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2. Under The Screw
3. Warm And Low
8. Fire This Time
9. Feels Like A Weight Has Been Lifted
11. Sick Mind
12. Normal Love$19.99Vinyl LP - Sealed Buy Now
An Open Letter To The SceneReissued For The First Time Since 2010
Pressed On Colored Vinyl
Includes Bonus 2-Song 7" Vinyl
He may not be a mainstream mainstay, but mention the name Walter Schreifels to
anyone even tangentially involved in the punk or hardcore scene and chances are you'll be met
with borderline reverence. From his tenure in legendary hardcore bands like Gorilla Biscuits and
Youth Of Today to his work in the pioneering post-hardcore act Quicksand and cult favorites like
Rival Schools, Schreifels has proved himself to be one of the most talented and diverse songwriters
of his generation. Over two decades after GB released their landmark album Start Today,
Schreifels transcended his hardcore roots and showed another side of his constantly shifting skin
with his solo debut An Open Letter To The Scene.
From stripped-down acoustic meditations like the album's title track to Schreifels' psychedelic-tinged
cover of Agnostic Front's "Society's Sucker" and an intricately arranged version
of his CIV Classic "Don't Gotta Prove It," An Open Letter To The Scene is arguably the first
project Schreifels has ever recorded that manages to incorporate all of his diverse influences and
recontextualize them into a cohesive whole.1. Arthur Lee's Lullaby
2. She Is To Me
3. Society Suckers
4. Save The Saveables
6. Don't Gotta Prove It
7. Wild Pandas
9. Ballad Of Lil' Kim
10. Open Letter$19.99Colored Vinyl LP + 7 Vinyl - Sealed Buy Now
Manic Compression (Awaiting Repress)Pressed On 180 Gram White With Black Haze Vinyl
Manic Compression is the second and most recent studio album by American post-hard core band Quicksand, released on February 28, 1995 on the major label Island Records. The album is considered to be influential to many Post Hardcore and Alternative Metal bands and it is often viewed as the bands best work it is also the band's most successful release, peaking at number 135 on the Billboard 200.
Manic Compression would be Quicksand's last studio album before their first split in October 1995. They did work on a follow-up album during their 1997-1999 reunion, but it never materialized.1. Backward
5. Skinny (It's Overflowing)
6. Thorn In My Side
7. Landmine Spring
9. Brown Gargantuan
10. East 3rd St.
12. It Would Be Cooler If You Did$25.99180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
Slip (Awaiting Repress)Legendary NYC post-hardcore act Quicksand will be rereleasing a very special edition of their debut album, Slip via Shop Radio Cast. First official vinyl reissue of Quicksands major label debut ''Slip'' since its original pressing in 1993. Remastered and pressed on limited edition 180 Gram vinyl. Housed in a gatefold jacket and includes a Euro inner sleeve, never-before-seen photos, and a cover of The Smith's ''How Soon Is Now.''
Founded in 1990 by frontman Walter Schreifels, Quicksand rose to notoriety in the '90s, with many dubbing the band a key pioneer in New York City's post-hardcore scene. Along with a sophomore release, Slip launched the band on a series of North American and European tours in the '90s alongside the likes of Rage Against The Machine, Anthrax, and more. The band would eventually disband in 1999, but recently reunited for a one-night-only gig in June, 2012.
Remastered at Sterling Sound.Fazer
Head to Wall
Lie and Wait
How Soon Is Now? (Smiths cover)$24.99180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
Quicksand / Cradlesnakes (Deluxe)Deluxe Reissue Of Quicksand / Cradlesnakes - Califone's Second, Critically Acclaimed Full-length That Has Been Long Out-Of-Print
Includes Bonus LP With Previously Unreleased Tracks
In the summer of 2002, Tim Rutili and the rest of Califone had just come out of a busy year that included touring with Yankee Hotel Foxtrot-era Wilco and collaborating with Issac Brock's alter-ego project, Ugly Casanova. With new creative energy unlocked, the band began work on the follow-up to their breakout full-length debut, Roomsound. The result, the much-celebrated Quicksand / Cradlesnakes, brims with earned confidence.
