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  • Rimsky-Korsakov: Scheherazade (45 RPM) Rimsky-Korsakov: Scheherazade (45 RPM) Quick View

    $54.99
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    Rimsky-Korsakov: Scheherazade (45 RPM)

    RCA Living Stereo Classical LPs - The Gold Standard For Top Quality Orchestral Performance And Sound!


    Remastered From The Original Master Tape - Now Available Cut At 45 RPM! By Ryan Smith At Sterling Sound


    Lacquers Plated By Gary Salstrom And Pressed On 200-Gram Vinyl At Quality Record Pressings!


    The jewel in the Living Stereo crown. Enchantment awaits within! Fritz Reiner and the Chicago Symphony convey the listener on a magic carpet of Living Stereo sound to mythic Arabia and China, guided by two of Russia's greatest orchestral masters.


    This, like the Respighi, is considered one of the very best recordings by Reiner, the Chicago Symphony Orchestra, and RCA's crew. A disc of supple and sensuous performances, the sound alternately shimmers and stuns with the clarity of its definition and intensity of its climaxes.


    This title is not eligible for discount.

    1. The Sea And Sinbads Ship
    2. The Story Of The Kalender Prince
    3. The Young Prince And The Young Princess
    4. Festival In Bagdad; The Sea; The Ship Goes To Pieces On A Rock Surmounted By A Bronze Warrior
    Fritz Reiner with the Chicago Symphony Orchestra
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Moussorgsky/Ravel: Pictures At An Exhibition (45 RPM) Moussorgsky/Ravel: Pictures At An Exhibition (45 RPM) Quick View

    $54.99
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    Moussorgsky/Ravel: Pictures At An Exhibition (45 RPM)

    RCA Living Stereo Classical LPs - The Gold Standard For Top Quality Orchestral Performance And Sound!


    Remastered From The Original Master Tape - Now Available Cut At 45 RPM! By Ryan Smith At Sterling Sound


    Lacquers Plated By Gary Salstrom And Pressed On 200-Gram Vinyl At Quality Record Pressings!


    Another sonic and musical blockbuster from the unbeatable combo of Reiner and RCA (and Mohr & Layton). Recorded in 1957 at Chicago's Orchestra Hall; the original analog session tapes were used in mastering for LPs and SACDS. Mussorgsky's inspiration for Pictures was the death of his dear friend, the architect and visual artist Victor Hartman. Having died at age 39, Hartman had not yet had the opportunity to realize any of his architectural visions, and Mussorgsky was angered that his friend would have no legacy. The Architects' Society arranged an exhibition of some of Hartman's sketches - some of architecture, others of characters or scenes from everyday life. The tribute was enough to give Mussorgsky ideas for his composition, but not enough to give Hartman any lasting place in history. Today, of all of the sketches that were captured in music, only six can be positively identified.


    The piece is known today primarily through the orchestral version created by Maurice Ravel in 1922. In fact, the work had already been orchestrated multiple times, by a variety of lesser names. Some conductors today find that Ravel's version, in spite of its color, sacrifices some of the coarse nature inherent in Mussorgsky's piano original. Furthermore, Ravel worked from Rimsky-Korsakov's edited version of the piano part - the only one available at the time - which changed some notes and rhythms.


    None of the orchestrations, however, change the fundamental spirit of the piece. Mussorgsky imagines himself making his way down the hallway that showcased his late friend's work, with his stately procession represented by the Promenade that opens the piece and returns several times. Upon stopping at each image, he reflects on what he sees. Between the early movements, the promenade returns regularly, as Mussorgsky is conscious of moving from one scene to the next. As the work progresses, however, he becomes less aware of the interval between pictures, and more immersed in the continuous psychological experience of moving from one state of mind to the next. By the end, the composer sees himself transformed by the connection with Hartman through his visual expressions of Russian pride and humanity.


    Musicians:

    Chicago Symphony Orchestra

    Fritz Reiner, conductor


    This title is not eligible for discount.

    LP 1
    1. Promenade
    2. Gnomus
    3. Il Vecchio Castella
    4. Premenade
    5. Tuileries
    6. Bydlo
    7. Promenade
    8. Ballet Of The Chicks In Their Shells
    9. Samuel Goldenburg and Schmuyle


    LP 2
    1. The Market Place At Limoges
    2. Catacombae, Sepulchrum Romanum
    3. Con Mortuis In Lingue Mortua
    4. The Hut On Fowl's Legs
    5. The Great Gate Of Kiev

    Fritz Reiner with the Chicago Symphony Orchestra
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Stravinsky - Firebird (Speakers Corner) Stravinsky - Firebird (Speakers Corner) Quick View

    $34.99
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    Stravinsky - Firebird (Speakers Corner)

    The Firebird can almost be described as a work of fate, since it is not only the first of several ballets that Stravinsky wrote for Sergei Diaghilev and his Ballets Russes but also marks his international breakthrough as a composer. In comparison with his other earlier stage works, the ecstatic, sharply contoured Rite of Spring for example, The Firebird, with its melodic character, is a far gentler work altogether.


