- Lowest Price
- Highest Price
Operatic arias (Lyric & coloratura) (Pre-Order)As this recital amply demonstrates, Maria Callas encompassed an extraordinary range of roles. She is as convincing in the pinpoint coloratura of LakmÉ's 'Bell Song' ('Her chromatic scale is beautifully done and she sails up to the region known as in alt with the greatest ease,' said Gramophone) as in the sweeping, richly-coloured lines of Maddalena's 'La mamma morta' fromAndrea ChÉnier, famously and movingly featured on the soundtrack of the 1993 Hollywood film Philadelphia. 'There is great tenderness and simplicity, deep emotion, and the most lovely moulding of the vocal phrases,' wrote Gramophone, 'Madame Callas's characteristics are nothing less than superb, and altogether there is some of her finest singing yet recorded.'1. Adriana Lecouvreur, Act 1: 'ecco - Respiro Appena...Io Son L'Umile Ancella' (Adriana Lecouvreur)
2. Adriana Lecouvreur, Act 4: 'Poveri Fiori' (Adriana Lecouvreur)
3. Andrea ChÉnier, Act 3: 'La Mamma Morta' (Maddalena)
4. La Wally, Act 1: 'Ebben?...Ne Andrò Lontana' (Wally)
5. Mefistofele, Act 3: 'l'altra Notte' (Elena)
6. Il Barbiere Di Siviglia, Act 1: 'Una Voce Poco Fa' (Rosina)
7. Dinorah, 'Le Pardon De Ploërmel', Act 2: 'Ombre LÉgère' (Dinorah- Shadow Song) - Sung In Italian
8. LakmÉ, Act 2: 'Où Va La Jeune Indoue' (LakmÉ - Bell Song)
9. I Vespri Siciliani, Act 5: 'Mercè, Dilette Amiche' (Elena)$23.99Vinyl LP - Sealed PRE-ORDER Buy Now
The Best Of SadeBy the time this was released in 1994, something unexpected happened. Sade's early work became classic and the later additions boasted even better vocals and songs that nicely improved on the theme. The timeless sound and class always exhibited makes Sade Adu and her band a no-brainer for an appealing compilation.
Like Al Green's Greatest Hits, The Best of Sade doesn't detract from the original albums and is a marker of time, not the end of the act. The ice-princess demeanor and detached vocals worked perfectly for the mid-'80s singles and radio samples Smooth Operator and Your Love Is King. The tracks from the make-or-break second album, Promise, seem less dolorous propped up and sequenced for a compilation. The sensual-to-a-fault The Sweetest Taboo and Never As Good As the First Time both retain their strength here. This set also includes tracks from Sade's comeback CD, Love Deluxe, including Kiss of Life and No Ordinary Love.
As a bonus, The Best of Sade also includes a rare cover of Please Send Me Someone to Love from the Philadelphia soundtrack.LP 1
1. Your Love Is King
2. Hang On To Your Love
3. Smooth Operator
5. The Sweetest Taboo
6. Is It A Crime
7. Never As Good As The First Time
8. Love Is Stronger Than Pride
2. Nothing Can Come Between Us
3. No Ordinary Love
4. Like A Tattoo
5. Kiss Of Life
6. Please Send Me Someone To Love
7. Cherish The Day
8. Pearls$32.99Vinyl LP - 2 LPs Sealed Buy Now
Ritualize (Awaiting Repress)...attitude-thick rapping...with gorgeous
- The New York Times
"Lushlife is an under-the-radar treasure"
From the moment you hear the bristling boom-bap chorus on album-opener
Totally Mutual Feeling, it's apparent that Lushlife's third full-length finds the
Philadelphia rapper-producer at his most introspective. Themes of isolation and
mortality permeate Ritualize, a cinematic hour-long odyssey co-produced by
enigmatic production trio, CSLSX (pronounced Casual Sex) and featuring
contributions from Ariel Pink, Killer Mike, Freeway, Marissa Nadler, RJD2, and
more. With CSLSX at the boards, an entire universe opens up for Lush, where
the pulsating Juno synths of '80s LA night music sit side-by-side with
gorgeously propulsive indie-leaning jams, and low-fi soul burners too. The
resulting LP is a post-blog-era joint that seems to exhale the whole of the 20th
century in a single, fascinating breath.