Here, Califone began to master the mix of blues, country and technical glitchery so oft-referenced today, all the while creating something timeless. Quicksand / Cradlesnakes is rugged and elegant, dark and optimistic, familiar and entirely new. In a word it is beautiful.LP 1
3. Michigan Girls
4. Cat Eats Coyote
5. Your Golden Ass
7. Million Dollar Funeral
8. When Leon Spinx Moved Into 3. Town
9. Mean Little Seed
10. Vampiring Again
11. Slower Twin
1. When Leon Spinx Moved Into Town (6.18.03 - VPRO Radio, Amsterdam)
2. Slowness (califone + oRSo)
3. Ro (califone + oRSo)
4. Wednesdays (califone + orzo)
5. Kissing Cousin Wikkan (9.02 Cicero)
7. The Machines I Your Stomach Have Everything To Do With Your Dreams
8. Cat Eats Coyote (unedited)$23.99Vinyl LP - 2 LPs Sealed Buy Now
Ocean SongsThe emotionally churned fourth album from this heavyweight Australian trio takes we listeners on a ride of hope through the familar bogs of weariness and longing, beckoning us along through thick layers of guitar, violin and drums, until finally trapping us to smother in an inescapable quicksand of true beauty.1. Sirena
2. The Restless Waves
3. Distant Shore
4. Authentic Celestial Music
5. Backwards Voyager
6. Last Horse on the Sand
7. Sea Above, Sky Below
8. Black Tide
9. Deep Waters
10. Ends of the Earth$25.99Vinyl LP - Sealed Buy Now
Above & Down BelowAeges second full length album, Above & Down Below, sees them galloping confidently over any notion of a sophomore slump. Expanding upon the foundation of the sound that already drew influence from the 90s post-hardcore era, the new record mixes that same heavy edge of Quicksand with the more melodic heavy rock sheen of Soundgarden, Alice In Chains and Queens of the Stone Age. The album was mixed and mastered by Matt Hyde (Deftones, Slayer, Behemoth) at his home studio. Casey Howard (Mastodon, Deftones, The Mars Volta) handled the art direction, design and layout for the album.1. Echoes
2. The Hunter
6. My Last Words
10. The Line
11. Wasted Time
12. As I Grow Old$17.99Vinyl LP - Sealed Buy Now
Satisfaction Is The Death Of Desire (Awaiting Repress)Colored Vinyl
Take the fierce energy of a hardcore band, add a touch of metal and what you unleash is the perfect combination only known as New Haven CT's Hatebreed. Tired with the current state of heavy music singer Jamey Jasta wanted to asssemble music that would hit everyone over the head and begin the awakening.
Jamey states that was the reason we started this band. In Connecticut in 1993 people considered Quicksand hardcore and I'm thinking 'no way this is indie rock.' We wanted simple songs with simple song structures. All out brutality, 30 seconds and it is done. Aptly put by Thrasher, Hatebreed means business, they don't fuck around, and they don't waste your time.
Their 1997 Victory Records debut Satisfaction is the Death Is The Satisfaction of Desire is a certifiable hardcore phenomenon, a top selling release that continues to make strides and has sold more copies than any other debut in the history of the label. If you can't quite put your finger on it, Jamey will for you, This recording has that evil, it resides in all of us. It's what fuels us. Colored vinyl pressing from Victory Records with MP3 digital download.1. Empty Promises
2. Burn The Lies
3. Before Dishonor
5. Conceived Through An Act Of Violence
6. Afflicted Past
7. Prepare For War
8. Not One Truth
9. Betrayed By Life
10. Mark My Words
11. Last Breath
12. Burial For The Living
13. Worlds Apart
14. Driven By Suffering$15.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Displacement (Awaiting Repress)Cascading keyboards, unnerving guitars, off-kilter rhythms, and the grotesque lyricism of THE PHANTOM LIMBS forge a grandiose monument on the verge of collapse like a gothic cathedral built on quicksand.
