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RodeoRodeo is the debut studio album by American hip hop recording artist Travis Scott. The album features guest appearances from Quavo, Schoolboy Q, Future, 2 Chainz, Juicy J, The Weeknd, Swae Lee, Chief Keef, Kanye West, Justin Bieber, Young Thug and Toro y Moi. It was produced by Scott, with additional production from several high-profile record producers such as Mike Dean, Kanye West, WondaGurl, DJ Dahi, Metro Boomin, 1500 or Nothin', Sonny Digital, Southside, Terrace Martin, TM88, Zaytoven, Pharrell Williams and Illangelo, among others.LP1
2. Oh My Dis Side
6. Pray 4 Love
2. Piss On Your Grave
5. Maria I'm Drunk
6. Flying High
7. I Can Tell
8. Apple Pie$36.99Vinyl LP - 2 LPs Sealed Buy Now
The Goat Rodeo SessionsThe last time cellist Yo-Yo Ma teamed with bassist Edgar Meyer and mandolin player Chris Thile (of Nickel Creek and Punch Brothers fame) for a classical/bluegrass hybrid, the result was the gold-selling Songs of Joy & Peace. Here, Ma, Meyer, and Thile are joined by fiddler Stuart Duncan in a different kind of string quartet.
The slang phrase goat rodeo, according the Urban Dictionary, is about the most polite term used by aviation people (and others in higher risk situations) to describe a scenario that requires about 100 things to go right at once if you intend to walk away from it. That may be overstating the case for a group of musicians, most of whom have worked together and succeeded before, but it also carries a rural connotation that is appropriate for music that is, for the most part, closer to bluegrass than classical. The tunes were written by Duncan, Meyer, and Thile, and Ma's role is largely supportive. After the fast pieces Attaboy and Quarter Chicken Dark, Helping Hand is the first slower number, with Thile switching to guitar and Duncan taking over the mandolin for a musical conversation between the two instruments.
Where's My Bow? is a violin/cello/bass trio with Thile sitting out, and it is one of the few tracks that leans more toward the classical side, boasting a big, dramatic finish. The more exotic Here and Heaven finds both Thile and Meyer at times playing the Renaissance instrument the gamba, as Duncan picks up a fretless banjo, all of them backing a vocal duet between Thile and Aoife O'Donovan of Crooked Still. Meyer moves to piano for the slow, thoughtful Franz and the Eagle, another piece that has more of a classical bent.
The rest of the album is in a progressive bluegrass mode, Less Is Moi mixing several short themes and allowing room for improvisation, and 13:8 taken quickly, with Duncan and Thile interacting briskly. It doesn't really seem as if 100 things had to go right for The Goat Rodeo Sessions to work; it only required four or five talented musicians to play and sing in sympathetic unity, and that they did, making this a satisfying experience for more adventurous classical and bluegrass fans.LP1
2. Quarter Chicken Dark
3. Helping Hand
4. Where's My Bow?
5. Here and Heaven
6. Franzand the Eagle
1. Less is Moi
2. Hill Justice
3. No One But You
5. Goat Rodeo$29.99Vinyl LP - 2 LPs Sealed Buy Now
Sweetheart Of The RodeoRanked 117/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
With one mighty swing of the axe, the Byrds changed not only the face of rock 'n' roll but country music, as well, with their sixth album, 1968's Sweetheart Of The Rodeo. Tired of dipping a toe into the genre, Roger McGuinn and Chris Hillman added singer Gram Parsons and drummer Kevin Kelley and went for total immersion. The baptism of country-rock was a natural with Parsons, former International Submarine Band frontman, now on board. And the repertoire was wide open for country classics by the Louvin Brothers (The Christian Life) and Merle Haggard (Life In Prison), as well as Depression-era ballads (Woody Guthrie's Pretty Boy Floyd) and honky tonk weepers cut by George Jones (You're Still On My Mind). The town wasn't big enough for both of them, of course, and Parsons soon split to form the Flying Burrito Brothers, but it sure was nice while it lasted!
We're proud to present the reissue of this monumental recording in its original, stereo incarnation, cut directly from the original Columbia Recordings analog stereo masters, with perfect artwork restoration and meticulously faithful mastering.1. You Ain't Going Nowhere
2. I Am a Pilgrim
3. The Christian Life
4. You Don't Miss Your Water
5. You're Still On My Mind
6. Pretty Boy Floyd
7. Hickory Wind
8. One Hundred Years from Now
9. Blue Canadian Rockies
10. Life In Prison
11. Nothing Was Delivered$28.99Vinyl LP - Sealed Buy Now
Sweetheart Of The Rodeo (Pre-Order)Release Date: August 3, 2018*
Celebrate 5 Decades Of The Byrds' 1968 Classic!
