Vinyl. Our way of life since 2004 (877) 929-8729

VPI Dealer Authorized & Certified
Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
15% Off Vinyl - LP15
Home > Products for: '

Pet Sounds

'
Results per page:
  • Pet Sounds (Mono) Pet Sounds (Mono) Quick View

    $39.99
    Buy Now
    x

    Pet Sounds (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    It was Pet Sounds that blew me out of the water I love the album so much. I've just bought my kids each a copy of it for their education in life. I figure no one is educated musically 'til they've heard that album. - Paul McCartney


    All of us, Ginger (Baker), Jack (Bruce), and I consider Pet Sounds to be one of the greatest pop LPs to ever be released. It encompasses everything that's ever knocked me out and rolled it all into one. - Eric Clapton


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Pet Sounds is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.


    This title is not eligible for discount.

    1. Wouldn't It Be Nice
    2. You Still Believe Me
    3. That's Not Me
    4. Don't Talk (Put Your Head On My Shoulder)
    5. I'm Waiting For The Day
    6. Let's Go Away For Awhile
    7. Sloop John B
    8. God Only Knows
    9. I Know There's An Answer
    10. Here Today
    11. I Just Wasn't Made For These Times
    12. Pet Sounds
    13. Caroline No
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Pet Sounds Pet Sounds Quick View

    $39.99
    Buy Now
    x

    Pet Sounds

    Stereo Edition Of Pet Sounds, Released On Vinyl For The First Time!


    Stereo Mix Produced By Mark Linett Under The Supervision Of Brian Wilson / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    It was Pet Sounds that blew me out of the water I love the album so much. I've just bought my kids each a copy of it for their education in life. I figure no one is educated musically 'til they've heard that album. - Paul McCartney


    All of us, Ginger (Baker), Jack (Bruce), and I consider Pet Sounds to be one of the greatest pop LPs to ever be released. It encompasses everything that's ever knocked me out and rolled it all into one. - Eric Clapton


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Brian Wilson - famed co-founder, songwriter and arranger - who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Pet Sounds is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.


    This title is not eligible for discount.

    1. Wouldn't It Be Nice
    2. You Still Believe Me
    3. That's Not Me
    4. Don't Talk (Put Your Head On My Shoulder)
    5. I'm Waiting For The Day
    6. Let's Go Away For Awhile
    7. Sloop John B
    8. God Only Knows
    9. I Know There's An Answer
    10. Here Today
    11. I Just Wasn't Made For These Times
    12. Pet Sounds
    13. Caroline No
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Smile Sessions The Smile Sessions Quick View

    $34.99
    Buy Now
    x

    The Smile Sessions

    With the full participation of original Beach Boys Al Jardine, Mike Love, and Brian Wilson, Capitol/EMI has, for the first time, collected and compiled the bands legendary 1966-67 sessions for the never-completed SMiLE album.


    In numerous sessions between the spring of 1966 and the summer of 1967, The Beach Boys recorded a bounty of songs and drafts for an album, SMiLE, that was intended to follow the band's 1966 masterpiece, Pet Sounds. The master tapes were ultimately shelved, and The Beach Boys' SMiLE has never been released. Drawn from the original masters, The SMiLE Sessions presents an in-depth overview of The Beach Boys' recording sessions for the enigmatic album, which has achieved legendary, mythical status for music fans around the world.


    The SMiLE Sessions double vinyl LP features an approximation of what was intended to be the completed SMiLE album, compiled from The Beach Boys original session masters. Additional session highlights and bonus tracks are also included, including demos and stereo mixes.


    Produced by Brian Wilson, Mark Linett, Alan Boyd and Dennis Wolfe in Los Angeles The SMiLE Sessions 2LP Set includes an assembled collection of core session tracks. The SMiLE Sessions invites the listener into the studio to experience the album's creation, with producer, singer and bassist Brian Wilson's vision leading the way as he guides his fellow Beach Boys, singer Mike Love, drummer Dennis Wilson, lead guitarist Carl Wilson, rhythm guitarist Al Jardine, and newest member Bruce Johnston (who'd replaced Brian Wilson in the touring group during 1965), through the legendary sessions.


    Artwork for The SMiLE Sessions has been created with and inspired by Beat-Pop artist Frank Holmes original 1967 LP sleeve art and booklet designs intended for the SMiLE album.


    When Capitol/EMI and The Beach Boys first announced plans for The SMiLE Sessions 2011 release, the news spread rapidly. Pitchfork reported, The Beach Boys SMiLE is quite possibly the most storied album in rock history, Billboard proclaimed the upcoming release an event that pop music fans have been waiting for since the Summer of Love, and The Washington Post called SMiLE the most legendary unreleased album of all time.


    The best efforts have been taken by The Beach Boys, the producers, and Capitol/EMI to present the SMiLE album sessions most vital and fascinating elements. However, there will no doubt be some debate amongst Beach Boys fans around the world who, during the past four decades, have become familiar with a variety of widely-traded bootlegged bits and pieces from the sessions. As recently explained by the Detroit Metro Times, No album, released or not, has generated a more personal relationship with its audience, since no two people can ever agree on its content and purpose.


    Beginning with Good Vibrations, The Beach Boys best-selling record in a long string of hits, Brian Wilson had begun to construct songs in a modular form, crafting individual sections that would later be edited together to form a coherent whole. In several intense bursts of creative energy, Wilson, drawing on the talents of the finest studio musicians in Los Angeles and utilizing the best studio facilities available on any given day, laid down dozens of musical fragments, all designed to fit together in any number of possible combinations. No one had done this before in pop music, and his next endeavor would be an album-length version of this unique and luxurious songwriting parlance: SMiLE.


    In 1965, Brian Wilson met an up-and-coming session keyboard player and songwriter, Van Dyke Parks. Noticing Parks' conversational eloquence, Wilson felt that he could help to volley The Beach Boys songwriting into the wave of broader-messaged and socially-conscious rock 'n' roll that would come to define the '60s. They were soon collaborating on keynote songs for SMiLE, including Heroes And Villains, the bands follow-up single to Good Vibrations. Wilson and Parks would also co-write Surf's Up, Vega-Tables, Cabin Essence, Do You Like Worms, Wonderful, Wind Chimes, and other pieces of the SMiLE tapestry. Parks also introduced Frank Holmes to create album sleeve art and a booklet interpreting the albums James Joyce-mode lyrics.


