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  • Live In San Jose - September 1966 Live In San Jose - September 1966 Quick View

    $24.99
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    Live In San Jose - September 1966

    One of the earliest live recordings of the quintessential San Francisco psychedelic jam band, the legendary Quicksilver Messenger Service! Features original vocalist Jim Murray alongside the classic Cipollina-DuncanFreiberg-Elmore quartet performing their trademark tunes plus rare numbers such as "Walkin' Blues" and "All Night Worker!" Includes liner notes from rock historian Dave Thompson!
    1. All Night Worker
    2. Walkin' Blues
    3. I Hear You Knockin'
    4. If You Live (Your Time Will Come)
    5. Smokestack Lightning
    6. Who Do You Love?
    7. Back Door Man
    8. Acapulco Gold & Silver
    9. Cod'ine
    10. The Fool
    Quicksilver Messenger Service
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Fillmore Auditorium - February 5, 1967 Fillmore Auditorium - February 5, 1967 Quick View

    $29.99
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    Fillmore Auditorium - February 5, 1967

    One of the very earliest known live recordings by psychedelic jam band legends who conquered San Francisco and later the world, Quicksilver Messenger Service!


    Features the rare Jim Murphy-led 5 piece line-up laying down the acid blues grooves the band would follow throughout their career with tracks such as "Suzy Q," "Smokestack Lightnin'," "Babe I'm Gonna Leave You," "Hoochie Coochie Man," and more!

    LP1
    1. Suzy Q
    2. I Hear You Knockin'
    3. Dandelion
    4. Acapulco Gold & Silver
    5. You Don't Love Me
    6. Cod'ine
    7. Instrumental
    8. Smokestack Lightnin'


    LP2
    1. Dino's Song
    2. Walkin' Blues
    3. Drivin' Wheel (It's Been Too Long Now)
    4. Babe I'm Gonna Leave You
    5. Hey Mama
    6. Hoochie Coochie Man
    7. All Night Worker
    8. Stand By Me

    9. Pride of Man

    Quicksilver Messenger Service
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Live At Winterland Ballroom in San Francisco Live At Winterland Ballroom in San Francisco Quick View

    $32.99
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    Live At Winterland Ballroom in San Francisco

    Despite being at the tail end of Quicksilver's career, this live date from Winterland on December 1, 1973 shows that they were still a force to be reckoned with live. Headlining a bill that also featured Cippolina's new project, Copperhead, as well as the Sons Of Champlin, Quicksilver rip through a number of classics from their catalog. Though primarily Valenti's band towards the end, this live set features all of the original members and is a particularly rollicking live effort. Presented here in a deluxe clear vinyl addition with a bonus CD featuring extra tracks.
    1. Losing Hand
    2. What About Me
    3. Who Do You Love?
    4. Play My Guitar
    5. Mojo
    6. The Hat


    CD Bonus Tracks:
    1. Jam #1 At The Winterland Ballroom
    2. Jam #2 At The Winterland Ballroom

    Quicksilver Messenger Service
    $32.99
    Clear Vinyl LP + CD - Sealed Buy Now
  • Quicksilver Messenger Service (Pure Pleasure) Quicksilver Messenger Service (Pure Pleasure) Quick View

    $34.99
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    Quicksilver Messenger Service (Pure Pleasure)

    Quicksilver Messenger Service's debut effort was a little more restrained and folky than some listeners had expected, given their reputation for stretching out in concert. While some prefer the mostly live Happy Trails, this self-titled collection is inarguably their strongest set of studio material, with the accent on melodic folk-rock. Highlights include their cover of folksinger Hamilton Camp's Pride of Man, probably their best studio track; Light Your Windows, probably the group's best original composition; and founding member Dino Valenti's Dino's Song (Valenti himself was in jail when the album was recorded). Gold And Silver is their best instrumental jam, and the 12-minute The Fool reflects some of the best and worst traits of the psychedelic era.



    Musicians:



    • John Cipollina, Gary Duncan (guitar, vocal)

    • David Frieberg (bass, vocal)

    • Greg Elmore (drums, percussion)




    Production: Nick Gravenites, Harvey Brooks & Pete Welding



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.




    This title is not eligible for discount.

    1. Pride Of Man
    2. Light Your Windows
    3. Dino's Song
    4. Gold And Silver
    5. It's Been Too Long
    6. The Fool
    Quicksilver Messenger Service
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Quicksilver Anthology Quicksilver Anthology Quick View

    $39.99
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    Quicksilver Anthology

    Mastered by Joe Reagoso from the Original Capitol Records Tapes w/ Ron McMaster


    Along with fellow superstars Jefferson Airplane, Steve Miller Band and The Grateful Dead, Quicksilver Messenger Service were one of the first Bay Area rock acts that helped usher in the progressive rock/acid rock movement during the height of the Summer Of Love in San Francisco. With its core line-up of David Freiberg, Dino Valenti, Greg Elmore, Gary Duncan, Nicky Hopkins and John Cipollina, this amazing band truly delivered many fine recordings during their successful reign at Capitol Records.


    Anthems of the era still resonate today with society issues and world problems as Quicksilver foretold with their classic signature tunes like Fresh Air, What About Me, Hope and Pride Of Man. With the superstar talents that made up this band over the years, it was not uncommon to hear radio stations play entire sides of their revolutionary albums during the dawn of FM and underground radio.


    Capitol Records awarded Quicksilver and their huge fan base with a very extensive and amazing Greatest Hits package called Anthology back in 1973. Right from the start you get a healthy three track serving from their first monster release Quicksilver Messenger Service, along with more solid tunes from other fine albums like Happy Trails, Shady Grove, Just For Love, What About Me and others classics.