First Time 180-Gram Translucent Blue & Green Swirl Vinyl
Liner Notes From Chris Hillman
Impeccably Mastered By Joe Reagoso - Pressed At R.T.I.
Featuring: Roger Mcguinn, Chris Hillman, Gram Parsons, Kevin Kelley, John Hartford & Clarence White
In 1968, The Byrds changed the course of popular music as Roger McGuinn, Chris Hillman & new members Gram Parsons and Kevin Kelley delivered one of the first bluegrass/rock albums with their masterpiece Sweetheart Of The Rodeo. This album remains one of the most influential pieces of music of all time.
The masterwork kicks off with their hit You Ain't Going Nowhere and follows with the brilliant I Am A Pilgrim, featuring Chris Hillman.
More choice material abounds thanks to Gram Parsons with his signature works Hickory Wind and One Hundred Years From Now.
Friday Music proudly presents for the rst time on 180 Gram Translucent Blue & Green Swirl Audiophile Vinyl, the 50th Anniversary Edition of The Byrds' Sweetheart Of The Rodeo. Impeccably mastered by Joe Reagoso at Friday Music Studios & Capitol Mastering, the Lp is pressed at R.T.I. and is featured in a stunning gatefold cover.
To celebrate this limited edition album, we are also including recent liner notes from Chris Hillman along with some very rare photos from The Byrds archives at Sony.
*Please note that release dates are subject to change.1. You Ain't Going Nowhere
2. I Am A Pilgrim
3. The Christian Life
4. You Don't Miss Your Water
5. You're Still On My Mind
6. Pretty Boy Floyd
7. Hickory Wind
8. One Hundred Years From Now
9. Blue Canadian Rockies
10. Life In Prison
11. Nothing Was Delivered$32.99180 Gram Audiophile Virgin Vinyl LP PRE-ORDER Buy Now
Lazy Days/ ReputationRecorded during the earliest period of the Sweetheart of the Rodeo sessions, these March 1968 Nashville recordings are presented here for the first time ever in their unique mono mixes. Originally intended for potential single release on Columbia Records, Lazy Days features a previously unheard instrumental track (with Roger McGuinn on six- string electric) while Reputation showcases a previously unheard vocal take by Gram Parsons and Chris Hillman.1. Lazy Days
2. Reputation$9.997 Vinyl LP - Sealed Buy Now
Billy JackBilly Jack is the brand new follow-up to Honeyhoney's 2008 debut, First Rodeo on Ironworkds Records. The album is the first release for the joint venture between Lost Highway Records, Honeyhoney Records and Fontana Distribution. Features the first single, Turn That Finger Around.
Vinyl configuration includes a CD of the full album and first pressing will be on clear wax as part of Lost Highway's 10 Year Anniversary campaign.1. Angel of Death
2. Glad I've Done What I Did
4. Don't Know How
5. Turn That Finger Around
6. I Don't Mind
7. Old School Friends
8. Let's Get Wrecked
9. L.A. River
10. All On You
11. Thin Line$15.99Vinyl LP - Sealed Buy Now
Bach TriosCellist Yo-Yo Ma, mandolinist Chris Thile, and bassist Edgar Meyer perform works by J.S. Bach originally written for keyboard instruments plus a sonata for viola da gamba. Ma, Thile, and Meyer last recorded together, with Stuart Duncan, on the Grammy Award-winning album Goat Rodeo Sessions, which the Los Angeles Times called haunting, invigorating, often breathtaking. The vinyl edition of Bach Trios will be pressed on two 140-gram vinyl discs.1. Trio Sonata No. 6 in G Major, BWV 530: I. Vivace
2. Trio Sonata No. 6 in G Major, BWV 530: II. Lento
3. Trio Sonata No. 6 in G Major, BWV 530: III. Allegro
4. Prelude No. 19 in A Major from The Well-Tempered Clavier Book I, BWV 864
5. Wachet auf, ruft uns die Stimme, BWV 645
6. Fugue No. 20 in A Minor from The Well-Tempered Clavier Book II, BWV 889
7. Ich ruf zu dir, Herr Jesu Christ, BWV 639
8. Prelude No. 18 in E Minor, BWV 548
9. Fugue No. 18 in E Minor, BWV 548
10. Passepied from Keyboard Partita No. 5 in G Major, BWV 829
11. Kommst du nun, Jesu, vom Kimmel herunter, BWV 650
12. Contrapunctus XIII: Rectus from The Art of the Fugue, BWV 1080
13. Contrapunctus XIII: Inversus from The Art of the Fugue, BWV 1080
14. Erbarm dich mein, o Herre Gott, BWV 721
15. Sonata for Viola da Gamba No. 3 in G Minor, BWV 1029: I. Vivace
16. Sonata for Viola da Gamba No. 3 in G Minor, BWV 1029: II. Adagio
