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Prince Black Album'
Come (Pre-Order)Come is the fifteenth full-length studio album by Prince. It was the last album of newly-recorded material to be released by Warner Bros. under the name Prince while he was under exclusive contract (although Warner Bros. released The Black Album only three months later, and would later also release The Vault... Old Friends 4 Sale).
It was originally released worldwide in August 1994 (eleven months after The Hits 1, The Hits 2 and The Hits / The B-Sides compilations).1. Come
10. Orgasm$21.99Vinyl LP - Sealed PRE-ORDER Buy Now
I Wish U Heaven (Single)12 Maxi-Single Reissue
Featuring I Wish U Heaven And Scarlet Pussy
I Wish U Heaven is a joyful, spiritual song with few lyrics, which runs 2:43. The 12 single is a substantially extended three-part suite which runs over ten minutes.
Part One of the mix starts with a stripped-down version of the Lovesexy album song, remixed with a dance beat. The original drum programming and rhythmic electric guitar riffs are deleted for much of the song.
Part Two is a gospel rendition with new lyrics, continuing the spiritual theme. This part of the song was often sung in concert during the Lovesexy World Tour. The beginning of this section paraphrases lyrics from Housequake, from the previous album Sign O the Times. Prince also quotes the film Scarface with the lines Say hello to my little friend... and then introduces the Blue Angel, a new blue version of his custom White Cloud guitar featured in the film Purple Rain. Sheila E. is also given a call out, and her voice can be heard responding in this section.
Part Three is based on an outtake called Take This Beat and deviates quite a bit from the original theme. This segment has Prince using his Jamie Starr persona to humorously tout the fact that he's funky, musically talented, and has plenty of beats (songs) that are so fine. The song ends with a looped repeat of the title. This version of the song became one of the highlights during the supporting tour in which Prince would usually order the house lights to be turned up, and instruct the crowd during a call and response segment.
The B-side, Scarlet Pussy, is credited to Prince's alter ego, Camille. The song is very sexual, using metaphors of cats and dogs for sexual organs, a theme Prince previously used for the B-side La, La, La, He, He, Hee. Prince uses his sped-up Camille vocals, as well as a slowed-down vocal, similar to Bob George from The Black Album. The song features a saxophone solo from Eric Leeds. The decision to include such a raunchy song with the spiritual A-side was noteworthy. The edit of Scarlet Pussy was included on 1993's The Hits/The B-Sides.1. I Wish U Heaven (Part 1, 2, & 3)
2. Scarlet Pussy$12.9912 Vinyl Single - Sealed Buy Now
KissKiss was the first single to be released from Prince's eighth album Parade, the third and final album credited to Prince and the Revolution, and was released seven weeks before the album's release.
The single became Prince's third US Billboard Pop Chart number 1 single (following When Doves Cry and Let's Go Crazy). It also reached number 1 on the Billboard Black Chart.1. Kiss
2. Or $$12.9912 Vinyl Single - Sealed Buy Now
There's A Riot Goin' On (45 RPM) (Awaiting Repress)Ranked 99/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Sly And The Family Stone There's A Riot Goin' On 180 gram 45RPM 2LP from ORG Music
Inducted into the Grammy Hall Of Fame in 1999 & Ranked #99 on Rolling Stone's 500 Greatest Albums Of All Time!
More than four decades after they first stormed the Pop and R&B charts in the winter of 1968 with "Dance To the Music" - a groundbreaking jam that has the distinction of being chosen for the Grammy Hall Of Fame, the Rock And Roll Hall Of Fame's 500 Songs That Shaped Rock, and Rolling Stone magazine's 500 Greatest Songs Of All Time - the music of Sly and the Family Stone is more vital than ever.
