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  • Infra Infra Quick View

    $22.99
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    Infra

    DG presents the third physical release from Max Richter's Retrospective catalog, Infra. Written for piano, electronics and string quartet, Infra is an expansion on Richter's score for Wayne McGregor's ballet of the same name that was created as a response to the London bombings on 7/7. Infra follows Richter's latest album, Three Worlds: music from Woolf Works, an album featuring his score for another McGregor ballet, Woolf Works. This LP version of Info features the bonus track, "Sub Piano."
    LP 1
    1. Infra 1

    2. Journey 1

    3. Infra 2

    4. Infra 3

    5. Journey 2

    6. Infra 4

    7. Journey 3

    8. Journey 4
    9. Journey 5

    10. Infra 5
    11. Infra 6

    12. Infra 7

    13. Infra 8

    14. Sub Piano (Bonus Track)
    Max Richter
    $22.99
    Vinyl LP - Sealed Buy Now
  • Liszt Two Piano Concertos (Speakers Corner) Liszt Two Piano Concertos (Speakers Corner) Quick View

    $34.99
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    Liszt Two Piano Concertos (Speakers Corner)

    Any pianist who tackles Franz Liszts great works must possess outstanding skills in many areas. Technical prowess is absolutely necessary to play the extremely difficult score, as is immense physical energy in order to compete with the hefty onslaughts from the orchestra. But a great awareness of the unusual conceptual forms, refined energy and passion are also required to make the keyboard sing. At the beginning of the Sixties Sviatoslav Richter seemed to possess all these attributes in an ideal equilibrium. With youthful energy he catapulted powerful chords against the First Concertos defiant theme in the orchestra, offering resistance only to join in later with the lyrical maelstrom of the orchestra. In the Second Concerto Richter exchanges heroic brilliance for an elegiac air, then becomes capricious with graceful arpeggios and a lyrical, firm melodiousness that fires the course of the work. In the Finale these twists and turns come together to form an emphatic single strand of spirited theme, brilliant cadenza and blustering orchestra.



    The impressive sound was captured by the highly dedicated Mercury recording team.




    Recording: July 1961 at Walthamstow Assembly Hall, London, by C.R. Fine

    Production: Harold Lawrence




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    1. Concerto No. 1
    2. Concerto No. 2
    Franz Liszt
    $34.99
    180 Gram Audiophile Virgin Vinyl LP- Sealed Buy Now
  • The Blue Notebooks The Blue Notebooks Quick View

    $22.99
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    The Blue Notebooks

    Opening with a text from Franz Kafka, read by Tilda Swinton, over a sparse piano melody, the album moves through the heart-wrenching 'On The Nature Of Daylight' through to sparse but lyrical piano pieces, hazy swirling atmospherics, avalanche pulse-beats and partially occluded melodies. Other sounds were generated via old guitar pedals and vocoders. The organ music was made for a chapel near Tourtres in South-West France, whilst the environmental sounds are mainly recorded around London.


    Peppered across Richter's music like diary entries (and backed with attendant typewriter clatter) are a number of literary texts or 'shadow journals' (from Kafka and Czseslaw Milosz's 'Hymn Of The Pearl'). Chosen by Max on instinct, these brief passages muse over time, memory, and the impermanent nature of things.

    1. The Blue Notebooks
    2. On the Nature of Daylight
    3. Horizon Variations
    4. Shadow Journal
    5. Iconography
    6. Vladmir's Blues
    7. Arboretum
    8. Old Song
    9. Organum
    10. The Trees
    11. Written on the Sky
    Max Richter
    $22.99
    Vinyl LP - Sealed Buy Now
  • Cello Concertos Cello Concertos Quick View

    $44.99
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    Cello Concertos

    The greatest cellist of modern time -- well, who could argue with a statement like that? After all, Mstislav Rostropovich is a supreme virtuoso, a charismatic performer, and a sublime interpreter and virtually every one of his recordings is as good as it gets for the repertoire. The key word, of course, is virtually: while Rostropovich's Dvorák concerto with Karajan, his Beethoven sonatas with Richter, his Brahms sonatas with Serkin, and above all his Shostakovich sonata with Shostakovich are definitive, can one say the same of his Boccherini, Vivaldi, and Tartini concertos with Paul Sacher? Or could one say that Rostropovich does not so much play the music of the great Italian Baroque composers as overwhelm it, that his virtuosity, his charisma, and his interpretations are more than the music can bear and that the listener is left not with fond memories of the music but instead with the overpowering impression of an unstoppable musical personality having his way with the music. The results are initially awe-inspiring but may ultimately prove to some to be empty. Accompanied -- the more appropriate word might be enabled -- by Sacher and the Collegium Musicum ZÜrich, the greatest cellist of modern times came, saw, and conquered the finest cello concertos of Baroque times. Whether that's a good thing or not is up to the listener.

    - All Music Guide


    Musicians:

    Mstislav Rostropovich, cello

    Side 1:
    Luigi Boccherini (1743-1805)
    Concerto for Violoncello and Strings No. 2 in D major
    1. Allegro
    2. Adagio
    3. Allegro


    Antonio Lucio Vivaldi (1678-1741)
    Concerto for Violoncello, Strings and Continuo in C major (P. 31)
    4. Allego
    5. Largo
    6. Allegro


    Side 2:
    Giuseppe Tartini (1692-1770)
    Concerto for Violoncello and Strings in A major
    1. Allegro
    2. Larghetto
    3. Allegro assai


    Antonio Lucio Vivaldi (1678-1741)
    Concerto for Violoncello, Strings and Continuo in G Major (P. 120)
    4. Allegro
    5. Largo
    6. Allegro

    Antonio Vivaldi
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Richter: Berlin By Overnight Richter: Berlin By Overnight Quick View

    $25.99
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    Richter: Berlin By Overnight

    To coincide with Max Richter's Royal Albert Hall debut on 4th October, where he joins forces with Daniel Hope in one of the rare live occasions that sees
    them together on stage, DG will release a new, eclectic REMIX EP.