    There are unmistakable reminiscences of the musical language of Rimsky-Korsakov and Tchaikovsky as well as snatches of late-Romantic harmonies; all this lends the music the charm of Russian tradition.
    In his performance, Dorati chooses the golden mean in that he has his ensemble produce a highly colourful but by no means glaring sound. Thus the listener is given the opportunity to follow the development of the finely chiselled motifs which are so characteristic of this early composition. Happily, the chamber-music-like transparency is preserved even in the loud, more exposed passages - the sound leaves the loudspeakers with a sprightly, athletic tread, as it were.


    Musicians:



    • Antal Dorati (conductor)

    • Igor Stravinsky (composer)

    • The London Symphony Orchestra



    Recording: June 1959 at Watford Town Hall, London, by C. R. Fine and Robert Eberenz
    Production: Wilma Cozart-Fine and Harold Lawrence




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    Stravinsky
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Tchaikovsky, Glinka, Rimsky-Korsakov Capriccio Italien Etc Tchaikovsky, Glinka, Rimsky-Korsakov Capriccio Italien Etc Quick View

    $34.99
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    Tchaikovsky, Glinka, Rimsky-Korsakov Capriccio Italien Etc

    Hi-Q Records Supercuts 180 Gram Vinyl


    Cut At Abbey Road Studios From The Original Stereo Analogue Master Tapes


    A selection of delightful Russian music, brilliantly conducted and beautifully played... said the GRAMOPHONE on this album's stereo release in July 1960. This atmospheric and superbly recorded album displays all Kletzki's hallmark qualities: precision of ensemble, clarity of instrumental detail and warmth of orchestral sound and has long been a collector's item.


    Although Paul Kletzki is now remembered as primarily a conductor, it was as a composer that he first made his mark in the 1920s and 1930s. He came to the attention of Toscanini and Furtwangler, the latter who permitted Kletzki to conduct the Berlin Philharmonic Orchestra in 1925 and championed his many compositions. His bitter personal experiences of the Second World War, however, in which he lost many of his family, appeared to destroy his creative spirit and he stopped composing in 1942. The rest of his career was devoted to conducting. He made several recordings for EMI in the Fifties and Sixties.


    Recorded on August 30 and September 3 & 4, 1958 at the Kingsway Hall, London with legendary producers Victor Olof and Peter Andry (Capriccio Italien) and engineers Harold Davidson and Robert Gooch (Capriccio Italien). Cut at Abbey Road Studios from the original stereo analogue master tapes with the Neumann VMS82 lathe fed an analogue pre-cut signal from a specially adapted Studer A80 tape deck with additional 'advance' playback head, making the cut a totally analogue process.


    Pressed on 180g vinyl to audiophile standards using the original EMI presses by The Vinyl Factory in Hayes, England. Features the original album artwork.


    This title is not eligible for discount.

    Pyotr Ilyich Tchaikovsky (1840-1893)
    1. Andante Cantabile (from String Quartet No.1 in D major Op.11)
    2. Capriccio Italien, Op.45


    Nikolai Rimsky-Korsakov (1844-1908)
    1. Tsar Saltan Suite, Op.57


    Mikhail Glinka (1804-1857)
    2. Jota Aragonesa

    Paul Kletzki
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Borodin: Symphony No. 2 / Rimsky-Korsakov: Capriccio Espagnole Borodin: Symphony No. 2 / Rimsky-Korsakov: Capriccio Espagnole Quick View

    $39.99
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    Borodin: Symphony No. 2 / Rimsky-Korsakov: Capriccio Espagnole

    Mastered By Willem Makee From The Original Master Tapes


    One of the best U.K. Living Stereos with very good dynamics. A Kingsway Hall recording. Jean Martinon conducting the London Symphony Orchestra in a performance of Borodin's Symphony No. 2. Also features Rimsky-Korsakov's Capriccio Espagnole and March from The Tale of Tsar Saltan.


    This record is notable for its fine, lively performances. Midband transparency, detail, dynamics and texture are very good, especially in the first two movements of the Borodin.


