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Reverend Gary Davis

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  • Harlem Street Singer Harlem Street Singer Quick View

    $21.99
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    Harlem Street Singer

    Reverend Gary Davis, also Blind Gary Davis was a blind African American blues and gospel singer and guitarist, who was also proficient on the banjo guitar and harmonica. His finger-picking guitar style influenced many other artists .
    1. Samson And Delilah
    2. Let Us Get Together Right Down Here
    3. I Belong To The Band
    4. Pure Religion
    5. Great Change Since I Been Born
    6. Death Don't Have No Mercy
    7. Twelve Gates To The City
    8. Goin' To Sit Down On The Banks Of The River
    9. Tryin' To Get Home
    10. Lo, I Be With You Always
    11. I Am The Light Of This World
    12. Lord, I Feel Just Like Goin' On
    Blind Gary Davis
    $21.99
    Vinyl LP - Sealed Buy Now
  • New Blues and Gospel New Blues and Gospel Quick View

    $21.99
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    New Blues and Gospel

    Wonderful, rare Reverend Gary Davis recordings. The sessions that created New Blues And Gospel were the last before Davis death and feature the only studio version of Whistlin Blues. This album was never released in its original form on CD and some of the tracks are not available anywhere else. One of the finest releases by one of the best blues guitar pickers.
    1. Talk On The Corner
    2. Sally, Where'd You Get Your Whiskey
    3. Crow Jane
    4. Eagle Rocking Blues
    5. Cocaine Blues
    6. Lost John
    7. Samson And Delilah
    8. I Heard The Angels Singing
    9. Children Of Zion
    10. Lord, I Wish I Could See
    11. Down By The River
    12. You Better Get Right
    13. I'll Do My Last Singin
    Reverend Gary Davis
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Rough Guide To Gospel Blues Rough Guide To Gospel Blues Quick View

    $19.99
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    Rough Guide To Gospel Blues

    The huge musical influence of the church has meant that gospel music and the blues have long been intertwined. From the true guitar evangelists such as Blind Willie Johnson and Reverend Gary Davis to blues legends Blind Lemon Jefferson and Skip James, these recordings illustrate how the line separating the Lord's song and 'devil's music' was very thin.
    1. I Am The Light - Reverend Gary Davis
    2. I Know His Blood Can Make Me Whole - Blind Willie Johnson
    3. The Promise True And Grand - Bukka White
    4. Your Enemy Cannot Harm You - Rev. Edward W. Clayborn
    5. Scandalous And A Shame - Blind Joe Taggart & Josh White
    6. Jesus Is My Air-O-Plane - Mother McCollum
    7. I Got Religion, I'm So Glad - Blind Willie & Kate McTell
    8. Be Ready When He Comes - Skip James
    9. Let Me Ride - Memphis Minnie
    10. When The Saints Go Marching In - Barbecue Bob
    11. On Revival Day - Bessie Smith
    12. All I Want Is That Pure Religion - Blind Lemon Jefferson
    Various Artists
    $19.99
    Vinyl LP - Sealed Buy Now
  • Peter, Paul & Mary: In Concert Peter, Paul & Mary: In Concert Quick View

    $54.99
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    Peter, Paul & Mary: In Concert


    Peter, Paul & Mary In Concert Reissue From Analogue Productions!


    200-Gram Pressing By Quality Record Pressings!


    Mastered By Kevin Gray At Cohearent Audio


    Gatefold Jacket


    This double album originally released in 1964 opens with a then-new Bob Dylan song, The Times They Are A' Changin', and closes with the best-known song ever written by Pete Seeger and Lee Hayes, If I Had a Hammer. That seems to sum up Peter, Paul & Mary, but In Concert offers a lot more than that, writes All Music Guide.


