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Silent Reign Of Heroes (Awaiting Repress)This Lynyrd Skynyrd-style, blues rock outfit emerged from the US deep south. The name derived from a tale of a woman in seventeenth-century Salem who beheaded her lovers with an axe after sleeping with them. The initial line-up comprised Dave Hlubek (guitar), Steve Holland (guitar), Duane Roland (guitar), Banner Thomas (bass), Danny Joe Brown (vocals) and Bruce Crump (drums). Their 1978 debut album, produced by Tom Werman (of Cheap Trick and Ted Nugent fame), was an instant success, with its three-pronged guitar onslaught and gut-wrenching vocals. The band then achieved a US Top 20 placing with their second album, Flirtin` With Disaster. Brown was replaced by Jimmy Farrar in 1980, before the recording of the band`s third album, Beatin` The Odds. Farrar`s vocals were less distinctive than Brown`s, and an element of their identity was lost during the time that Farrar fronted the band. Nevertheless, commercial success continued, with both Beatin` The Odds and Take No Prisoners peaking on the Billboard album chart at numbers 25 and 36, respectively. In 1982, Danny Joe Brown rejoined the band in place of the departed Farrar, while Thomas and Crump were replaced by Riff West and B.B. Borden respectively. No Guts ... No Glory emerged and marked a return to the band`s roots: explosive guitar duels, heart-stopping vocals and steadfast rock `n` roll. Surprisingly, the album flopped and Hlubek insisted on a radical change in direction. Steve Holland quit and drummer Crump returned, while keyboard player John Galvin (from the Danny Joe Brown Band) was recruited for the recording of The Deed Is Done. This was a lightweight pop rock album, largely devoid of Molly Hatchet`s former trademarks. Following its release, the band retired temporarily to lick their wounds and reassess their future. In 1985, Double Trouble Live was unveiled, with a return to former styles. It included versions of their best-known songs, plus a Lynyrd Skynyrd tribute in the form of `Freebird`. Founder member Dave Hlubek subsequently departed, to be replaced by Bobby Ingram. The band signed a new recording contract with Capitol Records and returned with 1989`s Lightning Strikes Twice. This leaned away from their southern roots towards highly polished AOR. Featuring cover versions of Paul Stanley`s `Hide Your Heart` and `There Goes The Neighborhood`, the album was poorly received by fans and critics alike. A number of line-up changes ensued in the early 90s, leaving Brown as the only remaining original member. During this period he was continually plagued by illness as a result of diabetes. and eventually left Molly Hatchet in 1996 as they embarked on another recording comeback. The line-up that recorded Devil`s Canyon comprised Bobby Ingram, John Galvin, Phil McCormack (vocals), Bryan Bassett (guitar), Andy McKinney (bass) and Mac Crawford (drums). The revived band, with additional keyboard player Tim Donovan, then completed 1998`s Silent Reign Of Heroes. Further line-up changes saw mainstays Ingram, Galvin and McCormack joined by a regularly rotating cast list of musicians, as the band continued to tour and record with great success. Original guitarist Hlubek rejoined the line-up in early 2005 shortly before his former colleague Danny Joe Brown succumbed to diabetes.
1. Mississippi Moon Dog
2. World of Trouble
3. Silent Reign of Heroes
4. Miss Saturday Night
5. Blue Thunder
6. Just Remember (You're the Only One)
7. Junk Yard Dawg
8. Dead and Gone (Redneck Song)
9. Saddle Tramp
10. Fall of the Peacemakers
11. Whiskey Man
12. One Man's Pleasure$22.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
X-No Absolutes180 Gram Double LP + CD
After a self-prescribed hiatus, 2012 saw Prong blow the hinges off the door with the release of "Carved Into Stone". Seemingly out of nowhere, Tommy Victor and company managed to combine all the previous elements of the band's formula: thrash, hard-core, industrial metal, etc. with a new urgency and angst that struck a deep nerve with the band's loyal fan-base and beyond.