The band's catalog (every single composition penned by Sylvester Stewart aka Sly Stone) includes their three career-defining RIAA gold Billboard #1 Pop/ #1 R&B smashes, "Everyday People," "Thank You (Falletinme Be Mice Elf Again)" and "Family Affair," and their signature Top 40 hits that began with "Dance To the Music" and went on to include "Stand!," "Hot Fun In the Summertime," "Runnin' Away," "If You Want Me To Stay," "Time For Livin', and more.
Those songs not only inspired an era of youthful rebellion and independence, but also had a potent effect on the course of modern music in general. A dazzling fusion of psychedelic rock, soul, gospel, jazz, and Latin flavors, Sly's music brought the next step - funk - to a disparate populace of hip artists. From Miles Davis and Herbie Hancock, to the halls of Motown and George Clinton's P-Funk, from Michael Jackson and Curtis Mayfield, down the line to Bob Marley, the Isley Brothers, Prince, Public Enemy, Red Hot Chili Peppers, Arrested Development, the Black Eyed Peas, the Roots, OutKast and on and on, Sly's DNA is traceable to every cell of the musical stratosphere.
Since it took almost two years to make, the fifth album by bonafide superstars Sly and the Family Stone had everyone salivating in anticipation. Needless to say, Sly did not disappoint! 1971's There's A Riot Goin' On finds the Bay Area-based genius getting funkier than ever before, even as his artistic vision becomes progressively darker. Some may have been disappointed that Sly didn't simply re-create the chart successes of earlier singles, but who can argue with the flat-out brilliance of turning recent big hit Thank You (Falettinme Be Mice Elf Agin) on its head to create the mind-boggling Thank You For Talkin' To Me Africa.
Two of this hypnotic album's best tunes Family Affair and Runnin' Away were gigantic chart hits, and There's A Riot Goin' On hit #1 Pop/ #1 R&B within a few weeks of its release in November, proving beyond any shadow of a doubt that Sly Stone could totally deliver the goods! A transformative masterpiece, There's A Riot Goin' On was inducted into the Grammy Hall Of Fame in 1999, and is ranked #99 on Rolling Stone magazine's '500 Greatest Albums Of All Time.'Luv N' Haight
Just Like A Baby
Africa Talks To You The Asphalt Jungle
There's A Riot Goin' On
Brave & Strong
(You Caught Me) Smilin'
Thank You For Talking To Me Africa$49.99180 Gram Audiophile Virgin Vinyl 45 RPM LP- 2 LPs Sealed AWAITING REPRESS Buy Now
Black Holes And RevelationsIn 2004, U.K. favorite Muse broke through in the U.S. with Absolution and major performances across America that won legions of new fans. In 2006, the band took a bold new step with Black Holes And Revelations, a powerful, upbeat epic album that brought the bands music to a whole dimension. Once again co-produced by Rich Costey (Rage Against The Machine, Audioslave), Muse incorporates influences from electronica and Prince to pure pop. The album broke into the Top 10 in American and topped the U.K. and European album charts within its first week, earning Muse their second consecutive #1 album.1. Take A Bow
3. Supermassive Black Hole
4. Map Of The Problematique
5. Soldier's Poem
9. City Of Delusion
11. Knights Of Cydonia$18.99Vinyl LP - Sealed Buy Now
If All I Was Was Black"Mavis has done it all and worked with
just about everybody from Bob Dylan to
Prince to Jeff Tweedy She still is singing
for justice and equality and influencing a
new generation of musicians and fans."
- President Barack Obama
A voice of reassurance in troubled times." - Chicago Tribune
"Rather than protest the state of the world, Staples is toasting
human endurance-- hers as well as ours." - Pitchfork
"a voice that has lost none of its gutsy power since she unleashed
it, some six decades ago." - New York Times
MAVIS STAPLES is an American Music legend. She
was at the forefront of the civil rights movement in the
1960's, as singer for the legendary gospel group, The
Staples Singers. Mavis, along with her father, Pops,
and siblings marched and worked alongside Dr. Martin
Luther King, Jr on the fight for equality in this country.
