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  • The Dude The Dude Quick View

    $24.99
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    The Dude

    The Dude is a 1981 studio album by American musician and producer Quincy Jones. The album featured the debut of vocalist James Ingram on the singles Just Once and One Hundred Ways, which reached no. 17 and 14, respectively, on the Billboard Hot 100. It also contained Razzamatazz, which reached no. 11 in the UK Singles Chart, one of his few hits there. He won the Grammy award for best R&B vocal performance for his work on the album. Belgian harmonica player and puccaloist Toots Thielemans also contributed to the album, appearing on the instrumental track Velas. The song was sampled by Jodeci on their 1996 single Get On Up which appeared on their third album The Show, the After Party, the Hotel as well as producers Shut Up and Dance for the track Waking Up which appeared on Nicolette's first album Now Is Early.


    The album won three Grammy Awards, one for Best Instrumental Arrangement, Best R&B Performance by a Duo or Group with Vocal and Best Instrumental Arrangement (Accompanying Vocalists) and also earned Ingram three Grammy nominations for Best New Artist, Best Male Pop Vocal Performance for Just Once and Best Male R&B Vocal Performance for One Hundred Ways, for which he won at the 24th Grammy Awards in 1982.


    The album also gained heavy dance airplay for the songs Ai No Corrida (a cover of Chaz Jankel's song) and Razzamatazz (vocals by Patti Austin).


    The single Just Once was featured in the 1982 film The Last American Virgin.

    1. Ai No Corrida
    2. The Dude
    3. Just Once
    4. Betcha' Wouldn't Hurt Me
    5. Somethin' Special
    6. Razzamatazz
    7. One Hundred Ways
    8. Velas
    9. Turn on the Action
    Quincy Jones
    $24.99
    Vinyl LP - Sealed Buy Now
  • At The Sands At The Sands Quick View

    $34.99
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    At The Sands

    Sinatra at the Sands is a 1966 live album by Frank Sinatra, accompanied by Count Basie and his orchestra, conducted and arranged by Quincy Jones, recorded live at the Copa Room of the Sands Hotel and Casino in Las Vegas.


    It was Sinatra's first live album to be commercially released, and contains many definitive readings of the songs that are most readily associated with Sinatra.

    LP 1
    1. Come Fly With Me
    2. I've Got A Crush On You
    3. I've Got You Under My Skin
    4. The Shadow of Your Smile
    5. Street of Dreams
    6. One For My Baby (And One More For the Road)
    7. Fly Me To the Moon
    8. One O'Clock Jump
    9. The Tea Break (monologue)
    10. You Make Me Feel So Young


    LP 2
    1. All of Me
    2. The September Of My Years
    3. Get Me To the Church On Time
    4. It Was A Very Good Year
    5. Don't Worry 'Bout Me
    6. Makin' Whoopee! (instrumental)
    7. Where or When
    8. Angel Eyes
    9. My Kind of Town
    10. A Few Last Words (monologue)
    11. My Kind of Town (reprise)

    Frank Sinatra
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • You're Mine You You're Mine You Quick View

    $19.99
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    You're Mine You

    Sarah Vaughan & Quincy Jones present You're Mine You. Features exclusive cover by photographer Jean-Pierre Leloir.
    1. You're Mine You
    2. The Best Is Yet to Come
    3. Witchcraft
    4. So Long
    5. The Second Time Around
    6. I Could Write a Book
    7. One Mint Julep
    8. Maria
    9. Baubles, Bangles and Beads
    10. In Other Words (Fly Me to the Moon)
    11. Moonglow
    12. Invitation
    13. On Green Dolphin Street
    14. Mama, He Treats Your Daughter Mean
    Sarah Vaughan & Quincy Jones
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Right On Time (Pre-Order) Right On Time (Pre-Order) Quick View

    $38.99
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    Right On Time (Pre-Order)

    Limited Edition Of 1000 Numbered Copies On 'Strawberry Red' Vinyl, Black Vinyl Thereafter


    180 Gram Audiophile Vinyl


    Including 8-Page Booklet With Lyrics


    40-Year Anniversary Edition


    Including The Hits Strawberry Letter 23, Runnin' For Your Lovin' And Q


    Louis and George Johnson formed The Brothers Johnson under the auspices of Quincy Jones in 1975, releasing this second album in 1977. With Quincy at the helm as producer, the duo quickly broke wide open with its debut album.


    The Brothers Johnson's second album Right on Time consists of some of the best proto-typical funk-soul grooves from the late 70s. The album is again produced by Quincy Jones and his contributions ensure the high quality of the instrumental arrangements and general glossiness of the audio production as in their debut album.


    Several of the tracks are as good as anything Michael Jackson or Earth Wind and Fire would've produced around this time, particularly Runnin' For Your Lovin', Strawberry Letter 23 and Never Leave You Lonely. There are also two fantastic instrumentals, Q and Brother Man that are both irrepressibly funky, with Louis Johnson's tight bass providing the solid rhythmic foundation he is famous for. Fusion fans will be familiar with several of the backing musicians: Harvey Mason, Dave Grusin, and Lee Ritenour to name a few.


    The single Strawberry Letter 23 gained a #5 spot in the US billboard charts and #1 on the US R&B billboard. The album received platinum.