After toiling over two self-produced LPs in the last half-decade, I felt
compelled to bring on an outside production team for Ritualize, Lushlife
(born Raj Haldar) explains. Not only did I want to broaden the musical
palette, but I felt like the group production effort would give me a depth of
focus on lyrical content and emotion that I hadn't previously been afforded.
After a chance encounter with CSLSX, who had been quietly self-releasing
low-fi dance gems to remarkable organic blog buzz, the newly-formed team
set out on a three-year journey that would eventually yield their new joint
album. By the time work began on Ritualize, Lush had already been riding a
small wave of critical acclaim for his 2012 full-length, Plateau Vision, an album
that made several year-end lists and was described by the Sunday New York
Times as a melding of captivating rhymes with audacious, gorgeous production.
Still, with Ritualize, Lushlife and CSLSX seem to have gone one deeper.
From album cut, The Waking World, which finds Lushlife spitting thorough
sixteens from the vantage of Mark David Chapman lying in wait for John
Lennon, to Incantation, a song that's as much inspired by Allen Ginsberg's
Howl as the general, street-level anxieties of urban life, Ritualize is nothing short
of a step forward. For proof, look no further than Toynbee Suite, a 10-minute,
4-movement rap epic that explores the strange Toynbee Tile meta-art
conspiracy that has captivated Philadelphians for decades. As the centerpiece
of the album, Toynbee Suite was the subject of a 2013 documentary, and
itself represents the combined work of 20+ musicians, including RJD2, Nightlands,
Yikes the Zero, and a full chamber orchestra. On the other hand, the
CSLSX-produced, Hong Kong (Lady of Love), a collaboration with weird
music godhead, Ariel Pink, is a sparse yet powerful four-on-the-floor ode to LA,
inspired by the film soundtrack work of Giorgio Moroder, Vangelis, and others.1. Total Mutual Feeling
2. The Waking World (feat. I Break Horses)
3. Hong Kong (Lady of Love) (feat. Ariel Pink)
4. Incantation (feat. Deniro Farrar)
5. Undress Me In The Temple
6. Body Double
7. Toynbee Suite (feat. Nightlands, RJD2)
8. Strawberry Mansion (feat. Freeway)
9. This Ecstatic Cult (feat. Killer Mike)
10. Burt Reynolds (Desert Visions)
11. Integration Loop (feat. Marissa Nadler)
12. Ritualize$18.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
City MusicCity Music is an airplane descending over frozen lakes into Chicago. City Music is riding the Q Train out to Coney Island to smell the ocean and a morning in Philadelphia where great cranes reconfigure the buildings like an endless puzzle. City Music is also the new album by Kevin Morby.
Full of listless wanderlust, it's a collection inspired by and devoted to the metropolitan experience across America and beyond by a songwriter cast from his own mold. It is a collection crafted using the other side of its creator's brain, the jumping off point perhaps best once again encapsulated by an image. Here, Lou Reed and Patti Smith stare out at the listener, explains Morby.
City Music sees Morby joined once again by cohorts Megan Duffy (guitar) and Justin Sullivan (drums). Here the vocals were recorded at night, in darkness, overlooking a Pacific Ocean illuminated only by the stars, the wash and whisper of the ebbing tidal a distant soundtrack. The record was completed with Richard Swift in Oregon (producer of Foxygen, sometime member of The Black Keys). Here the album gives voice to all those cities speaking the same universal language of chaos and commerce and culture.1. Come To Me Now
4. Aboard My Train
5. Dry Your Eyes
6. City Music
7. Tin Can
8. Caught In My Eye
9. Night Time
10. Pearly Gates
11. Downtown's Lights$19.99Vinyl LP - Sealed Buy Now
Grand Stan (Pure Pleasure)
Mr. Levey worked with Peggy Lee, Ella Fitzgerald, Bobby Darin and many other singers, and with the big bands of Benny Goodman, Woody Herman and Stan Kenton. He was also a ubiquitous presence in Los Angeles recording studios for many years. But he earned his place in jazz history primarily through his work with Charlie Parker and Dizzy Gillespie, the leading lights of bebop.
