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  • NOW That's What I Call Halloween NOW That's What I Call Halloween Quick View

    $24.99
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    NOW That's What I Call Halloween

    Pressed On 2x 180-Gram Orange & Purple Vinyl


    NOW That's What I Call Music!, the world's best-selling multi-artist album series, is pleased to announce the upcoming release of NOW Halloween!, the NOW brand's spooktacular first foray into the tricks and treats of Halloween-themed rock and pop music, ranging from TV (True Blood) and movie themes (Halloween, The Exorcist, Beetlejuice) to novelty smashes (Monster Mash, Werewolves of London) to radio perennials (Season of the Witch, Don't Fear the Reaper, I Put a Spell on You).


    NOW Halloween! showcases 18 Halloween-themed classic hits from a variety of artists including director John Carpenter's Theme from Halloween, Rob Zombie's Dragula, Saint Louis Symphony Orchestra & Chorus' O Fortuna, Mike Oldfield's Tubular Bells/Theme from The Exorcist, Blue Oyster Cult's (Don't Fear) The Reaper, INXS's Devil Inside, Jace Everett's Bad Things/Theme from True Blood, Warren Zevon's Werewolves of London, The Specials' Ghost Town, Oingo Boingo's Dead Man's Party, Bobby Boris Pickett and the Crypt-Keepers' Monster Mash, The Citizens of Halloween's This is Halloween, Donovan's Season of the Witch, Nina Simone's I Put A Spell On You, Danny Elfman's Beetlejuice: Main Title/End Title, Run-D.M.C.'s Ghostbusters, DJ Jazzy Jeff & The Fresh Prince's A Nightmare On My Street and Rockwell's Somebody's Watching Me.


    The premium content--by the original artists--selected for NOW Halloween! has never been available on one collection until the release of this special anthology.


    NOW That's What I Call Music! debuted in the U.S. in 1998, following 15 years of multi-platinum international success. The series has generated sales exceeding 250 million albums worldwide, including more than 96 million in the U.S. alone. All 55 previous releases in NOW's numeric U.S. series have reached Billboard's Top 10, and 19 volumes have reached No. 1.

    LP 1
    1. John Carpenter - Halloween Theme
    2. Rob Zombie - Dragula
    3. Saint Louis Symphony Orchestra & Chorus - O Fortuna
    4. Mike Oldfield - Tubular Bells (Theme From The Exorcist)
    5. Blue Oyster Cult - (Don't Fear) The Reaper
    6. INXS - Devil Inside
    7. Jace Everett - Bad Things (Theme from True Blood)
    8. Warren Zevon - Werewolves of London
    9. The Specials - Ghost Town
    10. Oingo Boingo - Dead Man's Party


    LP 2
    1. Bobby Boris Pickett and the Crypt-Kickers - Monster Mash
    2. The Citizens of Halloween - This is Halloween
    3. Donovan - Season Of The Witch
    4. Nina Simone - I Put A Spell On You
    5. Danny Elfman - Beetlejuice: Main Title/End Title
    6. RUN-D.M.C. - Ghostbusters
    7. DJ Jazzy Jeff & The Fresh Prince - A Nightmare On My Street
    8. Rockwell - Somebody's Watching Me

    Various Artists
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Sinister Urge The Sinister Urge Quick View

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    The Sinister Urge

    Picture Disc


    Hard rock's brightest shock rocker avoids the sophomore slump on the fun and energetic The Sinister Urge. Zombie's trademark growl is still in fine form, roaring over the 11 tracks with his unique blend of acid-throated venom. But most interesting are the directions he tries to bring to his familiar sound, which he has been cultivating since the hardcore punk days of White Zombie. Never Gonna Stop (The Red, Red Kroovy) is the most apparent example of this, a song that borders on pop with its groovy handclaps and acoustic guitars. But not to be worried, the chorus kicks back into classic Zombie, complete with sampled crowd chants and his trademark yeah. Going to California has a similar vibe, albeit darker and with a Welcome to My Nightmare-era Alice Cooper showbiz quality to it. But when it comes time to rock out, Zombie is more than ready. Dead Girl Superstar is probably the best of the bunch, raging along at lightning speed and featuring an awesome guest appearance by Slayer guitarist Kerry King. Iron Head is also quite good, matching Zombie's bark with guest singer Ozzy Osbourne's trademark banshee wail over a swaggering beat and chugging riff. And finally there is House of 1000 Corpses, the theme from the film Zombie directed that apparently offended Universal Studios so much that they refused to release it. The song is a nice departure for him, like a Leonard Cohen song filtered through Violator-era Depeche Mode. It is the slow burn of this last track that shows the most promise; after years of making good heavy metal, he finally expands the boundaries of his own sound. Few metal musicians kept their sound fresh for as long as Zombie, and this album is no exception. This may not win any new fans, but anyone who enjoyed his old material will probably find this to be a welcome addition to their collection.

    - Bradley Torreano (All Music)

    1. Sinner's, Inc
    2. Demon Speeding
    3. Dead Girl Superstar
    4. Never Gonna Stop (The Red, Red Kroovy)
    5. Iron Head
    6. (Go To) California
    7. Feel So Numb
    8. Transylvanian Transmissions Pt. 1
    9. Bring Her Down (To Crippletown)
    10. Scum Of The Earth
    11. House Of 1000 Corpses/Unholy 3
    Rob Zombie
    $35.99
    Vinyl LP Picture Disc - Sealed Buy Now
  • Hellbilly Deluxe Hellbilly Deluxe Quick View

    $35.99
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    Hellbilly Deluxe

    Picture Disc


    Just as White Zombie was on the verge of becoming the most popular metal band in the land, Rob Zombie decided he was an auteur. Stopping short of breaking up the band, Zombie set out to make sure everyone know that he was the main force in the band, as if there were any doubt in the first place. He did extracurricular animation, managed a band, started a record label, drew a sequence in Beavis & Butt-Head Do America, appeared in films, wrote the script for The Crow 3 (which he planned to direct), and most tellingly of all, he recorded a solo album, Hellbilly Deluxe. Since White Zombie was always his baby, it seems a little strange that he had the need to break away from the group, especially since the album sounds exactly like a White Zombie record, complete with thunderous industrial rhythms, drilling metal guitars, and B-movie obsessions. For most listeners, it doesn't matter if Hellbilly Deluxe is technically a White Zombie or Rob Zombie album, since it delivers the goods, arguably even better than Astro-Creep: 2000. To outsiders, the entire schlock enterprise may seem ridiculous or sound monotonous, but even the weak cuts here hit hard and give fans exactly what they want.