Their unsettling ilk of carny death rock & punk draws comparisons to The Screamers and Christian Death or contemporaries like the Subtonix, but don't expect today's glut of punks-with-keyboards playing 80s redux! THE PHANTOM LIMBS have carved out a lonesome place for themselves, finding inspiration in Kurt Weill rather than Duran Duran & Culture Club.
Produced by Dan Rathbun of Sleepytime Gorilla Museum.1. Active Verbs
2. Castanets Cookie
3. Wrenches And Spoons
5. From A Distance
7. Ear To The Ground
8. Turtle Doves$7.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Moon QueenAsk anyone who lived through it and they'll tell you that the '70s will never be bettered for rock. Connecticut's Lord Fowl know this as well as anyone but rather than simply cruise by on retro clichÉs, they add touches of stoner, grunge and heavy psych to give their arena-worthy anthems a bit more kick. With a strong emphasis on soulful crooning, groove over heaviness and big choruses (and maybe a little cheese) they hit up stomping southern rock in the vein of Skynyrd (Quicksand), rip-roaring metal (Streets Of Evermore) and power-pop (The Queen Is Not Impressed) with flair, attitude and confidently understated guitarwork. The balance between poppier cuts and darker, more substantial numbers is a tricky one but the lunar luminaries pull it off comfortably. If you dig Mountain, Camaros and Pabst, these are your new brothers in arms.
- David Bowes
Rock-A-Rolla - January 13th, 20131. Moon Queen
2. Touch Your Groove
5. Streets of Evermore
6. Dirty Driving
7. Woman King
8. The Queen is Not Impressed
11. Hollow Horn
12. Pluto$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
With LovePrize Country click together perfectly. For the last 3 years it's if the only time they're not on tour is to write songs and record them. Having dished out a full length, a few EPs, and a bunch of splits they took some time to hone the songs that would comprise With Love, their second full length and debut for Hex Records. These four road dogs create music that is rooted in early 90's post-hardcore dynamics of sound, texture, and a good deal of heaviness that brings to mind Quicksand, Drive Like Jehu, Fugazi, as well as later-era Snapcase and then cranks the volume to obscene levels so as to destroy audiences right after they knock their socks off with their energy and musicianship. Prize Country will be tour throughout the Fall, covering these United States before embarking on a European tour in the Winter. After that, who knows? More than likely either back on the road or writing more songs in their never-ending quest for the perfect riff.1. From the Gutter
2. Regular Nights
3. It Was Night Just Like Tonight
5. Could Be a Knife
6. What We're Made Of
7. Bigger Picture
9. With Love$12.99Vinyl LP - Sealed Buy Now
Heat Wave (Awaiting Repress)Import
Born in Eufaula, Alabama, in 1941, the 3rd of 11 children, Martha Reeves moved with her family to the Motor City - Detroit, Michigan - when she was less than a year old. Like so many other R&B and soul singers of the era, she was raised on gospel and started singing in the church, but before long the secular interests of doo-wop and R&B won out and by the age of 18 she had joined her first vocal group, The Fascinations. In 1960 she joined the group that would eventually become Martha & The Vandellas (named after Martha's childhood street, Van Dyke, and her singing idol, Della Reese). After filling in on backup vocals for Marvin Gaye's classic "Stubborn Kind Of Fellow", the group signed their own recording contract with Motown's Gordy label. By the following year, they were having massive chart success with this album's title track, "Heat Wave", and "Quicksand" (both of which were written by the new songwriting trio of Holland-Dozier-Holland). Compiling many of those early hit singles in 1963, Heat Wave is a quintessential piece of the Motown Sound that every record collection needs.1. Heatwave
2. Then He Kissed Me
3. Hey There Lonely Boy
5. Danke Schoen
6. If I Had A Hammer
7. Hello Stranger
8. Just One Look
9. Wait Till My Bobby Gets Home
10. My Boyfriend's Back
12. Quicksand$32.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Huge Demand For Vinyl Pressing Of The Classic Release From Brand New