    Out of print for many years, Friday Music has announced the first time 180 Gram Audiophile Vinyl release of their classic Capitol Records release Quicksilvers Anthology on Friday Music. This amazing album features 16 of their most important songs from their legendary albums from 1967 through 1973. From the early acid rock sounds of Dinos Song and the 12 minute epic The Fool, to later day hits like the aforementioned Fresh Air, What About Me and Just For Love, this album truly shows the relevance and importance of this sorely missed iconic band.


    Mastered impeccably from the original Capitol Records tapes by Joe Reagoso and Ron McMaster, this super limited edition album also boasts the original gatefold cover album art, including the silver on black embossed Quicksilver logo. The two HQ vinyl LPs are also protected by poly lined sleeves, as well as a poly bag to help keep the album cover and albums in great condition.

    LP 1

    1. Pride of Man (1967) [from Quicksilver Messenger Service]
    2. Dino's Song (1967) [from Quicksilver Messenger Service]
    3. The Fool (1967) [from Quicksilver Messenger Service]
    4. Bears (1968) [45 RPM only single release]
    5. Mona (1969) [from Happy Trails]
    6. Edward, the Mad Shirt Grinder (1969) [from Shady Grove]


    LP 2
    1. Three or Four Feet from Home (1969) [from Shady Grove]
    2. Fresh Air (1970) [from Just For Love]
    3. Just for Love (1970) [from Just For Love]
    4. Spindrifter (1970) [from What About Me]
    5. Local Color (1970) [from What About Me]
    6. What About Me (1970) [from What About Me]
    7. Don't Cry My Lady Love (1971) [from Quicksilver]
    8. Hope (1971) [from Quicksilver]
    9. Fire Brothers (1971) [from Quicksilver]
    10. I Found Love (1971) [from Quicksilver]

    Quicksilver Messenger Service
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Buy Now
  • Happy Trails (Pure Pleasure) Happy Trails (Pure Pleasure) Quick View

    $34.99
    Buy Now
    x

    Happy Trails (Pure Pleasure)

    Ranked 189/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.

    Without question, this follow-up to Quicksilver Messenger Service's self-titled debut release is the most accurate in portraying the band on vinyl in the same light as the group's critically and enthusiastically acclaimed live performances. The album is essentially centered around the extended reworkings of Bo Diddley's Who Do You Love? and Mona, as well as the lesser lauded - yet no less intense - contribution of Gary Duncan's (guitar/vocals) Calvary. This album is the last to feature the original quartet incarnation of QMS. The collective efforts of John Cipollina (guitar/vocals), Greg Elmore (percussion), David Freiberg (bass/vocals), and the aforementioned Duncan retain the uncanny ability to perform with a psychedelic looseness of spirit, without becoming boring or in the least bit pretentious. The side-long epic Who Do You Love? suite is split into an ensemble introduction and coda as well as four distinct sections for the respective bandmembers.



    Musicians:



    • John Cipollina (guitar)

    • Gary Duncan (guitar, vocals)

    • David Freiberg (bass, vocals)

    • Greg Elmore (drums, percussion)




    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.




    This title is not eligible for discount.

    1. Who Do You Love - Part 1
    2. When You Love
    3. Where You Love
    4. How You Love
    5. Which Do You Love
    6. Who Do You Love - Part 2
    7. Mona
    8. Maiden of the Cancer Moon
    9. Calvary
    10. Happy Trails
    Quicksilver Messenger Service
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Live At The Winterland Ballroom - December 1, 1973 Live At The Winterland Ballroom - December 1, 1973 Quick View

    $39.99
    Buy Now
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    Live At The Winterland Ballroom - December 1, 1973

    Packaged with rare photos and detailed liner notes by rock historian Dave Thompson!


    A very special night in the career of San Francisco's legendary psychedelic jam band captured for posterity on this exquisitely packaged double LP gatefold vinyl!


    Though longtime QMS guitarist John Cipollina had left the band by this time, he joins the band on stage (as does recently dismissed bassist Dave Freiberg) for a rousing reunion and leads
    them through fiery renditions of QMS classics!

    1. Losing Hand
    2. Play My Guitar
    3. Mojo
    4. What About Me?
    5. The Hat
    6. Who Do You Love?
    7. Jam 1
    8. Jam 2
    Quicksilver Messenger Service
    $39.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Stony Brook College New York 1970 Stony Brook College New York 1970 Quick View

    $29.99
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    Stony Brook College New York 1970

    A stunning 2LP live album from San Francisco psychedelic masters Quicksilver Messenger Service mesmerizing a New York audience with heavy blues jams and extended freakouts! This line-up of the band featured renowned keyboardist Nicky Hopkins, who had previously recorded with The Beatles, The Stones, The Who and more!
    LP1
    1. Baby Baby
    2. Subway
    3. Too Far
    4. Warm Red Wine
    5. The Truth
    6. Mona
    7. Long Haired Lady


    LP2
    1. Mojo
    2. Pride Of Man
    3. Edward The Mad Shirt Grinder
    4. Who Do You Love

    Quicksilver Messenger Service
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Live At The Fillmore - June 7, 1968 Live At The Fillmore - June 7, 1968 Quick View

    $29.99
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    Live At The Fillmore - June 7, 1968

    Collector's edition double LP set of psychedelic supergroup Quicksilver Messenger Service performing live at the height of their powers!


