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9012Live - The SolosFirst Time 180 Gram Audiophile Vinyl Release
Featuring The One Time Line-up Of Jon Anderson, Chris Squire, Alan White, Tony Kaye & Trevor Rabin
Mastered Impeccably By Joe Reagoso (Yes, Kansas, David Bowie)
After the amazing success of the mega platinum 90125 (FRM 9012), Yes embarked on a grand world tour in 1984 featuring the stellar line up of Jon Anderson (vocals/guitar), the late great Chris Squire(bass/vocals), Alan White (drums/vocals), as well as the return of Tony Kaye (keyboards/vocals) and new Yes member Trevor Rabin (guitar/vocals).
The tour was a stunning smash and luckily tape was rolling as they captured each member in their own cosmic and artistic space, which prevailed in each and every performance on this fine album.
This long out of print album featured crowd pleasers like Hold On and Changes from 90125, plus incredible vocal work outs from Jon Anderson on Soon from Relayer (FRM-18122) and Alan White and Chris Squire's duo solos on Whitefish. Even Amazing Grace receives an entirely new interpretation from the magical bass of Chris Squire, which is one of the finer examples of the sheer artistry and innovative music that Yes has been giving their worldwide audience for decades.
Friday Music has been releasing the artistry and impeccable YES Atlantic Records catalog now for many years, so it is with great pleasure to announce the first time 180 Gram Audiophile Vinyl release of YES 9012LIVE- THE SOLOS.
Mastered impeccably by Joe Reagoso (Yes) at Friday Music and Capitol Studios, Hollywood, CA, this special limited edition release is also included the original Lp sized artwork elements not seen since its original vinyl release back in 1985.1. Hold On
3. Solly's Beard
6. Amazing Graze
7. Whitefish$32.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Never Trust A Happy SongNever Trust A Happy Song is the debut album from LA indie-rockers Grouplove. The release is a brawny, ecstatic album filled with ambitious, varied, expansive, tunes underscored by crisp percussion and killer harmonies. The variety in the musical taste and writing styles of each member really makes each of our songs unique, drummer/producer Ryan Rabin explains. The honest, open-minded process we go through in rehearsal and in the studio brings the songs home and gives them the 'Grouplove' sound.
Under the Grouplove banner, Colours, became a delicate but powerful slow/fast jam. Itchin On A Photograph is a soaring epic propelled by spacey guitar licks and vigorous handclaps. And Tongue Tied, is an electronic infused dance anthem that showcases the bands obsession with careening harmonies.
Hannah Hooper (keyboards), Andrew Wessen (guitar) and Sean Gadd (bass) all share vocal duties and take their turn fronting the band, though Christian Zucconi (guitar) sings lead on most songs, Ryan produces all of their material, and all five bandmembers receive songwriting credit on every tune: Grouplove is a true collaboration.
The albums title initially seems ironic: on the surface the bands vibe comes off as happy, the songs soar with a kind of shimmering, youthful exuberance. But just beneath that sunny sheen, there is a reservoir of longing and melancholy. The Grouplove signature is blending those two pillars of life: sorrow and joy. Hannah explains, As individuals we are heavier, darker, but when we are together we bring the love.1. Itchin on a Photograph
2. Tongue Tied
3. Lovely Cup
6. Naked Kids
8. Bettys a Bombshell
10. Love Will Save Your Soul
11. Cruel and Beautiful World
12. Close Your Eyes and Count to Ten$20.99Vinyl LP - Sealed Buy Now
REDD-DIN-5082xCity And Colour
The Hurry And The Harm (Awaiting Repress)City and Colour have announced details of their long-awaited new album, The Hurry And The Harm, which is set to be released on June 4th.
Today is album announce day and i finally get to share all the fun stuff.
I am excited to introduce all of you to my upcoming album - The Hurry and The Harm.
The support you all showed, for the first song I shared two weeks ago, of space and time, was overwhelming. Thank you!!! it means the world to me.