Gatefold Jacket With Original Artwork
Pressed On 180 Gram Black Vinyl
As the popularity of emo and punk-pop plateaued, many bands had a lot to prove to stay in the game. As of 2003, Brand New had sidestepped any notion that they'd be stuck in the prototypical mold found on Your Favorite Weapon. Unlike their debut, Deja Entendu isn't all about bitter breakups and doesn't fall into a permanent punk-pop hole. Produced by Steven Haigler (Pixies, Quicksand), this sophomore effort finds Brand New maturing, reaching for textures and song structures instead of clichÉs. They still, however, alternate their full-on blasts with slower acoustic work, which doesn't hurt. Many antiromantic lyrics such as my tongue is the only muscle on my body that works harder than my heart saturate the [album], but there's still some resentment with downers such as I hope you come down with something they can't diagnose and don't have a cure for. The Quiet Things That No One Ever Knows is one of the stronger tracks and isn't so much a fresh entry as it is a rewrite of their semihit Jude Law and a Semester Abroad. It's not quite dÉjà vu; it's just consistent. -Kenyon Hopkin (All Music Guide)LP 1
2. Sic Transit Gloria...Glory Fades
3. I Will Play My Game Beneath The Spin Light
4. Okay, I believe You But my Tommy Gun Don't
5. The Quiet Things That No One Ever Knows
6. The Boy Who Blocked His Own Shot
1. Jaws Theme Swimming
2. Me Vs. Maradonna Vs. Elvis
4. Good To Know That I Ever Need Attention
5. Play Crack The Sky$28.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Paul WalkerConsisting of Patrick Kindlon (End of A Year, Self Defense Family), Chris Villeneuve (drums), Nick Cogan (guitar), Cory Galusha (guitar) and Pat Wynne (bass), Drug Church is the sound garbage makes when thrown off a roof into the dumpster your dickhead boss rented for your underpaying contractor gig. Come back in a few weeks and steal the copper piping because there's no other benefit to the job and you're probably getting sick from asbestos, so to hell with it.
Borrowing heavily from bands like Seaweed and Quicksand, Drug Church released their debut, self-titled EP in July of 2012, the perfect record to listen to as you skate home from your night shift cleaning up puke in the bathroom of a Steak & Shake. It even scored the band a spot on Alternative Press' "100 Bands You Need To Know" list earlier this year!
2013 rolled around the guys took a break from delivering pizzas and entered the studio to record their first full-length, Paul Walker; surely named for their secret obsession with 'Varsity Blues' and 'Eight Below.' And the thought of letting these dudes wild again in the studio scared the shit out of No Sleep President Chris Hansen; rightfully so!
No Sleep offered us a bunch of money and suggested producers to record this LP with and we said, 'Bro. You forgot the struggle, you forgot the streets," Kindlon says. "We're recording this as the coregods intended: Quick and nasty.' So what's what we did. Pushpit.
Nonetheless, the guys somehow managed to crank out ten of the gnarliest tracks you'll hear all year long, including the new song, "Donny's Woods."
For everyone who ever thought about faking their own death, we present 'Donny's Woods' a song about how quickly people will forget about your ass, Kindlon tells AltPress.com.
One thing people won't forget though is how awesome Paul Walker is...oh and the album is pretty good too!1. Thinking About Joining Drug Church
2. Reading Youtube Comments
3. Clifton Country
4. Shopping For a Belt
5. Donny's Woods
6. Learning To Speak British
7. Attending a Cousin's Birthday Party
8. Deconstructing Snapcase
9. Thrill Hill
10. Riding the Bus To Schenectady$18.99Vinyl LP - Sealed Buy Now
Shed (Awaiting Repress)Originally formed in 2003 by guitarist/vocalist Jamie Rhoden and the twin brother duo of vocalist/bassist Ned Russin and drummer Ben Russin when the trio were barely teenagers, Title Fight started as a way for these young kids to explore their burgeoning love of hardcore. But after adding guitarist Shane Moran in 2005, something funny happened; their tireless practicing eventually transformed them into one of the most exciting hardcore acts in recent memory.