    -Stephen Thomas Erlewine (All Music)

    1. Call of the Zombie
    2. Superbeast
    3. Dragula
    4. Living Dead Girl
    5. Perversion 99
    6. Demonoid Phenomenon
    7. Spookshow Baby
    8. How to Make a Monster
    9. Meet the Creeper
    10.The Ballad of Resurrection Joe and Rosa Whore
    11.What Lurks on Channel X?
    12.Return of the Phantom Stranger
    13.The Beginning of the End
    Rob Zombie
    $35.99
    Vinyl LP Picture Disc - Sealed Buy Now
  • Astro-Creep: 2000 Astro-Creep: 2000 Quick View

    $37.99
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    Astro-Creep: 2000

    Import


    Metalheads who thought W.A.S.P. and Mötley CrÜe were just choir boys and who were looking for more vile and boisterous music were well served when White Zombie released their albums in the mid- to late '90s. The ingredients? White-trash-on-acid metal, growled vocals and B-horror movie visuals.


    After releasing the successful album 'La Sexorcisto' in 1992 Rob Zombie and his band's opinion was that it all could be a bit more rough. And so it happened..


    Follow-up album 'Astro-Creep 2000' from 1995 is much heavier than its predecessor, with a more industrial metal style and a darker sound as it deals with twisted poetry about murder, the undead, blasphemy and satanic elements.


    'La Sexorcisto' is a must have for all the metal and thrash fans, 'Astro-Creep 2000', but 'Astro-creep 2000' is its number one contender!

    1. Electric Head Pt. 1 (The Agony)
    2. Super-Charger Heaven
    3. Real Solution #9
    4. Creature Of The Wheel
    5. Electric Head Pt. 2 (The Ecstasy)
    6. Grease Paint And Monkey Brains
    7. I, Zombie
    8. More Human Than Human
    9. El Phantasmo And The Chicken-Run Blast-O-Rama
    10. Blur The Technicolor
    11. Blood, Milk And Sky
    White Zombie
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Spookshow International Live (Picture Disc) Spookshow International Live (Picture Disc) Quick View

    $49.99
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    Spookshow International Live (Picture Disc)

    First Rob Zombie live album since 2007's Zombie Live includes tracks from Venomous Rat Regeneration Vendor
    and Hellbilly Deluxe 2 for the first time on a live audio release. These tracks are from his 2014 US tour - with 10 of the songs having not appeared on his previous live album.
    1. Teenage Nosferatu Pussy (Venomous Rat Regeneration Vendor - 2013)
    2. Superbeast (Hellbilly Deluxe - 1998)
    3. Living Dead Girl (Hellbilly Deluxe - 1998)
    4. Dead City Radio (Venomous Rat Regeneration Vendor - 2013)
    5. Drum Solo
    6. More Human Than Human (Astro Creep...(White Zombie) 1995)
    7. Sick Bubblegum (Hellbilly Deluxe 2 2010)
    8. House of 1000 Corpses (The Sinister Urge 2001)
    9. Meet The Creeper (Hellbilly Deluxe 1998)
    10. Never Gonna Stop (The Sinister Urge 2001)
    11. Blitzkrieg Bop (Past, Present & Future - 2003)
    12. Thunder Kiss '65 (La Sexorcisto...(White Zombie) 1992)
    13. Jesus Frankenstein (Hellbilly Deluxe 2 - 2010)
    14. We're An American Band (Venomous Rat Regeneration Vendor 2013)
    15. Dragula (Hellbilly Deluxe - 1998)
    16. Demonoid Phenomenon (Hellbilly Deluxe 1998)
    17. Pussy Liquor (House of 1000 Corpses OST 2003)
    18. Demon Speeding (The Sinister Urge 2001)
    19. Ging Gang Gong De Do Gong De Laga Raga (Venomous Rat Regeneration Vendor 2013)
    Rob Zombie
    $49.99
    Vinyl LP Picture Disc - 2 LPs Sealed Buy Now
  • Venomous Rat Regeneration Vendor (Picture Disc) Venomous Rat Regeneration Vendor (Picture Disc) Quick View

    $35.99
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    Venomous Rat Regeneration Vendor (Picture Disc)

    Picture Disc


    Horror rock mogul ROB ZOMBIE returns with his fifth solo album, and in his words, "It merges the old days of WHITE ZOMBIE with the future of what I am doing now this is the perfect combo of both worlds." Much more than self-serving hyperbole, this is the Devil's truth! 'The Girl Who Loved The Monsters' harkens back to La Sexorcisto, whereas 'Behold, The Pretty Filthy Creatures' would be right at home on The Sinister Urge. Throughout the 12 songs, pretty much every aspect of Zombie's musical career is touched upon; Venomous Rat Regeneration Vendor is almost like a Greatest Hits comprised of entirely new material. First single 'Dead City Radio And The New Gods Of Super Town' is a fiery, barn-burner of a track highlighting "wasted youth - an angel of odd in her birthday suit." That being said, the award for worst song title of the year goes to 'Ging Gang Gong De Do Gong De Laga Raga'. Musically, it's actually quite a good piece, but that title and chorus - what were you thinking Rob? Then there's 'Rock And Roll (In A Black Hole)', centered around a tedious, electronic syncopated drum beat. All signs lead to dull and dreary, but when this kicks in, it'll knock you on your ass! 'Theme For The Rat Vendor' is an unexpected 62-second instrumental immersed in middle-eastern sounds. Pulling a decapitated rabbit out of the hat, Zombie and cohorts John 5 on guitar, Piggy D on bass, and Ginger Fish on drums rock the shit out of GRAND FUNK RAILROAD's 'We're An American Band'; talk about a job well done! And if there really is a fallen angel in hell, Zombie will play 'Lucifer Rising' every night on tour. Bound to be a fan-favourite, this makes you move and groove uncontrollably; it's damn near irresistible. 'Trade In Your Guns For A Coffin' ends this illicit affair with the perfect amount of sex, sleaze and violence. Forget the Pied Piper, it's time to embrace, cherish and worship those Venomous Rats!-- Aaron Small