The band marched onwards with 2014's highly acclaimed "Ruining Lives" which spawned a number of instant classics. "Turno-ver", The Barriers" and the title track became staples in their live set when embarking on a bone breaking schedule of concerts around the world in support of the record. A video for Remove, Separate Self" was released creating even more interest in this significant recording.
Recorded over the summer of 2014 and released in early 2015, Prong's cover album "Songs From The Black Hole" was loved by fans and critics alike. Always game to make the unexpected move, the album featured songs from artists as diverse as HÜsker DÜ, The Bad Brains, Black Flag, The Sisters Of Mercy and Neil Young.
After yet another headline tour, it was straight back to the studio for another studio album. Just days after mixing was completed, PRONG went on the road with Danzig and SuperJoint Ritual in North America and released the first single "Ultimate Authority" on the day the tour began.
"X - No Absolutes" is Prong at their very best. The sheer intensity and ferocity of the albums opening triumvirate "Ultimate Authority", "Sense Of Ease" and "Without Words" leaves the listener gasping for air. The title track is crunchy and catchy at the same time. "Do Nothing" may be as close as you will ever hear PRONG get to a ballad and shows the enormous progress and confidence Victor has made vocally. It is hard to find a weak spot here, notably Victor mentions that „sequencing the album was a difficult task; every song is so strong in it's own way".
Again produced by Tommy Victor, this time with trusted collaborator Chris Collier as co-producer and engineer, "X - No Absolutes" also broadens the horizon sonically.1. Ultimate Authority
2. Sense Of Ease
3. Without Words
4. Cut And Dry
5. No Absolutes
6. Do Nothing
7. Belief System
8. Soul Sickness
9. In Spite Of Hindrances
10. Ice Runs Through My Veins
11. Worth Pursuing
12. With Dignity$18.99180 Gram Audiophile Virgin Vinyl LP + CD - 2 LPs Sealed Buy Now
Zero Days (Awaiting Repress)180 Gram Double LP + CD
Pressed On Red Colored Vinyl
The new Prong album "Zero Days" is another monster of an album, another step towards refining the perfect Prong-sound and another album that lacks any filler or lackluster moment. Musically, it hits home from the first bars of the mighty opener "However It May End" to the last bars of the album's closing track "Wasting Of The Dawn". Every track is it's own emotional roller-coaster ride, chock-full of massive riffage, ironclad grooves and topped off by Victor's ever-improving vocal delivery. "ZERO DAYS" was once again produced by Tommy Victor, with trusted collaborator Chris Collier as co-producer and engineer.
Tommy Victor talks about "ZERO DAYS": "I must say a lot of effort was put into this new "Zero Days" recording. From the minute I would get off tour, I would consolidate ideas from the road and form new ones. Again the focus was on creating good songs. We wanted this record to be modern as well as holding justice to all the previous releases. Again and maybe even more than normally I went crazy meticulous with the lyrics. I had built up a lot to say and I wanted to articulate them in the most intelligent way possible. I firmly believe the mission was accomplished all around.