A self-taught drummer who played left-handed even though he was naturally right-handed, Mr. Levey was still a teenager when he began attracting attention for the ease with which he handled the breakneck tempos and tricky accents of the modern style. Working with Gillespie and Parker, he also attracted attention for being one of two white musicians (the pianist Al Haig was the other) in an otherwise all-black group, by no means a common sight in the 1940's.
Stan Levey was born in Philadelphia on April 5, 1926. The son of a prizefight promoter, he took up boxing about the same time he took up drums, and for a few years pursued both careers. But boxing, at which he was never exceptional, soon lost out to drumming, at which he was.
His work with Gillespie and Parker in 1945, when bebop was new and controversial, won him the admiration of his peers but not much of a living. Greater success came a few years later when he began working with big bands.
In 1954, after two years with Kenton, he settled in Los Angeles, where he spent five years with the Lighthouse All-Stars, the group in residence at a popular local nightclub. He was also in great demand for studio work, recording with many of the best-known musicians in jazz and playing on hit records like Peggy Lee's Fever. In addition, his drumming was heard on the soundtracks of hundreds of movies and television shows, including five Disney documentaries for which he wrote the music.
- Conte Candoli (trumpet)
- Frank Rosolino (trombone)
- Richie Kamuca (tenor saxophone)
- Sonny Clark (piano)
- Leroy Vinnegar (bass)
- Stan Levey (drums)
Recording: August 1955 in New York City
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.
This title is not eligible for discount.1. Yesterdays
2. Angel Cake
3. Why Do I Love You
4. Grand Stan
5. Hit That Thing
6. Blues At Sunrise
7. A Gal In Calico
8. Tiny's Tune$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Bad BloodUS Version Includes Three Bonus Tracks
Bad Blood, the full-length debut from Bastilleis released by Virgin Records. Bastille is the top-selling debut act of 2013 in the U.K., where Bad Blood entered the albums chart at No. 1 earlier this year and has remained in the Top 20 ever since.
The U.S. version of the album will include three bonus tracks - "The Silence," "Weight of Living, PT. I" and "Laughter Lines."
Bastille will made its U.S. television debut on "Conan" July 24. The U.K. band played a sold-out show at the Troubadour in Los Angeles and will return to the States in the fall of 2013 for its first North American tour.
Haunt, Bastille's four-song EP debuted at No. 1 on Billboard's Heatseekers Albums chart after being released digitally. "Pompeii," the lead single, is already Top 20 at Modern Rock, and has been added by numerous stations, including KROQ-Los Angeles, 98/7-Los Angeles, Live 105-San Francisco, Q877-Chicago, KTCL-Denver, WRFF-Philadelphia, KTBZ-Houston, DC101-Washington DC and SiriusXM's Alt Nation. The "Pompeii" video has more than 30 million views.
Dan Smith, the founder of Bastille, envisioned the "Pompeii" clip as the novel I Am Legend if it were shot by the director of Drive, which hints at how inextricably intertwined music, film and literature are in his creative process. Rounding out Bastille's lineup are Will Farquarson, Kyle Simmons and Chris "Woody" Wood. The four musicians have been playing and touring together for more than two years and while each has his main role in Bastille, they effortlessly trade places on vocals, keyboards and percussion. The band's spring 2013 U.K. headline tour sold out immediately, with all 44,000 tickets gone in a day, and they are playing major festivals in the U.K, Europe and Japan this summer. Bastille's performance of "Pompeii" at Glastonbury can be seen here.
While Bad Blood sounds lush, it was actually recorded in a tiny room on limited equipment - apart from a day spent recording strings in the legendary Abbey Road Studios. Smith, working with producer Mark Crew, aimed to approach each song differently.
"I wanted each to be its own story with its own atmosphere which brings in different sounds and elements of production, incorporating aspects of the different genres and styles that I love: hip hop, indie, pop and folk," he explains. "Film soundtracks can be broad and varied, but tied together by the film itself. I hope the album will be something like that, but held together by my voice and the songwriting, each song a scene or part of a bigger picture."
