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  • Antifogmatic Antifogmatic Quick View

    $19.99
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    Antifogmatic

    Antifogmatic, the follow-up to the Punch Brothers' 2008 debut, Punch, is a collaboratively written collection of songs from these five wily, omnivorous bluegrass titans, as the Village Voice has called them, a quintet that the Washington Post, in turn, has described as some of the best string pickers of the new generation.


    Antifogmatic is seamlessly sequenced to display the collective imagination, the instrumental and vocal power, of the band: Thile, guitarist Chris Eldridge, bassist Paul Kowert, banjo player Noam Pikelny, and fiddler Gabe Witcher. Though the quintet is now based in New York City, where they have an informal residency at Manhattan's The Living Room, they recorded and mixed the album at Hollywood's historic Ocean Way studio with iconoclastic producer Jon Brion (Brad Mehldau, Aimee Mann, Fiona Apple, Kanye West) and engineer Greg Koller. Says Witcher, We knew we needed a producer equally as well-versed in pop and rock as in instrumental music, and I don't think there is anyone more able to capture and communicate the essence of this material than Jon Brion.


    The arrangements on Antifogmatic range from intimate to boisterous and back; genre-wise, the band once again ventures where no string band has ever gone before. The spare opening track You Are contrasts percussive guitar riffs with lyrical string parts that dance around Thile's sweet upper register as he spins a tale of romantic emancipation; occasionally, the other instruments give way to reveal the throb of the bass. The band also engages in some unexpectedly beautiful harmony singing, smoothing out the compelling melodic twists and turns of Welcome Home. Me and Us and Woman and the Bell both have a dream-like quality; the former, in fact, was inspired by those jumbled, thought-filled moments before sleep sets in, and the instrumentation keeps pace with the ever-shifting imagery. In contrast, Don't Need No and Rye Whiskey are foot-stomping barroom boasts and Next to the Trash is the closest the band gets to traditional bluegrass, even as the lyrics tug the piece in a more surreal direction.

    1. You Are
    2. Don't Need No
    3. Alex
    4. Rye Whiskey
    5. Me and Us
    6. Missy
    7. The Woman and the Bell
    8. Next to the Trash
    9. Welcome Home
    10. This Is The Song [Good Luck]
    Punch Brothers
    $19.99
    Vinyl LP - Sealed Buy Now
  • The Goat Rodeo Sessions The Goat Rodeo Sessions Quick View

    $29.99
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    The Goat Rodeo Sessions

    The last time cellist Yo-Yo Ma teamed with bassist Edgar Meyer and mandolin player Chris Thile (of Nickel Creek and Punch Brothers fame) for a classical/bluegrass hybrid, the result was the gold-selling Songs of Joy & Peace. Here, Ma, Meyer, and Thile are joined by fiddler Stuart Duncan in a different kind of string quartet.


    The slang phrase goat rodeo, according the Urban Dictionary, is about the most polite term used by aviation people (and others in higher risk situations) to describe a scenario that requires about 100 things to go right at once if you intend to walk away from it. That may be overstating the case for a group of musicians, most of whom have worked together and succeeded before, but it also carries a rural connotation that is appropriate for music that is, for the most part, closer to bluegrass than classical. The tunes were written by Duncan, Meyer, and Thile, and Ma's role is largely supportive. After the fast pieces Attaboy and Quarter Chicken Dark, Helping Hand is the first slower number, with Thile switching to guitar and Duncan taking over the mandolin for a musical conversation between the two instruments.


    Where's My Bow? is a violin/cello/bass trio with Thile sitting out, and it is one of the few tracks that leans more toward the classical side, boasting a big, dramatic finish. The more exotic Here and Heaven finds both Thile and Meyer at times playing the Renaissance instrument the gamba, as Duncan picks up a fretless banjo, all of them backing a vocal duet between Thile and Aoife O'Donovan of Crooked Still. Meyer moves to piano for the slow, thoughtful Franz and the Eagle, another piece that has more of a classical bent.


    The rest of the album is in a progressive bluegrass mode, Less Is Moi mixing several short themes and allowing room for improvisation, and 13:8 taken quickly, with Duncan and Thile interacting briskly. It doesn't really seem as if 100 things had to go right for The Goat Rodeo Sessions to work; it only required four or five talented musicians to play and sing in sympathetic unity, and that they did, making this a satisfying experience for more adventurous classical and bluegrass fans.

    LP1
    1. Attaboy
    2. Quarter Chicken Dark
    3. Helping Hand
    4. Where's My Bow?
    5. Here and Heaven
    6. Franzand the Eagle


    LP2
    1. Less is Moi
    2. Hill Justice
    3. No One But You
    4. 13:8
    5. Goat Rodeo

    Yo-Yo Ma
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Ash & Clay The Ash & Clay Quick View

    $19.99
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    The Ash & Clay

    The Ash & Clay culminates a whirlwind first year of the Milk Carton Kids' existence. In that short time the duo of Kenneth Pattengale and Joey Ryan have built a vibrant following with the simple purity of their music: touring with the Lumineers, Old Crow Medicine Show, Punch Brothers, and KD Lang; appearing on NPR's Tiny Desk concert series; charming audiences with their deadpan on-stage humor (riffing on the Smothers Brothers for young fans who have never heard of the Smothers Brothers); offering their debut album for free to willing fans - over 110,000 downloaded - from their website; and grabbing press acclaim usually reserved for veteran artists. A sweetly dazzling variation on closeharmony vocals, part Simon and Garfunkel and part Everly Brothers, with occasional acoustic prestidigitation," proclaimed The New York Times. With three new Milk Carton Kids songs - "Snake Eyes," "The Ash & Clay" and "The Jewel of June" - featured in the new Gus Van Sant film Promised Land starring Matt Damon, 2013 looks to be a big year for these Kids.


    This LP contains a CD of the full album.