17. Sonata for Viola da Gamba No. 3 in G Minor, BWV 1029: III. Allegro$26.99140 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Roadhouse SunWith a writing style that echoes the working-man sympathy anthems of Woody Guthrie combined with the folky nature of Bob Dylan and a voice that mirrors Bruce Springsteen's, Ryan Bingham is quickly making a name for himself as one of the up and coming Texas bred songwriters. Born in Hobbs, New Mexico, and raised in rural Texas towns like Spring and Stephenville, Bingham made his living as a bullrider on the Texas rodeo circuit. He entertained his rodeo buddies with songs while selling his self-produced records at small clubs and rodeos along the way. His songwriting and voice soon got him noticed by idol and mentor Joe Ely along with Terry Allen, Guy Clark and other Texas legends. His major label debut, 2007's Mescalito, bears the hardscrabble marking of someone accustomed to the tough life. It veers from campfire balladry to ragged roots rock that bristles with roadhouse energy, wrote No Depression. Bingham's major label follow-up Roadhouse Sun is set for release in May of 2009 from Lost Highway Records.1. Day Is Done
2. Dylan's Hard Rain
3. Tell My Mother I Miss Her So
4. Country Roads
6. Snake Eyes
7. Endless Ways
8. Change Is
9. Rollin' Highway Blues
10. Hey Hey Hurray
11. Roadhouse Blues
12. Wishing Well$24.99Vinyl LP - Sealed Buy Now
One Mo' 'GenOne Mo' 'Gen is the second album by Southern rap group 95 South, released in 1995. It peaked at #158 on the Billboard 200 and contained the minor hit Rodeo which peaked at #77 on the Billboard Hot 100. The album was produced mostly by the production duo of Jay Ski and C.C. Lemonhead, who also were members of the 69 Boyz and formed the Quad City DJ's. It didn't chart quite as well as the group's debut, Quad City Knock; however, it is described by Allmusic as an improvement on their debut, featuring more confident rapping and stronger, funkier backing tracks.LP 1
2. Quad City Funk
3. All the Way Down
5. Wine & Dine
6. One Mo' 'Gen
7. Trip 2 the Geto
1. I Tell U What
2. Ride Out
3. Freak Ya Down
4. Heiny Heiny
5. Break It on Down
6. Down South
7. Cowboy Mix$24.99Vinyl LP - 2 LPs Sealed Buy Now
CITH-4ME-9817xHearts & Flowers
Now Is The Time For Hearts & FlowersThough they are often only referred to in passing, as a sort of footnote of '60s West Coast scene, Los Angeles group Hearts And Flowers were actually one of the most eclectic groups of the time, incorporating elements of psych and country into their folk-rock sound. Founded by Larry Murray, a southern transplant to LA, and a graduate of the same vibrant Southern California bluegrass scene that gave way to Byrds and Burritos, the group's 1967 debut, Now Is The Time For Hearts And Flowers, is a classic album that deserves mention in the same breath as Sweetheart Of The Rodeo or Bradley's Barn. Reissued on 180g vinyl in a deluxe tip-on jacket from 4 Men With Beards.1. Now Is The Time
2. Save Some Time
3. Try For The Sun
4. Rain, Rain
5. The View From Ward 3
6. Rock & Roll Gypsies
7. Reason To Believe
9. 1-2-3 Rhyme In Carnivour Thyme
10. I'm A Lonesome Fugitive
11. Road To Nowhere
12. 10,000 Sunsets$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
LiarRemastered From Original Tapes By Steve Albini and Bob Weston.
Originally released in 1992, the Jesus Lizard's Liar set a new standard for noisy, visceral indie rock that has yet to be matched. Fronted by powder-keg vocalist David Yow and featuring one of the tautest rhythm sections ever assembled, the Chicago-based quartet matched tension with physicality, madness with delight, and sheer intensity with nightmarish force. Liar finds the band at its peak, the post-punk music exploding with raw urgency, primal grime, and ferocious emotion. And the mayhem has never been better.
Part of Touch & Go's stellar Jesus Lizard reissue campaign, Liar has been meticulously remastered from the original tapes by Bob Weston (Mission of Burma, Shellac) and original engineer Steve Albini. The new pressing presents Liar in a sonic light that exceeds even the best expectations. There's greater space between instruments, heightened dynamics, a more solidified mid-range, and an incredible boost in energy. This is as close as it gets to witnessing the Lizard onstage; indie-rock has seldom sounded so dangerous, physical, blunt, or fervent.
