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  • Queen: The Studio Collection Queen: The Studio Collection Quick View

    $445.00
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    Queen: The Studio Collection

    Colored Vinyl Exclusive To The Box Set


    All 15 Hit Studio Albums Sourced From The Original Master Tapes


    Mastered By Bob Ludwig


    Half-Speed Lacquers Cut At Abbey Road Studios


    Pressed On Heavyweight 180 Gram Colored Vinyl


    Includes A Lavishly Illustrated 108 Page Hardback Book


    15 albums. 18 discs? What's the story?


    Queen always had a special fondness for vinyl, the medium in which they first began to create, around 1970. As a matter of principle, every Queen studio album was offered at the time of original release on vinyl, even well into the era when CD's had taken over as the medium of choice for most of the public. However, the final two albums, 'Innuendo' and 'Made In Heaven' were actually formatted primarily with the CD in mind, with a longer running time, so the contents had to be edited down to fit them on to the two sides of a vinyl album. Now, specially for this edition, for the first time, these two albums have been cut at full length as double vinyl LP's - four sides each - making up a vinyl set that is complete in every way.


    The box-set offers many other special features. Most noticeable is the coloured vinyl: designed for collectors, each album has been given a different colour, in keeping with its original artwork, giving a unique record-deck experience. The colour discs have been custom-produced especially for this set, using new material technology which ensures the sound quality is uncompromised.


    There are more surprises in the box set; 'Queen II' originally never had a designated 'A side' or 'B side' - but 'Side White' and 'Side Black'. For this new edition, the album has been cut on two separate discs, black and white, each with a custom etching on the reverse side, a nice bonus for collectors.


    The collection has been five years in the making. Throughout this time Queen's production team has worked extensively on all stages of this painstaking mastering process. The first step was the tape research; locating and confirming the correct versions and best sources for all tracks. Most notably, Under Pressure, plus five tracks on the 'Innuendo' album, were improved hugely after the discovery of better sources during this period. Particular attention was paid to the original releases to ensure that nothing was lost or changed for the worse by reverting to earlier sources.

    Queen
    1. Keep Yourself Alive
    2. Doin' All Right
    3. Great King Rat
    4. My Fairy King
    5. Liar
    6. The Night Comes Down
    7. Modern Times Rock 'n' Roll
    8. Son and Daughter
    9. Jesus
    10. Seven Seas of Rhye (instrumental)


    Queen II (2 LP)
    1. Procession
    2. Father To Son
    3. White Queen (As It Began)
    4. Some Day One Day
    5. The Loser in The End
    6. Ogre Battle
    7. The Fairy Feller's Master-Stroke
    8. Nevermore
    9. The March of the Black Queen
    10. Funny How Love Is
    11. Seven Seas of Rhye


    Sheer Heart Attack
    1. Brighton Rock
    2. Killer Queen
    3. Tenement Funster
    4. Flick Of the Wrist
    5. Lily of the Valley
    6. Now I'm Here
    7. In the Lap of the Gods
    8. Stone Cold Crazy
    9. Dear Friends
    10. Misfire
    11. Bring Back That Leroy Brown
    12. She Makes Me (Stormtrooper in Stilettos)
    13. In the Lap of the Gods...Revisited


    A Night At the Opera
    1. Death on Two Legs (Dedicated to...)
    2. Lazing On A Sunday Afternoon
    3. I'm In Love With My Car
    4. You're My Best Friend
    5. 39
    6. Sweet Lady
    7. Seaside Rendezvous
    8. The Prophet's Song
    9. Love Of My Life
    10. Good Company
    11. Bohemian Rhapsody
    12. God Save the Queen (instrumental)


    A Day At the Races
    1. Tie Your Mother Down
    2. You Take My Breath Away
    3. Long Away
    4. The Millionaire Waltz
    5. You and I
    6. Somebody To Love
    7. White Man
    8. Good Old Fashioned Lover Boy
    9. Drowse
    10. Teo Torriatte (Let Us Cling Together)


    News Of the World
    1. We Will Rock You
    2. We Are The Champions
    3. Sheer Heart Attack
    4. All Dead, All Dead
    5. Spread Your Wings
    6. Fight From the Inside
    7. Get Down, Make Love
    8. Sleeping On the Sidewalk
    9. Who Needs You
    10. It's Late
    11. My Melancholy Blues


    Jazz
    1. Mustapha
    2. Fat Bottomed Girls
    3. Jealousy
    4. Bicycle Race
    5. If You Can't Beat Them
    6. Let Me Entertain You
    7. Dead On Time
    8. In Only Seven Days
    9. Dreamer's Ball
    10. Fun It
    11. Leaving Home Ain't Easy
    12. Don't Stop Me Now
    13. More of That Jazz


    The Game
    1. Play the Game
    2. Dragon Attack
    3. Another One Bites the Dust
    4. Need Your Loving Tonight
    5. Crazy Little Thing Called Love
    6. Rock It (Prime Jive)
    7. Don't Try Suicide
    8. Sail Away Sweet Sister
    9. Coming Soon
    10. Save Me


    Flash Gordon Soundtrack
    1. Flash's Theme
    2. In the Space Capsule (The Love Theme)
    3. Ming's Theme (In the Court of Ming the Merciless)
    4. The Ring (Hypnotic Seduction of Dale)
    5. Football Fight
    6. In the Death Cell (Love Theme Reprise)
    7. Execution of Flash
    8. The Kiss (Aura Resurrects Flash)
    9. Arboria (Planet of the Tree Men)
    10. Escape From the Swamp
    11. Flash to the Rescue
    12. Vultan's Theme (Attack of the Hawk Men)
    13. Battle Theme
    14. The Wedding March
    15. Marriage of Dale and Ming (and Flash Approaching)
    16. Crash Dive on Mingo City
    17. Flash's Theme Reprise (Victory Celebrations)
    18. The Hero


    Hot Space
    1. Staying Power
    2. Dancer
    3. Back Chat
    4. Body Language
    5. Action This Day
    6. Put Out the Fire
    7. Life Is Real (Song for Lennon)
    8. Calling All Girls
    9. Las Palabras de Amor (The Words of Love)
    10. Cool Cat
    11. Under Pressure (with David Bowie)


    The Works
    1. Radio Ga Ga
    2. Tear It up
    3. It's A Hard Life
    4. Man On the Prowl
    5. Machines (Or Back to Humans)
    6. I Want To Break Free
    7. Keep Passing the Open Windows
    8. Hammer to Fall
    9. Is This the World We Created...?


    A Kind of Magic
    1. One Vision
    2. A Kind of Magic
    3. One Year of Love
    4. Pain Is So Close to Pleasure
    5. Friends Will Be Friends
    6. Who Wants To Live Forever
    7. Gimme the Prize (Kurgan's Theme)
    8. Don't Lose Your Head
    9. Princes of The Universe


    The Miracle
    1. Party
    2. Khashoggi's Ship
    3. The Miracle
    4. I Want It All
    5. The Invisible Man
    6. Breakthru
    7. Rain Must Fall
    8. Scandal
    9. My Baby Does Me
    10. Was It All Worth It


    Innuendo (2LP)
    1. Innuendo
    2. I'm Going Slightly Mad
    3. Headlong
    4. I Can't Live With You
    5. Ride the Wild Wind
    6. All God's People
    7. These Are the Days of Our Lives
    8. Delilah
    9. Don't Try So Hard
    10. The Hitman
    11. Bijou
    12. The Show Must Go On


    Made In Heaven (2LP)
    1. It's A Beautiful Day
    2. Made In Heaven
    3. Let Me Live
    4. Mother Love
    5. My Life Has Been Saved
    6. I Was Born To Love You
    7. Heaven For Everyone
    8. Too Much Love Will Kill You
    9. You Don't Fool Me
    10. A Winter's Tale
    11. It's A Beautiful Day (reprise)
    12. Yeah

    Queen
    $445.00
    180 Gram Audiophile Virgin Vinyl LP Box Set - 18 LPs Sealed Buy Now
  • Forever (Box Set) Forever (Box Set) Quick View

    $79.99
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    Forever (Box Set)


    Limited Edition 4 LP Box Set


    Includes Additional Bonus 12" Single Of William Orbit Mix Of "Let Me In Your Heart Again"


    Having in the three months since its original release already provided Queen with their twenty fifth top ten album and twenty sixth UK gold album, Queen's current best selling compilation package Queen Forever is to receive a special limited edition vinyl release coming this spring.


    The original 36 track 2 CD Queen Forever release will now be made available as a strictly limited 4 LP vinyl box set which includes an additional 12" single bonus disc exclusive to the set featuring a special William Orbit mix of the only recently heard Freddie Mercury track "Let Me In Your Heart Again".