    Classic line-up featuring the twin guitar attack of Gary Duncan and John Cipollina tearing through the band's best songs including "Pride Of Man,"
    "Acapulco Gold & Silver," and "Light Your Windows" PLUS blues classics "Who Do You Love?," "Mona" and more!


    Packaged with detailed liner notes and rare photos!

    LP1
    1. Pride of Man
    2. If You Live (Your Time Will Come)
    3. Dino's Song
    4. Smokestack Lightnin'
    5. Codine
    6. Light Your Windows
    7. Mona
    8. Calvary


    LP2
    1. Back Door Man
    2. Acapulco Gold & Silver
    3. Who Do You Love?
    4. The Fool

    Quicksilver Messenger Service
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Mad River Mad River Quick View

    $24.99
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    Mad River

    By far the most ominous-sounding of the Bay Areas 1960s psychedelic bands, the music of Berkeleys Mad River comes across like a spiraling, acid-spiked descent into hell. With a raw, garagey style marked by Lawrence Hammonds quavering vocals and the interlocking exchanges of guitarists David Robinson and Rick Bockner, Mad Rivers sound conjures a darker, more menacing version of Quicksilver Messenger Service or early Country Joe and The Fish. No wonder the quintets self-titled 1968 debut has long been at the top of many collectors want lists. Mad Rivers tabs of tortured soulcuts like the lysergic opening rush of Merciful Monks, the lengthy, labyrinthine The War Goes On, and the truly demented Amphetamine Gazelleadd up to one cathartic ride, a ride that psych-heads will be tripping all over themselves to take again and again. Sundazeds exact reproduction of this lost classic is sourced directly from the original Capitol Records stereo masters.

    1. Merciful Monks

    2. High All The Time

    3. Amphetamine Gazelle

    4. Eastern Light

    5. Wind Chimes

    6. War Goes On

    7. Hugh Julian
    Mad River
    $24.99
    Vinyl LP - Sealed Buy Now
  • Live at the Old Mill Tavern 3/29/70 Live at the Old Mill Tavern 3/29/70 Quick View

    $39.99
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    Live at the Old Mill Tavern 3/29/70

    A vintage live album from a newly reunited 6-piece
    lineup of San Francisco's premier psychedelic jam
    band, Quicksilver Messenger Service!


    With Dino Valenti back at the helm as lead vocalist
    and keyboard wizard Nicky Hopkins (Rolling Stones)
    on board alongside the classic Cipollina-DuncanFreiberg-Elmore quartet, QMS rips through several new songs and old favorites with a outrageous energy and spirit!


    Also includes the legendary blues harpist James
    Cotton trading licks with the band on 2 extended jam sessions!

    1. Subway
    2. The Truth
    3. Mona
    4. Baby Baby
    5. Rain
    6. Mojo
    7. Blues Jam #1 feat. James Cotton
    8. Blues Jam #2 feat. James Cotton
    Quicksilver Messenger Service
    $39.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Fillmore Auditorium - November 5, 1966 Fillmore Auditorium - November 5, 1966 Quick View

    $39.99
    Buy Now
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    Fillmore Auditorium - November 5, 1966

    One of the earliest live performances ever recorded by these icons of the San Francisco music scene, presented on double LP gatefold vinyl!


    Features early vocalist Jim Murray (prior to the return of Dino Valenti) singing and playing harmonic in this ripping set that includes such fan favorites as "I Hear You Knockin'," "Smokestack Lightnin'," "Susie Q," "Pride Of Man," and more! Comes with a full color booklet with detailed liner notes and reproductions of several vintage concert posters!

    1. Dino's Song
    2. Hair Like Sunshine (Long Distance Call)
    3. I Hear You Knockin'
    4. Babe, I'm Gonna Leave You
    5. Smokestack Lightnin'
    6. If You Live (Your Time Will Come)
    7. All Night Worker
    8. Got My Mojo Workin'
    9. You Don't Love Me
    10. Susie Q
    11. Hoochie Coochie Man
    12. Acapulco Gold And Silver
    13. Stand By Me
    14. Pride Of Man
    Quicksilver Messenger Service
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Live At The Old Mill Tavern Live At The Old Mill Tavern Quick View

    $32.99
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    Live At The Old Mill Tavern

    One of the most highly regarded live recordings of the band's career, this early 1970 date features the Just For Love/What About Me line-up with the addition of blues harp legend James Cotton. Culling together material from What About Me and 1971's Quicksilver as well as some great blues based jams, this title is an all-time live Quicksilver classic and this deluxe packaged edition with clear vinyl and a bonus CD featuring extra tracks from the same date is the only way to own it!
    1. Subway
    2. The Truth
    3. Rain
    4. Mona
    5. Baby Baby
    6. Mojo
    Quicksilver Messenger Service
    $32.99
    Clear Vinyl LP + CD - Sealed Buy Now
  • The Time Is Right The Time Is Right Quick View

    $54.99
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    The Time Is Right

    A soul survivor in every sense of the term, this alto saxophonist is one of the few remaining jazz artists who made a major impact on the jazz community via an extensive run with producer Alfred Lion and the Blue Note label (Horace Silver being another Blue Note legend that comes to mind). From his first recordings for the label with Art Blakey's Jazz Messengers, it was clear that Lou Donaldson put melody and sound at a premium, coming up with an amalgam that combined the creamy smoothness of Johnny Hodges with the quicksilver bop inflections of Charlie Parker. All About Jazz


    This title is not eligible for discount.

