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Pink Floyd Wish'
Wish You Were Here (Awaiting Repress)Ranked 209/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
On its release in 1975 Wish You Were here topped the album charts in both the UK and the US. Reflecting the band's thoughts of the time on the music business, and exploring themes of absence, Wish You Were Here contains the classic cut Shine On You Crazy Diamond, a tribute to founder member Syd Barrett.
Since 1967 Pink Floyd have produced one of the most outstanding and enduring catalogues in the history of recorded music. The albums have been painstakingly remastered by James Guthrie (co-producer of The Wall). Artwork designed by long-time artwork collaborator Storm Thorgerson. As a part of their Why Pink Floyd? campaign, EMI has chosen to release three titles on collector's vinyl LP (throughout the year 2011 and into early 2012) including The Dark Side of the Moon, Wish You Were Here, and The Wall. Look for more details to come!1. Shine On You Crazy Diamond (Part One)
2. Welcome To The Machine
3. Have A Cigar
4. Wish You Were Here
5. Shine On You Crazy Diamond (Part Two)$30.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
A Spoonful Of TimeThe first ever covers album from Prog Rock legends, Nektar, finds the band joined by an incredible gathering of musical heroes from a wide variety of genres!
A psychedelic head trip through classic rock radio with artful twists on The Doors' "Riders On The Storm," Pink Floyd's "Wish You Were Here," Rush's "Sprit Of Radio," Roxy Music's "Out Of The Blue" and more!
Features performances by members of Yes, King Crimson, Symphony X, Opeth, Marillion, Asia, The Moody Blues, Dream Theater, Tangerine Dream, and more!LP1
2. Spirit Of The Radio
3. Fly Like An Eagle
4. Wish You Were Here
5. For The Love Of Money
6. Can't Find My Way Home
7. 2000 Light Years From Home
1. Riders On The Storm
2. Blinded By The Light
3. Out Of The Blue
4. Old Man
5. Dream Weaver
6. I'm Not In Love
7. Africa$39.99Vinyl LP - 2 LPs Sealed Buy Now
The Endless River
The 15th Studio Album By The Famed British Band
180 Gram Vinyl Mastered By Doug Sax At The Mastering Lab, Ojai, California.
Packaging: Gatefold Sleeve, Full Colour Inner Bags
Full Size, 11''x11'' 16-page Photo/Credit Booklet Including Previously Unseen Photographs From 1993 Sessions
Creative Director: Aubrey Powell, Hipgnosis / Sleeve Design By Stylorouge / Front Cover Concept By Ahmed Emad Eldin
Album Produced By David Gilmour, Phil Manzanera, Youth, Andy Jackson
The Endless River has as its starting point the music that came from the 1993 Division Bell sessions, when David Gilmour, Rick Wright and Nick Mason played freely together at Britannia Row and Astoria studios. This was the first time they had done so since the 'Wish You Were Here' sessions in the seventies. Those sessions resulted in The Division Bell, the band's last studio album.
In 2013 David Gilmour and Nick Mason revisited the music from those sessions and decided that the tracks should be made available as part of the Pink Floyd repertoire. It would be the last time the three of them would be heard together. The band have spent the last year recording and upgrading the music,using the advantages of modern studio technology to create The Endless River.
The Endless River is a tribute to Rick Wright, whose keyboards are at the heart of the Pink Floyd sound. It is a mainly instrumental album with one song, 'Louder Than Words', (with new lyrics by Polly Samson), arranged across four sides and produced by David Gilmour, Phil Manzanera, Youth and Andy Jackson.
David Gilmour said:
'''The Endless River' has as its starting point the music that came from the 1993 Division Bell sessions. We listened to over 20 hours of the three of us playing together and selected the music we wanted to work on for the new album. Over the last year we've added new parts, re-recorded others and generally harnessed studio technology to make a 21st century Pink Floyd album. With Rick gone, and with him the chance of ever doing it again, it feels right that these revisited and reworked tracks should be made available as part of our repertoire.''
