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Playing The Angel'
Grievous AngelGram Parsons pioneered the concept of a rock band playing country music, playing in bands such as The Byrds, The International Submarine Band and The Flying Burrito Brothers. His work has influenced both country and rock artists such as The Rolling Stones and Linda Ronstadt by blending the two genres to the point that they became indistinguishable from each other.
Compiled from 1973 studio sessions 'Grievous Angel' was originally released in 1974, four months after the songwriters death. It was the second solo album from Gram Parsons and is viewed as a successful example of the hybrid between country androck and rollParsons called Cosmic American Music. In 2003 it was ranked in Rolling Stone magazine's 500 greatest albums of all time.1. Return Of The Grievous Angel
2. Hearts On Fire
3. I Can't Dance
4. Brass Buttons
5. $1000 Wedding
6. Medley Live From Northern Quebec
7. Love Hurts
8. Ooh Las Vegas
9. In My Hour Of Darkness$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Art AngelsArt Angels features collaborations with Janelle Monáe and newcomer, Taiwanese rapper Aristophanes. It was recorded primarily in her home studio in Los Angeles, CA, where she relocated to in 2014. Like all of her previous albums, Art Angels was written and recorded entirely as a solo endeavor. The new album features more live instrumentation than ever before on a Grimes record. She plays piano, guitar and violin, continuing her evolution as a musician and a producer for her most ambitious album to date.1. laughing and not being normal
3. SCREAM (ft. Aristophanes)
4. Flesh without Blood
5. Belly of the Beat
6. Kill V. Maim
10. World Princess part II
11. Venus Fly (ft. Janelle Monae)
12. Life in the Vivid Dream
13. Butterfly$26.99Vinyl LP - Sealed Buy Now
Angels Watching Over Me"I was very reluctant to put this stuff out because there's a ton of rootsy cornballs out there doing this kind of stuff and all of them play guitar way better than me. But I think I have something here that doesn't really
sound like anything else. The numbers that bounce really bounce. The numbers that drone really drone. I'm excited about this." -Danny Kroha
As a mainstay on the Detroit music scene for over thirty years, Danny Kroha has consistently pushed himself to reinvention. As founding member of garage legends the Gories, he's influenced countless imitators and poseurs. His axe work with Rocket 455 is the most quintessentially "Detroit" rock and roll this side of the MC5. And his turn as a pastied playgirl in the Demolition Doll Rods proved that even in drag, he was undeniably solid. So with his first full-length release under his own name, it may come as an unexpected turn that he's dealing in classic gospel and folk songs. Playing every instrument himself, spanning guitar, banjo, baritone dulcimer, diddley bow, washtub bass, jug and mouth organ, the end result is a collection of
compelling, timeless traditional songs. Angels Watching Over Me is the real deal, seeming that it could've been recorded at any time over the past 70 years. With this album, Kroha firmly establishes himself as one of the pre-eminent practitioners of a genre in desperate need of someone with his creativity and vision in moving forward the classic American art form.1. Angels Watching Over Me
2. I Want to Live So God Can Use Me
3. Rowdy Blues
4. Holy Ghost Don't Leave Me
5. Take Me Back
6. John Henry
7. Walking Boss
8. Run Little Children
9. The Road is Rough and Rocky
10. Cannonball Blues
11. You Got To Move
13. Before This Time Another Year
14. Jack O'Diamonds
15. Pretty Little Pink
16. Lonesome Valley$17.99Vinyl LP - Sealed Buy Now
Angels And One-Armed JugglersAngels And One-Armed Jugglers: The new solo record, by Spin Doctors lead singer, Chris Barron.
- Exclusive Magazine - (Barron is) "A powerful story teller, at once hilarious and thought provoking "
- Glide -"...Expressive and visionary in its wide scope."
- Guitar World - " Powerful and poignant."
- Illinois Entertainer -- "Barron shows his fighting spirit through every musical mood on Angels and One Armed Jugglers... like hearing music on vinyl versus a harsh old early recording on CD."
- Ink 19 - "Angels and One Armed Jugglers finds Barron exploring a sound more similar to the Band than what he did with the Spin Doctors."
- Innocent Words -" Wiping away all preconceived notions and prejudice, Barron's brilliance comes out."
- Jambands -"From comments spiritual and secular... aching cries of love... are undressed in beautifully bare arrangements; carnival tuba, stand-up bass, and last-call piano... guided by Barron's voice, direct and pure."
- Muen Magazine - "Simply put, the solo slab from Spin Doctors frontman, Chris Barron, is an organic-sounding delight - a fabulous showcase for compelling storytelling and world-class songwriting."
- No Depression - "Chris is a visionary songwriter... not your standard fare... The world is an unfair place and he offers consolation with a twist of humor... it's been my most played record this week"
- Pop Dose -- .."Thoughtful and melodic..."
- Rage Monthly -"Reminiscent of Tom Petty or Neil Young."
- The Daily Country - "The eclectic, yet cohesive, eleven song set dynamically blends genres while eschewing typical lyrical themes, relaying stories that are personal, accessible, and ear-grabbing."
This title is not eligible for discount.
1. Angels and One-Armed Jugglers
2. April and May
3. Darken My Door
4. Gonna (Need Someone)
5. In a Cold Kind of Way
6. Raining Again
7. Saving Grace
8. Still a Beautiful World
9. The World Accordion to Garp
10. Till the Cows Come Home
11. Too Young to Fade$24.99Colored Vinyl LP - Sealed Buy Now
- Exclusive Magazine - (Barron is) "A powerful story teller, at once hilarious and thought provoking "
SPCO-SPE-0667xGil Evans Orchestra
The Gil Evans Orchestra Plays The Music Of Jimi Hendrix (Speakers Corner)
Critics find this album rather difficult to evaluate. Their judgement ranges from a colourful mixture to a successful cover album to a masterly fusion and an homage to an artist whose life came to an end far too soon - Jimi Hendrix. Jimi had long been gone when this album was recorded in 1974. But it is almost superfluous to look back to the legendary Hendrix if you focus on the great Gil Evans. After such milestones as Birth Of The Cool and Sketches Of Spain it isn't difficult to regard these late audiophile masterpieces as a logical development of Evans's exceptional skill as an arranger.