    The surprises include vignettes in blues and gospel, and, most notably, the group's humorous digressions. Peter, Paul & Mary spared few opportunities for a good laugh on stage, beginning with the introduction to A' Soalin', which shows off a lightheartedness that was an essential part of who they were, even as it leads into an exquisitely sung round-like piece that should have found its way into the repertory of Steeleye Span. Blue gives the trio a chance to play around with rock & roll, from doo wop to British Invasion, through the song Old Blue (satirizing folk music purists at the same time), and Paul Stookey adds his own sound effect embellishments to Woody Guthrie's Car-Car. The solo spots are also worthwhile, particularly Peter Yarrow's introspective version of Le Deserteur, followed by his dazzling, rousing sing-along on Oh, Rock My Soul; and Mary Travers' rendition of Single Girl, a low-key proto-feminist song. The group's rendition of It's Raining achieves an exquisite mix of gossamer textured harmonizing and thematic innocence, and their rendition of the Reverend Gary Davis' If I Had My Way is a bracing re-interpretation for three interwoven voices. Finally, the version of If I Had a Hammer that closes this album is superior to their hit single of the same song. Mastered by Kevin Gray, 200-gram pressing by Quality Record Pressings, gatefold jacket.


    This title is not eligible for discount.

    1. The Times They Are-A-Changin'
    2. A 'Soalin'
    3. 500 Miles
    4. Blue
    5. 3 Ravens
    6. One Kind Favor
    7. Blowin' In The Wind
    8. Car-Car
    9. Puff (The Magic Dragon)
    10. Jesus Met The Woman
    11. Le Deserteur
    12. Oh, Rock My Soul
    13. Paultalk
    14. Single Girl
    15. There Is A Ship
    16. It's Raining
    17. If I Had My Way
    18. If I Had A Hammer
    Peter, Paul, & Mary
    $54.99
    200 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Richland Woman Blues (Pure Pleasure) Richland Woman Blues (Pure Pleasure) Quick View

    $34.99
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    Richland Woman Blues (Pure Pleasure)

    Best known for that ditty about camels, Maria Muldaur has since established herself as one of the finest folk/country/jazz/blues/gospel interpreters ever to have a Top Five single. After 26 years and 24 solo albums, Muldaur -- inspired by a trip to Memphis' Beale Street -- digs deep into her roots and pays tribute to the classic blues women of the '20s and '30s. Aided by the similarly inclined Bonnie Raitt, Taj Mahal, and Alvin 'Youngblood' Hart, Muldaur breezes through 14 tunes from icons Bessie Smith and Memphis Minnie, as well as obscurities from the Reverend Gary Davis, Mississippi John Hurt, and Blind Willie Johnson. Keeping the unplugged accompaniment stripped way down to a single guitar or piano and occasional bass, Muldaur has room to maneuver her evocative vocals that shift from gritty groans to a high-pitched edgy trill. Far from a dry history lesson, these songs are performed with the strength and tenacity of the women who originally sang them. Whether spinning saucy, double entendre lyrics in Me And My Chauffeur Blues (»the way you ride so easy, I can't turn you down«) or longing for her Southern home after moving north during the Depression in Bessie Smith's Far Away Blues, the singer remains invigorated and inspired throughout. By returning to her late-'60s Jim Kweskin Jug Band coffeehouse days, Maria Muldaur has discovered her middle-aged oasis with Richland Woman Blues. And there's not a camel in sight.



    Musicians:



    • Maria Muldaur (vocal)

    • Alvin Youngblood Hart (guitar, vocal)

    • Bonnie Raitt, John Sebastian (guitar)

    • David Wilkie (mandocello)

    • Dave Mathews (piano)

    • Roly Salley (bass)

    • Angela Strehli, Tracy Nelson (vocal)




    Recording: 2001 by John Jacob

    Production: John Jacob & Maria Muldaur



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.

    1. The One To Sing The Blues
    2. I'm So Bad (Baby I Don't Care)
    3. No Voices In The Sky
    4. Going To Brazil
    5. Nightmare/Dreamtime
    6. Love Me Forever
    7. Angel City
    8. Make My Day
    9. R.A.M.O.N.E.S.
    10. Shut You Down
    11. 1916
    Maria Muldaur
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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