In December 2016, Mavis went to Washington, DC
to receive the coveted Kennedy Center Honors from
President Obama, with whom she has had a long
standing friendship. Mavis invited Wilco frontman and
dear friend, Jeff Tweedy as her guest for the weekend's
festivities. The two spent hours discussing the
current events and how today's fight for equality is
very similar to those in the '60s. Inspired by these
events, Mavis and Jeff got together and wrote Mavis'
new album, If All I Was Was Black, produced by Jeff
Tweedy. The new album is a perfect message for our
time and is by far Mavis' best work to date.1. Little Bit
2. If All I Was Was Black
3. Who Told You Tha
4. Ain't No Doubt About It
5. Peaceful Dream
6. No Time For Crying
7. Build A Bridge
8. We Go High
9. Try Harder
10. All Over Again$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
WARB-WEA-9100xPrince And The Revolution
I Would Die 4 UI Would Die 4 U was the fourth commercially-released single from Prince's seventh album Purple Rain, the first album to be credited to Prince and the Revolution.
It was released five months after the album, and received a release around the world. The b-side, Another Lonely Christmas, was previously unreleased.
The single reached number 8 on the US Billboard Hot 100 Chart, marking the fourth straight top 10 single from Purple Rain. It also reached number 11 on the Billboard Hot Black Singles Chart.1. I Would Die 4 U
2. Another Lonely Christmas$12.9912 Vinyl Single - Sealed Buy Now
King Jammy Presents New Sounds Of FreedomKing Jammy is one of reggae's most prolific and innovative producers, with New Sounds Of Freedom he shows himself strong once again.
New Sounds of Freedom adds a new chapter to a story that now bridges three albums. In 1977 Black Uhuru recorded "Love Crisis" a 10
song classic from the defining era in reggae. The rhythms were laid at Harry J's Recording studio with Sly & Robbie, Chinna Smith, Johnny
Osbourne, Winston Wright and Gladstone Anderson among others. Then voiced and mixed at King Tubby's studio. The album was later
remixed by Prince Jammy at King Tubby's and released in 1981 as Black Sounds of Freedom.
The 1981 version serves as the inspiration and jump off point for these raw and vibrant new tracks featuring original vocal performances
from Chronixx, Gentleman, Alborosie, Dre Island, Tony Rebel and others. The 10 song collection will be released on CD and vinyl LP.1. Peace Treaty Style - Alborosie
2. Walls Of Babylon - Dre Island
3. King Selassie Throne - Chronixx
4. Dog Nyam Yuh Suppa - Tony Rebel
5. Another Day In The Ghetto - Bounty Killer
6. Leave Satan Business - Gentleman
7. Peace And Love - Kabaka Pyramid
8. Mystic Chant - U Roy
9. Leggo Babylon Wickedness - Shaggy & Beenie Man
10. People Bawling - Louie Culture$15.99Vinyl LP - Sealed Buy Now
Voodoo (Awaiting Repress)First Vinyl Release Since its Original Release in 2000!
With Original Artwork and New Liner Notes Featuring Interviews with ?uestlove, Pino Palladino, and More!
Ranked 488/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Voodoo hit store shelves on January 25th 2000. But the first great album of the new millennium was born in the 1990s, and its muggy grooves capture the sound of premillennial anxiety. The album is the product of perfectionism, obsession and paranoia. 1995's debut Brown Sugar had already strategically positioned D'Angelo-born Michael Eugene Archer and Virginia-raised to a Pentecostal preacher father-as the next Hendrix-like deity in black music, after Prince and maybe Lenny Kravitz.
Though inspired by the birth of his children and trips back to Virginia, Voodoo's roots are in 1960s, '70s and '80s funk and soul; a nostalgic nod to the ideas and inventions of black music trailblazers powered by avant-garde hip-hop and jazzinfluenced rhythms. D'Angleo's aim, he said, was to reclaim R&B. He wanted to be like Sly Stone, George Clinton and Al Green. And most of all, he wanted to be like Jimi Hendrix.