"Pompeii" is an epic in miniature, a conversation between two charred bodies, frozen in time, caught in the ash that engulfed the Roman city of sin while songs like the title track and "Things We Lost in Fire" touch on the changing dynamics of relationships. "'Bad Blood' is an album crafted in one of modern pop's greatest refineries," observed Artrocker, awarding it five stars, while BBC Music said, "Bastille really deliver." Q named "Overjoyed" as "Track of the Day," noting, "[Bastille's] bewitching mixture of softly delivered vocals and glitchy tracks creates an impressive atmosphere."1. Pompeii
2. Things We Lost in the Fire
3. Bad Blood
5. These Streets
6. Weight of Living, Pt. II
10. Daniel in the Den
11. Laura Palmer
12. Get Home
13. The Silence
14. Weight of Living, PT. I
15. Laughter Lines$29.99Vinyl LP - Sealed Buy Now
You Don't Mess Around With Jim (Out Of Stock)Jim Croce was one of the premier architects of the singer/songwriter movement in the early '70s, and during his much revered musical career, he managed to successfully cultivate his story telling, humor and heartfelt thoughts and heartbreak into some of the most memorable songs and melodies ever recorded in our lifetime. His legendary ABC recordings are the soundtrack to a generation of music enthusiasts that continues to this day and will forever stand the test of time.
Growing up in the Philadelphia suburb of Upper Darby, PA, Jim Croce graduated high school and soon found local success as a folk-singer during his college days. In those earlier years, he met his future wife and musical partner Ingrid Croce, and together they began touring the coffee house circuit throughout the '60s into the early-'70s.
After a few short lived careers in radio advertising, as well as being a truck driver and welder, Jim Croce was determined to score a hit recording career and went out as a solo artist, teaming up with his lead guitarist Maury Muehleisen. Friends Tommy West and Terry Cashman were soon a part of the mix as producers, and the hit records soon followed. His debut ABC Records single and album You Don't Mess Around With Jim were a huge success for this legendary performer.
Known for his uncanny ability to connect with his fans with his simple tales of love, heartbreak and good time feel good songs, this multi-platinum album raced to the top of the charts in no time. Spearheaded by the country rock title track, the album was buoyed with even more success as the brilliant Operator (That's Not The Way It Feels) hit a chord in the hearts of his new legion of fans across the globe.
Whether standout tracks like his classics Photographs And Memories, New York's Not My Home or his masterpiece Time In A Bottle, Croce's You Don't Mess Around With Jim album has surely earned its currency over the years as one of the more important albums of the classic singer/songwriter era. After several more smash hit recordings and a massive worldwide following, Time In A Bottle was featured a year later in the made for television movie She Lives! which added to the further success of his classic You Don't Mess Around With Jim album.
A few weeks later, Croce along with guitarist Muehleisen and several others were tragically killed in a small plane crash on September 20, 1973. The music world was in shock as one of its newest stars, a true original, the great Jim Croce, his life was cut short way before his prime. Radio and retail outlets were flooded with fan support as a race to buy this album, which became a lasting tribute to the artistry and memory of this legendary performer.
Friday Music now ushers in the Jim Croce Friday Music 180 Gram Audiophile Vinyl Series with their first installment of his monumental pop/rock classic You Don't Mess Around With Jim. Mastered impeccably by Joe Reagoso from the original tapes at Friday Music Studios with Kevin Gray, the You Don't Mess Around With Jim album is truly one of the more anticipated audiophile vinyl releases of 2012. Includes the rare gatefold cover with lyrics and photos from the original 1972 release!1. You Don't Mess Around With Jim
2. Tomorrow's Gonna Be A Brighter Day
3. New York's Not My Home
4. Hard Time Losin' Man
5. Photographs And Memories
6. Walkin' Back To Georgia
7. Operator (That's Not The Way It Feels)
8. Time In A Bottle
9. Rapid Roy (The Stock Car Boy)
10. Box #10
11. A Long Time Ago
12. Hey Tomorrow$31.99180 Gram Audiophile Virgin Vinyl LP Temporarily out of stock