From the opening caterwaul of Boilermaker to the auto-parts clang of Gladiator to the twisted rodeo that is Rope, the Lizard utilize dynamics, silences, and textures in ways no group has ever come close to duplicating. Freakish, weird, beautiful, and overwhelmingly influential.
Vinyl packaged in deluxe gatefold album jacket with 12 x 24 double sided color insert including never before seen photos, and extensive liner notes by the band and by journalists who were there when it was all happening.1. Boilermaker
3. The Art of Self-Defense
4. Slave Ship
10. Dancing Naked Ladies$22.99Remastered Vinyl LP - Sealed Buy Now
Chris Thile & Brad MehldauNonesuch Records labelmates mandolinist/singer Chris Thile and pianist Brad Mehldau, longtime admirers of each other's work, first toured as a duo in 2013. At the end of 2015, they played a two-night stand at New York City's Bowery Ballroom before going into the studio to record Chris Thile & Brad Mehldau, a mix of covers and original songs.
Chris Thile and Brad Mehldau come from different worlds but the same species, says the New York Times. Mr. Thile is a progressive-bluegrass pacesetter; Mr. Mehldau is the most influential jazz pianist of the last 20 years. Both are team players ... Both love Bach and the Beatles, and both have developed fan bases bigger and broader (and younger) than their genre silos can accommodate.
The two musicians first performed together in September 2011 as part of Mehldau's residency at London's Wigmore Hall. The Guardian said of that performance, Mehldau struck up his signature rocking chord vamp over which lightly struck motifs swell to sensuous extended melodies. Thile kept cajoling him with percussive snaps, flying runs, and chords strummed fast enough to sound as seamless as a purring strings section, inducing Mehldau to bat back the playful provocation with stinging rejoinders.
MacArthur Fellow and A Prairie Home Companion host Chris Thile is the founding member of Punch Brothers, which a Boston Globe reviewer called the tightest, most impressive live band I have ever seen. The band has released four albums on Nonesuch beginning in 2008: Punch, Antifogmatic, Who's Feeling Young Now?, and The Phosphorescent Blues. Thile's other releases on the label include Sleep with One Eye Open with Michael Daves; Edgar Meyer & Chris Thile and Bass & Mandolin-the latter of which won a Grammy Award; a solo record of Bach violin sonatas and partitas; and A Dotted Line with his longtime band Nickel Creek. He also recently collaborated with Yo-Yo Ma, Stuart Duncan, and Edgar Meyer on the double Grammy Award-winning album The Goat Rodeo Sessions.
Brad Mehldau's Nonesuch debut was the 2004 solo disc Live in Tokyo and includes six records with his trio: House on Hill, Day Is Done, Brad Mehldau Trio Live, Ode, Where Do You Start, and Blues and Ballads. His collaborative records on the label include Love Sublime, Highway Rider, Metheny Mehldau, Metheny Mehldau Quartet, Modern Music, and Mehliana: Taming the Dragon. Mehldau's additional solo albums on Nonesuch include Live in Marciac and last year's 8-LP/4-CD 10 Years Solo Live, which the New York Times says contains some of the most impressive pianism he has captured on record. Earlier this year, he released a duo album with Joshua Redman, Nearness, of which the Wall Street Journal said: Few records released this year better define what jazz sounds like today, even if there isn't a hip noun to describe it.1. The Old Shade Tree (Brad Mehldau & Chris Thile)
2.Tallahassee Junction (Brad Mehldau)
3. Scarlet Town (David Rawlings & Gillian Welch)
4. I Cover the Waterfront (Johnny Green & Edward Heyman)
5. Independence Day (Elliott Smith)
6. Noise Machine (Chris Thile)
7. The Watcher (Brad Mehldau)
8. Daughter of Eve (Chris Thile)
9. Fast As You Can (Fiona Apple)*
10. Marcie (Joni Mitchell)
11. Don't Think Twice It's Alright (Bob Dylan)
12. Tabhair dom do Lámh (Ruaidri Dáll Ó Catháin)
*Vinyl-only bonus track$27.99Vinyl LP - Sealed Buy Now
The Coyote Who Spoke In TonguesKyuss, Slo-Burn, Unida, Hermano, Vista Chino - yes, desert crooner John Garcia may rightfully be considered the ultimate incarnation of stoner rock. His first solo album and opus eponymous from 2014 is followed roughly three years later by The Coyote Who Spoke In Tongues, a comparatively relaxed and purely acoustic affair! Better late than never, Mister Garcia himself comments on the rather lengthy period of time he invested in his new baby. Offering chilled out renditions of Kyuss classics including 'Green Machine', 'Space Cadet', 'El Rodeo' and 'Gardenia' The Coyote Who Spoke In Tongues seamlessly merges past gems with future, howling hits like 'The Hollingsworth Session' - all you need now is a crackling fire!1. Kylie