After releasing a handful of EPs and 7s as well as performing shows all over the world, Title Fight began attracting attention from fans and labels who were captivated by the way the band managed to put a modern spin on the melodic hardcore sound pioneered by acts like Gorilla Biscuits and Lifetime and in 2010 the members of Title Fight dropped out of college in order to tour full-time with acts such as New Found Glory, Four Year Strong and H20. It was also around this time that the band entered the studio with Gorilla Biscuits/Quicksand guitarist Walter Schreifels who agreed to produce the band and promptly drove down to Northeastern Pennsylvania to help them prepare to record their highly anticipated full-length debut Shed.
From there the band headed to Philadelphia to record Shed over a grueling two-week period at the legendary Studio 4. However all those long nights paid off as Shed sees the band implementing various subgenres that range from old-school hardcore to aggressive punk rock that make these twelve energetic anthems instant classics for a new generation of listeners searching for music that inspires them as much as Title Fight were inspired by their heroes.
Weve been a band for seven years and this is the first time weve had a recording thats longer than seven minutes long, says Ned Russin. The last year has been a crazy ride but the whole time weve always stayed true to the fact that were not trying to be anything were not, he summarizes. Were four friends that play in a band together and we would still be doing this whether we were playing to five people or five hundred of them.1. Coxton Yard
3. Flood of '72
5. You Can't Say Kingston Doesn't Love You
6. Crescent-Shaped Depression
7. Safe In Your Skin
8. Where Am I?
9. Your Screen Door
12. GMT (Greenwich Mean Time)$13.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
As Good As DeadLocal H will dig into their back catalog and release their breakthrough album As Good As Dead on 180 gram vinyl via srcvinyl. This re-issue marks the first time that the album will ever be available in this format. The high-quality, double LP will have a premium gatefold jacket and insert.
As Good As Dead, Local H's second full-length album, was produced by Steven Haigler (Quicksand, Pixies) and was originally released on April, 16, 1996 on Island Records on CD and cassette. The record was the band's first foray into making a concept album and is centered around life in a dead-end, small town. Venerable rock critic Robert Christgau gave the album a stellar A- review in the Village Voice, writing, at the time, "...I wish Pearl Jam, whose leader stars in the title song, packed such isometric power -- that sense of tremendous force bravely exerted against implacable reality -- and I say the exercise makes all of us stronger."
"The question I get asked the absolute most is when are we gonna put the older records out on vinyl?" says Local H frontman, Scott Lucas. "Here's the answer -- in the best possible way. The package is looking pretty good and I'm ALMOST as excited as anybody to finally drop the needle on this album -- on double vinyl, at last."
As Good As Dead spawned four modern rock radio hits including the above-referenced "Eddie Vedder," "Fritz's Corner," "High-Fivin' MF" and "that copacetic song" -- "Bound for the Floor," a track that remains a staple on alternative radio station playlists around the the country two decades later. The band made videos for each of the singles.
Local H, whose members during this time period were Lucas and original drummer Joe Daniels, toured the U.S. non-stop for two years after As Good As Dead was released, headlining their own small and large club shows; opening for Silverchair in bigger venues and Stone Temple Pilots in even bigger arenas (including Madison Square Garden in New York and Rosemont Horizon in Chicago); and performing to audiences of thousands at radio station festivals across the the country, including 1997's HFStival at RFK Stadium in Washington, DC. They toured Australia and played some played some European shows on this album, as well.LP 1
1. Manifest Density Pt. 1
2. High-Fiving MF
3. Bound For The Floor
4. Lovey Dovey
5. I Saw What You Did And I Know Who You Are
6. No Problem
7. Nothing Special
1. Eddie Vedder
2. Back In The Day
3. Freeze-Dried (F)lies
4. Fritz's Corner
6. Manifest Density Pt. 2$32.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
SONM-EPI-5318xBurn The Priest (Lamb Of God)
Legion: XXPressed On Green Smoke-Colored Vinyl
RIAA-certified, Billboard chart-topping, Richmond, VA band LAMB OF GOD may be one of the biggest bands in modern metal, but they will never forget where they came from. Mark Morton (guitar), John Campbell (bass), and Chris Adler (drums) formed the first incarnation of the band, BURN THE PRIEST, in the winter of 1994 after meeting four years earlier as students at Virginia Commonwealth University. Less than a year later, in the summer of 1995, they met vocalist Randy Blythe before adding Chris Adler's brother, Willie Adler (guitar), prior to transitioning to LAMB OF GOD - and the rest is global metal history.
