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  • Pro-Ject Rolling Stones Debut Turntable 2 COLORS AVAILABLE Pro-Ject Rolling Stones Debut Turntable Quick View

    $449.00
    Buy Now
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    Pro-Ject Rolling Stones Debut Turntable



    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    SoundStageDirect U.S. Exclusive


    Extremely Limited!!


    Essential III. Debut Carbon drivetrain with 2-piece steel platter/nylon subplatter


    8.6" Aluminum Debut tonearm w Ortofon OM10 cartridge. Includes dust cover.


    Pro-Ject
    $449.00
    Rolling Stones Debut Turntable - 2 Colors Available
    Buy Now
  • The Rolling Stones Turntable & Headphone Bundle 2 COLORS AVAILABLE The Rolling Stones Turntable & Headphone Bundle Quick View

    $798.00
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    The Rolling Stones Turntable & Headphone Bundle



    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Buy the Rolling Stones Debut Turntable bundled with Master & Dynamic MH40 Rolling Stones Headphones and Stand and save $109!!


    Available in two configurations: white turntable with gunmetal headphones and black turntable with black headphones. Additional configurations available upon request. Both include (1) black headphone stand.


    Learn more about the Extremely Limited SoundStageDirect Exclusive Rolling Stones Pro-Ject Debut Turntable.


    Learn more about the Master & Dynamic MH40 Rolling Stones Headphones.


    The Rolling Stones
    $798.00
    Turntable, Headphone, & Headphone Stand Bundle - 2 Colors Available
    Buy Now
  • Thirty Three & 1/3 Thirty Three & 1/3 Quick View

    $22.99
    Buy Now
    x

    Thirty Three & 1/3

    Remastered From The Original Analogue Master Tapes And Cut At Capitol Studios To Ensure Exceptional Audio Quality Throughout


    Pressed On 180-Gram Vinyl


    Thirty Three & 1/3 is the seventh studio album by English musician George Harrison, released in November 1976. It was the first album release on his Dark Horse record label. Harrison recorded Thirty Three & 1/3 at his Friar Park home studio, with production assistance from Tom Scott. Other musicians on the recording include Billy Preston, Gary Wright, Willie Weeks, David Foster and Alvin Taylor. The title for the new album reflected his age at the time of recording, as well as the speed at which the vinyl LP would play on a turntable. Rolling Stone described the album at the time as Harrison's 'strongest collection since his solo debut.'

    1. Woman Don't You Cry For Me

    2. Dear One

    3. Beautiful Girl

    4. This Song

    5. See Yourself

    6. It's What You Value

    7. True Love

    8. Pure Smokey

    9. Crackerbox Palace
    George Harrison
    $22.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Long Players 92-99 (Box Set) Long Players 92-99 (Box Set) Quick View

    $188.99
    Buy Now
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    Long Players 92-99 (Box Set)

    Limited To 1000 Copies


    Pressed By Gotta Groove On 150 Gram Vinyl


    Contains 5 Original LPs Released From 1992-1999


    Includes An Additional "Rarities" LP Only Available With This Box Set


    In 1992, Dean Wareham followed the posthumous buzz of Galaxie 500 by forming a new band: Luna. Initially joined by Justin Harwood (of the Chills) and Stanley Demeski (of the Feelies), the group went on to sign to Warner Brothers sub-label Elektra, tour with the Velvet Underground, collaborate with Tom Verlaine and Sterling Morrison and ultimately release five stunning albums over the course of the 90s.


    Deemed "the best band you've never heard of" by Rolling Stone, Luna remained under the radar for most of their career despite gathering a rabid cult following. It's not hard to see why this is the case, as the three albums featuring the original lineup (plus guitarist Sean Eden on the latter two) act as a perfect synthesis of the members past bands, blending the simplicity of Galaxie, the heavenly pop melodies of the Chills and the quick and intensely precise drumming of the Feelies into one fluid package. This is particularly evident on 1995's fan-favorite Penthouse, in which the band created a masterpiece of lush, late night music that's now considered one of the best of the 90s.


    Following Penthouse, the band saw the replacement of Stanley with Lee Wall on drums but no slump in quality. The psychedelic textures of 1997's Pup Tent and the clean and beautiful pop of 1999's Days of Our Nights proved that Luna was a consistently reliable band and not one that would wane with age. Elektra didn't feel the same way, though, and eventually decided not to release Days of Our Nights after paying for the recording.


    This box set gathers together those five albums from the 90s as well as a compilation of demos and B-sides recorded contemporaneously, all housed in a beautiful textured canvas box. Accompanying the records is a 12" x 12" book featuring archival imagery, an interview with Dean Wareham conducted by Noah Baumbach and an oral history with the band and their producers. As the majority of these records were never released on vinyl outside of limited pressings, this is a boon to longtime fans and new listeners alike.

    LP 1: Lunapark (1992)
    1. Slide
    2. Anesthesia
    3. Slash Your Tires
    4. Crazy People
    5. Time
    6. Smile
    7. I Can't Wait
    8. Hey Sister
    9. I Want Everything
    10. Time To Quit
    11. Goodbye
    12. We're Both Confused


    LP 2: Bewitched (1994)
    1. California (All The Way)
    2. Tiger Lily
    3. Friendly Advice
    4. Bewitched
    5. This Time Around
    6. Great Jones Street
    7. Going Home
    8. Into The Fold
    9. I Know You Tried
    10. Sleeping Pill


    LP 3: Penthouse (1995)
    1. Chinatown
    2. Sideshow By The Seashore
    3. Moon Palace
    4. Double Feature
    5. 23 Minutes in Brussels
    6. Lost in Space
    7. Rhythm King
    8 .Kalamazoo
    9. Hedgehog
    10. Freakin' And Peakin'


    LP 4: Pup Tent (1997)
    1. Ihop
    2. Beautiful View
    3. Pup Tent
    4. Bobby Peru
    5. Beggar's Bliss
    6. Tracy I Love You
    7. Whispers
    8. City Kitty
    9. The Creeps
    10. Fuzzy Wuzzy


    LP 5: The Days of Our Nights (1999)
    1. Dear Diary
    2. Hello, Little One
    3. The Old Fashioned Way
    4. Four Thousand Days
    5. Seven Steps To Satan
    6. Superfreaky Memories
    7. Math Wiz
    8. Words Without Wrinkles
    9. The Rustler
    10. U.S. Out Of My Pants!
    11. The Slow Song
    12. Sweet Child O' Mine


    LP 6: Rarities
    1. Egg Nog
    2. Indian Summer
    3. Ride Into The Sun
    4. That's What You Always Say
    5. Anesthesia (Demo)
    6. In The Flesh
    7. Bonnie And Clyde
    8. I Know You Tried (Demo)
    9. Roll In The Sand
    10. Dear Paulina

    Luna
    $188.99
    Vinyl LP Box Set + Book - 6 LPs Sealed Buy Now
  • Some Girls: Super Deluxe Edition Some Girls: Super Deluxe Edition Quick View

    $179.99
    Buy Now
    x

    Some Girls: Super Deluxe Edition

    Ranked 269/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Includes the Original Album Remastered on CD, a Bonus CD with Extras Unearthed by Producer Don Was, a 7 Single, DVD, Unseen Photos by Helmut Newton and an Essay by Anthony DeCurtis


    Universal Music Group and The Rolling Stones present the remastered, expanded, Super-Deluxe edition of their groundbreaking 1978 album, Some Girls, which introduced the band to a whole new generation of fans. Justly considered one of the finest works by Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman and Ronnie Wood, Some Girls topped the US charts over three decades ago and remains the best selling album of their storied career.