    The Orbit mix was held back from the Forever CD release and only surfaced for a limited period to support the Coca-Cola (RED) AIDS awareness campaign mounted at the tail end of last year.


    The B side of the 12" single has a further bonus feature exclusive to this box set - a laser etching of the box set cover illustration.


    Distinguishing itself as the first Queen album to feature new Freddie Mercury led tracks since the band's 1995 Made In Heaven album, Queen Forever brings out into the light the long anticipated track from Queen and Michael Jackson, 'There Must Be More to Life Than This', an unfinished Mercury-Queen track 'Let Me In Your Heart Again' originating from the band's The Works album recording sessions (featured on this vinyl package in a newly available William Orbit mix) and a new ballad version of Mercury's first solo hit, his Giorgio Moroder collaboration, 'Love Kills', which is currently being heavily played at UK and European radio.


    The rest of the package mixes Queen hits, classic tracks and celebrates the extraordinary musical path of one of the world's greatest rock bands. Reaching back as far as 1974 with fan favourite Nevermore, a Freddie Mercury song originally included on Queen II, Queen Forever progresses to feature songs that spotlight the band's songwriting prowess, studio experimentation and remarkable development, and is completed with latter-day Queen hits, including '91's no. 1 These Are The Days Of Our Lives and '95's Too Much Love Will Kill You, together with the poignant A Winter's Tale, recorded during Freddie Mercury's final Queen recording sessions in Montreux in 1991.


    Queen Forever is a thrilling showcase for exclusive new Queen recordings but equally as much a paean to the extraordinary musical achievements of John Deacon, Brian May, Roger Taylor and the late Freddie Mercury, whose singular talent we again get to marvel at through this meticulously presented 36 track collection.

    LP 1
    1. Let Me In Your Heart Again
    2. Love Kills - the ballad
    3. There Must Be More To Life Than This (William Orbit Mix)
    4. Play The Game
    5. Dear Friends
    6. You're My Best Friend
    7. Love Of My Life
    8. Drowse
    9. You Take My Breath Away
    10. Spread Your Wings


    LP 2
    1. Long Away
    2. Lily Of The Valley
    3. Don't Try So Hard
    4. Bijou
    5. These Are The Days Of Our Lives
    6. Nevermore
    7. Las Palabras De Amor
    8. Who Wants To Live Forever
    9. I Was Born To Love You


    LP 3
    1. Somebody To Love
    2. Crazy Little Thing Called Love
    3. Friends Will Be Friends
    4. Jealousy
    5. One Year of Love
    6. A Winter's Tale
    7. '39
    8. Mother Love


    LP 4
    1. It's A Hard Life
    2. Save Me
    3. Made In Heaven
    4. Too Much Love Will Kill You
    5. Sail Away Sweet Sister
    6. The Miracle
    7. Is This The World We Created ?
    8. In The Lap Of The Gods Revisited
    9. Forever


    Bonus 12" Single
    1. Let Me In Your Heart Again (William Orbit Mix)
    Queen Forever Etching

    Queen
    $79.99
    180 Gram Audiophile Virgin Vinyl LP + 12 Single - 4 LPs Sealed Buy Now
  • News Of The World (40th Anniversary Box Set) News Of The World (40th Anniversary Box Set) Quick View

    $149.99
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    News Of The World (40th Anniversary Box Set)


    Pure Analogue Re-Cut Of The Original Vinyl LP, Direct From The Unmastered Analogue Master Mix Tapes


    Presented In A Facsimile Original Sleeve


    Three Posters And A 60-page Book Of Images


    Original Album On CD, Plus Two Further CDs Of Recently Unearthed Out-Takes And Rarities From The Band's Archives


    Brand New One-Hour DVD Documentary, Queen : The American Dream


    A special box set of Queen's landmark 1977 album News of the World is set for release, marking the 40th anniversary of the original release.


    Originally launched in October 1977, News of the World is one of Queen's biggest selling albums of all time. It opens with two of the band's most indestructible worldwide hits, the Brian May-penned We Will Rock You and Freddie Mercury's We Are The Champions, monumental stadium anthems which remain a staple of major sporting events all around the world to this day. With songs written by all four band members, NOTW, Queen's sixth album, set a new standard in stylistic diversity, from Roger Taylor's proto-punk blast of Sheer Heart Attack to the salacious funk-rock groove workout Get Down Make Love, to the fragrant tropical calypso-pop Who Needs You. News of the World also features the hit Spread Your Wings, the epic rock saga It's Late and Freddie's wistfully romantic My Melancholy Blues.


    The new package includes the original album on CD, plus two further CDs of recently unearthed out-takes and rarities from the band's archives, one of which is a newly created 'alternative' version of the whole album - Raw Sessions.


    For many Queen devotees, this Raw Sessions CD will be the most intriguing component of the new release. Mined deep from long-vaulted studio multi-track tapes, this extraordinary parallel album brings to light never-before-heard alternative versions of each of the album's 11 tracks. Every lead vocal is different, as are most of the lead guitar parts and a great many other instrumental details. Here we experience We Are The Champions anew, with many unfamiliar vocal and instrumental elements, and for the first time at its full-recorded length rather than the edited 1977 album cut. Here also is the chance to discover peak era Freddie Mercury vocals on a track that nobody outside Queen's inner circle has heard him sing before at all - Brian May's All Dead, All Dead. The original album version features May himself on vocals. Roger Taylor's Sheer Heart Attack can be heard with its original long-lost guitar intro and uncut ending. Taylor's other song, Fight From The Inside, is more remarkable in that we hear his demo vocal worked on in his home studio in preparation for the next sessions, 'homework' that all of the band members would regularly carry out. As a point of note, Taylor plays all instruments on these two recordings, except for some lead guitar. In this age of digital leaks and obsessive fan culture, there is already great excitement that these recordings are, in 2017, truly New to the World.


    The third CD in the package, Bonus Tracks, features a feast of previously released but hard-to-find versions of News of the World tracks recorded in concert, for radio shows, or in alternate mixes. Included is the band's entire five-song final live session recorded for BBC Radio in October 1977, seven live performances of NOTW songs, plus rare backing tracks and instrumentals of the Queen classics We Will Rock You, We Are The Champions, Spread Your Wings, Get Down, Make Love and Fight From The Inside. Also on this third disc is the seldom-heard US radio edit of It's Late, making its belated CD debut, and the rowdy stomper Feelings Feelings, which was recorded during the original NOTW sessions but not included on the final album.


    Another outstanding feature of this weighty 40th anniversary box is another first - a pure analogue re-cut of the original vinyl LP, direct from the unmastered analogue master mix tapes. This exceptional album collector's piece is presented in a facsimile original sleeve. There is also a rich selection of NOTW related memorabilia including three posters and a 60-page book of images, mostly previously unseen.


    The package is completed with a brand new one-hour DVD documentary, Queen : The American Dream, created from backstage material filmed during Queen's 1977 USA News of the World tour. In November that year, Queen embarked on another headlining US tour. The highly respected British radio and TV presenter Bob Harris, complete with full film crew, followed their journey as part of a proposed documentary that has remained incomplete and unreleased - until now. The crew had unlimited access to the band on and off stage, in the recording studio and during rehearsals. This one-hour documentary includes superb live footage of Queen at the Houston Summit in December. We also see moments from the birth of We Will Rock You and We Are The Champions, songs that would both earn a place in the Grammy Hall of Fame. Queen : The American Dream is a fascinating behind-the-scenes insight into a young British band at a creative peak, defying the odds as they take the USA by storm.


    For casual fans and Queen connoisseurs alike, the new NOTW package, with its feast of extra material, is manna from Heaven - a bumper haul of buried treasure from a world-beating band in its prime.

