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Rolling Stones Aftermath

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  • Aftermath Aftermath Quick View

    $32.99
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    Aftermath


    Import


    Ranked 108/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    It's difficult for American listeners to remember this, but like the recordings of the Beatles and nearly all other British groups of the '60s, the Rolling Stones' first several albums did not make it across the Atlantic in one piece. Prior to ABKCO's comprehensive 2002 reissue program, the US versions of the Stones' early albums were the de facto standards, but particularly in the case of 1966's AFTERMATH, the UK album was very different.


    The track lineup is shuffled and expanded to create a much different mood. Paint It Black is gone, replaced as the opening track by the snotty social commentary of Mother's Little Helper, which--when followed by Stupid Girl, Lady Jane, Under My Thumb, and Dontcha Bother Me--is like a pentathlon of punky misogyny capped by the grinding blues jam Goin' Home. Side Two is more emotionally varied but just as musically far-reaching, adding the poppy Take It Or Leave It and What To Do to an already strong set of tunes centered on the stunning full-length version of Out of Time that for some reason had never been released in the United States before this belated reissue.

    1. Mother's Little Helper
    2. Stupid Girl
    3. Lady Jane
    4. Under My Thumb
    5. Doncha Bother Me
    6. Goin' Home
    7. Flight 505
    8. High and Dry
    9. Out of Time
    10. It's Not Easy
    11. I Am Waiting
    12. Take It or Leave It
    13. Think
    14. What to Do
    The Rolling Stones
    $32.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Rolling Stones In Mono (Box Set) (On Sale) The Rolling Stones In Mono (Box Set) (On Sale) On Sale Quick View

    $389.99 $324.99 Save $65.00 (17%)

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    The Rolling Stones In Mono (Box Set) (On Sale)


    Domestic Version


    Limited Edition


    Newly Remastered Mono From Original Archive Tapes


    Cut To Lacquers At Abbey Road Studios By Engineer Sean Magee


    Pressed Onto 180-Gram Heavyweight Vinyl LPs Supervised By GZ Media


    Includes 48 Page Booklet And Stray Cats Compilation Exclusive To This Box Set


    The albums from the first decade of history and mayhem have been newly remastered with unprecedented fidelity and revelatory detail from original MONO sources.
    The box sets contain records from the period including key UK/US domestic variations from the catalog.


    In addition, the new compilation Stray Cats pulls together the essential non-album B-sides & rarities from the ABKCO era entirely restored in MONO for the very first time. Stray Cats is exclusively available in the box set with the vinyl pressed over 2 LPs.


    A 48 page lie-flat deluxe booklet features a new essay from Rolling Stone Editor David Fricke as well as rare photography & images.


    Lovingly recreated original MONO LP replica sleeves with original finishes & artwork house the albums within a rigid bespoke one-piece box.


    Each album has been newly remastered specifically for the project from the original archive tapes in 2016 by Bob Ludwig & Teri Landi. For the project he utilized Direct Stream Digital (DSD) transfers from the original master recordings, with a sampling rate of 2,822,400.


    The new remaster has been cut to lacquers at the legendary Abbey Road Studios by engineer Sean Magee & pressed onto 180-gram heavyweight vinyl LPs supervised by GZ Media.


    Includes the following albums:


    • The Rolling Stones (UK)
    • 12 x 5
    • The Rolling Stones No. 2
    • The Rolling Stones, Now!
    • Out Of Our Heads (US)
    • Out Of Our Heads (UK)
    • December's Children (And Everybody's)
    • Aftermath (UK)
    • Aftermath (US)
    • Between The Buttons (UK)
    • Flowers
    • Their Satanic Majesties Request
    • Beggars Banquet
    • Let It Bleed
    • Stray Cats


    This item is not eligible for discount.