    1. Runnin' For Your Lovin'
    2. Free Yourself, Be Yourself
    3. Q

    4. Right On Time

    5. Runnin' For Your Lovin'

    6. Free Yourself, Be Yourself

    7. Q

    8. Right On Time
    The Brothers Johnson
    $38.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Plenty, Plenty Soul Plenty, Plenty Soul Quick View

    $24.99
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    Plenty, Plenty Soul

    Although his name will forever be associated with the celebrated Modern Jazz Quartet, vibraphonist Milt Jackson's discography includes multiple sessions as a leader, many of which are now regarded as jazz classics. Among the crown jewels of his discography was the album Plenty, Plenty Soul, which was given a rating of five stars in Down Beat magazine in 1957, a collection of original compositions and the arrangements of the one and only Quincy Jones. A stone cold classic featuring Cannonball Adderly, Horace Silver, Art Blakey and more. Pressed on 180 gram audiophile vinyl.
    1. Plenty, Plenty Soul (Milt Jackson - Quincy Jones)
    2. Boogity Boogity (Quincy Jones)
    3. Heartstrings (Mils Jackson)
    4. sermonette (Julian Cannonball Adderley)
    5. The Spirit-Feel (Milt Jackson)
    6. Ignunt Oil (Milt Jackson)
    7. Blues At Twilight (Quincy Jones)
    Milt Jackson
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Dangerous Dangerous Quick View

    $44.99
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    Dangerous

    Import

    Remastered


    With Dangerous, released in November 1991, Michael Jacksons career really sustained its high. The album entered the Billboard
    200 album chart at number 1 and sold over 32 million copies worldwide in the space of 17 years. The RIAA certified Dangerous 7x
    platinum for shipping 7 million copies in the United States. With hit singles such as Black Or White, In The Closet, Remember
    The Timeh, Jamh, and Who Is Ith, and the unforgettable music videos that supported the tracks, Michael Jackson showed his true
    strength by delivering yet another classic album, despite the fact that it was not produced by Quincy Jones (Off The Wall, Thriller
    and Bad).


    Although Dangerous is definitely part of Jacksons quartet of classic albums (Off The Wall, Thriller, Bad, Dangerous) and shows off
    a diverse range of styles, the multi-platinum number one album is sometimes overlooked. However, we present the album on 180
    grams audiophile double vinyl and with remastered sound, to maximize your listening pleasure.

    LP1 ] Side A


    1 Jam
    2 Why You Wanna Trip On Me
    3 In The Closet


    LP1 ] Side B


    1 She Drives Me Wild
    2 Remember The Time
    3 Can't Let Her Get Away
    4 Heal The World


    LP2 ] Side A


    1 Black Or White
    2 Who Is It
    3 Give In To Me


    LP2 ] Side B


    1 Will You Be There
    2 Keep The Faith
    3 Gone Too Soon
    4 Dangerous

    Michael Jackson
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Big Band Bossa Nova Big Band Bossa Nova Quick View

    $27.99
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    Big Band Bossa Nova

    A byproduct of the bossa nova fad that followed the success of Desafinado (and preceded the famous recording Getz/Gilberto), this set finds Quincy Jones utilizing and exploiting bossa nova rhythms in his arrangements for a big band. The personnel includes flÜgelhornist Clark Terry, altoist Phil Woods, pianist Lalo Schifrin, guitarist Jim Hall, and (on Soul Bossa Nova) the remarkable Rahsaan Roland Kirk. However, since the selections are all quite brief, and some of the charts are a bit cheesy and inappropriate for the gentle rhythms, this disc (although pleasant enough) is of lesser interest.

    -All Music Guide
    1. Soul Bossa Nova
    2. Boogie Bossa Nova
    3. Desafinado
    4. Manha De Carnival
    5. Se E Tarde Me Perdoa
    6. On The Street
    7. Una Nota Samba
    8. Lalo Bossa Nova
    9. Serenata
    10. Chega De Saudade (No More Blues)
    11. A Taste of Honey*


    *Bonus Track

    Quincy Jones
    $27.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Roots: The Saga Of An American Family Roots: The Saga Of An American Family Quick View

    $21.99
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    Roots: The Saga Of An American Family

    With an all new Roots mini-series for 2016 on A&E, Lifetime and The History Channel, comes this timely re-release of the original soundtrack to the ground-breaking 1977 mini-series. Highlights include the Roots Mural Theme, composed by Gerald Fried, and the 28 minute, "Roots Suite," with Letta Mbulu as the featured vocalist. Also included are snippets of dialogue from Roots actor Lou Gossett. Featured players include: Shelly Manne, Victor Feldman, Ernie Watts and Lee Ritenour.
    1. Motherland
    2. Roots Mural Theme Performed by The Quincy Jones Orchestra
    3. Main Title: Mama Aifambeni (Premiere Episode)
    4. Behold, The Only Thing Greater Than Yourself (Birth)

    5. Oluwa (Many Rains Ago): (African Theme, African Version)

    6. Boyhood To Manhood (African Manhood Training)
    7. The Toubob Is Here! (The Capture)

    8. Middle Passage (Slaveship Crossing)

    9. You in Americuh' Now, African

    10. Roots Mural Theme Intro (Slave Auction)

    11. Ole Fiddler

    12. Jumpin' De Broom Ceremony (Marriage Ceremony)
    13. What Shall I Do? (Hush, Hush, Somebody's Calling My Name)

    14. Roots Mural Theme Bridge (Plantation Life)

    15. Oh Lord, Come By Here

    16. Free at Last? (The Civil War)

    17. (Many Rains Ago) Oluwa (African Theme/English Version)
    Quincy Jones
    $21.99
    Vinyl LP - Sealed Buy Now
  • Give Me The Night Give Me The Night Quick View

    $34.99
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    Give Me The Night

    Give Me The Night is the 1980 album by ten-time Grammy Award-winning American musician and singer-songwriter George Benson.


    Produced by Quincy Jones and originally released on Jones' start-up label Qwest Records, the album charted number one on both the Top Soul Albums and Jazz Albums Chart as well as number three on the Billboard Pop Albums charts. The album includes the number one single on the Soul Singles chart, Give Me the Night and the song Moody´s Mood, which was recorded with R&B singer Patti Austin. The album was certified Platinum by the RIAA.


    The album won Benson three Grammy Awards in 1981; Best Male R&B Vocal Performance, while Moody's Mood received Best Jazz Vocal Performance, Male and Off Broadway received Best R&B Instrumental Performance. Quincy Jones and Jerry Hey also won the Grammy Award for Best Instrumental Arrangement for the song Dinorah, Dinorah.