When you listen - or rather experience - how the crystal-clear sound in Angel is heightened to an emphatic ballad on the saxophone, or how rich soulful vocals storm ahead in a funky style (Crosstown Traffic), or fluffy, cloud-like sounds are built up on the flutes in Castles Made From Sand, then it is no longer of importance who thought out the music. It is sufficient that it exists and is pleasing to all who hear it. It is also unimportant whether one reveres Hendrix's immemorable melodies or whether one pays homage to Evans's visionary soundworld: a recording such as this could only be born of the two.
- Gil Evans (arranger, conductor, piano)
- David Sanborn, Billy Harper (saxophone, flute)
- Billy Harper (saxophone, flute)
- Lewis Soloff (trumpet)
- Tom Malone (synthesizer, trombone, flute, bass)
- David Horowitz (electric piano, synthesizer)
- John Abercrombie (guitar)
- Don Pate (bass)
- Warren Smith, Jr. (chimes, percussion, vibraphone)
- Bruce Ditmas (drums)
Recording: 1974 at RCA's Studio B, New York City, by Bob Simpson
Production: Mike Lipskin
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.
This title is not eligible for discount.1. Angel
2. Crosstown Traffic/ Little Miss Lover
3. Castles Made of Sand/Foxey Lady
4. Up From the Skies
5. 1983 - A Merman I Should Turn to Be
6. Voodoo Child (Slight Return)
7. Gypsy Eyes
9. Castles Made of Sand
10. Up From the Skies
11. Gypsy Eyes$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Double Play!Recorded in Contemporary's studio, Los Angeles, April 30th and May 11th, 1957.1. Take Me Out To The Ball Game
2. Who's On First?
3. Called On Account Of Rain
4. In The Cellar Blues
5. Batter Up
6. Double Play
7. Safe At Home
9. Strike Out The Band$21.99Vinyl LP Reissue - Sealed Buy Now
At The LA Palladium, 1985In December 1984, Adams embarked on a two-year world tour to launch the album starting in Canada and the United States, then into Japan, Australia, back to the UK and again to Canada.
The recording on this deluxe vinyl release comes from the second show of two that Adams' played at the Los Angeles Palladium on 1st February 1985 as part of the tour. Recorded for FM Broadcast by local radio, this dynamic performance is available here on vinyl for the first time and provides a fascinating glimpse into Bryan's live work at this early juncture in his hugely successful career.LP 1
2.The Only One
3.Kids Wanna Rock
4.Summer Of '69
5.Cuts Like A Knife
9.The Best Was Yet To Come
1.Run To You
2.Take Me Back
3.Straight From The Heart
5.She's Only Happy When She's Dancin'
6.Fits Ya Good
7.I'm Ready$37.99140 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
As Above, So Below (Out Of Stock)With a lineage dating back to 1977, South Londons Angel Witch were leading lights of a now legendary movement known as the New Wave Of British Heavy Metal that saw their path interwoven with the likes of Iron Maiden, Saxon, Samson, Praying Mantis, the Tygers Of Pan Tang and countless more.
Unlike a great many of the groups with whom they shared stages their style was dark, uncompromising and heavy; a perfect complement for the sword & sorcery-themed lyrics of songs such as White Witch, Gorgon and Angel Of Death no wonder Geoff Barton of Sounds magazine once memorably described their bludgeoning sound as: the first Black Sabbath album played through a cement mixer.
This album is unquestionably the finest thing to bear the band's name since the first, iconic release. Its contents unite newly-penned yet timeless sounding material.1. Dead Sea Scrolls
2. Into The Dark
4. The Horla
5. Witching Hour
6. Upon This Chord
8. Brainwashed$34.99Vinyl LP - Sealed Buy Now
Pinheads In Buenos AiresPressed On 140 Gram Clear Vinyl
Live At River Plate Stadium - Buenos Aires, Brazil - March 16th, 1996
On 16th March 1996, the Ramones played a farewell concert to 45,000 fans in Buenos Aires in what had been initially planned as the final show of their storied 20-year career. The River Plate Stadium, home to one of South America's most famous football clubs, had filled to the brim, while none other than Iggy Pop played as the opening act before the Ramones took to the stage. The band returned to the States on the Lollapolooza bill, playing their last show in Los Angeles on 6th August 1996. Nonetheless, they had built such a fiercely dedicated fan base down south that they had become, as branded by a major Buenos Aires daily paper, The Argentine Punk Band, "La Banda Punk Argentina."LP 1
1. Intro / Durango
2. Teenage Lobotomy
3. Psycho Therapy
4. Blitzkreig Bop
5. Do You Remember Rock N Roll Radio?
6. I Believe In Miracles
7. Gimme Gimme Shock Treatment
8. Rock N Roll High School
9. I Wanna Be Sedated
11. The KKK Took My Baby Away
12. I Don't Want To Grow Up
13. I Just Want To Have Something To Do
14. Sheena Is A Punk Rocker
15. Rockaway Beach
16. Pet Sematary
17. Strength To Endure
1. Cretin Family
2. Do You Wanna Dance?
3. Somebody Put Something In My Drink
4. Surfin' Bird
5. Wart Hog
6. Cretin Hop
8. Today Your Love, Tomorrow The World
10. The Crusher
11. Poison Heart
12. We're A Happy Family
13. My Back Pages
14. 53rd & 3rd
15. Beat On The Brat
16. Chinese Rock
17. Have You Ever Seen The Rain?$37.99Colored Vinyl LP - 2 LPs Sealed Buy Now
An Acoustic Evening At The Vienna Opera HouseJoe Bonamassa: An Acoustic Evening at the Vienna Opera House was recorded at the historic Vienna Opera House last July during a very special two-week long unplugged tour, played to a limited audience over seven exclusive European shows. Varying from his predominantly electric blues shows, this presentation was an all-acoustic concert performance, making it a unique and very special show fans had been waiting years to experience.