    Berlin by Overnight by Max Richter is taken from Daniel Hope's latest album Spheres (2013) and will include 4 remixes by internationally acclaimed remixers, who were carefully selected and picked up on the nocturnal, minimal and repetitive atmosphere.


    The international line up of remixers:

    Efdemin: A dark sounding producer from Berlin, known for his minimalist musical approach, who regularly performs at clubs such as the Berlin Panorama
    Bar (Berghain)


    CFCF: A renowned Canadian electronic artists whose music alternates between the spaces of dance, ambient, pop and neo-classical who has already
    remixed the music of artists such as Crystal Castles


    Lorna Dune: One of the most versatile keyboardists & producers currently working in New York, with a background in classical, experimental, electronic,
    and pop. Known for the creation and performance of new and experimental music


    Tom Adams: A multi-instrumentalist, composer, producer and songwriter based in Cambridge, who has recently scored the music for the Universal
    Picture film The Knive that killed me whilst doing remixes for artists such as Nils Frahm

    1. Berlin By Overnight (from the Album Spheres)
    2. Berlin By Overnight (CFCF Remix)
    3. Berlin By Overnight (Efdemin Remix)
    4. Berlin By Overnight (Lorna Dune Remix)
    5. Berlin By Overnight (Tom Adams Remix)
    Daniel Hope
    $25.99
    Vinyl LP - Sealed Buy Now
  • Grobe Meister Kleine Stucke Grobe Meister Kleine Stucke Quick View

    $44.99
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    Grobe Meister Kleine Stucke

    Clearaudio has treated us to a great vinyl record which has compiled minor works for piano performed by masters from the catalog of the German label Deutsche Grammophon. We meet a cast of gorgeous pieces played with great ease, including classics from Bach and Handel, performed exemplarily by Wilhelm Kempff, to Rachmaninow works performed by the subtle hands of Swjatoslaw Richter. Clearaudio has mastered these classics from the original master tapes and has treated the project with care and knowledge necessary to offer a really attractive disc.
    Side A:

    Maurice Ravel (1875-1937)

    1. Jeux d'eau

    Martha Argerich, piano


    Frederic Chopin (1810-1849)

    2. Prelude Des-dur op. 28 Nr. 15

    Martha Argerich, piano

    3. Berceuse Des-dur op. 57

    Stefan Askenase, piano


    Bed_ich Smetana (1824-1884)

    4. Slepi_ka (Huhnchen) (Tschechische Tanze II: Nr. 2)

    Stefan Askenase, piano


    Franz Liszt (1811-1886)

    5. Liebestraum Nr. 3

    Stefan Askenase, piano


    Felix Mendelssohn (1809-1847)

    6. Fruhlingslied (Lieder ohne Worte op. 62: Nr. 6)

    7. Spinnerlied (Lieder ohne Worte op. 67: Nr. 4)

    Daniel Barenboim, piano


    Side B:

    Claude Debussy (1862-1918)

    1. Feux d'artifice

    Monique Haas, piano


    Johann Sebastian Bach (1685-1750)

    2. Siciliano (Flotensonate BWV 1031: 2. Satz)

    Wilhelm Kempff, piano


    Georg Friedrich Handel (1685-1759)

    3. Menuett (Suite de pieces pour le clavecin HWV 434: 4. Satz)

    Wilhelm Kempff, piano


    Christoph Willibald Gluck (1714-1787)

    4. Reigen seliger Geister (Orphee et Eurydice)

    Wilhelm Kempff, piano


    Frederic Chopin (1810-1849)

    5. Etude C-dur op. 10 Nr. 1

    6. Etude c-moll op. 10 Nr. 12 "Revolutions-Etude"

    Swjatoslaw Richter, piano


    Sergej Rachmaninov (1873-1943)

    7. PrÉlude g-moll op. 23 Nr. 5

    8. PrÉlude c-moll op. 23 Nr. 7

    Swjatoslaw Richter, piano


    Domenico Scarlatti (1685-1757)

    16. Sonate E-dur K. 20

    Alexis Weissenberg, piano

    Wilhelm Kempff
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Rachmaninov Piano Concerto Rachmaninov Piano Concerto Quick View

    $44.99
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    Rachmaninov Piano Concerto

    The Russian pianist Svjatoslav Richter is now regarded as one of the most outstanding artists of the present day. He was born in 1915 at Zhitomir in the Ukraine, the son of a musical family of German extraction. His father, who had been trained at the Vienna Conservatoire, was a highly regarded pianist and music teacher, who also did some composing; his mother was a gifted amateur musician. The artistic atmosphere of the family house had a decisive influence on the development of the brilliant boy, who was an excellent pianist by the time he had reached the age of eight. Ten years later he gave his first piano recital in Odessa, where he worked for a time as a chorus repetiteur. At the age of 22, he went to Moscow, where he completed his training under one of Russia's foremost piano teachers, Heinrich Neuhaus. For many years, Richter confined his activities as a piano soloist to Russia and eastern Europe. In 1959, however, he traveled by way of Helsinki to western Europe, where a few recordings had already made his name a legend. His concerts in the western world were sensational successes whose repercussions were felt for months afterwards, and he celebrated his greatest triumphs of all during his tour of the U.S.A. in 1960, traveling right across the continent to Los Angeles and San Francisco.
    1. Satz: Moderato

