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PS Audio Dectet Power Center
Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.
Our very best entry level power center
The Dectet is an active three zone, ten outlet power center producing cleaned unrestricted AC power for an entire high-end audio or video system.
Filtration is handled through large-core high permeability magnetic devices wound with heavy gauge OFC windings. The Dectet offers both common mode and differential mode filtering you can both measure and hear the benefits for yourself. Protection is handled by an internal measurement system that automatically determines over/under voltage conditions as well as full surge and spike protection.
Each of the Power Port outlets on the Dectet are hand wired with a star wiring system that provides similar benefits to having individualdedicatedlines feeding each piece in your high-end audio system.
This is true high-end, despite its entry level pricing. Use the Dectet for you entire system to clean, protect and improve.$499.00Power Conditioner Buy Now
Analog Drive System (ADS)
The ADS design includes two pure analog frequency generators featuring low distortion and noise; a high current Class-A/B amplifier that is transformer-coupled to the turntable output; analog control logic for low noise operation; 33/45 RPM analog speed adjustment controls with center detent positions that are factory calibrated for 60/81Hz; analog logic controlled run/stop switching with the output RMS voltage @ 120VAC on startup, followed by a step down to 90VAC after an 8-second delay for quick starting of heavy platters.
The ADS includes a lighted power on/off switch allowing it to remain powered up during listening sessions for the oscillators to remain warmed up for lowest distortion. There is a separate run/stop switch to control the motor operation. The ADS also utilizes separate 60 Hz and 81 Hz oscillators to eliminate unnecessary switching circuitry in the oscillator circuits for long term speed stability and low oscillator distortion. Turntable speed is chosen using a switch located between the 33 RPM and 45 RPM speed adjustment controls; LEDs indicate the Run/Stop condition and chosen speed. Speed adjustment controls provide a center detent position that is factory calibrated to 60 and 81Hz +/- .02 Hz in their center detented position. The controls also provide fine speed adjustment of approximately 3 Hz through continuously variable linear adjustment controls. The circuitry provides a startup voltage of approximately 120VAC for 8 seconds on startup to assist quick speed ramp of heavier platters, then reduces to 92VAC for its steady state run voltage.
Speed Control and adjustment
The front panel contains a two-position push-button switch for selecting either 33 RPM or 45 RPM operation. Pressing the switch either latches it in or releases the switch to its outward position for 33 RPM operation. There are separate speed adjustment controls for 33 and 45 RPM. The controls have a detented center position that is factory calibrated for 60 Hz (33 RPM) and 81 Hz (45 RPM). The speed is also continuously adjustable +/- 3 Hz for fine tuning of the platter speed using a stroboscopic disk and 60 HZ light source. Blue LED indicators adjacent to the controls indicate which speed is set at a glance.
Motor Stop and Run
The ADS is meant to be left powered on during the listening session. The platter is started and stopped by the front panel Run/Stop momentary push-button switch. There is an LED indicator the glows red when stopped and green when the platter is turning.
There is an IEC power module on the rear panel to supply AC power to the ADS. The IEC module contains a fuse drawer that holds a 1-amp slow blow fuse protecting the ADS from electrical system malfunctions.
AC power to the ADS is controlled by the power switch located on the left-hand side of the front panel. When the ADS is powered up, the indicator in the switch glows blue indicating the internal power supplies are functioning properly.
Output to Turntable
The 125 VAC max output to the motor is supplied by the identified AC receptacle on the rear panel. The receptacle output provides a maximum 20 watts. Higher wattage loads will seriously damage the ADS.$1,000.00Analog Drive System Buy Now
PS Audio Noise Harvester
Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.
Noise Harvester AC Cleaner
$99.00Power Line Noise Converter Buy Now
- Converts line noise to light
- Works at frequencies 10 times lower than other filters
- Dramatically lowers the noise source
- Use multiple Harvesters in parallel for even better performance
- Works with existing power conditioners and is effective plugged in near noisy appliances throughout the home
- Converts line noise to light
Made in EuropeThe 1970s were truly a successful era for hard rock legends Deep Purple. This Mark III band superstar act now featured the much revered line up of the original guitar hero Ritchie Blackmore, keyboard great Jon Lord, power drummer Ian Paice, and new cohorts the superlative Glenn Hughes on bass and superstar vocalist David Coverdale.
In support of their then huge current albums Burn and STORMBRINGER, Deep Purple took to the road for many sell out shows of the next several years and recorded what would become the final album of their long platinum plus run with Warner Bros. Records, the amazing MADE IN EUROPE.
Filled with blazing guitar licks from Ritchie Blackmore, searing vocals from David Coverdale and an arena powered rhythm section courtesy of Deep Purple, the band opens the LP with the hugely popular Burn. The fire continues to excel with their legendary blues cruncher Mistreated, featuring some highly touted guitar licks by Ritchie Blackmore as well.