    The reason SMiLE did not see a release in 1967 had more to do with back room business that obscured the creative side of the program than anything else. In late 1966, The Beach Boys formed Brother Records, initially to produce outside artists. Soon, however, The Beach Boys would become embroiled in a court action with Capitol Records with the goal to become the top-selling artists on their self-owned, independent label. The group withheld Heroes And Villains and announced they would instead release Vega-Tables recorded with the bands own money in April of '67 on Brother Records. By July of 1967, Capitol Records and The Beach Boys had come to terms, with Capitol agreeing to distribute the bands Brother Records, and it was agreed that SMiLE was no longer to be the bands next album.

    LP 1
    Side 1
    1. Our Prayer
    2. Gee
    3. Heroes and Villains
    4. Do You Like Worms (Roll Plymouth Rock)
    5. I'm In Great Shape
    6. Barnyard
    7. My Only Sunshine (The Old Master Painter/You Are My Sunshine)
    8. Cabin Essence


    Side 2
    1. Wonderful
    2. Look (Song for Children)
    3. Child Is Father Of the Man
    4. Surf's Up


    LP 2
    Side 3
    1. I Wanna Be Around / Workshop
    2. Vega-Tables
    3. Holidays
    4. Wind Chimes
    5. The Elements: Fire (Mrs. O'Leary's Cow)
    6. Love to Say Dada
    7. Good Vibrations


    Side 4
    1. You're Welcome (stereo mix)
    2. Vega-Tables (stereo mix)
    3. Wind Chimes (stereo mix)
    4. Cabin Essence (Session highlights and stereo backing track)
    5. Surf's Up (Session Excerpt and Stereo mix)

    The Beach Boys
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Pet Sounds (Stereo) Pet Sounds (Stereo) Quick View

    $24.99
    Buy Now
    x

    Pet Sounds (Stereo)

    Ranked 2/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time!


    180 Gram Heavyweight Black Vinyl LP


    Remastered In Stereo


    The Beach Boys' iconic 1966 album, Pet Sounds, is universally hailed as one of popular music's most important recordings of all time. May 16, 2016 marks the acclaimed album's 50th anniversary.

    1. Wouldn't It Be Nice [Stereo / Remastered 2012]
    2. You Still Believe In Me [Stereo / Remastered 2012]
    3. That's Not Me
    4. Don't Talk (Put Your Head On My Shoulder)
    5. I'm Waiting For The Day
    6. Let's Go Away For Awhile
    7. Sloop John B
    8. God Only Knows [Stereo / Remastered 2012]
    9. I Know There's An Answer
    10. Here Today
    11. I Just Wasn't Made For These Times
    12. Pet Sounds
    13. Caroline No
    Beach Boys
    $24.99
    180 Gram Audiophile Virgin Vinyl LP Stereo - Sealed Buy Now
  • Today! Today! Quick View

    $24.99
    Buy Now
    x

    Today!

    Ranked 270/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    The 1965 album Today! was the Beach Boys' eighth studio album and the first of three to be released that year. The album marked a major turning point for the band, and especially the exhausted Brian Wilson. It was around this time where Wilson gave up touring, and many consider this the beginning of his artistic maturation. The album features a fine mix of upbeat numbers like Do You Wanna Dance and Help Me Rhonda and ballads such as Please Let Me Wonder and Kiss Me, Baby. Aside from their opus Pet Sounds, Today! is the Beach Boys' most highly acclaimed release.


    All 'From The Capitol Vaults' titles feature carefully replicated artwork and packaging true to their original single or gatefold jacket LP releases.

    1. Do You Wanna Dance?
    2. Good To My Baby
    3. Don't Hurt My Little Sister
    4. When I Grow Up (To Be A Man)
    5. Help Me, Rhonda
    6. Dance, Dance, Dance
    7. Please Let Me Wonder
    8. I'm So Young
    9. Kiss Me, Baby
    10. She Knows Me Too Well
    11. In the Back of My Mind
    12. Bull Session With the 'Big Daddy'
    Beach Boys
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Parsley, Sage, Rosemary and Thyme Parsley, Sage, Rosemary and Thyme Quick View

    $28.99
    Buy Now
    x

    Parsley, Sage, Rosemary and Thyme

    Ranked 201/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Simon and Garfunkel's classic album Parsley, Sage, Rosemary and Thyme, released in 1966, marked the duo's emergence as both a brilliant creative force and one of their era's biggest-selling recording acts.


    The pair's third album, Parsley, Sage, Rosemary and Thyme was the first on which they won complete artistic control, and they rose to the occasion brilliantly, delivering an ambitious, autumnal epic that's been described as a folkrock equivalent of the Beatles' Revolver and the Beach Boys' Pet Sounds. Combining fuzz-tinged pop and pastoral baroque-folk with the duo's heavenly
    harmonies, Paul Simon's heady wordplay and some imaginatively layered production
    touches, the album features such Simon and Garfunkel standards as Homeward Bound, Scarborough Fair and The 59th Street Bridge Song (Feelin' Groovy).


    Sundazed's exact vinyl replica of this harmony-rich classic is sourced from the original stereo master tapes, making this release an essential component of any '60s pop/rock collection.

    1. Scarborough Fair/Canticle
    2. Patterns
    3. Cloudy
    4. Homeward Bound
    5. The Big Bright Green Pleasure Machine
    6. The 59th Street Bridge Song (Feelin' Groovy)
    7. The Dangling Conversation
    8. Flowers Never Bend With the Rainfall
    9. A Simple Desultory Philippic (Or How I Was Robert McNamara'd Into Submission)
    10. For Emily, Whenever I May Find Her
    11. A Poem on the Underground Wall
    12. 7 O'Clock News/Silent Night
    Simon & Garfunkel
    $28.99
    High-Definition Vinyl LP - Sealed Buy Now
  • Smiley Smile Smiley Smile Quick View

    $39.99
    Buy Now
    x

    Smiley Smile

    Stereo Edition Of Smiley Smile, Released On Vinyl For The First Time!