    1. Teenage Nosferatu Pussy
    2. Revelation Revolution
    3. Theme For The Rat Vendor
    4. Ging Gang Gong De Do Gong De Laga Raga
    5. Rock And Roll (In A Black Hole)
    6. Behold, The Pretty Filthy Creatures!
    7. White Trash Freaks
    8. We're An American Band
    9. Lucifer Rising
    10. The Girl Who Loved The Monsters
    11. Dead City Radio And The New Gods Of Supertown
    12. Trade In Your Guns For A Coffin
    Rob Zombie
    $35.99
    Vinyl LP Picture Disc - Sealed Buy Now
  • La Sexorcisto: Devil Music Vol. 1 (25th Anniversary) (Pre-Order) La Sexorcisto: Devil Music Vol. 1 (25th Anniversary) (Pre-Order) Quick View

    $37.99
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    La Sexorcisto: Devil Music Vol. 1 (25th Anniversary) (Pre-Order)


    25th Anniversary Edition


    First Pressing Of 2,000 Copies On Purple Colored Vinyl, Black Vinyl Thereafter


    'La Sexorcisto : Devil Music Volume 1' was both a critical and commercial success for White Zombie, climbing up the charts in the US and gaining massive MTV video airplay and mainstream rock radio airplay with Thunder Kiss '65 and Black Sunshine. The album's sound is a mix of groove metal and funk metal with lots of B-movie samples. Tactless and continuously shocking, lyricist Rob Zombie reveals blatant tales of muscle cars, sleazy encounters, and Fangoria-mustered fantasy, clearly paying homage to vintage trash culture.


    Rob Zombie explained he wanted to keep a groovable dance element in the music, a trait which is often absent in metal music. Weak appetites for raunchy, tongue-in-cheek decadence need not apply!

    1. Welcome To Planet Motherfucker / Psychoholic Slag
    2. Knuckle Duster (Radio 1-A)
    3. Thunder Kiss '65
    4. Black Sunshine
    5. Soul-Crusher
    6. Cosmic Monsters Inc.
    7. Spiderbaby (Yeah-Yeah-Yeah)
    8. I Am Legend
    9. Knuckle Duster (Radio 2-B)
    10. Thrust!
    11. One Big Crunch
    12. Grindhouse (A Go-Go)
    13. Starface
    14. Warp Asylum
    White Zombie
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser Quick View

    $34.99
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    The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser

    LP Includes Removable 12x12 Lenticular Cover Image!


    The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser is Rob Zombie's sixth solo studio album. Produced by Zeuss, it was recorded and mixed at Goathouse Studios. A full return to form by the rock icon, The Electric Warlock features John 5 (Guitar), Piggy D (Bass) and Ginger Fish (Drums). This album marks Rob Zombie's first solo studio album since 2013's Venomous Rat Regeneration Vendor, which debuted at number 7 on the Billboard 200.

    1. The Last Of The Demons Defeated
    2. Satanic Cyanide! The Killer Rocks On!
    3. The Life And Times Of A Teenage Rock God
    4. Well, Everybody's Fucking In A U.F.O.
    5. A Hearse Overturns With The Coffin Bursting Open
    6. The Hideous Exhibitions Of A Dedicated Gore Whore
    7. Medication For The Melancholy
    8. In The Age Of The Consecrated Vampire We All Get High
    9. Super-Doom-Hex-Gloom Part One
    10. In The Bone Pile
    11. Get Your Boots On! That's The End Of Rock And Roll
    12. Wurdalak
    Rob Zombie
    $34.99
    Vinyl LP - Sealed Buy Now
  • 31 - A Rob Zombie Film (Original Motion Picture Soundtrack) 31 - A Rob Zombie Film (Original Motion Picture Soundtrack) Quick View

    $19.99
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    31 - A Rob Zombie Film (Original Motion Picture Soundtrack)

    As well as the great tracks from within the film by The James Gang, Kitty Wells, The Mamas & The Papas, Lynyrd Skynyrd, Ernest Tubb & more, the soundtrack includes the score music from Zombie and John 5 and many of the iconic spoken word pieces - including Doom-Head's "I'm not crazy, I'm in control" and his monologue from the films opening.
    1. Call It A Day - Al Bowlly & Roy Fox And His Band
    2. They Call Me Doom Head (Spoken Word) - Richard Brake
    3. Walk Away - The James Gang
    4. The Midway Say Sweet Charley (Spoken Word) - Lawrence Hilton-Jacobs
    5. That Smell - Lynyrd Skynyrd
    6. Fixing These Death Traps (Spoken Word) - Jeff Daniel Phillips
    7. We Buried Her Beneath The Willows - Kitty Wells
    8. You Digging What You See Pops? - Sheri Moon Zombie
    9. Walking The Floor Over You (1941 Single Version) - Ernest Tubb
    10. Wolfman Jack Halloween Show - Wolfman Jack
    11. RV Attack - Bob Marlette and Chris Harris and John Five and Rob Zombie
    12. We Are Going To Play - Malcolm McDowell
    13. The Game Begins - Bob Marlette and Chris Harris and John Five and Rob Zombie
    14. Number 4 - Pancho Molar
    15. Bathroom Hell - Bob Marlette and John Five
    16. Count Yourselves Lucky - David Ury and Lew Temple
    17. Wet Kitty - Bob Marlette and Chris Harris and John Five and Rob Zombie
    18. Hunt These Freaks Down - Sheri Moon Zombie
    19. Inside The Cage - Bob Marlette and Chris Harris and John Five and Rob Zombie
    20. Sex And Death - E.G. Daily and Torsten Voges
    21. Death And Sex Fight - Bob Marlette and Chris Harris and John Five and Rob Zombie
    22. Perfect Game - Richard Brake
    23. Moonwheel Zero Gravity Whirlpool - Chris Harris (
    24. I'm Not Crazy - Richard Brake
    25. California Dreamin' (Single Version) - The Mamas & The Papas
    26. The Eyes Of A True Champion - Richard Brake
    27. The Show Must Go On - Bob Marlette and John Five
    28. Another Exciting Year Of 31 - Malcolm McDowell
    Various Artists
    $19.99
    Vinyl LP - Sealed Buy Now
  • Origins Vol. 1 Origins Vol. 1 Quick View