    2. Satz: Adagio sostenuto

    3. Satz: Allegro scherzando



    Six Preludes


    1. No. 12, C Major, Op. 32, No. 1

    2. No. 3, B Major, Op. 23, No. 2

    3. No. 6, g minor, Op. 23, No. 5

    4. No. 13, b minor, Op. 32, No. 2

    5. No. 5 D Major, Op. 23, No. 4

    6. No. 8 c minor, Op. 23, No. 7

    Sviatoslav Richter
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Recomposed By Max Richter: Vivaldi, The Four Seasons Recomposed By Max Richter: Vivaldi, The Four Seasons Quick View

    $24.99
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    Recomposed By Max Richter: Vivaldi, The Four Seasons

    Version 2 of Max Richter's RECOMPOSED featuring new artwork in a stunning package, brand new remixes, SHADOWS and the film that was shot in
    Berlin.


    SHADOWS: electronic soundscapes

    The album features 5 new tracks, so called "shadows which are electronic landscapes that were made for a live performance of the work with
    accompanying visual material made by the Danish game designers DarkMatters. He and Max developed these pieces to intercut with the written
    orchestral material, and to illuminate the abstract visual world of the images.

    LP 1
    1. Spring 0
    2. Spring 1
    3. Spring 2
    4. Spring 3
    5. Summer 1
    6. Summer 2
    7. Summer 3
    8. Autumn 1
    9. Autumn 2
    10. Autumn 3
    11. Winter 1
    12. Winter 2
    13. Winter 3


    LP 2
    1. Shadow 1
    2. Shadow 2
    3. Shadow 3
    4. Shadow 4
    5. Shadow 5
    6. Spring 1
    7. Summer 3
    8. Autumn 3
    9. Winter 3

    Max Richter/Andre de Ridder/Konzerthaus Kammerorchesterberlin
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Schubert: Trout Quintet Schubert: Trout Quintet Quick View

    $24.99
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    Schubert: Trout Quintet

    Sviatoslav Richter is universally acknowledged to be one of the greatest pianists of the 20th century, renowned for his virtuoso technique and the depth of his interpretations. Dmitri Shostakovich said about him: "Richter is an extraordinary phenomenon. The enormity of his talent staggers and enraptures. All the phenomena of musical art are accessible to him." He trained at the Moscow Conservatory under Heinrich Neuhaus, who considered Richter "already a complete artist, who had the ability to build a piece so that it seemed to lie before him like an immense landscape, revealed to the eye at a single glance.


    The Borodin Quartet was founded in 1945 at the Moscow Conservatoire - the first cellist a certain Mstislav Rostropovich was replaced after few weeks by Valentin Berlinsky - was also close to Shostakovich, who personally consulted them on each of his quartets. The Borodin Quartet, celebrated for penetrating phrase and warm sound, was Richter favorite chamber music partner.


    Georg Hörtnagel is a German double bassist who used to play with Bayerische Staatsoper during the Georg Solti era.


    About this Austrian live recording from June 1980 GRAMOPHONE said: "This is a performance of high quality. Sviatoslav Richter in particular precisely catches the cheerful mood of the music and the underlying shadows of which one should sometimes be conscious, and he plays those simple tunes in octaves so freshly that you'd think he'd only just discovered their charms."

    1. Piano Quintet in A Major, D. 667, Trout: I. Allegro vivace
    2. Piano Quintet in A Major, D. 667, Trout: II. Andante
    3. Piano Quintet in A Major, D. 667, Trout: III. Scherzo (Presto)
    4. Piano Quintet in A Major, D. 667, Trout: IV. Tema (Andantino)
    5. Piano Quintet in A Major, D. 667, Trout: V. Finale (Allegro giusto)
    Sviatoslav Richter
    $24.99
    Vinyl LP - Sealed Buy Now
  • Sleep Remixes Sleep Remixes Quick View

    $22.99
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    Sleep Remixes

    Building on the international success of Max Richter's groundbreaking eight-hour work SLEEP - his "personal
    lullaby for a frenetic world" - and the one-hour adaptation from SLEEP, a series of remixes have been produced by a range of high-profile and up-and-coming artists. This vinyl release brings together remixes from Mogwai, Clark, Digitonal, JÜrgen MÜller, Marconi Union and Kaitlyn Aurelia Smith.
    1.Path 5 [Mogwai Remix]
    2.Path 5 [Clark Remix]
    3.Path 5 [Digitonal's Theo In Dreamland Mix]
    4.Dream 3 [JÜrgen MÜller Remix]
    5.Dream 13 [Marconi Union Remix]
    Max Richter
    $22.99
    Vinyl LP - Sealed Buy Now
  • Three Worlds: Music From Woolf Works Three Worlds: Music From Woolf Works Quick View

    $35.99
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    Three Worlds: Music From Woolf Works

    Following the success of SLEEP, Max Richter reveals his latest recording project - a new album entitled Three Worlds: music from Woolf Works. It's drawn from his music to Wayne McGregor's award-winning Royal Ballet production Woolf Works - inspired by the works of Virginia Woolf - and will be released on Deutsche Grammophon.


    Just like the ballet, Richter's new album has a three-part structure, built around themes from three of Woolf's novels: Mrs. Dalloway, Orlando and The Waves. Fragments from her letters, diaries and other writings are woven into the work, with spoken words from Gillian Anderson, Sarah Sutcliffe and even Virginia Woolf's own voice, reading the essay 'Craftsmanship' from a 1937 BBC recording.


