than 3,000 copies thanks in part to Cross's persistent advocation to independent distributors
    and magazines.


    A Period of Review focuses on unheard material outside of the work Leimer offered on
    Palace of Lights, though even that music could be considered relatively "unheard." The thirty
    tracks of A Period of Review may have remained a mystery on moldy reels until now, but
    Leimer's entire catalog of generative music remains pristine in its absolute power.


    Liner notes were crafted by Seattle writer David Segal. Top-tier mastering was done by
    Greg Davis, who produced the compilation with Palace of Lights artist Robert Carlberg, RVNG
    and Kerry Leimer himself, who continues making music to this day.

    LP 1
    1. Ceylon
    2. My Timid Desires
    3. From A Common Center
    4. Explanation of Terms
    5. From One To Ten
    6. Entr'acte
    7. Bump In The Night
    8. (aka accident)
    9. Facing East
    10. At Daybreak
    11. A Spiritual Life
    12. Honey To Ashes
    13. Stop It!
    14. Two Voices
    15. Lonely Boy
    16. Practical Demonstration


    LP 2
    1. Commercial
    2. Gisella
    3. Archie's Dub
    4. Ikumi
    5. Reassurances
    6. Assemble and Diffuse
    7. Eno's Aviary
    8. Almost Chinese
    9. Agfa / Lupa
    10. The Phonic Chasm (feat. Dawn Seago)
    11. Acquiescence
    12. Malaise
    13. All Sad Days
    14. Porcelain (feat. Nancy Estle)

    K. Leimer
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Bringing It All Back Home (Awaiting Repress) Bringing It All Back Home (Awaiting Repress) Quick View

    $49.99
    Buy Now
    x

    Bringing It All Back Home (Awaiting Repress)

    Ranked 31/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Dylan's 1965 Landmark Blows Up Boundaries, Styles, Practicalities: Rock Music Becomes its Own Art Form


    Wider Grooves, Superior Sound: Mobile Fidelitys 45RPM Edition The Last Word in Analog Fidelity


    Best of Both Worlds: Dylan Pairs With a Band on Side One, Goes It Alone on Astonishing Solo Thought Dream Odysseys on Side Two


    Epitome of Iconic: Everything from Cover Art to Sound to Attitude to Song Represents New Benchmark in Respective Categories


    Numbered, Limited Edition


    Bob Dylan's Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. Its a disarming broadcast that declares Dylan's surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic LP from the original master tapes and pressing it on 45RPM LPs at RTI. The end result is the very finest, most transparent analog stereo edition of Bringing It All Back Home ever produced. Forever renowned for its organic sound, the albums you-are-there-presence is fantastically enhanced on this superb version, with wider and deeper grooves affording playback of previously buried information.


    The sonics are so realistic, balanced, and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins, amplified pitch of the electric guitars, and ambient hum of the interior space of Columbias Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics, spaciousness, imaging, and warmth that will send even the most rabid Dylan fan into a tizzy. And what better record to cause such enthusiastic reactions?


    More than 45 years after its release, Bringing It All Back Home continues to come on like a prophetic transmission from a savant whos privy to cerebral viewpoints, mental transferences, and thought dreams elusive to everyone but him. With the flipside of the album, Dylan strings together four of the most unflinching, forward-reaching, and boundary-breaking acoustic-based compositions ever played. In addressing liberating psychedelia, lost innocence, institutional naivetÉ, and tarnished relationships, respectively, Dylan constructs a compositional quartet/suite that functions as metaphor for his waving goodbye to political folk musics imprisoning rules and bounding restrictivenessand a rough guide to the transcendental poetry, shape-shifting vocal phrasing, and alternate tunings he now embraced.


    Side One remains one of the boldest cohesive artistic statements ever assembled. Dylan, forever throwing down the gauntlet to detractors and narrow-minded fans, plugging in with a band and kicking it all off with the in-your-face hootenanny Subterranean Homesick Blues before romping, slashing, and rolling through Maggies Farm, another fun albeit caustic indictment of homogenous thought and bohemian method. Dylans attitude undergoes a self-awakening metamorphosis, his lyrical scope broadened, his hallucinogenic interests increased, his willingness to embrace paradoxes and shake them out with mind-convulsing aptitude in line with his progression towards bizarre imagery.


    Bringing It All Back Home marks the moment when paradigms permanently shifted, preexisting standards fell, and fresh aural, poetic, and sonic dialects came to fore. Albums dont come more vetted. You deserve to experience it in the finest-possible quality.


    Given the sonic and artistic merit of this album, we anticipate huge demand.


    This title is not eligible for discount.