Produced by long-time collaborator Kevin Shirley, Joe is supported on his vintage acoustic instruments by an eclectic assortment of craftsmen from around the globe. They include: Gerry O'Connor, a music historian and traditional Irish fiddler from many generations of Irish music, on Irish fiddle, mandolin, and Irish banjo; Swedish multi-instrumentalist Mats Wester will play the Nyckelharpa, a Swedish keyed-fiddle; Los Angeles keyboard maestro Arlan Schierbaum, whose extensive recording career focuses on organic instruments, plays accordions, celeste, toy pianos, and more; and legendary Puerto Rican percussionist, Lenny Castro, whose works spans genres and reads like a who's who of artists, including the Rolling Stones, Sir Elton John, Eric Clapton, Boz Scaggs, Toto, Stevie Wonder, David Sanborn, Avenged Sevenfold, Little Feat, Tom Petty, the Red Hot Chili Peppers and many more.LP1
2. Palm Trees, Helicopters and Guns
3. Jelly Roll
4. Dust Bowl
5. Around The Bend
6. Slow Train
7. Athens To Athens
8. From The Valley
9. The Ballad of John Henry
10. Dislocated Boy
11. Driving Towards The Daylight
1. High Water Everywhere
2. Jockey Full Of Bourbon
4. Stones In My Passway
5. Ball Peen Hammer
6. Black Lung Heartache
7. Mountain Time
8. Woke Up Dreaming
9. Sloe Gin
10. Seagull$42.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
An Acoustic Evening At The Vienna Opera HouseJoe Bonamassa: An Acoustic Evening at the Vienna Opera House was recorded at the historic Vienna Opera House during a very special two-week long unplugged tour, played to a limited audience over seven exclusive European shows. Varying from his predominantly electric blues shows, this presentation was an all-acoustic concert performance, making it a unique and very special show fans had been waiting years to experience.
Produced by long-time collaborator Kevin Shirley, Joe is supported on his vintage acoustic instruments by an eclectic assortment of craftsmen from around the globe. They include: Gerry O'Connor, a music historian and traditional Irish fiddler from many generations of Irish music, on Irish fiddle, mandolin, and Irish banjo; Swedish multi-instrumentalist Mats Wester will play the Nyckelharpa, a Swedish keyed-fiddle; Los Angeles keyboard maestro Arlan Schierbaum, whose extensive recording career focuses on organic instruments, plays accordions, celeste, toy pianos, and more; and legendary Puerto Rican percussionist, Lenny Castro, whose works spans genres and reads like a who's who of artists, including the Rolling Stones, Sir Elton John, Eric Clapton, Boz Scaggs, Toto, Stevie Wonder, David Sanborn, Avenged Sevenfold, Little Feat, Tom Petty, the Red Hot Chili Peppers and many more.1. Arrival
2. Palm Trees, Helicopters and Guns
3. Jelly Roll
4. Dust Bowl
5. Around The Bend
6. Slow Train
7. Athens To Athens
8. From The Valley
9. The Ballad of John Henry
10. Dislocated Boy
11. Driving Towards The Daylight
12. High Water Everywhere
13. Jockey Full Of Bourbon
15. Stones In My Passway
16. Ball Peen Hammer
17. Black Lung Heartache
18. Mountain Time
19. Woke Up Dreaming
20. Sloe Gin
Track listing is subject to change.$39.99Vinyl LP - 3 LPs Sealed Buy Now
Hot August NightIn the summer of 1971, Diamond played seven sold-out nights at the famed Greek Theatre in Los Angeles to a rapturous reception. The following August, he returned for ten more sold-out shows, an event forever captured on the multi-platinum Hot August Night, a double-record set that demonstrated once and for all Diamond's growing status as a superstar concert sensation. The original Hot August Night recording from The Greek Theatre concerts was one of Neil Diamond's most successful albums worldwide, living at the #1 spot on the charts for 29 weeks, is one of his more celebrated and acknowledged albums of his career and arguably one of the greatest live albums ever recorded.
The two unforgettable LPs are filled with Neil Diamond favorites such as Solitary Man, Cracklin' Rosie, Sweet Caroline, I Am...I Said and many more.LP 1
2. Crunchy Granola Suite
3. Done Too Soon
5. Solitary Man
6. Cherry Cherry
7. Sweet Caroline
8. Porcupine Pie
9. You're So Sweet
10. Red Red Wine
11. Soggy Pretzels
12. And the Grazz Won't Pay No Mind
14. Girl You'll Be A Woman Soon
1. Play me
2. Canta Libre
4. Song Sung Blue
5. Cracklin' Rosie
6. Holly Holy
7. I Am... I Said
8. Walk Off
9. Soolaimon - Brother Love's Travelling Salvation Show
10. Encore$34.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Through The Dusty Paths Of Our LivesJust the name Paris evokes thoughts of romance. From tiny streetside cafes serving cafe au lait and fresh croissants to the breathtaking panoramic view as seen from atop the Eiffel Tower, the city simply oozes love. Thankfully the city of love also has a darker side. One just as dedicated to love, just love of a different kind. Love of all things heavy and all things rock. And that's the real Paris the one where Abrahma lives.
Formed in 2005 under the moniker Alcohsonic, this Parisian quartet epitimized the ideals of Rock and Roll. Blending the classic American 70's sound with blues, southern roots and just a hint of the modern Seb Bismuth, Nicolas Heller and the brothers Colin attempted to set Europe on fire. Their flame burned hot but far too bright and after five years, one LP and a scathing trail of live shows sharing the stage with the likes of Brant Bjork and Cactus, their course was run. But like a pheonix rising from it's own ashes Alcohsonic has been reborn as Abrahma.
''Through The Dusty Paths Of Our Lives'' is a self made monument to what might have been and an explosive first example what is yet to come. Five years on the road has hardened the sound and forged the new songs like iron in flame. Gone are any hints of 70's revivalism, buried beneath thick sludgy riffs and thundering basslines. Six hands play as one with the voice of an angry angel lighting the way. Featuring a guest appearance by Ed Mundell (Monster Magnet) and artwork designed by Alexander vonWieding ''Through The Dusty Paths Of Our Lives'' is a once in a lifetime debut. Catch a glimpse before the sparks begin to fly.LP1
2. Neptune Of Sorrow
3. Tears Of The Sun
4. Dandelion Dust
5. Honkin' Water Roof
6. Loa's Awakening (Prelude)
7. Vodun Pt. 1: Samedi's Awakening
8. Big Black Cloud
1. Headless Horse
2. Vodun Pt. 2: I, Zombie
3. Oceans On Sand...
4. ...Here Sleep Ghosts
5. Vodun Pt. 3: Final Asagwe
6. The Maze
7. Omega$25.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Stone Rollin'Stone Rollin' is the fifth studio album from Grammy Award winning singer, songwriter and record producer Raphael Saadiq. Known for defying the confines of working within one genre, this standard bearer for old school R&B returns with a new release that celebrates the classic sounds of 60s and 70s soul with a futuristic twist.