    Recorded in Kingsway Hall

    Producer: James Walker

    Engineer: Alan Reeve

    1. Symphony No. 2 In B Minor
    2. Capriccio Espagnole, Op. 34
    3. Tsar Saltan: MARCH
    Jean Martinon
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Phase Four Stereo Concert Series (Box Set) Phase Four Stereo Concert Series (Box Set) Quick View

    $139.99
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    Phase Four Stereo Concert Series (Box Set)


    Limited-Edition, Numbered LP Set With A Detailed Booklet


    Original LP Front And Back Covers


    Cover Art In Style Of The 40 CD Box Set


    Lift-off Rigid LP Box


    Full-Colour Booklet


    The Pressings From Record Industries Will Be On 180 Gram Vinyl Stock


    Lacquers Cut By Sean Magee At Abbey Road Studios


    In the 1960s Decca pioneered the use of a multi 10-channel console mixer which created recordings with an unprecedented sense of spatial realism and
    movement - Phase 4 Stereo. Following in the footsteps of Decca's highly-successful label heritage sets (The Decca Sound, Mercury Living Presence),
    this generous selection of the very best of Phase 4 promises to amaze a new generation of fans.


    Two of the titles included in the set are on the TAS List - the Holy Grail of vinyl fidelity. This is a list of recordings recommended by The Absolute Sound
    magazine under the direction of Harry Pearson.


    Box Set Includes:

    Hermann: Fantasy Film World (PFS 4309)

    Rozsa: Music From Ben Hur (PFS 4394)

    Mozart: Yellow River Concerto (PFS 4299)

    Rimsky-Korsakov: Scheherazade (PFS 4062)

    Bizet: Carmen & L'Arlesienne Suites (PFS 4127)

    Dvorak: New World Symphony (PFS 4128)

    LP 1 - Dvorák: Symphony No.9 in E minor "From the New World"
    1. Adagio - Allegro molto
    2. Largo
    3. Scherzo (molto vivace)
    4. Allegro con Fuoco


    LP 2 - The Fantasy Film World of Bernard Hermann
    1. Journey to the Centre of the Earth
    2. The Seventh Voyage of Sinbad
    3. The Day the Earth Stood Still
    4. Fahrenheit 451


    LP 3 - Bizet: Carmen & L'ArlÉsienne Suites
    1. Les toreadors
    2. Aragonaise
    3. Intermezzo
    4. Les dragons d'Alcala
    5. Habanera
    6. La garde montante
    7. Danse bohème
    8. PrÉlude
    9. Minuetto
    10. Adagietto
    11. Carillon
    12. Farandole


    LP 4 - Rósza: Music from Ben Hur
    1. Fanfare To Prelude
    2. Star Of Bethlehem And Adoration Of The Magic
    3. Friendship
    4. The Burning Desert
    5. Arrius's Party
    6. Rowing Of The Galley Slaves
    7. Parade Of The Charioteers
    8. The Mother's Love
    9. Return To Judea
    10. Ring For Freedom
    11. Lepers' Search For The Christ
    12. Procession To Calvary
    13. Miracle And Finale


    LP 5 - Rimsky-Korsakov: Scheherazade
    1. The Sea and Sinbad's Ship
    2. The Story of the Calender Prince
    3. The Young Prince and the Young Princess
    4. Festival at Bagdad - The Sea - The Shipwreck against a rock surmounted by a bronze warrior (The Shipwreck)


    LP 6 - Yellow River Concerto; Mozart: Piano Concerto No. 21
    1. Prelude: The Song Of The Yellow River Boatmen
    2. Ode To The Yellow River
    3. The Yellow River In Wrath
    4. Defend The Yellow River
    5. Allegro
    6. Andante
    7. Allegro vivace assai

    Various Artists
    $139.99
    180 Gram Audiophile Virgin Vinyl LP Box Set - 6 LPs Sealed Buy Now
  • Russian Orchestral Music Russian Orchestral Music Quick View

    $44.99
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    Russian Orchestral Music

    Russian Orchestal Music - Barenboim - Chicago Symphony Orchestra on 180g Import LP


    "There is no one quite like Daniel Barenboim today in the music world. General music director of the Berlin State Opera and its orchestra, the Berlin Staatskapelle; principal guest conductor at the Teatro Alla Scala in Milan; formerly music director of the Chicago Symphony and the Orchestre de Paris; for years a conductor at the Bayreuth and Salzburg festivals; a champion of new music since the 1950s; a chamber musician who has performed with every great singer and instrumentalist in half a century, from Gregor Piatigorsky and Dietrich Fischer-Dieskau to his late wife, the cellist Jacqueline du PrÉ, and the bass-baritone Thomas Quasthoff, Mr. Barenboim was a child prodigy who remains, despite a full-time conducting career, a towering figure at the keyboard." - Michael Kimmelman, New York Times


    Here, the 2003 Grammy-winner conducts the Chicago Symphony Orchestra in performances of Borodin's Polovtsian Dances, Mussorgsky's Night On The Bald Mountain, and Rimsky-Korssakoff's Russian Easter Overture and Capriccio Espagnol. 180g vinyl pressing from Clearaudio.