    VINYL LP: The Original News of the World Album - new Pure Analogue Cut
    1. We Will Rock You (May)
    2. We Are The Champions (Mercury)
    3. Sheer Heart Attack (Taylor)
    4. All Dead, All Dead (May)
    5. Spread Your Wings (Deacon)
    6. Fight From The Inside (Taylor)
    7. Get Down, Make Love (Mercury)
    8. Sleeping On The Sidewalk (May)
    9. Who Needs You (Deacon)
    10. It's Late (May)
    11. My Melancholy Blues (Mercury)


    CD 1: The Original Album (Bob Ludwig 2011 master)
    1. We Will Rock You (May)
    2. We Are The Champions (Mercury)
    3. Sheer Heart Attack (Taylor)
    4. All Dead, All Dead (May)
    5. Spread Your Wings (Deacon)
    6. Fight From The Inside (Taylor)
    7. Get Down, Make Love (Mercury)
    8. Sleeping On The Sidewalk (May)
    9. Who Needs You (Deacon)
    10. It's Late (May)
    11. My Melancholy Blues (Mercury)


    CD 2: NEWS OF THE WORLD : RAW SESSIONS
    1. We Will Rock You (Alternative Version)
    2. We Are The Champions (Alternative Version)
    3. Sheer Heart Attack (Original Rough Mix)
    4. All Dead, All Dead (Original Rough Mix)
    5. Spread Your Wings (Alternative Take)
    6. Fight From The Inside (Demo Vocal Version)
    7. Get Down, Make Love (Early Take)
    8. Sleeping On The Sidewalk (Live in the USA, 1977)
    9. Who Needs You (Acoustic Take)
    10. It's Late (Alternative Version)
    11. My Melancholy Blues (Original Rough Mix)


    CD 3: NEWS OF THE WORLD : BONUS TRACKS

    1. Feelings Feelings (Take 10, July 1977)
    2. We Will Rock You (BBC Session)
    3. We Will Rock You (Fast) (BBC Session)

    4. Spread Your Wings (BBC Session)
    5. It's Late (BBC Session)
    6. My Melancholy Blues (BBC Session)
    7. We Will Rock You (Backing Track)
    8. We Are The Champions (Backing Track)
    9. Spread Your Wings (Instrumental)
    10. Fight From The Inside (Instrumental)
    11. Get Down, Make Love (Instrumental)
    12. It's Late (USA Radio Edit 1978)
    13. Sheer Heart Attack (Live in Paris 1979)
    14. We Will Rock You (Live in Tokyo 1982)
    15. My Melancholy Blues (Live in Houston 1977)
    16. Get Down, Make Love (Live in Montreal 1981)
    17. Spread Your Wings (Live in Europe 1979)
    18. We Will Rock You (Live at the MK Bowl 1982)
    19. We Are The Champions (Live at the MK Bowl 1982)


    DVD: QUEEN : THE AMERICAN DREAM (One hour)

    Queen
    $149.99
    Vinyl LP + 3 CD + DVD Box Set - Sealed Buy Now
  • A Night At The Odeon: Hammersmith 1975 (Deluxe Edition) A Night At The Odeon: Hammersmith 1975 (Deluxe Edition) Quick View

    $149.99
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    A Night At The Odeon: Hammersmith 1975 (Deluxe Edition)

    This Deluxe Edition Includes CD, DVD, Blu-Ray and 12 Vinyl


    This Hammersmith Christmas concert was the culmination of the 26-date 'Queen invites you to A Night At The Opera' UK tour of 1975, and was the last show of a very eventful and exciting year for Queen.


    Queen - A Night at the Odeon - Hammersmith 1975, the show which marked the live debut of the band's "Bohemian Rhapsody" while the song was in the midst of its nine-week reign atop the U.K. charts, remains a pivotal moment in Queen's history.


    "This concert was very special because it was the first time we ever played a whole show completely live on TV the Christmas Show," guitarist Brian May reflected in a press release. "The quality, after great rescue work and transfer into the digital domain, is amazing. And the energy we had comes across very forcefully."
    --www.ultimateclassicrock.com

    LP
    1.Bohemian Rhapsody
    2.Now I'm Here


    CD
    1. Now I'm Here
    2. Ogre Battle
    3. White Queen (As It Began)
    4. Bohemian Rhapsody
    5. Killer Queen
    6. The March Of The Black Queen
    7. Bohemian Rhapsody (Reprise)
    8. Bring Back That Leroy Brown
    9. Brighton Rock
    10. Guitar Solo
    11. Son And Daughter
    12. Keep Yourself Alive
    13. Liar
    14. In That Lap Of The Gods Revisited
    15. Big Spender
    16. Jailhouse Rock Medley
    17. Seven Seas Of Rhye
    18. See What A Fool I've Been
    19. God Save The Queen

    Queen
    $149.99
    Vinyl LP + CD+ DVD + Blu-Ray - Sealed Buy Now
  • Thunderpussy Thunderpussy Quick View

    $34.99
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    Thunderpussy

    What if Thor's Hammer of the Gods from "Immigrant Song" landed in the hands of four wise, willful, and wild women? Well, it would sound something like Thunderpussy.


    The quartet-Molly Sides [vocals], Whitney Petty [guitar], Leah Julius [bass], and Ruby Dunphy [drums]-do the most rock 'n' roll thing possible and quite literally fuck up every rock 'n' roll stereotype you know to be true, piercing the halls of Valhalla in the process. Think of it like an inverse Frank Frazetta painting where it's the Amazonian siren wielding all of the world's power instead of Conan (he's on the sidelines in awe). More simply, instead of Page and Plant, Perry and Tyler, and Jagger and Richards, you get Molly and Whitney. Known for earth shattering pipes, heart-stopping performance art, and a propensity to literally writhe through a crowd, Molly is the consummate ideal front-person-bold, brilliant, brazen, and beautiful. At her righthand, you've got Whitney as the ultimate 21st century axe-slinger-cool, collected, and crazy on that fretboard. Rounding out the fray, Leah and Ruby cook up the tightest rhythm section this side of Cream (no kidding).


    So, what is it that turned the Seattle-based group into a quiet phenomenon with the endorsement of Rolling Stone and Pearl Jam guitarist Mike McCready as well as a string of already legendary performances under their high-waisted belts (we're looking at you, Sasquatch)? It'd be too easy to say it's the power of the P----


    Whitney steps in, "People talk about that magic. There's some voodoo happening between Molly and I, which is like a cosmic connection. She has this power. Somehow, I'm under her spell when we're performing-we all are."


    "The truth is, I feel the same way about Whitney, Leah, and Ruby," smiles Molly. "We're all in this together."


    That unity drives the band's forthcoming full-length debut Thunderpussy [Stardog Records/Republic Records] produced by Sylvia Massy. The lead single Speed Queen begins with a revving engine and arena-size percussion before snapping into a muscular and majestic riff and vocal proclamation, "Long live the Speed Queen."


    "The 'Speed Queen' is this mythic and magical woman who rides a motorcycle and travels around the country," explains Whitney. "Nobody knows too much about where she came from or where she's going, but she changes everyone she meets because she's that powerful. I was thinking of Molly when I wrote it."


    Its companion track "Badlands" evokes bluesy Zeppelin-style mysticism with a fury that certainly wouldn't be out of place on Aerosmith's Rocks-but is completely at home on Speed Queen.


    "It nods to that classic Terrence Malick movie Badlands with Martin Sheen and Sissy Spacek," adds Molly. "It's an on-the-run love song between two outlaws."


    Among its arsenal, Thunderpussy also boasts a song produced by McCready "Velvet Noose." Everything comes together into one cohesive and classic vision of rock music recharged, reinvigorated, and resurrected in what can only be described as a diamond in the muff: Thunderpussy.


    "Being a lover of rock 'n' roll music for my whole life, you either have it, or you don't," Whitney leaves off. "If you find it, cultivate it, treat it like a wild animal, and tame that raw energy, but not too much. That's what this is."

    1. Speed Queen
    2. Badlands
    3. Fever
    4. Torpedo Love
    5. Velvet Noose
    6. Gentle Frame
    7. All In
    8. The Cloud
    9. Pick It Up
    10. Utero Tango
    11. Thunderpussy
    12. Young & Pure
    Thunderpussy
    $34.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Apocalipstick Apocalipstick Quick View

    $19.99
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    Apocalipstick

    Society would deem that a prodigious girl can't be in a progressive rock band while also being in complete control of its creative vision, business plan and social messaging. Society is wrong. Clem Creevy, a 19-year-old teen Queen dreamed up Cherry Glazerr in her LA bedroom alone and is perhaps more capable of figuring a music career out than anyone who attempts this treacherous life path.


    Back in 2014, much-loved Cali imprint Burger Records released their intoxicating debut Haxel Princess and Suicide Squeeze released the Had Ten Dollaz 7-inch.


    On Apocalipstick, the band worked with "rock'n'roll wizard" Joe Chicarelli [White Stripes, The Shins, The Strokes] and Carlos de la Garza [Bleached, M83, Tegan and Sara]. With their help and the band's newfound self-discipline and motivation, Cherry Glazerr has evolved into a wildly complex, hugely guitar heavy, and unapologetically loud machine.