We are really pleased with the performances on this record, as well. It's a solid outing. We have the anthems, the bangers, the thrashers, the grooves, everything that makes up a PRONG record. It's definitely a record to listen to start to finish!!"LP 1
1. However It May End
2. Zero Days
3. Off The Grid
4. Divide And Conquer
5. Forced Into Tolerance
1. Blood Out Of Stone
2. Operation Of The Moral Law
3. The Whispers
4. Self Righteous Indignation
5. Rulers Of The Collective
6. Compulsive Future Projection
7. Wasting Of The Dawn
1. However It May End
2. Zero Days
3. Off The Grid
4. Divide And Conquer
5. Forced Into Tolerance
7. Blood Out Of Stone
8. Operation Of The Moral Law
9. The Whispers
10. Self Righteous Indignation
11. Rulers Of The Collective
12. Compulsive Future Projection
13. Wasting Of The Dawn
14. Reasons To Be Fearful (Bonus Track)$19.99180 Gram Audiophile Virgin Vinyl LP + CD - 2 LPs Sealed AWAITING REPRESS Buy Now
Carved Into StoneKiller double vinyl edition of Prong's 2012 opus, 'Carved Into Stone.'1. Eternal Heat
2. Keep On Living In Pain
4. Revenge...Best Served Cold
5. State of Rebellion
6. Put Myself to Sleep
7. List of Grievances
8. Carved Into Stone
10. Path of Least Resistance
12. Feuer Frei*
*Bonus Track$22.99Vinyl LP - 2 LPs Sealed Buy Now
ADAD-RIS-2396xTeenage Time Killers
Greatest Hits Vol. 1Gray and Black Colored Vinyl
The long-gestating brainchild of Corrosion Of Conformity founder/drummer/vocalist Reed Mullin, guitarist Mick Murphy (My Ruin, The Birds of Satan, Neanderthal) and producer John "Lou" Lousteau, Teenage Time Killers' Greatest Hits Vol. 1 is 20 concise seismic shocks created by an all-star line up of punk and metal legends spanning decades. Joining Reed on drums and Mick on guitar on the album's 20 mostly original tracks and few covers of underground classics (including the Rudimentary Peni deep cut that inspired the project's title) includes: Jello Biafra, Randy Blythe of Lamb of God, Dave Grohl and Pat Smear of Foo Fighters, Nick Oliveri, Matt Skiba of Alkaline Trio, Corey Taylor of Slipknot and Stone Sour, Tommy Victor of Prong and Danzig, Lee Ving of Fear, Mike "IX" Williams of Eyehategod, Mullin's Corrosion of Conformity band mates Mike Dean and Woody Weatherman, Karl Agell and many, many more. All instrumental tracks on Teenage Time Killers' Greatest Hits Vol. 1 were recorded at Grohl's 606 Studios in Northridge, CA. The album was produced by John Lou Lousteau, Reed Mullin and Mick Murphy, engineered and mixed by John Lou Lousteau at 606.LP 1
1.Exploder (feat. Reed Mullin)
2.Crowned by the Light of the Sun (feat. Neil Fallon)
3.Hung Out to Dry (feat. Randy Blythe)
4.Power Outage (feat. Clifford Dinsmore)
5.Ode to Sean Hannity (feat. Jello Biafra)
6.Barrio (feat. Matt Skiba)
7. The Dead Hand (feat. Reed Mullin)
8.Egobomb (feat. Corey Taylor)
9.Plank Walk (feat. Pete Stahl)
10.Time to Die (feat. Mike IX Williams)
11.Days of Degradation (feat. Tommy Victor)
12.Clawhoof (feat. Tairrie B. Murphy)
1.Big Money (feat. Lee Ving)
2.Devil In This House (feat. Karl Agell)
3.Say Goodnight to the Acolyte (feat. Phil Rind)
4.Ignorant People (feat. Tony Foresta)
5.Son of an Immigrant (feat. Jonny Webber)
6.Your Empty Soul (feat. Aaron Beam)
7.Bleeding to Death (feat. Vic Bondi)
8. Teenage Time Killer (feat. Tren
9.Ode to Sean Hannity (feat. Reed Mullin)
10.Ignorant People (feat. Reed Mullin)
11.Time to Die (feat. Reed Mullin)
12.My Revenge (feat. Reed Mullin)$22.99Colored Vinyl LP + CD - 2 LPs Sealed Buy Now
Automatic (Awaiting Repress)Automatic is diverse, refreshing and full of welcomed surprises. The boundary pushing album is a wide mix of genres, including rock, country, reggae, R&B, dub, island and 1980s sounding pop.The album features sixteen tracks, which feels really long-especially in these days of four-track EPs and iTunes singles. Similar to 2010s Timebomb, the album features continued collaboration with alt-rocker Lincoln Parish of Cage The Elephant. Along with members of Iration and JP Hesser of Castaway 7 Studios, Parish acted as a the album's co-producer.