    Max Richter explains: "When we began to discuss making the ballet, I hunted around for material of all kinds, photographs, memoirs, biographies. I never expected to find a recording of Virginia Woolf - this is the only one to survive. It's like a tremendous time machine which allows you to hear her voice and wonderful use of language. I've used spoken-word elements quite often in my work, so to come across Virginia Woolf reading her own words was like a Christmas present. That lit the fuse for the musical language of the ballet's first act, based on Mrs. Dalloway, and the piece grew from there."


    Richter's new album, which stems from his longer score for Woolf Works, features a vast palette of sounds - from solo instrumental and orchestral episodes, to electronic textures and music for wordless soprano. It opens with the chime of Big Ben, whose unmistakeable sound can still be heard above the noise of London traffic from the distance of Gordon Square in Bloomsbury, where Virginia Woolf lived before her marriage to Leonard Woolf.


    Woolf's suicide note, her heart-rending farewell letter to her husband, read by Gillian Anderson, sets the contemplative atmosphere for 'Tuesday', the album's final and longest track. The piece develops from the sound of breaking waves into a plaintive solo melody, constantly repeated yet ever-changing, and grows to become a dream-like meditation on life and death. "My approach goes back to the aesthetic pleasure of simple, well-made things," Richter observes. "I believe 'Tuesday' connects to minimalism in painting and architecture; within the realm of what people call spirituality, it connects to Zen Buddhism. All those things flow together in the striving for the maximum from the minimum."


    Max Richter and Wayne McGregor are frequent collaborators. Richter wrote the scores for McGregor's ballets Infra and The Future Self, while McGregor staged Richter's recomposition of Vivaldi's The Four Seasons and directed his chamber opera, Sum. Woolf Works was met with outstanding critical acclaim on its premiere in 2015, winning the Critics' Circle Award for Best Classical Choreography and the Olivier Award for Best New Dance Production.

    1. Words (Mrs Dalloway)
    2. In The Garden
    3. War Anthem
    4. Meeting Again
    5. Memory Is The Seamstress (Orlando)
    6. Modular Astronomy
    7. Entropy
    8. Transformation
    9. Morphology
    10. The Tyranny Of Symmetry
    11. The Explorers
    12. Presistence Of Images
    13. Genesis Of Poetry
    14. Possibles
    15. Love Songs
    16. Tuesday (The Waves)
    Max Richter
    $35.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • From Sleep From Sleep Quick View

    $34.99
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    From Sleep

    Clear Vinyl


    Acclaimed British composer Max Richter is about to make history, with a ground-breaking piece of work: his new
    work, "SLEEP," is an eight-hour lullaby. An exploration of music, consciousness and human connectivity, the work is intended to be listened to while sleeping. The landmark work is played on piano, strings, with subtle electronic touches and vocals - but no words. This album, "From SLEEP," is a one-hour version.

    Max Richter
    $34.99
    Clear Vinyl LP - 2 LPs Sealed Buy Now
  • Songs From Before Songs From Before Quick View

    $24.99
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    Songs From Before

    Pressed On 180 Gram Vinyl


    Beautifully recorded and cinematic in scope, Songs From Before carries a pensive, emotionally resonant tone.
    Punctuated by Robert Wyatt's distinctive readings of Haruki Murakami's text, the music evokes forgotten memories or lost histories, bittersweet articulations suspended between a dreamy sense of awe and melancholia. Richter's compositions, created over a long period, draw from pieces ranging between 5 and 300 years old.

    1. Song

    2. Flowers For Yulia

    3. Fragment

    4. Harmonium

    5. Ionosphere

    6. Autumn Music 1
    7. Time Passing

    8. Sunlight
    9. Lullaby
    10. Autumn Music 2
    11. Verses
    12. From the Rue Vilin
    13. Leo
    Max Richter
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Henry May Long Soundtrack Henry May Long Soundtrack Quick View

    $22.99
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    Henry May Long Soundtrack

    Emmy-nominated composer Max Richter releases a new score for Henry May Long, a film about Henry May and Henry Long, two old friends from college who took two different paths in New York City during the Gilded Age. After meeting one day in the street, seemingly by accident, they rekindle their friendship. Together they take a journey away from the pressures of New York to the New England harbor town of New Bedford, where buried truths are revealed and change each man irrevocably.
    1. Ocean House Mirror
    2. Stairs Abyss Starlight
    3. Exit Top Hat Greeting
    4. Waiting For Sunlight Evening
    5. Interior Tears An Idea
    6. Ending Doorway Pavement
    7. Farewell Threshold Laudanum
    8. Sofa Chess
    9. Interior Horses
    10. Whale Window Hotel 1
    11. A Candle And Half A Pear
    12. Powder Pills Truth
    13. The Young Mariner
    14. Dinner And The Ship Of Dreams
    Max Richter
    $22.99
    Vinyl LP - Sealed Buy Now
  • Black Mirror - Nosedive (Music From The Original TV Series) (Pre-Order) Black Mirror - Nosedive (Music From The Original TV Series) (Pre-Order) Quick View

    $22.99
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    Black Mirror - Nosedive (Music From The Original TV Series) (Pre-Order)

    Deutsche Grammophon will release a soundtrack album for the Black Mirror episode Nosedive. Max Richter (The Leftovers, Waltz with Bashir, Miss Sloane, Disconnect, Testament of Youth) has composed the episode's original music. The Nosedive episode is directed by Joe Wright (Atonement, Pride and Prejudice, Hanna) and stars Bryce Dallas Howard, Alice Eve, James Norton and Cherry Jones. The episode is written by co-written by Rashida Jones & Mike Schur and has been described as a social satire about identity in the social media age.