The concept behind Voodoo was simple. Put together a brilliant ensemble of R&B musicians bent on grooving together. Record them live, in real-time, jamming face-to-face in an effort to capture their conviviality and chemistry. For Voodoo's core rhythm trio, D'Angelo recruited his friend and colleague, The Roots' visionary drummer Ahmir ?uestlove Thompson, plus Welsh journeyman Pino Palladino to hold down the bass. It was a combination that gelled immediately.1. Playa Playa
2. Devil's Pie
3. Left & Right
4. The Line
5. Send It On
6. Chicken Grease
7. One Mo'Gin
8. The Root
9. Spanish Joint
10. Feel Like Makin' Love
11. Greatdayindamornin' / Booty
12. Untitled (How Does It Feel?)
13. Africa$24.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Splinter (Songs From A Broken Mind) (Awaiting Repress)'Splinter' (Songs From A Broken Mind) is the inspired new album by pioneer, chart-topper and influential artist Gary Numan.'Splinter' features guitarist Robin Finck (Nine Inch Nails, Guns N Roses), is produced by long-standing collaborator Ade Fenton, and will be followed by a full national headline tour in November.
The album finds Gary on fine dark electronic form; sounding both cutting-edge and classic Numan, it marks his best work since the late 70s, early 80s heyday.'Splinter''s opening gambit 'I Am Dust' is a statement of intent, combining heavy grind with his archetypal anthemic pop skills. The unsettling whispered verses, crunchy guitars and Hans Zimmer-esque strings on 'Here In The Black' create a sense of menace and drama, whilst more orchestral work adorns the cinematic 'The Calling'. Slower-burning ballads 'Lost', 'Where I Can Never Be' and 'My Last Day', highlight the album's broad palate, adding elements of subtlety and even beauty in contrast to the album's more aggressive moments.
Gary's knack for sexy, idiosyncratic dancefloor killers is strongly evident on the pounding, growling throb of 'Love Hurt Bleed', whilst 'Who Are You' carries equal clout as-body-music-Numan-style - infectious, but sounding unlike anything else you might hear blasting from a soundsystem.
Although Numan released a straight-to-the-fanbase album 'Dead Son Rising' in 2011, this is his first self-penned full album since 'Jagged' in 2006.
In recent years he's been quoted as an influence by everyone from Lady Gaga to Kanye West, Matthew Dear to Queens Of The Stone Age, The Foo Fighters, Nine Inch Nails, Prince and J Dilla, to Boyz Noise, Richie Hawtin and Battles (they released a single 'My Machines' on Warp Records with Numan in 2011).
But while Numan's unique style continues to connect with fans from the worlds of metal, hip hop, electronica, industrial and indie, he remains as focussed as ever in pursuing his own singular vision. 'Splinter' sounds unique, while also utilising new sounds and ideas.
Perhaps it's the voice - one of the most distinctive in music and often associated with machines and icy alienation, but for those who are drawn to Numan's songs, his singing is strangely emotional, almost soulful in places. And if you like that side of his writing, you certainly won't be disappointed with the new album, where there are several tracks that set Numan's vocals against moody, atmospheric torch songs to stunning effect.
- Contact Music1. I Am Dust
2. Here in the Black
3. Everything Comes Down to This
4. The Calling
7. Love Hurt Bleed
8. A Shadow Falls on Me
9. Where I Can Never Be
10. We're the Unforgiven
11. Who Are You
12. My Last Day$24.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
PlaymatesFat Possum Records is pleased to announce the release of Jack Ladder & The Dreamlanders' upcoming album Playmates. The first taste of the record Come On Back This Way showcases newfound lightness for Ladder, weaving a glistening synth melody with a chorus duet and wordless backing from Sharon Van Etten.