Automatic starts off with the album's title track, which is a tribute to the band's dedicated fan base. The reggae-rock-dub tune is signature Iration and features a catchy chorus, along with an arrangement full of smooth baselines, keys and vocal affects. For longtime fans and reggae lovers, Automatic offers "One Way Track," "Go That Road," "Uptown" and "Mr. Operator." The latter is a roots reggae and R&B tune with an infectious chorus and hypnotizing layers of keys. "Go That Road" is a fun, country-reggae tune with a upbeat, catchy chorus, aptly-timed harmonies and relatable story.
Some of the album's strongest songs feature collaborator and co-producer Lincoln Parish. "Show Me" is a synthesized, 1980s-sounding dance tune with tempo changes and layered, echo-filled vocals. "Home" starts off with a country picking pattern and dust-bowl feel. The track then transitions into a bass heavy reggae-rock tune, before finishing with a alt-rock interlude/outro. The track is overflowing with sounds, which regrettably swallow-up the vocals during the song's chorus.
Finally, "Milk and Honey" is a reggae-funk-dance tune with shades of funk-soul phenom Robert Randolph. These songs might surprise some listeners and catch others completely off guard; however, these radio friendly tunes are a refreshing change from the often recycled sounds of the genre. The songs are welcomed editions to the album, and should help Iration expand to audiences outside the reggae-rock genre.
Automatic is hard to categorize. It's not really a reggae album or a rock album. And, it's not a pop album or R&B either. It's all the above. Automatic is an album for all listening moods. If you want some reggae, you got it; if you want to dance, you got it. If you want upbeat pop, you got that as well. The beauty of Iration's "all of the above" approach is that it is unique and refreshing, as well as unpredictable-which makes Automatic accessible to new fans while keeping the old ones satisfied.
- Kit Chalberg (The Pier)1. Automatic
2. Show Me
3. One Way Track
4. Back Around
5. Go That Road
7. This Old Song
9. Mr. Operator
12. Splintered Heart
13. High Flying
14. Milk and Honey
16. No Time$16.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
After releasing three albums with Greg Ginn's underground label SST, Screaming Trees broke through in 1991 with Uncle Anesthesia on major label Epic. The band, fronted by Mark Lanegan (who would go on to collaborate solo with band members of Nirvana, Queens Of The Stone Age, Guns 'N Roses and Foo Fighters) is known for its raw psychedelic, whiskey voiced garage rock. This harder edge set the band apart from Seattle grunge contemporaries Alice In Chains and Soundgarden, gaining a loyal fanbase in the process. Uncle Anesthesia is produced by Chris Cornell (Soundgarden, Audioslave) and metal producer Terry Date, known for his recordings of Pantera, Prong, Overkill and White Zombie.1. Beyond This Horizon
2. Bed Of Roses
3. Uncle Anesthesia
4. Story Of Her Fate
5. Caught Between
6. Lay Your Head Down
7. Before We Arise
8. Something About Today
9. Alice Said
10. Time For Light
12. Ocean Of Confusion
13. Closer$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Metal Church is the self-titled debut album of the heavy metal band of the same name. The album was originally released independently in 1984. Based on the success of the album, the band was signed to a recording contract by Elektra, who reissued the album in 1985. The cover art depicts a cruciform Gibson Explorer hidden in shadows and smoke.
Some of their most notable songs are the opener Beyond The Black, their title track, the instrumental Merciless Onslaught, Gods Of Wrath (which is different from all the other songs, as it had clean vocals, clean rhythms, and fluent solos) and the Deep Purple cover Highway Star.