    1. Hope Of A Lifetime
    2. Snake Eyes
    3. Honey, Honey
    4. Years Gone By
    5. The Ash & Clay
    6. Promised Land
    7. The Jewel Of June
    8. Whisper In Her Ear
    9. On The Mend
    10. Heaven
    11. Hear Them Loud
    12. Memphis
    The Milk Carton Kids
    $19.99
    Vinyl LP - Sealed Buy Now
  • Sara Watkins Sara Watkins Quick View

    $24.99
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    Sara Watkins

    Sara Watkins self-titled debut, eagerly anticipated by the significant fan base shes built after nearly two decades as fiddle player and vocalist for Grammy Award-winning trio Nickel Creek, boasts an easygoing virtuosity. The youthful Watkins, who joined Nickel Creek when she was barely in her teens, displays formidable skill as a multi- instrumentalist, playing the guitar and ukelele as well as the fiddle, and is just as versatile, and breathtakingly mature, as a singer. Watkins incorporates folk, country, gospel, and pop into her 14-song set, produced by former Led Zeppelin bassist John Paul Jones and recorded in Los Angeles and Nashville. Shes joined by a wide range of old friends and longtime heroes, including alt-country duo Gillian Welch and Dave Rawlings, Tom Petty and the Heartbreakers keyboardist Benmont Tench, and Elvis Costello drummer Pete Thomas; colleagues from the bluegrass world like Tim OBrien, Punch Brothers Chris Eldridge, Ronnie McCoury, and Rayna Gellert; and Nickel Creek band-mates Chris Thile and Sean Watkins.


    Watkins mixes eight of her own songs with tunes by such artists as John Hartford, Tom Waits, and Davíd Garza. Her self-penned fiddle numbers are exuberant, foot-stomping instrumentals, while the songs for which she wrote both music and lyrics have a heart-meltingly lovelorn quality. Watkins knows how to channel in her own work the plaintive emotions of classic country and timeless pop. Theres honesty and empathy on tracks like the sweetly soulful My Friend, the brooding Bygones, and rueful album closer, Where Will You Be. She proves to be as astute as Emmylou Harris or Linda Ronstadt in her choice of covers, segueing gracefully from the aforementioned Waits, Garza and Hartford to the lighthearted country-and-western swing of Jimmie Rodgerss Any Old Time, to the world-weariness and spiritual yearning of Norman Blakes Lord Wont You Help Me, to the romantic wistfulness of Jon Brions Same Mistakes.

    1. All This Time
    2. Long Hot Summer Days
    3. My Friend
    4. Freiderick
    5. Same Mistakes
    6. Any Old Time
    7. Pony
    8. Lord Wont You Help Me
    9. Jefferson
    10. Give Me Jesus
    11. Bygones
    12. Too Much
    13. Will We Go
    14. Where Will You Be
    Sara Watkins
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Who's Feeling Young Now? Who's Feeling Young Now? Quick View

    $24.99
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    Who's Feeling Young Now?

    Punch Brothers release their new album, Whos Feeling Young Now?, on vinyl March 20. Completed over three weeks at Blackbird Studios in Nashville, the record was produced by Grammy Award winner Jacquire King (Kings of Leon, Tom Waits, Modest Mouse). Whos Feeling Young Now? is the follow-up to 2010s Grammy-nominated Antifogmatic, about which the New York Times said: Punch Brothers have the unplugged lineup of an old-fashioned string band But their music is as radical as new acoustic music can be.


    Ten songs from Whos Feeling Young Now? were written by Punch Brothers, with the bands friend Josh Ritter co-writing lyrics on two tunes (Hundred Dollars and New York City). Additionally, the album contains the bands interpretations of Radioheads Kid A and the Swedish group VÄsens Flippen. The vinyl album was pressed on two discs of 140-gram, audiophile-quality vinyl and includes four additional Punch Brotherspenned tunes. Pre-orders include an instant download of the album track Movement and Location and an exclusive set of five custom Punch Brothers paper coasters illustrated by New Yorker cartoonist Matthew Diffee, signed by the band.


    Punch Brothers was formed in 2006 by mandolinist/singer Chris Thile with four other virtuosic musicians: fiddler Gabe Witcher, banjo player Noam Pikelny, bassist Paul Kowert, and guitarist Chris Critter Eldridge. Their first Nonesuch record, Punch, was released in 2008 and combined elements of the bands many musical interests, including indie rock, folk, jazz, bluegrass, and classical music. In 2009 they all moved to New York City and began a regular, standing-room-only, residency at the Living Room, trying out new songs as well as inspired covers; these shows ultimately spawned Antifogmatic.


    Whos Feeling Young Now? is less evasive than Antifogmatic and Punch, said Thile. And I feel like part of that is us becoming more comfortable with who we are as a band, and me becoming more comfortable with who I am as a singer.

    LP1
    1. Movement and Location
    2. This Girl
    3. No Concern of Yours
    4. Who's Feeling Young Now?
    5. Clara
    6. Flippen (The Flip)
    7. Patchwork Girlfriend
    8. Hundred Dollars


    LP2
    1. Soon or Never
    2. New York City
    3. Kid A
    4. Don't Get Married Without Me
    5. Roses Blooming in the Dark
    6. Moonshiner
    7. Knock Me Down
    8. Shh, Just Let Me Do This

    Punch Brothers
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Phosphorescent Blues The Phosphorescent Blues Quick View

    $39.99
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    The Phosphorescent Blues

    \After working with Burnett numerous times-most recently on the soundtrack for the Joel and Ethan Coen film Inside Llewyn Davis and the related Town Hall/Showtime concert Another Day, Another Time-Punch Brothers decided to join forces with the multiple Grammy Award-winning producer for their new record. Last summer, the band and Burnett spent a month at Hollywood's Ocean Way Recording laying down the songs that guitarist Chris Eldridge, bassist Paul Kowert, banjo player Noam Pikelny, mandolinist and lead singer Chris Thile, and fiddler Gabe Witcher had written during several writing "retreats" last winter and spring.


    Thile explains one of the ways the music on The Phosphorescent Blues reflects the band's view of modern life: "We often go to bars after shows or writing sessions, to be around other people for a little while. And I'd see people just like me on their phones, telling people they wish they were there, texting people who really are there. Then a song would come on that somebody likes and then they see that someone else does too and maybe they both sing it together and that moment is spiritual, some shared experience, and they are interacting in the flesh, with their fellow man. And that's communion. Many of the songs on this record dive into that: how do we cultivate beautiful, three-dimensional experiences with our fellow man in this day and age?"


    Shortly before the sessions began, Thile and Witcher met with Burnett and discovered the producer had the very same things on his mind. In fact, he'd just given a commencement address at the University of Southern California on the subject of technology and human interaction. Witcher remembers, "Thile and I looked at each and said, 'This is unbelievable. It's exactly what we are writing about.' So this was a perfect, serendipitous union."