I had an amazing time recording The Hurry and The Harm in Nashville this winter. Alex Newport joined me as producer again and I couldn't be prouder of the talented group of guys that joined me. Jack Lawrence played bass (and has since joined me on the road), Matt Chamberlain and James Gadson took turns on drums, Bo Koster worked the keys, Spencer Cullum Jr added pedal steel and both Anthony Lamarchina & Karen Winkelmann contributed to the string arrangement.
I never thought I'd want a picture of myself on the cover of a record, but here we are. I sent Dustin Rabin one of my favorite lyrics on the record and the album artwork was born:
I've always been dark, with light somewhere in the distance
Over the next few weeks more info will continue to follow. For now, I'm very excited to share this with everyone and grateful for all the years we've shared that led to this record.1. The Hurry and The Harm
3. Of Space and Time
4. The Lonely Life
8. Two Coins
9. Take Care
10. Ladies and Gentlemen
11. The Golden State
12. Death's Song$24.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
DramaDrama is the tenth studio album from the English rock band Yes, released on 18 August 1980 on Atlantic Records. It is their only album to feature Trevor Horn in the band's line-up as lead vocalist, following the departure of Jon Anderson and Rick Wakeman in March 1980 after unsuccessful recording sessions in Paris and London for a new album. Horn was joined by Geoffrey Downes, his partner in the new wave band The Buggles. Drama was recorded in a short amount of time as a tour was already booked prior to the change in personnel. It marked a departure in the band's musical direction with songs more accessible and aggressive that featured the use of modern keyboards and a vocoder.
Drama was released to a mostly positive critical reception, with most welcoming the band's new sound. The album peaked at No. 2 in the UK and No. 18 in the US, their lowest charting album there since 1971 which fell short of reaching Gold certification by the RIAA. Into the Lens was released as the album's sole single. Yes toured the album with a 1980 tour of North America and the UK, and were met with some negative reactions during the latter leg over the new line-up change. They disbanded at its conclusion; Horn ventured into producing, Howe and Downes co-formed Asia, and Squire and White formed Cinema with Trevor Rabin which led to a reformed Yes in 1983.1. Machine Messiah
2. White Car
3. Does It Really Happen?
4. Into The Lens
5. Run Through The Light
6. Tempus Fugit$24.99180 Gram Audiophile Virgin Vinyl LP -Sealed Buy Now
Spreading RumoursSpreading Rumors is Grouplove's second full-length album.
Hannah Hooper met Christian Zucconi late one evening on the lower east side of Manhattan. They had both been living in New York for years and had never crossed paths before. But from that night forward the two could hardly be pulled apart. Soon after their connection Hooper was invited to an art residency in Greece on the island of Crete and Hooper insists without any hesitation she invited Zucconi to join her on this journey. Seriously, we had only known one another for a few days but are both so inspired and alive when we are together that going to Greece seemed like a magical and natural thing to do recalls Zucconi.
On Crete, in a small remote mountain village, Hooper and Zucconi met the members of their future band Grouplove a year before it was officially formed. Sean Gadd, a natural songwriter and guitar player, born and bred in London instantly bonded with the two eccentric New Yorkers. Their relationship became apparent through the music they were making day in and day out. Andrew Wessen, a pro surfer and musician from Los Angeles and his childhood friend Ryan Rabin, an accomplished drummer and producer, were also at the residency and quickly joined in with the musical trio. These five musicians make up the members of what we now know as Grouplove.
Like all good things, the summer and the residency came to an end and the five friends scattered back to their homes all over the globe. With Sean in London, Christian and Hannah in Brooklyn and Ryan and Andrew in Los Angeles Grouplove was faced with the challenge of what to do now. We all understood how rare it is for five strangers to feel as close as family and create passionate music together. We couldn't just return to Brooklyn and let the music we all made fade into a memory of that summer we had in Greece, explains Zucconi. Everyone pulled their funds together and Sean, Christian and Hannah made their way to Ryan Rabin's studio in LA to record their album. We seriously had the best time of our lives doing that record, says Zucconi. And the result is an incredibly special album where soaring harmonies coupled with sweeping anthems lead you through their powerful journey. Like the members of Grouplove, their music is diverse in influence and style but bonded together by an undeniably creative kinship.