Never fear more hard rock is here as side two blows your speakers apart with the extended power rocker You Fool No One from 1973s Burn. Jon Lord gets a special showcase in the beginning intro of the tune, as the band jumps in on the familiar chord progression, making this a major highlight listen of this wonderful live album. The apocalyptic warning of Stormbringer closes out the album and is possibly one of the most rockin versions ever of this time honored classic.
Friday Music is very honored to offer another fine Deep Purple classic recording with the exclusive 180 Gram Audiophile Vinyl release of Made In Europe. Impeccably mastered by Deep Purple connoisseur Joe Reagoso from the original Warner Bros. tapes at Capitol Records in Hollywood, this amazing limited edition live document shows the legendary Mark III band at the their finest playing their most notable tunes from their much acclaimed works.
This masterpiece comes with the original album cover graphics designed by Phil Duffy as well as photos by Fin Costello, plus a poly lined sleeve to protect your vinyl and a poly bag to keep your LP cover in great condition for years to come!
Deep Purple...Made In Europe... A sonic hard rock audiophile dream is now reality... courtesy of Friday Music!1. Burn
3. Lady Double Dealer
4. You Fool No One
5. Stormbringer$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Savages (Discontinued)Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.
Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.
"All of the things that make SOULFLY killer are combined in Savages," Max declares.
»Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.
"I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."
A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.
SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.
In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).
Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"
Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."
Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."
Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."
Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."
Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."
Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."
Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."
Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.
Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"
Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.LP 1
2. Cannibal Holocaust
4. Ayatollah Of Rock 'N' Rolla
5. Master Of Savagery
1. This Is Violence
3. El Comegente
5. Fuck Reality (Bonus Track)
6. Soulfly IX (Bonus Track)$24.99Vinyl LP - 2 LPs Sealed Buy Now
SubordinationSince their first demo in 2013, the Austin expats in Institute have edged their raw
anarcho-punk blitz into something much more expansive and nuanced. 2014's
Salt EP marked the beginning of the band's working relationship with Sacred
Bones, and it explored longer, more experimental song forms. Catharsis, the
band's debut full-length, was another huge push forward, with a slightly cleaner
production and some krautrock influence creeping in around the edges. Subordination
sees them push themselves further out of genre, incorporating hard rock
and glam and writing some of the most diverse material of their career.
Subordination was written in the days leading up to Institute's first European
tour, where they then had a chance to sculpt the songs live before recording them
in summer of 2016. The songwriting and recording process sought to close the
gap between the band's records and shows, to make an album as representative of
their live set as possible. It was the most collaborative Institute writing session to
date, with all four band members contributing (gtr -Arak Avakian, drums - Barry
Elkanick, bass- Adam Cahoon & vox - Moses Brown). They worked again with
producer Ben Greenberg (Uniform) and fully captured the intensity that has
made them one of the best live punk bands touring today.
Frontman Moses Brown's lyrics remain deeply personal, but rather than diving
into introspection and plucking out intimate details about his life, he attempts to
dismantle systems of patriarchal thought and power. Brown investigates national
insecurities and American socialization failures through the lens of his personal
experiences in both public school and art schools.
The songs on Subordination address the lonely sham of playing by the rules, the
search for money and power, the annihilation of a true personality, and the standards
of normalcy that, from childhood, condition us to feel abject.1. Exhibitionism
2. Only Child
3. Prissy Things
4. All This Pride
5. Oil Money
6. Human Law
7. Too Dumb
8. Good Ol' Boys
9. Powerstation$19.99Vinyl LP - Sealed Buy Now
The Application Of Loneliness, Ignorance, Misery, Love And Despair..."The Application of Loneliness, Ignorance, Misery, Love and Despair - An Introspective of the Human Condition":
A concept album based on the contents of the aforementioned title; Taking a look at the human state; what we see and what we feel in certain situations and how we look at things totally uniquely.
With the deluxe vinyl being released through Back On Black, this is a record that harnesses the essence of October File: Anger and belief. Power and persistence.
October File have earned a formidable reputation as one of the UK's heaviest and most intensely original bands over their eventful career.
This four-man post-punk-hard-core crew, formed in 2003 by guitarist Matt Lerwill and bassist Steve Beatty, have doggedly redefined what it means to convey ferocity and fury through the art of riffs, rhythms and incendiary, politically-charged lyrics; amassing a substantial fan base from across the rock, punk and metal spectrum and garnering countless effusive and ecstatic reviews from all corners of the rock and metal media.LP 1
1. I Fuck the Day
2. Heroes Are Welcome
4. The Water
1. Upon Reflection
2. Where the Clouds Meet the Horizon
3. All Rise All Fail
4. To Be Watched Upon$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Johnny WinterJohnny Winter - Johnny Winter on 180 Gram Audiophile Virgin Vinyl LP
There have been some classic rock and blues albums over the years... and then there are those definitive rock and blues albums from the classic rock era, making rock and roll history! Johnny Winter's amazing debut for Columbia Records Johnny Winter is one of those rare releases.