Three years after the acclaimed HURTSVILLE and a move from the inner city of Sydney, Australia to the Blue Mountains, Jack Ladder returns with his new album Playmates. The album is produced by Kim Moyes of The Presets, and mixed by David Wrench (Jungle, FKA Twigs, Caribou,Seekae). The Dreamlanders - Kirin J. Callinan (whose own album Embracism was released last year on Terrible / XL) Laurence Pike (of PVT) and Donny Benet - reunite to play on the record, with Sharon Van Etten contributing vocals to two tracks.
Playmates will be Jack Ladder's fourth album, and his first on Fat Possum. His previous two albums (2008's Love Is Gone and 2011's HURTSVILLE) were shortlisted for the Australian Music Prize. It's been a long journey to this point, and Playmates finds Jack Ladder at a creative apex, moving on from the darker roads into the curious, bold komische synthesizers which backlight Playmates. Ladder's latest work cogently recalls a time when albums were made to the parameters of the encroaching technology of the compact disc. But this album is where songs take precedence over an idea.
Playmates songs are muscular, raw - yet polished to the texture of a skyscraper. The lyrics themselves are haunting; they possess the poetic slur of a black-pupilled vision of romantic despair, love's unsure footing and a palpable air of Ballardian discord beneath the surface. The songs pulse with life. Synthesizers and drum machines rub shoulders with glam guitars and pedal steel, while above all, Ladder's granite baritone slashes at love and darkness like a heavy blade. He is a tender, persistent lover; a despairing prince at the battlements.
There is also the notable presence of Sharon Van Etten. On working with Jack Ladder, she says, When I first saw Jack Ladder...it blew me away. He's got a darkness to his vocals and lyrics but with a wink. It was really fun and an interesting challenge and his songs are killer. I feel lucky to have been a part of it.
Playmates breadth of ideas, its sinister anxiety-dream lyrics and particular vision of the world offer us as complete a view of this unfathomable Jack Ladder character as we are ever likely to observe in this dimension.1. Come On Back This Way
2. Her Hands
3. Model Worlds
4. Reputation Amputation
5. Let Me Love You
6. To Keep And To Be Kept
7. The Miracle
8. Neon Blue
9. Our Ascension
10. Slow Boat To China$19.99Vinyl LP - Sealed Buy Now
Home AgainFew records make such an instant impression as Home Again, the debut album by Michael Kiwanuka, winner of the prestigious BBC Sound of 2012 prize. Immersing the listener in a sound that is both modern and at the same time as familiar as the classics, it manages to strike the balance between being contemporary and somehow utterly timeless. For Kiwanuka, key musical touchstones include Marvin Gaye, Otis Redding, Bob Dylan, Paul Simon, Shuggie Otis, Roberta Flack's First Take, Bill Withers' Live At Carnegie Hall and D'Angelo's modern soul landmark Voodoo.
Born in Muswell Hill to Ugandan ÉmigrÉ parents, Kiwanuka was brought up in a home from which music was largely absent, with his first introduction to rock (Nirvana, Radiohead) arriving at the same time as he began to hang with the skater kids in the north London suburb during his early teenage years. Later coming across a soul compilation album given away with a music monthly, he was enthralled by the sound of Otis Redding's studio talkback discussions with his engineer while recording an outtake version of (Sittin' On) The Dock Of The Bay. From this point on, he resolved to make music that sounded raw and authentic.
Though deeply into soul and jazz, he found real inspiration in the cross-pollination of the two styles with folk in the music of Bill Withers. "Bill Withers was very rootsy and earthy," he points out, "but people branded him as a soul singer. To me, he was a folk artist. So that encouraged me to keep going, 'cause I didn't know where I would fit in as a black guy with an acoustic guitar."
