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Please Please Me
Ranked 39/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Sourced From the Original Master Tapes!
Cut at Abbey Road Studios
Pressed on 180 gram vinyl
Once Please Please Me rocketed to number one, The Beatles rushed to deliver a debut album, bashing out Please Please Me in a day. Decades after its release, the album still sounds fresh, precisely because of its intense origins.
Please Please Me hit the top of the UK album charts in May 1963 and remained there for thirty weeks before being replaced by With The Beatles. This was surprising because the UK album charts at the time tended to be dominated by film soundtracks and easy listening vocalists.
In 2012, Please Please Me was voted 39th on Rolling Stone magazine's list of the 500 Greatest Albums of All Time. It was ranked first among The Beatles' early albums, and sixth of all of The Beatles' albums, with Sgt. Pepper's Lonely Hearts Club Band, Revolver, Rubber Soul, The Beatles (The White Album) and Abbey Road ranked higher.
Rolling Stone also placed two songs from the album on its list of The 500 Greatest Songs of All Time: No. 139, I Saw Her Standing There, and No. 184, Please Please Me. According to Stephen Thomas Erlewine of Allmusic, Decades after its release, the album still sounds fresh, the covers are impressive and the originals astonishing.
A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. Treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs themselves, just polishing them up a bit.1. I Saw Her Standing There
3. Anna (Go To Him)
6. Ask Me Why
7. Please Please Me
8. Love Me Do
9. P.S. I Love You
10. Baby It's You
11. Do You Want To Know A Secret
12. A Taste Of Honey
13. There's A Place
14. Twist And Shout$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Rubber Soul (Awaiting Repress)Ranked 5/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Sourced From the Original Master Tapes
Cut at Abbey Road Studios
Pressed on 180 gram vinyl
From a modern perspective, this is where things start to get very interesting. Breaking out of the routine of squeezing albums between touring, Rubber Soul is the result of their first extended period in the studio.
The production is open and spacious, adorned but not yet overcrowded with new instruments and ideas. The songs themselves are like little Pop Art vignettes, where the lyrics are starting to match the quality of the melodies and arrangements. Even a simple, witty rocker such as Drive My Car is played with such tight grooviness (listen to the synchronised bass and guitar) that it practically sparkles with self-amusement.
Lennon, whose personality and leadership has been strongly at the fore throughout the early Beatles, really raises his game on Rubber Soul, with such thoughtful, breakthrough classics as Norwegian Wood (which showcases Harrison on a sitar), Nowhere Man, Girl and the utterly majestic In My Life (replete with George Martin's flighty harpsichord solo), surely one of the most perfect songs ever written.
Lyrically, McCartney lags behind, but in some ways his lighter, poppier songs help keep Rubber Soul fresh and bubbly, while his melodic bass-playing takes a huge leap forward, propelling everything. There is a crisp innocence about this album, a sense of sweet delight and joyful discovery.
A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. Treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.1. Drive My Car
2. Norwegian Wood (This Bird Has Flown)
3. You Won't See Me
4. Nowhere Man
5. Think For Yourself
6. The Word
8. What Goes On
10. I'm Looking Through You
11. In My Life
13. If I Needed Someone
14. Run For Your Life$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Rubber Soul (Mono)Ranked 5/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
The Beatles' Original Mono Studio Album Remastered At Abbey Road Directly From The Analogue Masters For Vinyl Release By Sean Magee and Steve Berkowitz
Lacquers Cut Using Neumann VMS-80 Lathe
Manufactured For The World At Optimal Media In Germany, The Beatles' Albums Are Presented In Their Original Glory, Both Sonically And In Their Packaging.
The Beatles in mono: This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. The Beatles' nine U.K. albums, the American-compiled Magical Mystery Tour, and the Mono Masters collection of non-album tracks will be released in mono on 180-gram vinyl LPs with faithfully replicated artwork. Newly mastered from the analogue master tapes, each album will be available both individually and within a lavish, limited 14-LP boxed edition, The Beatles In Mono, which also includes a 108-page hardbound book.
In an audiophile-minded undertaking, The Beatles' acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers. Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.
Via Michael Fremer (Analog Planet) on the mastering process:
The EQ applied was based upon the original cutting engineers' notes as well as careful listening to original first lacquer, first mother, first stamper EMI pressings (-1, 1, G matrix). The cartridge used was Ortofon's 2M Black.
It's important to remember that the tapes have aged-some as much as fifty years-and the monitoring, playback and mastering equipment have changed as well, even though the work was done in the very same room in which the originals were mastered. Solid state has replaced tubes in the cutting chain.