    1. Love X Love
    2. Off Broadway
    3. Moody's Mood
    4. Give Me The Night
    5. What's On Your Mind
    6. Dinorah, Dinorah
    7. Love Dance
    8. Star Of A Story (x)
    9. Midnight Love Affair
    10. Turn Out The Lamplight
    George Benson
    $34.99
    180 Gram Audiophile Vinyl LP - Sealed Buy Now
  • Featuring Roy Haynes And Quincy Jones Featuring Roy Haynes And Quincy Jones Quick View

    $32.99
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    Featuring Roy Haynes And Quincy Jones

    Numbered Limited Edition Of 500 Copies Pressed On Audiophile Clear Vinyl


    Ever since the end of World War II, the exchange of musical ideas between jazzmen of various nations has gained increasing incidence, particularly in Scandinavia. It was in Sweden that the first outstanding modern jazz soloists were contributed by Europe to the international discographies; and it was in Sweden that a number of happy unions took place between American and Swedish jazzmen, resulting in the production of such successful sessions as the two represented on this album.(...) Jazz Abroad indicates decisively that men like Quincy Jones, Roy Haynes and their confreres are musically at ease in the company of such distinguished Swedish contemporaries as are heard with them here. (...)

    (from the original liner notes)

    1. Pogo Stick
    2. Liza
    3. Jones Bones
    4. Sometimes I'm Happy
    5. Little Leona
    6. Miss Mopsy
    7. Gone Again
    8. Hagnes
    Jazz Abroad
    $32.99
    Clear Vinyl LP - Sealed Buy Now
  • Keep On Keepin' On Keep On Keepin' On Quick View

    $34.99
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    Keep On Keepin' On

    Keep On Keepin' On is the soundtrack to the acclaimed film of the same name from seven time Academy Award nominated producer Quincy Jones. The soundtrack is a virtual Best of Clark Terry collection, which features many of his most iconic recordings, including his performances with some of the all-time jazz greats: Duke Ellington, Oscar Peterson, Count Basie, and Quincy Jones. Also features select film dialogue and new compositions from Terry's protege, Justin Kauflin.
    1. Dialog by Clark Terry/Letter to Justin/Exodus (Justin Kauflin)
    2. Brotherhood Of Man (Oscar Peterson Trio + One: Clark Terry)
    3. Candy (Clark Terry)
    4. Mumbles (Oscar Peterson Trio + One: Clark Terry)
    5. Dialog by Clark Terry and Justin Kauflin/Mood Indigo (Duke Ellington)
    6. Harlem Air Shaft (Duke Ellington and His Famous Orchestra)
    7. Dialog by Justin Kauflin and Clark Terry/Breeze (Blow My Baby Back To Me) (Clark Terry and Justin Kauflin)
    8. Grammys Lifetime (Dave Grusin)
    9. Girl Talk (Clark Terry)
    10. If I Had You (Live) (Benny Carter)
    11. Dreams Change (Justin Kauflin)
    12. Jazz Conversations (Clark Terry)
    13. Michelle (Clark Terry)
    14. Dialog by Justin Kauflin/My Biggest Enemy (Dave Grusin)
    15. Jim (Oscar Peterson Trio + One: Clark Terry)
    16. Dialog by Clark Terry and Justin Kauflin/What The Hell Time Is It? (Dave Grusin)
    17. Darkest Hour (Justin Kauflin)
    18. Stardust (live in London) (Clark Terry Quintet)
    19. Blee Blop Blues (Normania) (The Count Basie Orchestra)
    20. Misty (Clark Terry)
    21. Dialog by/Farewell (Quincy Jones and Clark Terry)
    22. I Remember Clifford (Quincy Jones)
    23. Dialog by Quincy Jones and Clark Terry/Letter To Justin (Justin Kauflin)
    24. For Clark/Serenade to a Bus Seat (Live) (Justin Kauflin)
    Various Artists
    $34.99
    Vinyl LP - Sealed Buy Now
  • Get Lifted Get Lifted Quick View

    $39.99
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    Get Lifted

    Printed Innersleeves


    John Legend rose to fame in the mid noughties, after making a name for himself as guest musician for Lauryn Hill, Slum Village and Kanye West among others. When Kanye started his own label G.O.O.D. (Getting Out Our Dreams), Get Lifted would be the first release to see the light.


    Resembling a style made popular in the '70s by Sly & The Family Stone, Curtis Mayfield, Quincy Jones and Bill Withers, Legend knows his chops and delivers an all-time classic R&B album ready for the new millennium.


    Original vinyl copies of Get Lifted fetch top dollar, which makes a reissue of this title more than welcome for Soul and Hip Hop fans.

    LP1
    1. Prelude
    2. Let's Get Lifted
    3. Used To Love U Alright
    4. She Don't Have To Know
    5. Number One (featuring Kanye West)
    6. I Can Change (featuring Snoop Dogg)


    LP2
    1. Ordinary People Stay With You
    2. Let's Get Lifted Again
    3. So High
    4. Refuge (When It's Cold Outside)
    5. It Don't Have To Change (featuring The Stephens Family)
    6. Live It Up (featuring Miri Ben-Ari)

    John Legend
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Memorial Memorial Quick View

    $21.99
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    Memorial

    When Brownie stood up and took his first solo on 'Philly J J,' I nearly fell off my seat in the control room. The power, range and brilliance together with the
    warmth and invention was something that I hadn't heard since Fats Navarro, stated famed jazz historian Ira Gitler, who happened to be supervising the
    1953 session that yielded part of Memorial. Indeed, trumpeter Clifford Brown is heard here in fine form in two unrelated sessions. On four selections,
    Brown coasts effortlessly along with Tadd Dameron's Orchestra, sharing the solo spotlight with Benny Golson on tenor and Gigi Gryce on alto. On the
    remainder of the album, composed from material cut in Sweden the same year, Brown is joined by fellow trumpeter Art Farmer for four Quincy Jones
    arrangements with a Swedish group that includes altoist Arne DomnÉrus, baritonist Lars Gullin, and pianist Bengt Hallberg. On whole, this is classic,
    sophisticated material that deserves a place in every jazz vinyl collection.
    1. Stockholm Sweetnin'
    2. 'Scuse These Blues
    3. Falling In Love With Me
    4. Lover, Come Back To Me
    5. Philly J. J.
    6. Dial "B" For Beauty
    7. Theme Of No Repeat
    8. Choose Now (#1)
    9. Choose Now (#2)
    Clifford Brown
    $21.99
    Vinyl LP - Sealed Buy Now
  • Dangerous Dangerous Quick View