    "Beautiful though their melodies remain, the "Polovtsian Dances" mean less when, as here, deprived of voices. This is a very animated performance, however, with fine playing by the Chicago Symphony Orchestra and first-class recording, everything being absolutely distinct in well-proportioned stereo, and with virtually no tape hiss. Stich points have even more importance than usual in items like those by Rimsky-Korsakov, which are mainly studies in orchestral colour." - Gramophone/1977


    Musicians:


    Borodin (composer)

    Rimsky-Korssakoff (composer)

    Mussorgsky (composer)

    Daniel Barenboim (conductor)

    Chicago Symphony Orchestra


    1. Alexander Borodin - Polovtsian Dances - from the Opera "Prince Igor"

    2. Nikolai Rimsky-Korssakoff - Russian Easter Overture, Op. 36 - on Liturgical Themes for Large Orchestra

    3. Modest Mussorgsky - Night On The Bald Mountain, Op. post. - Concert Fantasy for Large ORchestra

    4. Nikolai Rimsky-Korssakoff - Capriccio espagnol op. 34

    I. Alborada: vivo e strepitoso

    II. Variazioni: Andante con moto

    III. Alborada: vivo e strepitoso

    IV. Scena e Canto gitano: Allegretto

    V. Fandango asturiano


    Daniel Barenboim
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Rimsky-Korsakov: Scheherazade (Out Of Stock) Rimsky-Korsakov: Scheherazade (Out Of Stock) Quick View

    $39.99
    x

    Rimsky-Korsakov: Scheherazade (Out Of Stock)

    RCA Living Stereo Classical LPs - The Gold Standard For Top Quality Orchestral Performance And Sound!


    Remastered And Cut At 33 1/3 RPM By Ryan Smith At Sterling Sound


    Lacquers Plated By Gary Salstrom And Pressed On 200-Gram Vinyl At Quality Record Pressings!


    Grade A+. Another one of HP's favorites, this LP (at least in its earliest pressings) is famously wonderful sounding, and the Analogue Productions version certainly lives up to the hype. Once again string tone - and this disc is celebrated for its string tone - is ravishingly beautiful. The bass is astonishingly deep and authoritative. And the dynamics are tremendous. In sum, I highly recommend all of these celebrated RCAs in their Analogue Productions reissues. They will cost you $30 a disc, which is a more-than-fair price considering that they are, IMO, uniformly superb (yes, better than the Classic Record versions). - Jonathan Valin, The Absolute Sound.com, June 11, 2013


    We compared this new 200-gram, 33 RPM LP from Analogue Productions with the original RCA Living Stereo issue and Classic Records' 33 RPM version, and were surprised at the outcome. Why? Because to these ears, the new Analogue Productions version was the more relaxed and natural sounding of the bunch. The sound is as it should be, inviting the listener into the music and entirely constant with Reiner's readings. ... If ever there were a must-have LP in the recent wave of audiophile vinyl reincarnations, this is it. Treat yourself and thank (Analogue Productions' Chad) Kassem for doing it the justice it deserves. - Harry Pearson, HP Soundings, May 2013.


    Without a doubt, the AP pressing sounds much more natural than the Classic Records reissue; the sound is simply less forced, as if the notes and rhythms have more air to explore, more ambient Hall to reverberate, and more of the acoustic envelope to reveal. ... the vinyl is so damn quiet, you can turn it up without any hesitation ... The solo violin is the heart of this recording and it's supposed to sound seductive, and on this reissue, it does. One thing if for certain, there is a lot more information coming through than on the original. The AP pressing takes the simplistic approach of the Chesky, but with a more developed sound, making the Chesky appear a bit more subdued by comparison. ... If you are interested in hearing this classic RCA in all of its natural glory, you needn't look any further than Chad Kassem's latest offering. If this is any indication of Analogue Production's current batch of RCA reissues (approximately 24 more on the way), it just may be a new golden age for the modern vinyl listener. - Joey Weiss, HP Soundings, May 2013


    The second movement is just ravishing in the beauty of the Chicago's playing and Reiner's romantic approach; there is some staccato triple-tonguing done by trumpeter Adolph Herseth in the fourth movement that should leave you, if not him, breathless. But let is just be said that, after you hear this, no other Scheherazade will ever replace it in your affections. HP's The Golden Dozen LPs - Harry Pearson, The Absolute Sound, June/July 2007


    The jewel in the Living Stereo crown. This, like the Respighi, is considered one of the very best LPs by Reiner, the Chicago Symphony Orchestra and RCA's crew. Another Mohr and Layton classic.