    $29.99
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    Origins Vol. 1

    Pressed On Colored Vinyl


    Ace Frehley is beginning the new year by looking back. The former Kiss guitarist's new LP, Origins Vol. 1, finds him covering songs by Jimi Hendrix, the Rolling Stones, Thin Lizzy, Cream, and other artists that have inspired him over the years.


    The LP also features his first recording with Paul Stanley, an impassioned interpretation of Free's Fire and Water, in nearly two decades.


    Other guests on the record include Slash, Pearl Jam's Mike McCready, Lita Ford and Rob Zombie guitarist John 5.

    - Kory Grow (Rolling Stone)

    1. White Room (Cream)
    2. Street Fighting Man (Rolling Stones)
    3. Spanish Castle Magic, feat. John 5 (Jimi Hendrix)
    4. Fire and Water, feat. Paul Stanley (Free)
    5. Emerald, Slash (Thin Lizzy)
    6. Bring It on Home (Led Zeppelin)
    7. Wild Thing, feat. Lita Ford (The Troggs)
    8. Parasite, feat. John 5 (Kiss)
    9. Magic Carpet Ride (Steppenwolf)
    10. Cold Gin, feat. Mike McCready (KISS)
    11. Till the End of the Day (Kinks)
    12. Rock and Roll Hell (KISS)
    Ace Frehley
    $29.99
    LP - 2 LPs Sealed Buy Now
  • Venomous Rat Regeneration Vendor Venomous Rat Regeneration Vendor Quick View

    $24.99
    Buy Now
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    Venomous Rat Regeneration Vendor

    In April, horror rock mogul ROB ZOMBIE returns with his fifth solo album, and in his words, "It merges the old days of WHITE ZOMBIE with the future of what I am doing now this is the perfect combo of both worlds." Much more than self-serving hyperbole, this is the Devil's truth! 'The Girl Who Loved The Monsters' harkens back to La Sexorcisto, whereas 'Behold, The Pretty Filthy Creatures' would be right at home on The Sinister Urge. Throughout the 12 songs, pretty much every aspect of Zombie's musical career is touched upon; Venomous Rat Regeneration Vendor is almost like a Greatest Hits comprised of entirely new material. First single 'Dead City Radio And The New Gods Of Super Town' is a fiery, barn-burner of a track highlighting "wasted youth - an angel of odd in her birthday suit." That being said, the award for worst song title of the year goes to 'Ging Gang Gong De Do Gong De Laga Raga'. Musically, it's actually quite a good piece, but that title and chorus - what were you thinking Rob? Then there's 'Rock And Roll (In A Black Hole)', centered around a tedious, electronic syncopated drum beat. All signs lead to dull and dreary, but when this kicks in, it'll knock you on your ass! 'Theme For The Rat Vendor' is an unexpected 62-second instrumental immersed in middle-eastern sounds. Pulling a decapitated rabbit out of the hat, Zombie and cohorts John 5 on guitar, Piggy D on bass, and Ginger Fish on drums rock the shit out of GRAND FUNK RAILROAD's 'We're An American Band'; talk about a job well done! And if there really is a fallen angel in hell, Zombie will play 'Lucifer Rising' every night on tour. Bound to be a fan-favourite, this makes you move and groove uncontrollably; it's damn near irresistible. 'Trade In Your Guns For A Coffin' ends this illicit affair with the perfect amount of sex, sleaze and violence. Forget the Pied Piper, it's time to embrace, cherish and worship those Venomous Rats!-- Aaron Small
    1. Teenage Nosferatu Pussy
    2. Dead City Radio And The New Gods Of Supertown
    3. Revelation Revolution
    4. Theme For The Rat Vendor
    5. Ging Gang Gong De Do Gong De Laga Raga
    6. Rock And Roll (In A Black Hole)
    7. Behold, The Pretty Filthy Creatures
    8. White Trash Freaks
    9. We're An American Band
    10. Lucifer Rising
    11. The Girl Who Loved The Monsters
    12. Trade In Your Guns For A Coffin
    Rob Zombie
    $24.99
    Vinyl LP - Sealed Buy Now
  • The Concrete Confessional The Concrete Confessional Quick View

    $24.99
    Buy Now
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    The Concrete Confessional

    An institution can be relied on forever. Its foundations don't shake due to the winds of change or tides of trends-no matter how volatile, omnipresent, or tenuous.


    With steadfast determination, drive, and dedication, Hatebreed cement themselves as one of heavy music's strongest institutions on their seventh full-length offering and very first for Nuclear Blast worldwide, 2016's The Concrete Confessional. Since 1994, the Connecticut quintet-Jamey Jasta [vocals], Chris Beattie [bass], Wayne Lozinak [guitar], Frank Novinec [guitar], and Matthew Byrne [drums]-has risen to the ranks of hardcore and heavy metal elite with a GRAMMY® Award nomination, main stage slots on festivals, and countless fans worldwide. 2013's The Divinity Of Purpose earned their highest entry on the Billboard Top 200, bowing at #17 with impressive first-week sales in excess of 17,000. When it came time to return to the studio after two years on the road, Jasta and his cohorts clung to the bedrock on which their legacy stands firm.