Featuring ten new tracks, Stone Rollin is the follow up to Saadiqs 2008 solo album The Way I See It, which boasted four Billboard R&B chart singles and was nominated for three Grammy Awards including Best R&B Album. Recorded at his studio complex the Blakeslee Recording Company in Los Angeles, Raphael Saadiq played bass, mellotron, keys, guitar, percussion and even drums on most of the tracks.
Opening with the stomping Heart Attack, the albums other standout cuts include the stunning Go To Hell, featuring his studio squad of musicians who are melodically complimented by an angelic choir, the evocative Dixieland number Day Dreams, featuring Robert Randolph who plays steel guitar on the track, and Just Dont, which includes a guest appearance from one of Saadiqs indie rock favorites Swedish-Japanese singer Yukimi Nagano (Little Dragon). Also making an appearance on that same song is one of Saadiqs idols Larry Dunn (Earth, Wind and Fire), who plays piano and contributes an epic Moog solo.1. Heart Attack
2. Go To Hell
4. Over You
5. Stone Rollin'
6. Day Dreams
7. Movin' Down The Line
8. Just Don't
9. Good Man
10. The Answer$24.99Vinyl LP - Sealed Buy Now
Bad BloodUS Version Includes Three Bonus Tracks
Bad Blood, the full-length debut from Bastilleis released by Virgin Records. Bastille is the top-selling debut act of 2013 in the U.K., where Bad Blood entered the albums chart at No. 1 earlier this year and has remained in the Top 20 ever since.
The U.S. version of the album will include three bonus tracks - "The Silence," "Weight of Living, PT. I" and "Laughter Lines."
Bastille will made its U.S. television debut on "Conan" July 24. The U.K. band played a sold-out show at the Troubadour in Los Angeles and will return to the States in the fall of 2013 for its first North American tour.
Haunt, Bastille's four-song EP debuted at No. 1 on Billboard's Heatseekers Albums chart after being released digitally. "Pompeii," the lead single, is already Top 20 at Modern Rock, and has been added by numerous stations, including KROQ-Los Angeles, 98/7-Los Angeles, Live 105-San Francisco, Q877-Chicago, KTCL-Denver, WRFF-Philadelphia, KTBZ-Houston, DC101-Washington DC and SiriusXM's Alt Nation. The "Pompeii" video has more than 30 million views.
Dan Smith, the founder of Bastille, envisioned the "Pompeii" clip as the novel I Am Legend if it were shot by the director of Drive, which hints at how inextricably intertwined music, film and literature are in his creative process. Rounding out Bastille's lineup are Will Farquarson, Kyle Simmons and Chris "Woody" Wood. The four musicians have been playing and touring together for more than two years and while each has his main role in Bastille, they effortlessly trade places on vocals, keyboards and percussion. The band's spring 2013 U.K. headline tour sold out immediately, with all 44,000 tickets gone in a day, and they are playing major festivals in the U.K, Europe and Japan this summer. Bastille's performance of "Pompeii" at Glastonbury can be seen here.
While Bad Blood sounds lush, it was actually recorded in a tiny room on limited equipment - apart from a day spent recording strings in the legendary Abbey Road Studios. Smith, working with producer Mark Crew, aimed to approach each song differently.
"I wanted each to be its own story with its own atmosphere which brings in different sounds and elements of production, incorporating aspects of the different genres and styles that I love: hip hop, indie, pop and folk," he explains. "Film soundtracks can be broad and varied, but tied together by the film itself. I hope the album will be something like that, but held together by my voice and the songwriting, each song a scene or part of a bigger picture."
"Pompeii" is an epic in miniature, a conversation between two charred bodies, frozen in time, caught in the ash that engulfed the Roman city of sin while songs like the title track and "Things We Lost in Fire" touch on the changing dynamics of relationships. "'Bad Blood' is an album crafted in one of modern pop's greatest refineries," observed Artrocker, awarding it five stars, while BBC Music said, "Bastille really deliver." Q named "Overjoyed" as "Track of the Day," noting, "[Bastille's] bewitching mixture of softly delivered vocals and glitchy tracks creates an impressive atmosphere."1. Pompeii
2. Things We Lost in the Fire
3. Bad Blood
5. These Streets
6. Weight of Living, Pt. II
10. Daniel in the Den
11. Laura Palmer
12. Get Home
13. The Silence
14. Weight of Living, PT. I
15. Laughter Lines$29.99Vinyl LP - Sealed Buy Now
Death SongThe Black Angels - Austin's psych rock masters - have confirmed details for their upcoming album, 'Death Song.,' the five-piece's first full-length release in four years.
Written and recorded in large part during the recent election cycle, the music on 'Death Song' serves as part protest, part emotional catharsis in a climate dominated by division, anxiety and unease. "Currency," a strong contender for the heaviest song the band has ever put to wax, meditates on the governing role the monetary system plays in our lives, while slow-building psychedelic earworm "Half Believing" questions the nature and confusing realities of devotion.
Recorded between Seattle and Austin, 'Death Song' features production from Phil Ek (Father John Misty, Fleet Foxes, The Shins). The 11-track collection offers a sharply honed elaboration on their signature sound - menacing fuzz guitar and cutting wordplay, steeped in a murky hallucinatory dream.
Since forming in Austin in 2004, The Black Angels have become standard-bearers for modern psych-rock, and the New York Times has said they "play psychedelic rock as if the 1960s never ended, and they are absolute masters of it".