    This title is not eligible for discount.

    1. The Sea And Sinbads Ship
    2. The Story Of The Kalender Prince
    3. The Young Prince And The Young Princess
    4. Festival In Bagdad; The Sea; The Ship Goes To Pieces On A Rock Surmounted By A Bronze Warrior
    Fritz Reiner with the Chicago Symphony Orchestra
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • Borodin: Symphony No. 2 (Out Of Stock) Borodin: Symphony No. 2 (Out Of Stock) Quick View

    $19.99
    x

    Borodin: Symphony No. 2 (Out Of Stock)

    One of the best U.K. Living Stereos, with very good dynamics. A Kingsway Hall recording. Coupled with Rimsky-Korsakov's Capriccio Espagnole.
    Jean Martinon and London Symphony Orchestra
    $19.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • Moussorgsky/Ravel: Pictures At An Exhibition (Out Of Stock) Moussorgsky/Ravel: Pictures At An Exhibition (Out Of Stock) Quick View

    $39.99
    x

    Moussorgsky/Ravel: Pictures At An Exhibition (Out Of Stock)

    RCA Living Stereo Classical LPs - The Gold Standard For Top Quality Orchestral Performance And Sound!


    Remastered And Cut At 33 1/3 RPM By Ryan Smith At Sterling Sound


    Lacquers Plated By Gary Salstrom And Pressed On 200-Gram Vinyl At Quality Record Pressings!


    Grade: A+. Once again, as good as I've heard this record sound. Gorgeous strings, superb bass, avalanche dynamics with that same tape-like ease, sensational inner detail. The authority of the CSO is really something on fortissimo tuttis, of which there are many in Pictures. - Jonathan Valin, The Absolute Sound.com, June 11, 2013


    Another sonic and musical blockbuster from the unbeatable combo of Reiner and RCA (and Mohr & Layton). Recorded in 1957 at Chicago's Orchestra Hall; the original analog session tapes were used in mastering for LPs and SACDS. Mussorgsky's inspiration for Pictures was the death of his dear friend, the architect and visual artist Victor Hartman. Having died at age 39, Hartman had not yet had the opportunity to realize any of his architectural visions, and Mussorgsky was angered that his friend would have no legacy. The Architects' Society arranged an exhibition of some of Hartman's sketches - some of architecture, others of characters or scenes from everyday life. The tribute was enough to give Mussorgsky ideas for his composition, but not enough to give Hartman any lasting place in history. Today, of all of the sketches that were captured in music, only six can be positively identified.


    The piece is known today primarily through the orchestral version created by Maurice Ravel in 1922. In fact, the work had already been orchestrated multiple times, by a variety of lesser names. Some conductors today find that Ravel's version, in spite of its color, sacrifices some of the coarse nature inherent in Mussorgsky's piano original. Furthermore, Ravel worked from Rimsky-Korsakov's edited version of the piano part - the only one available at the time - which changed some notes and rhythms.


    None of the orchestrations, however, change the fundamental spirit of the piece. Mussorgsky imagines himself making his way down the hallway that showcased his late friend's work, with his stately procession represented by the Promenade that opens the piece and returns several times. Upon stopping at each image, he reflects on what he sees. Between the early movements, the promenade returns regularly, as Mussorgsky is conscious of moving from one scene to the next. As the work progresses, however, he becomes less aware of the interval between pictures, and more immersed in the continuous psychological experience of moving from one state of mind to the next. By the end, the composer sees himself transformed by the connection with Hartman through his visual expressions of Russian pride and humanity.


    This title is not eligible for discount.

    1. Promenade
    2. Gnomus
    3. Il Vecchio Castella
    4. Premenade
    5. Tuileries
    6. Bydlo
    7. Promenade
    8. Ballet Of The Chicks In Their Shells
    9. Samuel Goldenburg and Schmuyle
    10. The Market Place At Limoges
    11. Catacombae, Sepulchrum Romanum
    12. Con Mortuis In Lingue Mortua
    13. The Hut On Fowl's Legs
    14. The Great Gate Of Kiev
    Fritz Reiner with the Chicago Symphony Orchestra
    $39.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
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