    Smiley Smile Stereo Mix Created Between 2005 And 2012 Using The First Generation Basic Tracking Session Multitracks, Synced With The Overdubs That Were Later Added On Second And Third Generation Masters, To Create The First True Stereo Mixes


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    First mixed and released in stereo for the first time in 2012. These stereo mixes were created using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes. The exception is Good Vibrations, which is a computer-generated stereo mix by Derry Fitzgerald. A remix in stereo wasn't possible because the original multi-track tape has never been located. The stereo mixes for Today!, Summer Days (And Summer Nights!!), Beach Boys' Party! and Smiley Smile were produced and mixed by Mark Linett, and co-produced by Alan Boyd.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    After the much-discussed, uncompleted Smile project - which was supposed to take the innovations of Pet Sounds to even grander heights - collapsed, the Beach Boys released Smiley Smile in its place. (To clarify much confusion: Smiley Smile is an entirely different piece of work than Smile would have been, although some material that ended up on Smiley Smile would have most likely been used on Smile. Also, much of Smiley Smile was in fact recorded after the Smile sessions had ceased.), writes AllMusic.com


    For fans expecting something along the lines of Sgt. Pepper (and there were many of them), Smiley Smile was a major disappointment, replacing psychedelic experimentation with spare, eccentric miniatures. Heard now, outside of such unrealistic expectations, it's a rather nifty, if rather slight, effort that's avant garde in the extreme. 'Wind Chimes,' 'Wonderful,' 'Vegetables,' and much of the rest is low-key psychedelic quirkiness, with abundant fine harmonies and unusual arrangements. The standouts, nonetheless, were two recent hit singles in which Brian Wilson's ambitions were still intact: The inscrutable mini-opera 'Heroes and Villains,' and the number one hit 'Good Vibrations,' one of the few occasions where the group managed to be recklessly experimental and massively commercial at the same time. - AllMusic.com


    This title is not eligible for discount.

    1. Heroes And Villains
    2. Vegetables
    3. Fall Breaks Back To Winter (W. Woodpecker Symphony)
    4. She's Goin' Bald
    5. Little Pad
    6. Good Vibrations
    7. With Me Tonight
    8. Wind Chimes
    9. Getting' Hungry
    10. Wonderful
    11. Whistle In
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Pet Sounds (Mono) Pet Sounds (Mono) Quick View

    $24.99
    Buy Now
    x

    Pet Sounds (Mono)

    Ranked 2/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time!


    180 Gram Heavyweight Black Vinyl LP


    Remastered In Mono


    The Beach Boys' iconic 1966 album, Pet Sounds, is universally hailed as one of popular music's most important recordings of all time. May 16, 2016 marks the acclaimed album's 50th anniversary.

    1. Wouldn't It Be Nice
    2. You Still Believe In Me
    3. That's Not Me
    4. Don't Talk (Put Your Head On My Shoulder)
    5. I'm Waiting For The Day
    6. Let's Go Away For Awhile
    7. Sloop John B
    8. God Only Knows
    9. I Know There's An Answer
    10. Here Today
    11. I Just Wasn't Made For These Times [Mono / Remastered 2012]
    12. Pet Sounds
    13. Caroline No
    Beach Boys
    $24.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Endless Summer Endless Summer Quick View

    $34.99
    Buy Now
    x

    Endless Summer

    Originally released in 1974, Endless Summer is the Beach Boys' double LP compilation of singles and album tracks of their material from 1963-1966, with all but one cut predating Pet Sounds. Most of the group's best-loved singles are represented and the album soared to number one and spent three years on the charts. Endless Summer helped re-invigorate the Beach Boys career and it introduced the band to a whole new generation.
    1. Surfin' Safari
    2. Surfer Girl
    3. Catch A Wave
    4. The Warmth of the Sun
    5. Surfin' USA
    6. Be True To Your School
    7. Little Deuce Coupe
    8. In My Room
    9. Shut Down
    10. Fun, Fun, Fun
    11. I Get Around
    12. Girls On the Beach
    13. Wendy
    14. Let Him Run Wild
    15. Don't Worry Baby
    16. California Girls
    17.Girl Don't Tell Me
    18. Help Me, Ronda
    19. You're So Good To Me
    20. All Summer Long
    The Beach Boys
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Smiley Smile (Mono) Smiley Smile (Mono) Quick View

    $39.99
    Buy Now
    x

    Smiley Smile (Mono)

    33 1/3 Rpm Mono Mixes Created Under Brian Wilson's Supervision


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Brian Wilson - famed co-founder, songwriter and arranger - who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    After the much-discussed, uncompleted Smile project - which was supposed to take the innovations of Pet Sounds to even grander heights - collapsed, the Beach Boys released Smiley Smile in its place. (To clarify much confusion: Smiley Smile is an entirely different piece of work than Smile would have been, although some material that ended up on Smiley Smile would have most likely been used on Smile. Also, much of Smiley Smile was in fact recorded after the Smile sessions had ceased.), writes AllMusic.com


    For fans expecting something along the lines of Sgt. Pepper (and there were many of them), Smiley Smile was a major disappointment, replacing psychedelic experimentation with spare, eccentric miniatures. Heard now, outside of such unrealistic expectations, it's a rather nifty, if rather slight, effort that's avant garde in the extreme. 'Wind Chimes,' 'Wonderful,' 'Vegetables,' and much of the rest is low-key psychedelic quirkiness, with abundant fine harmonies and unusual arrangements. The standouts, nonetheless, were two recent hit singles in which Brian Wilson's ambitions were still intact: The inscrutable mini-opera 'Heroes and Villains,' and the number one hit 'Good Vibrations,' one of the few occasions where the group managed to be recklessly experimental and massively commercial at the same time. - AllMusic.com


    This title is not eligible for discount.

    1. Heroes And Villains
    2. Vegetables
    3. Fall Breaks Back To Winter (W. Woodpecker Symphony)
    4. She's Goin' Bald
    5. Little Pad
    6. Good Vibrations
    7. With Me Tonight
    8. Wind Chimes
    9. Getting' Hungry
    10. Wonderful
    11. Whistle In
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Surfer Girl Surfer Girl Quick View

    $39.99
    Buy Now
    x

    Surfer Girl

    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Surfer Girl, the Beach Boys' third album for Capitol Records, was the first produced by Brian Wilson on his own (the previous two, Surfin Safari and Surfin Usa (Mono & Stereo Remasters), were co-produced by the late Capitol A&R man, Nik Venet). This album was The Boys' first really great effort; there's not a bad track in the lot, including the title song, Catch A Wave, In My Room, Hawaii, Our Car Club, Little Deuce Coupe, Your Summer Dream, and more.