2. Green Machine
3. Give me 250 mL
4. The Hollingsworth session
5. Space Cadet
7. El Rodeo
8. Argleben II
9. Court Order
10. The BLVD (LIVE)
11. Give me 250 mL (LIVE)$19.99Vinyl LP - Sealed Buy Now
ADAD-PAR-6848xJake Xerxes Fussell
Jake Xerxes FussellThe Southern half of the Georgia-Alabama border follows the Chattahoochee River, which cleaves Columbus, Georgia from its decidedly less reputable neighbor, Phenix City, Alabama. Georgia's second city is the hometown of "Mother of the Blues" Ma Rainey and novelist Carson McCullers, but it was local hillbilly duo Darby and Tarlton's 1927 hit "Columbus Stockade Blues" that first immortalized Columbus in popular culture. Back in their day, if you ended up in lockup in Columbus, chances are you did your dirtiest deeds across the river. Historically rife with vice of every conceivable variety-gambling, prostitution, moonshining, and endemic corruption and violence perpetrated by both gangs and police-the notoriously anarchic Phenix City was once known as "The Wickedest City in America."
A similar frontier liminality and skewed sense of place characterize the music of Durham, North Carolina singer and guitarist Jake Xerxes Fussell, whose self-titled debut record, produced by and featuring William Tyler, transmutes ten arcane folk and blues tunes into vibey cosmic laments and crooked riverine rambles. Jake Xerxes (yes, that's his real middle name, after Georgia potter D.X. Gordy) grew up in Columbus, son of Fred C. Fussell, a folklorist, curator, and photographer who hails from America's Wickedest City. Fred's fieldwork took him, often with young Jake in tow, across the Southeast documenting traditional vernacular culture, which included recording blues and old-time musicians with fellow folklorists and recordists George Mitchell and Art Rosenbaum (which led Jake to music, and to some of the songs herein) and collaborating with American Indian artists (which led Jake eventually to his graduate research on Choctaw fiddlers.)
As a teenager Jake began playing and studying with elder musicians in the Chattahoochee Valley, apprenticing with Piedmont blues legend Precious Bryant ("Georgia Buck"), with whom he toured and recorded, and riding wild with Alabama bluesman, black rodeo rider, rye whiskey distiller, and master dowser George Daniel ("Rabbit on a Log"). He joined a Phenix City country band who were students of Jimmie Tarlton of Darby and Tarlton; he accompanied Etta Baker in North Carolina; he moved to Berkeley, where he hung with genius documentary filmmaker Les Blank and learned from Haight folkies like Will Scarlett (Jefferson Airplane, Hot Tuna, Brownie McGhee) and cult fingerstyle guitarist Steve Mann ("Push Boat"); he appeared on A Prairie Home Companion. He did a whole lot of listening, gradually honing his prodigious guitar skills, singing, and repertoire. In 2005 he moved to Oxford, Mississippi, where he enrolled in the Southern Studies department at Ole Miss, recorded and toured with Rev. John Wilkins, and, last year, met up with acclaimed artist William Tyler to begin recording his first solo album.
Collaborating with Tyler and engineer Mark Nevers in Nashville was a conscious decision to depart cloistered trad scenes and sonics for broader, more oblique horizons. Tyler, a guitar virtuoso known for his own compositions that untether and reframe traditional six-string forms and techniques, helmed the push boat in inimitable fashion, enlisting crack(ed) Nashville session vets Chris Scruggs (steel guitar, bass, fiddle: Bonnie "Prince" Billy, Marty Stuart), Brian Kotzur (drums: Silver Jews), and Hoot Hester (fiddle: Bill Monroe, Ray Charles) to crew.
So it's no accident that Jake approaches the songs and styles represented here with both interpretive respect and unfussy irreverence, imbuing them with equal parts vaporish, percolating atmosphere and academic rigor, honoring the folksong headwaters by emphasizing their liquid mutability, alien strangeness, and sly humor above preconceived notions of static authenticity. Fussell recognizes that folk revivalist preciousness about spurious genre boundaries often feels absurdly at odds with the unruliness and restlessly inventive practices of tradition bearers-no revival or reenactment gear is necessary when the music lives and breathes and throws around hips and knees like these. Likewise, when you examine their lyrical content, ostensibly linear tales about rivers and work (labor of the hands, as in "Boat's up the River" and "Man at the Mill" and labor of the heart, as in "Star Girl" and "Pork and Beans") reveal themselves as fractured, riddled with narrative lacunae that open up the texts as squirrelly riddles or gentle metaphysical jokes.