    LP 1
    1. Familiarity
    2. Julep
    3. Passepied (Debussy)
    4. I Blew It Off
    5. Magnet
    6. My Oh My


    LP 2
    1. Boll Weevil
    2. PrÉlude (Scriabin)
    3. Forgotten
    4. Between 1st and A
    5. Little Lights
    6. Sleek White Baby
    7. Clementine
    8. The Hops of Guldenberg
    9. The Wireless

    Punch Brothers
    $39.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Ahoy! Ahoy! Quick View

    $13.99
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    Ahoy!

    Nonesuch Records releases Punch Brothers' five-song EP, Ahoy! Recorded during the Nashville sessions for their critically acclaimed 2012 album, Who's Feeling Young Now?, these tracks also were produced by Jacquire King (Kings of Leon, Tom Waits, Modest Mouse). The Los Angeles Times said Who's Feeling Young Now?'s "rich and evocative tracks capture a white-hot musical mind coming into his own and collaborating with stellar peers," and Rolling Stone said, "The acoustic framework dazzles-wild virtuosity used for more than just virtuosity."
    1. Another New World
    2. Down Along the Dixie Line
    3. Moonshiner
    4. Squirrel of Possibility
    5. Icarus Smicarus
    Punch Brothers
    $13.99
    10 Vinyl LP - Sealed Buy Now
  • Tomorrow Is My Turn Tomorrow Is My Turn Quick View

    $22.99
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    Tomorrow Is My Turn

    Rhiannon Giddens, singer, songwriter, multi-instrumentalist, and founding member of Grammy Award-winning Carolina Chocolate Drops, makes her solo recording debut with Tomorrow Is My Turn, due out on Nonesuch Records. (The vinyl will follow on March 3.) The album was produced by T Bone Burnett.


    Burnett first worked with Giddens when she performed last fall at a concert he curated at New York City's Town Hall that was later broadcast on Showtime: Another Day, Another Time: Celebrating the Music of "Inside Llewyn Davis." Backstage, Burnett was immediately moved to ask if he could produce a record with her. "It was clear the first time I heard her at rehearsal that Rhiannon is next in a long line of singers that include Marian Anderson, Odetta, Mahalia Jackson, Rosetta Tharpe," Burnett says. "We need that person in our culture."


    For her first solo disc, Giddens chose a broad range of songs from genres as diverse as gospel, jazz, blues, and country. In addition to the traditional "Black Is the Color," tracks include Hank Cochran's "She's Got You," made famous by Patsy Cline; Dolly Parton's "Don't Let It Trouble Your Mind"; "O Love Is Teasin'," popularized by the Kentucky-reared "mother of folk" Jean Ritchie; and Elizabeth Cotton's "Shake Sugaree."


    "I had already started putting together a list of songs that didn't really fit into the Chocolate Drops world," Giddens explains. "At the top was 'Tomorrow Is My Turn' [immortalized by Nina Simone]. Seeing Nina do it on YouTube was revelatory. I knew she'd gone through a lot of hard times, as so many people did in that time period. Watching her sing this song, with the words 'tomorrow is my turn,' I began to think about the struggle of her and women like her." The significance of this song led Giddens to make it the title of the album as well. "Other songs started getting on my list and they were all by women or interpreted by women," she says.


    Tomorrow Is My Turn was recorded in Los Angeles and Nashville, with a multi-generational group of players whom Burnett assembled. Among them are fiddle player Gabe Witcher and double bassist Paul Kowert of label-mates Punch Brothers; percussionist Jack Ashford of Motown's renowned Funk Brothers; drummer Jay Bellerose; guitarist Colin Linden; legendary backup singer Tata Vega; veteran Nashville session bassist Dennis Crouch; and Giddens' Drops touring band-mates, multi-instrumentalist Hubby Jenkins and beat-boxer Adam Matta.


    Tomorrow Is My Turn follows Giddens' work with Elvis Costello, Taylor Goldsmith, Jim James, and Marcus Mumford on Lost On The River: The New Basement Tapes, an album also produced by Burnett that was released in November 2014. Her contribution was hailed by Rolling Stone magazine as the "showstopper evoking antebellum blues with a magnificent voice that interrogates the myths stirred up at Big Pink." The New York Times agreed, saying "On lead vocals she's the album's revelation, singing melodies that hark back to Celtic modes with a decisive presence and a haunting grace."

    1. Last Kind Words
    2. Don't Let It Trouble Your Mind
    3. Waterboy
    4. She's Got You
    5. Up Above My Head
    6. Tomorrow is My Turn
    7. Black Is the Color
    8. Round About the Mountain
    9. Shake Sugaree
    10. O Love Is Teasin'
    11. Angel City
    Rhiannon Giddens
    $22.99
    Vinyl + CD - Sealed Buy Now
  • Chris Thile & Brad Mehldau Chris Thile & Brad Mehldau Quick View

    $27.99
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    Chris Thile & Brad Mehldau

    Nonesuch Records labelmates mandolinist/singer Chris Thile and pianist Brad Mehldau, longtime admirers of each other's work, first toured as a duo in 2013. At the end of 2015, they played a two-night stand at New York City's Bowery Ballroom before going into the studio to record Chris Thile & Brad Mehldau, a mix of covers and original songs.


    Chris Thile and Brad Mehldau come from different worlds but the same species, says the New York Times. Mr. Thile is a progressive-bluegrass pacesetter; Mr. Mehldau is the most influential jazz pianist of the last 20 years. Both are team players ... Both love Bach and the Beatles, and both have developed fan bases bigger and broader (and younger) than their genre silos can accommodate.


    The two musicians first performed together in September 2011 as part of Mehldau's residency at London's Wigmore Hall. The Guardian said of that performance, Mehldau struck up his signature rocking chord vamp over which lightly struck motifs swell to sensuous extended melodies. Thile kept cajoling him with percussive snaps, flying runs, and chords strummed fast enough to sound as seamless as a purring strings section, inducing Mehldau to bat back the playful provocation with stinging rejoinders.


    MacArthur Fellow and A Prairie Home Companion host Chris Thile is the founding member of Punch Brothers, which a Boston Globe reviewer called the tightest, most impressive live band I have ever seen. The band has released four albums on Nonesuch beginning in 2008: Punch, Antifogmatic, Who's Feeling Young Now?, and The Phosphorescent Blues. Thile's other releases on the label include Sleep with One Eye Open with Michael Daves; Edgar Meyer & Chris Thile and Bass & Mandolin-the latter of which won a Grammy Award; a solo record of Bach violin sonatas and partitas; and A Dotted Line with his longtime band Nickel Creek. He also recently collaborated with Yo-Yo Ma, Stuart Duncan, and Edgar Meyer on the double Grammy Award-winning album The Goat Rodeo Sessions.