    - filmmusicreporter.com

    1. On Reflection
    2. Dopamine 1
    3. The Sorrows of Young Lace
    4. Dopamine 2
    5. The Journey, Not the Destination
    6. Nocturne
    7. The Consolations of Philosophy
    Max Richter
    $22.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Taboo (Music From The Original TV Series) (Pre-Order) Taboo (Music From The Original TV Series) (Pre-Order) Quick View

    $22.99
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    Taboo (Music From The Original TV Series) (Pre-Order)

    More info soon.
    1. Openings
    2. The Inexorable Advance Of Mr. Delaney
    3. Song Of The Dead
    4. Zilpha
    5. A Lamenting Song
    6. Shadows
    7. This Little Pig Went To Market
    8. Zilpha (Recollection)
    9. Song Of The Beyond
    10. I'd Hoped To Settle This
    11. Nocturnal
    12. The Onrush Of Events
    13. Zilpha Alone
    14. Attend To The Matter
    15. Lamentation For A Lost Life
    Max Richter
    $22.99
    Vinyl LP - Sealed PRE-ORDER Buy Now
  • Spheres Spheres Quick View

    $29.99
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    Spheres

    Award-winning violinist Daniel Hope presents an eclectic and accessible mix of neo-Baroque, minimalist and soundtrack favourites, including works and
    arrangements by contemporary masters like Ludovico Einaudi, Arvo PÄrt, Karl Jenkins, Max Richter, Gabriel Prokofiev, Alex Baranowski and many more
    "Spheres" features a curated collection of repertoire celebrating the idea, first brought forward by Pythagoras, that planetary movement creates its own
    kind of music, bringing beauty, harmony and simplicity to our complex solar system. This idea has fascinated philosophers, musicians, and
    mathematicians for centuries.


    An album of broad consumer appeal, featuring a number of world premieres, and destined to drive interest in the digital space.


    Music of reflection, contemplation and relaxation, this album can sell to admirers of Einaudi, Philip Glass, Karl Jenkins and others, as well as the wider,
    "chill-out" market.


    Featured as main soloist on Max Richter's acclaimed "Vivaldi Recomposed", Hope is known for an effortless classical sound and intriguing approach to
    repertoire.

    LP 1
    1. Imitazione delle Campane
    2. Andante
    3. Echorus
    4. Cantique de Jean Racine, Op.11
    5. 15. Adagio sognando
    6. Berlin By Overnight
    7. Biafra
    8. Lento
    9. Passaggio

    10. 8. Andante


    LP 2
    1. Fratres For Violin, String Orchestra And Percussion
    2. Eliza Aria
    3. Musica Universalis

    4. Spheres
    5. Benedictus
    6. Prelude
    7. Trysting Fields

    8. Nachspiel

    Daniel Hope
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Archiv Produktion: Classical Recordings 1956-1982 Archiv Produktion: Classical Recordings 1956-1982 Quick View

    $99.99
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    Archiv Produktion: Classical Recordings 1956-1982

    Numbered, Limited Edition 180 Gram Audiophile Vinyl


    5 LP Box Set


    Original LP Front And Back Covers


    16-Page Leaflet, With Introduction On Archiv, And Facsimiles Of The Inner Pages Of The Original Archiv Gatefold LPs


    Archiv Produktion: Classical Recordings 1956-1982 features:



    • Helmut Walcha playing famous Bach organ works one of Archivs first stereo recordings

    • Karl Richter early recordings of two joyous Bach cantatas, Jauchzet Gott in allen Landen BWV 51 and the wedding cantata Weichet nur, betrÜbte Schatten BWV 202

    • Nikolaus Harnoncourts Court Music by Muffat and Biber with Concentus Musicus Wien one of only two recordings he made on Archiv

    • Reinhard Goebel and Music Antiqua Kolns classic French Baroque programme, Le Parnasse Francais

    • Trevor Pinnock and The English Concert with Handel Concerti Grossi op. 6 nos. 9 12: an LP to die for, with the clarity and airiness of its recording, and the rhythm and feeling of its performances

    LP 1
    1. Toccata - Helmut Walcha
    2. Fugue - Helmut Walcha
    3. 1. Vivace - Helmut Walcha
    4. 2. Lento - Helmut Walcha
    5. 3. Allegro - Helmut Walchav
    6. 1. Prelude - Helmut Walcha
    7. 2. Fugue - Helmut Walcha
    8. 1. (Allegro Moderato) - Helmut Walcha
    9. 2. Adagio - Helmut Walcha
    10. 3. Allegro - Helmut Walchav


    LP 2
    1. Aria: Jauchzet Gott in Allen Landen - Maria Stader, MÜnchener Bach-Orchester, Karl Richter
    2. Recitativo: Wir Beten Zu Dem Tempel An - Maria Stader, MÜnchener Bach-Orchester, Karl Richter
    3. Aria: Höchster, Höchster Mache Deine GÜte Ferner Alle Morgen Neu - Maria Stader, MÜnchener Bach-Orchester, Karl Richter
    4. Chorale: Sei Lob Und Preis Mit Ehren - Maria Stader, MÜnchener Bach-Orchester, Karl Richter
    5. 1. Adagio: Weichet Nur, BetrÜbte Schatten - Maria Stader, MÜnchener Bach-Orchester, Karl Richter, Hedwig Bilgramv
    6. 2. Recit: Die Welt Wird Wieder Neu - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter
    7. 3. Aria: Phöbus Eilt Mit Schnellen Pferden - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter
    8. 4. Recit: D'rum Sucht Auch Amor Sein VergnÜgen - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter
    9. 5. Aria: Wenn Die FrÜhlingslÜfte Streichen - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter
    10. 6. Recit: Und Dieses Ist Das GlÜcke - Maria Stader, MÜnchener Bach-Orchester, Karl Richter, Hedwig Bilgram
    11. 7. Aria: Sich Üben Im Lieben - Maria Stader, MÜnchener Bach-Orchester, Karl Richter
    12. 8. Recit: So Sei Das Band Der Keuschen Liebe - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter
    13. 9. Gavotte: Sehet in Zufriedenheit - Maria Stader, Hedwig Bilgram, MÜnchener Bach-Orchester, Karl Richter