    The Rolling Stones (UK)
    1. Route 66
    2. I Just Want To Make Love To You
    3. Honest I Do
    4. Mona (I Need You Baby)
    5. Now I've Got A Witness
    6. Little By Little
    7. I'm A King Bee
    8. Carol
    9. Tell Me
    10. Can I Get A Witness
    11. You Can Make It If You Try
    12. Walking The Dog


    12 x 5
    1. Around And Around
    2. Confessin' The Blues
    3. Empty Heart
    4. Time Is On My Side
    5. Good Times, Bad Times
    6. It's All Over Now
    7. 2120 South Michigan Avenue
    8. Under The Boardwalk
    9. Congratulations
    10. Grown Up Wrong
    11. If You Need Me
    12. Susie Q


    The Rolling Stones No. 2
    1. Everybody Needs Somebody To Love
    2. Down Home Girl
    3. You Can't Catch Me
    4. Time Is On My Side
    5. What A Shame
    6. Grown Up Wrong
    7. Down The Road Apiece
    8. Under The Boardwalk
    9. I Can't Be Satisfied
    10. Pain In My Heart
    11. Off The Hook
    12. Susie Q


    The Rolling Stones, Now!
    1. Everybody Needs Somebody To Love
    2. Down Home Girl
    3. You Can't Catch Me
    4. Heart Of Stone
    5. What A Shame
    6. Mona (I Need You Baby)
    7. Down The Road Apiece
    8. Off The Hook
    9. Pain In My Heart
    10. Oh, Baby (We Got A Good Thing Goin')
    11. Little Red Rooster
    12. Surprise, Surprise


    Out Of Our Heads (US)
    1. Mercy Mercy
    2. Hitch Hike
    3. The Last Time
    4. That's How Strong My Love Is
    5. Good Times
    6. I'm All Right
    7. (I Can't Get No) Satisfaction
    8. Cry To Me
    9. The Under Assistant West Coast Promotion Man
    10. Play With Fire
    11. The Spider And The Fly
    12. One More Try


    Out Of Our Heads (UK)
    1. She Said Yeah
    2. Mercy Mercy
    3. Hitch Hike
    4. That's How Strong My Love Is
    5. Good Times
    6. Gotta Get Away
    7. Talkin' 'Bout You
    8. Cry To Me
    9. Oh, Baby (We Got A Good Thing Goin')
    10. Heart Of Stone
    11. The Under Assistant West Coast Promotion Man
    12. I'm Free


    December's Children (And Everybody's)
    1. She Said Yeah
    2. Talkin' Bout You
    3. You Better Move On
    4. Look What You've Done
    5. The Singer Not The Song
    6. Route 66
    7. Get Off Of My Cloud
    8. I'm Free
    9. As Tears Go By
    10. Gotta Get Away
    11. Blue Turns To Grey
    12. I'm Moving On


    Aftermath (UK)
    1. Mother's Little Helper
    2. Stupid Girl
    3. Lady Jane
    4. Under My Thumb
    5. Doncha Bother Me
    6. Going Home
    7. Flight 505
    8. High And Dry
    9. Out Of Time
    10. It's Not Easy
    11. I Am Waiting
    12. Take It Or Leave It
    13. Think
    14. What To Do


    Aftermath (US)
    1. Paint It, Black
    2. Stupid Girl
    3. Lady Jane
    4. Under My Thumb
    5. Doncha Bother Me
    6. Think
    7. Flight 505
    8. High And Dry
    9. It's Not Easy
    10. I Am Waiting
    11. Going Home


    Between The Buttons (UK)
    1. Yesterday's Papers
    2. My Obsession
    3. Back Street Girl
    4. Connection
    5. She Smiled Sweetly
    6. Cool, Calm & Collected
    7. All Sold Out
    8. Please Go Home
    9. Who' s Been Sleeping Here?
    10. Complicated
    11. Miss Amanda Jones
    12. Something Happened To Me Yesterday


    Flowers
    1. Ruby Tuesday
    2. Have You Seen Your Mother, Baby, Standing In The Shadow?
    3. Let's Spend The Night Together
    4. Lady Jane
    5. Out Of Time
    6. My Girl
    7. Back Street Girl
    8. Please Go Home
    9. Mother's Little Helper
    10. Take It Or Leave It

    11. Ride On, Baby
    12. Sittin' On A Fence


    Their Satanic Majesties Request
    1. Sing This All Together
    2. Citadel
    3. In Another Land
    4. 2000 Man
    5. Sing This All Together (See What Happens)
    6. She's A Rainbow
    7. The Lantern
    8. Gomper
    9. 2000 Light Years From Home
    10. On With The Show