    In addition to the remastered album on CD and some undiscovered gems recently unearthed from the Rolling Stones vaults by producer Don Was, the Super Deluxe Edition of Some Girls will include a stunning, previously unseen Helmut Newton photo session from 1978, an essay by esteemed author and journalist Anthony DeCurtis putting the album in its cultural context, a 7 vinyl single of Beast of Burden b/w When The Whip Comes Down in its banned sleeve and Ken Regan shots from the era.


    Some Girls is the Rolling Stones' most direct and diverse collection of material from Mick Jagger's irresistible falsetto on the four-on-the-floor filler Miss You, their eighth U.S. #1, to the country-flavored Far Away Eyes via the Chuck Berry meets punk snarl of Respectable. And let's not forget the sensuous, Beast of Burden, one of Keith Richards' finest tunes, which reached #8 on the U.S. singles chart, the garage rocker Shattered, the albums' third U.S. Top 40 entry, and the soulful swagger of the group's version of The Temptations' Just My Imagination, another timeless offering in their canon of classic Stones Motown covers.


    Following the critical praise and commercial success afforded the re-mastered, expanded editions of Exile On Main Street, which matched the chart performance of the epochal 1972 album, and returned the Rolling Stones to their rightful place at the top of the British charts in 2010, the extensive reissue of Some Girls constitutes the next step in the band's ongoing relationship with Universal Music Group.


    Some Girls holds a special place in the history of the Rolling Stones and demonstrates why they remain one of the most thrilling and influential bands of all time. The 1978 album features the Keith Richards' classic Before They Make Me Run, a signature song he still performs defiantly to this day. Some Girls documented Mick Jagger's love of 1970's funk reflected in Miss You, the dance track that wrong footed many people, made the club and black charts, and made it okay for other mainstream acts at the time to 'go disco'.


    The 1978 album also courted controversy because of Jagger's tongue-in-cheek lyrics on the title track, on Miss You and on Respectable, perceived as a retort to the punk and new wave groups who had borrowed so much attitude and copped so many anti-establishment moves from the Rolling Stones. Ironically, the furor around the elaborate Some Girls package, designed by Peter Corriston and featuring the band members in drag, a nod in the direction of the picture on the 1966 single Have You Seen Your Mother, Baby, Standing in the Shadow? and likenesses of Lucille Ball, Farrah Fawcett, Raquel Welch, Judy Garland and Marilyn Monroe that hadn't been legally cleared, necessitating a swift withdrawal and rethink.


    Some Girls demonstrated the distinctive and definitive riffing from Keith Richards, with its abundance of unstoppable licks and majestic power chords driving the band into its brand new musical direction. This album not only defined him and his playing, but also defined a new era for the Rolling Stones, with Richards since described as a sense of renewal. Some Girls marks the only other time since recording Satisfaction where Richards used an effects pedal to 'elevate' the sound.


    The album cemented the position of guitarist Ronnie Wood, who had joined in 1975, and added his trademark slide and pedal steel playing to several of the album's most memorable tracks, including When the Whip Comes Down and Shattered. He also co-wrote the Shattered B-side Everything Is Turning To Gold. Some Girls also marked a move to the Pathe Marconi Studios in Paris for the Glimmer Twins production team of Jagger and Richards. These factors helped what is arguably the group's most focused and dynamic album, driven by the sans pareil rhythm section of drummer Charlie Watts and bassist Bill Wyman.


    Some Girls featured fewer guest musicians than any Rolling Stones album since 1971, but the contributions keyboard-player Ian McLagan, Wood's bandmate in The Faces, saxophone-player Mel Collins, and harmonica player Sugar Blue (discovered busking on the Paris metro), made Miss You in particular sound brighter than ever.


    Thirty-three years on from its original release, the re-mastered expanded, Super Deluxe edition of Some Girls shows exactly why the 1978 album has often been hailed as the equal of Exile On Main Street. The album stands as both a time capsule and a timeless listen and it features the band at their tightest and toughest, at their most vibrant and vital.

    CD 1 (Some Girls Remastered)

    1. Miss You

    2. When the Whip Comes Down

    3. Just My Imagination (Running Away With Me)

    4. Some Girls

    5. Lies

    6. Far Away Eyes

    7. Respectable

    8. Before They Make Me Run

    9. Beast of Burden

    10. Shattered


    CD2 - Extras

    1. Claudine

    2. So Young

    3. Do You Think I Really Care?

    4. When You're Gone

    5. No Spare Parts

    6. Don't Be A Stranger

    7. We Had It All

    8. Tallahassee Lassie

    9. I Love You Too Much

    10. Keep Up Blues

    11. You Win Again

    12. Petrol Blues


    DVD


    7" Single

    A1. Beast of Burden

    B1. When the Whip Comes Down

    The Rolling Stones
    $179.99
    7 Vinyl LP + DVD + 2 CDs - Sealed Buy Now
  • Some Girls Some Girls Quick View

    $24.99
    Buy Now
    x

    Some Girls

    Ranked 269/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Stones' Classic Remastered on 180 gram LP


    Universal Music Group and The Rolling Stones present the remastered version of their groundbreaking 1978 album, Some Girls, which introduced the band to a whole new generation of fans. Justly considered one of the finest works by Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman and Ronnie Wood, Some Girls topped the US charts over three decades ago and remains the best selling album of their storied career.


    Some Girls is the Rolling Stones' most direct and diverse collection of material from Mick Jagger's irresistible falsetto on the four-on-the-floor filler Miss You, their eighth U.S. #1, to the country-flavored Far Away Eyes via the Chuck Berry meets punk snarl of Respectable. And let's not forget the sensuous, Beast of Burden, one of Keith Richards' finest tunes, which reached #8 on the U.S. singles chart, the garage rocker Shattered, the albums' third U.S. Top 40 entry, and the soulful swagger of the group's version of The Temptations' Just My Imagination, another timeless offering in their canon of classic Stones Motown covers.


    Following the critical praise and commercial success afforded the re-mastered, expanded editions of Exile On Main Street, which matched the chart performance of the epochal 1972 album, and returned the Rolling Stones to their rightful place at the top of the British charts in 2010, the extensive reissue of Some Girls constitutes the next step in the band's ongoing relationship with Universal Music Group.


    Some Girls holds a special place in the history of the Rolling Stones and demonstrates why they remain one of the most thrilling and influential bands of all time. The 1978 album features the Keith Richards' classic Before They Make Me Run, a signature song he still performs defiantly to this day. Some Girls documented Mick Jagger's love of 1970's funk reflected in Miss You, the dance track that wrong footed many people, made the club and black charts, and made it okay for other mainstream acts at the time to 'go disco'.


    The 1978 album also courted controversy because of Jagger's tongue-in-cheek lyrics on the title track, on Miss You and on Respectable, perceived as a retort to the punk and new wave groups who had borrowed so much attitude and copped so many anti-establishment moves from the Rolling Stones. Ironically, the furor around the elaborate Some Girls package, designed by Peter Corriston and featuring the band members in drag, a nod in the direction of the picture on the 1966 single Have You Seen Your Mother, Baby, Standing in the Shadow? and likenesses of Lucille Ball, Farrah Fawcett, Raquel Welch, Judy Garland and Marilyn Monroe that hadn't been legally cleared, necessitating a swift withdrawal and rethink.


    Some Girls demonstrated the distinctive and definitive riffing from Keith Richards, with its abundance of unstoppable licks and majestic power chords driving the band into its brand new musical direction. This album not only defined him and his playing, but also defined a new era for the Rolling Stones, with Richards since described as a sense of renewal. Some Girls marks the only other time since recording Satisfaction where Richards used an effects pedal to 'elevate' the sound.