    LP 3
    1. Ouverture - Concentus Musicus Vienna, Nikolaus Harnoncourt
    2. Les Courtisans - Concentus Musicus Vienna, Nikolaus Harnoncourt
    3. Rondeau - Concentus Musicus Vienna, Nikolaus Harnoncourt
    4. Les Gendarmes - Concentus Musicus Vienna, Nikolaus Harnoncourt
    5. Les Bossus - Concentus Musicus Vienna, Nikolaus Harnoncourt
    6. Gavotte - Concentus Musicus Vienna, Nikolaus Harnoncourt
    7. Sarabande Pour Le GÉnie de L'amitiÉ - Concentus Musicus Vienna, Nikolaus Harnoncourt
    8. Gigue - Concentus Musicus Vienna, Nikolaus Harnoncourt
    9. Menuet - Concentus Musicus Vienna, Nikolaus Harnoncourt
    10. 1. Sonata. Grave - Allegro - Concentus Musicus Vienna, Nikolaus Harnoncourt
    11. 2. Ballo. Allegro - Concentus Musicus Vienna, Nikolaus Harnoncourt
    12. 3. Grave - Concentus Musicus Vienna, Nikolaus Harnoncourt
    13. 4. Aria - Concentus Musicus Vienna, Nikolaus Harnoncourt
    14. 5. Giga - Concentus Musicus Vienna, Nikolaus Harnoncourt
    15. Sonata (Adagio-Presto) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    16. Die Pauern Kirchfahrt - Concentus Musicus Vienna, Nikolaus Harnoncourt
    17. Aria - Concentus Musicus Vienna, Nikolaus Harnoncourt
    18. 1. (Allegro Non Troppo) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    19. 2. (Poco Allegro) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    20. 3. (Adagio) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    21. 4. (Allegro) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    22. 5. (Adagio) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    23. 6. (Poco Allegro) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    24. 7. (Adagio) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    25. 8. (Allegro) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    26. 9. (Allegro) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    27. 1. Allegro - Concentus Musicus Vienna, Nikolaus Harnoncourt
    28. 2. (Presto) - Concentus Musicus Vienna, Nikolaus Harnoncourt
    29. 3. Presto - Adagio - Concentus Musicus Vienna, Nikolaus Harnoncourt
    30. Sonata - Concentus Musicus Vienna, Nikolaus Harnoncourt
    31. Die Liderliche Gesellschaft Von Allerley Humor - Concentus Musicus Vienna, Nikolaus Harnoncourt
    32. Presto - Concentus Musicus Vienna, Nikolaus Harnoncourt
    33. Der Mars - Concentus Musicus Vienna, Nikolaus Harnoncourt
    34. Presto - Concentus Musicus Vienna, Nikolaus Harnoncourt
    35. Aria - Concentus Musicus Vienna, Nikolaus Harnoncourt
    36. Die Schlacht - Concentus Musicus Vienna, Nikolaus Harnoncourt
    37. Lamento Der Verwundten Musquetirer (Adagio) - Concentus Musicus Vienna, Nikolaus Harnoncourt


    LP 4
    1. La Sonnerie de Sainte-Geneviève Du Mont de Paris - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    2. 1. Lentement / Gravement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    3. 2. Vive / MarquÉ / Gay - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    4. 3. Lentement / Doux / RÉcit / Grave - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    5. 4. Doux / RÉcit / Vivement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    6. 5. Lentement / Gravement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    7. 1. Gravement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    8. 2. Gayment - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    9. 3. Air (Tendrement) - Gravement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    10. 4. LÉgèrement - Vivement - Musica Antiqua KÖLN, Henk Bouman, Reinhard Goebel
    11. 1. Un Peu Grave - Musica Antiqua KÖLN, Reinhard Goebel
    12. 2. LÉgèrement - Musica Antiqua KÖLN, Reinhard Goebel
    13. 3. Un Peu Gay - Musica Antiqua KÖLN, Reinhard Goebel
    14. 4. Sarabande - Musica Antiqua KÖLN, Reinhard Goebel
    15. 5. TRÈS Vivement - Musica Antiqua KÖLN, Reinhard Goebel
    16. 6. Gravement - Musica Antiqua KÖLN, Reinhard Goebel
    17. 7. Gigue - Musica Antiqua KÖLN, Reinhard Goebel


    LP 5
    1. Largo - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    2. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    3. Larghetto - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    4. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    5. Menuet - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    6. Gigue - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    7. 1. Ouverture - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    8. 2. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    9. 3. Air (Lento) - Simon Standage, Elizabeth Wilcock, Trevor Pinnock, the English Concert
    10. 4. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    11. 5. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    12. 1. Andante Larghetto, E Staccato - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    13. 2. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    14. 3. Largo, E Staccato - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    15. 4. Andante - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    16. 5. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    17. 1. Largo - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    18. 2. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    19. 3. Larghetto, E Piano - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    20. 4. Largo - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert
    21. 5. Allegro - Simon Standage, Elizabeth Wilcock, Anthony Pleeth, Robert Woolley, Trevor Pinnock, the English Concert