    1. The Nearness Of You
    2. Mack the Knife
    3. Lou's Blues
    4. Be My Love
    5. Tangerine
    6. Crosstown Shuffle
    7. Idaho
    Lou Donaldson
    $54.99
    180 Gram Audiophile Virgin Vinyl 45RPM LP - 2 LPs Sealed Buy Now
  • Dub Egg Dub Egg Quick View

    $17.99
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    Dub Egg

    Following up on last year's acclaimed limited-edition LP for Mexican Summer, the Austin-based quartet The Young (guitarist/vocalist Hans Zimmerman, bassist Jason Costanszo, guitarist Kyle Edwards and drummer Ryan Maloney) make their proper debut with a crafted, explosive record best summed up as "classic Matador meets classic rock."


    After a year sharing the stage with Sic Alps, Kurt Vile, Pierced Arrows, Endless Boogie and other masters of modern rock guitar, their meticulous interplay has become both uncanny and unstoppable. Dub Egg is a shimmering, incandescent approach to classic forms that nobody could have imagined from these guys a couple years ago. The album carries echos of Crazy Horse, Television, Quicksilver Messenger Service, the Dream Syndicate as well as the aforementioned.


    Recorded in a woodland cabin, all-analog and self-produced, this exceptionally beautiful sounding rock album, to be released on Matador Records, is the sort of expansive, guitar masterclass (never at the expense of terrific songs, mind you) they've only hinted at previously.

    1. Livin' Free
    2. Don't Hustle For Love
    3. Dance With The Ramblers
    4. Poisoned Hell
    5. Only Way Out
    6. Plunging Rollers
    7. White Cloud
    8. NUMB
    9. The Mirage
    10. Talking To Rose
    The Young
    $17.99
    Vinyl LP - Sealed Buy Now
  • Dino Valente Dino Valente Quick View

    $17.99
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    Dino Valente

    First Ever Vinyl Re-Issue Of The 1968 Psych Classic By Dino Valente


    First Time Commercially Available In MONO


    Recorded Under The Supervision Of Bob Johnston (Dylan, Cohen, Cash)


    Original Liner Notes By Ralph Gleason


    What was going on in 1968 when Dino Valente recorded this album? Well, he had already written 'Get Together' for the Youngbloods, been in and out of jail a couple of times, and put in time as lead vocalist for San Francisco's Quicksilver Messenger Service. While bouncing around Manhattan's East Village, Valente then teamed up with famed Dylan producer Bob Johnston to record his only solo effort. This album typifies the hippie-folk-troubadour syndrome with strumming, reverb-laden 12-string guitar and romantic odes of passion and heartbreak. Valente's pliant warble practically floats alone on these strange songs. While this music is folkish in nature, Valente's vocals display an offbeat, almost jazzy inflection reminiscent of the late Tim Buckley. - Mitch Myers

    1. Time
    2. Something New
    3. My Friend
    4. Listen To Me

    5. Me And My Uncle

    6. Tomorrow
    7. Children Of The Sun

    8. New Wind Blowing
    9. Everything Is Gonna Be OK
    10. Test
    Dino Valente
    $17.99
    Vinyl LP Reissue Mono - Sealed Buy Now
  • Neighb'rhood Childr'n Neighb'rhood Childr'n Quick View

    $24.99
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    Neighb'rhood Childr'n

    When Dyan Hoffman, Rick Bolz, Ron Raschdorf and W.A. Farrens drove 350 miles through the mighty redwood groves down to San Francisco to cut their first album at Leo de Gar Kulka's Golden State Recorders, they couldn't have picked a better time. It was the summer of 1967, now known as the Summer Of Love, and San Francisco was inundated with young people from all over the world, spurred on by a blossoming rock scene that included Jefferson Airplane, Big Brother and the Holding Co. and the Grateful Dead. And yet, none of those legends in the making ever cut an album as hard to find these days, extremely rare and collectible, as this LP by the Neighb'rhood Childr'n.


    Not only is their record hideously hard to find, it's amazingly groovy coming from four kids from a rural background. Dyan's voice has the earnest zeal of a young Grace Slick, and the complex arrangements run the table from acid-soaked tripsichord to fiery anthems meant to spur on a new generation of street-fighting men as well as lonely navigators of the mind. Not surprisingly, Dyan reveals that some of this amazing material was inspired by seeing Quicksilver Messenger Service for the first time. They were always my favorite group, she says. It just goes to show what you can soak up and give back to the world if your heart is in the right place.

    1. Up Down Turn Around World

    2. Long Years In Space
    3. Feeling Zero
    4. Over The Rainbow
    5. Changes Brought To Me
    6. Please Leave Me Alone
    7. Chocolate Angel
    8. Happy Child
    9. Patterns
    10. Happy World Of Captain K
    11. She's Got No Identification
    12. Hobbit's Dream

    Neighb'rhood Childr'n
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • For The Sake Of The Song For The Sake Of The Song Quick View

    $17.99
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    x

    For The Sake Of The Song

    Townes Van Zandt wrote songs with an uncommon grace and poetic clarity, and he sang them with a voice that was at once straightforward, eloquent and mindful of the arid beauty of his images. A decade after Van Zandt released his debut album, there would be dozens of singer/songwriters following in his footsteps, but he was a rather unusual commodity when the Jack Clement and Jim Malloy produced and arranged For the Sake of the Song was originally released in 1968.


    The 11-songs on Van Zandt's debut are all of fine quality and the emotional force with which Van Zandt delivers Quicksilver Daydreams of) Maria, Tecumseh Valley and the title tune belies the fact this was actually only his first album. On several tracks Clement and Malloy match the elusive mystery of Van Zandt's music with brilliant accompaniment especially on The Velvet Voice, the Western backdrop of I'll Be Here in the Morning, the tinkling keyboards on Sad Cinderella and the rattling percussion of Waitin' Around to Die.