    The album cemented the position of guitarist Ronnie Wood, who had joined in 1975, and added his trademark slide and pedal steel playing to several of the album's most memorable tracks, including When the Whip Comes Down and Shattered. He also co-wrote the Shattered B-side Everything Is Turning To Gold. Some Girls also marked a move to the Pathe Marconi Studios in Paris for the Glimmer Twins production team of Jagger and Richards. These factors helped what is arguably the group's most focused and dynamic album, driven by the sans pareil rhythm section of drummer Charlie Watts and bassist Bill Wyman.


    Some Girls featured fewer guest musicians than any Rolling Stones album since 1971, but the contributions keyboard-player Ian McLagan, Wood's bandmate in The Faces, saxophone-player Mel Collins, and harmonica player Sugar Blue (discovered busking on the Paris metro), made Miss You in particular sound brighter than ever.


    Thirty-three years on from its original release, the re-mastered vinyl edition of Some Girls shows exactly why the 1978 album has often been hailed as the equal of Exile On Main Street. The album stands as both a time capsule and a timeless listen and it features the band at their tightest and toughest, at their most vibrant and vital.

    1. Miss You
    2. When the Whip Comes Down
    3. Just My Imagination (Running Away With Me)
    4. Some Girls
    5. Lies
    6. Far Away Eyes
    7. Respectable
    8. Before They Make Me Run
    9. Beast of Burden
    10. Shattered
    The Rolling Stones
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Exile On Main Street Exile On Main Street Quick View

    $34.99
    Buy Now
    x

    Exile On Main Street

    Ranked 7/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Upon its original 1972 release more than three decades ago, Exile on Main Street innovatively wove varying musical genres, instruments and even artists into a compelling rhythmic masterpiece. The 18-track double-album was recorded in various stages at multiple locations, including Olympic Studios in London, Keith Richards' mansion Nellcote in France, and in Los Angeles where the literal 'Main Street' influenced the album title. These atypical circumstances surrounding the recording process greatly affected the album's outcome which was highly reflective and influenced by the socio-political turbulence that marked the late `60s and early `70s.


    The Stones nixed the influences of a flower-child era and directed their creative process with the edgier, excessive, more is more approach of the `70s. Exile reveals a sprawling mix of genres with undertones of blues, country, R&B and gospel mixed with lyrics that fervently demand for release and liberation.


    The album pulled together an electric array of talent including Dr. John, the late Billy Preston, and pianist Nicky Hopkins. Guitarist Mick Taylor, who replaced Brian Jones in the band shortly before Jones died in 1969, is a magnificent blues player who brought an intensity and elegance to these epic tracks. At times, these musicians and others lived on the recording studio premises with the band creating an extremely open and creative collaboration for the album.




    1. Rocks Off

    2. Rip This Joint

    3. Shake Your Hips

    4. Casino Boogie

    5. Tumbling Dice

    6. Sweet Virginia

    7. Torn And Frayed

    8. Sweet Black Angel

    9. Loving Cup

    10. Happy

    11. Turd On The Run

    12. Ventilator Blues

    13. I Just Want To See His Face

    14. Let It Loose

    15. All Down The Line

    16. Stop Breaking Down

    17. Shine A Light

    18. Soul Survivor
    The Rolling Stones
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Never Mind The Bollocks, Here's The Sex Pistols Never Mind The Bollocks, Here's The Sex Pistols Quick View

    $17.99
    Buy Now
    x

    Never Mind The Bollocks, Here's The Sex Pistols

    Ranked 41/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Recognizing that there's no such thing as bad publicity, manager-Svengali Malcolm McLaren molded the Sex Pistols into the most confrontational, nihilistic band rock & roll had ever seen. Propelled by Johnny Rotten's maniacal vocals, Steve Jones's buzz-saw guitar, and (most importantly) bass player Glen Matlock's hook-filled compositional skills, the Sex Pistols' early singles Anarchy in the U.K. and God Save the Queen defined the raging style of British punk. By the time they recorded their lone 1977 album, Matlock had been bounced, replaced by the volatile Sid Vicious. Never Mind The Bollocks remains a bile-filled emblem of the times. Punk rocks quintessential album, reissued here on 180g virgin vinyl LP.

    1. Holidays In The Sun
    2. Bodies
    3. No Feelings
    4. Liar
    5. Problems
    6. God Save The Queen
    7. Seventeen
    8. Anarchy In The U.K.
    9. Sub-Mission
    10. Pretty Vacant
    11. New York
    12. EMI
    Sex Pistols
    $17.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Wig Out At Jagbags Wig Out At Jagbags Quick View

    $21.99
    Buy Now
    x

    Wig Out At Jagbags

    Probably the most underrated guitar player of his
    generation - Rolling Stone


    Wig Out At Jagbags is Stephen Malkmus' sixth
    solo effort with the Jicks and finds the former
    Pavement leader (alongside Joanna Bolme, Jake
    Morris & Mike Clark) at his most playful and
    joyous in recent memory. The album, written
    in Berlin & recorded in Belgium with longtime
    Pavement and Jicks associate Remko Schouten is
    a looser, more unbridled affair that gathers those
    trademark guitar moves and lyrical acrobatics into
    an amalgam of what SM himself calls: "Projected
    Imaginings of ROck and ROll from the freezing
    north, rendered by West Coast stalwarts and a
    Dutch Uncle".


    Malkmus, having lived in Berlin for the past 2
    years, combines the manical wizadry of Can
    (who Malkmus covered for Record Store Day last
    year) and the West Coast imaginings of Jefferson
    Airplane. Malkmus also cites "Cologne Germany,
    Mark Von Schlegel, Rosemarie Trockel, Von Sparr
    and Jan Lankisch, Can and Gas. Imagined Weezer/
    Chili Peppers, SIc Alps, UVA in the late 80's, NYRB,
    Aroma Charlottenburg, inactivity, Jamming, Indie
    guys trying to sound Memphis, Flipper, Pete
    Townshend, Pavement, the Joggers, The NBA,
    home life in the 2010's " as inspiration.


    As it spans nods to the embryonic days of college
    rock on "Lariat", (see those Bongwater and Sun
    City Girls shoutouts), the galloping guitars and
    horns on "Chartjunk" and arrives at the rallying
    coda of "Surreal Teenagers", Wig Out At Jagbags is
    a portrait of an an American master stretching out
    & showing no signs of slowing down.

    1. Planetary Motion
    2. The Janitor Revealed
    3. Lariat
    4. Houston Hades
    5. Shibboleth
    6. J Smoov
    7. Rumble At The Rainbo
    8. Chartjunk
    9. Independence Street
    10. Scattegories
    11. Cinnamon and Lesbians
    12. Surreal Teenagers
    Stephen Malkmus & The Jicks
    $21.99
    Vinyl LP - Sealed Buy Now
  • Axis: Bold As Love Axis: Bold As Love Quick View

    $19.99
    Buy Now
    x

    Axis: Bold As Love

    Ranked 82/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Very few albums radically change the musical and cultural landscape, altering our perceptions by way of a mad combination of forward-looking performance, liberating lyrical narratives, spiritual overtones, and unimaginable sounds. Jimi Hendrix's sophomore Axis: Bold As Love is one of those records, a timeless and prophetic set that still seems as if it comes to us from the future. Unrelentingly ambitious, deeply mythical, and profoundly virtuosic, the stupendous 1967 collection dives into a pool of lustful psychedelia, earthy blues, cosmic soul, and unhinged rock. Along with jazz-schooled drummer Mitch Mitchell and melodic bassist Noel Redding, Hendrix establishes a new musical language, a foundation on which fellow guitar giants such as Eric Clapton, Jeff Beck, Pete Townshend, and Prince would build. Ranked by Rolling Stone as the 82nd greatest album ever released, and leagues ahead of its time, Axis: Bold As Love is an absolute must-have for every music lover. Particularly now that it's finally been afforded the sonic treatment it's always deserved.