    1. Told You I'd Be With The Guys
    2. Trash People
    3. Moon Dust
    4. Humble Pro
    5. Nuclear Bomb
    6. Only Kid On The Block
    7. Lucid Dreams
    8. Sip O' Poison
    9. Nurse Ratched
    10. Instagratification
    11. Apocalipstick
    Cherry Glazerr
    $19.99
    Vinyl LP - Sealed Buy Now
  • Mad Scenes Mad Scenes Quick View

    $22.99
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    Mad Scenes

    A few months after the release of the new Callas Live Remastered Edition, Warner Classics continue to release her legendary studio recitals on vinyl, using the state of the art remastering done in 2014. Mad Scenes (1958)Maria Callas did not make complete studio recordings of Donizetti's Anna Bolena and Bellini's Il pirata (these two operas are both available in the new Callas Live Edition), though, as the queen of La Scala, she enjoyed triumphs in both roles in 1957-1958. The vocally and dramatically demanding final scenes of both operas feature in this recital with OphÉlie's mad scene from Ambroise Thomas's Hamlet, another coloratura extravaganza. When this recital first appeared in 1959, Gramophone wrote: 'This is a most remarkable record, not only for its material but for its astonishing vividness and dramatic poetry It has been a thing of much wonder for me.'
    1. Anna Bolena, Act 2: Piangete voi?...Al dolce guidami castel natio (Anna Bolena, Smeton, Lord Percy)
    2. Hamlet, Act 4: A vos jeux mes amis (OphÉlie)
    3. Il pirata, Act 2: Oh! s'io potessi (Imogene)
    Maria Callas
    $22.99
    Vinyl LP - Sealed Buy Now
  • Blue Chips 7000 Blue Chips 7000 Quick View

    $19.99
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    Blue Chips 7000

    Featuring old friends and FTD regulars Big Body Bes and Mayhem Lauren along with Rick Ross and others (more to be announced soon) Bronsolino is getting back to basics with the style of Queens rap that brought him to the forefront of hip-hop 5 years ago. In that vein Bronson worked with some of his most frequent and trusted producers for the project in Alchemist, Harry Fraud and of course no Blue Chips project would be complete without the talents of BC OG Party Supplies.
    1. Wolfpack
    2. La Luna
    3. The Chairman's Intent
    4. Hot Pepper (feat. Meyhem Lauren and Jah Tiger)
    5. Bonzai
    6. Let It Rain
    7. My Right Lung
    8. TANK (feat. Big Body Bes)
    9. Let Me Breathe
    10. 9-24-7000 (feat. Rick Ross)
    11. The Choreographer
    12. Chop Chop Chop
    13. Durag vs. Headband (feat. Big Body Bes)
    Action Bronson
    $19.99
    Vinyl LP - Sealed Buy Now
  • Era Vulgaris (Awaiting Repress) Era Vulgaris (Awaiting Repress) Quick View

    $24.99
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    Era Vulgaris (Awaiting Repress)

    Latin for common era, Era Vulgaris holds a pair of common threads with the four Queens of the Stone Age records that preceded it. One, it crosses colossal guitar chords with the most volatile of hard rock melodies. And second, it's as LOUD as loud gets, thanks to Josh Homme, the impatient instigator behind the ever-evolving cast of personalities that make up the band. Detonation comes with track one, as the jagged riffs of Turning on the Screw lead the listener into Sick, Sick, Sick, where Julian Casablancas spews his vocals beneath a wall of multi-guitar catcalls. Although the head Stroke will likely garner the most attention, perpetual Queener Mark Lanegan's velvety pipes earmark two of Era's most booming selections: the funky Make It Wit Chu (complete with Temptations-like backing vocals) and the heart-racing three minutes of River in the Road. Add the garage rock of Homme's 3's & 7's and Suture Up Your Future, easy pickings for most likely crossover hit, and Era Vulgaris-- hypnotically and explosively common--holds its own with any in the QoTSA discography. --Scott Holter
    1. Turnin' On ThLP 1
    1. Turnin' On The Screw
    2. Sick, Sick, Sick
    3. I'm Designer
    4. Into The hollow


    LP 2
    1. Misfit Love
    2. Running Joke (Bonus Track)
    3. Battery Acid
    4. Make It Wit Chu


    LP 3
    1. 3's & 7's
    2. Suture Up Your Future
    3. River In the Road
    4. Run, Pig, Run

    Queens of the Stone Age
    $24.99
    10 Vinyl LP - 3 LPs Sealed AWAITING REPRESS Buy Now
  • Zaba (Awaiting Repress) Zaba (Awaiting Repress) Quick View

    $22.99
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    Zaba (Awaiting Repress)

    Created in Epworth's own studio it is undoubtedly among this year's most striking debuts. The title, lifted from Dave's favorite childhood story, comes from
    William Steig's The Zabajaba Jungle. Steig's evocation of childhood adventure, exoticism and discovery is brilliantly fresh. ZABA is one complete beast
    and a journey you will get most from if you immerse yourself fully and listen from start to finish. The sound of the record, Dave says, is like a backdrop
    of man-made wilderness...


    Influenced by the exploratory, New World scenarios of Apocalypse Now, The Island of Dr Moreau, Heart of Darkness, The African Queen and Mosquito
    Coast, ZABA's songs tackle the humanization of nature and human interference with nature. Even now a lot of my favorite books are those books that I
    grew up with, he says. Things like Zabajaba, like Roald Dahl, like Wind in the Willows. I suppose all I've been doing is using those little creatures and
    animals to cover up what I really meant, to disguise who and what I was really talking about.


    Inspired by Kanye West and Charles Darwin, Nina Simone and the Velvet Underground, ZABA is a rich and textured work, a very special record indeed.
    With Dave producing and Epworth as A&R and mentor, the studio became their home and the band were free to record, improvise and write at their own
    speed, making their sound a bigger, brighter, heavier and more intense experience than ever before.


    The first single, Gooey is wobbly and child-like, a hymn to naivety. There's a confidence in the way children act, Dave says. I was trying to push that
    confidence into the beat. Walla-Walla goes back to Dave's love of Timbaland and Dr Dre, while Intruxx, initially the introduction to the entire record,
    summarizes this entire new world you're entering.

    1. Flip
    2. Black Mambo
    3. Pools
    4. Gooey
    5. Walla Walla
    6. Intruxx
    7. Hazey
    8. Toes
    9. WYRD
    10. Cocao Hooves
    11. JDNT
    Glass Animals
    $22.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Humbug Humbug Quick View

    $21.99
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    Humbug

    Humbug, the third album from Sheffield's Arctic Monkeys finds the band brimming with vim, vigor and new ideas. They brought in a new production accomplice, Josh Homme (Queens of The Stone Age), for some of the recording. He generously hosted and produced tracks with them at his Joshua Tree studio. Then they rejoined forces with James Ford (Simian Mobile Disco), producer of the previous two Arctic Monkeys and Last Shadow Puppets albums, in Brooklyn, NY to complete the tracks that became Humbug. The album is stunning set of songs both heavier and lush than previous albums but still full of the Monkeys usual punch and vitality.
    1. My Propeller
    2. Crying Lightning
    3. Dangerous Animals
    4. Secret Door
    5. Potion Approaching
    6. Fire And The Thud
    7. Cornerstone
    8. Dance Little Liar
    9. Pretty Visitors
    10. The Jeweller's Hands
    Arctic Monkeys
    $21.99
    Vinyl LP - Sealed Buy Now
  • The Best Of The Best Of Quick View

    $22.99
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    The Best Of

    Despite great acclaim at the time The Czars remain one of Denver's best-kept secrets. Over the course of their career they couldn't quite turn critical salvos into commercial success. Then, when the band split up in 2004 after their fifth album - the presciently titled Goodbye - nothing was heard from any member for six years. So when John Grant reappeared in 2010 with his landmark solo debut Queen Of Denmark, some thought he was a new artist, without a back-story that stretches as far back as 1994 when the band originally formed.


    The Best Of The Czars is made up predominantly from the run of three studio albums that Bella Union released between 2000 and 2004. Before But Longer donates the first four songs, 2002's The Ugly People Vs The Beautiful People the next six, and Goodbye the next five. The final track is an exquisite reading of Tim Buckley's signature standard Song To The Siren taken from 2005's B-sides/covers compilation Sorry I Made You Cry.


    Grant is his own fiercest critic, and says of all Czars albums he only stands by Goodbye. It's the only one that came anywhere close to being what I'd hoped for, he reckons. Out of the five albums we made, there's one good solid album of material. Well, John, here it is. But The Best Of The Czars isn't merely good; it's magnificent. At their best, The Czars mastered a luminous and stately country-folk'n'western noir shot through with a classic songwriting twist.


    On various tours since his solo debut, Grant has performed three old Czars tracks: Drug (from The Ugly People ), Paint The Moon and Little Pink House (from Goodbye). They're the Czars songs I most connect to in performance, that I'm proudest of, that flowed out of me as complete products, says Grant. As a whole, though, the band remains a conflicted memory for the singer. I had so much fear at the time, I wanted to try and control everything around me, which I feel affected my voice, he admits. Only now do I feel that voice is coming out of its shell, and that I'm comfortable in my own skin. But the music is an important part of my history, so it deserves to be heard.