    1. Subterranean Homesick Blues
    2. She Belongs To Me
    3. Maggies Farm
    4. Love Minus Zero/No Limit
    5. Outlaw Blues
    6. On the Road Again
    7. Bob Dylans 115th Dream
    8. Mr. Tambourine Man
    9. Gates of Eden
    10. Its Alright, Ma (Im Only Bleeding)
    11. Its All Over Now, Baby Blue
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Bringing It All Back Home (Mono) Bringing It All Back Home (Mono) Quick View

    $49.99
    Buy Now
    x

    Bringing It All Back Home (Mono)

    Ranked 31/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Dylan's 1965 Landmark Blows Up Boundaries, Styles, Practicalities: Rock Music Becomes its Own Art Form


    Wider Grooves, Superior Sound, Original Mono Mix, Meticulously Mastered


    Strictly Limited to 3,000 Copies


    Best of Both Worlds: Dylan Pairs With a Band on Side One, Goes It Alone on Astonishing Solo Thought Dream Odysseys on Side Two


    Epitome of Iconic: Everything from Cover Art to Sound to Attitude to Song Represents New Benchmark in Respective Categories


    Bring it all back home - in mono. Originally designed by the artist for mono listening, Bob Dylan's Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. It's a disarming broadcast that declares Dylan's surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed.


    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is humbled to have the privilege of mastering the iconic album on its world-renowned mastering system and pressing it on 45RPM LPs at RTI in its original mono format. Strictly limited to just 3,000 copies, the end result is the very finest, most transparent analog mono edition of Bringing It All Back Home ever produced. Forever renowned for its organic sound, the album's you-are-there-presence is fantastically enhanced on this superb version, with wider and deeper grooves affording playback of previously buried information.


    Since Bringing It All Back Home features the most instrumentation Dylan implemented in arrangements at that stage of his career, the set is undoubtedly vivid in stereo - particularly the electric half. Yet the Minnesota native paid particular attention to the mono mix, which here presents Dylan with unparalleled directness. The record's second half sounds especially genuine, lifelike, and intimate in mono. It paints listeners an incredibly accurate portrait of the attention-getting mass of acoustic-based sound - and features no artificial panning or echo chamber of its stereo counterpart. Instead, you are immersed right into the music.


    Indeed, the sonics on this Mobile Fidelity reissue are so realistic, balanced, and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins, amplified pitch of the electric guitars, and ambient hum of the interior space of Columbia's Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics, spaciousness, imaging, and warmth that will send even the most rabid Dylan fans into a tizzy.


    More than 50 years after its release, Bringing It All Back Home continues to come on like a prophetic transmission from a savant who's privy to cerebral viewpoints, mental transferences, and thought dreams elusive to everyone but him. With the flipside of the album, Dylan strings together four of the most unflinching, forward-reaching, and boundary-breaking acoustic-based compositions ever played. In addressing liberating psychedelia, lost innocence, institutional naivetÉ, and tarnished relationships, respectively, Dylan constructs a compositional quartet/suite that functions as metaphor for his waving goodbye to political folk music's imprisoning rules and bounding restrictiveness - and a rough guide to the transcendental poetry, shape-shifting vocal phrasing, and alternate tunings he now embraced.


    Side One remains one of the boldest cohesive artistic statements ever made. Dylan, forever throwing down the gauntlet to detractors and narrow-minded fans, plugging in with a band and kicking it all off with the in-your-face hootenanny Subterranean Homesick Blues before romping, slashing, and rolling through Maggie's Farm, another fun albeit caustic indictment of homogenous thought and bohemian method. Dylan's attitude undergoes a self-awakening metamorphosis, his lyrical scope broadened, his hallucinogenic interests increased, his willingness to embrace paradoxes and shake them out with mind-convulsing aptitude in line with his progression towards bizarre imagery.


    Ranked 31 on Rolling Stone's list of the 500 Greatest Albums of All Time, Bringing It All Back Home marks the moment when paradigms permanently shifted, preexisting standards fell, and fresh aural, poetic, and sonic dialects came to fore. Albums don't come more vetted. You deserve to experience the mono edition in the finest-possible quality, just as Dylan intended.


    This title is not eligible for discount.

    1. Subterranean Homesick Blues
    2. She Belongs To Me
    3. Maggies Farm
    4. Love Minus Zero/No Limit
    5. Outlaw Blues
    6. On the Road Again
    7. Bob Dylans 115th Dream
    8. Mr. Tambourine Man
    9. Gates of Eden
    10. Its Alright, Ma (Im Only Bleeding)
    11. Its All Over Now, Baby Blue
    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP Mono 45 RPM - 2 LPs Sealed Buy Now
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