    Brad Mehldau's Nonesuch debut was the 2004 solo disc Live in Tokyo and includes six records with his trio: House on Hill, Day Is Done, Brad Mehldau Trio Live, Ode, Where Do You Start, and Blues and Ballads. His collaborative records on the label include Love Sublime, Highway Rider, Metheny Mehldau, Metheny Mehldau Quartet, Modern Music, and Mehliana: Taming the Dragon. Mehldau's additional solo albums on Nonesuch include Live in Marciac and last year's 8-LP/4-CD 10 Years Solo Live, which the New York Times says contains some of the most impressive pianism he has captured on record. Earlier this year, he released a duo album with Joshua Redman, Nearness, of which the Wall Street Journal said: Few records released this year better define what jazz sounds like today, even if there isn't a hip noun to describe it.

    1. The Old Shade Tree (Brad Mehldau & Chris Thile)
    2.Tallahassee Junction (Brad Mehldau)
    3. Scarlet Town (David Rawlings & Gillian Welch)
    4. I Cover the Waterfront (Johnny Green & Edward Heyman)
    5. Independence Day (Elliott Smith)
    6. Noise Machine (Chris Thile)
    7. The Watcher (Brad Mehldau)
    8. Daughter of Eve (Chris Thile)
    9. Fast As You Can (Fiona Apple)*
    10. Marcie (Joni Mitchell)
    11. Don't Think Twice It's Alright (Bob Dylan)
    12. Tabhair dom do Lámh (Ruaidri Dáll Ó Catháin)


    *Vinyl-only bonus track

    Chris Thile & Brad Mehldau
    $27.99
    Vinyl LP - Sealed Buy Now
  • Della Mae Della Mae Quick View

    $21.99
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    Della Mae

    With an approach that's steeped in tradition yet firmly rooted in the present, Della Mae draws from a well of
    influences to create vibrantly original music that conveys their expansive musical vision with timeless lyrical truths and a contemporary sensibility all their own, placing them alongside such young acts as the Avett Brothers, Punch Brothers, and the Lumineers. Produced by Jacquire King (Of Monsters and Men, Dawes, Kings of Leon), this is the all-female combo's 2nd album for Rounder.
    1. Boston Town
    2. Rude Awakening
    3. Can't Go Back
    4. For the Sake of my Heart
    5. Good Blood
    6. To Ohio
    7. Shambles
    8. Take One Day
    9. Long Shadow
    10. No Expectations
    11. High Away Gone
    Della Mae
    $21.99
    Vinyl LP - Sealed Buy Now
  • Lanterns Lanterns Quick View

    $22.99
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    Lanterns

    Equal parts producer and composer, Son Lux (aka Ryan Lott) bridges an unusual
    gap between old-world music theory and next-level experimentation. Meditative
    but heaving with energy, "Lanterns" nds a peculiar congruency between
    futuristic soul and ancient sentiment. Driving orchestral electronica (Lost It To
    Trying, No Crimes) is placed alongside creepy minimalism (Pyre), often starkly
    juxtaposing densely layered arrangements with Lott's fragile voice.


    In recent past Son Lux has gained notoriety both for his s/s/s project (with
    Sufjan Stevens and Serengeti), and from being named NPR's "Best New Artist of
    the Year". His third full-length album, and his rst for Joyful Noise (Kishi Bashi,
    Sebadoh, etc.), positions Son Lux at the helm of an impressive ensemble of
    instrumentalists and singers, including Chris Thile (The Punch Brothers), Peter
    Silberman (The Antlers), DM Stith, Lily & Madeleine, Darren King (Mutemath),
    Ieva Berberian (Gem Club) and yMusic (Dirty Projectors, Bon Iver).

    1. Alternate World
    2. Lost It To Trying
    3. Ransom
    4. Easy
    5. No Crimes
    6. Pyre
    7. Enough of Our Machines
    8. Plan The Escape
    9. Lanterns Lit
    Son Lux
    $22.99
    Vinyl LP - Sealed Buy Now
  • Bach: Sonata and Partitas, Vol. 1 Bach: Sonata and Partitas, Vol. 1 Quick View

    $20.99
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    Bach: Sonata and Partitas, Vol. 1

    Nonesuch Records releases an album of three Bach works recorded by mandolin virtuoso and MacArthur Fellow Chris Thile in 2013. Bach: Sonatas and Partitas, Vol. 1 comprises three works written for solo violin: Sonata No. 1 in G minor, BWV 1001; Partita No. 1 in B minor, BWV 1002; and Sonata No. 2 in A minor, BWV 1003. The album was produced by Thile's friend, mentor, and frequent collaborator, the double bassist and composer Edgar Meyer.


    Thile explains his connection to the composer: "Bach was my first meaningful experience with-for lack of a better word-classical music. It was the second recording of Glenn Gould playing the Goldberg Variations. Gould plays with the kind of rhythmic integrity that I had previously only associated with non-classical music: music with a groove, with a pocket, that made you move. Gould was playing that music like my heroes play fiddle tunes. It humanized the whole thing for me and the heavens opened up and Bach came down. I started devouring all the Bach I could get my hands on."


    He continues, "This record to me is not about this iconic violin music played on the mandolin-like, 'Oh boy, what fun, he's playing a weird instrument!' It's about Bach being one of the greatest musicians of all time, the solo violin music being some of his best work, and the mandolin having the potential to cast it in a new and hopefully interesting light.


    Chris Thile, whom London's Independent calls "the most remarkable mandolinist in the world," is the founding member and lead vocalist of Punch Brothers. With broad influences including progressive bluegrass, classical, rock, and jazz, Thile transcends the borders of conventionally circumscribed genres, creating a distinctly American canon and a new musical aesthetic. Thile will be touring this summer with Yo-Yo Ma, Stuart Duncan, and Edgar Meyer, with whom he released last year's The Goat Rodeo Sessions, which won two Grammys in 2013.