While performing on the acoustic circuit around London, Kiwanuka quickly attracted interest and made connections, not least with his current manager who in turn garnered the attention of Communion Records, the label that in 2011 released the singer's first two acclaimed EPs, Tell Me A Tale and I'm Getting Ready. Both of these EPs, as with Home Again, were produced by Paul Butler (The Bees) in his vintage equipment-stuffed basement studio at his house in Ventnor on the Isle Of Wight. Together the pair played almost every instrument to be heard on the album, with Butler's remarkably intimate, detailed productions adorned with everything from flute to brass to sitar to aching strings, perfectly matching Kiwanuka's visions for his songs.
"The way we made the record was very modern," the singer points out. "There was loads of editing. We manipulated it to get exactly what we wanted." From the opening bars of the stirring Tell Me A Tale, it is instantly clear that Home Again is a very special album. While its more upbeat characteristics are embodied in the Prince Buster-like loping of the lovelorn but irresistibly catchy Bones and the rolling soul groove of I'll Get Along, elsewhere it proves itself to be a record of real stripped-down beauty.
In I Won't Lie, with its gospel-infused echoes of The Staples Singers, Kiwanuka offers something akin to a modern spiritual, while in Rest he turns in a tender love lullaby and in Always Waiting, he blends classical elements with the confessional intimacy of Roberta Flack. It is with the title track of Home Again, however, that Michael Kiwanuka feels the record's sounds and themes are ultimately encapsulated. "That's the song that really for me ties everything together," he says. "It's one of the earliest songs I wrote for the album and even though I progressed and changed stuff in the studio, it was the one I could never throw away. Like a lot of them, it's a hopeful song. I use home as the metaphor for contentment and peace within."
Other parts of the record, on the other hand, find Kiwanuka struggling for peace of mind and using his songs as a form of self-empowerment, not least in the soulful I'm Getting Ready, the darker, unburdening Any Day Will Do Fine and the self-explanatory Worry Walks Beside Me. "It can really paralyze you, if you worry too much," the singer admits. "I do tend to overthink things. All of these songs are me talking to myself, really. Trying to encourage myself to believe."1. Tell Me A Tale
3. I'll Get Along
4. Home Again
5. I'm Getting Ready
7. Always Waiting
8. I Won't Be Long
9. Any Day Will Do Fine
10. Worry Walks Beside Me
11. Lasan$19.99Vinyl LP - Sealed Buy Now
Wayne CochranWayne Cochran! The exclamation point is there for a reason. Known as "The White Knight of Soul," Cochran was flamboyant in both voice and attire. Crowned by a swooping white pompadour, he held back nothing on stage. His performance style was very reminiscent of fellow Georgia native Little Richard Penniman. Like Penniman, music led Cochran to his current career as a minister. Anyone who's ever witnessed a fire-and-brimstone southern gospel service can see the connection between gospel's passion and r&b's groove.
Issued by Chess Records in 1967, Wayne Cochran! captured the outrageous energy of his live show within the album's grooves. This explosive collection of songs proved that Cochran deserved to share the label home of r&b greats like Etta James, Howlin' Wolf and Muddy Waters. Rather than a traditional artist portrait, the front cover features an outline of his white pompadour against a black background. Simple and direct, it stood in stark relief against the sea of day-glo, psychedelic imagery of the day. To put it another way, the cover art clearly conveyed that this album was all killer, no filler.