The band has toured with Queens of the Stone Age, Brian Jonestown Massacre, the Black Keys + more, and played festivals such as Glastonbury, Fuji Rock, Primavera, Harvest Fest, Coachella and Bonnaroo. Two of the band members co-founded Levitation Festival (formerly Austin Psych Fest) in 2008, which has since grown into one of the best-reviewed and expertly-curated festivals in the country.LP 1
2. I'd Kill For Her
3. Half Believing
4. Comanche Moon
5. Hunt Me Down
6. Grab As Much (As You Can)
2. I Dreamt
4. Life Song
5. Death March$24.99Vinyl LP - 2 LPs Sealed Buy Now
Legacy of the AncientsColored Vinyl
Formed by founding members of Cattle Decapitation and The Locust, Pathology play old-school American death metal, fashioning their sound after classic bands like Cannibal Corpse, Morbid Angel and Terrorizer.1. Intro
2. Code Injection
3. Among Giants
6. Collapsing In Violence
7. Tower Of Babel
8. Blood Runs
9. The Extinction Of Flesh
10. Legacy Of The Ancients
11. Saturn Brotherhood$15.99Colored Vinyl LP - Sealed Buy Now
The Billy Joel/Friday Music 180 Gram Audiophile Vinyl Continues!
First Time 180 Gram Audiophile Vinyl & Gatefold Cover Presentation
Featured Musicians: Richard Bennett, Wilton Felder, Emory Gordy Jr., Larry Knechtel, Ron Tutt
Mastered By Joe Reagoso At Friday Music And Capitol Mastering, Hollywood, Ca. Manufactured At R.T.I.
Billy Joel's third hit LP Streetlife Serenade will always be revered as one of the classic early albums
from this superstar singer/songwriter. Released in 1974, he was now successfully entrenched with a record
buying audience who were hipping others to the great new sounds of the Piano Man. As his tours became
sell outs and airplay was flourishing with his new single The Entertainer, Streetlife Serenade soon became
the album of choice for a plethora of radio stations nationwide.
Streetlife Serenade shows this New York native's love affair with Los Angeles, where he was living and
playing at the time, prior to his rise to superstar fame. Forty years later these tunes still resonate with his
fans as Billy Joel is currently embarking on a very successful concert tour, and Friday Music is proud to be
a part of the celebration with one of his greatest masterworks Streetlife Serenade.
As another installment in our exclusive Billy Joel/Friday Music 180 Gram Audiophile Vinyl Series, this
impeccably mastered audiophile LP features some of his greatest songs like the brilliant album opener
Streetlife Serenader, the funk infused Los Angelenos, the stellar instrumental The Mexican Connection,
which was used to open his 1974 tour, and his smash single The Entertainer.
The masterpiece contains even more of his most loved classics like the stunning ballad Souvenir and
the country barroom flavor of Last of the Big Time Spenders.
For a very limited time, we are also enhancing your listening enjoyment with a first time gatefold cover
artwork presentation, which features the original LP sized cover art not seen in years, as well as lyrics to all
of these great Billy Joel songs, making this a keepsake for years to come.
Impeccably mastered by Joe Reagoso at Friday Music Studios and Capitol Mastering in Hollywood, Billy
Joel's Streetlife Serenade will be one of the more anticipated classic rock releases in the audiophile vinyl
domain in some time.
Billy Joel Streetlife Serenade Celebrate 4 Decades of the voice, the songs, the musicianship and
the memories 1st Time Audiophile Vinyl An exclusive Only from your friends at Friday Music.
I Am The Entertainer1. Streetlife Serenader
2. Los Angelenos
3. The Great Suburban Showdown
4. Rootbeer Rag
6. The Entertainer
7. Last of the Big Time Spenders
8. The Weekend Song
10. The Mexican Connection$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
The Journey Man"In my music," says Goldie, "is everything I've learned, everyone I've met, everything I've experienced." And it's been an incredible trip. The maverick innovator - who rewrote the future of the jungle scene with landmark releases that still sound like they were kidnapped from tomorrow - has a unique story to tell. From children's homes in the West Midlands through stints in New York and Miami as one of the UK's most celebrated exponents of graffiti art to rubbing shoulders with an exceptional list of musical collaborators including David Bowie, Noel Gallagher and KRS-One, Goldie has defiantly, definitively, done it his own way. "I'm an alchemist," he likes to insist. "I practice the dark arts of messing with the form of something solid."
Though marriage and his passion for bikram yoga have, he says, proved a calming influence, these days he's just as full of inspired, out-there ideas as he was back in 1993 when he did his first cover interview for the rave magazine Generator. "My music is about fallout," he said then, "about the damage that has been done to the system." Today, in the office of one of his London-based contacts, the ideas are still sparking. "Drum'n'bass has done to electronic music what graffiti has done to the art world," he muses, before launching into a rapid-fire synthesis of art history, dancefloor evolution and his own hyperactive brand of self-actualization, which loosely translates as: "Why do something ordinary when you can do something extraordinary?"
It sums up the reason why, in 1994, music critic Simon Reynolds famously observed: "Goldie revolutionized jungle not once but three times. First, there was Terminator (pioneering the use of time stretching), then Angel (fusing Diane Charlemagne's live vocal with David Byrne/Brian Eno samples to prove that hardcore could be more conventionally musical), now there's Timeless, a 22-minute hardcore symphony." Each of these were moments that shaped the musical fabric of the decade and beyond, presaging Goldie's transition from the underground rave scene into the world of bona fide A- list superstars.
But it didn't start out like that. The boy who would become Goldie was born Clifford Price on 19 September 1965, just as The Rolling Stones hit the top of the charts with Satisfaction. His dad Clement, originally from Jamaica, had been plying his trade as a foundryman in Leeds. His mum Margaret, who had been born in Glasgow, was a popular singer in the pubs and clubs of the West Midlands. Barely more than a toddler, Goldie was just three when she placed him into foster care (though she kept his younger brother Melvin). He still remembers, he says, the day the social workers came to take him away.
Over the next 15 years, he bounced between a series of foster homes and local government institutions around the Walsall area. His eclectic musical taste was forged, he reckons, in those same local authority homes listening to the sonic tangle of other teenagers' record collections. "In one room," he says, "a kid would be playing Steel Pulse while through the wall someone else had a Japan record on and another guy would be spinning Human League." On rare visits to see his dad, he'd lie sprawled over the living room couch, listening to Jazz FM, marveling at the lavishly-tooled '80s productions of Miles Davis, Pat Metheny, David Sanborn and Michael Franks, adding further layers to his complex musicography.