The album is produced by Metal Church and Terry Date (Pantera, Slayer, Prong).1. Beyond The Black
2. Metal Church
3. Merciless Onslaught
4. Gods Of Wrath
6. In The Blood
7. (My Favorite) Nightmare
9. Highway Star$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Kingdom Of XIIThis Lynyrd Skynyrd-style, blues rock outfit emerged from the US deep south. The name derived from a tale of a woman in seventeenth-century Salem who beheaded her lovers with an axe after sleeping with them. The initial line-up comprised Dave Hlubek (guitar), Steve Holland (guitar), Duane Roland (guitar), Banner Thomas (bass), Danny Joe Brown (vocals) and Bruce Crump (drums). Their 1978 debut album, produced by Tom Werman (of Cheap Trick and Ted Nugent fame), was an instant success, with its three-pronged guitar onslaught and gut-wrenching vocals. The band then achieved a US Top 20 placing with their second album, Flirtin` With Disaster. Brown was replaced by Jimmy Farrar in 1980, before the recording of the band`s third album, Beatin` The Odds. Farrar`s vocals were less distinctive than Brown`s, and an element of their identity was lost during the time that Farrar fronted the band. Nevertheless, commercial success continued, with both Beatin` The Odds and Take No Prisoners peaking on the Billboard album chart at numbers 25 and 36, respectively. In 1982, Danny Joe Brown rejoined the band in place of the departed Farrar, while Thomas and Crump were replaced by Riff West and B.B. Borden respectively. No Guts ... No Glory emerged and marked a return to the band`s roots: explosive guitar duels, heart-stopping vocals and steadfast rock `n` roll. Surprisingly, the album flopped and Hlubek insisted on a radical change in direction. Steve Holland quit and drummer Crump returned, while keyboard player John Galvin (from the Danny Joe Brown Band) was recruited for the recording of The Deed Is Done. This was a lightweight pop rock album, largely devoid of Molly Hatchet`s former trademarks. Following its release, the band retired temporarily to lick their wounds and reassess their future. In 1985, Double Trouble Live was unveiled, with a return to former styles. It included versions of their best-known songs, plus a Lynyrd Skynyrd tribute in the form of `Freebird`. Founder member Dave Hlubek subsequently departed, to be replaced by Bobby Ingram. The band signed a new recording contract with Capitol Records and returned with 1989`s Lightning Strikes Twice. This leaned away from their southern roots towards highly polished AOR. Featuring cover versions of Paul Stanley`s `Hide Your Heart` and `There Goes The Neighborhood`, the album was poorly received by fans and critics alike. A number of line-up changes ensued in the early 90s, leaving Brown as the only remaining original member. During this period he was continually plagued by illness as a result of diabetes. and eventually left Molly Hatchet in 1996 as they embarked on another recording comeback. The line-up that recorded Devil`s Canyon comprised Bobby Ingram, John Galvin, Phil McCormack (vocals), Bryan Bassett (guitar), Andy McKinney (bass) and Mac Crawford (drums). The revived band, with additional keyboard player Tim Donovan, then completed 1998`s Silent Reign Of Heroes. Further line-up changes saw mainstays Ingram, Galvin and McCormack joined by a regularly rotating cast list of musicians, as the band continued to tour and record with great success. Original guitarist Hlubek rejoined the line-up in early 2005 shortly before his former colleague Danny Joe Brown succumbed to diabetes.1. Heart of the U.S.A.
2. Cornbread Mafia
3. One Last Ride
4. Why Won't You Take Me Home
5. Turn My Back on Yesterday
6. Gypsy Trail
7. White Lightning
8. Tumbling Dice
9. Angel in Dixie
10. Kickstart to Freedom
11. Dreams of Life
12. Edge of Sundown
13. Bounty Hunter$22.99Vinyl LP - 2 LPs Sealed Buy Now
Savages (Discontinued)Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.
Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.
"All of the things that make SOULFLY killer are combined in Savages," Max declares.
»Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.
"I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."
A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.
SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.
In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).
Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"
Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."
Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."
Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."
Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."
Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."
Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."
Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."
Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.
Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"
Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.LP 1
2. Cannibal Holocaust
4. Ayatollah Of Rock 'N' Rolla
5. Master Of Savagery
1. This Is Violence
3. El Comegente
5. Fuck Reality (Bonus Track)
6. Soulfly IX (Bonus Track)$24.99Vinyl LP - 2 LPs Sealed Buy Now