    As a soloist, Thile has released five previous albums. In 2011, Nonesuch Records released the Grammy-nominated Sleep with One Eye Open, an album of duets with guitarist Michael Daves. Thile has also collaborated with a pantheon of musical innovators from multiple genres including BÉla Fleck, Brad Mehldau, and Hilary Hahn. For more than 15 years, Thile played in the wildly popular band Nickel Creek, with which he released three albums, sold two million records, and was awarded a Grammy.


    The New Yorker's Alec Wilkinson said of Punch Brothers: "each musician has a deep command of his instrument their technique and specific sensibilities have given Punch Brothers a sound that is strikingly coherent and singular, even if they haven't yet settled on a genre Each of the musicians plays with grace, thoughtfulness, and force to a degree that is not duplicated by any band I am aware of." Their latest album, the critically acclaimed Who's Feeling Young Now?, was released in 2012 on Nonesuch Records.


    MUSICIANS

    Chris Thile, mandolin


    PRODUCTION CREDITS

    Produced by Edgar Meyer

    Recorded and Mixed by Richard King

    Recorded January 12-17, 2013, at The Barn, Washington, MA

    Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland ME


    Illustration by Oliver Jeffers

    Design by Rory Jeffers

    Photography by Ryan Mastro


    Executive Producer: Robert Hurwitz

    1. Sonata No. 1 in G Minor, BWV 1001: I. Adagio
    2. Sonata No. 1 in G Minor, BWV 1001: II. Fuga: Allegro
    3. Sonata No. 1 in G Minor, BWV 1001: III. Siciliana
    4. Sonata No. 1 in G Minor, BWV 1001: IV. Presto
    5. Partita No. 1 in B Minor, BWV 1002: I. Allemanda
    6. Partita No. 1 in B Minor, BWV 1002: II. Double
    7. Partita No. 1 in B Minor, BWV 1002: III. Corrente
    8. Partita No. 1 in B Minor, BWV 1002: IV. Double: Presto
    9. Partita No. 1 in B Minor, BWV 1002: V. Sarabande
    10. Partita No. 1 in B Minor, BWV 1002: VI. Double
    11. Partita No. 1 in B Minor, BWV 1002: VII. Tempo di Borea
    12. Partita No. 1 in B Minor, BWV 1002: VIII. Double
    13. Sonata No. 2 in A Minor, BWV 1003: I. Grave
    14. Sonata No. 2 in A Minor, BWV 1003: II. Fuga
    15. Sonata No. 2 in A Minor, BWV 1003: III. Andante
    16. Sonata No. 2 in A Minor, BWV 1003: IV. Allegro
    Chris Thile
    $20.99
    Vinyl LP - Sealed Buy Now
  • Violence and Orchids Violence and Orchids Quick View

    $22.99
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    Violence and Orchids

    Nonesuch Records will release Violence and Orchids, the vinyl edition of Michael Daves's new album, Orchids and Violence. The vinyl edition comprises two versions each of five traditional bluegrass tunes: acoustic takes performed with a band of roots-music innovators-bassist Mike Bub, violinist Brittany Haas, mandolinist Sarah Jarosz, and Punch Brothers banjoist Noam Pikelny-paired with electric rock renditions of the same songs played mostly played by Daves, with his wife Jessi Carter playing bass. It's a roots-music master class, a brilliant example of old modes reinhabited with flair, says the New York Times. To his credit, it can be hard to pick which version of a tune is best. The LP includes a download of the complete Orchids and Violence album.


    The straightforward interpretations of the songs were recorded live to tape in a 19th-century church by Daves. The second disc was recorded in Daves's home studio and includes bass, drums, and electric guitar, and takes a raw, experimental rock approach to the same old-time material. The album was mixed by Vance Powell (Jack White, Kings of Leon, Danger Mouse).


    One of the things I love about bluegrass music is the tension between innovation and tradition, says Daves of the album. When bluegrass came together, it was a fabrication of a variety of influences in American music yet it quickly became something people assume has been around forever. With this project, I can respect and honor the traditional aspects of that but also reflect on the innovative nature of bluegrass music when it was being created, when it was new.


    In the early conceptions of the electric record, I was thinking about it as something of a grunge record, but as it developed it became something pretty different, Daves says. Those sounds that were happening in the early nineties were part of my discovering music, what I was absorbing as I was going out on my own as a guitarist and having my own bands. But when I got into making the record it was much more about the fun of exploring new sounds than reconnecting with some musical past. The album followed a period where I hadn't been playing much electric music, so plugging in felt pretty fresh, like discovering something new.

    1. June Apple (Bluegrass)
    2. June Apple (Electric)
    3. Drunken Hiccups (Electric)
    4. Drunken Hiccups (Bluegrass)
    5. The Dirt That You Throw (Bluegrass)
    6. Darling Corey (Electric)
    7. Darling Corey (Bluegrass)
    8. Elzic's Farewell (Bluegrass)
    9. Elzic's Farewell (Electric)
    10. The Dirt That You Throw (Electric)
    Michael Daves
    $22.99
    Vinyl LP - Sealed Buy Now
  • Young In All The Wrong Ways Young In All The Wrong Ways Quick View

    $19.99
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    Young In All The Wrong Ways

    Young in All the Wrong Ways is Sara Watkins'
    most cohesive and fully realized solo album.
    The new collection finds her embracing the role
    of frontwoman following the collaborations of
    Watkins Family Hour (featuring Sean Watkins,
    Fiona Apple and Benmont Tench) and Nickel
    Creek, the hugely successful group she first
    formed with her brother Sean and Chris Thile.


    The album is also her most powerful. Personal
    and revealing, she wrote or co-wrote each of the
    10 songs-a first for her. It was produced in Los
    Angeles by Gabe Witcher who arranged a stellar
    band including two of his fellow Punch Brothers,
    guitarist Chris Eldridge and bass player Paul
    Kowert, and additional musicians Jon Brion and
    Jay Bellerose. Sarah Jarosz and Aoife O'Donovan,
    Watkins' bandmates in I'm With Her, provide
    harmonies on the title track while Jim James of
    My Morning Jacket guests on "One Last Time."
    Benmont Tench is again featured on keys.


    Sara calls the record "a breakup album with
    myself..." Writing and recording these ten
    intensely soul-baring songs was a mechanism
    to process and mark the last few transformative
    years. The record is about Sara turning the
    page and taking the reins of her own life, in
    both a career and personal sense.