The original mono version of this LP is incredibly rare and changes hands for princely sums. However, there is no need to empty the savings account now that Sundazed Music has prepared a righteous reissue, in glorious mono! Sourced from the original analog master tapes, this Sundazed edition is 180gm of concentrated soul. Just add a turntable and watch the party spring to life!1. Get Ready
2. Boom Boom
3. The Peak Of Love
4. You Don't Know Like I Know
5. Some-A' Your Sweet Love
6. I'm Leaving It Up To You
7. You Can't Judge A Book By The Cover
8. Big City Woman
9. Little Bitty Pretty One
10. I'm Your Hoochie Coochie Man
11. Get Down With It
12. When My Baby Cries$24.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
Rise AboveThe breadth of David Longstreth's talents as a songwriter, arranger, bandleader and singer call to mind Prince, Joni Mitchell, and Bjork. His constantly evolving sound, the sheer intensity of the music, and the originality of his voice set him apart. From beginning to end, Rise Above is a re-imagining of Black Flag's seminal 1981 record Damaged. It's not a covers record; Longstreth attempted to rewrite his favorite adolescent album word for word, from memory. The result resounds with a kind of elegant simplicity: beautiful interlocking guitar parts, gorgeous three-part vocal harmonies, and some great songwriting.1. What I See
2. No More
4. Six Pack
5. Thirsty and Miserable
6. Police Story
7. Gimmie Gimmie Gimmie
8. Spray Paint (The Walls)
9. Room 13
10. Rise Above$17.99Vinyl LP - Sealed Buy Now
ADAD-PAR-6848xJake Xerxes Fussell
Jake Xerxes FussellThe Southern half of the Georgia-Alabama border follows the Chattahoochee River, which cleaves Columbus, Georgia from its decidedly less reputable neighbor, Phenix City, Alabama. Georgia's second city is the hometown of "Mother of the Blues" Ma Rainey and novelist Carson McCullers, but it was local hillbilly duo Darby and Tarlton's 1927 hit "Columbus Stockade Blues" that first immortalized Columbus in popular culture. Back in their day, if you ended up in lockup in Columbus, chances are you did your dirtiest deeds across the river. Historically rife with vice of every conceivable variety-gambling, prostitution, moonshining, and endemic corruption and violence perpetrated by both gangs and police-the notoriously anarchic Phenix City was once known as "The Wickedest City in America."
A similar frontier liminality and skewed sense of place characterize the music of Durham, North Carolina singer and guitarist Jake Xerxes Fussell, whose self-titled debut record, produced by and featuring William Tyler, transmutes ten arcane folk and blues tunes into vibey cosmic laments and crooked riverine rambles. Jake Xerxes (yes, that's his real middle name, after Georgia potter D.X. Gordy) grew up in Columbus, son of Fred C. Fussell, a folklorist, curator, and photographer who hails from America's Wickedest City. Fred's fieldwork took him, often with young Jake in tow, across the Southeast documenting traditional vernacular culture, which included recording blues and old-time musicians with fellow folklorists and recordists George Mitchell and Art Rosenbaum (which led Jake to music, and to some of the songs herein) and collaborating with American Indian artists (which led Jake eventually to his graduate research on Choctaw fiddlers.)
As a teenager Jake began playing and studying with elder musicians in the Chattahoochee Valley, apprenticing with Piedmont blues legend Precious Bryant ("Georgia Buck"), with whom he toured and recorded, and riding wild with Alabama bluesman, black rodeo rider, rye whiskey distiller, and master dowser George Daniel ("Rabbit on a Log"). He joined a Phenix City country band who were students of Jimmie Tarlton of Darby and Tarlton; he accompanied Etta Baker in North Carolina; he moved to Berkeley, where he hung with genius documentary filmmaker Les Blank and learned from Haight folkies like Will Scarlett (Jefferson Airplane, Hot Tuna, Brownie McGhee) and cult fingerstyle guitarist Steve Mann ("Push Boat"); he appeared on A Prairie Home Companion. He did a whole lot of listening, gradually honing his prodigious guitar skills, singing, and repertoire. In 2005 he moved to Oxford, Mississippi, where he enrolled in the Southern Studies department at Ole Miss, recorded and toured with Rev. John Wilkins, and, last year, met up with acclaimed artist William Tyler to begin recording his first solo album.