The self titled second album was recorded in Nashville,and Johnny Winter was becoming one of the fastest rising stars on the planet in 1969. With highly applauded performances at all the major rock festivals, appearances on television and featured in key rock and roll publications around the globe, Winter still found the time to record this smash album with some of the coolest and most influential blues players of all time!
This self produced venture featured his highly acclaimed power trio of Johnny Winter (Guitars, Vocals), Tommy Shannon (Bass) and Uncle John Turner (Drums). Brother Edgar Winter was also brought into these important sessions to play both keys and horn parts, as well as the legendary bluesmen Willie Dixon, Shakey Horton and his producer/consultant Eddie Kramer (Jimi Hendrix).
Featuring stunning renditions of blues classics like Good Morning Little School Girl and his own future classics like Dallas and Leland Mississippi Blues, the album soon became a major hit with rock and blues audiences all over the world.
Of course his stunning and heart wrenching interpretation of the Ray Charles' classic I'll Drown In My Tears brought audiences to their knees! All in all, the Johnny Winter LP would go on to become one of the great modern day blues rock albums of all time.
This album was so jam-packed with gems that underground AND rock radio at the time would play the entire album sides because of the groundbreaking performances contained within the grooves.
Friday Music announces another installment of their Johnny Winter 180 Gram Audiophile Vinyl Series with his amazing masterpiece Johnny Winter. This first time audiophile vinyl release is mastered from the original Columbia Records tapes by Joe Reagoso (Johnny Winter/Elvis Presley/Jeff Beck) at Friday Music Studios with Kevin Gray and pressed at RTI.
For this special release, the limited edition album comes in a first time gatefold presentation, featuring brand new liner notes and recollections about the sessions from the legendary bluesman himself.
To keep your album in impeccable condition, also included is a poly lined sleeve to protect your vinyl investment and a poly bag for the stunning album cover art.
Johnny Winter...A classic blues rock dream release perfect for the audiophile vinyl domain...from your friends at Friday Music. ROCK AND ROLL!!!!!!1. I'm Yours & I'm Hers
2. Be Careful With a Fool
4. Mean Mistreater
5. Leland Mississippi Blues
6. Good Morning Little School Girl
7. When You Got A Good Friend
8. I'll Drown In My Tears
9. Back Door Friend$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Ballad Of Easy Rider (Awaiting Repress)Mastered by Joe Reagoso at Friday Music Studios with Kevin Gray & Pressed at RTI!
After a huge number of hit singles, top charting albums, concert tours and international television appearances, The Byrds developed into a very influential band along the lines of The Beatles, The Beach Boys and The Rolling Stones. Spearheaded by their founder Roger McGuinn, The Byrds continued to be a major recording entity and delivered over a dozen of the finest classic rock albums in their decade together of making legendary music.
With the close of the turbulent '60s dawning, The Byrds reunited once again with their original producer Terry Melcher (Mr. Tambourine Man/Turn, Turn, Turn) and delivered the classic Ballad Of Easy Rider. With a whole new audience developing from their college concert tours and the beginning of the powerful FM radio coverage, this masterwork hit the top thirty album charts and brought the band continued acclaim.
The LP consisted of some of their most memorable songs like the aforementioned hippie anthem Ballad of Easy Rider, which also received tons of exposure thanks to being featured as the title song to the Jack Nicholson/Peter Fonda motion picture Easy Rider. The album also treated the listener to some Byrds favorites like Jesus Is Just Alright, Oil In My Lamp, Fido and a revisit to the Bob Dylan catalog with their hit interpretation of It's All Over Now, Baby Blue.
Featuring the legendary twelve string guitar and lead vocals of Roger McGuinn, the sorely missed lead guitar and vocals of the late great Clarence White, the powerful drum and vocals of Gene Parsons, and the solid bass and vocals of John York, The Byrds' Ballad Of Easy Rider was an all around hit with underground radio, college campuses and traditional radio and retail audiences. This album is consistently recognized as one of the finest efforts in their deep catalog of hit recordings.
In an effort to continually offer consummate music lovers with the greatest rock recordings of all time, Friday Music proudly presents for the first time ever on 180g audiophile vinyl, the anniversary edition of The Byrds classic Ballad Of Easy Rider. Impeccably mastered from the original Columbia Records tapes by Joe Reagoso (The Byrds, Elvis Presley, Deep Purple) at Friday Music Studios with Kevin Gray, Ballad Of Easy Rider also continues the second release in the extensive The Byrds/Friday Music 180 Gram Audiophile Vinyl Series.