    Mastered from the original two-track mix-down analog master tapes, cut by legendary engineer George Marino on upgraded equipment at Sterling Sound, and pressed on 180-gram virgin vinyl at RTI, this LP is a sonic knockout on par with the very best audiophile recordings. With all apologies to previous editions from Classic and Universal, this pressing blows away any competition. It's no wonder that this release spearheads Legacy Recordings' unprecented 2010 Jimi Hendrix Catalog Project of reissues and new releases from the greatest guitar player in history.


    Featuring seminal classics such as Spanish Castle Magic, Little Wing, and Castles Made Of Sand, Axis: Bold As Love stands as one of the Jimi Hendrix Experience's monumental moments, a tapestry scorched with color, sewn together with erotic threads, and varnished with rich personality. Do not miss this seminal pressing of a most seminal recording.

    1. EXP
    2. Up From The Skies
    3. Spanish Castle Magic
    4. Wait Until Tomorrow
    5. Ain't No Telling
    6. Little Wing
    7. If 6 Was 9
    8. You Got Me Floatin'
    9. Castles Made Of Sand
    10. She's So Fine
    11. One Rainy Wish
    12. Little Miss Lover
    13. Bold As Love
    Jimi Hendrix
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Unsemble The Unsemble Quick View

    $15.99
    Buy Now
    x

    The Unsemble

    The Unsemble is an instrumental collaboration between Duane Denison of Tomahawk, Alexander Hacke of EinstÜrzende Neubaten and Brian Kotzur of The Silver Jews. Set to release their self titled debut LP via Ipecac Recordings, this supergroup is transcending far beyond their past projects and cultivating a brand new sound. When asked about the project, Denison stated in a 2012 interview with Rolling Stone: "We wanted to work on something that was typically not what we do." He continued, "something that's not so rock and riff-based and overdriven in that way."


    From Rarely Unable PR:
    The Unsemble, a 15-song collection recorded in Denison's adopted hometown of Nashville, meets the legendary Jesus Lizard guitar player's hopes of a more organic feel with the band effortlessly volleying between careful compositions and improvisation. The result is an album that is experimental, clever and inclusive of numerous subgenres and cultures.


    - nickabitia (sound color vibration)

    1. Krishna
    2. Circles
    3. Improv
    4. Act 3
    5. Chaingang
    6. Neon
    7. Improv 2
    8. Shadows
    9. Improv 3
    10. Waves
    11. Improv 4
    12. Circles Revisited
    13. Improv 5
    14. Cyclone
    15. Voices
    The Unsemble
    $15.99
    Vinyl LP - Sealed Buy Now
  • Electric Ladyland Electric Ladyland Quick View

    $24.99
    Buy Now
    x

    Electric Ladyland

    Ranked 54/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Cut from the Analog Masters by Legendary Engineer George Marino at Sterling Sound and Pressed on 180-gram Vinyl at RTI!


    First-Ever Audiophile Edition of Hendrix's Pioneering Third Studio Album: The Wait Is Over!


    The Hendrix Family is Committed to Bringing you the Best Sound Quality Possible: Do Not Miss This Pressing!


    Set Joins Exquisitely Remastered Versions of Are You Experienced, Axis: Bold As Love, First Rays of the New Rising Sun, and the previously unreleased Valleys of Neptune!


    The great manifesto of the psychedelic rock era, the Jimi Hendrix Experience's Electric Ladyland is the culmination of resounding experimentation and several years of band chemistry, as well as Hendrix's continual development as a guitarist seemingly capable of anything and limited only by what he couldn't think of doing. As the trio's final studio recording together, it's also the band's most adventurous, and collaborative, as Steve Winwood, Al Kooper, Buddy Miles, Jack Casady, and Chris Wood all make guest apprarances. Featuring everything from sensitive wah-wah playing (Burning of the Midnight Lamp) to the all-time best version of Bob Dylan's All Along the Watchtower, with Hendrix infusing the song with requisite mystery and mayhem, to the magnetic riff passages of Voodoo Child (Slight Return), Electric Ladyland remains one of the most fully realized and referenced recordings in history. And until now, it's never received the sonic facelift it's not only needed, but deserved.


    Mastered from the original analog tapes, cut by legendary engineer George Marino on upgraded equipment at Sterling Sound, and pressed on 180-gram virgin vinyl at RTI, this 2LP set is a sonic knockout on par with the very best audiophile recordings. This is also the first-ever audiophile edition of Electric Ladyland. We guarantee it will absolutely blow away whatever analog or digital version you've heard before. It's no wonder that this release spearheads Legacy Recordings' unprecented 2010 Jimi Hendrix Catalog Project of reissues and new releases from the greatest guitar player in history.


    Ranked by Rolling Stone as the 54th greatest album ever made, Electric Ladyland epitomizes the passion, soulfulness, exoticism, and emotion that makes music such a part of our life. You will not want to live without.

    1. And The Gods Made Love
    2. Have You Ever Been (To Electric Ladyland)
    3. Crosstown Traffic
    4. Voodoo Chile
    5. Little Miss Strange
    6. Long Hot Summer Night
    7. Come On (Let The Good Times Roll)
    8. Gypsy Eyes
    9. Burning Of The Midnight Lamp
    10. Rainy Day, Dream Away
    11. 1983(A Merman I Should Turn To Be)
    12. Moon, Turn The Tidesgently gently gently
    13. Still Raining, Still Dreaming
    14. House Burning Down
    15. All Along The Watchtower
    16. Voodoo Child (Slight Return)
    Jimi Hendrix
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Wake Up Now Wake Up Now Quick View

    $21.99
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    Wake Up Now

    Acclaimed British musician Nick Mulvey's highly anticipated new album, Wake Up Now, is set for release via Harvest Records.

    Wake Up Now is the first new music from Mulvey since his 2014 Mercury Prize-nominated debut, First Mind. First Mind received widespread critical praise-Rolling Stone hailed it as One of this year's finest new releases...Sophisticated and intricate stuff; Mulvey sounds like a major player in the making, and as introductions go, this is fine indeed, while The Guardian furthered, His album mixes traditional and experimental, acoustic and electronic to pull unexpected rabbits out of hats, and The Line of Best Fit added it's a total package of pop hooks, instrumental genius and gorgeous rhythms.

    1. Unconditional
    2. Transform Your Game
    3. It Ain't Over
    4. Myela
    5. We Are Never Report
    6. Remembering
    7. Mountains To Move
    8. When The Body Is Gone
    9. Lullaby
    10. In Your Hands
    11. Infinite Trees
    Nick Mulvey
    $21.99
    Vinyl LP - Sealed Buy Now
  • Give 'Em Enough Rope Give 'Em Enough Rope Quick View

    $24.99
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    Give 'Em Enough Rope


    Newly Remastered By The Clash From Original Tapes To Audiophile Quality


    All Artwork Recreated From Original Release Including Replicated Fully Printed Inner Sleeves.


    Listening to The Clash's sophomore release, Give 'Em Enough Rope, 23 years after its debut is a rare moment where sound and emotional intensity hold over time. This album is as relevant as ever, given the transition and volatility of modern times.


    Bolstered by some of the best rock 'n' roll riffs, melodies and lyrical observations, it's a joy to throw this old friend on the turntable, sit back, and listen to its familiar and poignant sounds.


