Rag And Bone

Human is the debut album from Rory Graham aka Rag'n'Bone Man. It features the title track Human as well as the single, Wolves.

The Architect album features the singles Guilty and Crybaby. In addition to a stellar collection of new songs, Paloma invited a supporting cast on this album that includes Samuel L. Jackson, John Legend, Rag 'n' Bone Man and David Arnold. Commenting on this body of work, Paloma says I was adamant with this record that I wouldn't write about love - I wanted to look outside of myself and write about wider issues facing our world, but ironically, when you listen to it, it's really a whole album about love.

Set in an alternate present-day, this action-thriller directed by David Ayer (SUICIDE SQUAD, END OF WATCH, writer of TRAINING DAY) follows two cops from very different backgrounds. Ward, a human (Will Smith), and Jakoby, an orc (Joel Edgerton), embark on a routine night patrol that will alter the future of their world as they know it. Battling both their own personal differences as well as an onslaught of enemies, they must work together to protect a deadly, thought-to-be-forgotten relic, which in the wrong hands could destroy everything.

Bright: The Album, the film's soundtrack accompaniment, features a mind-blowing track listing of original music from a genre-defying collection of massive artists: A$AP Rocky, alt-J, Bastille, Bebe Rexha, Camila Cabello, DRAM, Future, Grey, Kiiara, Lil Uzi Vert, Logic, Machine Gun Kelly, Marshmello, Meek Mill, Migos, Neil Young, Portugal. The Man, Rag'n'Bone Man, Sam Hunt, Snoop Dogg, Steve Aoki, Tom Morello, Ty Dolla $ign, X Ambassadors and YG.

On Wallflower, Diana Krall showcases her considerable gifts as a vocalist in a bold and beautiful way. Krall sings a set of songs that include
familiar popular classics like The Mamas and the Papas' "California Dreaming" and the Eagles' "Desperado," favorite vintage songs by Krall's musical
heroes Bob Dylan (he inspired the album's title track "Wallflower") and Elton John ("Sorry Seems To Be The Hardest Word"). The album also features
more recent gems like Crowded House's "Don't Dream It's Over" and a wonderful new composition from Paul McCartney ("If I Take You Home Tonight").
Diana Krall's unique artistry transcends any single musical style and has made her one of the most recognizable artists of our time. Krall has sold more
albums than any other female jazz artist in the last 30 years, establishing herself as one of the best-selling artists of her generation. The new album marks
Krall's first studio effort since 2012's Glad Rag Doll, produced by T Bone Burnett, which debuted at No. 6 on the Billboard 200 and at No. 1 on the Jazz
Albums chart.

Diana Krall is the only jazz singer to have eight albums debut at the top of the Billboard Jazz Albums chart. To date, she has won five
Grammy® Awards, eight Juno® Awards and has also earned nine gold, three platinum and seven multi-platinum albums.

Recorded In Quebec By Greg Norman (electrical Audio)

Thee Silver Mt. Zion Memorial Orchestra (SMZ) has traced a barbed-wire arc of
genre-defying protest music since its inception in 1999. Formed by Efrim Menuck, with
Thierry Amar and Sophie Trudeau, the initial iteration of the band was a predominantly
instrumental trio that forged a more intimate and ragged chamber-punk than Godspeed
You! Black Emperor, in which group all three founding SMZ members also played (and
continue to play). Through seven albums from 2000-2010, SMZ expanded its line-up and
shifted towards an increasing use of lead and group vocals, with Menuck penning politically charged lyrics to anchor long-form multi-movement compositions that juxtaposed electrified
guitars against a 4-piece string section of violins,cello and contrabass.

Most recently, SMZ has pared back to five players, with Menuck's massive spectrum spanning electric guitar sound emerging as the spine around which two violins, bass (now
more often electric than acoustic) and drums are deployed. SMZ have managed a handful
of short tours in the past couple of years (in the gaps between GYBE commitments) and
as anyone who has seen the band in its recent incarnation can attest, their current sound
is more honed, laser-guided and bone-rattling than ever, melding hardcore, blues, garage
and dark metal influences that have nothing to do with anything so quaint as "post-rock"
(a tag the group has always and rightly rejected).

Fuck Off Get Free We Pour Light On Everything is the first definitive document of
the band's newfound sound and style as a quintet. It's also their first single LP-length
work since the band's debut record as a trio almost 15 years ago, and features road tested pummeling rock-outs "Fuck Off Get Free (For The Island Of MontrÉal)", "Take
Away These Early Grave Blues" and "What We Loved Was Not Enough" alongside the
previously unheard lullabyes/minuets "Little Ones Run" and "Rains Thru The Roof At Thee
Grande Ballroom (For Capital Steeze)" and the album centerpiece "Austerity Blues" with
its closing lyric "Lord let my son live long enough to see that mountain torn down"
sung in varying incarnations throughout the second half of this 14-minute epic.

This lyric in many ways encapsulates Menuck's unflinching take on a world replete with
shabbiness, greed and injustice, seen through the lens of parenthood, mortality, endurance
and defiance. There are few other musicians who deliver social critique with the courage
and honesty of lines like "All our cities gonna burn / All our bridges gonna snap / All our
pennies gonna rot / Lightning roll across our tracks / All our children gonna die". Feel-good
music this is not; but neither can it reductively be tagged apocalyptic or world-weary.
Fuck Off Get Free rages with scorn and with hope, utterly passionate but pointedly
unromantic. Thee Silver Mt. Zion once again demonstrates, like few other bands working
today, that there is much to fight for and against, and plenty more fight songs to sing.