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Redeemer Of Souls

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  • Redeemer Of Souls Redeemer Of Souls Quick View

    $33.99
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    Redeemer Of Souls

    CLASSIC JUDAS PRIEST METAL ON THE WAY WITH THEIR 17TH ALBUM 'REDEEMER OF SOULS'


    There are only a select number of bands that have accomplished what Judas Priest has throughout their career (as well as having served as a stylistic influence on such a wide variety of bands). Soon the group - singer Rob Halford, guitarists Glenn Tipton and Richie Faulkner, bassist Ian Hill and drummer Scott Travis - will be offering up more classic Judas Priest metal with the release of 'Redeemer of Souls'


    'Redeemer of Souls' is Judas Priest's latest collection of epic metal - raising the bar is consistent for us and 'Redeemer' hits the ground running - it matches up perfectly to earlier Priest classics as evidenced by the album's leadoff single 'March of the Damned'
    (we are forging ahead, slamming the pedal to the metal!) - the band mean business once again.


    We feel 'Redeemer of Souls' reinforces our passion for what we believe in from the Judas Priest style heavy metal. The album also marks Richie Faulkner's studio debut with Priest and is the co-writer of the material along with Glenn Tipton and Rob Halford.


    First bursting onto the scene with 1974's 'Rocka Rolla' Judas Priest is responsible for some of heavy metal's all-time great albums - 1980's 'British Steel', 1982's 'Screaming for Vengeance', 1990's 'Painkiller' etc - and anthems 'Breaking the Law', 'Living After Midnight', 'You've Got Another Thing Coming' etc - as well as trailblazing metal's now instantly identifiable look - leather and studs - 2014 marks the 40th anniversary of the band.


    And while fans are undoubtedly starved for more Priest (their last studio album 'Nostradamus' was released in 2008) the band themselves are eager for the world to hear their latest studio triumph. Classic combination of all the statements we love to create with raging guitar riffs and solos, thundering drums, thick grooves of bass and vocals tearing it all up!

    LP 1
    1. Dragonaut
    2. Redeemer of Souls
    3. Halls of Valhalla
    4. Sword of Damocles
    5. March of the Damned
    6. Down in Flames
    7. Hell & Back


    LP 2
    1. Cold Blooded
    2. Metalizer
    3. Crossfire
    4. Secrets of the Dead
    5. Battle Cry
    6. Beginning of the End

    Judas Priest
    $33.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Angel Of Retribution Angel Of Retribution Quick View

    $24.99
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    Angel Of Retribution

    Angel of Retribution is the fifteenth studio album by British heavy metal band Judas Priest, originally released in 2005. It is the band's first album since Painkiller (1990) to feature Rob Halford. The album debuted at #13 on the US Billboard chart, which made it the third highest chart of a Judas Priest album (the second being Nostradamus and the highest being Redeemer of Souls). The album was produced by Roy Z, who co-wrote the song Deal with the Devil.
    LP 1
    1. Judas Rising
    2. Deal with the Devil
    3. Revolution
    4. Worth Fighting For
    5. Demonizer
    6. Wheels of Fire


    LP 2
    1. Angel
    2. Hellrider
    3. Eulogy
    4. Lochness

    Judas Priest
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Beast Epic Beast Epic Quick View

    $22.99
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    Beast Epic

    I can whine about it all but I won't.
    -Samuel E. Beam

    The first Iron & Wine song that I ever remember hearing was Dead Man's Will, originally featured on the Yeti 1 compilation CD. Its hushed eloquence and unadorned beauty lent it a sort of soft power*,a triumph of instinct over overstatement. That was in 2001.

    In 2017, Beast Epic, Iron & Wine's fourth album of new material for Sub Pop and it's sixth overall, recasts soft power as a series of vignettes, observations and regular old songs that redeem through joy and a certain expectation of grace.

    Even the instant classic, Bitter Truth, with a lyric as pained and direct as any I've heard from Iron & Wine, is leavened with background vocals recalling The Jordanaires. Sam Beam has called Beast Epic his most personal album to date. It is the first Iron &Wine album that he's produced since The Creek Drank The Cradle,though the results are vastly different. This album brims with surprise flourishes, classic touches and an appealing confidence that is evident on songs like Call It Dreaming.

    After a decade and a half of prodigious expression and exploration,recording as both Iron & Wine and eponymously, Sam Beam confessed that he has finally figured out how to make records. He hadme fooled all along.

    Beast Epic will be available worldwide through Sub Pop Records. It's my favorite Iron & Wine album by a mile.