    "There's nothing better than loud amps, riffs that hit you right in the chest, and lyrics that spark a new thought and give you a charge," he declares. "That's our musical DNA. We could just be who we are. We don't need to incorporate whatever the trend is. We can just be Hatebreed. There are some new highlights to the game, but you know it's us."


    The Divinity Of Purpose saw them become a headliner in locations such as Slovenia, Slovakia, Russia, Japan, and beyond. They would perform at Poland's Woodstock in front of 400,000 people. Stateside, the band supported longtime friends Slipknot on an extensive 2015 run in between festival appearances at Rock On The Range, Welcome To Rockville, and more as well as Motörhead's Motörboat with Slayer and Motörhead.


    "Riding into this album, I realized we could play with bands of every genre nearly anywhere without deviating from who we are," continues Jasta. "The Motörboat was really a highlight of our career. We played this exclusive event with some of our chief influences. We got to literally chart new territory."


    Returning home in the Fall of 2015, they entered the studio with longtime producer Zeuss [Rob Zombie, Soulfly]. Immediately, they channeled the spirit that's long defined their signature sound. By January, the record was mixed by Josh Wilbur [Megadeth, Lamb Of God] and primed for ignition.


    "We had a really good vibe in the studio," he says. "The record is a snapshot of this time for us."


    It also reflects what's going on outside. The opening track and first single "A.D." fuses together torrential thrashed-out guitars, double bass drums, and Jasta's immortal growl before an incendiary lead. The singer dissects what the American Dream means in a climate of upheaval. "Fight fire with fire, you'll see everyone's burning," he screams. Think of it as "Vote With A Bullet" or "Holy Wars The Punishment Due" for the Instagram age.


    "It's a mirror of both sides of the story whether it's what you believe in the media or what you actually see," he explains. "Musically, it came together quickly. It's about all of the frustrated feelings that come out when I turn on the news. So much of our attention is focused on the wrong areas. People want to one-up each other with better clothes and cars, and it's all bullshit. Nobody goes to the grave with any of that stuff. It's not all instant gratification. What exists on the phone and computer isn't what exists in real life. What is the American Dream anymore?"


    The machine gun chug of "Looking Down The Barrel Of Today" proves equally uplifting and undeniable. "I wanted something to get crowds pumped up," he admits. "So many fans will tell us, 'Your records help me get through my life.' I needed to encourage this cyclical power to get up and face the day. You either make the best of today, or you're done in by it."


    "Something's Off" carries an ominously lyrical bass line into a guttural chant, showcasing Jasta's chilling vocal dynamics in the process. "I've written songs about depression, alcoholism, and falling back into destructive patterns," he says. "However, I never felt like I could really put my finger on what anxiety is. It's not just social anxiety but this unexplained feeling of unease. I've felt it since I was in kindergarten. You can't control when it happens. Heavy music has kept that beast at bay-in addition to exercise and experiences with my family. I had to confront it directly in the lyrics here."


    Elsewhere, "Remember When" and "Slaughtered In Their Dreams" juxtapose visceral lyricism with a searing sonic backdrop as chaotic as it is catchy. Through and through, The Concrete Confessional is classic Hatebreed.


    In order to transfer this message to the masses, the band inked a global deal with Nuclear Blast. "They're world-renowned mainstays in the metal community," he smiles. "We get to be in the company of career bands we look up to." These musicians have come a long way from the East Coast's storied nineties underground scene. Their journey has seen them achieve a 2005 GRAMMY® Award nod in the category of "Best Metal Performance" for "Live For This," sell over 1.2 million records, and land a #1 debut on Billboard's DVD Chart with 2009's Live Dominance. Moreover, they've annihilated audiences from OZZfest Japan and Download Festival to Wacken, Hellfest, and beyond.


    Now, The Concrete Confessional fits right into the bold, bloody, and beating heart of the Hatebreed institution.


    "The title had to be something that was heavy and hard, but also vulnerable and honest," Jasta leaves off. "Heavy music is this cleansing, therapeutic, and cathartic experience. You're on that concrete floor, the guitars are crushing you, and someone's screaming their head off-sharing their pain and aspects of their life through words, poetry, or songs. There's nothing like it. You confess you have negative thoughts, and you purge them. For however long you're at the show, there are no bills to pay, issues to deal with, or problems holding you back. You can be free."

    1. A.D.
    2. Looking Down The Barrel Of Today
    3. Seven Enemies
    4. In The Walls
    5. From Grace We've Fallen
    6. Us Against Us
    7. Something's Off
    8. Remember When
    9. Slaughtered In Their Dreams
    10. The Apex Within
    11. Walking The Knife
    12. Dissonance
    13. Serve Your Masters
    Hatebreed
    $24.99
    Vinyl LP - Sealed Buy Now
  • Educated Horses Educated Horses Quick View

    $35.99
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    Educated Horses

    Picture Disc


    Educated Horses can be described as Zombie's most experimental album to date. Writing for Rob Zombie for the first time, John 5 experimented with a number of acoustics, which can be heard on tracks such as Sawdust in the Blood and Death of It All. Foxy Foxy is the most mainstream and party-going song that he has written yet. Yet the album still contains his signature horror tastes.

    1. Sawdust in the Blood
    2. American Witch
    3. Foxy Foxy
    4. 17 Year Locust
    5. The Scorpion Sleeps
    6. 100 Ways
    7. Let It All Bleed Out
    8. Death of It All
    9. Ride
    10. The Devil's Rejects
    11. The Lords of Salem
    Rob Zombie
    $35.99
    Vinyl LP Picture Disc - Sealed Buy Now
  • One One One One One One Quick View

    $19.99
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    One One One

    Jazz and metal might not appear at first to be the most obvious bedfellows, but leave it to a bunch of Norwegians to make it actually work.