    Various Artists
    $99.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 5 LPs Sealed Buy Now
  • Klipsch Reference Subwoofer R-10SW Klipsch Reference Subwoofer R-10SW Quick View

    $349.00
    Buy Now
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    Klipsch Reference Subwoofer R-10SW


    The R-10SW subwoofer is the perfect counterpart whether you're looking to achieve a 5.1 system or a 5.1 on the Richter scale. The high performance subwoofer features deep bass and, thanks to its front firing driver and all digital amplifier, offers maximum placement flexibility.


    Spun Copper IMG Woofer

    Injection Molded Graphite (IMG) woofers are especially light while maintaining extreme rigidity - providing outstanding low frequency response, with minimal cone breakup and distortion.


    All-Digital Amplifier

    The built-in all-digital amplifier provides substantial power with a high level of efficiency and true-to-source accuracy in reproduction.


    Front-Firing Driver

    The high performing front-firing driver offers deep bass and placement flexibility.


    Low Pass Crossover And Variable Phase Control

    Gives you the ability to tune the subwoofer to your Klipsch speakers and to your room, providing the perfect level of bass.


    Line/LFE Inputs

    Assure compatibility with both old and new receivers.


    MDF Cabinets With Brushed Polymer Veneer Finish

    Modern aesthetic with infinite durability that results in a seamless integration into any home dÉcor.


    Front-mounted LED Power Indicator

    Simple to read, stylish power indication.


    Strong, Flexible, Removable Grille

    This woven cloth material adds a brilliant, classic look without any acoustic interference.


    rockrollkeepers

    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.




    Klipsch Speakers
    $349.00
    Reference Subwoofer R-10SW - Single Buy Now
  • Why Pick On Me Why Pick On Me Quick View

    $24.99
    Buy Now
    x

    Why Pick On Me

    The Standells' key albums for the Tower label (Dirty Water, Why Pick On Me, and Try It) perfectly bottled a rebellious wave of sound sweeping across Mid-1960's teen clubs, radio playlists and record racks. Starting with the genre-defining, proto-punk smash "Dirty Water", through a series of equally memorable underdog anthems ("Sometimes Good Guys Don't Wear White," "Why Pick on Me") and obscenities (the banned "Try It"), the Standells left an indelible mark on their era. Those three Tower albums are a veritable feast of three chord, fuzz-drenched, Vox Organ-driven "squares"-repellant.


    For their second Tower album, Why Pick On Me, the Standells received a significant sonic boost with the move to American Recording Company. Legendary engineer Richie Podolor cut the best sounding records of the era; from the Standells, Chocolate Watchband, and Electric Prunes to Steppenwolf and Three Dog Night. The drum tracks on this album are simply not to be believed, the bass drum sound possibly registering on the Richter scale. Here the Standells build on their strengths with tough originals from producer Ed Cobb, equally-hard driving outside material ("Black Hearted Woman," "Mainline"), and notably, the emergence of Larry Tamblyn as a songwriter (his "Mr. Nobody" arguably the album's highlight).

    1. Why Pick On Me
    2. Paint It Black
    3. Mi Hai Fatto Innamorare
    4. I Hate To Leave You
    5. Black Hearted Woman
    6. Sometimes Good Guys Don't Wear White
    7. The Boy Who Is Lost
    8. The Girl And The Moon
    9. Looking At Tomorrow
    10. Mr. Nobody
    11. My Little Red Book
    12. Mainline
    13. Have You Ever Spent The Night In Jail
    14. Don't Say Nothing At All (instrumental)
    The Standells
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Beethoven: Sonatas For Piano and Cello (Speakers Corner) Beethoven: Sonatas For Piano and Cello (Speakers Corner) Quick View

    $69.99
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    Beethoven: Sonatas For Piano and Cello (Speakers Corner)

    Possessing a complete recording of Beethoven's Cello Sonatas gives far more satisfaction than merely having the set to fill the shelves. On the one hand it offers one the opportunity to compare Beethoven's art of composition at various stages in his life. And on the other hand one can already recognise in the early Opus 5 how he breaks with the traditional sonata in which the solo instrument merely provides an accompaniment and treats the two instruments as equal partners in the creation of the movements.



    Richter and Rostropovich devote themselves to their task with verve and freshness. The two early works are marked by the rich and full sound of the cello and an elegantly performed piano part, while the two Russian musicians foster a contemplative, introverted style in the A major Sonata. This respectful approach also lends itself well to the C major Sonata where the free, fantasia-like character with wide-ranging shading is shown off to advantage. Beethoven's break with the traditional sonata-form layout is carried to extremes in the D major Sonata, where the cello ignores the powerful theme on the piano in the first movement. The work's brittleness is effectively revealed by the two musicians in the transition from the sensitive Adagio to the austere, freely worked final Fugato, while their resolute and analytical approach to the work and technical prowess on their instruments is highly rewarding.



    Musicians:



    • Mstislav Rostropovich (cello)

    • Sviatoslav Richter (piano)



    Recording: June 1962 at RosenhÜgel Studios, Vienna, and July 1961 at Walthamstow Assembly Hall, London, by C.R. Fine

    Production: Harold Lawrence



    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    This title is not eligible for discount.