    What sets The Clash apart from other punk bands is their attention to musicianship and the honest articulation of their frustration and unrest. From the heralding anthem Safe European Home, to the finale All The Young Punks, the record balances the viperous and angst-y zeitgeist of the late 1970s with catchy tunes and toe-tapping rock.


    The LP was rated 1978' Album of the Year by Rolling Stone and Time magazines. It has proven itself over time to be one of the greatest records by any band.

    1. Safe European Home
    2. English Civil War
    3. Tommy Gun
    4. Julie's Been Working For The Drug Squad
    5. Last Gang In Town
    6. Guns On The Roof
    7. Drug-Stabbing Time
    8. Stay Free
    9. Cheapskates
    10. All The Young Punks (New Boots And Contracts)
    The Clash
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Axis: Bold As Love (Music On Vinyl) (Mono) Axis: Bold As Love (Music On Vinyl) (Mono) Quick View

    $38.99
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    Axis: Bold As Love (Music On Vinyl) (Mono)

    Ranked 82/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Axis: Bold as Love, the second Experience album, was released merely six months after their debut LP Are You Experienced, at the end of 1967. Many of the album's songs were composed with complex studio recording techniques in mind and as a result were rarely performed live. Only Spanish Castle Magic and every-guitar-player's-ultimate-study-material Little Wing became staples during concerts.


    The album shows an incredible growth in Hendrix' songwriting and sonical versatility. Radio friendly rockers like Wait Until Tomorrow and You Got Me Floatin' are mixed with ballads such as Castles Made Of Sand - the album's variety makes it a delightful listen.


    The original mono pressing was intended to cater to those listeners with outdated hifi equipment, and therefore this is a rare piece of Hendrix' legacy. The Music On Vinyl reissue of the mono mix makes this evergreen available for contemporary ears again.

    1. Exp
    2. Up From The Skies
    3. Spanish Castle Magic
    4. Wait Until Tomorrow
    5. Ain't No Telling
    6. Little Wing
    7. If 6 Was 9
    8. You Got Me Floatin'
    9. Castles Made Of Sand
    10. She's So Fine
    11. One Rainy Wish
    12. Little Miss Lover
    13. Bold As Love
    Jimi Hendrix
    $38.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • We Care a Lot (Deluxe) We Care a Lot (Deluxe) Quick View

    $29.99
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    We Care a Lot (Deluxe)


    180 Gram, 2x LP Gatefold


    Original Re-Mastered Recordings


    FAITH NO MORE's landmark debut, We Care A Lot, which was initially released in 1985 and has been out of print for 20 years, sees a deluxe reissue in 2016.


    This was an album that started as a demo, before any label had any interest in us, explained FAITH NO MORE bass player Bill Gould. There were a couple of reasons we decided to release this now: first of all, it's been 20 years since it has been commercially available. Secondly, when cleaning out my basement, I discovered the original master reels, and we all thought that resurrecting this from the original tapes would be a great way to reintroduce 'We Care A Lot' into the world. Lastly, this has been a band effort; we are releasing this in the same way as we recorded it, deciding everything amongst ourselves and getting our hands deep into the nuts and bolts just like we used to.


    The original 10-song album, remastered by Maor Appelbaum via the original reels Gould alluded to, is enhanced with nine bonus tracks including demo versions (taken from the original 8-track tapes) of Greed, Mark Bowen, Arabian Disco and Intro, live versions of The Jungle and New Beginnings and new mixes, via Matt Wallace, of We Care A Lot, Pills For Breakfast and As The Worm Turns. Liner notes from keyboard player Roddy Bottum and behind-the-scenes photos will be included with the physical release.


    We Care A Lot arrived in November 1985 via Maximum RocknRoll editor Ruth Schwartz's Mordam Records. The seminal album, boasting the timeless title track, which can still be heard daily on radio stations worldwide, confounded music fans and critics alike. As Pitchfork said in a 2015 article dubbed The Misunderstanding of Faith No More, the unpredictable and hard-to-define band had radically altered the parameters of popular music years before the fabled alternative revolution. Rolling Stone called it a raw punk album while Select magazine dubbed it a lustful marriage of mutoid metal and dance floor verve.


    Said Chuck Mosley: With 'We Care A Lot', I always felt like I was part of something new and different than anything else out there at the time. It made me feel privileged to be a part of it. The other guys were so cool, and there was so much camaraderie. And that came across in the music; Bordin's drums battling it out with Billy's bass in antagonistic harmony, Roddy's melodic atmosphere, swallowed up by Jim's crunchy metal riffs. I found my place somewhere between them all, and when the album was finished, it didn't sound like anything else.


    - Blabbermouth.net

    1. We Care a Lot
    2. The Jungle
    3. Mark Bowen
    4. Jim
    5. Why Do You Bother
    6. Greed
    7. Pills for Breakfast
    8. As the Worm Turns
    9. Arabian Disco
    10. New Beginnings
    11. WCAL (Remix)
    12. Pills for Breakfast (Remix)
    13. As the Worm Turns (Remix)
    14. Greed (Demo Version)
    15. Mark Bowen (Demo Version)
    16. Arabian Disco (Demo Version)
    17. Intro (Demo Version)
    18. The Jungle (Live From SF)
    19. New Beginnings (Live From SF)
    Faith No More
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Upside Down Mountain Upside Down Mountain Quick View

    $32.99
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    Upside Down Mountain

    Though only 34, Conor Oberst has been a recording artist for more than two decades, starting with raw, acoustic guitar-based bedroom tracks he cut as a young teenager and initially released on cassette. After his early Omaha-based band Commander Venus broke up, Oberst recast himself as Bright Eyes, an umbrella name for Oberst, producer-keyboardist Mike Mogis and multi-instrumentalist/arranger Nathaniel Wolcott, and a shifting group of collaborators. By the time he released Lifted or The Story is in the Soil, Keep Your Ear to the Ground on Saddle Creek, the label he helped found with friends in Omaha, Oberst was a word-of-mouth success, with an avid young audience that helped to sell out his tours. The critics soon followed. Rolling Stone called him "a true American original: the ghost of Walt Whitman setting up shop in the wraith-white, rail-thin frame of an acoustic-strumming Nebraska Cure fan." The 2005 simultaneous release of two markedly different Bright Eyes albums-the more singer-songwriter-oriented I'm Wide Awake, It's Morning and the darker, computerized Digital Ash in a Digital Urn-displayed the breadth of his talent. Time Magazine listed I'm Wide Awake among its top 10 albums of the year. Since then, Bright Eyes has continued to evolve, its lineup morphing with each successive tour. While supporting his 2007 Cassadaga album, Oberst took over New York City's Town Hall for a week of sold-out shows, with his large, string-augmented ensemble outfitted spectacularly in white suits. He's also recorded and toured with Mogis, Jim James, and M. Ward as Monsters of Folk as well as with his own Mystic Valley Band. For the first leg of his summer 2014 tour, he's bringing along Wilson's other pals, the Southern Californian quartet Dawes as his support act and backing band.


    "I feel lucky that I have been able to do this for as longs as I have," declares Oberst. "I've seen so many talented friends come and go, for a lot of different reasons. Sometimes they stop making music because they can't pay the bills or they lose the passion for it. At this point it is my life. I don't know another way to live. There is something fundamental in myself; I have to be this way. It completes what I am."