    $38.99
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    Dangerous

    With Dangerous, released in November 1991, Michael Jacksons career really sustained its high. The album entered the Billboard
    200 album chart at number 1 and sold over 32 million copies worldwide in the space of 17 years. The RIAA certified Dangerous 7x
    platinum for shipping 7 million copies in the United States. With hit singles such as Black Or White, In The Closet, Remember
    The Timeh, Jamh, and Who Is Ith, and the unforgettable music videos that supported the tracks, Michael Jackson showed his true
    strength by delivering yet another classic album, despite the fact that it was not produced by Quincy Jones (Off The Wall, Thriller
    and Bad).


    Although Dangerous is definitely part of Jacksons quartet of classic albums (Off The Wall, Thriller, Bad, Dangerous) and shows off
    a diverse range of styles, the multi-platinum number one album is sometimes overlooked. However, we present the album on 180
    grams audiophile double vinyl and with remastered sound, to maximize your listening pleasure.

    LP1


    1. Jam
    2. Why You Wanna Trip On Me
    3. In The Closet
    4. She Drives Me Wild
    5. Remember The Time
    6. Can't Let Her Get Away
    7. Heal The World


    LP2


    1. Black Or White
    2. Who Is It
    3. Give In To Me
    4. Will You Be There
    5. Keep The Faith
    6. Gone Too Soon
    7. Dangerous

    Michael Jackson
    $38.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Phoenix The Phoenix Quick View

    $22.99
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    The Phoenix

    Once upon a time, CKY burned it all down, with a raucous, anarchic, hard rock sound soaked in the skate-punk culture that birthed them and a hard-partying lifestyle onstage and off that decimated relationships and reputations in its wake.

    Now, CKY rises from the ashes of the aftermath with The Phoenix, a bold mission statement that hoists the flag high for big, raw, authentic, earth-shaking rock n' roll, liberated from useless pretense.

    The Phoenix touches on anger, revenge, good versus evil, desperation, recovery, growth, knowledge, survival, enemies, friends, and more. There are heavy, dark, signature CKY grooves, "fun shit," "fancy shit," driving and almost danceable stuff, big melodies, total ear candy, immense diversity There are even parts that sound like maybe Quincy Jones was given the keys to Rancho De La Luna and just ran amok with the dudes in CKY.

    1. Replaceable
    2. Days of Self Destruction
    3. Unknown Enemy
    4. Head For A Breakdown
    5. The Other Ones
    6. Wiping Off The Dead
    7. Lies From You
    8. Better Than Get Even
    CKY
    $22.99
    Vinyl LP - Sealed Buy Now
  • In The Beginning In The Beginning Quick View

    $75.99
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    In The Beginning

    Hand-Numbered Slipcase With An 8-Panel Booklet With Notes By Ashley Kahn, Quincy Jones, Pete Townshend & Others


    Collector Postcards Of Never-Before-Published Photos


    Pressed By Record Technology Incorporated


    Mastered By Engineering Legend, Bernie Grundman


    Newly Discovered Live & Studio Recordings From 1949-1958


    In the Beginning features recordings of Wes Montgomery spanning the years from 1949 to 1958, the formative years when the six-string virtuoso was honing his craft in Southern Indiana. Since Wes Montgomery's passing in 1968, only two other albums of predominantly unreleased material have been released Willow Weep For Me (Verve 1968) and Echoes of Indiana Avenue (Resonance 2012). Resonance Records is pleased to introduce the third such archival offering with In the Beginning.
    The project began life in the wake of Echoes of Indiana Avenue. Even before that release, Buddy Montgomery's widow Ann approached Feldman and Resonance founder George Klabin with the Turf Club, Missile Lounge, and jam session recordings, looking for a respectful home for this never-released music. Philip Kahl, a 22 year old Butler College student had access to the brothers and recorded them at the before mentioned places with a portable tape recorder. 'In the Beginning started out early as a project exclusively focusing on the recordings received from Ann & Buddy Montgomery and evolved into an early years collection. There hasn't been a release like this in Wes's discography until now', says producer Zev Feldman.
    The 26-track collection will be available as 2-CD and 3-LP sets. These newly discovered live & studio recordings from 1949-1958, include a complete never-before-released 1955 Epic Records session produced by Quincy Jones, licensed from Sony Music Entertainment, newly discovered 78 RPM sides with Wes as a sideman recorded for Spire Records (1949), a live recording from the home of Ervena Montgomery, Indianapolis (1956), live recordings from the Turf Club (1956), the Missile Lounge (1958) in Indianapolis, and the C&C Music Lounge in Chicago (1957).


    This is presented on 180-gram vinyl mastered by engineering legend, Bernie Grundman, & pressed on 12inch LPs at 33 1/3 RPM by Record Technology Incorporated (R.T.I.) in a hand-numbered slipcase with an 8-panel booklet, and collector postcards of unpublished photos. In the Beginning features extensive liner notes, and meticulously designed artwork that have become the label's trademarks. The release is attractively designed by Burton Yount. This release is made possible with the help of Robert Montgomery, Wes's youngest son, and the head of the Wes Montgomery Estate who signed on as associate producer for the project. Feldman says, 'This is another chapter of previously undiscovered Wes, one which aficionados couldn't have even hoped existed a few short years ago. Resonance is proud to present another chapter in the legacy of Wes Montgomery.'