Their experience back together and recording together was so potent that Hooper and Zucconi packed up their lives in Brooklyn and moved to LA to live and play their music.
We never could have dreamt this up says Zucconi, but at the same time we're not at all surprised - GROUPLOVE is meant to be. Our story a testament to fate, and our music is something we are ready to share.1. I'm With You
2. Borderlines And Aliens
4. Ways To Go
5. Shark Attack
6. Sit Still
7. Hippy Hill
8. What I Know
9. Didn't Have To Go
10. Bitin' The Bullet
11. News To Me
13. Save The Party For Me$20.99Vinyl LP - Sealed Buy Now
Kids In LoveLove is all you need. It's been said many times and many ways of course, but it's truer now than ever.
When The Mowgli's first landed on the scene, their message of positivity and love resonated with audiences everywhere. The group's 2013 major label debut, Waiting for the Dawn [Photo Finish], debuted at #4 on the Billboard Heatseekers Chart and yielded the hit "San Francisco". Following its release, the seven-piece-Colin Louis Dieden [vocals, guitar], Katie Jayne Earl [vocals, percussion], Dave Appelbaum [keyboards], Josh Hogan [guitar, vocals], Matthew Di Panni [bass], Spencer Trent [guitar, vocals], and Andy Warren [drums]-performed on Jimmy Kimmel LIVE!, The Tonight Show with Jay Leno, CONAN, Watch What Happens Live, and more. Between headline tours and runs supporting everybody from Walk The Moon to Manchester Orchestra, they even cut a song for the Relativity Media hit film Earth To Echo. Along the way, their interpretation of love became even clearer, and it defines their sophomore outing, Kids In Love.
"Our first album essentially said, 'What's up everyone? We're The Mowgli's, and we believe love can change the world," explains Katie. "Over the past couple of years, we really came to terms with who we are as a band. With Kids In Love we're exploring the intricacies of love. It's such a broad concept. This time around, we get into intimate love, personal love, as well as universal love. We've found art is the best vehicle to ponder what this really means."
"Before, the concept was painted in very broad strokes," Colin goes on. "Our intention was to start a movement and a culture around what we do. We put all of that under a microscope on this album and talked about personal experiences and stories, the lack of love, and finding it again."
"We've learned so much about the business, ourselves, and this message," adds Josh. "We've become more direct. It's a little wiser."
In order to properly convey that sentiment, the group teamed up with producer Tony Hoffer [The Kooks, Silversun Pickups, Fitz & The Tantrums] in his Los Angeles studio during the summer of 2014. With Hoffer at the helm, they fine-tuned their sound into an elegant amalgam of influences. Additionally, they recorded with prior collaborators Captain Cuts [Smallpools, Tove Lo] - a production team that includes Ryan Rabin of Grouplove, and worked with Matt Radosevich [Walk The Moon, One Direction] on two additional tracks. "We wanted to create songs that we knew we would enjoy playing live, songs we hoped that speak to people's personal experiences with love and life and loss and everything that comes with being a kid - or really anyone - in love," Katie explains.
"We've been on tour incessantly, and this album was really written all over the country," Colin recalls. "It was composed in green rooms, hotels, parking lots, and everywhere in between. I went to Nashville for a week on a whim and tried to learn how to write country music. I was so lucky to work with some of the best in the business. I wanted to bring some of those storytelling elements into the music too. We really grew up, and the songs reflect that journey."
The first released track "Through The Dark" builds from a shimmering acoustic guitar into an unshakable harmony between Josh and Colin. It shines its own kind of musical light.
