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  • Saudade Saudade Quick View

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    Saudade

    Thievery Corporation, one of the most influential and respected names on the electronic/dance music scene, are pleased to announce their seventh studio album, Saudade, their first record devoted entirely to the Brazilian-born genre that first connected the duo.


    Saudade borrows its title from a Portuguese word meaning "a longing for something or someone that is lost, a contented melancholy, or, simply, the presence of absence." Drawing influence from classic Brazilian performers like Antonio Carlos Jobim, Gal Costa, and Luis Bonfá-along with Serge Gainsbourg, Ennio Morricone, and more modern artists like electro-samba pioneer Isabelle Antena-Saudade achieves its delicate yet deeply sensuous sound with the help of more than a dozen guest musicians. With each track sung by one of five female vocalists (including longtime Thievery cohort LouLou Ghelichkhani, newcomer Elin Melgarejo, Nouvelle Vague singer Karina Zeviani, Argentine chanteuse Natalia Clavier, and former Bitter:Sweet singer/songwriter Shana Halligan), the endlessly mesmerizing album also features such guests as U.N.K.L.E. drummer Michael Lowery, Argentine singer/songwriter Federico Aubele, and master Brazilian percussionist Roberto Santos.


    "We always try to progress into something different and stretch our musical chops, and taking a whole album to dive into this one sound seemed like a really great way to do that," says Eric Hilton. Adds Rob Garza: "It's a bit of a departure for us, but at the same time these are our roots, this is what brought us together. It's us coming full circle from electronic music back to something organic before we move on to our next chapter."

    1. Decollage (feat Lou Lou Gleichkhani)
    2. Meu Nego (feat Karina Zeviani)
    3. Quem Me Leva (feat Elin Melgarejo)
    4. Firelight (feat Lou Lou Ghelichkhani)
    5. Sola In Citta (feat Elin Melgarejo)
    6. No More Disguise (feat Lou Lou Ghelichkhani)
    7. Saudade
    8. Claridad (feat Natalia Clavier)
    9. Nos Dois (feat Karina Zeviani)
    10. Para Sempre (feat Elin Melgarejo)
    11. Le Coeur (feat Lou Lou Ghelichkhani)
    12. Bateau Rouge (feat Lou Lou Ghelichkhani)
    13. Depth Of My Soul (feat Shana Halligan)
    Thievery Corporation
    $21.99
    Vinyl LP - Sealed Buy Now
  • Library Catalog Music Series: Music For Memory Library Catalog Music Series: Music For Memory Quick View

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    Library Catalog Music Series: Music For Memory

    Roberto Carlos Lange (Helado Negro, Savath & Savalas) offers up his contribution to the Library Catalog Music Series. Music for Memory is like one giant crossfade going from one idea to the next in long rhythmic patterns. Its broken tape delays and found reel to reel tapes comprise the beats and the long drone music made from orchestrations that became re-assembled from short ideas to long ones.
    1. Amazonian Pacific
    2. Year One
    3. Oranj Con You
    4. Abajo
    5. Te Vamos a Buscar
    6. So Men Te
    7. Love 1
    8. Love 3
    Roberto Carlos Lange
    $14.99
    Vinyl LP - Sealed Buy Now
  • Library Catalog Music Series Volume 7: Music For Paradise Armor Library Catalog Music Series Volume 7: Music For Paradise Armor Quick View

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    Library Catalog Music Series Volume 7: Music For Paradise Armor

    Instruments of Science & Technology's Richard Swift (born Ricardo Sigilfredo Olivarez Swift-Ochoa, 1977) lives in the NW region of the U.S. He's made lots of different music. He normally sings, but not here. Music for Paradise Armor was made on varying mediums, a Tascam 4-track, an Otari 50/50 8-track, a 16-track machine by Studer and computer by Macintosh. There are, what Swift calls, modern clickity-clacks, zzzoops s s s and the occasional bleep bleep blaaaaap here. These sounds aim to reflect tech-centric life in the West.