    LP1
    1. After You've Gone
    2. Fascinating Rhythm
    3. Brazil
    4. What Is There to Say?
    5. Four
    6. Wes' Tune
    7. My Heart Stood Still
    8. How High the Moon
    9. Django


    LP2
    1. Going Down to Big Mary's
    2. I Should Care
    3. Caravan
    4. Six Bridges to Cross
    5. Ralph's New Blues
    6. Soft Winds
    7. Robbins Nest


    LP3
    1. A Night in Tunisia
    2. Love for Sale
    3. Leila
    4. Blues
    5. Undecided
    6. Far Wes
    7. All the Things You Are
    8. King Trotter
    9. Carlena's Blues
    10. Smooth Evening

    Wes Montgomery
    $75.99
    200 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
  • Thriller (25th Anniversary) Thriller (25th Anniversary) Quick View

    $34.99
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    Thriller (25th Anniversary)

    Ranked 20/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Thriller is the sixth studio album by American recording artist Michael Jackson. It was released on November 30, 1982, by Epic Records as the follow-up to Jackson's critically and commercially successful 1979 album Off the Wall. Thriller explores similar genres to those of Off the Wall, including pop, R&B, rock, post-disco, and adult contemporary music.


    Recording sessions took place between April and November 1982 at Westlake Recording Studios in Los Angeles, California, with a production budget of $750,000, assisted by producer Quincy Jones. Of the nine tracks on the album, four of them were written by Jackson himself. Seven singles were released from the album, all of which reached the top 10 on the Billboard Hot 100. Three of the singles had music videos released. Baby Be Mine and The Lady in My Life were the only tracks that were not released as singles. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with sales estimated by various sources as being between 65 and 110 million copies worldwide.


    1. Wanna Be Startin' Somethin'
    2. Baby Be Mine
    3. The Girl Is Mine (with Paul McCartney)
    4. Thriller
    5. Beat It
    6. Billie Jean
    7. Human Nature
    8. P.Y.T. (Pretty Young Thing)
    9. The Lady In My Life
    10. Vincent Price (bonus track)

    11. The Girl Is Mine 2008 with will.i.am ( Previously Unreleased Track For 25th Anniversary Edition )
    12. P.Y.T. (Pretty Young Thing) 2008 with Michael Jackson and will.i.am ( Previously Unreleased Track For 25th Anniversary Edition )
    13. Wanna Be Startin' Somethin' 2008 with Michael Jackson, Akon and will.i.am( Previously Unreleased Track For 25th Anniversary Edition )
    14. Beat It 2008 with Fergie( Previously Unreleased Track For 25th Anniversary Edition )
    15. Billie Jean 2008 with Kanye West ( Previously Unreleased Track For 25th Anniversary Edition )
    16. For All Time (unreleased track from original Thriller sessions) ( Previously Unreleased Track For 25th Anniversary Edition )
    Michael Jackson
    $34.99
    Vinyl LP Reissue - 2 LPs Sealed Buy Now
  • Thriller (Picture Disc) Thriller (Picture Disc) Quick View

    $24.99
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    Thriller (Picture Disc)

    Ranked 20/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Thriller is the sixth studio album by American recording artist Michael Jackson. It was released on November 30, 1982, by Epic Records as the follow-up to Jackson's critically and commercially successful 1979 album Off the Wall. Thriller explores similar genres to those of Off the Wall, including pop, R&B, rock, post-disco, and adult contemporary music.


    Recording sessions took place between April and November 1982 at Westlake Recording Studios in Los Angeles, California, with a production budget of $750,000, assisted by producer Quincy Jones. Of the nine tracks on the album, four of them were written by Jackson himself. Seven singles were released from the album, all of which reached the top 10 on the Billboard Hot 100. Three of the singles had music videos released. Baby Be Mine and The Lady in My Life were the only tracks that were not released as singles. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with sales estimated by various sources as being between 65 and 110 million copies worldwide.

    1. Wanna Be Startin' Somethin'
    2. Baby Be Mine
    3. The Girl Is Mine (with Paul McCartney)
    4. Thriller
    5. Beat It
    6. Billie Jean
    7. Human Nature
    8. P.Y.T. (Pretty Young Thing)
    9. The Lady In My Life
    Michael Jackson
    $24.99
    Picture Disc Vinyl LP - Sealed Buy Now
  • Give Me The Night (Pure Pleasure) Give Me The Night (Pure Pleasure) Quick View

    $34.99
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    Give Me The Night (Pure Pleasure)

    This is the peak of George Benson's courtship of the mass market -- a superbly crafted and performed pop album with a large supporting cast -- and wouldn't you know that Quincy Jones, the master catalyst, is the producer. Q's regular team, including the prolific songwriter Rod Temperton and the brilliant engineer Bruce Swedien, is in control, and Benson's voice, caught beautifully in the rich, floating sound, had never before been put to such versatile use. On Moody's Mood, Benson really exercises his vocalese chops and proves that he is technically as fluid as just about any jazz vocalist, and he become a credible rival to Al Jarreau on the joyous title track. Benson's guitar now plays a subsidiary role -- only two of the ten tracks are instrumentals -- but Q has him play terrific fills behind the vocals and in the gaps, and the engineering gives his tone a variety of striking, new, full-sounding timbres. The instrumentals themselves are marvelous: Off Broadway is driving and danceable, and Ivan Lins' Dinorah, Dinorah grows increasingly seductive with each play. Benson should have worked with Jones from this point on, but this would be their only album together.

    Musicians:

    • George Benson (vocal, guitar)
    • Lee Ritenour (guitar)
    • Herbie Hancock (electric piano, synthesizer)
    • Kim Hutchcroft (saxophone, flute)
    • Jerry Hey (trumpet)
    • Abraham Laboriel (bass)
    • Paulinho Da Costa (percussion)
    • Carlos Vega (drums)

    Recording: 1980 by Bruce Swedien
    Production: Quincy Jones

    About Pure Pleasure

    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.

    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.

    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.

    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.

    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.