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    The Beach Boys' practice of double-tracking their vocals really lends itself to stereo mixes. Split left and right, as they are on a lot of those early stereo versions, those doubled vocal parts can really envelop the listener, surrounding them with Wilsons, Loves and Jardines!


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    This title is not eligible for discount.

    1. Surfer Girl
    2. Catch A Wave
    3. The Surfer Moon
    4. South Bay Surfer
    5. The Rocking Surfer
    6. Little Deuce Coupe
    7. In My Room
    8. Hawaii
    9. Surfer's Rule
    10. Our Car Club
    11. Your Summer Dream
    12. Boogie Woodie
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • 15 Big Ones 15 Big Ones Quick View

    $24.99
    Buy Now
    x

    15 Big Ones

    15 Big Ones is the twentieth studio album by American rock group The Beach Boys released in July 1976. It was their first studio album since Holland three years earlier, and the first produced by Brian Wilson since Pet Sounds ten years earlier. With Blondie Chaplin and Ricky Fataar having left the group, 15 Big Ones marks the first album to feature the classic five-piece lineup of the Beach Boys (brothers Brian, Carl, and Dennis Wilson; cousin Mike Love; and friend Al Jardine) since 1965's The Beach Boys Today!
    1. Rock And Roll Music
    2. It's OK
    3. Had To Phone Ya
    4. Chapel Of Love
    5. Everyone's In Love With You
    6. Talk To Me
    7. That Same Song
    8. TM Song
    9. Palisades Park
    10. Susie Cincinnati
    11. A Casual Look
    12. Blueberry Hill
    13. Back Home
    14. In The Still Of The Night
    15. Just Once In My Life
    Beach Boys
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Surfin' USA (Picture Disc) Surfin' USA (Picture Disc) Quick View

    $32.99
    Buy Now
    x

    Surfin' USA (Picture Disc)

    Doxy present a picture disc reissue of The Beach Boys's Surfin' USA, originally released in 1963. Surfin' USA is the second studio album from The Beach Boys. Though not yet fully formed, the genius that Brian Wilson had on display on 1965's Pet Sounds was beginning to show through here, as he began experimenting with double tracked vocals and took a stronger production role overall. Featuring the classic title track, as well as Shut Down, their version of Misirlou, and the timeless cover photo of surfing legend Les Williams riding a monster wave, Surfin' USA is a stone surf classic.
    1. Surfin' U.S.A.
    2. Farmer's Daughter
    3. Misirlou
    4. Stoked
    5. Lonely Sea
    6. Shut Down
    7. Noble Surfer
    8. Honky Tonk
    9. Lana
    10. Surf Jam
    11. Let's Go Trippin'
    12. Finders Keepers
    Beach Boys
    $32.99
    Vinyl LP Picture Disc - Sealed Buy Now
  • Take A Picture Take A Picture Quick View

    $24.99
    Buy Now
    x

    Take A Picture

    Take a Picture blends Margo's infectious and highly intelligent songcraft with her absolutely unique voice - equal parts girl group innocence and seductive torch. One of the most endearing and delicious soft rock records from its era, here's an impeccable Sundazed vinyl reissue of this '68 masterpiece, direct from the original masters.


    Margo Guryan is the most original songwriter that I've ever produced, and also something of an enigma. Underneath it all, she's a schooled composer, but she writes moving pop songs. She writes from her heart, but also from her head.

    - John Hill, album producer


    When Margo heard God Only Knows for the first time, she dropped everything. Steeped in learnings of jazz and composition, Margo was shaping her musical self in 1966, and Pet Sounds was just what she wanted to hear. Inspired, and working in the glow of Brians masterpiece, Margo began work on Take A Picture. Its a beautiful lost gem. I love this album dearly. The first thing to notice is Margos voice, a unique upper register whisper. But when it starts off you say whoa, what is this? as Sunday Morning sounds like a garage funk band with studio musician talents. The albums production is wonderful in that it is so expert, but never showy. This is one of the most laid back albums Ive heard. Another sunday morning staple....Its jazz, slightly psych pop, with all the ornaments of the Pet Sounds orchestra. A brilliant record...

    -The Rising Storm

    1. Sunday Morning
    2. Sun
    3. Love Songs
    4. Thoughts
    5. Don't Go Away
    6. Take a Picture
    7. What Can I Give You?
    8. Think of Rain
    9. Can You Tell
    10. Someone I Know

    11. Love
    Margo Guryan
    $24.99
    Vinyl LP - Sealed Buy Now
  • Elysium Elysium Quick View

    $21.99
    Buy Now
    x

    Elysium

    2017 Remastered Version


    'Elysium', originally released in 2012, was seen by some as a shift in sound and direction for Pet Shop Boys. Writing for the album began whilst PSB was on tour with Take That, with some tracks dating as far back as 2008.


    The album was co-produced by PSB with Andrew Dawson, who engineered much of Kanye West's album '808s & Heartbreaks', a record which Neil Tennant had become 'mildly obsessed' with at the time. The darker lyrical themes of 'Elysium' are reflected in the record's sound. Neil Tennant said: 'It is deep in terms of the sound-got a lot of sub-bass-it's sort of deep in terms of subject matter, the way it's expressed. But I think it's the Pet Shop Boys' most beautiful album.'

    1. Leaving (2017 Remastered Version)
    2. Invisible (2017 Remastered Version)
    3. Winner (2017 Remastered Version)
    4. Your Early Stuff (2017 Remastered Version)
    5. A Face Like That (2017 Remastered Version)
    6. Breathing Space (2017 Remastered Version)
    7. Ego Music (2017 Remastered Version)
    8. Hold on (2017 Remastered Version)
    9. Give It a Go (2017 Remastered Version)
    10. Memory of the Future (2017 Remastered Version)
    11. Everything Means Something (2017 Remastered Version)
    12. Requiem in Denim and Leopardskin (2017 Remastered Version)
    Pet Shop Boys
    $21.99
    Vinyl LP - Sealed Buy Now
  • Final Days Final Days Quick View

    $19.99
    Buy Now
    x

    Final Days

    For their third full-length for Sacred Bones, Cult of Youth have delved deeper
    into their style of punk-influenced psychedelic neofolk and created a self-described "post-industrial Pet Sounds." Using acoustic and electronic instruments,
    found sounds and an extensive tribal rhythm section, Cult of Youth have put it all
    out on the table and left us with their magnum opus.