    For The Sake Of The Song remains a classic debut. These songs make clear that Van Zandt's genius was already fully formed and as both a composer and a performer he was a man of rare gifts. Throughout, these gifts shine bright, and For the Sake of the Song was truly an auspicious early offering from an unparalleled musical talent.

    1. For The Sake Of The Song
    2. Tecumseh Valley
    3. Many A Fine Lady
    4. Quicksilver Daydreams Of Maria
    5. Waitin' Around To Die
    6. I'll Be There In The Morning
    7. Sad Cinderella
    8. The Velvet Voices
    9. Talkin' Karate Blues
    10. All Your Young Servants
    11. Sixteen Summers, Fifteen Falls
    Townes Van Zandt
    $17.99
    Vinyl LP - Sealed Buy Now
  • Live In Paris Live In Paris Quick View

    $34.99
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    Live In Paris

    Recorded at the historic Olympia Theatre in Paris in November 2001, this is Diana Krall's first live album. Backed by her quicksilver combo of bassist John Clayton, drummer Jeff Hamilton, and guitarist John Pisano (on some tracks), Krall's jazz heritage comes through loud and clear on this program of standards, ballads, and bossa novas. On Peggy Lee's I Love Being Here with You, Bob Dorough's Devil May Care, and Frank Sinatra's Fly Me to the Moon, Krall's snappy, postbop piano playing shows off her debt to Nat King Cole and Jimmy Rowles.


    Her cool contralto vocals are illuminated by the Orchestre Symphonique Europeen, under the direction of Alan Broadbent, as well as the London Symphony Orchestra, led by conductor Claus Ogerman. Krall's deep take on Joni Mitchell's A Case of You is a great choice for an encore, and the album concludes with Billy Joel's Just the Way You Are (a studio track from a film called The Guru), with tenor saxophonist Michael Brecker and bassist Christian McBride. This collection only hints at what Diana Krall has to offer in the future. -Eugene Holley Jr.

    1. I Love Being Here With You
    2. Let's Fall In Love
    3. 'Deed I Do
    4. The Look Of Love
    5. East of the Sun (and West of the Moon)
    6. I've Got You Under My Skin
    7. Devil May Care
    8. Maybe You'll Be There
    9. 'S Wonderful
    10. Fly Me to the Moon
    11. A Case of You
    12. Just the Way You Are
    Diana Krall
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Holst: The Planets (Speakers Corner) Holst: The Planets (Speakers Corner) Quick View

    $34.99
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    Holst: The Planets (Speakers Corner)

    Earth was not created in a day. And the same applies to Gustav Holst's interplanetary symphony which took him about three years to write. The composer employs a massive orchestra and rich orchestral colouring to portray each planet in his musical psychogram.



    Mars, the Bringer of War, rages with mechanical brutality, while Venus brings peace and an acceptance of life. Mercury, the Winged Messenger, darts here and there with quicksilver speed, while powerful and sovereign Jupiter brings jollity and reassurance. Saturn plods by with heavy tread, while Uranus with its contrasting changes in tempo remains enigmatic and extrovert. And because Pluto, the most distant planet had not yet been discovered, it is Neptune, the great unknown, which is lost in time and space in an endless ostinato of female voices.
    Zubin Mehta and the Los Angeles Philharmonic present this astronomical journey with precision and exhilaration, leaving neither time nor space for astrological speculation. As always, the excellent DECCA recording quality guarantees an unimpeded view of this musical galaxy.



    Recording: April 1971 at Royce Hall, Los Angeles by James Lock and Colin Moorfoot

    Production: John Mordler




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.




    This title is not eligible for discount.

    Holst: The Planets
    Zubin Mehta
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Journey Man The Journey Man Quick View

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    The Journey Man

    "In my music," says Goldie, "is everything I've learned, everyone I've met, everything I've experienced." And it's been an incredible trip. The maverick innovator - who rewrote the future of the jungle scene with landmark releases that still sound like they were kidnapped from tomorrow - has a unique story to tell. From children's homes in the West Midlands through stints in New York and Miami as one of the UK's most celebrated exponents of graffiti art to rubbing shoulders with an exceptional list of musical collaborators including David Bowie, Noel Gallagher and KRS-One, Goldie has defiantly, definitively, done it his own way. "I'm an alchemist," he likes to insist. "I practice the dark arts of messing with the form of something solid."


    Though marriage and his passion for bikram yoga have, he says, proved a calming influence, these days he's just as full of inspired, out-there ideas as he was back in 1993 when he did his first cover interview for the rave magazine Generator. "My music is about fallout," he said then, "about the damage that has been done to the system." Today, in the office of one of his London-based contacts, the ideas are still sparking. "Drum'n'bass has done to electronic music what graffiti has done to the art world," he muses, before launching into a rapid-fire synthesis of art history, dancefloor evolution and his own hyperactive brand of self-actualization, which loosely translates as: "Why do something ordinary when you can do something extraordinary?"


    It sums up the reason why, in 1994, music critic Simon Reynolds famously observed: "Goldie revolutionized jungle not once but three times. First, there was Terminator (pioneering the use of time stretching), then Angel (fusing Diane Charlemagne's live vocal with David Byrne/Brian Eno samples to prove that hardcore could be more conventionally musical), now there's Timeless, a 22-minute hardcore symphony." Each of these were moments that shaped the musical fabric of the decade and beyond, presaging Goldie's transition from the underground rave scene into the world of bona fide A- list superstars.