Already developing the irresistible urge to excel that has marked his inimitable musical career, Goldie's first love was roller-hockey. He earned a place as goalkeeper in England's national squad before the lure of music overtook the lure of sport. After discovering electro and hip hop, he grew his hair - the "goldilocks" that won him his nickname - and joined a breakdance crew called the B-Boys in nearby Wolverhampton. He also discovered graffiti. "They called me 'the spray can king of the Midlands'," he says proudly. His talent was undeniable, bringing him to the attention not only of Britain's Arts Council but to Dick Fontaine, producer of a Channel 4 TV documentary on graffiti. Fontaine's 1987 film Bombin' captured a visit to the UK by New York artist Brim Fuentes. Brim met Goldie and his B-Boys crew in Wolverhampton's Heathtown before heading a dozen miles away to Birmingham's Handsworth, where the producer filmed the aftermath of rioting that had left four dead, 35 injured and dozens of stores burned out. Several months later, Fontaine reversed the process and took Goldie to New York, introducing him to hip-hop pioneer Afrika Bambaataa. For Goldie, on his first trip abroad, never mind his first trip over the Atlantic, the Big Apple was love at first sight. Back in Britain, he begged, borrowed and saved until he had enough to fund a return trip to the Bronx.
"I started painting the trains and getting involved on the streets," he says, remembering his total immersion in what was still, at that point, an emerging culture. Art and music as symbiotic technologies. Rubbing shoulders with the Big Apple's best graffiti artists, his own distinctive style was accelerated and enriched. A move to Miami followed. He worked in the flea markets, he says, "painting trucks for drug dealers" and developing a sideline in gold jewelry that included the distinctive grills that became a trademark on his return to the UK. The magical properties of shaping, working and bending precious metals to his will - as close to alchemy as the modern world gets - became an analogue for the way he prefers to operate in the studio, chasing quicksilver dreams, mercury-fast rivulets of imagination into impossibly lush, breakbeat concertos. Back in Britain, Goldie found himself seduced by the sweetheart of the rave. Though it took him eight attempts to get entry into the club, at London's Rage in 1991 he marveled at the alternate sonic worlds being forged by Fabio and Grooverider behind the decks. "It really flipped me out," he remembers. Soon he found himself in the orbit of Dego McFarlane and Mark Clair. Their label Reinforced was in the vanguard of breakbeat, issuing astonishing records that stripped out boundaries and limits while setting the tone for the scene's sense of adventure. At first, he helped out doing artwork and a bit of A&R. But soon he was in Reinforced's Internal Affairs studio watching intently as Mark and Dego recorded tracks like Cookin' Up Ya Brain and Journey From The Light. "I was watching what they could do," says Goldie, "trying to gauge the possibilities of the technology." Soon he was getting involved. "I remember one session we did that lasted over three days," he says, "just experimenting, pushing the technology to its limits. We'd come up with mad ideas and then try to create them. We were sampling from ourselves and then resampling, twisting sounds around and pushing them into all sorts of places."
What followed was a series of inspired break-driven releases such as Killa Muffin, Dark Rider and Menace. Then Terminator, with its writhing drum loop, dropped and suddenly Goldie's name was on everyone's lips. He followed up with the equally revolutionary Angel, tilting the axis towards the lush, trippy textures that made 1995's debut album Timeless the drum'n'bass scene's first platinum album. Incredibly, given what was happening elsewhere in the scene at the time, the recording of the album's epic title track began as far back as 1993, when most other producers were still focused on the original sonic tropes of hardcore rave.
Timeless was a masterpiece - of production, of songwriting, of sonic perfection and breakbeat futurism. Even today, it still sounds as astonishingly new and inspired as it did back on those early pre-release cassettes circulated by London Records in the early months of 1995 when Goldie was still living on the 18th floor of a North London tower block.
By then, Goldie had already set up his own record label - Metalheadz - with his friends the DJ duo Kemistry and Storm. Along with studio collaborator, Rob Playford's Moving Shadow and LTJ Bukem's Looking Good imprint, Metalheadz helped to define drum'n'bass as a distinct musical format with singles by J Majik, Asylum and Goldie himself. Still bursting with energy, he then launched a legendary club night, Metalheadz Sunday Sessions, at London's Blue Note. The scene's best producers - among them revolutionary artists like Photek, Source Direct, Peshay and Dillinja - would compete to have their latest recordings debuted at the club and the scene's faithful came from far and wide to hear the best tunes before anyone else. "Those nights at the Blue Note were magical," he recalls. "It was an underground phenomenon that became an institution." David Bowie, who was making the drum'n'bass-influenced album Earthling at the time, fell in love with the place. "I remember popping out to take a break from all the madness inside the club," says Goldie. "He was outside having a cigarette, a bit of a breather. We chatted for a bit, looked at each other, grinned and then plunged back into it all. It was just that kind of place."
Goldie is one of only a handful of artists ever to co-write with Bowie - on the track Truth from the drum'n'bass pioneer's second album Saturnz Return. Released in 1998, the album also saw his vision become more expansive (the opening track, Mother, clocked in at just over an hour). The album's collaborative approach included guest spots from rap legend KRS-One, Sex Pistols manager and all-around provocateur Malcolm McLaren, super-producer Trevor Horn and Oasis main man Noel Gallagher (on the single Temper Temper).
Fuelled by the limitless creativity that has been the hallmark of his career to date, Goldie next turned to acting. He reunited with Bowie in Andrew Goth's 1999 thriller Everybody Loves Sunshine then took the part of Bullion in the 1999 James Bond movie The World Is Not Enough. Other box office smashes - including Guy Ritchie's crime heist caper Snatch - followed before he joined the cast of BBC1 soap opera EastEnders, playing the gangster Angel Hudson.
A series of blockbuster TV appearances - on shows such as Maestro (where he learned to conduct an orchestra), Classic Goldie (which saw him perform his own orchestral composition at the Royal Albert Hall in the summer of 2009) and Goldie's Band: By Royal Appointment.
The orchestral training proved useful. In 2014, he translated his original vision for Timeless into the stunning Timeless (Sine Tempore). Performed live with the Heritage Orchestra at the Wilderness Festival to suitably rapturous acclaim, the performance was repeated the following year as part of the Meltdown Festival at London's Royal Festival Hall. In between, he found time to unveil Fragments Of Gold, a piece inspired by medieval chants that he performed live in Glasgow Cathedral.