"Everybody goes through dark times," Josh asserts. "We're trying to put a positive spin on that though, and show you can get through that darkness no matter what."
Colin continues, "In a weird way, it feels like the answer to Waiting for the Dawn. It's a hopeful and encouraging song."
Then, there's the first single "I'm Good." It begins with a sun-soaked clean guitar and resounding percussion before snapping into a delightful refrain that's undeniably unforgettable. You'll feel good after one listen
Elsewhere on the album, "Whatever Forever" is augmented by driving handclaps and a group chorus that proves infectious. Lyrically, it stemmed from some shared ink within the band. "Colin and I both got a tattoo of that phrase a few years ago in a hotel bar during Hurricane Sandy," smiles Josh. "We'd seen it on the wall of a bar, and it felt like the perfect new life motto. We're not worried about anything; we're just going for it."
"That's a personal favorite," concurs Colin. "After one show, I had a girl walk up to me and say, 'I've been dealing with so much and hurting so badly. I adopted 'Whatever Forever' as my mantra. I needed that.' Sometimes, you need to distance yourself from what hurts."
Ultimately, The Mowgli's open up their hearts once more, and the results are nothing short of inspiring. "We just want people to feel good," Katie concludes. "It's a domino effect. If someone leaves a show feeling great, maybe they pay it forward. If we can contribute a little bit of joy, companionship, and happiness, we're doing our part to make the world a little brighter."
"I want them to feel inspired to do something positive," Josh agrees. "It's all about sharing that." Colin leaves off, "I want this to be a positive transformative experience. It's almost like falling in love. When you're in a good mood, you tend to react positively. I hope it adds more positivity and love to the world."1. You're Not Alone
2. I'm Good
3. Bad Dream
4. What's Going On
5. Through the Dark
6. Whatever Forever
7. Make It Right
8. Love Me Anyway
9. Shake Me Up
10. Home To You
11. Kids In Love
12. Sunlight$19.99Vinyl LP - Sealed Buy Now
4 Page Insert
Including Bonus Track: The Calling (Special Version)
It was during the 1990s that Yes underwent one of its not infrequent periods of revolutionary change. Although it might appear unusual to the outside world, the idea of constantly re-moulding the Yes concept ensures the band remains a dynamic force. One result of such upheaval was the creation of Talk, the 1994 album regarded by many critics as their most powerful and intriguing pieces of work. It certainly represents 'a journey into the unknown' - as the album's producer, the multi-talented Trevor Rabin, describes it.
After the Union tour it was decided that Yes would carry on with Trevor Rabin, Jon Anderson, Tony Kaye and Alan White. Their plan was to record a new album produced by Trevor, which evolved into Talk. Trevor and Jon wrote all the music and lyrics. The aim was to tackle the challenges of the computer age. However, as can be heard on this welcome LP reissue, many of the traditional Yes qualities remain, including the use of acoustic guitar, vocal harmonies and a touch of the traditional Hammond organ sound.
In the aftermath of Talk, Yes was reborn with Jon, Chris, Steve Howe and Alan White back together. A succession of splendid new albums followed, including Open Your Eyes (1997) and The Ladder (1999). During 2001 the band embarked on a Yes Symphonic tour.LP1
1. The Calling
2. I Am Waiting
3. Real Love
4. State Of Play
1. Where Will You Be
2. Endless Dream
A) Silent Spring (Instrumental)
C) Endless Dream
3. The Calling (Special Version)*
*Bonus Track$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Big GeneratorLimited Edition First Time In 180 Gram Vinyl With Gatefold Cover
Mastered By Joe Reagoso
After the success of 1983's 90125, Yes fans celebrated the return of their favorite super group with their 1987 global smash Big Generator. With the highly regarded dream team musicians consisting of Jon Anderson, Chris Squire, Trevor Rabin, Tony Kaye (& Alan White on drums), Big Generator truly stands as absolutely one of the most intriguing LP's in their 45 year history.