    Beggars Banquet
    1. Sympathy For The Devil
    2. No Expectations
    3. Dear Doctor
    4. Parachute Woman
    5. Jig-saw Puzzle
    6. Street Fighting Man
    7. Prodigal Son
    8. Stray Cat Blues
    9. Factory Girl
    10. Salt Of The Earth


    Let It Bleed
    1. Gimme Shelter
    2. Love In Vain
    3. Country Honk
    4. Live With Me
    5. Let It Bleed
    6. Midnight Rambler
    7. You Got The Silver
    8. Monkey Man
    9. You Can't Always Get What You Want


    Stray Cats
    1. Come On
    2. I Want To Be Loved
    3. I Wanna Be Your Man
    4. Stoned
    5. Fortune Teller
    6. Poison Ivy (Version 1)
    7. Bye Bye Johnny
    8. Money
    9. Poison Ivy (Verison 2)
    10. Not Fade Away
    11. I've Been Loving You Too Long
    12. The Under Assistant West Coast Promo Man (Single)
    13. 19th Nervous Breakdown
    14. Sad Day
    15. Con Le Mie Lacrime (As Tears Go By)
    16. Long, Long While
    17. Who's Driving Your Plane?
    18. We Love You (Single Version)
    19. Dandelion
    20. Child Of The Moon
    21. Jumpin' Jack Flash
    22. Street Fighting Man (Single)
    23. Honky Tonk Women
    24. You Can't Always Get What You Want (Single)

    The Rolling Stones
    $389.99 $324.99 Save $65.00 (17%)
    180 Gram Audiophile Virgin Vinyl LP Mono Box Set - 16 LPs Sealed Buy Now
  • Marshall Mathers Marshall Mathers Quick View

    $34.99
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    Marshall Mathers

    Ranked 302/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Eminem's masterful second record has the chops and the credentials to go along with it. The Marshall Mathers LP won the 2001 Grammy Award for Best Rap Album, The Real Slim Shady won the Grammy for Best Rap Solo Performance and the record was also nominated for the Grammy for Album Of The Year. Expanding upon his debut, Eminem's follow-up is both funnier and darker than his debut and the production is nearly as evocative as the raps, with liquid basslines, stuttering rhythms, slight sound effects and spacious soundscapes. Reissued here on Double Vinyl LP by Universal Records.

    1. Public Service Announcement 2000
    2. Kill You
    3. Stan - (featuring Dido)
    4. Paul - (skit)
    5. Who Knew
    6. Steve Berman - (with Steve Berman)
    7. Way I Am, The
    8. The Real Slim Shady
    9. Remember Me? - (featuring RBX/Sticky Fingaz)
    10. I'm Back
    11. Marshall Mathers
    12. Ken Kaniff - (skit)
    13. Drug Ballad
    14. Amityville - (featuring Bizarre)
    15. Bitch Please II - (featuring Dr. Dre/Snoop
    Dogg/Xzibit/Nate Dogg)
    16. Kim
    17. Under the Influence - (featuring D-12)
    18. Criminal
    Eminem
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • The Journey Man The Journey Man Quick View

    $35.99
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    The Journey Man

    "In my music," says Goldie, "is everything I've learned, everyone I've met, everything I've experienced." And it's been an incredible trip. The maverick innovator - who rewrote the future of the jungle scene with landmark releases that still sound like they were kidnapped from tomorrow - has a unique story to tell. From children's homes in the West Midlands through stints in New York and Miami as one of the UK's most celebrated exponents of graffiti art to rubbing shoulders with an exceptional list of musical collaborators including David Bowie, Noel Gallagher and KRS-One, Goldie has defiantly, definitively, done it his own way. "I'm an alchemist," he likes to insist. "I practice the dark arts of messing with the form of something solid."