    1. Sonata for Cello & Piano No. 1 in F, Op. 5 No. 1

    2. Sonata for Cello & Piano No. 2 in G minor, Op. 5 No.2
    3. Sonata for Cello & Piano No. 3 in A, op. 69
    4. Sonata for Cello & Piano No. 4 in C, op. 102 No. 1
    5. Sonata for Cello & Piano No. 5 in D, op. 102 No. 2
    Ludwig Van Beethoven
    $69.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Expo 1 Expo 1 Quick View

    $24.99
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    Expo 1

    EXPO 1 is a well-balanced selection of tracks by Max Richter, Jóhann Jóhannsson, Chilly Gonzales, Joep Beving,
    Lambert, Luke Howard, and Ólafur Arnalds. The most popular music from the today's leading 'neo-classical'
    composers, the most influential voices in the current wave of post-minimalist composition where contemporary
    classical and alternative popular musical styles collide. Now available as a 180-gram vinyl LP.
    1. Vladimir's Blues (Max Richter)
    2. Am Abend (Sven Helbig)
    3. Musica Universalis (Alex Baranowski)
    4. Good Night, Day (Jóhann Jóhannsson)
    5. Portrait Gallery (Luke Howard)
    6. Marmont Overture (Jarvis Cocker, Jason Beck)
    7. Dalur (Ólafur Arnalds)
    8. 3. HW / Hope Of New Fields (Jonny Greenwood)
    9. Rolling (Roedelius, Arnold Kasar)
    10. Signals (Paul Tony Lambert)
    11. 432 (Joep Beving)
    12. Flight From The City (Jóhann Jóhannsson)
    13. No. 9 (Philip Glass)
    14. Mercy (Max Richter)
    Various Artists
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • McCanick Soundtrack McCanick Soundtrack Quick View

    $15.99
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    McCanick Soundtrack


    1000 Unit Limited Edition Vinyl


    An intrepid musical enigma. - BBC


    Directed by Josh C. Waller and starring Rachel Nichols, Cory Monteith
    and Mike Vogel, McCanick tells the story of a narcotics detective on
    the hunt for a seemingly harmless young criminal who know the truth
    about the cop's past. The film takes place over the course of 24 hours.


    The music is composed by acclaimed Icelandic
    composer Jóhann Jóhannsson who recently scored Denis
    Villeneuve's Prisoners. The score is beautiful, elegant and haunting
    and does not fit the traditional definition of film music. Jóhann
    Jóhannsson belongs to this generation of modern composers such as
    Max Richter, Clint Mansell, and Cliff Martinez who combine classical
    orchestration with electronic music. Famous for his melancholic solo
    albums, Jóhann Jóhannsson has created with McManick a score that
    stands on its own and plays out as a full on artist record
    complementing an already rich and beautiful repertoire.

    1. Morning Workout
    2. Quinn
    3. Payphone
    4. Chase - Subway
    5. By The River
    6. Chase - Apartment To Subway
    7. Exit
    8. Hospital
    9. Staircase
    10. This Is Eugene Mccanick
    11. It's Not Your Fault
    12. Simon's Theme
    13. Mccanick
    Johann Johannson
    $15.99
    Vinyl LP - Sealed Buy Now
  • Death Peak Death Peak Quick View

    $27.99
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    Death Peak

    Clark returns this spring with Death Peak. The album deftly weaves together the various threads of his extensive work, intertwining euphoric melodies and visceral rhythms of warehouse rave with newer vocal and choral elements.


    Death Peak exposes the tension in Clark's musical vocabulary I love finding the fulcrum between opposites - I want my tracks to have sharp teeth, but you want to stroke them too. They sound ancient, but beamed in from the future, soft, corrosive. Album track 'Peak Magnetic' is a club-ready 4 am affair - vigorous, singular, hard to define. As Clark explains I wanted the kick to sound like some massive natural event, barely controlled, a boulder bouncing down a hill with birds tweeting around it. A complete mudball of a pulse that anchors everything to it through sheer mass. It makes me think of outdoor springtime raving. 'Catastrophe Anthem' features the voices of a children's choir eerily chanting the mantra, We are your ancestors. Clark has rarely used vocals before, but here every song has an element of human voice. Nearly all the tracks have some form of vocal recording on them. I only realized this late in the recording process. I get hypnotized by the human voice - the most perfect synth. Vocals can be a bit of an awkward hat, that producers wear to try and get attention. Death Peak voices are the opposite of that. The vocal elements are just another instrument in the mix. It's taken me awhile to get to this level of confidence with it.


    Recently he released a split 12-inch with label mates Mark Pritchard & Bibio and worked remixes with the likes of Nils Frahm and Max Richter. Significantly, Clark has turned his hand to scoring. He released the foreboding cinematic soundtrack to the 2016 BAFTA nominated Sky Atlantic series 'The Last Panthers' and composed a score for Macbeth at the Young Vic theatre. Late in 2016 he composed 'Enter The Void' for especially The Echo Society orchestra, conducted by Joe Trapanese (M83 & Daft Punk collaborator) and performed at the historic Ace Theatre, LA. Clark signed to Warp in his late-teens. His studio sound has evolved and matured over two decades; although he would say he's only just starting. His amorphous industrial noise has ever-grown and influenced producers, dancefloors and festivals around the world.

    LP 1
    1. Spring But Dark

    2. Butterfly Prowler
    3. Peak Magnetic
    4. Hoova
    5. Slap Drones
    6. Aftermath


    LP 2
    1. Catastrophe Anthem
    2. Living Fantasy
    3. Un U.K

    Clark
    $27.99
    Vinyl LP - 2 LPs Sealed Buy Now
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