    Upside Down Mountain features many other friends of Oberst's, including producer Jonathan Wilson, engineer Andy LeMaster, bassist Macey Taylor, multi-instrumentalist Blake Mills, and the Swedish sibling folk-rock vocal duo First Aid Kit. What started as exploratory demos with producer-musician Jonathan Wilson at his Fivestar Studios in the Echo Park neighborhood of Los Angeles, in a home Wilson rents from Oberst, became the first de facto album sessions. Returning to his native Omaha, Nebraska, Oberst kept rolling with the help of frequent collaborator, engineer, and friend Andy LeMaster at his own ARC Studios. Even more tracking followed in Omaha last November and December. Then Oberst and Wilson moved south to Blackbird Studio in Nashville.


    "This is a return to an earlier way I wrote," Oberst says of the songs on Upside Down Mountain. "It's more intimate or personal, if you will. Even if all my songs come from the same place, you make different aesthetic decisions along the way. For me, language is a huge part of why I make music. I'm not the greatest guitar player or piano player-I'm not the greatest singer, either-but I feel if I can come up with melodies I like that are fused with poetry I'm proud of, then that's what I bring to the table. That's why I'm able to do this."

    1. Time Forgot
    2. Zigzagging Toward the Light
    3. Hundreds of Ways
    4. Artifact #1
    5. Lonely at the Top
    6. Enola Gay
    7. Double Life
    8. Kick
    9. Night at Lake Unknown
    10. You Are Your Mother's Child
    11. Governor's Ball
    12. Desert Island Questionnaire
    13. Common Knowledge
    Conor Oberst
    $32.99
    Vinyl LP + CD - 2 LPs Sealed Buy Now
  • Mad Dogs & Englishmen Mad Dogs & Englishmen Quick View

    $42.99
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    Mad Dogs & Englishmen

    Mad Dogs and Englishmen is Joe Cocker's legendary live album, recorded in 1970 at the Fillmore East.


    For this record Joe Cocker created a unique sound: a veritable definition of big-band rock with three dozen players working behind the singer.
    Mad Dogs and Englishmen consists mostly of covers, drawing equally from rock (The Rolling Stones, Traffic, Bob Dylan, The Beatles) and soul (Ray Charles, Sam and Dave, Otis Redding), and is as much a showcase for arranger & bandleader Leon Russell as it is for Joe Cocker.


    As we now know the tour from which this album was drawn took a heavy toll on Joe Cocker and especially his vocal chords because the music was presented on such a grand scale.


    Nevertheless, the music still stands to this date and beyond.

    LP 1
    1. Introduction
    2. Honky Tonk Women
    3. Introduction
    4. Sticks And Stones
    5. Cry Me A River
    6. Bird On The Wire 6:15
    7. Feelin' Alright
    8. Superstar
    9. Introduction
    10. Let's Go Get Stoned


    LP 2
    Blue Medley:
    1a I'll Drown In My Own Tears
    1b When Something Is Wrong With My Baby
    1c I've Been Loving You Too Long
    2. Introduction
    3. Girl From The North Country
    4. Give Peace A Chance
    5. Introduction
    6. She Came In Thru The Bathroom Window
    7. Space Captain
    8. The Letter
    9. Delta Lady

    Joe Cocker
    $42.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Heigh Ho Heigh Ho Quick View

    $25.99
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    Heigh Ho

    Renowned guitarist, songwriter, and producer Blake Mills will release his highly anticipated second album, Heigh Ho, on via Verve
    Records / Record Collection.


    "The goals for Heigh Ho were songs, sonics, and capturing performance," Mills said. "I love my first album and how it sounds, but since making Break
    Mirrors I feel like I've heard enough music that seems to be overtly 'lo-fi' or reverb-saturated; so I was interested in finding a combination of sounds that I
    hadn't heard used together before. I was very fortunate to be able to call on this group of people to help me map some new terrain."


    Recorded in Los Angeles at the legendary Ocean Way studios in a room built for Frank Sinatra & used by everyone from Bob Dylan to Ray Charles, Mills
    created an album that references a range of genres without really belonging to any.


    To that end, Mills asked several of his musical heroes - including Jim Keltner, Don Was, Jon Brion, Benmont Tench, Mike Elizondo, and Fiona Apple (who
    duets on the slow-burning "Seven" and timeless sounding "Don't Tell Our Friends About Me") - to collaborate on what would become Heigh Ho. "Blake
    arranged the music the way that CÉzanne would've filled a canvas," Don Was notes of his experience


    Since quietly making his debut album, Break Mirrors, which critics hailed as one of the best albums of 2010, Mills has been consistently busy. He's
    producing the highly anticipated sophomore album for The Alabama Shakes, and has worked as a producer with a wide variety of artists, including ZZ
    Top's Billy Gibbons, Sara Watkins, Conor Oberst, Sky Ferreira, and Fiona Apple, with whom he toured extensively in 2013 and 2014. As a session player
    and sideman he has worked with Beck, Cass McCombs, Jackson Browne, Lucinda Williams, Moses Sumney and Neil Diamond, among others. Rick
    Rubin and T Bone Burnett frequently call upon his services as a guitarist, and equally enamored is Eric Clapton who recently told Rolling Stone magazine
    "Blake Mills is the last guitarist I heard that I thought was phenomenal.

    1. If I m Unworthy
    2. Cry To Laugh
    3. Just Out Of View
    4. Seven
    5. Don t Tell Our Friends About Me
    6. Gold Coast Sinkin
    7. Silence is Sincerity
    8. Half Asleep
    9. Three Weeks In Havana
    10. Before It Fell
    11. Shed Your Head
    12. Curable Disease
    Blake Mills
    $25.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Black Beauty Black Beauty Quick View

    $37.99
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    Black Beauty

    28-page, full-color book (11" x 11")


    Extensive essay by Ben Edmonds (Creem, Rolling Stone, Mojo) featuring all-new interviews


    Abundant, never-before-seen photographs by Herbert Worthington (Fleetwood Mac's Rumours)


    Brilliantly mastered by multi-GRAMMY® nominee Dan Hersch (Paul Simon, Kinks, Cars,The Band)


    Mastered for vinyl by multi-GRAMMY® winner Doug Sax (The Who, Rolling Stones, Pink Floyd)


    Black Beauty, the never-before-released masterpiece by Arthur Lee's legendary psychedelic rock band Love, is available on 180-gram vinyl LP. Recorded in 1973 for the ambitious new label Buffalo Records,
    the album remained unreleased when the company folded. Finally, after 39 years High Moon Records is honored to fulfill Arthur Lee's wish that Black Beauty be heard by music fans worldwide. Black Beauty is making its first-ever official release
    in any format, anywhere! With unparalelled sound and state-of-the-art packaging, critics are hailing Black Beauty as an instant classic. Black Beauty is that rarest of rock artifacts: an unreleased,
    full-length studio album, from an undisputed musical
    genius. Black Beauty is the missing link in a catalog that includes Forever Changes, the classic 1967 Love album the New York Times called "one of the most affecting and beguiling albums of all time. With Black Beauty, Arthur Lee manages to combine searing 70's-rock with gorgeous melodies and stellar songwriting - topped off by his most distinctive, snarling, soulful vocals ever. With its wonderfully eclectic collection of songs, the
    album offers Love fans a rare glimpse into a previously undocumented phase of Arthur Lee's fabled career, while shining a light for new fans to discover the unique genius that is the music of Arthur Lee and Love.



    It's tempting to play what-if with Love's lost labor, Black Beauty, which was recorded in 1973 but shelved for nearly four decades. What if Buffalo Records hadn't gone out of business just prior to the album's release? What if Black Beauty had actually hit stores? What if it hadn't languished in limbo until years after Arthur Lee's death? Would it have stopped Love's slide into obscurity? Would it have signaled a comeback for the man who masterminded Forever Changes, still one of the most complex and compelling artifacts of 1960s Los Angeles? Would his life and career have played out any differently? Would we think of him today as something other than a cult artist, inspired as well as damned by his era?