Guitarist Mark Morton says, "To truly understand the essence of the band BURN THE PRIEST, one must first consider the landscape in which it began: the mid-90s. Grunge and alternative music ruled the airwaves. Social media and the internet had yet to assume their role as our collective sources for entertainment and cultural exchange. It was a time when DIY 'zines turned us onto new bands and regional scenes, and 'copy and paste' still implied a print shop and a glue stick."
BURN THE PRIEST's self-titled debut album, released via Philadelphia-based Legion Records, documented what was, in essence, a primal punk band performing metal. Ultimately, as they grew in local popularity, the five-piece chose to stray away from their name to avoid being associated with satanic metal, choosing the name LAMB OF GOD.
Morton continues, "As our sound and songs developed, so did our goals we began playing basement parties and warehouse shows and in doing so, we realized that the energy we were creating was transferable. The shows we played in those squats and warehouses [in Philadelphia] and the people we met there are forever embedded in our collective consciousness and the DNA of our band."
As they enter their 20th year since releasing their first self-titled album as BURN THE PRIEST, the band will release a full-length covers album that reflects on the greatness of classic punk, hardcore, crossover and noise - rock subgenres that contributed to what LAMB OF GOD - and indeed, the world - now view as modern heavy metal.
As BURN THE PRIEST, the band presents Legion: XX - featuring tracks originally performed by CRO-MAGS, AGNOSTIC FRONT, QUICKSAND, MINISTRY, BAD BRAINS, MELVINS, S.O.D., THE ACCUSED, BIG BLACK and Richmond punk band SLIANG LAOS. The tracks are performed with the unmistakable precision that has kept the band vital for two decades, but ultimately harks back to the raw, punk-driven sound first explored by four unsuspecting college students and a line cook-turned-vocalist in their formative years. Produced with Josh Wilbur at the helm, Legion: XX exhibits BURN THE PRIEST in their true element.
"Our inauspicious beginnings somehow grew into something none of us had ever even imagined possible, let alone aspired to, however, this is the story of BURN THE PRIEST," adds Morton. "The songs we chose to cover on this album reflect that story. They are touchstones from that point in time. The inspiration we gleaned from these bands and these songs carries through our work and our creative pursuits, even to this day. Many thanks to these bands for lighting our fire and endless gratitude to our fans around the world for keeping it lit."
"I've been an ACCUSED fan since I was 14 when they were on the »Thrasher Skate Rock Volume 3« compilation with C.O.C. and all these amazing crossover bands," says frontman Randy Blythe. "Their singer Blaine Cook was a huge influence on me, vocally."
Drummer Chris Adler recalls, "'Inherit The Earth' hit me in the face soon after I managed to get my grubby mitts on the album sometime around '88. I got the ACCUSED record at a "Yellow Banana" record store on Route 1 south of DC while in route back from my "counselor" to my home in Woodbridge, Virginia. I got home and grabbed my board and I rocked it on my Discman. At about 2:12 into the tune the clouds parted above me and on a loudspeaker, God bellowed down to me, 'RECEIVE YOUR PURPOSE.' That was the moment I knew that if I tried hard enough, I could convey myself and how I felt - with music. It will never be "ours," and we know that about all the tunes we've covered, but hopefully one of them hit you in the face as I had been, and God will part the clouds for you, too."