    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Love X Love
    2. Off Broadway
    3. Moody's Mood
    4. Give Me The Night
    5. What's On Your Mind
    6. Dinorah, Dinorah

    7. Love Dance
    8. Star Of A Story (x)
    9. Midnight Love Affair
    10. Turn Out The Lamplight
    George Benson
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Standards Standards Quick View

    $25.99
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    Standards

    British soul legend Seal returns with his new album, Standards - combining his unique voice with some of the greatest jazz standards and swing classics ever written. An artist who's been at the top of his game throughout his 30-year career, Seal's 10th studio album breathes life into iconic hits, paying tribute to legends including Frank Sinatra, Ella Fitzgerald, and Nina Simone. It will be released on 10th November through Decca Records/Virgin EMI.


    Seal said: "This is the album I have always wanted to make. I grew up listening to music from the Rat Pack era, so recording these timeless tunes was a lifelong dream. It was a true honor to collaborate with the same musicians who performed with Frank Sinatra and so many of my favorite artists, in the very same studios where the magic was first made - it was one of the greatest days of my recording career."


    Seal's new album brings the glamour of Old Hollywood straight to the present. It is a natural successor to his series of soul records, made a decade ago which sold over 5 million copies around the world. Standards hears Seal's signature, velvety warm vocals bring to life classics made popular by Frank Sinatra (such as 'Luck Be A Lady', 'I've Got You Under My Skin' and 'It Was A Very Good Year'), Ella Fitzgerald ('I'm Beginning to See The Light') and Nina Simone ('I Put A Spell on You'). Elsewhere, there are lush orchestral moments captured on 'Smile' (Charlie Chaplin) and the Cole Porter gem, 'Love For Sale'.


    The unmistakable richness of Standards is largely down to Seal's choice to collaborate with the very same, legendary musicians who have performed with Frank Sinatra - Randy Waldman (pianist who toured with Sinatra and Paul Anka), Chuck Berghofer (bass player, who had performed with Ella Fitzgerald and Ray Charles) and Greg Fields (drummer who also performed with Quincy Jones and Stevie Wonder).


    The making of Standards became a real pilgrimage for the Grammy Award-winning artist. The songs were recorded in the famous Capitol Records in Los Angeles (the very studio where Frank Sinatra, Dean Martin, Nat "King" Cole and many others have created some of the most treasured music of our time), and United Studios, which was established by Bing Crosby and Frank Sinatra, where the latter recorded It Was A Very Good Year.


    In a career spanning three decades, racking up over 30 million records sales worldwide and a string of Grammy, Brit and Ivor Novello awards along the way, Seal continues to shine as one of the world's brightest music stars. His new album is full of musical gems which glisten when brought to life with his stunning voice.

    1. Luck Be A Lady
    2. Autumn Leaves

    3. I Put A Spell On You

    4. They Can't Take That Away From Me

    5. Anyone Who Knows What Love Is

    6. Love For Sale

    7. My Funny Valentine

    8. I've Got You Under My Skin

    9. Smile

    10. I'm Beginning To See The Light

    11. It Was A Very Good Year
    Seal
    $25.99
    Vinyl LP - Sealed Buy Now
  • Live At The Sands: Before Frank Live At The Sands: Before Frank Quick View

    $49.99
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    Live At The Sands: Before Frank

    Swinging Hard and Heavy With Orchestral Support, Live Big-Band Album Recorded During the Count's Warm-Up Sets for Sinatra in Early 1966 in Vegas


    Incredible Sound: Mastered from the Original Master Tapes, Reissue Improves Upon Renowned Dynamics, Presence, Crispness, and Balances


    Long Out-of-Print, Seminal Classic is Perfect Complement to Sinatra's Live at the Sands


    Count Basie and Frank Sinatra had the perfect arrangement at the Sands. Before the Chairman hit the stage in Vegas, Count Basie and his big band warmed up the already enthusiastic crowd with a brief set of their own. A dynamite entertainer, the legendary leader causes hearts to race, hips to shake, and fingers to snap with high-energy readings of his trademark swing music, taken to feverish heights by both his first-rate orchestra and the incredibly swank setting. Fortunately, the finest of Basie and Co.'s introductory performances from the historic 1966 dates have been preserved here and serve as a seminal complement to Sinatra's iconic Live at the Sands.


    Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's analog version of Live at the Sands (Before Frank) gives you a dead-center, eighth-row seat at the famed Sin City club. You'll just need to supply your own table and cocktail. Renowned for its sonic clarity, transparency, crispness, and punch, the record is now tremendously enhanced, with improved tonality, a deeper soundstage, correct balances, and lifelike presence. Each horn occupies its own space, and Basie's transfixing piano-a focal point throughout-resonates with gorgeous detail and impeccable pacing. The collective's energy almost demands to be measured with an SPL meter.


    Captured in late January and early February 1966, Live at the Sands (Before Frank) contains most of Basie's signature pieces delivered with an enthusiasm, style, and brassiness that exceed that gracing nearly any of the Count's studio efforts. His band is stacked to the nines, with tenor saxophonist Eddie "Lockjaw" Davis, saxophonist/flautist Eric Dixon, and drummer "Sonny" Payne among the prized cast. The Sands dates marked the first time in years that these players, as well as trombonist Al Grey, gathered onstage together.


    Encouraged by Basie, the instrumentalists engage in a series of call-and-response passages and standout solos, not the least of which is Davis' turn on a white-hot "Jumpin' at the Woodside" and he and Dixon's exchanges on "This Could Be the Start of Something Big." No slouch, Basie approaches "Makin' Whoopee" with graceful playfulness, and oversees the assortment of uptempo swing numbers and mellow ballads with astute melodicism. A sublime version of the Don Gibson country standard "I Can't Stop Loving You," arranged by Quincy Jones, can almost be considered a bonus.