    "I looked
    around and realized that in many ways I wasn't
    who or where I wanted to be," Sara says. "It's
    been a process of letting go and leaving behind
    patterns and relationships and in some cases
    how I've considered myself. What these songs
    are documenting is the turmoil you feel when
    you know something has to change and you're
    grappling with what that means. It means you're
    losing something and moving forward into
    the unknown."


    The songs contain some of the
    heaviest moments of her career, with eruptions
    of thrumming B3 organ and jagged electric guitar.
    But it's also quiet, vulnerable, tenderhearted.
    Bold in all the right ways.


    Young in All the Wrong Ways reveals an artist
    who has managed to transform her own turmoil
    into music that is beautiful and deeply moving:
    "God bless the tenderhearted," she sings, "who let
    life overflow."

    1. Young In All The Wrong Ways
    2. The Love That Got Away
    3. One Last Time
    4. Move Me
    5. Like New Year's Day
    6. Say So
    7. Without A Word
    8. The Truth Won't Set Us Free
    9. Invisible
    10. Tenderhearted
    Sara Watkins
    $19.99
    Vinyl LP - Sealed Buy Now
  • Absolution Absolution Quick View

    $24.99
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    Absolution

    With Absolution, Muse continued to expand on their unique rock sound with complex guitars, transition-laden rock anthems and melodic harmonics. Muse also switched gears here with new producer Rich Costey, creating a smoother more polished sound. The album has plenty of punch to satisy their hard core fans, while the musicianship of Absolution garnered critical praise and a new legion of fans who couldn't get enough of the powerful anthemic rock and the mind-blowing live shows the band has become known for. Two regular weight black vinyl discs in gatefold jacket with 2 inserts produced and pressed at Pirates Press.

    1. Intro
    2. Apocalypse Please
    3. Time Is Running Out
    4. Sing for Absolution
    5. Stockholm Syndrome
    6. Falling Away with You
    7. Interlude
    8. Hysteria
    9. Blackout
    10. Butterflies and Hurricanes
    11. Small Print
    12. Endlessly
    13. Thoughts of a Dying Atheist
    14. Ruled by Secrecy
    Muse
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Ellipsis Ellipsis Quick View

    $23.99
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    Ellipsis

    180 Gram Vinyl Record


    As is tradition, writing sessions for the album saw Biffy Clyro - Simon Neil (vocals/guitar) and the Johnstonbrothers James (bass) and Ben (drums) working in the intimate environment of their practice room. They then headed to Los Angeles for recording sessions with producer Rich Costey (Muse, My Chemical Romance, SigurRos). Citing influences as diverse as Tears For Fears' Songs From The Big Chair album, DJ Arca and Deafheaven,Simon Neil has described Ellipsis as more of a punch to the nose than a big cuddle.


    Lyrically, the album's songstackle personal issues with the idea of fighting back a recurring theme. Such themes are also apparent in the album's visceral first single Wolves of Winter which captures BiffyClyro's famous blend of angular riffs, pummelling rhythms and strident hooks. Says Neil: 'Wolves of Winter' isabout us being wolves on a patch and if you come onto that patch, we'll tear you limb-from-limb.


    An Ellipsis (most commonly depicted as ...) indicates a continuation: in this case, Biffy Clyro's new body of workis an ongoing representation of everything that the band have stood for since first debuting in 2002 with theBlackened Sky album.

    Biffy Clyro
    $23.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Eat A Peach Eat A Peach Quick View

    $49.99
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    Eat A Peach

    Allman Brothers Band Eat a Peach on Numbered Limited Edition 180 Gram 2LP from Mobile Fidelity


    1972 Double LP Split Between Live and Studio Fare


    Last Appearance of Fallen Member Duane Allman on an Official Release


    Sonic Spectacular: Mastered from the Original Master Tapes, Mobile Fidelity Edition Captures Grit of Live Tracks and Organic Soul of Studio Cuts


    Includes Standout 33-Minute-Plus Epic "Mountain Jam"


    Features Complete, Accurate Reproduction of Gatefold Artwork


    Tributes to fallen icons don't come any more poignant or illustrative than Eat a Peach. Released in early 1972, slightly more than three months after guitarist Duane Allman died in a motorcycle accident, the double album honors the musician via sides he recorded in the studio as well as several live performances that didn't fit on the mammoth At Fillmore East. The Allman Brothers Band, determined to press on, also contributes a trio of songs completed after their soulmate's passing. Its execution is near perfect, its concept timeless.


    Mastered from the original master tapes and pressed on dead-quiet vinyl RTI, Mobile Fidelity's 180 gram 2LP of Eat a Peach joins the unparalleled reissue imprint's other Allman titles in presenting the superlative ensemble's work in the most lifelike, uncompromising fidelity possible. Not only is the punch of the concert fare transmitted with full-range dynamics and realistic spaciousness, but the studio cuts-in particular, the acoustically framed "Melissa" and "Little Martha"-come through with astounding clarity and body, replete with textural richness that affords listeners images of fingers on frets and sticks hitting drum skins.


    In all probability, the Allman Brothers Band would've leapt to the fore of music's commercial and critical elite had it not been for Duane's fateful motorcycle accident that altered history and the trajectory of the group's course. A statement of purpose and homage, Eat a Peach extends the guitarist's legacy in the form of three heart-racing live tunes recorded at Fillmore East, none more important than the nearly 34-minute harmonic showcase "Mountain Jam." Begun at the end of "Whipping Post" during the final show of the group's four-gig stand, the tour de force improvisation finds the band at the peak of its telepathic aural and communicative capacities.


    Not that the three studio originals with Duane are by any means forgettable. "Blue Sky" epitomizes the gorgeously elegant colors with which the late virtuoso could paint while the heart-stopping sentimental feel of "Little Martha" finds just he and Dickey Betts engaged in spiritual communion. To this extent, the band continues a mellower vibe on the hit "Melissa," a country-rock ballad that taps into a melancholy feel largely courtesy of Gregg Allman's weary vulnerability and Betts' lyrical, slap-back-echoing guitar lines.


    Yet nothing here eclipses the direct meaning and steadfast intent of the record-opening "Ain't Wastin' Time No More," a defiant showing of unity and understated anthem with which the band seemed to embrace as a motto. No one knew, however, that fate would again subvert the group's plans even if it could never take away the magic held within Eat a Peach, sonic and lyrical sorcery that extends to the legendary gatefold-artwork mural.


    This title is not eligible for discount.