Drum'n'bass, of course, has remained a consistent passion, both through his Metalheadz label and his releases under the Rufige Kru moniker (2007's Malice In Wonderland and 2009's Memoirs Of An Afterlife). "Technologically," he says, "breakbeat has managed to surpass all other forms of music to date. There isn't a recording engineer alive who can tell me there's any other form of music that is more complex than the music we make." Goldie has also recently announced he will be releasing a brand new double album 'The Journey Man' this year. The album comprises two parts, 16 brand new tracks in total, all written and produced by Goldie. It also features a host of collaborators handpicked by Goldie to help realize his vision for the album.
"I often look at music not so much as a producer but like a director. You're drawing together engineers, performers and arrangers to create something special, something magical. It's like alchemy. The notes, the music, the lyrics, they're all in my head and each element has to be communicated and brought to life to create the finished track. I'm always inspired by great movie directors - people like Stanley Kubrick and PT Anderson - and, if you think about it, it's quite a similar approach. They start off with a vision and then they use that vision to deploy the actors and the cameramen and the editors in order to create the finished film."
Collaborators on 'The Journey Man' album include vocalist and songwriter Natalie Duncan, who was discovered when chosen in the three-part BBC series 'Goldie's Band By Royal Appointment' and later provided the vocals for Goldie's 2012 single 'Freedom'. Other featured vocalists on the album include Terri Walker, Tyler Lee Daly, Natalie Williams, JosÉ James, Naomi Pryor as well as Goldie's wife, Mika Wassenaar Price.
'The Journey Man' will be released through Cooking Vinyl and Goldie's own record label, Metalheadz.
Goldie's love affair with painting has remained consistent too and he continues to exhibit visual work that's just as dazzling as his sonic output. Beginning with Night Writers, the 1986 exhibition at Wolverhampton's art gallery that introduced Goldie and his Supreme Graffiti Team to the British Arts Council, his shows have defined a unique aesthetic that's all his own. And through them all, from 1987's Rockin' The City in Birmingham (where he exhibited alongside Massive Attack's Robert Del Naja) and the 1988 Crucial Creators exhibition in Walsall to more recent gallery events like 2007's Love Over Gold and 2012's Athleticizm collection (including portraits of London Olympics stars such as Victoria Pendleton, Tom Daley and Jessica Ennis), runs a consistent thread of energy, experimentalism and boundary-pushing. His 2013 collection, Lost Tribes, an innovative series of pieces fusing Goldie's style with the artistic expression of the ancient peoples of Africa, Asia and America was, he says, "my most important breakthrough".
And for the kid who lay awake, gazing at the stars, through the window of a children's home, growing up has brought some surprises. In 2012, he was selected as one of the BBC's New Elizabethans, 60 people - ranging from David Hockney to Roald Dahl, David Bowie and Tim Berners-Lee - who have helped shape British culture during the reign of Elizabeth II. Four years later, he was awarded the MBE in the Queen's New Year Honours. It's acceptance, of course, on a grand scale. But at heart, he's still the gatecrasher, amped-up on ideas, buzzing on nothing but love, hope and the certainty that, while his way might not be the easy way, it's very definitely the path of a true artist.
- Tim Barr, 2017LP 1
1. Horizons (feat. Terri Walker & Swindle)
5. The Mirrored River
1. I Adore You (w/ Ulterior Motive)
2. I Think of You
3. Truth (feat. Jose James)
1. Tu Viens Avec Moi?
2. The Ballad Celeste
3. This Is Not A Love Song
4. The River Mirrored (feat. Terri Walker)
6. Tomorrow's Not Today
7. Run Run Run$35.99Vinyl LP - 3 LPs Sealed Buy Now
Freedom Is FreeChicano Batman came out of L.A., four young men in vintage formalwear, playing songs that blended Brazilian Tropicalía with early '70s psychedelic soul and the romantic pop of bands like Los Angeles Negros. It was an immediately addictive sonic brew, and their reputation grew fast. Now, they're making their boldest statement yet with Freedom Is Free, their third album and ATO Records debut.1. Passed You By
2. Friendship (Is A Small Boat In A Storm)
3. Angel Child
4. Freedom Is Free
5. La Jura (Prelude)
6. La Jura
7. Flecha Al Sol
9. Right Off The Back
11. The Taker Story
12. Area C$19.99Vinyl LP - Sealed Buy Now
World DownfallPressed From the Original Master Tapes
Specially Recreated Using Full Dynamic Range Mastering
Originally released in 1989 'World Downfall' is widely regarded as one of the most influential grindcore albums of all time. Hailing from Los Angeles, Terrorizer was one of the most extreme bands of a generation armed to the teeth with heavily distorted riffs, harsh vocals and scathing social commentary in the lyrics. The members went onto play in other household names in the extreme music scene such as Napalm Death, Morbid Angel and Nausea.1. After World Obliteration
2. Storm Of Stress
3. Fear Of Napalm
4. Human Prey
5. Corporation Pull-In
6. Strategic Warheads
7. Condemned System
9. Enslaved By Propaganda
10. Need To Live
11. Ripped To Shreds
13. Whirlwind Struggle
15. Dead Shall Rise
16. World Downfall$22.99Vinyl LP - Sealed Buy Now
Limited Edition Picture Disc LP Version
Judging from their name, Suicidal Tendencies were never afraid of a little controversy. Formed in Venice, CA, during the early '80s, the group's leader from the beginning was outspoken vocalist Mike Muir. The outfit specialized in vicious hardcore early on -- building a huge following among skateboarders, lending a major hand in the creation of skatepunk -- before turning their focus eventually to thrash metal. Early on, the group (whose original lineup included Muir, guitarist Grant Estes, bassist Louiche Mayorga, and drummer Amery Smith) found it increasingly difficult to book shows, due to rumors of its members' affiliation with local gangs and consistent violence at their performances. The underground buzz regarding Suicidal Tendencies grew too loud for labels to ignore though, as the quartet signed on with the indie label Frontier; issuing Muir and company's classic self-titled debut in 1983. The album quickly became the best-selling hardcore album up to that point; its best-known track, Institutionalized, was one of the first hardcore punk videos to receive substantial airplay on MTV, and was eventually used in the Emilio Estevez cult classic movie Repo Man, as well as in an episode for the hit TV show Miami Vice (for which the group made a cameo appearance).