    1. Val
    2. Concentrate
    3. Get Used To It
    4. Dave's Dream
    5. Roger's Song
    6. Drug
    7. Side Effects
    8. Anger
    9. Killjoy
    10. Lullaby 6000
    11. Paint The Moon
    12. Goodbye
    13. My Love
    14. Los
    15. Little Pink House
    16. Song To The Siren
    The Czars
    $22.99
    Vinyl LP - Sealed Buy Now
  • Freddie Mercury: Messenger Of The Gods - The Singles (Box Set) Freddie Mercury: Messenger Of The Gods - The Singles (Box Set) Quick View

    $139.99
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    Freddie Mercury: Messenger Of The Gods - The Singles (Box Set)

    Box Set Features 13 x 7" Singles On Colored Vinyl


    Includes Booklet Featuring Previously Unpublished Photos


    Freddie Mercury was a man of many talents and many different sides. The songs he wrote for and with Queen filled stadiums around the globe and have rightly gone down in history, but he also embarked on a solo career that took him from the clubs of Munich and New York to the great opera houses of the world.


    He was the ultimate showman, but he kept his private life away from the prying eyes of the media; a larger than life rock star who loved disco, classical music and ballet. He was a restless spirit, a true chameleon who reveled in his own contradictions.


    All the different sides of this iconic musician can be found on Freddie Mercury: Messenger Of The Gods - The Singles. Fittingly released on Mercury Records for the world outside North America, and on Hollywood Records in North America, this box set brings together all 13 of Freddie's solo singles on individually coloured vinyl.


    From his debut solo single I Can Hear Music, released under the name Larry Lurex, through the dance floor-influenced solo anthems of the 80s and up to his collaborations with legendary Spanish opera singer Montserrat CaballÉ including the timeless Barcelona, this is a journey through the career of a unique talent.


    Born Farrokh Bulsara on the East African island of Zanzibar on September 5, 1946, the rechristened Freddie Mercury was already a star in his own mind by the time he formed Queen with Brian May and Roger Taylor in 1970. Where his band mates had studied astrophysics, dentistry and electronics at college, Freddie majored in stardom.


    His first solo single actually emerged a week before Queen's own debut 7". Released in 1973 and credited to Larry Lurex in a nod to the fashionably flamboyant noms de rock of the glam era, the Beach Boys cover I Can Hear Music and its B-side, Goin' Back, were recorded as a favour towards a musical project by Trident Studios' house engineer Robin Geoffrey Cable, in 1972.


    As Queen's career rocketed towards the heavens, Freddie poured his energies into the band. It would be more than a decade before he released his second solo single, the pulsating, electronic Love Kills. Originally released in 1984, Love Kills was a collaboration with famed Italian disco producer Giorgio Moroder for the soundtrack to Moroder's update of the groundbreaking 1927 silent movie Metropolis. A Top 10 UK hit, it found Freddie moving away from Queen's traditional sound, paving the way for what he would do next.


    Released in 1985, Freddie's debut solo album, Mr Bad Guy, fully explored the music he had fallen in love with in the dance clubs of Munich and New York. The four hit singles released from that album - I Was Born To Love You, Made In Heaven, Living On My Own and Love Me Like There's No Tomorrow, all of which are included in the Messenger Of The Gods box set - crackled with playfully hedonistic energy, but they also hid a more serious side to Freddie. Here was a man who craved the good times but wanted something deeper as well.


    Within two years, he had abandoned the sound of the clubs for the music of the opera house - though not before releasing both the epic single Time, the theme to the lavish stage musical of the same name produced by Dave Clark, and his outrageous (and strangely revealing) Top 5 cover of The Platters' 1965 hit, The Great Pretender.


    In 1987, he dived headlong into the world of opera and classical music with the towering single, Barcelona. A duet with legendary Spanish soprano Montserrat CaballÉ, an idol of Freddie's, it came about after the opera star asked him to write a song about her home town.


    Barcelona remains one of the most momentous hit singles not just of Freddie's career but in pop history. Not only did it lead to an album of collaborations between these two huge talents, but the title track was also chosen as the official anthem of the 1992 Olympics. That song, together with the two other singles taken from the album, The Golden Boy and How Can I Go On, are all included as part of Messenger Of The Gods with their original B-sides.


    In October 1988 Freddie and Montserrat were invited by the King and Queen of Spain to perform Barcelona on the steps of Barcelona's National Palace of Montjuic at the open air La Nit festival which was staged to mark the arrival of the Olympic Flag from Seoul.


    But sadly, Freddie would not live to see the fruits of his collaboration with Montserrat CaballÉ showcased at the Barcelona Olympics. He passed away on November 24, 1991, just seven months before the Games took place. The grand opening ceremony was a fitting tribute to a man who thrived on spectacle.


    Messenger Of The Gods is completed by two posthumous singles, In My Defence and Living On My Own (No More Brothers Radio Mix), the latter of which became Freddie's first solo number 1 and was the biggest selling European single of the year in 1993.


    Had he lived, it is anyone's guess where this most restless and protean of singer's muses would have taken him. But Messenger Of The Gods - The Singles is a towering legacy, a collection of songs which will never lose their stature of classics and will live on forever.

    Disc 1 - Blue Colored Vinyl
    (a) I Can Hear Music - Larry Lurex (1973)
    (b) Goin' Back - Larry Lurex


    Disc 2 - Orange Colored Vinyl
    (a) Love Kills (1984)


    Disc 3 - Yellow Colored Vinyl
    (a) I Was Born To Love You (1985)
    (b) Stop All The Fighting


    Disc 4 - Red Colored Vinyl
    (a) Made In Heaven [Single Remix] (1985)
    (b) She Blows Hot And Cold


    Disc 5 - White Colored Vinyl
    (a) Living On My Own [Single Edit] (1985)
    (b) My Love Is Dangerous


    Disc 6 - Red Colored Vinyl
    (a) Love Me Like There's No Tomorrow (1985)
    (b) Let's Turn It On


    Disc 7 - Cyan Colored Vinyl
    (a) Time (1986)
    (b) Time [Instrumental]


    Disc 8 - Orange Colored Vinyl
    (a) The Great Pretender (1987)
    (b) Exercises In Free Love [Freddie's Vocal]


    Disc 9 - Clear Colored Vinyl
    (a) Barcelona [Single Version] (1987)
    (b) Exercises In Free Love [Montserrat's Vocal]


    Disc 10 - Gold Colored Vinyl
    (a) The Golden Boy [Single Edit] (1988)
    (b) The Fallen Priest [B-Side Edit]


    Disc 11 - Green Colored Vinyl
    (a) How Can I Go On [Single Version] (1989)

    (b) Overture Piccante


    Disc 12 - Neon Pink Colored Vinyl
    (a) In My Defence (1992)
    (b) Love Kills [Wolf Euro Mix]


    Disc 13 - Yellow Colored Vinyl
    (a) Living On My Own [No More Brothers Radio Mix] (1993)
    (b) Living On My Own [Julian Raymond Album Mix]

    Freddie Mercury
    $139.99
    7 Inch Colored Vinyl Box Set - 13 Singles Sealed Buy Now
  • Angels & Devils Angels & Devils Quick View

    $29.99
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    Angels & Devils

    It's after the end of the world, don't you know that yet...


    With recent reports from various think tanks predicting we have somewhere in the range of 15 years left before the collapse of society begins, it would seem like Kevin Martin's sonic predictions of dystopian London that were set out on 2008's London Zoo were pretty accurate. And if we are in fact declining rapidly to chaos, there's no better time then the present to take the focus of that sonic assault from earthly domains and blast it to the netherworlds above and below.


    The aforementioned London Zoo is where Kevin Martin, found his true voice. Pulling the fringes into a collective, unilaterally hateful assault. A psychological warfare driven by bass that on one hand captured a moment of London, yet also encapsulated a global message influenced by years of timeless and classic out-music.


    The latest offering from the The Bug, Angels & Devils, escapes the London cage, drawing on it for influence yet blowing it up into a world-view now seen from Kevin Martin's new Berlin home. A record that simultaneously draws on London Zoo, completes a triptych cycle which started with his Bug debut Pressure, and fills the spaces between and inserts what was missing previously. Both a year zero re-set and a continuation of what has been. Like the Bowie/Eno classic Low, or Can's Tago Mago, the album is split into two distinct themes and explorations of light & dark. Bringing the angel & devil voices together under a single common banner. Antagonist at times, but not solely for the sake of being antagonistic, there's a beauty and lush sparseness to be found within, even when at its most chaotic. Truly only The Bug could find the common ground between Liz Harris (of Grouper) & Death Grips and make it seamless. Angels & Devils stretches the polarity of its predecessor in both directions simultaneously and is even more extreme for its new found seductiveness and added intensity. Deep space is explored, and physical assault is administered. In these days of YouTube quick fixes, and single tune memory spans, its a joy to witness Martin actually charting a cohesive narrative that rejoices in celebrating life through sonic sex and violence, beauty and ugliness. This is an audio thriller that delights in pursuing its own singular path/vision.