    No, it don't mean a thing if it ain't got that swing. And Basie and his mates have plenty of it on this superb outing. Big-band jazz seldom enjoyed such levels of rhythmic precision, expert charts, or unfettered joy. Unbelievably, this gem has been out of print for years, with original copies both on vinyl and CD commanding steep prices. Mobile Fidelity's reissue restores not only the sonics but the record's place in jazz history.


    This title is not eligible for discount.

    1. Introduction
    2. Splanky
    3. I Can't Stop Loving You
    4. I Needs to Be Bee'd With
    5. Flight of the Foo Birds
    6. Satin Doll
    7. Makin' Whoopee!
    8. Corner Pocket
    9. One O'Clock Jump
    10. Hello Little Girl
    11. Whirly Bird
    12. Blues for Ilene
    13. This Could Be the Start of Something Big
    14. Jumpin' at the Woodside
    Count Basie
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Uptown Special Uptown Special Quick View

    $21.99
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    Uptown Special

    Uptown Special, the fourth album by producer-songwriter-musician Mark Ronson, is a tale of several cities, a wide range of collaborators, and a road trip deep into the American South. However the story of Ronson's latest project really starts back when he was New York's hottest DJ.


    In the late 1990s into the early 2000s the New York club scene was percolating with booming hip-hop and glitzy R&B. In those days before he emerged as a multi-talented musical force Ronson manned the turntables of many great parties. "It was a fun time to be playing music," he says. "At clubs like Cheetah you didn't have to play a hip hop record until 1a.m. You could play early '80s classics by Chaka Khan, Boz Scaggs and Michael Jackson and rock the crowd. I'd play Steely Dan's 'Black Cow' at 11:30 and it world work. Then, at 1am you'd play 'Hypnotize' by Biggie and the crowd would go wild. I come back to those memories."


    This mix of vintage R&B and pop with contemporary hip-hop is what made Ronson a star DJ. "I never get tired of hearing records like Earth, Wind & Fire's 'Can't Hide Love' next to 'Rock the Boat' by Aaliyah," says Ronson. "I wanted this record to feel like hearing that kind of musical mix on great New York club night."


    Uptown Special has all of the flavor of a night with Mark rocking the ones and twos with funk, soul, and psychedelic pop in a style that echoes classic productions by Quincy Jones and Steely Dan, and funneled through its creators sophisticated understanding of arrangement and melody. Of his three previous albums Mark feels like Uptown Special is closest in spirit to his 2003 debut, Here Comes the Fuzz, which came directly out his DJ experience. "The difference," Mark says "is I was reaching for things musically I wasn't quite ready to execute. With all the experience I've gained over the years I had the maturity and knowledge to really pull this together."


    The first single, "Uptown Funk," features GRAMMY® award-winning superstar Bruno Mars on vocals and drums, who sings with passion and plays drums with fire that will bring funk back on the radio. Joining Mars on the track is Mark on guitar, Mars' bassist Jamareo Artis and Jeff Brasker on keys. Mark produced Mars' massive hit single, "Locked Out of Heaven," where they developed a close musical kinship. "As a live performer no one out here now puts on a show like Bruno," says Mark. "This record has that same intensity. When you hear him sing you are always aware of how much he puts into a performance." Mark was so taken with the single's power that it inspired the album's title.


    Though Ronson is now based out of London, most of Uptown Special was recorded in the United States with stops in Los Angeles, Memphis and Mississippi. Most of the music was recorded with live musicians with Mark anchoring the sessions on guitar, while surrounded by a complimentary mix of gifted young players and R&B vets. Several musicians, who worked with Mark on his historic production of Amy Winehouse's multi-platinum Back To Black and his own breakthrough album, 2007's Version, rejoined him for this album, including drummer Homer Steinweiss, bassist Nick Movshan and guitarist Tommy Brenneck. Also making guest appearances on 'Uptown Special' are bassist Willie Weeks (who played on Stevie Wonder's classic Innervisions) guitarist Carlos Alomar (who created the familiar guitar riff on David Bowie's "Fame") and drummer Steve Jordan (member of the John Mayer Trio).


    Mark Ronson's Uptown Special is a unique blend. It's an album with a serious literary pedigree matched to down home greasy funk. It features a progressive pop vocalist from Australia and one reared in Mississippi, the spiritual root of American music. Hot young contemporary players dominate while some tracks are spiced with legendary musicians. It's a mix that reflects the musical taste and life experience of its creator.

    1. Uptown's First Finale
    2. Summer Breaking
    3. Feel Right
    4. Uptown Funk
    5. I Can't Lose
    6. Daffodils
    7. Crack In The Pearl
    8. In Case Of Fire
    9. Leaving Los Feliz
    10. Heavy And Rolling
    11. Crack In The Pearl pt. II
    Mark Ronson
    $21.99
    Vinyl LP - Sealed Buy Now
  • Bringin' It Bringin' It Quick View

    $34.99
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    Bringin' It

    Iconic bassist Christian McBride has been doing what the title of his upcoming big band album implores for years: Bringin' It. This highly anticipated release, which follows the Christian McBride Big Band's 2011 Grammy® Award-winning debut, The Good Feeling, puts his status and skills as an all-around entertainer on full display. With a list of growing accolades including his recent appointment as Artistic Director at the Newport Jazz Festival, hosting shows on SiriusXM ("The Lowdown: Conversations with Christian") and NPR ("Jazz Night in America," as well as frequent online contributions to various programs including "All Things Considered"), speaking engagements, and occasional DJ performances under the alias DJ Brother Mister, he's more than just a bandleader: Christian McBride is transcending that title to something more complete.


    If it is true that jazz is a sponge for musicians to absorb and then squeeze out what they hear to produce their own sound, McBride has been "bringin' it" for quite a long time. From his amazing quintet, Inside Straight, to his avant-garde leaning quartet, New Jawn, the contemporary sound of his fusion group, A Christian McBride Situation, to the critically acclaimed music he's made with his trio, the bassist has always disseminated his own unique 360-degree view of jazz.