    When a broken finger hampered his ability to fret a guitar properly, Richard Swift returned to project B., an electronic endeavor titled Instruments of Science & Technology. Swift's second release under this moniker is a part of Asthmatic Kitty's Library Catalog Music series, and like the other volumes (which include contributions by Roberto Carlos Lange and James McAlister) it is comprised of meditative background instrumentals. Following format, Volume 7: Music for a Paradise Armor is a throwback to the spaced-out electronica and analog synthesizer sounds of the `70s. It's an unintrusive type of soundtrack that never demands attention, but washes by in a quick rush. Recorded using entirely analog equipment and tape machines (with some Mac Book assistance) the songs are filled with thumping ping-pong beats and synthesized textures that bear a resemblance to the deceptively complex soundscapes of Tangerine Dream and Kraftwerk, or the Moog-style blips of circuit wizards Bruce Haack and Hot Butter. Comparatively, this outing is a little more ambient and sparse than the Music from the Films of R/Swift was, with an otherworldly German flavor. It's also other-timely; evoking a time when video games were played with paddles, presumably in a room with shag carpeting. ~ Jason Lymangrover

    1.((( Magic )))
    2.Clkclk
    3.Mt. Mountain
    4.The New Postukk
    5.Field Notes
    6.Nuux
    7.Chmchm
    8.Sh/Ln
    9.Studio J - Irvine, CA
    10.Dancecontestwinner
    11.Station Number Set
    12.Drndrn
    13.Old Hanshakes
    14.Even More Field Notes
    15.((( Lungs )))
    Instruments Of Science & Technology
    $14.99
    Vinyl LP - Sealed Buy Now
  • Fits & Starts Fits & Starts Quick View

    $20.99
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    Fits & Starts


    LP Packaging Features Custom Adhesive Wrap & 16 Page Booklet


    For the tenth volume of FRKWYS, composer,
    percussionist and sound designer david Van
    tieghem alongside ten younger artists from
    across the avant spectrum become a bulletin
    of Fits & Starts.


    In July of 2012, RVNG Intl. was invited to participate in Bulletin Boards, a group
    exhibition at Venus over manhattan curated by White Columns' gallery director matthew
    Higgs. An extension of an ongoing project which resides in the entrance of White
    Columns' downtown New York gallery, Bulletin Boards featured 24 artists/entities, each
    given a new bulletin board as an inspirational starting point.


    In 1981, David Van Tieghem produced the experimental music video Ear To The
    Ground. The film features Van Tieghem "playing" downtown New York City, a world
    in which Van Tieghem established his rhythmic roots as a member of the love of life
    orchestra, a frequent collaborator with laurie anderson, and a player on steve reich's Music
    For 18 Musicians, robert ashley's Perfect Lives (Private Parts) / Perfect Lives and david Byrne
    and Brian eno's My Life in the Bush With Ghosts among other seminal recordings including
    his own.


    In Ear To The Ground, all city surfaces become communications-or bulletins-under
    Van Tieghem's twiddling, thwacking and thumping thumbs. Partially inspired by this and
    by our blank but physically limited canvas space, Van Tieghem agreed to take part in
    a sequence of improvised performances and creative editing to become part of our
    FRKWYS series.


    We also invited ten younger musicians to post objects to the board. A cross section of
    present day New York artists were represented by way of sam Hillmer as diamond terrifier
    (with the aid of max alper), Future shuttle, Georgia, roberto Carlos lange as Helado negro,
    darren Ho, eli keszler, Hiro kone and megafortress, alongside the regionally sympathetic
    Blanche Blanche Blanche and maxmillion dunbar.


    In place of business cards, broadsheets, and flyers, the objects/communications
    contributed were broken toasters, firecrackers, 2x4s, thunder drums and customized
    electronics, each intended as a percussive device. On opening night, the bulletin board,
    disguised as assemblage, welcomed David's dialogue.


    In the spirit of Ear To The Ground's infinite conversation, Van Tieghem returned to
    Venus Over Manhattan to "play" the bulletin board without an audience. The process
    of Van Tieghem discovering and responding to the objects/bulletins again was multitracked in high definition.


    These recordings were then presented to the ten contributing musicians for further
    translation, "remix" and interpretation. For the final sequence, the unique pieces were
    delivered to Van Tieghem to edit and embellish as the sound collages presented as Fits
    & Starts across two album length sides of our tenth volume in the FRKWYS series.

    1. Slippery Slope
    2. Cooler Heads Prevail
    David Van Tieghem x Ten
    $20.99
    Vinyl LP - Sealed Buy Now
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