This top 15 album is now being presented as a first time 180 Gram Audiophile Vinyl & gatefold cover, mastered by Joe Reagoso & featuring hits like Rhythm Of Love and the number 1 Love Will Find A Way1. Rhythm of Love
2. Big Generator
3. Shoot High, Aim Low
4. Almost Like Love
5. Love Will Find a Way
6. Final Eyes
7. I'm Running
8. Holy Lamb (Song for Harmonic Convergence)$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
Union is the thirteenth album made by progressive Rock band Yes. This was their last release featuring all members of the new line-up (Jon Anderson, Chris Squire, Trevor Rabin, Alan White and Tony Kaye) and the ex-Yes members group (Anderson, Bruford, Wakeman and Steve Howe), hence the name Union. Incredibly enough during the process of recording the album, all eight members do not play together at once.
The album reached #7 in the UK Album charts and #15 in the US Album charts spawning three singlesLift Me Up, Saving My Heart and I Would Have Waited Forever.
In 1992 the eight man band supported the release with a world tour after which Bruford, Wakeman and Howe left the band for good.1. I Would Have Waited Forever
2. Shock To The System
4. Lift Me Up
5. Without Hope You Cannot Start The Day
6. Saving My Heart
7. Miracle Of Life
8. Silent Talking
9. The More We Live-let Go
10. Dangerous (Look In The Light What You're Searching For)
11. Holding On
13. Take The Water To The Mountain$35.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Big MessPressed On Mixed Red & Yellow Colored Vinyl
Recorded in Los Angeles and Seattle with producers Captain Cuts (Grouplove's own Ryan Rabin) and Phil Ek (Fleet Foxes, Band of Horses, The Shins), Big Mess features the signature anthemic choruses and infectious hooks that first brought the Los Angeles quintet to prominence through hits like "Tongue Tied," "Colours," and "Ways To Go." No stranger to the worldwide festival circuit, Grouplove has made an album that brilliantly showcases their richly narrated songs with elaborate production.
We made this album at an important crossroads in our lives, and it was a dream come true to be able to work with Phil Ek up in Seattle and with Ryan down in LA. We're extremely excited for the world to hear it!" offered singer/guitarist Christian Zucconi.1. Welcome To Your Life
2. Do You Love Someone
3. Standing in the Sun
4. Enlighten Me
5. Good Morning
9. Heart of Mine
10. Don't Stop Making It Happen
11. Hollywood$24.99Colored Vinyl LP - Sealed Buy Now
Tiny Tim's America
Limited To 1000 Copies Pressed On 2 Version Of Wax (Randomly Inserted) - Black Or Red/White/Blue
Never Before Heard Material From Tiny
4-Page, Full Color Booklet Included Featuring Liner Notes And A Collection Of Never-Before-Seen Photos
ALL ABOARD! Tiny Tim is taking us for a wild ride down the gramophone horn as he resurrects the sounds of yesteryear - his way.
Tiny Tim's America began in 1974 when Tiny Tim recorded a rehearsal tape alone in his New York City hotel room. Now, Ship To Shore PhonoCo. has reunited Tiny with his producer Richard Barone (I've Never Seen A Straight Banana: Rare Moments, Volume 1) and his cousin, pianist and arranger Eddie Rabin, to help Tiny complete the album he began 42 years ago!
Featuring Tiny's renditions of a rich collection of turn of the century, Edison cylinder-era songs, Tiny Tim's America showcases Tiny at his best; free from the constraints of producers and studios, and displaying the breadth of his musical knowledge and true depth of his ability as a performer.1. O'Brien is Tryin' to Learn to Talk Hawaiian