    With the Angel side(s) up first, things kick off with Liz Harris (of Grouper) in the submerged lushness that is Void. Followed by contributions from ex Hype Wiliams half copeland (Fall), the blissed out patois of touring partner Miss Red (Mi Lost), two truly zoned Bug instrumentals, and rounded out by Gonjasufi on Save Me. It's a collection of heady, dubbed out cinematic blissfulness with a lurking darkness before giving way to devils...


    Devils leads off with the return of long time collaborator Flowdan on the mic and the guitar of Justin Broadrick (Godflesh / Jesu) bringing a complete about face to the proceedings and setting the tone with The One. Roll Deep's Manga steps up next with the instant Bug classic Function, which is being currently smashed on dubplate, by Mala, Kahn and Logan Sama. Death Grips raise the antagonistic bar with Fuck A Bitch. Flowdan & Justin Broadrick come back for the cinematic death crawl of Fat Mac. Warrior Queen steps in for hands down the nastiest vocal she's ever delivered (which is saying a lot) for Fuck You, and finally Flowdan steps up again to round it all off with a Devils battle cry of sorts dirty, fuck that murky....


    The concept is completed by the artistic expression it's packaged in, courtesy of Simon Fowler (Cataract). Known for his work for Sunn O))), Earth, and others, Simon has delivered a stunning hand drawn illustration, that sort that would make Bosch proud, showing the duality of the proceedings.


    Utopian/dystopian, black/white, complexity/singularity, negative/positive... Angels/Devils.

    1. Void (Featuring Liz Harris)
    2. Fall (Featuring copeland)
    3. Ascension
    4. Mi Lost (Featuring Miss Red)
    5. Pandi
    6. Save Me (Featuring Gonjasufi)
    7. The One (Featuring Flowdan)
    8. Function (Featuring Manga)
    9. Fuck a Bitch (Featuring Death Grips)
    10. Fat Mac (Featuring Flowdan)
    11. Fuck You (Featuring Warrior Queen)
    12. Dirty (Featuring Flowdan)
    The Bug
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Texas 25 Texas 25 Quick View

    $22.99
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    Texas 25

    Multi-platinum, award winning five piece Texas celebrate their 25th Anniversary in style with this new release TEXAS 25 contains four brand new songs and highlights from the bands greatest hits completely re-recorded and re-worked for 2015 with acclaimed NYC soul outfit Truth & Soul (Amy Winehouse, Adele) Recorded in the Queens studio of Truth & Soul and mixed at The Black Key's Dan Auerbach's Nashville studios.
    1. Start A Family
    2. Black Eyed Boy
    3. Say What You Want
    4. Supafly Boy
    5. Halo
    6. Inner Smile
    7. The Conversation
    8. Say Goodbye
    9. When We Are Together

    10. Are You Ready
    11. I Don't Want A Lover
    12. Summer Son
    Texas
    $22.99
    Vinyl LP - Sealed Buy Now
  • The Trials Of Van Occupanther (10th Anniversary Edition) (Awaiting Repress) The Trials Of Van Occupanther (10th Anniversary Edition) (Awaiting Repress) Quick View

    $27.99
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    The Trials Of Van Occupanther (10th Anniversary Edition) (Awaiting Repress)

    10th Anniversary Edition On 180-Gram Gold Vinyl


    Includes A B2 Pull-Out Poster, Handwritten Lyrics & Previously Unseen Photos


    Comes With A Special Bonus 7 With 2 Unreleased Songs


    Limited To Only 1000 Copies For North America


    This Autumn Midlake will celebrate the 10th anniversary of The Trials of Van Occupanther with a deluxe reissue via Bella Union on 180g gold vinyl, complete with a B2 pull-out poster, handwritten lyrics and previously unseen photos. The cover artwork has been reimagined in a fittingly flushed, hallucinatory painting by neo-impressionist (and pavement-scorching skateboarder) Brian Lotti. The original album will be accompanied by a special bonus 7" featuring two previously unreleased tracks, the plaintive rolling lament of "The Fairest Way" and the revelatory psychedelic swirl of "Festival," two tracks recorded before original vocalist Tim Smith departed the band.


    In 2006, Van Occupanther was hailed as an instant classic and over the course of the next year proved to be the band's commercial breakthrough. While their debut, 2004's Bamnan and Slivercork, had drawn acclaim alongside comparisons to Grandaddy and Radiohead, Midlake looked further afield and deeper within for the follow-up. Suffused with a romantic yearning for the simpler life, this was a record pitched between 1871, 1971 and somewhere out of time: between Henry David Thoreau and Neil Young's After the Gold Rush, between 1970s Laurel Canyon thinking and a longing for something more mysterious. Rich reserves of wistful melody, dreamy horns, rolling guitars and plaintive pianos reflect its elusive, idiosyncratic narratives: a couple long to be robbed by bandits so they can start anew, an outcast scientist ponders his pariah status, a woman chases a frisky deer, a river leads who knows where yet leaves you little choice but to follow


    Famous admirers included Thom Yorke, Beck, The Flaming Lips, Paul Weller, James Dean Bradfield, St Vincent, actor/skateboarder Jason Lee and The Chemical Brothers, and the album went on to secure high placings in the end-of-year polls. Since then, their influence has perhaps been felt in the breakthrough of many a band or singer at one with the stuff of beards, bucolic yearning and blissful West Coast harmonies, from Fleet Foxes to Band of Horses, The Low Anthem, Jonathan Wilson, Matthew E White and beyond.


    Not that Midlake stood still to lap up the praise: a band acutely attuned to nature's shifts, they embraced change. In 2010 they ventured into darker psych-folk thickets for The Courage of Others and backed John Grant on his celebrated breakthrough album, Queen of Denmark. When Tim Smith subsequently departed, guitarist/singer Eric Pulido stepped up to the lead vocal role for 2013's freshly exploratory Antiphon. Since then, Pulido and various Midlake members have embarked on a new musical project with a cast of all-stars including members of Grandaddy, Franz Ferdinand, Band of Horses and Travis, for an album due for release next year. All of this serves to remind us what fertile seeds were sown with The Trials of Van Occupanther: a modern classic, made of vintage craft and timeless magic.

    1. Roscoe
    2. Bandits
    3. Head Home
    4. Van Occupanther
    5. Young Bride
    6. Branches
    7. In This Camp
    8. We Gathered In Spring
    9. It Covers The Hillsides
    10. Chasing After Deer
    11. You Never Arrived


    Bonus 7" Single
    1. Festival
    2. The Fairest Way

    Midlake
    $27.99
    180 Gram Audiophile Virgin Vinyl LP + 7 Single - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Hot Rod Dance Party Hot Rod Dance Party Quick View

    $24.99
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    Hot Rod Dance Party

    Limited Edition


    As one of the busiest and most versatile session guitarists of the 60s, Jerry Cole recorded with a litany of legends, including Phil Spector, the Beach Boys and the Byrds. But to those in the know, hes renowned for his own incredible surf and hot rod instrumentals, which he delivered on a series of vintage albums with his band the Spacemen. Coles modernistic recordings, however, sound completely different from other surf-and-drag releases of the period, with expansive arrangements that often featured elements of jazz and exotica, the better to showcase the guitarists inventive, assertive playing.


    One of Coles best-loved LPs is this amazing 1964 release, which includes contributions from many of the same L.A.-based musicians who played alongside Cole in the now-legendary session ensemble known as the Wrecking Crew. Coles powerful guitar work powers such turbo-charged numbers as Night Rumble, Border Run, Stinger and Hot Rod Queen, which live up to the albums title and then some!


    Sundazed has lovingly remastered this masterful guitar extravaganza from the original analog tapes, carefully reproduced its complete original cover art and pressed it on high-quality 180 gram vinylall the better to keep this party humming!

    1. Night Rumble
    2. Border Run
    3. Mr. Wobble Wheels
    4. Hot Rod Queen
    5. Stinger
    6. Roadster Run
    7. Boss Dance
    8. T. Roadster Rock
    9. Dancing Mags
    10. Driving Little?Deuce
    11. Night Drag
    Jerry Cole & His Spacemen
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Haxel Princess Haxel Princess Quick View

    $19.99
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    Haxel Princess

    Pressed On Translucent Red Colored Vinyl


    Society would deem a prodigious girl can't be in a progressive rock band while also being in complete control of its creative vision, business plan and social messaging. Society is wrong. Clementine Creevy, a 19-year-old teen Queen, dreamed up Cherry Glazerr in her LA bedroom alone and is perhaps more capable of figuring a music career out than anyone who attempts this treacherous life path.