    One One One is Shining's conclusion to the Blackjazz trilogy and their seventh album, and finds the band on a rare pop tip. While their standout 'In The Kingdom of Kitsch You Will Be A Monster' threw them into a soup of influences, One One One shows the band pitting their musical smarts against a (theoretically) much more simplistic mode.


    'I Won't Forget' is the album's first single, and is accompanied by a suitably Brazil-esque video that pushes the Norwegians into some kind of dystopian future-scape. Riffing as if their lives depended on it, the band muster up a sound something like Don Caballero doing a rendition of a Queens of the Stone Age track with Rob Zombie on vocals, and that can't be a bad thing.


    One One One is set for release on Prosthetic on June 4th.

    1 I Won't Forget
    2 The One Inside
    3 My Dying Drive
    4 Off the Hook
    5 Blackjazz Rebels
    6 How Your Story Ends
    7 The Hurting Game
    8 Walk Away
    9 Paint the Sky Black
    Shining
    $19.99
    Vinyl LP - Sealed Buy Now
  • Appetite For Adrenochrome Appetite For Adrenochrome Quick View

    $18.99
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    Appetite For Adrenochrome

    Colored Vinyl


    Step back into our little rock and roll time machine.... don't worry, we're not going TOO far back, let's say how about 25 years? To a time when a younger Kepi Ghoulie rounded up a bunch of guys named John (yes, John Vetter on bass, John Rudgers on guitar, John Sosa on drums) and drove from L.A. to Sacramento to record his FIRST FULL LENGTH recording as the GROOVIE GHOULIES! (recorded by a guy named John, no less!) Recorded in two days (yes TWO DAYS, all musical tracks were laid down on a Saturday, vocals and mixing on Sunday), the band rehearsed and recorded the entire album in the sequence that you hear it on the record, to save time and money and be as prepared as they could! Listen closely and you will hear anywhere from two to five songs connect musically without any interruption whatsoever! A crash course in 80's rock, punk, garage, and underground/indie pop, Appetite For Adrenochrome reflects the urgency of a bunch of young bucks trying to get their message out, and also is a fun little time capsule of the mad, mish-mash of music that was going on in Los Angeles at the time, with bands like Redd Kross, Haunted Garage, Celebrity Skin, and up-and-comers L7 and GWAR... The Groovie Ghoulies played showsand found camaraderie in these like minded, go-all-out, fellow rock bands. This era also found them playing great events, like a Herschell Gordon Lewis (2,000 Maniacs) film fest/lecture, years before Rob Zombie and the Ramones started hosting events in the Hollywood Forever cemetery. The Groovie Ghoulies have always been a bit of Hollywood Outsiders, never quite fitting in to certain genres and pigeon-shaped holes, and with Appetite For Adrenochrome, you can kind of see the evolution of little Kepi taking his home made drum machine recordings out of the basement and to the streets with the first semi-solid, fully electric line up of a musical legacy that lasts until this day! Enjoy!

    1. Lost Generation
    2. Do The Bat
    3. Armageddon 2000
    4. 2000 Man
    5. My Computer Said 'Kill'
    6. King Kong
    7. No Blood
    8. Don't Go Out
    9. The Blob
    10. Dead End
    11. Blood Beach
    12. Lookout!
    13. Ghoul Chant
    14. Beth
    15. Pet Sematary
    16. Girl In Black
    Groovie Ghoulies
    $18.99
    Color Vinyl LP - Sealed Buy Now
  • Bones Bones Quick View

    $18.99
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    Bones

    On The Delta Saints' new album, Bones, their first for Loud & Proud Records, the Nashville-based band have stripped their roots/blues sound down to its essence, having rearranged the elements into something uniquely their own. Steeped in rock 'n' roll's building blocks - country, R&B, soul and gospel - The Delta Saints' second full-length effort explores influences like Jack White, The Black Keys, My Morning Jacket, Band of Horses and Led Zeppelin. Producer/engineer/mixer and Third Man Records alum, Eddie Spear [Jack White, Arctic Monkeys, Neil Young] provided a ghostly, psychedelic atmosphere at Nashville's Sputnik Sound studios, yielding a sound unlike anything they have created before.


    "We got to the point where what we were recording and playing had veered from what we were listening to and loving on our turntables, which can lead to discontent," said Louisiana-born singer/lyricist Ben Ringel, who co-founded the band almost eight years ago with fellow Belmont University student, Kansas native bassist David Supica. Soon after, they were joined by Tennessee-bred guitarist Dylan Fitch and later, after a health scare with the band's former harmonica player, enlisted Louisville resident and keyboardist, Nate Kremer, who was added to the lineup only two weeks before a two month long European tour.


    Taking a novel approach of writing songs spontaneously in the studio, The Delta Saints were challenged to create in the moment and as a result, Bones is their most adventurous effort yet. The album is a collection of eclectic songs, beginning with The White Stripes-meets-Led Zeppelin fuzz-toned garage-rock blast of "Sometimes I Worry." The spare, spooky strains of "Butte la Rose" tell the band's tale of a Louisiana town purposely flooded and displaced five years ago to save New Orleans. The Grapes of Wrath drama of "Dust," based on Ringel's grandfather, an East Kansas farmer, builds to a primal wail at nature with a stunning coda in which Dylan Fitch's guitar drops out and Kremer's B3 organ provides the climax. The title track, "Bones" features hoodoo organ riffs and African-influenced trance music, which came from listening to the Sahara desert African groove of Niger's Tuareg guitarist Omara "Bombino" Moctar and Mali's Tinariwen. The grindhouse honky-tonk chain gang chants of "Heavy Hammer" celebrates the work ethic in no uncertain terms, a call for unity in the wake of Ringel's frustration about getting stuck in the rat race and feeling trapped by some of life's mundane tasks. "Berlin," the first song they recorded after adding Nate on keys, started out as an instrumental penned in the title city while on tour. It eventually metamorphosed into a country twang intro and a prog-rock jam. Bones is a complete work veering between despair and apocalyptic dread.