Suicidal Tendencies proved influential for future speed/thrash metal bands, but despite its early success, the quartet's reputation preceded them, as no other record label was willing to take them on (in addition, Los Angeles banned the group from playing around this time, lasting until the early '90s). Not much was heard from the group for several years afterward (leading many to believe that Suicidal had broken up), but Muir and company eventually found a home with Caroline Records. By this time, half of the original lineup had left; Muir and Mayorga were the only holdovers, while guitarist Rocky George and drummer R.J. Herrera rounded out the group. 1987 saw the release of Suicidal's sophomore release, Join the Army, which spawned another popular skatepunk anthem, Possessed to Skate, as more and more metal heads began to be spotted in Suicidal's audience. Soon after, Suicidal was finally offered a major-label contract (with Epic), as another lineup change occurred: Mayorga exited the band, while newcomer Bob Heathcote took his spot; and a second guitarist, Mike Clark, was added as well. This Suicidal lineup's first album together, 1988's How Will I Laugh Tomorrow When I Can't Even Smile Today, showed that their transformation from hardcore to heavy metal was now complete, as did a compilation of two earlier EPs, 1989's Controlled by Hatred/Feel Like Shit...DÉjà Vu.
Suicidal's first release of the new decade, 1990's Lights, Camera, Revolution, was another success; its video for the explosive You Can't Bring Me Down received repeated airings on MTV's Headbanger's Ball program, while the album (in addition to the Controlled by Hatred comp) would be certified gold in the U.S. a few years later. The release also signaled the arrival of new bassist Robert Trujillo, whose penchant for funk added a new element to the group's sound. The group tried to broaden their audience even further by opening a string of arena shows for prog-metallists Queensrÿche during the summer of 1991. Their next release, 1992's The Art of Rebellion, proved to be one of Suicidal's most musically experimental albums of their career. Muir and Trujillo also teamed up around this time for a funk metal side project, Infectious Grooves (including several other participants, such as Jane's Addiction drummer Stephen Perkins) and issued a debut release, The Plague That Makes Your Booty Move. Upset that the group's classic debut had been out of print for several years by this point, Muir decided to re-record the entire record with Suicidal's '90s lineup under the title of Still Cyco After All These Years.
But after one more release, 1994's Suicidal for Life, Suicidal Tendencies decided to hang it up. A pair of compilations were issued in 1997: a best-of set, Prime Cuts, plus Friends & Family. Muir and Trujillo continued to issue further Infectious Grooves releases (Sarsippius' Ark and Groove Family Cyco), in addition to Muir pursuing a solo career under the alias of Cyco Miko (Lost My Brain Once Again) and Trujillo touring and recording as part of Ozzy Osbourne's solo band (appearing on Osbourne's 2001 release, Down to Earth). Muir formed a new version of Suicidal Tendencies in the late '90s (with Clark being the only other familiar face), resulting in such further studio releases as 1999's Freedumb and 2000's Free Your Soul and Save My Mind. Muir and Trujillo joined forces once more for a fourth Infectious Grooves studio release in 2000, Mas Borracho; while another Cyco Miko release surfaced, Schizophrenic Born Again Problem Child, along with a follow-up up to their earlier compilation, Friends & Family, Vol. 2. After releasing the compilation 'Year Of The Cycos' in 2009 that included a selection of all brand new songs from Suicidal Tendencies and side bands Infectious Grooves, NoMercyFool and Cyco Miko, the band released in 2010 the first record in 10 years 'No Mercy Fool!/The Suicidal Family' that included re-recordings of classic jems off the 'Join The Army records' and infamous recording 'Widespread Bloodshed' for Mike Muir and Mike Clark side band No Mercy back in early eighties.
Now the band will be back with their brand new album in 13 years Story has yet to be written!1. Shake It Out
2. Smash It!
3. This Ain't A Celebration
4. Who's Afraid?
5. Show Some Love...Tear It Down
6. Cyco Style
7. Slam City
8. Till My Last Breath
9. Life...(Can't Live With It, Can't Live Without It)
10. This World$24.99Vinyl LP Picture Disc - Sealed Buy Now
A Girl A Bottle A BoatA Girl A Bottle A Boat is the from three-time Grammy-winning San Francisco based band Train. The lead single from A Girl A Bottle A Boat is the infectious pop smash Play That Song.
Train has released 7 studio albums, selling more than ten million albums worldwide and thirty million tracks across the globe. The band has been awarded numerous platinum/gold citations, 3 Grammy Awards and dozens of other honors and nominations. Led by passionate frontman Pat Monahan, the eight-time Grammy nominees have delivered riveting, roots-based pop for more than two decades. Signature hits include Angel In Blue Jeans, the multi-platinum smash Drive By, the Grammy winning classic Drops Of Jupiter (Tell Me), the chart-topping Meet Virginia, Hey Soul Sister, and Calling All Angels among others.1. Drink Up
2. Play That Song
3. The News
5. Working Girl
6. Silver Dollar
8. What Good is Saturday
10. Lost and Found Train
11. You Better Believe$22.99Vinyl LP - Sealed Buy Now
OceanbornThe classic Nightwish album, Oceanborn, Released on Double Vinyl LP. Completely Remastered and Featuring Live Tracks
First of all, Oceanborn is a huge step when thinking about Nightwish's debut album, Angels Fall First. All the elements of folk music and ambience are forgotten, and instead Nightwish have concentrated on using Tarja Turunen's wide voice and playing pure heavy metal. Or, well, another description could be opera metal. Drama and a variety of melodies are used and effective, but overrule all expectations. Songs are catchy and have a long lifetime. Also, the whole band does great work- Holopainen and Vuorinen use their instruments with patience and don't slope into unneeded tricking.LP1
3. Devil & The Deep Dark Ocean
4. Sacrament Of Wilderness
5. Passion And The Opera
8. The Riddler
1. The Pharaoh Sails To Orion
2. Walking In The Air
3. Sleeping Sun
5. Sleeping Sun
7. The Pharaoh Sails To Orion$25.99Vinyl LP - 2 LPs Sealed Buy Now