    Though marriage and his passion for bikram yoga have, he says, proved a calming influence, these days he's just as full of inspired, out-there ideas as he was back in 1993 when he did his first cover interview for the rave magazine Generator. "My music is about fallout," he said then, "about the damage that has been done to the system." Today, in the office of one of his London-based contacts, the ideas are still sparking. "Drum'n'bass has done to electronic music what graffiti has done to the art world," he muses, before launching into a rapid-fire synthesis of art history, dancefloor evolution and his own hyperactive brand of self-actualization, which loosely translates as: "Why do something ordinary when you can do something extraordinary?"


    It sums up the reason why, in 1994, music critic Simon Reynolds famously observed: "Goldie revolutionized jungle not once but three times. First, there was Terminator (pioneering the use of time stretching), then Angel (fusing Diane Charlemagne's live vocal with David Byrne/Brian Eno samples to prove that hardcore could be more conventionally musical), now there's Timeless, a 22-minute hardcore symphony." Each of these were moments that shaped the musical fabric of the decade and beyond, presaging Goldie's transition from the underground rave scene into the world of bona fide A- list superstars.


    But it didn't start out like that. The boy who would become Goldie was born Clifford Price on 19 September 1965, just as The Rolling Stones hit the top of the charts with Satisfaction. His dad Clement, originally from Jamaica, had been plying his trade as a foundryman in Leeds. His mum Margaret, who had been born in Glasgow, was a popular singer in the pubs and clubs of the West Midlands. Barely more than a toddler, Goldie was just three when she placed him into foster care (though she kept his younger brother Melvin). He still remembers, he says, the day the social workers came to take him away.


    Over the next 15 years, he bounced between a series of foster homes and local government institutions around the Walsall area. His eclectic musical taste was forged, he reckons, in those same local authority homes listening to the sonic tangle of other teenagers' record collections. "In one room," he says, "a kid would be playing Steel Pulse while through the wall someone else had a Japan record on and another guy would be spinning Human League." On rare visits to see his dad, he'd lie sprawled over the living room couch, listening to Jazz FM, marveling at the lavishly-tooled '80s productions of Miles Davis, Pat Metheny, David Sanborn and Michael Franks, adding further layers to his complex musicography.


    Already developing the irresistible urge to excel that has marked his inimitable musical career, Goldie's first love was roller-hockey. He earned a place as goalkeeper in England's national squad before the lure of music overtook the lure of sport. After discovering electro and hip hop, he grew his hair - the "goldilocks" that won him his nickname - and joined a breakdance crew called the B-Boys in nearby Wolverhampton. He also discovered graffiti. "They called me 'the spray can king of the Midlands'," he says proudly. His talent was undeniable, bringing him to the attention not only of Britain's Arts Council but to Dick Fontaine, producer of a Channel 4 TV documentary on graffiti. Fontaine's 1987 film Bombin' captured a visit to the UK by New York artist Brim Fuentes. Brim met Goldie and his B-Boys crew in Wolverhampton's Heathtown before heading a dozen miles away to Birmingham's Handsworth, where the producer filmed the aftermath of rioting that had left four dead, 35 injured and dozens of stores burned out. Several months later, Fontaine reversed the process and took Goldie to New York, introducing him to hip-hop pioneer Afrika Bambaataa. For Goldie, on his first trip abroad, never mind his first trip over the Atlantic, the Big Apple was love at first sight. Back in Britain, he begged, borrowed and saved until he had enough to fund a return trip to the Bronx.