    The band has returned with a renewed sense of enthusiasm and an all-new lineup.
    Sean Ragon, once the project's lone member, is now flanked by Jasper McGandy
    on bass and Christian Kount on electric guitar (both of whom were members
    of seminal Sacred Bones band The Hunt). Cory Flannigan on drums and Paige
    Flash on cello complete the five-piece. The end result is Cult of Youth as they
    were always meant to sound.


    The contributions of the new members are evident on every track on Final Days,
    from the anthemic "Empty Faction" to the gorgeous album closer "Roses." Final
    Days is the culmination of everything Cult of Youth has been moving towards the
    past seven years - post-industrial, post-punk, and post-enlightenment.


    Addendum: Real human bones were used on this recording and a portion of the
    lyrics were written in jail.

    1. Todestrieb
    2. Dragon Rouge
    3. Empty Faction
    4. God's Garden
    5. Down the Moon
    6. Of Amber
    7. No Regression
    8. Sanctuary
    9. Roses
    Cult Of Youth
    $19.99
    Vinyl LP - Sealed Buy Now
  • Heady Nuggs 20 Years After Clouds Taste Metallic 1994-1997 Heady Nuggs 20 Years After Clouds Taste Metallic 1994-1997 Quick View

    $74.99
    Buy Now
    x

    Heady Nuggs 20 Years After Clouds Taste Metallic 1994-1997

    Numbered, Limited Edition, 5 LP Box Set.


    Clouds Taste Metallic, the band's seventh album, is considered one of The Lips' best and earned them much critical fanfare. All-Music called it a masterful collection that completesthe Flaming Lips' odyssey into the pop stratosphere and compared it to the Beach Boys' definitive album Pet Sounds. Released on September 19th, 1995, Clouds Taste Metallic is also the last Lips album to feature guitarist Ronald Jones.


    Melodically, The Flaming Lips sound contains lush, multi-layered, psychedelic rock arrangements, but lyrically their compositions show elements of space rock, including unusual song and album titles-such as Psychiatric Explorations of the Fetus with Needles, Free Radicals (A Hallucination of the Christmas Skeleton Pleading with a Suicide Bomber) and Yeah, I Know It's a Drag... But Wastin' Pigs Is Still Radical.


    They are also acclaimed for their elaborate live shows, which feature costumes, balloons, puppets, video projections, complex stage light configurations, giant hands, large amounts of confetti, and frontman Wayne Coyne's signature man-sized plastic bubble, in which he traverses the audience. In 2002, Q magazine named The Flaming Lips one of the 50 Bands to See Before You Die.

    LP1 - Clouds Taste Metallic
    1. The Abandoned Hospital Ship
    2. Psychiatric Explorations Of The Fetus With Needles
    3. Placebo Headwound
    4. This Here Giraffe
    5. Brainville
    6. Guy Who Got A Headache And Accidentally Saves The World
    7. Whenyousmile
    8. Kim's Watermelon Gun
    9. They Punctured My Yolk
    10. Lightning Strikes The Postman
    11. Christmas At The Zoo
    12. Evilwillprevail
    13. Bad Days (Aurally Excited Version)


    LP2 - Due To High Expectations...The Flaming Lips Are Providing Needles For Your Balloons
    1. Bad Days
    2. Jets Part 2 (My Two Days As An Ambulance Driver)
    3. Ice Drummer
    4. Put The Waterbug In The Policeman's Ear
    5. Chewin' The Apple Of Yer Eye
    6. Chosen One
    7. Little Drummer Boy
    8. Slow Nerve Action


    LP3 - Psychiatric Exploration Of The Fetus With Needles (Live In Seattle 1996)
    1. The Abandoned Hospital Ship
    2. Unconsciously Screamin'
    3. Take Meta Mars
    4. Moth In The Incubator
    5. Put The Waterbug In The Policeman's Ear
    6. Lightning Strikes The Postman


    LP4 - Psychiatric Exploration Of The Fetus With Needles (Live In Seattle 1996)
    1. Bad Days
    2. She Don't Use Jelly
    3. Chewin' The Apple Of Yer Eye
    4. When You Smile
    5. Psychiatric Explorations Of The Fetus With Needles
    6. Love Yer Brain
    7. Placebo Headwound


    LP5 - The King Bug Laughs (Oddities and Rarities)
    1. It Was A Very Good Year
    2. Sun Arise
    3. Life On Mars
    4. Ballrooms Of Mars
    5. Hot Day
    6. Nobody Told Me
    7. Magician Vs The Headache
    8. She Don't Use Jelly (Live At Kj103)

    The Flaming Lips
    $74.99
    Vinyl LP Box Set - 5 LP Sealed Buy Now
  • Today! Today! Quick View

    $39.99
    Buy Now
    x

    Today!

    Stereo Edition Of Today!, Released On Vinyl For The First Time!


    Today! Stereo Mix Created Between 2005 And 2012 Using The First Generation Basic Tracking Session Multitracks, Synced With The Overdubs That Were Later Added On Second And Third Generation Masters, To Create The First True Stereo Mixes!


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Today! was released in stereo for the first time in 2012. These stereo mixes were created between 2005 and 2012 using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes!


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Put simply, this is the Beach Boys at their mid-'60s prime. Ironically, the band's greatest evolutionary leap was spurred by its leader, Brian Wilson, who decided to drop out of the band's live performances after a December 1964 nervous breakdown to concentrate on honing the Beach Boys' studio sound. With Wilson's productions gaining a significant new depth and confidence (note the innovative modulations on 'Dance, Dance, Dance'), the first half of Today seems a logical, upbeat step forward from its predecessors. But it's the album's second act that steals the show, setting the stage for the triumph of Pet Sounds. Indeed, it's easy to imagine gorgeous, introspective tracks such as 'Please Let Me Wonder,' 'She Knows Me Too Well,' and 'In the Back of My Mind' intertwined with the best of Sounds. - Amazon.com


    This title is not eligible for discount.