    But it didn't start out like that. The boy who would become Goldie was born Clifford Price on 19 September 1965, just as The Rolling Stones hit the top of the charts with Satisfaction. His dad Clement, originally from Jamaica, had been plying his trade as a foundryman in Leeds. His mum Margaret, who had been born in Glasgow, was a popular singer in the pubs and clubs of the West Midlands. Barely more than a toddler, Goldie was just three when she placed him into foster care (though she kept his younger brother Melvin). He still remembers, he says, the day the social workers came to take him away.


    Over the next 15 years, he bounced between a series of foster homes and local government institutions around the Walsall area. His eclectic musical taste was forged, he reckons, in those same local authority homes listening to the sonic tangle of other teenagers' record collections. "In one room," he says, "a kid would be playing Steel Pulse while through the wall someone else had a Japan record on and another guy would be spinning Human League." On rare visits to see his dad, he'd lie sprawled over the living room couch, listening to Jazz FM, marveling at the lavishly-tooled '80s productions of Miles Davis, Pat Metheny, David Sanborn and Michael Franks, adding further layers to his complex musicography.


    Already developing the irresistible urge to excel that has marked his inimitable musical career, Goldie's first love was roller-hockey. He earned a place as goalkeeper in England's national squad before the lure of music overtook the lure of sport. After discovering electro and hip hop, he grew his hair - the "goldilocks" that won him his nickname - and joined a breakdance crew called the B-Boys in nearby Wolverhampton. He also discovered graffiti. "They called me 'the spray can king of the Midlands'," he says proudly. His talent was undeniable, bringing him to the attention not only of Britain's Arts Council but to Dick Fontaine, producer of a Channel 4 TV documentary on graffiti. Fontaine's 1987 film Bombin' captured a visit to the UK by New York artist Brim Fuentes. Brim met Goldie and his B-Boys crew in Wolverhampton's Heathtown before heading a dozen miles away to Birmingham's Handsworth, where the producer filmed the aftermath of rioting that had left four dead, 35 injured and dozens of stores burned out. Several months later, Fontaine reversed the process and took Goldie to New York, introducing him to hip-hop pioneer Afrika Bambaataa. For Goldie, on his first trip abroad, never mind his first trip over the Atlantic, the Big Apple was love at first sight. Back in Britain, he begged, borrowed and saved until he had enough to fund a return trip to the Bronx.


    "I started painting the trains and getting involved on the streets," he says, remembering his total immersion in what was still, at that point, an emerging culture. Art and music as symbiotic technologies. Rubbing shoulders with the Big Apple's best graffiti artists, his own distinctive style was accelerated and enriched. A move to Miami followed. He worked in the flea markets, he says, "painting trucks for drug dealers" and developing a sideline in gold jewelry that included the distinctive grills that became a trademark on his return to the UK. The magical properties of shaping, working and bending precious metals to his will - as close to alchemy as the modern world gets - became an analogue for the way he prefers to operate in the studio, chasing quicksilver dreams, mercury-fast rivulets of imagination into impossibly lush, breakbeat concertos. Back in Britain, Goldie found himself seduced by the sweetheart of the rave. Though it took him eight attempts to get entry into the club, at London's Rage in 1991 he marveled at the alternate sonic worlds being forged by Fabio and Grooverider behind the decks. "It really flipped me out," he remembers. Soon he found himself in the orbit of Dego McFarlane and Mark Clair. Their label Reinforced was in the vanguard of breakbeat, issuing astonishing records that stripped out boundaries and limits while setting the tone for the scene's sense of adventure. At first, he helped out doing artwork and a bit of A&R. But soon he was in Reinforced's Internal Affairs studio watching intently as Mark and Dego recorded tracks like Cookin' Up Ya Brain and Journey From The Light. "I was watching what they could do," says Goldie, "trying to gauge the possibilities of the technology." Soon he was getting involved. "I remember one session we did that lasted over three days," he says, "just experimenting, pushing the technology to its limits. We'd come up with mad ideas and then try to create them. We were sampling from ourselves and then resampling, twisting sounds around and pushing them into all sorts of places."


    What followed was a series of inspired break-driven releases such as Killa Muffin, Dark Rider and Menace. Then Terminator, with its writhing drum loop, dropped and suddenly Goldie's name was on everyone's lips. He followed up with the equally revolutionary Angel, tilting the axis towards the lush, trippy textures that made 1995's debut album Timeless the drum'n'bass scene's first platinum album. Incredibly, given what was happening elsewhere in the scene at the time, the recording of the album's epic title track began as far back as 1993, when most other producers were still focused on the original sonic tropes of hardcore rave.


    Timeless was a masterpiece - of production, of songwriting, of sonic perfection and breakbeat futurism. Even today, it still sounds as astonishingly new and inspired as it did back on those early pre-release cassettes circulated by London Records in the early months of 1995 when Goldie was still living on the 18th floor of a North London tower block.


    By then, Goldie had already set up his own record label - Metalheadz - with his friends the DJ duo Kemistry and Storm. Along with studio collaborator, Rob Playford's Moving Shadow and LTJ Bukem's Looking Good imprint, Metalheadz helped to define drum'n'bass as a distinct musical format with singles by J Majik, Asylum and Goldie himself. Still bursting with energy, he then launched a legendary club night, Metalheadz Sunday Sessions, at London's Blue Note. The scene's best producers - among them revolutionary artists like Photek, Source Direct, Peshay and Dillinja - would compete to have their latest recordings debuted at the club and the scene's faithful came from far and wide to hear the best tunes before anyone else. "Those nights at the Blue Note were magical," he recalls. "It was an underground phenomenon that became an institution." David Bowie, who was making the drum'n'bass-influenced album Earthling at the time, fell in love with the place. "I remember popping out to take a break from all the madness inside the club," says Goldie. "He was outside having a cigarette, a bit of a breather. We chatted for a bit, looked at each other, grinned and then plunged back into it all. It was just that kind of place."