    "I started painting the trains and getting involved on the streets," he says, remembering his total immersion in what was still, at that point, an emerging culture. Art and music as symbiotic technologies. Rubbing shoulders with the Big Apple's best graffiti artists, his own distinctive style was accelerated and enriched. A move to Miami followed. He worked in the flea markets, he says, "painting trucks for drug dealers" and developing a sideline in gold jewelry that included the distinctive grills that became a trademark on his return to the UK. The magical properties of shaping, working and bending precious metals to his will - as close to alchemy as the modern world gets - became an analogue for the way he prefers to operate in the studio, chasing quicksilver dreams, mercury-fast rivulets of imagination into impossibly lush, breakbeat concertos. Back in Britain, Goldie found himself seduced by the sweetheart of the rave. Though it took him eight attempts to get entry into the club, at London's Rage in 1991 he marveled at the alternate sonic worlds being forged by Fabio and Grooverider behind the decks. "It really flipped me out," he remembers. Soon he found himself in the orbit of Dego McFarlane and Mark Clair. Their label Reinforced was in the vanguard of breakbeat, issuing astonishing records that stripped out boundaries and limits while setting the tone for the scene's sense of adventure. At first, he helped out doing artwork and a bit of A&R. But soon he was in Reinforced's Internal Affairs studio watching intently as Mark and Dego recorded tracks like Cookin' Up Ya Brain and Journey From The Light. "I was watching what they could do," says Goldie, "trying to gauge the possibilities of the technology." Soon he was getting involved. "I remember one session we did that lasted over three days," he says, "just experimenting, pushing the technology to its limits. We'd come up with mad ideas and then try to create them. We were sampling from ourselves and then resampling, twisting sounds around and pushing them into all sorts of places."


    What followed was a series of inspired break-driven releases such as Killa Muffin, Dark Rider and Menace. Then Terminator, with its writhing drum loop, dropped and suddenly Goldie's name was on everyone's lips. He followed up with the equally revolutionary Angel, tilting the axis towards the lush, trippy textures that made 1995's debut album Timeless the drum'n'bass scene's first platinum album. Incredibly, given what was happening elsewhere in the scene at the time, the recording of the album's epic title track began as far back as 1993, when most other producers were still focused on the original sonic tropes of hardcore rave.


    Timeless was a masterpiece - of production, of songwriting, of sonic perfection and breakbeat futurism. Even today, it still sounds as astonishingly new and inspired as it did back on those early pre-release cassettes circulated by London Records in the early months of 1995 when Goldie was still living on the 18th floor of a North London tower block.


    By then, Goldie had already set up his own record label - Metalheadz - with his friends the DJ duo Kemistry and Storm. Along with studio collaborator, Rob Playford's Moving Shadow and LTJ Bukem's Looking Good imprint, Metalheadz helped to define drum'n'bass as a distinct musical format with singles by J Majik, Asylum and Goldie himself. Still bursting with energy, he then launched a legendary club night, Metalheadz Sunday Sessions, at London's Blue Note. The scene's best producers - among them revolutionary artists like Photek, Source Direct, Peshay and Dillinja - would compete to have their latest recordings debuted at the club and the scene's faithful came from far and wide to hear the best tunes before anyone else. "Those nights at the Blue Note were magical," he recalls. "It was an underground phenomenon that became an institution." David Bowie, who was making the drum'n'bass-influenced album Earthling at the time, fell in love with the place. "I remember popping out to take a break from all the madness inside the club," says Goldie. "He was outside having a cigarette, a bit of a breather. We chatted for a bit, looked at each other, grinned and then plunged back into it all. It was just that kind of place."


    Goldie is one of only a handful of artists ever to co-write with Bowie - on the track Truth from the drum'n'bass pioneer's second album Saturnz Return. Released in 1998, the album also saw his vision become more expansive (the opening track, Mother, clocked in at just over an hour). The album's collaborative approach included guest spots from rap legend KRS-One, Sex Pistols manager and all-around provocateur Malcolm McLaren, super-producer Trevor Horn and Oasis main man Noel Gallagher (on the single Temper Temper).


    Fuelled by the limitless creativity that has been the hallmark of his career to date, Goldie next turned to acting. He reunited with Bowie in Andrew Goth's 1999 thriller Everybody Loves Sunshine then took the part of Bullion in the 1999 James Bond movie The World Is Not Enough. Other box office smashes - including Guy Ritchie's crime heist caper Snatch - followed before he joined the cast of BBC1 soap opera EastEnders, playing the gangster Angel Hudson.


    A series of blockbuster TV appearances - on shows such as Maestro (where he learned to conduct an orchestra), Classic Goldie (which saw him perform his own orchestral composition at the Royal Albert Hall in the summer of 2009) and Goldie's Band: By Royal Appointment.