    1. Ain't Wastin' Time No More
    2. Les Brers in A Minor
    3. Melissa
    4. Mountain Jam
    5. One Way Out
    6. Trouble No More
    7. Stand Back
    8. Blue Sky
    9. Little Martha
    The Allman Brothers Band
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Back To Higher Ground Back To Higher Ground Quick View

    $13.99
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    Back To Higher Ground

    Blue Vinyl LP


    The Briggs play brash American cockney punk anthems that come complete with union-made sing-alongs and ear-splitting riffs. They are the kind of songs that would make Joe Strummer shed a tear of pride and Shame McGowamn raise a glass to salute brothers Joe and Jason LaRocca's rollicking sense of spunk and bravado. In their own inimitably slick and sneering ways, the Los Angeles four-piece demonstrates the spirit of punk is alive and well and thriving on the West Coast. With their third full-length, Back to Higher Ground, now on vinyl for the first time, the Briggs bring angularity to their gut-punching assault.

    1. Back To Higher Ground

    2. Let Them Know

    3. Song Of Babylon

    4. Common & Unknown

    5. Maritime Tragedies

    6. Everyone's An Actor

    7. Wasting Time

    8. Insane

    9. My Own Enemy

    10. Harder To Stand

    11. Blacklist

    12. Don't Care

    The Briggs
    $13.99
    Colored Vinyl LP - Sealed Buy Now
  • Smith Westerns Smith Westerns Quick View

    $16.99
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    Smith Westerns

    Rummaging through 1970s glam, Phil Spector teen-pop, and Nuggets garage-punk with the youthful abandon of kids finding new toys in the attic, the Smith Westerns' self-titled debut exudes an earnestness almost as pure as its recording levels are deafening. Their simple, sweet choruses about boys and girls in love could spike the punch at a 1970s TV show school dance.


    When singing guitarist Cullen Omori, his bassist brother Cameron, second guitarist Max Kakacek, and a drummer known as Hal have the tunes to make themselves heard over their vintage aesthetic, The Smith Westerns' teenage kicks are hard to beat. Take string-swept glam ballad Be My Girl. which softly punctuates one of the year's most wrenchingly innocent hooks with somewhat risque pick-up lines. There's less lyrical subtext, but no less raunchy production, on the glam-rock boogie of Girl in Love, a come-on cursorily addressing the fleetingness of youth. It's only fitting that the Smith Westerns both look and sound like the Black Lips' good-bad not-evil twins.


    These guys are sort of literally true to their school, garage-rocker Miss Alex White is a fellow Northside College Prep magnet-school alum, and their time on the road with the likes of Jay Reatard and Nobunny is evident on fine 60s-style frat-rocker Gimme Some Time. With fuzzed-out xylophone, frenetic opener Dreams suggests the group's most recent tour with Girls and Los Campesinos! might serve them better for a follow-up. Diamond Boys almost earns its piano on the strength of its adolescent grandiosity, but We Stay Out lets lo-fi become the end rather than the means, with a guitar line that sounds like a bee buzzing underwater.

    1. Dreams
    2. Boys Are Fine
    3. Gimme Some Time
    4. Girl In Love
    5. We Stay Out
    6. Tonight
    7. Be My Girl
    8. The Glam Goddess
    9. Diamond Boys
    10. My Heart
    Smith Westerns
    $16.99
    Vinyl LP - Sealed Buy Now
  • Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (Out Of Stock) Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (Out Of Stock) Quick View

    $44.99
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    Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (Out Of Stock)

    A one-night-only concert was held at New York City's Town Hall last fall, to celebrate the music of the Coen brothers film Inside Llewyn Davis. The evening was filmed for a documentary that was broadcast by Showtime last winter, and now Nonesuch Records releases a live recording of the concert, Another Day, Another Time: Celebrating the Music of "Inside Llewyn Davis,"on January 13, 2015. The concert, documentary, and live album were produced by Inside Llewyn Davis writer/director/producers Joel and Ethan Coen and soundtrack producer T Bone Burnett. (Nonesuch also released the film's soundtrack.)


    As Burnett explains, "Inside Llewyn Davis was filled with live performances of some of the folk songs that had survived the McCarthy hearings. Some of the songs were a hundred years old; some had just been written but sounded a hundred years old. In order to get attention for a film that was not exactly on the beat we decided to throw a concert featuring the actors and musicians who had performed in the movie and on the soundtrack. We also invited members of the extraordinary community of musicians who have coalesced around this old music-and have kept it alive in the wake of the most recent technological revolution-to join us that night. We asked them to perform an old song and one of their new songs.


    He continues, "Several new stars emerged from their performances that evening-The Secret Sisters, Lake Street Dive, The Milk Carton Kids, Rhiannon Giddens, and Punch Brothers all proved themselves as good as the best as they took the stage next to Hall of Famers Joan Baez and Elvis Costello, and established younger artists like The Avett Brothers, Colin Meloy, Marcus Mumford, Conor Oberst, Willie Watson, Gillian Welch, and Jack White." In fact, T Bone Burnett has since produced albums by both Punch Brothers and Rhiannon Giddens, which will be released shortly after Another Day, Another Time.


    Huffington Post called Another Day, Another Time "one of those only-in-New-York events," while Rolling Stone said it was "a bustling salute to the sounds and the idea of Sixties folk music," and continued, "For all the formality of the night, which was exceedingly well-paced and organized, the concert recalled a time when one or two people, bearing one or two unplugged instruments, could be as enthralling as the greatest rock or EDM track."