    Goldie is one of only a handful of artists ever to co-write with Bowie - on the track Truth from the drum'n'bass pioneer's second album Saturnz Return. Released in 1998, the album also saw his vision become more expansive (the opening track, Mother, clocked in at just over an hour). The album's collaborative approach included guest spots from rap legend KRS-One, Sex Pistols manager and all-around provocateur Malcolm McLaren, super-producer Trevor Horn and Oasis main man Noel Gallagher (on the single Temper Temper).


    Fuelled by the limitless creativity that has been the hallmark of his career to date, Goldie next turned to acting. He reunited with Bowie in Andrew Goth's 1999 thriller Everybody Loves Sunshine then took the part of Bullion in the 1999 James Bond movie The World Is Not Enough. Other box office smashes - including Guy Ritchie's crime heist caper Snatch - followed before he joined the cast of BBC1 soap opera EastEnders, playing the gangster Angel Hudson.


    A series of blockbuster TV appearances - on shows such as Maestro (where he learned to conduct an orchestra), Classic Goldie (which saw him perform his own orchestral composition at the Royal Albert Hall in the summer of 2009) and Goldie's Band: By Royal Appointment.


    The orchestral training proved useful. In 2014, he translated his original vision for Timeless into the stunning Timeless (Sine Tempore). Performed live with the Heritage Orchestra at the Wilderness Festival to suitably rapturous acclaim, the performance was repeated the following year as part of the Meltdown Festival at London's Royal Festival Hall. In between, he found time to unveil Fragments Of Gold, a piece inspired by medieval chants that he performed live in Glasgow Cathedral.


    Drum'n'bass, of course, has remained a consistent passion, both through his Metalheadz label and his releases under the Rufige Kru moniker (2007's Malice In Wonderland and 2009's Memoirs Of An Afterlife). "Technologically," he says, "breakbeat has managed to surpass all other forms of music to date. There isn't a recording engineer alive who can tell me there's any other form of music that is more complex than the music we make." Goldie has also recently announced he will be releasing a brand new double album 'The Journey Man' this year. The album comprises two parts, 16 brand new tracks in total, all written and produced by Goldie. It also features a host of collaborators handpicked by Goldie to help realize his vision for the album.


    "I often look at music not so much as a producer but like a director. You're drawing together engineers, performers and arrangers to create something special, something magical. It's like alchemy. The notes, the music, the lyrics, they're all in my head and each element has to be communicated and brought to life to create the finished track. I'm always inspired by great movie directors - people like Stanley Kubrick and PT Anderson - and, if you think about it, it's quite a similar approach. They start off with a vision and then they use that vision to deploy the actors and the cameramen and the editors in order to create the finished film."


    Collaborators on 'The Journey Man' album include vocalist and songwriter Natalie Duncan, who was discovered when chosen in the three-part BBC series 'Goldie's Band By Royal Appointment' and later provided the vocals for Goldie's 2012 single 'Freedom'. Other featured vocalists on the album include Terri Walker, Tyler Lee Daly, Natalie Williams, JosÉ James, Naomi Pryor as well as Goldie's wife, Mika Wassenaar Price.


    'The Journey Man' will be released through Cooking Vinyl and Goldie's own record label, Metalheadz.


    Goldie's love affair with painting has remained consistent too and he continues to exhibit visual work that's just as dazzling as his sonic output. Beginning with Night Writers, the 1986 exhibition at Wolverhampton's art gallery that introduced Goldie and his Supreme Graffiti Team to the British Arts Council, his shows have defined a unique aesthetic that's all his own. And through them all, from 1987's Rockin' The City in Birmingham (where he exhibited alongside Massive Attack's Robert Del Naja) and the 1988 Crucial Creators exhibition in Walsall to more recent gallery events like 2007's Love Over Gold and 2012's Athleticizm collection (including portraits of London Olympics stars such as Victoria Pendleton, Tom Daley and Jessica Ennis), runs a consistent thread of energy, experimentalism and boundary-pushing. His 2013 collection, Lost Tribes, an innovative series of pieces fusing Goldie's style with the artistic expression of the ancient peoples of Africa, Asia and America was, he says, "my most important breakthrough".


    And for the kid who lay awake, gazing at the stars, through the window of a children's home, growing up has brought some surprises. In 2012, he was selected as one of the BBC's New Elizabethans, 60 people - ranging from David Hockney to Roald Dahl, David Bowie and Tim Berners-Lee - who have helped shape British culture during the reign of Elizabeth II. Four years later, he was awarded the MBE in the Queen's New Year Honours. It's acceptance, of course, on a grand scale. But at heart, he's still the gatecrasher, amped-up on ideas, buzzing on nothing but love, hope and the certainty that, while his way might not be the easy way, it's very definitely the path of a true artist.