    1. Do You Wanna Dance?
    2. Good To My Baby
    3. Don't Hurt My Little Sister
    4. When I Grow Up
    5. Help Me, Ronda
    6. Dance, Dance, Dance
    7. Please Let Me Wonder
    8. I'm So Young
    9. Kiss Me, Baby
    10. She Knows Me Too Well
    11. In The Back Of My Mind
    12. Bull Sessions With The "Big Daddy"
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Beach Boys Party! Beach Boys Party! Quick View

    $39.99
    Buy Now
    x

    Beach Boys Party!

    Stereo Edition Of Beach Boys Party!, Released On Vinyl For The First Time!


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    These stereo mixes were created between 2005 and 2012 using the first generation basic tracking session multitracks, synced with the overdubs that were later added on second and third generation masters, to create the first true stereo mixes!


    Apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Capitol Records, which had already released ten Beach Boys albums in three years, was bugging the group for product that it could release in time for the 1965 Christmas season. To buy time while Brian Wilson began conceiving the Pet Sounds masterpiece, the group issued a set of covers, mostly of the '50s rock and R&B they had listened to as schoolboys. Packaged as if it had been recorded at an actual party, it was in fact recorded in the studio, with friends and romantic partners adding sounds and vocals to create an informal atmosphere. With the exception of a bass guitar, all the instruments were acoustic; the acoustic guitar-and-bongo arrangements, in fact, give this a hootenanny campfire feel. In recent years, this album has gone up a few notches in critical esteem, praised for its loose, casual feel and insight into the group's influences. ... It does have the massive hit 'Barbara Ann,' which actually features Dean Torrence (of Jan & Dean) on much of the lead vocals; other highlights include 'Mountain of Love,' an unexpected version of 'The Times They Are a-Changin',' and three Beatles covers. - AllMusic.com


    This title is not eligible for discount.

    1. Hully Gully
    2. I Should Have Known Better
    3. Tell Me Why
    4. Papa-Oom-Mow-Mow
    5. Mountain Of Love
    6. You've Got To Hide Your Love Away
    7. Devoted To You
    8. Alley Oop
    9. There's No Other (Like My Baby)
    10. Medley: I Get Around/ Little Deuce Coup
    11. The Times They Are A-Changin'
    12. Barbara Ann
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Summer Days (And Summer Nights!!) (Mono) Summer Days (And Summer Nights!!) (Mono) Quick View

    $39.99
    Buy Now
    x

    Summer Days (And Summer Nights!!) (Mono)

    33 1/3 RPM Mono Mixes Created Under Brian Wilson's Supervision


    One Of 10 Titles Featuring 33 1/3 Mono And Stereo Remastered Editions: Surfin' Usa, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Today!, Summer Days (and Summer Nights!!), Beach Boys Party!, Pet Sounds And Smiley Smile


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-Gram Vinyl Pressing By Quality Record Pressings!


    To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson - famed co-founder, songwriter and arranger - intended. Mono mixes created under Wilson's supervision were how the surf rockin' California crew rose to fame! And we've got 'em!


    For the early part of the Beach Boys career, all of their singles were mixed and mastered and released only in the mono format - they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. Still, apart from Surfin' Safari, which was mono only, the Beach Boys did turn in stereo masters on all of their early albums up until 1965. The Beach Boys Today! was the first LP for which they only delivered a mono master.


    The stereo editions of Surfin' USA, Surfer Girl, Little Deuce Coupe, Shut Down Vol. 2, All Summer Long, Beach Boys Christmas Album and Beach Boys Concert were all mixed in stereo by their own preferred engineer, Chuck Britz, ostensibly under the group's supervision.


    Brian may or may not have been present for those mixing sessions - evidence suggests that he trusted Chuck's skills enough to let him prepare those mixes on his own - but the group held onto their multitrack tapes and delivered stereo masters to Capitol, rather than allowing Capitol to prepare their own stereo versions. Later, when Brian was only delivering mono masters, Capitol would prepare the Duophonic pseudo stereo editions for the stereo market, says Alan Boyd, producer and Beach Boys' archivist.


    All of the newer stereo mixes on these remastered albums (The Beach Boys Today!, Summer Days (And Summer Nights!!), The Beach Boys' Party, Pet Sounds and Smiley Smile) were all done by Mark Linett on behalf of the Beach Boys.


    Still, bottom line, the mono mixes were where Brian Wilson paid intense attention, and the dedication paid off!


    We've taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!


    But there's no disputing that the close harmonies and one-of-a-kind rhythms of hits like "Surfer Girl," "In My Room," "Little Deuce Coupe" and more lend themselves naturally to stereo. So we've got your 2-channel needs covered with prime stereo mix versions as well.


    Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Summer Days features another Wilson world-beater production, California Girls, and the band's second No. 1 single, Help Me, Rhonda. Ever pressured by commercial concerns, Wilson and the band created what was in essence the true follow-up to the All Summer Long album. Still, there's a level of musical sophistication to tracks such as Salt Lake City, the Phil Spector tribute Then I Kissed Her, Summer Means New Love and Let Him Run Wild.


    This title is not eligible for discount.

    1. The Girl From New York City
    2. Amusement Parks U.S.A.
    3. Then I Kissed Her
    4. Salt Lake City
    5. Girl Don't Tell Me
    6. Help Me, Rhonda
    7. California Girls
    8. Let Him Run Wild
    9. You're So Good To Me
    10. Summer Means New Love
    11. I'm Bugged At My Ol' Man
    12. And Your Dream Comes True
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Too True Too True Quick View

    $16.99
    Buy Now
    x

    Too True

    In the summer of 2012, between tours supporting End of Daze, I
    locked out the world and sat down in my apartment to write a new record
    - clear view of the New York City sky through iron bars like a promise.
    Like all compulsive minds, I was waiting to let the muse loose. And so
    I spent the next week in a sparkling haze, and when I emerged from the
    frenzy to go back on tour, indeed ten new songs came with. They were
    bound together, not just by an overall sonic palette and new guitar pedal,
    but by time, intention, and fervor. Do you hear Suede? Siouxie? Cold-wave
    Patti? Madonna? Cure? Velvet and Paisley Undergrounds? Stone Roses?
    Cuz I did.