In addition to the brilliant rock and roll classics contained on this stunning release, to celebrate this limited edition album, Friday is also including a first time gatefold cover which features the original artwork from the 1969 release as well as some very rare photos from The Byrds archives at Columbia Records. Also included is a poly lined sleeve to protect your vinyl and a poly bag to keep your album cover in mint condition.1. Ballad Of Easy Rider
3. Oil In My Lamp
4. Tulsa County
5. Jack Tarr The Sailor
6. Jesus Is Just Alright
7. It's All Over Now, Baby Blue
8. There Must Be Someone (I Can Turn To)
9. Gunga Din
10. Deportee (Plane Wreck At Los Gatos)
11. Armstrong, Aldrin And Collins$29.99180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
Record Store Day SplitTo celebrate Record Store Day 2009, Cursive and Ladyfinger (ne) have paired up for a limited edition split 10 picture disc featuring one album track and one previously unreleased track from each band.Since Cursive burst onto the music scene with their 1997 debut album, the band has consistently and continually churned out heady albums heralded by critics and fans alike. Wrestling with life's miseries and mysteries, Mama, I'm Swollen is an album brimming with the universal, questioning the human condition, social morality, and the Peter Pan Syndrome of grown men.Dusk is Ladyfinger (ne) at the peak of their powers, with one foot in the sounds of early 70's classic rock and another in the punk and hardcore scenes of the late 80's and early 90's. Recorded once again with Matt Bayles (Mastodon, Minus the Bear, Isis), this is a more diverse and refined though no less intense collection of songs than their debut.1. From the Hips
2. Universal Shrug
3. Little Things
4. Old News$10.9910'' Picture Disc Vinyl LP - Sealed Buy Now
Icky BlossomsHailing from America's center, Omaha-based Icky Blossoms formed in the blizzard of 2011 through friendship, trials and a mutual desire to make art and new music. A brainchild born from the boredom of sitting still. Guitarist and vocalist Derek Pressnall met Icky Blossoms vocalist Sarah Bohling and lead guitarist Nik Fackler in the vibrant Omaha art scene and invited them to play in his band Flowers Forever. Enchanted by endless nights in clubs and inspired with a desire to program dance music with instantaneous grooves and depth, Pressnall, an acclaimed visual artist, and Fackler, a spirit award nominated filmmaker, combined with Bohling's mesmerizing voice and formed Icky Blossoms.
Icky Blossoms combine bass-heavy electronic grooves, pop structure, and a rock & roll swagger to pioneer a sound on the audio vanguard: music that is simultaneously avant garde, catchy and danceable. Their music spans from the anthemic to the introverted, chronicling the twists and turns of the human condition. Nodding to great sub-genres of the past, while creating songs firmly propelled into the future. Each band member arrives at the group from distinct musical backgrounds and collectively cite varied influences including contemporary pop, electronic, hip hop, experimental, no wave and world music. When Derek, Sarah, and Nik each input their particular inspirations they create a final product that is not only wholly unexpected, but greater than the sum of its parts.
Icky Blossoms' sound and explosive live shows caught the attention of Omaha's distinguished Saddle Creek, which has since signed the trio to release their debut LP. The self-titled album, produced by Dave Sitek from TV On The Radio, is slated for a July of 2012 release and features tracks that range from "Perfect Vision," an experiment based around trunk thumping low end and chainsaw guitars, to "Babes," which was lauded by Rolling Stone as a "girl-power dance anthem." Other standout tracks include "Heat Lightning," with its hypnotic arpeggiated synths, electro pulse and siren-esque vocals; the more raucous "Sex to the Devil," featuring futuristic synth lines and esoteric lyrics; or "Temporary Freakout," a classic pop song within an unconventional structure.
With a strong emphasis on DIY, the trio plans to integrate all their artistic abilities into the band, able then to better connect with those who choose to follow their creations or attend their live shows. Imbued with a celebratory atmosphere, their concerts have grown to be conduits for personal expression and individual creativity for everyone in the room. Loud, sweaty and out of control, the edge of their music and personalities combine with the hooks of their pop songs, creating a show which is one side dance party, one side mosh pit. By brazenly denying to be subservient to a single genre or medium, Icky Blossoms is set to garner the attention of a truly diverse audience and make a lasting impact on music to come. LP includes full album on CD.1. Heat Lightning
2. I am
3. Sex to the Devil
5. Deep in the Throes
7. Burn Rubber
8. Temporary Freakout
9. Stark Weather
10. Perfect Vision$17.99Vinyl LP - Sealed Buy Now