Nick Mason said:
'''The Endless River' is a tribute to Rick. I think this record is a good way of recognizing a lot of what he does and how his playing was at the heart of the Pink Floyd sound. Listening back to the sessions, it really brought home to me what a special player he was.''LP 1
1. Thing Left Unsaid
2. It's What We Do
3. Ebb and Flow
1. The Lost Art of Conversation
2. On Noodle Street
3. Night Light
4. Allons-y (1)
5. Autumn '68
6. Allons-y (2)
7. Talkin' Hawkin'
9. Eyes to Pearls
11. Louder Than Words$36.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
More SoundtrackConcocted for director Barbet Schroeder's dystopian hippie road flick, this album marks Floyd's first venture into film scoring, a task they undertake with a verve that overshadows their lack of formal training in the field. With just a handful of cuts echoing the trippy, atmospheric space-rock that was so much a part of their early career, there's a surprisingly familiar dedication to songcraft evident here, especially for a soundtrack.
Roger Waters's acoustic ballads (Cirrus Minor, Crying Song, Green is the Color), dark and dirge-like, are familiar predecessors to music that would highlight Wish You Were Here and The Wall, while Dave Gilmour's slashing riffs on The Nile Song also foreshadow greatness to come. Moody and surprisingly eclectic, More has rightly earned its place as a Floyd cult fave. --Jerry McCulley1. Cirrus Minor
2. The Nile Song
3. Crying Song
4. Up The Khyber
5. Green Is The Colour
7. Party Sequence
8. Main Theme
9. Ibiza Bar
10. More Blues
12. A Spanish Piece
13. Dramatic Theme$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Man & MythMan And Myth, Roy's first studio album in 13 years, isn't just proof
that one of the leading, most erudite and passionate orators of the
British folk rock renaissance hasn't lost an iota of his gifts, but also
timely evidence for anyone who has wondered why so many musical
luminaries have been lining up to praise this enigmatic and legendary singer-songwriter.
In 2011, Harper performed a special show at the Royal Festival Hall
in celebration of his 70th birthday, playing with guests including
Joanna Newsom, Jonathan Wilson and Jimmy Page of Led
Zeppelin-who once penned a tribute called Hats Off To (Roy)
Harper. David Gilmour not only played on record and stage for
Harper, but Pink Floyd engaged him to sing Have A Cigar on the
band's landmark album Wish You Were Here. Fellow collaborator
Kate Bush has called Harper one of the greatest English songwriters while the late John Peel demanded, on his death, that cricket
obsessive Harper's When An Old Cricketer Leaves The Crease be
played at his funeral. Johnny Marr, meanwhile, has stated that
Harper's 1971 opus Stormcock was intense and beautiful and
Four of the seven tracks that constitute Man And Myth were
recorded with Jonathan Wilson at his studio in Laurel Canyon.
Wilson had been assembling a Harper tribute album and the two
struck up a friendship after meeting backstage at London's Borderline in 2012. Heaven Is Here and The Exile, the album's epic
closing tracks, and January Man were subsequently recorded
back in County Cork.
Man And Myth is incontrovertible proof to everyone of Roy Harper's
persisting brilliance, with many hallmarks of what has singled him
out since his first album 47 heady years ago.1. The Enemy
2. Time Is Temporary
3. January Man
4. The Stranger
5. Cloud Cuckooland
6. Heaven Is Here
7. The Exile$22.99Vinyl LP + CD - Sealed Buy Now
Black Beauty28-page, full-color book (11" x 11")
Extensive essay by Ben Edmonds (Creem, Rolling Stone, Mojo) featuring all-new interviews
Abundant, never-before-seen photographs by Herbert Worthington (Fleetwood Mac's Rumours)
Brilliantly mastered by multi-GRAMMY® nominee Dan Hersch (Paul Simon, Kinks, Cars,The Band)
Mastered for vinyl by multi-GRAMMY® winner Doug Sax (The Who, Rolling Stones, Pink Floyd)
Black Beauty, the never-before-released masterpiece by Arthur Lee's legendary psychedelic rock band Love, is available on 180-gram vinyl LP. Recorded in 1973 for the ambitious new label Buffalo Records,
the album remained unreleased when the company folded. Finally, after 39 years High Moon Records is honored to fulfill Arthur Lee's wish that Black Beauty be heard by music fans worldwide. Black Beauty is making its first-ever official release
in any format, anywhere! With unparalelled sound and state-of-the-art packaging, critics are hailing Black Beauty as an instant classic. Black Beauty is that rarest of rock artifacts: an unreleased,
full-length studio album, from an undisputed musical
genius. Black Beauty is the missing link in a catalog that includes Forever Changes, the classic 1967 Love album the New York Times called "one of the most affecting and beguiling albums of all time. With Black Beauty, Arthur Lee manages to combine searing 70's-rock with gorgeous melodies and stellar songwriting - topped off by his most distinctive, snarling, soulful vocals ever. With its wonderfully eclectic collection of songs, the
album offers Love fans a rare glimpse into a previously undocumented phase of Arthur Lee's fabled career, while shining a light for new fans to discover the unique genius that is the music of Arthur Lee and Love.