    It's difficult to imagine any answers to those questions, but it says a lot about Lee that the album even raises these what-ifs and coulda-beens. The very qualities that made him such a fascinating voice-- restlessness, excitability, paranoia, perfectionism, single-mindedness-- may have doomed any commercial prospects more than his notorious fear of travel ever did. After recording Forever Changes, he fired the band and hired new musicians to take their places. Every subsequent album featured a different line-up, although the changes seem based more on personality than on musical direction or ability. Never stagnant, Love was in constant flux, always in a state of development but never quite arriving. So the operative question becomes: Was this the version of Love that Lee had been working toward?


    For Black Beauty-- which is finally seeing release via High Moon Records, although the reissue has been delayed for two years-- Lee assembled guitarist Melvan Whittington, bass player Robert Rozelle, and drummer Joe Blocker. This may be the hardiest and most muscular of Love's post-Changes rosters, with remarkable force and range. With crisp production by Paul Rothchild, best known for his work with the Doors, Love build from a potent blues rock foundation not dissimilar to that of Jimi Hendrix, but without the distracting shamanistic persona and guitar pyrotechnics. "Walk Right In" struts into country rock territory, rewriting Cannon's Jug Stompers 1929 hit into a plea for empathy, and "Beep Beep" attempts a sort of pop reggae, albeit not entirely convincingly.


    On the whole, this particular line-up sounds perfectly rough and unrehearsed, generating a tense energy on "Skid" and "Stay Away" even as they suggest a band still figuring out exactly what they can do together. It's a strong album, but it's not another Forever Changes, whose accomplishments in retrospect were unrepeatable, or even another Four Sail. On the other hand, Lee wasn't aiming to craft something in that vein. Still, especially considering the professional setbacks he had faced in the years leading up to Black Beauty-- which includes being dropped by Elektra and shuffling through a series of independent labels-- Lee sounds engaged and invigorated, forgoing the bitterness that had rankled the band for a slightly more hopeful outlook. On stand-out "Can't Find It", he sings, "Every time I cry my heart out, and every time I play the fool, but there's gotta be something in this lonely world for me." The confession is all the more bittersweet for being capped with the line, "but I can't find it without you." It's ostensibly a love song, but could just as easily be addressed to his audience. His creative satisfaction relies on having a listener to complete the circuit, which makes this album's long shelf life all the sadder.

    -Stephen M. Deusner (Pitchfork, May 15, 2013)

    1. Young & Able
    2. Midnight Sun
    3. Can't Find It
    4. Walk Right In
    5. Skid
    6. Beep Beep
    7. Stay Away
    8. Lonely Pigs
    9. See Myself In You
    10. Product Of The Times
    Love
    $37.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932) Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932) Quick View

    $469.99
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    Rise & Fall Of Paramount Records, Volume 2 (1928 - 1932)


    Six LPs, 800 Digital Tracks, Two Definitive Large-Format Books. All Housed In A Polished Aluminum Case Evoking The Era's High Art Deco Stylings And America's Own Machine Age Modernism.


    800 Newly-remastered Digital Tracks, Representing 175 Artists


    90+ Fully-restored Original 1920s-30s Paramount Ads From Chicago Defender


    6 X 180g LPs Pressed On Alabaster-white Label-less Vinyl, Each Side With Its Own Hand-Etched Numeral And Holographic Image


    250 Pg. Large-Format Clothbound Hardcover Book Featuring Original Paramount Art And The Label's Curious Tale


    400 Pg. Encyclopedia-Style Softcover Field Guide Containing Artist Bios & Portraits And Full Paramount Discography


    Polished Aluminum And Stainless Steel Cabinet, Evoking 1930s High Art Deco Stylings And America's Own Machine Age Modernism


    First-Of-Its-Kind Music And Image Player App Containing All Tracks And Ads, Housed On Sculpted Metal USB Drive


    Last November, Jack White's Third Man and John Fahey's Revenant issued The Rise & Fall of Paramount Records, Volume One (1917-27), the first installment of the curious tale of America's most important record label. It was called spectacular (New York Times), unprecedented (Rolling Stone), breathtaking (Boing Boing), a cabinet of wonder, indeed (Pitchfork), and the most perfectly realized attempt to combine music and documentation (Fretboard Journal) and damnedest musical objet d'art (Nashville Scene) folks had ever seen.


    Third Man-Revenant now presents the final volume in the Paramount story - The Rise & Fall of Paramount Records, Volume Two (1928-32).


    As Volume Two begins, Paramount is entitled to a breather - in the previous 5 years it's been home to giants like King Oliver, Jelly Roll Morton, Louis Armstrong, Blind Lemon Jefferson, Alberta Hunter, Blind Blake, Ethel Waters, Ma Rainey, Papa Charlie Jackson, Eubie Blake, Fletcher Henderson, Big Bill Broonzy, Roosevelt Sykes, James P. Johnson, Jaybird Coleman, Clarence Williams, and Fats Waller.


    But just as it seems the label might be losing steam, it begins a second act that threatens to dwarf its first. In its final 5 year push from 1928-32, Paramount embarks on a furious run for the ages, birthing the entire genre of Mississippi Delta blues and issuing some of the most coveted recordings in the history of wax - a staggering playlist including Skip James, Charley Patton, Son House, Tommy Johnson, Blind Roosevelt Graves, Willie Brown, King Solomon Hill, Tampa Red, Georgia Tom Dorsey, Little Brother Montgomery, Lottie Kimbrough, Rube Lacy, Meade Lux Lewis, Buddy Boy Hawkins, Ramblin' Thomas, Jaydee Short, George Bullet Williams, Cow Cow Davenport, Clifford Gibson, Ishman Bracey, Charlie Spand, Jabo Williams, Louise Johnson, Blind Joe Taggart, Geeshie Wiley & Elvie Thomas, and The Mississippi Sheiks.


    Paramount simply killed. But more than that, it changed how this country thought of itself. It was the first and most comprehensive chronicler of what America really sounded like in the 1920s and '30s - on its street corners, at its fish fries and country suppers, in its nightclubs and dance halls and showtents. In the process, Paramount - not some preservationist-minded enterprise like the Library of Congress - inadvertently created the most significant repository of this young nation's greatest art form.

    6 LPs feature tracks from the collection.


    USB Drive contains 800 digital tracks by 175 artists across the Paramount family of labels.

    Various Artists
    $469.99
    180 Gram Audiophile Virgin Vinyl LP + 2 Books - 6 LPs Sealed Buy Now
  • Tomorrow Is My Turn Tomorrow Is My Turn Quick View

    $22.99
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    Tomorrow Is My Turn

    Rhiannon Giddens, singer, songwriter, multi-instrumentalist, and founding member of Grammy Award-winning Carolina Chocolate Drops, makes her solo recording debut with Tomorrow Is My Turn, due out on Nonesuch Records. (The vinyl will follow on March 3.) The album was produced by T Bone Burnett.


    Burnett first worked with Giddens when she performed last fall at a concert he curated at New York City's Town Hall that was later broadcast on Showtime: Another Day, Another Time: Celebrating the Music of "Inside Llewyn Davis." Backstage, Burnett was immediately moved to ask if he could produce a record with her. "It was clear the first time I heard her at rehearsal that Rhiannon is next in a long line of singers that include Marian Anderson, Odetta, Mahalia Jackson, Rosetta Tharpe," Burnett says. "We need that person in our culture."