For Fussell, these odd disjunctures demonstrate the way that verses and choruses, the stories we tell, disintegrate and erode over time, worn smooth as river stones and transmogrified by their repeated telling, more lovely for their fissures and absences than for any imaginary original integrity. (Aptly, "Chattahoochee" may mean something like "writing on rocks" in Muscogee or Yuchi.) Each song rendered here contains its own twinned inversion-its own Columbus, its own Phenix City-and Jake navigates their shoals with intuitive grace and authority.1. All in Down and Out
2. Let Me Lose
3. Star Girl
4. Raggy Levy"
5. Rabbit on a Log
6. Boat's up the River
7. Man at the Mill
8. Push Boat
9. Georgia Buck
10. Pork and Beans$21.99Vinyl LP - Sealed Buy Now
Hardly CriminalCrash's story unfolds with that particularly Southern swagger and with a tale of a Louisiana boy bred on Waffle House breakfasts and monster truck rallies, local Rodeos and the flicker of family bonfires. There was college for a hot minute, there was a move to the Irish Channel, there was the soaking in of all that is New Orleans, wet heat and Sazeracs, the wailing horns of jazz funerals, the teetering handmade floats of Mardi Gras, crawfish and etouffee and howling at the moon. There was work where he could get it, toiling as a PA on the studio sets, Hollywood coming south for the tax credits. It was on these film productions where crash earned his nickname, something to do with a questionable work ethic and repetitive tardiness (he admits you d have to ask one Ms. Rita Wilson for the real deal details). And yet despite his reputation (or perhaps because of it), he was anointed "assistant" to Johnny Knoxville during The!Dukes!of!Hazzard s run. (One can only imagine ) crash later joined the critically adored local act The Deadly Syndrome as lead singer and frontman, bringing his gris gris into the beautiful belly of the L.A. beast. Since then, crash has been barreling ahead, recording prolifically with The Deadly Syndrome, working with famed producer Daniel Lanios, composing a live stage score, acting in a few national commercials, and finally, after Deadly disbanded in 2013, heading out on the road with his pals, Edward Sharpe and The Magnetic Zeros, as percussionist and angelic vocal accompaniment. And somewhere in that heady mix in that combination of the rolling road, of California eucalyptus sway and dark NOLA mysteries, he discovered his true self - the wildaeyed, slyatongued, strutting, winking and wonderful crash of this here solo debut. Produced and engineered by the multitalented Ed Sharpe lead guitarist, Mark Noseworthy, (and featuring friends from the Zeros, Dawes, The Mystic Valley Band and more ) Hardly Criminal is the culmination of all that is strange and sad, hilarious and harmonious, about crash s own true tale. It is story a moving, funny, weird, and stunningly beautiful. You can hear the South, yes, Neville swing and Dr. John juaju, but you can also hear smooth soul, booty funk, and ragged folk, a mix of sounds taken from his past and pushed into the future, all accompanied by a deadpan storytelling prowess and a voice like a Cajun Prince (as in "The Artist Formerly Known As"). Hardly!Criminal! is the sum of crash s best parts - the sonic celebration of his story so far. So, set down a spell, cool yer bones, cher... and listen1. Hardly Criminal
2. Motion Animal
3. All My Friends
4. High Wall
5. Mine Always, Lioness
6. Britches Catch Fire
7. Song For The Birds
9. Mad At The Clouds
10. If God Was A Cajun
11. Almighty Equal$21.99Vinyl LP - Sealed Buy Now
Sanctuary IVFirst time on vinyl for all tracks! Annotation by Byrds' Roger McGuinn, Chris Hillman and Kevin Kelley!