    Back in 2014, much-loved Cali imprint Burger Records released Cherry Glazerr's intoxicating debut Haxel Princess. The New York Times called Grilled Cheese one of their Top Songs of 2014 alongside heavy hitters such as BeyoncÉ, Taylor Swift and Future. The band toured across the country and abroad, between Clementine's acting responsibilities on the award-winning show Transparent, and gained fans everywhere with their wild lives shows. On their upcoming sophomore album, Apocalipstick, the band worked with rock'n'roll wizard Joe Chicarelli (White Stripes, The Shins, The Strokes) and Carlos de la Garza (Bleached, M83, Tegan and Sara). With their help and the band's newfound self-discipline and motivation, Cherry Glazerr has evolved into a wildly complex, hugely guitar heavy, and unapologetically loud machine.

    1. Cry Baby
    2. Grilled Cheese
    3. Haxel Princess
    4. Glenn The Dawgg
    5. All My Friends
    6. Bloody Bandaid
    7. Sweaty Faces
    8. Teenage Girl
    9. White's Not My Color This Evening
    10. Trick Or Treat Dancefloor
    Cherry Glazerr
    $19.99
    Colored Vinyl LP - Sealed Buy Now
  • Pretty Hate Machine (2010 Remaster) Pretty Hate Machine (2010 Remaster) Quick View

    $34.99
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    Pretty Hate Machine (2010 Remaster)

    Fans can now revisit the conception of Nine Inch Nails. Trent Reznor's Null Corporation has teamed up with UMe/The Bicycle Music Company to release Pretty Hate Machine: 2010 Remaster on 12/7/2010. After completing the score for David Fincher's The Social Network, Reznor oversaw the digital remastering of Pretty Hate Machine from the newly unearthed original tapes with engineer Tom Baker (whose NIN credits include The Downward Spiral, Broken, The Fragile, With Teeth and Ghosts). This remastered version includes an eleventh track, a cover of Queen's Get Down Make Love, originally the B-side to the Sin single and produced by Al Jourgensen. Rob Sheridan, NIN's longtime art director, has also re-imagined the packaging of Pretty Hate Machine under Reznor's supervision.


    As a young musician in Cleveland, Ohia, Reznor took a job at a local recording studio and employed unused studio time to develop his own material. The nascent album was later recorded with his favorite producers including Flood/Mark Ellis (U2, Depeche Mode, PJ Harvey), John Fryer (Cocteau Twins, This Mortal Coil), Adrian Sherwood (Ministry, Cabaret Voltaire) and Keith LeBlanc (Trackhead). The result was the first Nine Inch Nails album, 1989's Pretty Hate Machine. All songs were written, arranged, programmed and performed by Reznor. The album featured the breakthrough singles Sin, Down In It and Head Like A Hole, and ultimately sold over 3 million copies, reaching Triple Platinum sales status. In the wake of the album's inital underground success, NIN soon developed a reputation as one of the best live acts in rock and jointed the inaugural Lollapalooza tour in 1991. NIN have since sold more than 18 million albums, collected Grammy Awards and headline arenas, amphitheaters and festivals worldwide.


    The Bicycle Music Company acquired the rights to Pretty Hate Machine from a division of Prudential Securities in the spring of 2010. It was Bicycle's intention from the onset to enable Reznor to regain some control of this lost piece of NIN's legacy, resulting in this artist approved 2010 reissue of one of music's most groundbreaking and influential albums. Note: The previous CD version was reissued in 2005 but was not overseen by Reznor and is now out of print.


    Reznor is currently working on new music as a member of the group How To Destroy Angels, continuing his Nine Inch Nails efforts and composing for future film score projects.

    1. Head Like A Hole
    2. Terrible Lie
    3. Down In It
    4. Sanctified
    5. Something I Can Never Have
    6. Kinda I Want To
    7. Sin
    8. That's What I Get
    9. The Only Time
    10.Ringfinger
    11.Get Down Make Love (Bonus Track in 2010 Reissue)
    Nine Inch Nails
    $34.99
    Vinyl LP - 2 LPs - Sealed Buy Now
  • Heart On My Sleeve Heart On My Sleeve Quick View

    $19.99
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    Heart On My Sleeve

    Before Mary Lambert achieved "quasi-stardom" (as she puts it in her typical self-deprecating way) for writing and singing the hook on Macklemore & Ryan
    Lewis' marriage equality anthem "Same Love," the Seattle native was an aspiring singer-songwriter who also worked as a brunch waitress and bartender.
    After years of struggling both financially and personally, Lambert suddenly found herself signed to Capitol Records, releasing an EP (Welcome To The
    Age of My Body), nominated for two Grammy Awards (for "Song of the Year" and "Album of The Year"), and making history performing on the Grammy
    telecast with Macklemore, Lewis, and Madonna, while Queen Latifah memorably married 33 couples. "I like to describe Heart On My Sleeve as a pop
    album with a conscience," Lambert says about her debut full-length album. "So I made a list of goals" to: 1. Have fun. 2. Create something catchy. 3.
    Create something that positively impacts the world. 4. Stay true to yourself. 5. Make money. "Is that okay to say?" she asks.


    Written within the past year (with lyrics by Lambert and music co-written by Lambert, co-producers Eric Rosse and Benny Cassette, and songwriter
    MoZella), Heart On My Sleeve is an honest depiction of where Lambert is now. "I can only write about the experiences I've had. I signed to a major label. I
    went through a break-up. I figured out how to be an independent person. I have been terrifyingly honest to the public about traumatic events in my life. I
    met the woman of my dreams. I have been on the road nonstop, away from those I love, but with the opportunity to sing about gay rights to hundreds of
    thousands of people. This album is inspired by the depth of all of that love, and the journey that it takes to get there." "Heart On My Sleeve" is a dusky
    love song that Lambert chose as the title track because she felt it summed up how she approached writing the lyrics on the album. "I've always lived my
    life completely open, both to getting hurt, but also to love," she says. Lambert also spells out her mission on the album's first single, "Secrets," which - set
    to a buoyant pop melody and hand-claps - is meant to encourage vulnerability.

    1. Secrets
    2. So Far Away
    3. Rib Cage ft. K Flay, Angel Haze
    4. Dear One
    5. When You Sleep
    6. Chasing the Moon
    7. Jessie's Girl
    8. Monochromatic
    9. Heart on My Sleeve
    10. Wounded Animal
    11. Sum of Our Parts
    Mary Lambert
    $19.99
    Vinyl LP - Sealed Buy Now
  • Shackles Gift Shackles Gift Quick View

    $22.99
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    Shackles Gift

    Zun Zun Egui formed in Bristol in late 2008 - Mauritian guitarist and singer Kushal Gaya met and started making music with Japanese keyboard player Yoshino Shigihara after they had both moved to the UK and a core group of musicians soon formed around them. A love for experimentation, free jazz, fusion, DIY culture, throwing parties and playing wild shows was the glue that bonded the outfit together. After an early clutch of raw and experimental EPs, they focused their song-writing talents and mastery of many styles to create a recognisable Zun Zun Egui sound which included tropicalia, punk funk, Afrobeat, Ethio jazz and no wave. All of these varied disciplines were marshalled to produce their first album "Katang" which was widely hailed as one of the most exciting debuts of 2011. Even for a band as exploratory and talented as ZZE though, the step up in terms of songwriting and inspiration since "Katang" is astounding and it is clear that Shackles' Gift looks like being one of the most unique and thrilling records that will be released in 2015.


    Produced by Andrew Hung of Fuck Buttons, "Shackles' Gift" is the album that Zun Zun Egui have always threatened to deliver and we always believed they would. Opening with 'Rigid Man', it hits the listener with bone-shaking tropical funk. Future single 'African Tree' strolls past on a marching band rhythm, complete with an arena-sized chorus and Kyuss-heavy stoner rock guitars. 'Ruby' is like imperial period Depeche Mode discovering the delights of industrial dancehall reggae, while 'I Want You To Know' is an absolute funk/noise rock monster, sounding like Steve Albini recording Queens Of The Stone Age jamming on 'Kashmir'. 'Soul Scratch' is a very British take on a very Mauritian form of music called seggae, which combines the African island folk music known as sega with reggae, but imbuing it with an adrenalised urban uptightness. The album concludes with 'City Thunder' an elemental, dubbed out and dread take on post rock and disco.