    While the music played by the Christian McBride Big Band is on the cutting edge of 21st century large ensemble music, the orchestra's presentation, like its sound, respects the past while looking forward. Danny Ray, the legendary stage announcer for James Brown, travels with the group to give the leader an old-school intro before playing his thoroughly modern music. "I love having the show aspect of it as well, with Danny Ray there, and being able to create somewhat of a show while also having Melissa there as our vocalist."


    That would be Melissa Walker, who graces Bringin' It on two tracks: "Upside Down," originally done by Brazilian superstar Djavan, and the unlikely slick arrangement of "Mr. Bojangles." In addition to maintaining a career in jazz, Walker is also the co-founder of Jazz House Kids, the award winning jazz education center and she's Mrs. Christian McBride.


    Only two tracks on this 11-song set were not arranged by the leader: the "Upside Down" arrangement was contributed by Norman Simmons, while "Optimism" is from the person he's known the longest in his band, trombonist Steve Davis. Davis has the distinction of being the very last Jazz Messenger that Art Blakey hired before he died in 1990.


    "I saw that last Jazz Messengers band that Steve was in," McBride remembers. "Blakey was a huge influence on me and because of that, Steve and I share the same compositional and arranging DNA. You see, even though I've been influenced by every great big band and every great arranger I've ever heard, three of my greatest influences - not just as composers but also as improvisers - are Freddie Hubbard, Wayne Shorter and Cedar Walton. I mean before, after and during the period when they were with Art Blakey & the Jazz Messengers."


    McBride played bass for Freddie Hubbard's quintet for nearly three years starting when he was 18. One of the songs he loved to play with the legendary trumpeter was "Thermo." A few years ago he brought this arrangement to a gig with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. When the four trumpeters had to work hard to go over the riffs in the tune, McBride felt a certain pride. "I just thought that Freddie was somewhere up in heaven laughing," says McBride.


    Perennial poll-topping arranger Maria Schneider has also been an influence on McBride. He cites times when he'd just bug her for hours, peppering her with questions, particularly on a recent trip to Europe. He honors her with his rendition of "I Thought About You." "She has an arrangement of 'Giant Steps' where she arranged the melody over a D pedal so I said let me try something like that," McBride recounts. "That's where that came from. She really gave me a lot of information and has been a great influence on me."


    Another aspect that has helped the bassist find his voice as an arranger is the fact that, except for drummer Quincy Phillips, this is the exact same band that recorded with him six years ago. "These guys know my sound. They know my style. They know what my compositional and arranging DNA is. I've been able to keep the exact same unit, so like Duke Ellington used to do, I can write for my guys because I know their sound and style.


    "As for my originals, they all have been recorded with my small groups," he continues on about the tracks "Gettin' To It," "Youthful Bliss," and "Used'ta Could." "As an arranger I'm still in the early stages of my development so it seems to me the best way to really make my hopeful ascension into a better arranger is to obviously take a song I've already written and try to add to that and make it a worthy large ensemble song."


    While the Wes Montgomery smoker "Full House" isn't a McBride original, it is part of his development as an arranger - it's a big band chart he first created for guitarist Russell Malone at Jazz Aspen in 2009. He says he's tweaked it since then for his go-to guitarist Rodney Jones. For the McCoy Tyner classic "Sahara," the bassist channeled his 20+ years of playing with the legendary Chick Corea, for which McBride won two of his five Grammys. Another one of his Grammys came from a co-op project with Tyner. "I always thought of Chick, in his early years, as being a branch from the tree of McCoy Tyner, if you will," he commented.


    McBride's work ethic is evident in the challenge he set for himself on the steamy old ballad "In The Wee Small Hours of the Morning." "I decided to torture myself by writing that arrangement in the key of B. To me that's a very pretty key, but it is a very hard key for a double bass because I get to play no open strings," McBride explains. "When I play it live, every bass player in the house comes to me and says, 'is that in B? Why do you do that?' Maybe it's because I'm crazy, but I really wanted to do something difficult and keep myself on my toes."


    Planning to keep this group simmering while he simultaneously resurrects his Inside Straight band and introduces his new trio, Tip City, McBride is most excited to embrace the golden age of big bands while they continue bringin' it with more gigs and their first European tour. "With my big band I try to combine all of my journeys and goals as a musician and then try to put it in a wrapper of show business," the five-time Grammy® Award-winner comments. "I really think in that sense I'm following something of a big band tradition."

    1. Gettin' To It
    2. Thermo
    3. Youthful Bliss
    4. I Thought About You
    5. Sahara
    6. Upside Down
    7. Full House
    8. Mr. Bojangles
    9. Used 'ta Could
    10. In The Wee Small Hours Of The Morning
    11. Optimism
    Christian McBride Big Band
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Ziggy Marley (Out of Stock) Ziggy Marley (Out of Stock) Quick View

    $16.99
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    Ziggy Marley (Out of Stock)


    Includes CD Of Album


    The 6th solo studio album from seven-time Grammy winner and reggae icon Ziggy Marley,
    'Ziggy Marley' is rooted in and inspired by current world events, racial divides and human
    inequalities. Once again, Marley serves as the album's sole producer; enlisting musicians
    Lyle Workman (Sting, Beck), Steve Ferrone (Tom Petty), Brain Macleod (Sheryl Crow), Zac
    Rae (Death Cab For Cutie, Lana Del Ray), Abe Laboriel (Michael Jackson, Quincy Jones,
    Paul McCartney) and Dave Wilder (Macy Gray, Barrington Levy) to join him in the studio.


    The new self-titled album marks his first since 2014's critically acclaimed 'Fly Rasta', which
    took home the 2015 Grammy award for Best Reggae Album.

    1. Start It Up
    2. Better Together
    3. Amen
    4. Love Is A Rebel
    5. Weekend's Long
    6. Heaven Can't Take It
    7. Ceceil
    8. I'm Not Made Of Stone
    9. Marijauanamen
    10. We Are More
    11. Butterflies
    12. We Are The People
    Ziggy Marley
    $16.99
    Vinyl LP + CD - Sealed Temporarily out of stock
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