    "We're trying to push ourselves forward to do something more modern, but at the same time incorporating where we come from," explained Ringel.


    "It was incredible to be able to write a song on the spot and immediately hear what it sounded like," added Supica. "It was a great way to capture the magic right when you come up with an idea, preserving that raw element. We were used to playing a song for months on the road before we recorded it. Still, on the flip side, it was absolutely terrifying to sit in the studio watching the clock tick and waiting for a song to come out. That's where (producer) Ed Spear came into play; he was so good at keeping us pointed in the right direction."


    "This record was made out of both necessity and desire. We needed to be fulfilled and surprised by music again, and we also needed to fulfill that love of writing and recording again."


    The Delta Saints have independently released two EPs (2010's Pray On and A Bird Called Angola), a full-length album (2012's Death Letter Jubilee) and a live disc (2014's Live at Exit/In). They have spent the last eight years touring the US averaging almost 200 shows per year, organically growing their audience, fan by fan, city by city. Major appearances include several festivals including Wakarusa, Summer Camp, Harvest, The Ride, Summerfest and The Simple Man Cruise. A testament to their mixed appeal, they have opened for such diverse acts as Blackberry Smoke, Robert Randolph & The Family Band, Taj Mahal, Dickey Betts and Michael Franti & Spearhead.


    The Delta Saints have also have a large international fan base having toured Europe a total of six times, selling out countless venues and playing more than 200 shows in Spain, Sweden, France, Switzerland and Germany, as well as several festivals in Holland (Moulin Blues, Ribs and Blues), Belgium (Gevarenwinkel) and Germany (Grolsch Blues Fest).


    With all that they've accomplished as a hard-working group on their own, The Delta Saints have earned their graduation to industry veteran Tom Lipsky's Loud & Proud Records (which has been the home of Rush, Lynyrd Skynyrd, KISS, Robert Plant, Rob Zombie, Lenny Kravitz and The String Cheese Incident, among others).


    "Don't look so tired, my dear," sings Ringel in Bones' closing track, "Berlin," echoing the band's progress. "We may be bruised, but the day is almost here."


    "It's hard to see progress when you're in the middle of things," said Supica about The Delta Saints' ambitions. "We try to take stock every six months or so and look back from where we've come, from eating at McDonald's and sleeping on people's floors to staying at a Motel 6 and graduating to La Quinta. We mark our success by the hotel chain where we're staying. When we get to Marriott, we know we've made it."


    Bones proves The Delta Saints are well on their way to making that reservation.

    The Delta Saints
    $18.99
    Vinyl LP - Sealed Buy Now
  • The Concrete Confessional (Picture Disc) The Concrete Confessional (Picture Disc) Quick View

    $21.99
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    The Concrete Confessional (Picture Disc)

    Picture Disc Edition - Limited To 500 Copies


    An institution can be relied on forever. Its foundations don't shake due to the winds of change or tides of trends-no matter how volatile, omnipresent, or tenuous.


    With steadfast determination, drive, and dedication, Hatebreed cement themselves as one of heavy music's strongest institutions on their seventh full-length offering and very first for Nuclear Blast worldwide, 2016's The Concrete Confessional. Since 1994, the Connecticut quintet-Jamey Jasta [vocals], Chris Beattie [bass], Wayne Lozinak [guitar], Frank Novinec [guitar], and Matthew Byrne [drums]-has risen to the ranks of hardcore and heavy metal elite with a GRAMMY® Award nomination, main stage slots on festivals, and countless fans worldwide. 2013's The Divinity Of Purpose earned their highest entry on the Billboard Top 200, bowing at #17 with impressive first-week sales in excess of 17,000. When it came time to return to the studio after two years on the road, Jasta and his cohorts clung to the bedrock on which their legacy stands firm.


    "There's nothing better than loud amps, riffs that hit you right in the chest, and lyrics that spark a new thought and give you a charge," he declares. "That's our musical DNA. We could just be who we are. We don't need to incorporate whatever the trend is. We can just be Hatebreed. There are some new highlights to the game, but you know it's us."


    The Divinity Of Purpose saw them become a headliner in locations such as Slovenia, Slovakia, Russia, Japan, and beyond. They would perform at Poland's Woodstock in front of 400,000 people. Stateside, the band supported longtime friends Slipknot on an extensive 2015 run in between festival appearances at Rock On The Range, Welcome To Rockville, and more as well as Motörhead's Motörboat with Slayer and Motörhead.


    "Riding into this album, I realized we could play with bands of every genre nearly anywhere without deviating from who we are," continues Jasta. "The Motörboat was really a highlight of our career. We played this exclusive event with some of our chief influences. We got to literally chart new territory."


    Returning home in the Fall of 2015, they entered the studio with longtime producer Zeuss [Rob Zombie, Soulfly]. Immediately, they channeled the spirit that's long defined their signature sound. By January, the record was mixed by Josh Wilbur [Megadeth, Lamb Of God] and primed for ignition.


    "We had a really good vibe in the studio," he says. "The record is a snapshot of this time for us."


    It also reflects what's going on outside. The opening track and first single "A.D." fuses together torrential thrashed-out guitars, double bass drums, and Jasta's immortal growl before an incendiary lead. The singer dissects what the American Dream means in a climate of upheaval. "Fight fire with fire, you'll see everyone's burning," he screams. Think of it as "Vote With A Bullet" or "Holy Wars The Punishment Due" for the Instagram age.


    "It's a mirror of both sides of the story whether it's what you believe in the media or what you actually see," he explains. "Musically, it came together quickly. It's about all of the frustrated feelings that come out when I turn on the news. So much of our attention is focused on the wrong areas. People want to one-up each other with better clothes and cars, and it's all bullshit. Nobody goes to the grave with any of that stuff. It's not all instant gratification. What exists on the phone and computer isn't what exists in real life. What is the American Dream anymore?"