    For her first solo disc, Giddens chose a broad range of songs from genres as diverse as gospel, jazz, blues, and country. In addition to the traditional "Black Is the Color," tracks include Hank Cochran's "She's Got You," made famous by Patsy Cline; Dolly Parton's "Don't Let It Trouble Your Mind"; "O Love Is Teasin'," popularized by the Kentucky-reared "mother of folk" Jean Ritchie; and Elizabeth Cotton's "Shake Sugaree."


    "I had already started putting together a list of songs that didn't really fit into the Chocolate Drops world," Giddens explains. "At the top was 'Tomorrow Is My Turn' [immortalized by Nina Simone]. Seeing Nina do it on YouTube was revelatory. I knew she'd gone through a lot of hard times, as so many people did in that time period. Watching her sing this song, with the words 'tomorrow is my turn,' I began to think about the struggle of her and women like her." The significance of this song led Giddens to make it the title of the album as well. "Other songs started getting on my list and they were all by women or interpreted by women," she says.


    Tomorrow Is My Turn was recorded in Los Angeles and Nashville, with a multi-generational group of players whom Burnett assembled. Among them are fiddle player Gabe Witcher and double bassist Paul Kowert of label-mates Punch Brothers; percussionist Jack Ashford of Motown's renowned Funk Brothers; drummer Jay Bellerose; guitarist Colin Linden; legendary backup singer Tata Vega; veteran Nashville session bassist Dennis Crouch; and Giddens' Drops touring band-mates, multi-instrumentalist Hubby Jenkins and beat-boxer Adam Matta.


    Tomorrow Is My Turn follows Giddens' work with Elvis Costello, Taylor Goldsmith, Jim James, and Marcus Mumford on Lost On The River: The New Basement Tapes, an album also produced by Burnett that was released in November 2014. Her contribution was hailed by Rolling Stone magazine as the "showstopper evoking antebellum blues with a magnificent voice that interrogates the myths stirred up at Big Pink." The New York Times agreed, saying "On lead vocals she's the album's revelation, singing melodies that hark back to Celtic modes with a decisive presence and a haunting grace."

    1. Last Kind Words
    2. Don't Let It Trouble Your Mind
    3. Waterboy
    4. She's Got You
    5. Up Above My Head
    6. Tomorrow is My Turn
    7. Black Is the Color
    8. Round About the Mountain
    9. Shake Sugaree
    10. O Love Is Teasin'
    11. Angel City
    Rhiannon Giddens
    $22.99
    Vinyl + CD - Sealed Buy Now
  • Music From Big Pink Music From Big Pink Quick View

    $34.99
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    Music From Big Pink

    Ranked 34/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Take a Load Off with the Very Best-Sounding Analog Big Pink Ever Pressed


    Half-Speed Mastered from the Original Master Tapes and Pressed at RTI


    Includes The Weight, I Shall Be Released, This Wheel's On Fire


    Youve likely heard the story. Now hear the results of one of the most famous sessions in history with a clarity and warmth never thought possible.


    In late 1965 and early 1966, Bob Dylan shattered the boundaries between folk and rock music on a controversial tour that found the generation spokesman plugging in and shocking purist audiences that reviled in horror at the sight of their hero playing electric with a bunch of ragtag Canadian mates. Then known as the Hawks, the Band was that backing group, serving Dylan not only on the road but, playing with him after his motorcycle accident, on his seminal Basement Tapes collection.


    Recorded in 1968 and ranked #34 on Rolling Stones 500 Greatest Albums of All Time list, The Bands Music From Big Pink stems from the same localea pink farmhouse in upstate Woodstock, New Yorkas the Basement Tapes and is just as rustic, timeless, and mysterious as Dylans celebrated work. A debut for the ages, the album features two songs co-written with DylanThis Wheels on Fire, Tears of Rageas well as whats universally recognized as the definitive version of Dylans I Shall Be Released. More famously, it also includes The Weight, a standard covered by everyone from the Grateful Dead to Weezer to Aretha Franklin. But the power of this set doesnt lie in one song but the entire album.


    A groundbreaking statement, Music From Big Pink lays bare the magnetism of the American South, Appalachian traditions, and country-rock innovations. That guitarist Robbie Robertson, pianist Garth Hudson, bassist Rick Danko, drummer/vocalist Levon Helm, and organist Richard Manuel are all household names only adds to the proof of this must-have records everlasting appeal. This is the majesty of what Greil Marcus called the old, weird America.


    Half-speed mastered from the original master tapes and pressed at RTI, Mobile Fidelity's analog version practically gives you a spot on the floor at Big Pink as the sessions went down. Curl up, close your eyes, and listen as the music's sublimely organic sounds appear with full-range dynamics, life-size imaging, and tremendous soundstaging. This is one of the reasons why you have a turntable. Prepare for your system, and your ears, to glow.


    This title is not eligible for discount.

    1. Tears Of Rage
    2. To Kingdom Come
    3. In A Station
    4. Caledonia Mission
    5. The Weight
    6. We Can Talk
    7. Long Black Veil
    8. Chest Fever
    9. Lonesome Suzie
    10. This Wheel's On Fire
    11. I Shall Be Released
    The Band
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Forever Changes Forever Changes Quick View

    $24.99
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    Forever Changes

    Ranked 40/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    The third and final album by the original Love lineup, Forever Changes has consistently drawn epic praise both upon its 1968 release on Elektra Records and to this very day. Rolling Stone described Forever Changes as "elegant armageddon" when listing it as #40 in the 500 Greatest Albums Of All Time while another rave review considered it, "one of the most distinctive masterpieces in that era of masterpieces." A landmark work that is without question the L.A.-based psychedelic folk-rock pioneers' most fully realized studio effort, Forever Changes was produced by band co-founder/frontman Arthur Lee and The Doors' engineer/producer Bruce Botnick.


    Lee's metaphysically super-logical lyrics, warbled sweetly over the band's full-bloom psychedelia, a swirling current of guitars, strings, and horns layered into a mind-expanding wall of beauty. The album's song titles read like signs along the long and winding road to Nirvana: "Andmoreagain," "Maybe The People Would Be The Times Or Between Clark And Hilldale," "The Good Humor Man He Sees Everything Like This," "You Set The Scene." Forever Changes exploded the personal into the universal and uncovered the eternal tucked away inside the familiar.


    "In the summer of 1967 a billboard appeared on Los Angeles' legendary Sunset Strip telling all who looked skyward to 'watch for the third coming of LOVE.' Emblazoned with an image of the group painted in oozing pink, purple, blue, and green meant to resemble an organic heart, Love were barely recognizable in their collective obscurity. Though they had followed hot on the heels of The Byrds to rule the L.A. club scene a year earlier, the band (at the time perhaps the most progressive and uncompromising in pop) never made the leap to mainstream acceptance or the Billboard Top 10. Ironically, that same summer their Elektra labelmates and former opening act, The Doors hit #1 with 'Light My Fire.' Meanwhile, the five members of Love (Arthur Lee, Johnny Echols, Bryan MacLean, Ken Forssi, and Michael Stuart) struggled to complete an album that would barely chart on initial release. In most stories Love would be the group that promised more than they delivered. That would be had 'the third coming' not been Forever Changes, a long-player widely rated above any other waxing of that idyllic era." - Andrew Sandoval/liner notes for the 2008 reissue

    1. Alone Again Or
    2. A House Is Not A Motel
    3. Andmoreagain
    4. The Daily Planet
    5. Old Man
    6. The Red Telephone
    7. Maybe The People Would Be The Times Or Between Clark And Hilldale
    8. Live And Let Live
    9. The Good Humor Man He Sees Everything Like This
    10. Bummer In The Summer
    11. You Set The Scene

    Love
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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