It's tempting to play what-if with Love's lost labor, Black Beauty, which was recorded in 1973 but shelved for nearly four decades. What if Buffalo Records hadn't gone out of business just prior to the album's release? What if Black Beauty had actually hit stores? What if it hadn't languished in limbo until years after Arthur Lee's death? Would it have stopped Love's slide into obscurity? Would it have signaled a comeback for the man who masterminded Forever Changes, still one of the most complex and compelling artifacts of 1960s Los Angeles? Would his life and career have played out any differently? Would we think of him today as something other than a cult artist, inspired as well as damned by his era?
It's difficult to imagine any answers to those questions, but it says a lot about Lee that the album even raises these what-ifs and coulda-beens. The very qualities that made him such a fascinating voice-- restlessness, excitability, paranoia, perfectionism, single-mindedness-- may have doomed any commercial prospects more than his notorious fear of travel ever did. After recording Forever Changes, he fired the band and hired new musicians to take their places. Every subsequent album featured a different line-up, although the changes seem based more on personality than on musical direction or ability. Never stagnant, Love was in constant flux, always in a state of development but never quite arriving. So the operative question becomes: Was this the version of Love that Lee had been working toward?
For Black Beauty-- which is finally seeing release via High Moon Records, although the reissue has been delayed for two years-- Lee assembled guitarist Melvan Whittington, bass player Robert Rozelle, and drummer Joe Blocker. This may be the hardiest and most muscular of Love's post-Changes rosters, with remarkable force and range. With crisp production by Paul Rothchild, best known for his work with the Doors, Love build from a potent blues rock foundation not dissimilar to that of Jimi Hendrix, but without the distracting shamanistic persona and guitar pyrotechnics. "Walk Right In" struts into country rock territory, rewriting Cannon's Jug Stompers 1929 hit into a plea for empathy, and "Beep Beep" attempts a sort of pop reggae, albeit not entirely convincingly.
On the whole, this particular line-up sounds perfectly rough and unrehearsed, generating a tense energy on "Skid" and "Stay Away" even as they suggest a band still figuring out exactly what they can do together. It's a strong album, but it's not another Forever Changes, whose accomplishments in retrospect were unrepeatable, or even another Four Sail. On the other hand, Lee wasn't aiming to craft something in that vein. Still, especially considering the professional setbacks he had faced in the years leading up to Black Beauty-- which includes being dropped by Elektra and shuffling through a series of independent labels-- Lee sounds engaged and invigorated, forgoing the bitterness that had rankled the band for a slightly more hopeful outlook. On stand-out "Can't Find It", he sings, "Every time I cry my heart out, and every time I play the fool, but there's gotta be something in this lonely world for me." The confession is all the more bittersweet for being capped with the line, "but I can't find it without you." It's ostensibly a love song, but could just as easily be addressed to his audience. His creative satisfaction relies on having a listener to complete the circuit, which makes this album's long shelf life all the sadder.
-Stephen M. Deusner (Pitchfork, May 15, 2013)1. Young & Able
2. Midnight Sun
3. Can't Find It
4. Walk Right In
6. Beep Beep
7. Stay Away
8. Lonely Pigs
9. See Myself In You
10. Product Of The Times$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now