    The machine gun chug of "Looking Down The Barrel Of Today" proves equally uplifting and undeniable. "I wanted something to get crowds pumped up," he admits. "So many fans will tell us, 'Your records help me get through my life.' I needed to encourage this cyclical power to get up and face the day. You either make the best of today, or you're done in by it."


    "Something's Off" carries an ominously lyrical bass line into a guttural chant, showcasing Jasta's chilling vocal dynamics in the process. "I've written songs about depression, alcoholism, and falling back into destructive patterns," he says. "However, I never felt like I could really put my finger on what anxiety is. It's not just social anxiety but this unexplained feeling of unease. I've felt it since I was in kindergarten. You can't control when it happens. Heavy music has kept that beast at bay-in addition to exercise and experiences with my family. I had to confront it directly in the lyrics here."


    Elsewhere, "Remember When" and "Slaughtered In Their Dreams" juxtapose visceral lyricism with a searing sonic backdrop as chaotic as it is catchy. Through and through, The Concrete Confessional is classic Hatebreed.


    In order to transfer this message to the masses, the band inked a global deal with Nuclear Blast. "They're world-renowned mainstays in the metal community," he smiles. "We get to be in the company of career bands we look up to." These musicians have come a long way from the East Coast's storied nineties underground scene. Their journey has seen them achieve a 2005 GRAMMY® Award nod in the category of "Best Metal Performance" for "Live For This," sell over 1.2 million records, and land a #1 debut on Billboard's DVD Chart with 2009's Live Dominance. Moreover, they've annihilated audiences from OZZfest Japan and Download Festival to Wacken, Hellfest, and beyond.


    Now, The Concrete Confessional fits right into the bold, bloody, and beating heart of the Hatebreed institution.


    "The title had to be something that was heavy and hard, but also vulnerable and honest," Jasta leaves off. "Heavy music is this cleansing, therapeutic, and cathartic experience. You're on that concrete floor, the guitars are crushing you, and someone's screaming their head off-sharing their pain and aspects of their life through words, poetry, or songs. There's nothing like it. You confess you have negative thoughts, and you purge them. For however long you're at the show, there are no bills to pay, issues to deal with, or problems holding you back. You can be free."

    1. A.D.
    2. Looking Down The Barrel Of Today
    3. Seven Enemies
    4. In The Walls
    5. From Grace We've Fallen
    6. Us Against Us
    7. Something's Off
    8. Remember When
    9. Slaughtered In Their Dreams
    10. The Apex Within
    11. Walking The Knife
    12. Dissonance
    13. Serve Your Masters
    Hatebreed
    $21.99
    Vinyl LP Picture Disc - Sealed Buy Now
  • Extremist (Out Of Stock) Extremist (Out Of Stock) Quick View

    $17.99
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    Extremist (Out Of Stock)


    Limited Edition Vinyl


    Includes 5 Color Artwork Insert


    Demon Hunter's seventh full-length album Extremist is released in 2014 via Solid State Records. Produced by guitarist Jeremiah Scott (Living Sacrifice, The Showdown, Project 86) and Aaron Sprinkle (OneRepublic, Anberlin, Emery) and mixed by Zeuss (Hatebreed, Rob Zombie), Extremist picks up where 2012's True Defiance left off with the ferociously heavy riffs and soaring melodies that made Demon Hunter known around the world. The limited edition LP features artwork by Invisible Creature.

    1. Death
    2. Artificial Light
    3. What I'm Not
    4. The Last One Alive
    5. I Will Fail You
    6. One Last Song
    7. Cross To Bear
    8. Hell Don't Need Me
    9. In Time
    10. Beyond Me
    11. Gasoline
    12. The Heart Of A Graveyard
    Demon Hunter
    $17.99
    Vinyl LP - Sealed Temporarily out of stock
  • And Hell Will Follow Me (Out Of Stock) And Hell Will Follow Me (Out Of Stock) Quick View

    $22.99
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    And Hell Will Follow Me (Out Of Stock)

    Includes CD


    A Pale Horse Named Death is the brainchild of Brooklyn, NY native Sal Abruscato, and sounds like Alice in Chains mysteriously sneaking up behind Type O Negative with a butcher knife while being filmed for a future episode of Law & Order. Sals partner in crime on And Hell Will Follow Me is Matt Brown, sound engineer extraordinaire and guitarist of fellow NY band Seventh Void.


    The chemistry between me and Matt is unique and flawless, very rare in todays music. We are the murdering evil version of Lennon and McCartney. says Abruscato. Brown adds, Sal asked me if I would help to take these songs to the next level. I took on this project for my friend, to find some closure in rough times. The music is just an extension of our friendship and our passion for creativity.


    The album artwork was done by Sam Shearon aka Mr. Sam, who has previously done work for Rob Zombie, Fear Factory and Cradle of Filth to name a few, and features a 20 page booklet with artwork for each individual song. Additionally, the Double LP version will feature a never before heard bonus track called Pick Up Truck.


    To top that all off, Life of Agonys Keith Caputo lent background vocals to four tracks and Lou Reeds saxophonist Ulrich Krieger guests on Die Alone. Bobby Hambel from Biohazard, who also plays with the band live, played the guitar leads on three tunes.

    1. And Hell Will Follow Me

    2. As Black As My Heart
    3. To Die In Your Arms
    4. Heroin Train
    5. Devil in The Closet
    6. Cracks in the Walls
    7. Bad Dream
    8. Bath In My Blood (Schizophrenia In Me)
    9. Pill Head
    10. Meet The Wolf
    11. Serial Killer
    12. Pickup Truck (Bonus Track)
    13. When Crows Descend Upon You
    14. Die Alone
    A Pale Horse Named Death
    $22.99
    Vinyl LP - 2LPs Sealed Temporarily out of stock
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