    - Jonathan Poneman

    Iron & Wine's Beast Epic was written and produced by Sam Beam,and recorded and engineered by Tom Schick at the Loft in Chicago inJuly 2016 and January 2017. The musicians who played on Beast Epic include longtime Iron & Wine collaborators Robert Burger (keys),Joe Adamik (percussion), and Jim Becker (guitar, banjo, violin,mandolin), along with bassist Sebastian Steinberg (Soul Coughing and Fiona Apple), and Chicagoan Teddy Rankin Parker (cello). Beast Epic was mastered by Richard Dodd in Nashville, Tennessee.

    *The term soft power was cribbed from author and Harvard professor Joseph Nye, but used in a different context.

    1. Claim Your Ghost
    2. Thomas County Law
    3. Bitter Truth
    4. Song in Stone
    5. Summer Clouds
    6. Call It Dreaming
    7. About A Bruise
    8. Last Nigh
    9. Right for Sky
    10. The Truest Stars We Know
    11. Our Light Miles
    Iron And Wine
    $22.99
    Vinyl LP - Sealed Buy Now
  • Beast Epic (Deluxe) Beast Epic (Deluxe) Quick View

    $28.99
    Buy Now
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    Beast Epic (Deluxe)

    Deluxe 2x Vinyl Edition Features 5 Bonus Tracks

    I can whine about it all but I won't.
    -Samuel E. Beam

    The first Iron & Wine song that I ever remember hearing was Dead Man's Will, originally featured on the Yeti 1 compilation CD. Its hushed eloquence and unadorned beauty lent it a sort of soft power*,a triumph of instinct over overstatement. That was in 2001.

    In 2017, Beast Epic, Iron & Wine's fourth album of new material for Sub Pop and it's sixth overall, recasts soft power as a series of vignettes, observations and regular old songs that redeem through joy and a certain expectation of grace.

    Even the instant classic, Bitter Truth, with a lyric as pained and direct as any I've heard from Iron & Wine, is leavened with background vocals recalling The Jordanaires. Sam Beam has called Beast Epic his most personal album to date. It is the first Iron &Wine album that he's produced since The Creek Drank The Cradle,though the results are vastly different. This album brims with surprise flourishes, classic touches and an appealing confidence that is evident on songs like Call It Dreaming.

    After a decade and a half of prodigious expression and exploration,recording as both Iron & Wine and eponymously, Sam Beam confessed that he has finally figured out how to make records. He had me fooled all along.

    Beast Epic will be available worldwide through Sub Pop Records. It's my favorite Iron & Wine album by a mile.

    - Jonathan Poneman

    Iron & Wine's Beast Epic was written and produced by Sam Beam,and recorded and engineered by Tom Schick at the Loft in Chicago in July 2016 and January 2017. The musicians who played on Beast Epic include longtime Iron & Wine collaborators Robert Burger (keys),Joe Adamik (percussion), and Jim Becker (guitar, banjo, violin,mandolin), along with bassist Sebastian Steinberg (Soul Coughing and Fiona Apple), and Chicagoan Teddy Rankin Parker (cello). Beast Epic was mastered by Richard Dodd in Nashville, Tennessee.

    *The term soft power was cribbed from author and Harvard professor Joseph Nye, but used in a different context.

    1. Claim Your Ghost
    2. Thomas County Law
    3. Bitter Truth
    4. Song in Stone
    5. Summer Clouds
    6. Call It Dreaming
    7. About A Bruise
    8. Last Nigh
    9. Right for Sky
    10. The Truest Stars We Know
    11. Our Light Miles
    12. Hearts Walk Anywhere*
    13. Kicking the Old Rain*
    14. About a Bruise (demo)*
    15. Claim a Ghost (demo)*
    16. Summer Clouds (demo)*


    *Bonus track on deluxe edition only

    Iron And Wine
    $28.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Loyalty Loyalty Quick View

    $21.99
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    Loyalty

    The record was called Loyalty from the beginning-it was the first decision I made about it. It's a word you
    usually see written in copperplate script, a virtue: LOYALTY. But the songs don't treat it that way, just as a
    thing to unpack. It's a force that you have to reckon with: loyalty to the dream, to the "work," to the mythical idea of "you" that somebody thought they saw. It can be a weakness as much as a strength; it can keep you from the reality of your own life, your own self. - Tamara Lindeman


    In excess virtue lies danger, or at least limits to pragmatic action-it's a lesson hard learned by anyone
    disillusioned by the erosion of youthful mythologies. Strict fealty to a fixed ideal of identity doesn't do us
    any favors as adults. Loyalty, the third and finest album yet by The Weather Station (and the first for
    Paradise of Bachelors) wrestles with these knotty notions of faithfulness/faithlessness-to our idealism,
    our constructs of character, our memories, and to our family, friends, and lovers-representing a bold
    step forward into new sonic and psychological inscapes. It's a natural progression for Toronto artist
    Tamara Lindeman's acclaimed songwriting practice. Recorded at La Frette Studios just outside Paris in
    the winter of 2014, in close collaboration with Afie Jurvanen (Bahamas) and Robbie Lackritz (Feist),
    the record crystallizes her lapidary songcraft into eleven emotionally charged vignettes and intimate
    portraits, redolent of fellow Canadians Joni Mitchell, Leonard Cohen, and David Wiffen, but utterly her
    own.