The Sanctuary spotlight shifts with volume IV to the Nashville sessions for the Byrds' landmark 1968 album Sweetheart of the Rodeo. Spurred on by new member Gram Parsons, formerly of the International Submarine Band, the Byrds traveled to Nashville to fashion the innovative country/rock blend that's been part of American culture ever since. Sanctuary IV collects all of Parsons' vocal takes for the first time, as well as other outtakes and rehearsals which document the creation of an album unlike any other.1. The Christian Life
2. Pretty Polly
3. One Hundred Years From Now
4. You're Still On My Mind (rehearsal version)
5. You Don't Miss Your Water
6. All I Have Is Memories (instrumental)
7. Life In Prison (rehearsal version)
8. You Got A Reputation
9. One Hundred Years From Now (rehearsal version)
10. The Christian Life (rehearsal version)
11. Lazy Days$28.99Vinyl LP - Sealed Buy Now
Gram Parsons had a habit of taking over whatever band he happened to be working with, and on the first three albums on which he appeared - the International Submarine Band's Safe at Home, the Byrds' Sweetheart of the Rodeo, and the Flying Burrito Brothers' The Gilded Palace of Sin - he became the focal point, regardless of the talent of his compatriots. Burrito Deluxe (1970), the Burritos' second album, is unique in Parsons' repertoire in that it's the only album where he seems to have deliberately stepped back to make more room for others.
The album includes songs like Cody, Cody, and Older Guys. It also contains the first issued version of the song Wild Horses, released almost a year before its appearance on Sticky Fingers by The Rolling Stones. The band sounds tight and they play with genuine enthusiasm. Burrito Deluxe is certainly better than your average Country-Rock album.1. Lazy Days
2. Image Of Me
3. High Fashion Queen
4. If You Gotta Go
5. Man In The Fog
6. Farther Along
7. Older Guys
8. Cody, Cody
9. God's Own Singer
10. Down In The Churchyard
11. Wild Horses$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Dr. Byrds & Mr. HydeA key transitional touchstone in The Byrds' fabled canon, 1969's Dr. Byrds & Mr. Hyde
was the next stop in the band's pioneering country-rock trajectory and the first album by
the post-Gram Parsons lineup. With leader Roger McGuinn at the helm of a stellar new
edition of the band featuring guitar god Clarence White, drummer Gene Parsons, and
bassist John York, Dr. Byrds & Mr. Hyde sees The Byrds bridging the gap between the
psychedelic flights of the group's mid-'60s albums and the down-home, country-based
style developed only months earlier with Sweetheart of the Rodeo.
In addition to containing strong McGuinn originals (King Apathy III, Old Blue),
more of the band's beloved interpretations of Bob Dylan classics (This Wheel's on Fire
and a medley blending The Bard's My Back Pages' with Jimmy Reed's Baby, What You
Want Me to Do), and even a Gram Parsons collaboration (the bemusing Drug Store
Truck Drivin' Man, which cleverly celebrates The Byrds' love of country music while
simultaneously taking a dig at small-minded rednecks), Dr. Byrds & Mr. Hyde also boasts
two tracks composed by McGuinn for the obscure, racy '60s cult movie Candy.
Mastered from the original Columbia Records analog master reels, Sundazed's exact
reproduction of the original LP will have Byrdmaniacs everywhere soaring to high heaven!1. This Wheel's On Fire
2. Old Blue
3. Your Gentle Way Of Loving Me
4. Child Of The Universe
5. Nashville West
6. Drug Store Truck Drivin' Man
7. King Apathy III
9. Bad Night At The Whiskey
11. My Back Pages
12. B.J. Blues
13. Baby, What Do You Want Me To Do$28.99Vinyl LP - Sealed Buy Now
Fun In FriscoLive At The Avalon Ballroom - San Francisco, CA - On November 1st and 2nd, 1968
The Byrds performances across the weekend of the 1st and 2nd November 1968 at the Avalon Ballroom in San Francisco were performed at a time of great change and uncertainty for the band. Gram Parsons, who had joined a faltering line up in early '68, had departed prior to a disastrous tour of South Africa for which McGuinn notably had received much criticism. The country rock album they had recorded with Gram, Sweetheart of the Rodeo, alienated many Byrds fans and equally attracted hostility from the traditional country music community. It remains their poorest performing record, despite its status in later years as the first proper country-rock album. Clarence White (Guitar) and Gene Parsons (Drums - no relation) were both brought in around this time, but then Chris Hillman quit! The Avalon show was the gig first performed by the line-up of McGuinn, White, Gene Parsons and new recruit John York on bass and harmony vocals (very apparent on this recording), who had only been a Byrd for about a week at the time of this show.LP 1
1. Old Blue
2. My Back Pages/Baby What Do You Want Me To Do
3. Mr. Spaceman
4. Time Between
5. Goin' Back
6. Blue Suede Shoes
7. He Was A Friend Of Mine
8. So You Want To Be A Rock 'n' Roll Star
9. Drug Store Truck Drivin' Man
1. This Wheel's On Fire
2. Stanley's Song
3. Pretty Boy Floyd
4. 8 Miles High
5. You Don't Miss Your Water
6. So You Want To Be A Rock 'n' Roll Star
7. Hickory Wind
8. King Apathy III
9. Bad Night At The Whiskey
10. Nashville West$37.99Vinyl LP - 2 LPs Sealed Buy Now
Bach: Sonata and Partitas, Vol. 1 (Out Of Stock)Nonesuch Records releases an album of three Bach works recorded by mandolin virtuoso and MacArthur Fellow Chris Thile in 2013. Bach: Sonatas and Partitas, Vol. 1 comprises three works written for solo violin: Sonata No. 1 in G minor, BWV 1001; Partita No. 1 in B minor, BWV 1002; and Sonata No. 2 in A minor, BWV 1003. The album was produced by Thile's friend, mentor, and frequent collaborator, the double bassist and composer Edgar Meyer.