Collaborating with Tyler and engineer Mark Nevers in Nashville was a conscious decision to depart cloistered trad scenes and sonics for broader, more oblique horizons. Tyler, a guitar virtuoso known for his own compositions that untether and reframe traditional six-string forms and techniques, helmed the push boat in inimitable fashion, enlisting crack(ed) Nashville session vets Chris Scruggs (steel guitar, bass, fiddle: Bonnie "Prince" Billy, Marty Stuart), Brian Kotzur (drums: Silver Jews), and Hoot Hester (fiddle: Bill Monroe, Ray Charles) to crew.
So it's no accident that Jake approaches the songs and styles represented here with both interpretive respect and unfussy irreverence, imbuing them with equal parts vaporish, percolating atmosphere and academic rigor, honoring the folksong headwaters by emphasizing their liquid mutability, alien strangeness, and sly humor above preconceived notions of static authenticity. Fussell recognizes that folk revivalist preciousness about spurious genre boundaries often feels absurdly at odds with the unruliness and restlessly inventive practices of tradition bearers-no revival or reenactment gear is necessary when the music lives and breathes and throws around hips and knees like these. Likewise, when you examine their lyrical content, ostensibly linear tales about rivers and work (labor of the hands, as in "Boat's up the River" and "Man at the Mill" and labor of the heart, as in "Star Girl" and "Pork and Beans") reveal themselves as fractured, riddled with narrative lacunae that open up the texts as squirrelly riddles or gentle metaphysical jokes.
For Fussell, these odd disjunctures demonstrate the way that verses and choruses, the stories we tell, disintegrate and erode over time, worn smooth as river stones and transmogrified by their repeated telling, more lovely for their fissures and absences than for any imaginary original integrity. (Aptly, "Chattahoochee" may mean something like "writing on rocks" in Muscogee or Yuchi.) Each song rendered here contains its own twinned inversion-its own Columbus, its own Phenix City-and Jake navigates their shoals with intuitive grace and authority.1. All in Down and Out
2. Let Me Lose
3. Star Girl
4. Raggy Levy"
5. Rabbit on a Log
6. Boat's up the River
7. Man at the Mill
8. Push Boat
9. Georgia Buck
10. Pork and Beans$21.99Vinyl LP - Sealed Buy Now
The Unconquerable Dark (Out Of Stock)'The Unconquerable Dark' is a devastatingly bleak record that showcases the Hull Hate Crew's trademark downtempo sound to absolute full effect. From the opening doom drenched riffs of 'Plague Worship' to the black metal tinged 'L'appel du Vide', to the unfathomably heavy 'Prince Of Ash' and 'Vermintide' (featuring guest vocals from SUICIDE SILENCE's EDDIE HERMIDA), the hatred spews out of the speakers.
The band comments: Our original mindset for 'Falisfier' and 'Born Hanged' was to create the most ridiculously crushing music around. We created the heaviest music because there just wasn't anything around at the time that was as heavy as we wanted to hear. We feel like we did a pretty good job. Now there's a plethora of bands that are taking the reigns of the heavy and we love it, but a new direction is in order. With The Unconquerable Dark we wanted to keep the slow, low and crushing vibe but add some maturity to it. More riffs, more memorable choruses and some juicy lead thrown in. Don't get us wrong, this is the heaviest thing we've ever released (and probably that you've ever heard), but we took the time to give it atmosphere and structure instead of being heavy for heavy's sake.
We spent a lot of time on this album mixing and mastering it ourselves so that we could get the closest representation of the heaviness that is in our minds. We didn't want to let someone else's polished and clean mix detract from the dimension-shattering sound that we strive to achieve. This is album is in our opinion the best thing we have released so far.1. Plague Worship
2. In the Wake ov the Wolf
3. Young Gloom
4. L'appel du Vide
5. Vermintide (ft Eddie Hermida)
6. Prince of Ash
7. The Masquerade
8. A Pale Procession ii: Death March
9. I'm so Tired of Sighing. Please Lord, Let It Be Night$23.99Vinyl LP - Sealed Temporarily out of stock