    The orchestral training proved useful. In 2014, he translated his original vision for Timeless into the stunning Timeless (Sine Tempore). Performed live with the Heritage Orchestra at the Wilderness Festival to suitably rapturous acclaim, the performance was repeated the following year as part of the Meltdown Festival at London's Royal Festival Hall. In between, he found time to unveil Fragments Of Gold, a piece inspired by medieval chants that he performed live in Glasgow Cathedral.


    Drum'n'bass, of course, has remained a consistent passion, both through his Metalheadz label and his releases under the Rufige Kru moniker (2007's Malice In Wonderland and 2009's Memoirs Of An Afterlife). "Technologically," he says, "breakbeat has managed to surpass all other forms of music to date. There isn't a recording engineer alive who can tell me there's any other form of music that is more complex than the music we make." Goldie has also recently announced he will be releasing a brand new double album 'The Journey Man' this year. The album comprises two parts, 16 brand new tracks in total, all written and produced by Goldie. It also features a host of collaborators handpicked by Goldie to help realize his vision for the album.


    "I often look at music not so much as a producer but like a director. You're drawing together engineers, performers and arrangers to create something special, something magical. It's like alchemy. The notes, the music, the lyrics, they're all in my head and each element has to be communicated and brought to life to create the finished track. I'm always inspired by great movie directors - people like Stanley Kubrick and PT Anderson - and, if you think about it, it's quite a similar approach. They start off with a vision and then they use that vision to deploy the actors and the cameramen and the editors in order to create the finished film."


    Collaborators on 'The Journey Man' album include vocalist and songwriter Natalie Duncan, who was discovered when chosen in the three-part BBC series 'Goldie's Band By Royal Appointment' and later provided the vocals for Goldie's 2012 single 'Freedom'. Other featured vocalists on the album include Terri Walker, Tyler Lee Daly, Natalie Williams, JosÉ James, Naomi Pryor as well as Goldie's wife, Mika Wassenaar Price.


    'The Journey Man' will be released through Cooking Vinyl and Goldie's own record label, Metalheadz.


    Goldie's love affair with painting has remained consistent too and he continues to exhibit visual work that's just as dazzling as his sonic output. Beginning with Night Writers, the 1986 exhibition at Wolverhampton's art gallery that introduced Goldie and his Supreme Graffiti Team to the British Arts Council, his shows have defined a unique aesthetic that's all his own. And through them all, from 1987's Rockin' The City in Birmingham (where he exhibited alongside Massive Attack's Robert Del Naja) and the 1988 Crucial Creators exhibition in Walsall to more recent gallery events like 2007's Love Over Gold and 2012's Athleticizm collection (including portraits of London Olympics stars such as Victoria Pendleton, Tom Daley and Jessica Ennis), runs a consistent thread of energy, experimentalism and boundary-pushing. His 2013 collection, Lost Tribes, an innovative series of pieces fusing Goldie's style with the artistic expression of the ancient peoples of Africa, Asia and America was, he says, "my most important breakthrough".


    And for the kid who lay awake, gazing at the stars, through the window of a children's home, growing up has brought some surprises. In 2012, he was selected as one of the BBC's New Elizabethans, 60 people - ranging from David Hockney to Roald Dahl, David Bowie and Tim Berners-Lee - who have helped shape British culture during the reign of Elizabeth II. Four years later, he was awarded the MBE in the Queen's New Year Honours. It's acceptance, of course, on a grand scale. But at heart, he's still the gatecrasher, amped-up on ideas, buzzing on nothing but love, hope and the certainty that, while his way might not be the easy way, it's very definitely the path of a true artist.


    - Tim Barr, 2017

    LP 1
    1. Horizons (feat. Terri Walker & Swindle)
    2. Prism
    3. Mountains
    4. Castaway
    5. The Mirrored River


    LP 2
    1. I Adore You (w/ Ulterior Motive)
    2. I Think of You
    3. Truth (feat. Jose James)
    4. Redemption


    LP 3
    1. Tu Viens Avec Moi?
    2. The Ballad Celeste
    3. This Is Not A Love Song
    4. The River Mirrored (feat. Terri Walker)
    5. Triangle
    6. Tomorrow's Not Today
    7. Run Run Run

    Goldie
    $35.99
    Vinyl LP - 3 LPs Sealed Buy Now
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