Thile explains his connection to the composer: "Bach was my first meaningful experience with-for lack of a better word-classical music. It was the second recording of Glenn Gould playing the Goldberg Variations. Gould plays with the kind of rhythmic integrity that I had previously only associated with non-classical music: music with a groove, with a pocket, that made you move. Gould was playing that music like my heroes play fiddle tunes. It humanized the whole thing for me and the heavens opened up and Bach came down. I started devouring all the Bach I could get my hands on."
He continues, "This record to me is not about this iconic violin music played on the mandolin-like, 'Oh boy, what fun, he's playing a weird instrument!' It's about Bach being one of the greatest musicians of all time, the solo violin music being some of his best work, and the mandolin having the potential to cast it in a new and hopefully interesting light.
Chris Thile, whom London's Independent calls "the most remarkable mandolinist in the world," is the founding member and lead vocalist of Punch Brothers. With broad influences including progressive bluegrass, classical, rock, and jazz, Thile transcends the borders of conventionally circumscribed genres, creating a distinctly American canon and a new musical aesthetic. Thile will be touring this summer with Yo-Yo Ma, Stuart Duncan, and Edgar Meyer, with whom he released last year's The Goat Rodeo Sessions, which won two Grammys in 2013.
As a soloist, Thile has released five previous albums. In 2011, Nonesuch Records released the Grammy-nominated Sleep with One Eye Open, an album of duets with guitarist Michael Daves. Thile has also collaborated with a pantheon of musical innovators from multiple genres including BÉla Fleck, Brad Mehldau, and Hilary Hahn. For more than 15 years, Thile played in the wildly popular band Nickel Creek, with which he released three albums, sold two million records, and was awarded a Grammy.
The New Yorker's Alec Wilkinson said of Punch Brothers: "each musician has a deep command of his instrument their technique and specific sensibilities have given Punch Brothers a sound that is strikingly coherent and singular, even if they haven't yet settled on a genre Each of the musicians plays with grace, thoughtfulness, and force to a degree that is not duplicated by any band I am aware of." Their latest album, the critically acclaimed Who's Feeling Young Now?, was released in 2012 on Nonesuch Records.
Chris Thile, mandolin
Produced by Edgar Meyer
Recorded and Mixed by Richard King
Recorded January 12-17, 2013, at The Barn, Washington, MA
Mastered by Robert C. Ludwig at Gateway Mastering Studios, Portland ME
Illustration by Oliver Jeffers
Design by Rory Jeffers
Photography by Ryan Mastro
Executive Producer: Robert Hurwitz1. Sonata No. 1 in G Minor, BWV 1001: I. Adagio
2. Sonata No. 1 in G Minor, BWV 1001: II. Fuga: Allegro
3. Sonata No. 1 in G Minor, BWV 1001: III. Siciliana
4. Sonata No. 1 in G Minor, BWV 1001: IV. Presto
5. Partita No. 1 in B Minor, BWV 1002: I. Allemanda
6. Partita No. 1 in B Minor, BWV 1002: II. Double
7. Partita No. 1 in B Minor, BWV 1002: III. Corrente
8. Partita No. 1 in B Minor, BWV 1002: IV. Double: Presto
9. Partita No. 1 in B Minor, BWV 1002: V. Sarabande
10. Partita No. 1 in B Minor, BWV 1002: VI. Double
11. Partita No. 1 in B Minor, BWV 1002: VII. Tempo di Borea
12. Partita No. 1 in B Minor, BWV 1002: VIII. Double
13. Sonata No. 2 in A Minor, BWV 1003: I. Grave
14. Sonata No. 2 in A Minor, BWV 1003: II. Fuga
15. Sonata No. 2 in A Minor, BWV 1003: III. Andante
16. Sonata No. 2 in A Minor, BWV 1003: IV. Allegro$20.99Vinyl LP - Sealed Temporarily out of stock