    - Tim Barr, 2017

    LP 1
    1. Horizons (feat. Terri Walker & Swindle)
    2. Prism
    3. Mountains
    4. Castaway
    5. The Mirrored River


    LP 2
    1. I Adore You (w/ Ulterior Motive)
    2. I Think of You
    3. Truth (feat. Jose James)
    4. Redemption


    LP 3
    1. Tu Viens Avec Moi?
    2. The Ballad Celeste
    3. This Is Not A Love Song
    4. The River Mirrored (feat. Terri Walker)
    5. Triangle
    6. Tomorrow's Not Today
    7. Run Run Run

    Goldie
    $35.99
    Vinyl LP - 3 LPs Sealed Buy Now
  • Like, Love, Lust, And The Open Halls Of The Soul Like, Love, Lust, And The Open Halls Of The Soul Quick View

    $16.99
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    Like, Love, Lust, And The Open Halls Of The Soul

    Jesse Sykes is hard to pin down--and that's a good thing indeed. She overlaps with current trends, but is completely her own artist. There are elements of alt-country, psych-folk, and singer-songwriter-troubadour, but also others that add alluring breadth to her sound, most notably in the band's penchant for drawing upon the best aspects of Haight-Ashbury ballroom sonics. How Will We Know swirls and builds with guitar tones that evoke John Cippolina (Quicksilver Messenger Service) and Barry Melton (Country Joe & the Fish). Sykes has taken those sounds (which were often the best part of the era's rather feeble cowboy machismo) and added finesse, poetics, and a woman's vantage point. Her lyrics are rife with cold winds and loneliness, but never without hope, even if that element is handled by the warm glow of the music. The band is a sympathetically balanced entity with supple power and grace. They move between loud and soft without the now cliched extreme dramatics originally pioneered by the Pixies--another example of Sykes eschewing trends and forging her own path.

    1. Eisenhower Moon
    2. LLL
    3. You Might Walk Away
    4. The Air Is Thin
    5. Spectral Beings
    6. How Will We Know?
    7. Hard Not To Believe
    8. Aftermath
    9. Station Grey
    10. I Like The Sound
    11. Morning, It Comes
    12. The Open Halls Of The Soul
    Jesse Sykes
    $16.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Townes Townes Quick View

    $23.99
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    Townes

    Steve Earle's new album, Townes is his highly anticipated follow up to the Grammy Award winning album Washington Square Serenade. The 15 song set is comprised of songs written by Earle's friend and mentor, the late singer-songwriter, Townes Van Zandt.


    The songs selected for Townes were the ones that meant the most to Earle and the ones he personally connected to. Some of the selections chosen were songs that Earle has played his entire career (Pancho and Lefty, Lungs, White Freightliner Blues). He learned the song (Quicksilver Daydreams of) Maria directly from Van Zandt and taught himself Marie and Rake specifically to include here. Earle recorded the New York sessions solo and then added the other instruments later on in order to preserve the spirit of Van Zandt's original solo performances to the best of his recollection. The track Lungs, was produced and mixed by the Dust Brothers' John King and features Tom Morello (Rage Against The Machine, The Nightwatchman) on electric guitar.


    Townes Van Zandt is the best songwriter in the whole world and I'll stand on Bob Dylan's coffee table in my cowboy boots and say that. - Steve Earle

    1. Pancho and Lefty
    2. White Freightliner Blues
    3. Colorado Girl
    4. Where I Lead Me
    5. Lungs
    6. No Place To Fall
    7. Loretta
    8. Brand New Companion
    9. Rake
    10. Delta Momma Blues
    11. Marie
    12. Don't Take It Too Bad
    13. Mr. Mudd and Mr. Gold
    14. (Quicksilver Daydreams of) Maria
    15. To Live Is To Fly
    Steve Earle
    $23.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Red Octopus Red Octopus Quick View

    $29.99
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    Red Octopus

    Mastered by Joe Reagoso and Kevin Gray at RTI from the Original RCA/Grunt Records Tapes


    When Jefferson Airplane morphed successfully into Jefferson Starship in the mid-'70s, their musicianship, and recorded output was enthusiastically received and was a very important career move in the continuing story of these Bay Area superstars.


    Red Octopus surely helped award them fame even further as this amazing Jefferson Starship LP went to #1 and soon became one of the many platinum plus ventures for this much loved and respected band. Their new formula worked tremendously as this watershed release featured a plethora of chart topping hits like Miracles, Play On Love, Fast Buck Freddie and There Will Be Love.


    The band was rich with rock and roll history, consisting of Airplane mainstays Paul Kantner, Grace Slick, Marty Balin, plus later Airplane alumnus David Freiberg (Quicksilver), Papa John Creach, and Johnny Barbata (CSN+Y, Turtles), as well as new additions Craig Chaquico and Pete Sears. Jefferson Starship truly delivered the goods with Red Octopus as this album went on to quickly become a classic rock masterpiece!


    Friday Music is no stranger to releasing some of the greatest music ever recorded by Jefferson Airplane, Jefferson Starship, Starship and Hot Tuna, so it is with much honor they have announced the release of the masterwork Red Octopus on 180 Gram Audiophile Vinyl. This limited edition masterpiece has been impeccably mastered by Joe Reagoso and Kevin Gray at RTI from the original RCA/ Grunt Records tapes.


    In honor of their continuing 180 Gram Audiophile Vinyl series on the Jefferson Airplane/Jefferson Starship franchise, Friday Music is also issuing this wonderful album with a very limited gatefold cover, which includes the original artwork elements, plus the lyrics and photos as you remember them from the original 1975 release. As usual, you will also get a poly sleeve to protect your vinyl investment, as well as a poly bag to protect the stunning album cover.

    1. Fast Buck Freddie

    2. Miracles
    3. Git Fiddler
    4. Al Garimasu (There Is Love)
    5. Sweeter Than Honey
    6. Play on Love
    7. Tumblin'
    8. I Want to See Another World
    9. Sandalphon
    10. There Will Be Love

    Jefferson Starship
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
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