    Still later, in November 2012, I returned to Hollywood to record among
    the lingering Pet Sounds at East West Studios, in pursuit of a bigger,
    darker, more urgent sound. Sitting in the room with my favorite team of
    regulars (Richard Gottehrer and Sune Rose Wagner producing, Alonzo
    Vargas engineering), it was easy to add some flesh to my song skeletons.
    But, unfortunately, the previous year of touring had reduced my voice
    to a pale spectre of its former self. I left California with the heavy burden
    of an unfinished album.


    Truly one of those disguised blessings though - the extra time was a
    gift. These songs weren't done at all! So I recorded vocals alone in my
    bedroom studio, fueled by Rainer Maria Rilke, Anais Nin, Arthur Rimbaud,
    Paul Verlaine, Charles Baudelaire, Sylvia Plath; the punk poet singers
    Patti Smith and Lou Reed; and finally, an unhealthy obsession with the
    Surrealists' manifesto of desire.


    I write this now, many months later, on the up. So much of my life has
    been defined, aided, and even saved by music. Too True is my best
    attempt at joining the rock'n'roll ranks, of chasing pop into the dark,
    and I am as ever, humbled that you listen.


    XXDD

    1. Cult of Love
    2. Evil Blooms
    3. Rimbaud Eyes
    4. Are You Okay
    5. Too True to Be Good
    6. In the Wake of You
    7. Lost Boys and Girls Club
    8. Little Minx
    9. Under These Hands
    10. Trouble Is My Name
    Dum Dum Girls
    $16.99
    Vinyl LP - Sealed Buy Now
  • Sunflower Sunflower Quick View

    $39.99
    Buy Now
    x

    Sunflower

    33 1/3 RPM Stereo Only


    Stereo Mixes Produced By Mark Linett And Alan Boyd / Mixed By Mark Linett


    Audio Production - Mark Linett


    For Brother Records - Elliott Lott


    Mastered By Kevin Gray At Cohearent Audio, Most From The Original Master Tapes Or Best Sources Available


    Lacquer Plating By Gary Salstrom And 200-gram Vinyl Pressing By Quality Record Pressings!


    A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in old school Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!


    Sunflower is considered by most fans - and some of the Beach Boys themselves - to be their finest work after Pet Sounds. More so than any other Beach Boys album, it's a true group collaboration, with Carl Wilson overseeing the production and mixdowns. Brian Wilson himself was very involved in the creation of this album, which includes one of his most enduring compositions, This Whole World, as well as an expansion of a fragment from the Smile sessions, Cool Cool Water, featuring some of the band's most intricate and playful interlocking vocal parts. Sunflower is also the home of some of Dennis Wilson's most enduring work, including the uptempo album opener Slip On Through, and the classic Beach Boys ballad Forever.


    Sunflower, originally titled Add Some Music (after the group's initial single for Warners, Add Some Music To Your Day, which failed to garner enough airplay to become a hit), underwent several lineup revisions before its eventual release in the late summer of 1970. The album, hailed by the U.K. music press as The Beach Boys' Sgt. Pepper, failed to sell, despite glowing reviews and wide acclaim for its rich sonic texture (due in no small part to the efforts of Beach Boys' engineer Stephen Desper, a noted pioneer in quadrophonic and surround sound technologies).


    This title is not eligible for discount.

    1. Slip On Through
    2. The Whole World Add Some Music To Your Day
    3. Deirdre
    4. Got To Know The Woman
    5. It's About Time
    6. Tears In The Morning
    7. All I Wanna Do
    8. Forever
    9. Our Sweet Love
    10. At My Window
    11. Cool, Cool Water
    Beach Boys
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • No Pier Pressure No Pier Pressure Quick View

    $35.99
    Buy Now
    x

    No Pier Pressure

    New Album Features Collaborations with Beach Boys Bandmates, Kacey Musgraves, fun.'s Nate Ruess, She & Him's Zooey Deschanel and M. Ward, Peter Hollens, and Capital Cities' Sebu Simonian


    He is one of popular music's most deeply revered figures, a legendary writer, producer, arranger and performer of some of the most cherished music in pop music history. Indeed, it is no exaggeration to call Brian Wilson one of the most gifted and influential composers of the past 50 years. For the release of his 11th solo studio album, titled No Pier Pressure, Wilson has returned to Capitol Records, his original label home with The Beach Boys.


    For the No Pier Pressure sessions, Brian Wilson reunited with longtime collaborator Joe Thomas, with whom he co-produced The Beach Boys' No. 3 Billboard album That's Why God Made The Radio for the iconic band's 50th anniversary reunion in 2012. In addition, Wilson was joined at Hollywood's Ocean Way Studios by talented musicians he personally invited to record with him, including his former Beach Boys bandmates Al Jardine, David Marks and Blondie Chaplin, as well as Kacey Musgraves, fun.'s Nate Ruess, She & Him's Zooey Deschanel and M. Ward, Peter Hollens, Capital Cities' Sebu Simonian, and trumpet master Mark Isham. Wilson has also brought in session all-stars Don Was, Jim Keltner, Dean Parks, and Kenny Aronoff. Members of Wilson's longtime touring band, including Scott Bennett, Paul Mertens, Darian Sahanaja, and Probyn Gregory also participated in the sessions, along with Matt Jardine, son of Al Jardine, and former bandmate Jeffrey Foskett.


    Wilson and Thomas began collaborating on the new songs during The Beach Boys' whirlwind 50th anniversary activities throughout 2012, a banner year for the band which also included a GRAMMY® Award win for Brian for The Beach Boys' long-awaited SMiLE Sessions release. He told family, friends, and journalists around the world that he looked forward to returning to the studio when he got back home to California.


    Always most inspired when creativity is given time and space to freely flow, Wilson initially envisioned the sessions for his new album with The Beach Boys in mind, but that was not to be. Wanting to find the right voices to complete his vision, Wilson saw an opportunity to finally become hip with his kids and recruited some amazing young vocalists who have been inspired by his music to do the job.


    Throughout his iconic career, Wilson has brought ingenious vision to his own compositions, as well as to those for which he has collaborated, weaving a lush, vibrant tapestry of intricately nuanced vocal harmonies and instrumental arrangements for himself, his bandmates and others. For more than 50 years, fans have marveled at the sheer beauty of the music that springs forth from Wilson's imagination into glorious song.