    Lindeman describes La Frette, housed in an enormous, crumbling 19th-century mansion, as
    "a secret garden, a place of enchantment and grace": walls mantled in ivy and lions, corridors piled high
    with discarded tape machines, old reels, and priceless guitars. As she puts it, "Recording where we did
    meant we embraced beauty-we weren't afraid of it being beautiful." Like the record itself, it's a quietly
    radical statement, especially since certain passages achieve a diaphanous eeriness and harmonic and
    rhythmic tension new to The Weather Station. The stacked vocal harmonies of "Tapes," the drifting,
    jazz-inflected chording in "Life's Work," and the glacial percussion in "Personal Eclipse" contribute to a
    pervading sense of clock-stopping bloom and smolder, recalling the spooky avant-soul of Terry Callier's
    Occasional Rain.


    Beyond the decaying decadence and vintage gear, the brokedown palace atmosphere of
    La Frette afforded a more significant interior luxury as well, one stated with brutal honesty in the
    stunning "Shy Women": "it seemed to me that luxury would be to be not so ashamed, not to look away."


    Accordingly, Loyalty brings a freshly unflinching self-examining gaze and emotional and musical control
    to The Weather Station's songs. She is an extraordinary singer and instrumentalist-on Loyalty she plays
    guitar, banjo, keys, and vibes-but Lindeman has always been a songwriter's songwriter, recognized for
    her intricate, carefully worded verse, filled with double meanings, ambiguities, and complex metaphors.
    Though more moving than ever, her writing here is almost clinical in its discipline, its deliberate wording
    and exacting delivery, evoking similarly idiosyncratic songsters from Linda Perhacs to Bill Callahan.


    Outside her musical practice, Lindeman also happens to be an accomplished film and
    television actor, and it's her directorial eye for quietly compelling characters and the rich details of the
    everyday, Bressonian in its specificity and scope, that drives the limpid singularity of The Weather
    Station's songs. As in Bresson's films, there is no trace of theater here, no brittle singer-songwriter
    histrionics, but rather a powerful performative focus and narrative restraint, a commitment to what the
    auteur called the "simultaneous precision and imprecision of music." Despite the descriptive delicacy, the
    album never lapses into preciousness or sentimentality, instead retaining its barbs and bristles and
    remaining resolutely clear-eyed and thick-skinned. Lyrically, Loyalty inverts and involutes the language
    of confession, of regret, of our most private and muddled mental feelings, by externalizing those
    anxieties through exquisite observation of the things and people we accumulate, the modest meanings
    accreted during even our most ostensibly mundane domestic moments. ("Your trouble is like a lens," she
    discerns in "I Mined," "through which the whole world bends.")


    "Tapes" and "I Could Only Stand By" expose and exalt the quotidian-"the little tapes"
    hidden beneath a lover's bed, "the sunken old moorings" at the "bruise-colored lake"-without romanticizing
    these scenes of, respectively, grief and guilt. "Like Sisters" analyzes the darker contours of a
    friendship with devastating scrutiny. The breathless momentum of "Way It Is, Way It Could Be"-"both
    are," she sings of the way we sometimes live, for better or for worse, amid multiple truths-hinges on a
    mysterious moment when two brown dogs die underwheel, then don't, and that gut-sickness is
    overturned, a sin redeemed with a second glance. "Floodplain" and "Personal Eclipse" are also road songs
    about traveling through, and owning, the empty places in-between, literally and figuratively-what
    Lindeman deems "the various ways people try to disappear from themselves, in physical distance, in
    politeness."


    To invoke Melville (author of PoB's namesake story), "extreme loyalty to the piety of love"
    can be a destabilizing force, a kind of bondage from which we must emancipate ourselves. The line is
    from his strange masterpiece Pierre, or the Ambiguities; The Weather Station's Loyalty could quite easily
    support the same subtitle for the fascinating ways it navigates the deep canyons between certainty and
    uncertainty, faith and doubt.

    1. Way It Is, Way It Could Be
    2. Loyalty
    3. Floodplain
    4. Shy Women
    5. Personal Eclipse
    6. Life's Work
    7. Like Sisters
    8. I Mined
    9. Tapes
    10. I Could Only Stand By
    11. At Full Height
    The Weather Station
    $21.99
    Vinyl LP - Sealed Buy Now
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