    1. Tumbling Tumbleweeds - Punch Brothers
    2. Rye Whiskey - Punch Brothers
    3. Will the Circle Be Unbroken - Punch Brothers, Gillian Welch, Dave Rawlings
    4. The Way It Goes - Gillian Welch & Dave Rawlings
    5. The Midnight Special - Gillian Welch, Dave Rawlings, Willie Watson
    6. I Hear Them All/This Land Is Your Land - Gillian Welch, Dave Rawlings, Willie Watson
    7. New York - The Milk Carton Kids
    8. Tomorrow Will Be Kinder - Secret Sisters & Punch Brothers
    9. You Go Down Smooth - Lake Street Dive
    10. Please Mr. Kennedy - Elvis Costello, Oscar Isaac, Adam Driver
    11. Four Strong Winds - Conor Oberst, Gillian Welch, Dave Rawlings
    12. Man Named Truth - Conor Oberst, Gillian Welch, Dave Rawlings
    13. Blues Run the Game - Colin Meloy
    14. Joe Hill - Colin Meloy, Gillian Welch, Joan Baez
    15. All My Mistakes - The Avett Brothers
    16. That's How I Got to Memphis - The Avett Brothers
    17. Head Full of Doubt/Road Full of Promise - The Avett Brothers
    18. Mama's Angel Child - Jack White
    19. Did You Hear John Hurt? - Jack White
    20. We're Going to Be Friends - Jack White
    21. Waterboy - Rhiannon Giddens
    22. 'S iomadh rud tha dhìth orm / Ciamar a nì mi 'n dannsa dìreach - Rhiannon Giddens
    23. Hang Me, Oh Hang Me - Oscar Isaac, Punch Brothers, Secret Sisters
    24. Green, Green Rocky Road - Oscar Isaac
    25. Tomorrow Is a Long Time - Keb Mo
    26. Rock Salt & Nails - Bob Neuwirth
    27. The Auld Trianole - Punch Brothers & Marcus Mumford
    28. Didn't Leave Nobody but the Baby - Carey Mulligan, Gillian Welch, Rhiannon Giddens
    29. Which Side Are You On? - Elvis Costello, Joan Baez, Chris Thile
    30. House of the Rising Sun - Joan Baez, Dirk Powell, Marcus Mumford
    31. I Was Young When I Left Home - Marcus Mumford
    32. Fare Thee Well (Dink's Song) - Marcus Mumford, Oscar Isaac, Punch Brothers
    33. Farewell - Marcus Mumford & Punch Brothers
    Various Artists
    $44.99
    Vinyl LP - 3 LPs Sealed Temporarily out of stock
  • The Stand-In (Out Of Stock) The Stand-In (Out Of Stock) Quick View

    $19.99
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    The Stand-In (Out Of Stock)

    Caitlin Rose is back with a new studio album, the follow up to her critically acclaimed debut, Own Side Now. The Stand-In introduces a newfound confidence in Rose, the poise of an experienced songwriter rarely displayed on a sophomore offering. This sense of self-assurance is woven throughout twelve carefully crafted songs with the timeless sound and witty approach to lyricism that has become her signature. Still only 25, the scope of her progression as an artist is palpable from the outset, and Rose herself happily concurs.


    "This album could be considered my first attempt at a high kick," she says, acknowledging Own Side Now as a much more small scale and pared down recording. "We're not aiming to make indie-sounding records. How boring would that be? "Incorporating classic influences from her Nashville roots with a modern pop twist, Caitlin's vocals soar over lyrics that seem to possess the wisdom of an old soul. Crafted with Nashville producers Jordan Lehning and Skylar Wilson (Justin Townes Earle), featuring two songs co-written with Gary Louris (The Jayhawks), The Stand-In came together and took form as a team effort, strengthened by a longtime friendship with band mates Jeremy Fetzer and Spencer Cullum.


    Inspired by classic country musicians, misunderstandings, break ups, mystical landmarks and the constantly evolving landscape of the Nashville music scene, The Stand-In is an ambitious record, a testament to Rose's bold approach and strength as a songwriter. With a trademark punch that the New York Times once likened to a young "Patsy Cline learning to howl, Rose's fiery disposition shines through on rollicking tracks like "No One To Call" and "Waitin'," songs that possess a huge sound and a whole lot of character. Never the type to be one-dimensional, Rose wears her heart on her sleeve on candid serenades like "I Was Cruel" and sentimental ballads like "Pink Champagne" or "When I'm Gone."And in true form, Rose includes a brilliant cover on The Stand-In, this time of The Felice Brothers' single, "Dallas."

    1. No One to Call
    2. I Was Cruel
    3. Waitin'
    4. Only a Clown
    5. Dallas
    6. Pink Champagne
    7. Golden Boy
    8. Silver Sings
    9. Everywhere I Go
    10. When I'm Gone
    11. Menagerie
    12. Old Numbers
    Caitlin Rose
    $19.99
    Vinyl LP - Sealed Temporarily out of stock
  • Lord Willin' (Out Of Stock) Lord Willin' (Out Of Stock) Quick View

    $24.99
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    Lord Willin' (Out Of Stock)

    The first act signed to The Neptunes' newly formed Star Trak label was a Virginia based duo known as the Clipse. The first single Grindin' impacted the streets with its bare boned but infectious drum beat in the same way that Sucker MC's did almost 20 years earlier. These brothers - Pusha T and Malice combined with The Neptunes groundbreaking production sent a clear message to the rap world - we are not the same (as rapped by Malice on his opening verse on Cot' Dam). Clipse brings an authentic Virginia sound into the game and created a movement, with not only their darkly layered raps but The Neptunes as well. Pharrell Williams and Chad Hugo were able to combine their cyberpunk production with just the right group to create a street masterpiece. Following in the footsteps of such rap criminologists as Kool G Rap, Nas, Jay-Z, and Mobb Deep, the Clipse offer the Virginia hustler's viewpoint with clever, hard-hitting lyrics that is sprinkled throughout the entire album.


    With so many standout tracks on Lord Willin' the album starts pulling no punches. On Track 1 simply (or maybe not) titled Intro you get a very personal and deep testament of crack and the drug game, a theme that is throughout this album...HEAVY. Songs like Virginia or I'm Not You (featuring Jadakiss, Styles P and Roscoe P Coldchain), have lyrics that play as a musical notes alongside The Neptunes tailored beats. Young Boy, Comedy Central... all fit perfectly alongside When the Last Time and Cot Dam as each song plays its part as chapters to the Lord Wilin' masterpiece. Gangsta Lean (another one of the albums standout tracks) features a slightly lighter feel while paired with Pharrell's trademark falsetto hook. The truth of it is, it's hard to just pick one track, or point out which is the albums star. Each song on Lord Willin' is essential to making it the classic that it is. The Neptunes (who were busy turning out every other Pop hit on the radio) crafted an album that was deemed an instant classic, and cemented Clipse as Rap's newest superstars.

    1. Intro
    2. Young Boy
    3. Virginia
    4. Grindin'
    5. Cot Damn
    6. Ma, I Don't Love Her
    7. FamLay Freestyle
    8. When The Last Time
    9. Ego
    10. Comedy Central
    11. Let's Talk About It
    12. Gangsta Lean
    13. I'm Not You
    14. Grindin' (Remix)
    15. Grindin' (Selector Remix)
    Clipse
    $24.99
    Vinyl LP -Sealed Temporarily out of stock
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