    Camped out at Ocean Way, Wilson took a fluid, woodshedding approach to the recording process, deftly tailoring the vocal and instrumental parts and arrangements to each participant. Wilson worked to hone the arrangements, often assembling pieces from various takes, a signature style of recording he has enjoyed since his earliest sessions with The Beach Boys. In fact, several of the songs were written during the recording process.


    Brian Wilson began his career as a teenaged founding member of The Beach Boys, who signed with Capitol Records in July 1962 and released their first album, Surfin' Safari, that same year. The band's initial surf-rock focus was soon broadened to include other themes, and 1966's Pet Sounds is universally hailed as one of the greatest albums of all time. Wilson's innovative vocal and instrumental arrangements for major hits including "I Get Around," "California Girls," "Wouldn't It Be Nice," "God Only Knows," and the No. 1 smash "Good Vibrations" made The Beach Boys America's preeminent band of the 1960s.


    Brian Wilson has also achieved great solo success with 10 of his own albums released to date, including his acclaimed 2004 completion of an album he first began recording in the '60s, Brian Wilson Presents SMiLE, which reached Billboard's Top 20 and earned him his first GRAMMY® Award for a recording. Wilson won his second GRAMMY Award® for producing The Beach Boys' acclaimed 2011 release, The SMiLE Sessions. Wilson has also performed major, sold-out SMiLE and Pet Sounds tours in recent years with his own band. Wilson is a Kennedy Center Honors recipient, a Songwriters Hall of Fame inductee, and a UK Music Hall of Fame inductee. As a member of The Beach Boys, Wilson was inducted into the Rock and Roll Hall of Fame in 1988 and honored with The Recording Academy's Lifetime Achievement GRAMMY® Award in 2001.

    LP 1
    1. This Beautiful Day
    2. Runaway Dancer [featuring Sebu Simonian]
    3. What Ever Happened [featuring Al Jardine and David Marks]
    4. On The Island [featuring She & Him]
    5. Our Special Love [featuring Peter Hollens]
    6. The Right Time [featuring Al Jardine and David Marks]
    7. Guess You Had To Be There [featuring Kacey Musgraves]
    8. Tell Me Why [featuring Al Jardine]


    LP 2
    1. Sail Away [featuring Blondie Chaplin and Al Jardine]
    2. One Kind Of Love
    3. Saturday Night [featuring Nate Ruess]
    4. The Last Song
    5. Half Moon Bay
    6. Don't Worry
    7. I'm Feeling Sad
    8. Somewhere Quiet

    Brian Wilson
    $35.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Lighght Lighght Quick View

    $22.99
    Buy Now
    x

    Lighght


    "I really felt like I was witnessing history... in a couple of years we'll be talking about,
    'Man, I saw him at this intimate little show." - NPR


    "Grand and transcendent... the layers of beautiful sound, homage to Japanese culture,
    and use of violin make 151a a dreamy, pocket-sized symphony, perfect for anyone
    needing a lift." - BUST


    "Sumptuous orchestral brilliance... It's a stunningly good record, not merely chirpy,
    zany, and whimsical-but also packed full of harmonious, heart-stopping beauty. If you
    can imagine ELO's very best moments combined with Andrew Bird and a bit of weird
    Bjork introspection-well, even that doesn't really do it justice. Apart from Pet Sounds,
    perhaps, I can't think of a record that's as singly captivating in its sonic beauty." - THE PORTLAND MERCURY


    "Kishi Bashi's music sounds surprisingly basic and natural. He's got such a great way
    of thinking about production and melody that I've yet to hear a bad song from him." -
    YOU AIN'T NO PICASO


    "The music is off-kilter, particularly the opening chants and swirl of guitar and drums.
    The middle section, though, takes a more even-keeled approach to pop, balancing the
    looped whistles with peaceful, yet evocative vocals."
    - CONSEQUENCE OF SOUND


    "A weightless, cartwheeling, electro-pop romp that's all zz and no fuss" - SPIN


    Violinist, singer, and composer Kishi Bashi is slated to release his new album on
    April 29, 2014. The album entitled "Lighght" (pronounced "Light") continues and
    expands the sound of his critically acclaimed debut, "151a" - which earned Kishi Bashi
    the *title* of "Best New Artist" by NPR. Since the profoundly successful release of
    "151a" two years ago, Kishi Bashi has toured relentlessly, captivating audiences across
    the globe with his loop-based live show, and fostering a groundswell of devotees.


    "151a" was crafted over a four-year period while Kishi Bashi was touring and recording with Regina Spektor, Sondre Lerche, and of Montreal (where he was a full-time
    member and co-producer). In late 2012, after the success of "151a", Kishi Bashi
    decided to focus solely on his own music and began composing the new material
    which has become "Lighght".


    "Lighght" takes its title from the one-word poem by minimalist poet Aram Saroyan.
    As Kishi Bashi explains, "The poem's blatant assault on literary convention and
    classical form was attractive to me." It is apparent that such an approach informed
    the new album, which has both broadened and redened his classical foundations.
    "Though I have studied classical composition, I prefer to take an unconventional path when it comes to creating and thinking about music," says Kishi Bashi.


    Though violin remains his primary instrument and songwriting muse, Kishi Bashi has
    expanded his palette to include more diverse and nuanced instrumentation. Bright
    and soaring avant-pop songs are prevalent, as are Eastern-tinged arrangements,
    gentle ballads, Philip Glass inspired improvisations, and more than a few moments
    that irt with 70s prog (in the tradition of ELO or Yes).


    If this sounds jarringly kaleidoscopic, that's because it is. But it works. Listen and see.

    1. DÉbut - Impromptu
    2. Philosophize In It! Chemicalize With It!
    3. The Ballad of Mr. Steak
    4. Carry on Phenomenon
    5. Bittersweet Genesis for Him AND Her
    6. Impromptu no 1
    7. Q&A
    8. Once Upon a Lucid Dream (In Afrikaans)
    9. Hahaha Pt. 1
    10. Hahaha Pt. 2
    11. In Fantasia
    Kishi Bashi
    $22.99
    Vinyl LP - Sealed Buy Now
Go to top