Blythe adds, "I have a radio show on Gimmie Radio, and [the station] is all metal shows except for mine. I do the punk rock show because I want to show the direct correlation between my band, and the punk scene going back to THE MC5 and THE STOOGES. There is a direct link - look at old pictures of METALLICA, SLAYER and ANTHRAX, and they're wearing MISFITS, D.R.I., and C.O.C. t-shirts. They fused the technicality of metal with the intensity of punk rock. Before them, metal was like in slow motion. Speed metal bands were listening to DISCHARGE. I beat that drum all the time when I talk to kids."
Legion: XX is a sonic tribute to metal's dark, dirty secret - the punk inspiration of all future heavy music to come.1. Inherit The Earth (originally performed by THE ACCUSED)
2. Honey Bucket (originally performed by MELVINS)
3. Kerosene (originally performed by BIG BLACK)
4. Kill Yourself (originally performed by S.O.D.)
5. I Against I (originally performed by BAD BRAINS)
6. Axis Rot (originally performed by SLIANG LAOS)
7. Jesus Built My Hotrod (originally performed by MINISTRY)
8. One Voice (originally performed by AGNOSTIC FRONT)
9. Dine Alone (originally performed by QUICKSAND)
10. We Gotta Know (originally performed by CRO-MAGS)$19.99Colored Vinyl LP - Sealed Buy Now
Tyler Bryant And The ShakedownA Band On The Verge Of Rock N Roll Greatness!
After carving out a fervent fan base and drawing widespread critical applause with their heady, high-voltage brand of guitar-driven rock, shooting from both hip and heart, Nashville's Tyler Bryant & The Shakedown find themselves at the epicenter of an advanced rock 'n' roll adventure that continues to take them around the world, appearing at some of the biggest venues along the way
Starting with a guest spot on AC/DC's 'Rock or Bust' World Tour in 2016, the quartet - Caleb Crosby on drums, Noah Denney on bass and backing vocals, Graham Whitford on guitar and Texas-born Tyler himself on vocals and guitar, a musician immersed in blues music from an early age - have continued to share events and stages with some of rock's most legendary names, including Guns N' Roses, Tom Petty & the Heartbreakers, Aerosmith, Deep Purple and ZZ Top.
At the same time as projecting their music into stadiums, Tyler Bryant & The Shakedown - The Shakedown to friends and fans - have continued to build their name and reputation as a headline act, and indeed it was backstage after a sold-out, bill-topping show in London (June 2017) that the band signed their new deal with Snakefarm Records - the most immediate and exciting result being an 11-track, self-titled studio album set to be the label's inaugural release, with November 3rd locked in as the day of the launch
"So many great things have happened over the past few months," exclaims Caleb, "and it's all just so surreal. I remember seeing that Guns N' Roses were playing two stadium shows in London on June 16th and 17th earlier this year, which are birthdays for Noah and myself, back to back, and I said wouldn't it be amazing if we appeared on both of those shows and we did!"
Rewinding back to 2008, Tyler moved to Nashville by himself at the ripe age of 17 to write songs and form a band. It was here he met Caleb, and together they put together what would become The Shakedown
"The instant we started playing, I knew there was something special," reflects Caleb. "We played our first show a week later and haven't stopped since!"
The next addition to the ranks was Graham Whitford, a young guitarist from Boston, Massachusetts. Introduced to Tyler as the guy who could put him out of a job, it was clear from the start that Whitford was a force to be reckoned with. As soon as Tyler heard him play, he asked him to uproot and move to Nashville to join the band.
All that was needed now was the right bassist: enter Noah Denney, who instantly added a whole new dimension to The Shakedown's sound. As Tyler recalls, "his bass sound scared me and he brought an edge and an attitude to the band that we didn't even know we needed."
2013's 'Wild Child' album announced the quartet's arrival with a bang as they logged time on the road with the likes of Aerosmith, Jeff Beck & ZZ Top, while receiving the endorsement of Guitar World, Rolling Stone, Los Angeles Times, Nylon, Interview Magazine and Paste. Taking over TV, they lit up the stage at both Jimmy Kimmel LIVE! and AXS Live.