2. My Rose of Waikiki
3. If The World Don't Treat You Right, Come Home
4. I Get Dippy When I Do That Two-Step Dance
5. Yours is Not the Only Aching Heart
6. The Leader of the German Band
7. I'm Lookin' for a Sweetheart (And I Think You'll Do)
8. So What's the Use?
9. What Might Have Been
10. Henie Waltzed 'Round on His Hickory Limb (The Great Hick-Sh-Sh Song)
11. That Railroad Rag
12. Are You Sincere?
13. Pucker Up Your Lips Miss Lindy
15. Under the Matzoh Tree (A Ghetto Love Song)
16. Ev'ry Ship Will Find a Harbor / When Shadows Fall$25.99Vinyl LP - Sealed Buy Now
What's RealDear Listener / Internet Surfer / Intrigued Music Consumer-
Thank for you for taking the time to read about our new record, What's Real. We have been working on this album for the better part of two years. Or maybe I have been working on this album since I was 14. That was when I first heard the bands that made me want to pick up the guitar and learn to play. When I became consumed over the angst, the freedom, the recklessness of rock and roll, the escape it created and allowed, and the feeling of unity with anyone who was discovering and finding the same.
I started writing this album as soon as we got home from touring behind our debut record Out In The Light. All of a sudden, I was sitting still for the first time in years, and I dove into my early musical influences to find that what I once thought were alternative anthems of recklessness, of angst, of societal alienation, were also perfectly constructed songs. It wasn't pop. But it became popular for a reason. And as a songwriter I began to see that music in a new light.
I approached this album from that place. From a place of seeing that songs can sound big, feel big, and still be incredibly personal. Still be brutally honest. Still leave everything on the table. And while current alternative radio is pumping out songs about the "best day of my life" and "wanting to be like the cool kids", I wanted to write songs about heartbreak, about finding clarity, about feeling stuck in your hometown. And I wrote it with the hope that people connect with it in a visceral way. In an emotional way. The way I am connecting to it. A connection I feel is not as expected these days.
This record was recorded over a 15 month period while I was living in San Francisco and taking road trips down to record with friend and Grouplove producer/drummer Ryan Rabin. The first song we recorded together was "Got To My Head". He got where I was coming from and became my collaborator throughout the majority of the process. We pushed this record to the extremes, trying to fit as many hooks at times, capturing throat wrenching vocal takes at others. I was writing while recording. A lot of the writing takes on past tragic relationships I have since moved on from. "I Feel Everything" is a song about the addiction of abusive and extreme relationships, "Over It" is a song about finally getting out of it, and "What's Real" is about the constant struggle to weed out the impersonal and temporary relationships and yearning for something more. The songs came from desperate times. They came from a place where I would rather be in any situation than the one I was in. Some of them were written while in it, some of them are reflection.
I recorded a handful of the songs with another producer Carlos De La Garza. Among those are "Rebel Yell", a song about longing for the drive to care about the state of the world like I once did so intensely, but has faded with the distractions of adulthood, and "Mom And Dad's," a song about the realities of having to move back in with your parents after you thought you were gone for good, and finding everything both completely changed and exactly the same.
This record could not have been possible without my band. I met them all while living in San Francisco. It's a new band from the last record. Andrew Wales plays Drums. Brian DaMert plays Guitar. Greg Sellin plays Bass. And Sara DaMert plays Keys. They have helped me take these songs from my headphones to the stage and have realized them in the greatest way possible. they do them every justice I could have asked. I am so grateful to have them.
When we finished the record I felt like we had made a sonic place. It felt like my bedroom in high school. We accomplished my goal in providing a world for someone who needs a real alternative. An escape. I don't care if that sounds cheesy. I am not worried about it. Come to our shows. Participate in the energy. We will leave it all on the table. We expect the audience to as well. There is something really rewarding in doing so. It's what I dreamt about when I was 14 and started playing guitar. It's what I still dream about today. It's What's Real.
Van (WATERS)1. Got To My Head
2. I Feel Everything
3. Mom and Dads
4. The Avenue
5. What's Real
6. Inside My Room
7. Stupid Games
9. Over It
10. Rebel Yell
11. Green Eyes$18.99Vinyl LP - Sealed Buy Now