    Frontman Kushal says that first and foremost "Shackles' Gift" is a British rock record made by a British group but admits that the first sparks of its creation started flying when ZZE visited Mauritius in March 2013. The African island nation, which lies 700 miles east of Madagascar, deep in the Indian Ocean, invited the band to give a concert as part of their Independence Day celebrations. The island's dynamic history has led to a multi-lingual, multi-cultural modern nation which has influenced Zun Zun Egui in more ways than one. Not only has Mauritian music been one of the (many) primary ingredients of their sound and inspired Kushal's multi-lingual approach to singing (the island has 12 main languages) but the diversity of the country acts as a metaphor for the diversity of the group itself.

    1. Rigid Man
    2. African Tree
    3. Ruby
    4. I Want You To Know
    5. Soul Scratch
    6. Tickle The Line
    7. The Sweetest Part Of Life
    8. Late Bloomer
    9. City Thunder
    Zun Zun Egui
    $22.99
    Vinyl LP - Sealed Buy Now
  • Wild Bill Davis And Johnny Hodges In Atlantic City (Speakers Corner) Wild Bill Davis And Johnny Hodges In Atlantic City (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Wild Bill Davis And Johnny Hodges In Atlantic City (Speakers Corner)

    In the Sixties, the two befriended musicians Wild Bill Davis and Johnny Hodges often met up for jam sessions, at galas with Duke Ellington, and in various studios to make recordings for several record companies. However, their live concerts in Grace's Little Belmont in Atlantic City in 1966 were the declared highlights for critics, the public and musicians alike. This is not only proved by the masses of people who swarmed to the club, which was always jam-packed, it is also reflected in the sales figures of their recordings.



    On the present recording, the listener is offered a first-class programme of own compositions, Duke Ellington hits, and head arrangements. Good Queen Bess and Rockville are quite exceptional, and the other titles are hardly less enthralling. The rhythm group is hotter than hot with Lionel Hampton's Bobby Durham on the drums, and the two grand old men of swing really let themselves go. The trombonist Lawrence Brown, musical buddy from the Duke Ellington Orchestra, grooves in the background and we can be happy (thanks to the producer Rad McCuen!) that we can still thoroughly enjoy this great disc almost 50 years later.



    Recording: August 1966 live at Grace's Little Belmont, Atlantic City (USA), by Ed Begley

    Production: Brad McCuen



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.

    1. It's Only A Paper Moon
    2. Taffy
    3. Good Queen Bess
    4. L B Blues
    5. In A Mellotone
    6. Rockville
    7. I'll Always Love You
    8. It Don't Mean A Thing (If It Ain't Got That Swing)
    9. Belle Of The Bellmount
    Wild Bill Davis & Johnny Hodges
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Aretha Live At Fillmore West (Speakers Corner) Aretha Live At Fillmore West (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Aretha Live At Fillmore West (Speakers Corner)

    Live recordings come up with extremely different results: most of them land in the rubbish bin, some of them are available as bootleg copies when a star's career has ended and are passed on conspiratorially from one excited collector to another. Only a very few conserve real spirit and sheer enthusiasm, which no arranger or sound mixer can conjure up in the studio.


    But even more sensational was Aretha Franklin's guest appearance at the Fillmore West, the legendary concert hall in San Francisco, which closed down shortly afterwards. Everyone knew who was going to perform, and yet everything was quite different on these three nights in the spring of 1971: her usual show band was left behind in Detroit and she appeared with King Curtis And The Kingpins - one of the most impressive bands around - accompanied by the trailblazers Cornel Dupree (g) and Bernard Purdie (dr). The Memphis Horns, a fantastic horn section, blast away in the background, their keen as a razor backings rising up to soaring heights. From Billy Preston's fingertips on the organ flows an aura of spiritual energy and Ray Charles, who by chance (but how fortuitous!) was among the audience also got his appearance in the telling title Spirit In The Dark. No words need be lost about the queen on the cover. For without the superb albums of the late Sixties, Aretha Franklin would never have become the USA's first sister of soul nor would she have appeared in the Fillmore West.


    Musicians:

    Aretha Franklin, Ray Charles (vocals, electric piano)

    King Curtis (tenor saxophone, soprano saxophone)

    Billy Preston (organ)

    Truman Thomas (Electric Piano)

    Cornell Dupree (guitar)

    Jerry Jemmot (bass)

    Bernard Purdie (drums)

    Pancho Morales (conga)



    Recording: February 1975 live at Fillmore West, San Francisco, by Ray Thompson

    Production: Jerry Wexler and Arif Mardin

    About Speakers Corner


    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.


    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.


    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.


    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.


    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.


    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    1. Respect
    2. Love The One You're With
    3. Bridge Over Troubled Water
    4. Eleanor Rigby
    5. Make It With You
    6. Don't Play That Song
    7. Dr. Feelgood
    8. Spirit In The Dark
    9. Reach Out And Touch (Somebody's Hand)
    Aretha Franklin
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Up In Arms (Awaiting Repress) Up In Arms (Awaiting Repress) Quick View

    $19.99
    Buy Now
    x

    Up In Arms (Awaiting Repress)

    We work hard, and we have a lot to say. Look around the planet - people are fed up with the corrupt ruling class. They destroy the planet and kill millions for profit, and the formula for our response is simple: Anger + applied knowledge = results. Don't just bitch. Change it.

    - JOHN JOSEPH

    At its purest, there is little that can match the visceral thrill and empowering spirit of hardcore. As frontman of New York City hardcore kings Cro-Mags, this is something John Joseph knows very well, and with Up In Arms, he and his Bloodclot compatriots deliver a furious collection that hits hard on every level. "In this band we're doing what each of us have always done: give it our all," he states plainly.

    The results reflect the roots and passions of the individual members. Danzig/Murphy's Law guitarist Todd Youth was the first piece of the puzzle. "We've always talked about doing this record together, Todd had songs written and I had notebooks full of lyrics. In late September 2015, I went out to LA to do a triathlon and injured my calf muscle, so I couldn't race, and Todd said he could get some studio time. So, we went in and cut the demo. While there are things we may perceive as a negative in our lives, in fact the universe has a bigger plan, and that experience ultimately resulted in the record." Having been friends with Queens Of The Stone Age and Danzig powerhouse drummer Joey Castillo for three decades, the two musicians had long admired each other's work, and their collaboration has been a long time coming. Following Castillo's suggestion of bringing in Nick Oliveri (Queens Of The Stone Age/The Dwarves) to handle bass duties, the lineup was complete. The songs that comprise Up In Arms manifested after the quartet plugged in and let the music speak for them. "We didn't decide to try to play anything, these are the songs that happened when we started jamming, and I love this band because there are no egos involved. Our goal is to make the best music possible, period. I love it when those guys contribute with melodies, etc., and I've even helped with some of the arrangements. Because we all think alike, our lyrics deal with the issues of the day, and that makes for better songs."

    Every track on Up In Arms lives up to the rallying cry of the album's title - the bursts of high energy hardcore act as the perfect accompaniment to Joseph setting his sights on injustice and the seemingly endless flaws of the contemporary world. The breakneck thrashing of "Slow Kill Genocide" is an anthem for everyone sickened by those responsible for "killing the planet and all its inhabitants through industry and war. They're fucking maniacs and must be stopped." The suitably titled "Manic" attacks with bared fangs, Joseph making it clear that you can only push someone so far before they will react with violence - a call to arms for the disenfranchised who want tomorrow's world to be better than today's. Tracked at NRG in Los Angeles, the raw, old-school production that leaps out from the speaker comes courtesy of producer Zeuss (Hatebreed, Revocation), and the record was mixed by Kyle McAulay at NRG. From the moment the opening title track explodes to life, it's clear that everyone involved is having a blast and playing from the heart, and that this is no frills / no bullshit music at its most passionate - every song evoking mental images of utter chaos in a heaving mosh pit.

    For anyone approaching the album for the first time, Joseph has only this to say: "Turn the volume way the fuck up!" And with plans to tour everywhere, Bloodclot will be getting in a lot of faces in 2017 and beyond. "We are already writing material and the next album is in the works. But, for now, all we want is to hit the stage to support 'Up in Arms', and every single night leave every ounce of ourselves up there."

    BLOODCLOT is:

    John Joseph (Cro-Mags) - Vocals
    Todd Youth (ex-Murphy's Law, ex-Danzig) - Guitars
    Nick Oliveri (ex-Queens of the Stone Age) - Bass
    Joey Castillo (ex-Queens of the Stone Age, ex-Danzig) - Drums

    1. Father Of Lies
    2. This Is Exile
    3. Possession
    4. To All That Are Dead
    5. Exalt
    6. Somatically Incorrect
    7. Death Becomes Him
    8. Daemon
    9. Eternal Refuge
    10. Of Legions
    11. Messiahbolical
    Bloodclot
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
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