Following the release of 'The Wayside' EP (2015, produced by Grammy Award winner Vance Powell), the boys crisscrossed the country alongside Billy Gibbons & AC/DC on that celebrated 2016 run. April 2017 found them without a label and only a month out from joining Guns N' Roses on a European tour
"We had just decided to self-produce a record completely on our own," says Tyler. "I'll never forget driving home that morning and getting a call from our manager saying, 'You wanna go back to Europe with Guns N Roses?' That was a great kick-start to the first day of tracking."
So they hunkered down and set about writing & recording their second full-length album, with John Fields (Soul Asylum, Paul Westerberg) coming on board to handle the mix. Blending a sense of history with a youthful, energetic heartbeat, this anticipated outing features a host of brand new tracks, some of which have become staples of the live set. It also stands as the start of a relationship with the newly-launched Snakefarm label.
Housed within the global infrastructure of Spinefarm Records (a UMG label), the Snakefarm brand will provide a targeted home for international artists, both established and new, from the increasingly buoyant roots rock world - music based on authenticity and emotion, under-pinned by core values and beliefs.
In this respect, Tyler Bryant & The Shakedown - who can lay claim to a fast-growing international presence, with major UK festivals such as Download, Ramblin' Man and British Summer Time already under their belt, alongside headline shows plus guest appearances with Nashville neighbors The Cadillac Three - are a flagship representation; what's more, in 'Tyler Bryant & The Shakedown' they've delivered a genuine genre-defying labour of love, a varied and infectious statement shot through with passion, pride and a welcome dash of glamour.
"This is the definitive Shakedown record as of now, and that's why we decided it should be self-titled," explains a fired-up Tyler. "It's the definitive Shakedown record due to the fact there were no other cooks in the kitchen. We put so much energy into writing and recording each song. It's not just a guitar album; it's a song album, and I'm proud to hang my hat on this one."
The first single / video, 'Heartland', introduces Tyler Bryant & The Shakedown with a one-two punch of gritty guitars and soulful vocals before slipping into a hypnotic bridge punctuated by airy clean guitars. Tyler sings, "There's a slow beat in the heartland, going down in the quicksand, stack 'em up and watch the cards fall, if it happens to one, then it happens to all".
"It's no secret that there's crazy stuff going on all over the world right now. There's madness all around and people are constantly picking sides. Every night when the Shakedown takes the stage, I'm amazed that music brings people together. Nobody is thinking about what side they're on when they're singing at the top of their lungs next to a complete stranger. I thought maybe through music I could remind myself and our TBSD family that when one person falls, the rest of us do, too. I wanna get together with a bunch of folks and sing that sentiment because it's one I strongly believe in.
Elsewhere, 'Backfire' struts along on a stomping drum groove driven by thick distortion with lyrics "about pulling the short end of the straw and feeling vengeful". Then there's 'Aftershock'. Hinging on hummable riffing, the track simmers at a steady swamp crawl before the Sabbathian refrain.
"That's a tune about feeling the effects of a situation long after it's come and gone.
As Tyler Bryant & The Shakedown spend 2017 lighting up stages with the likes of Guns N' Roses (again), The Who & Alice Cooper - as well as making their first appearance at Rock In Rio - this new album sees them fully realize their vision with a sound that resounds above the bleachers, plus a collective desire to keep the entertainment flag fully unfurled
"I want people to put this on and literally escape," Tyler leaves off. "I hope they feel free. That's what rock 'n' roll makes me feel. You don't have to think about your bills or any of the other things that have the power to bring you down when you've got your fist up in the air, your eyes closed and you're lost in the music. Angus Young told me, 'You've got to make the audience think you're taking them on a journey, and they'll go with you. If you believe it, they will too'. I believe it with this record."1. Heartland
2. Don't Mind The Blood
3. Jealous Me
5. Ramblin' Bones
6. Weak And Weepin'
7. Manipulate Me
8. Easy Target
9. Magnetic Field
11. Into The Black$29.99Vinyl LP - Sealed Buy Now