Lacquers were cut using Abbey Road Studios' Neumann VMS-80 lathe, equipped with a Neumann SX-74 cutter head. The originals were cut on a Scully lathe, perhaps with a Westrex cutter head.1. Drive My Car
2. Norwegian Wood (This Bird Has Flown)
3. You Won' See Me
4. Nowhere Man
5. Think For Yourself
6. The Word
8. What Goes On
10. I'm Looking Through You
11. In My Life
13. If I Needed Someone
14. Run For Your Life$22.99180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
Punk 45: Burn, Rubber City, Burn - Akron, OH 1975-80Soul Jazz Records' new 'Punk 45' album Burn, Rubber City, Burn charts the rise of the music scene in the mid-west city of Akron, Ohio, at a time when the city and the rubber industry it was associated with was in deep decline. Featuring a fantastic collection of Akron groups including Devo, The Bizarros, Rubber City Rebels, Jane Aire, Chi-Pig, The Waitresses and more. The album follows on from Soul Jazz Records' earlier Punk 45 albums about USA and British punk (Kill The Hippies! Kill Yourself! and There Is No Such Thing As Society) as well as the cover art book Punk 45. Burn, Rubber City, Burn coincides with the release of as a second album about Ohio's early punk scene, Extermination Nights in the Sixth City featuring the music scene of nearby Cleveland.1. The Bizarros - I Bizarro
2. The Waitresses - The Comb
3. Hammer Damage - Laugh
4. Devo - Mechanical Man
5. Tin Huey - Squirm You Worm
6. The Bizarros - Lady Doubonette
7. Chi-Pig - Ring Around The Collar
8. Devo - Auto Modown
9. Rubber City Rebels - Kidnapped
10. Denis Defrange And Mark Frazier - The Manikin Shuffle
11. Jane Aire & The Belvederes - When I Was Young
12. Tin Huey - Puppet Wipes
13. Chi-Pig - Apu Api (Help Me)
14. The Bizarros - Nova
15. Rubber City Rebels - Such A Fool
16. Denis Defrange - Sector Wars
17. Ralph Carney - Closet Bears
18. 15 60 75 The Numbers Band - Narrow Road$29.99Vinyl LP - 2 LPs Sealed Buy Now
OVSE-MOV-1375xBootsy's Rubber Band
Stretchin' Out In Bootsy's Rubber BandImport
Stretchin' Out in Bootsy's Rubber Band (1976) is the first album by American Funk and Soul band Bootsy's Rubber Band, led by James Brown & Parliament Funkadelic alumnus, bassist and vocalist William Bootsy Collins.
On the album, Bootsy's output served up one side of upbeat tracks perfect for getting down & jiggy with it. That certainly is the case on the title track Stretchin' Out, thrusted forward 'on the one' by Collins' pulsating bass.
Then the mood of the music begins to turn incrementally more intimate, so that by the conclusion of the second side, if circumstances warranted, you could end up with an appropriately sexy ballad as a sonic night cap of sorts.
Stretchin' Out In Bootsy's Rubber Band peaked 10th place in 1976 in the R&B Albums Chart.1. Stretchin' Out (in A Rubber Band)
3. Another Point Of View
4. I'd Rather Be With You
5. Love Vibes
6. Physical Love
7. Vanish In Our Sleep$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
OVSE-MOV-9796xBootsy's Rubber Band
Bootsy? Player Of The YearImport
Bootsy? Player of the Year (1978) by Bootsy's Rubber Band featured two hit singles, "Bootzilla", which went to number one on the Billboard Hot Soul Singles charts, and "Hollywood Squares". The album itself peaked at number one on the Billboard Soul Album charts.
This album finds Bootsy at his peak. There isn't a dull moment on Bootsy? Player of the Year. Take for instance, "Hollywood Squares", a song that teeters somewhere between a dance song and a ballad, sometimes picking up the pace, other times slowing it down to a strut.
Bootsy? Player of the Year is one of the most enjoyable P-Funk albums ever. However, by the following year, 1979, it was clear that the P-Funk army was running out of fresh ideas, and Bootsy was no exception. This makes the album even more special in retrospect, because it was among the last of the great P-Funk releases.1. Bootsy? (What's The Name Of This Town)
2. May The Force Be With You
3. Very Yes
5. Hollywood Squares
7. As In (I Love You)$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
OVSE-MOV-1404xBootsy's Rubber Band
Ahh... The Name Is Bootsy, Baby!Import
Produced by George Clinton
Following up on their debut Stretchin' Out In Bootsy's Rubber Band [MOVLP1375], Ahh The Name Is Bootsy, Baby! is the second album by American Funk act Bootsy's Rubber Band, originally released in 1977. The album was produced by Parliament Funkadelic's funk meister George Clinton and bass player & front man William Bootsy Collins. With the help of Clinton, the band has released four LPs in the '70s. This particular album reached number One on Billboard magazine's Top R&B/Soul albums chart.
The band features Bootsy's brother Phelps Catfish Collins, Jr on guitar, Frankie Kash on drums, Frederick Flintstone Allen on drums and James Brown regulars Maceo Parker and Fred Wesley on horns. Guest appearances include saxophonist Randy and trumpeter Michael Brecker, and keyboardist Bernie Worrell, amongst others.
Everything on the album is excellent, that is true of up-tempo smokers like The Pinocchio Theory and the title song as well as slow, moody, eerie offerings such as What's a Telephone Bill? and Munchies For Your Love. The lyrics are consistently humorous and clever, the grooves are consistently infectious. Ahh... The Name Is Bootsy, Baby! bears that distinctive P-funk sound, and is essential listening for lovers of hard 1970s Funk.Side A - El Uno - A Friendly Boo
1. Ahh...the Name Is Bootsy, Baby
2. The Pinocchio Theory
3. Rubber Duckie
4. Preview Side Too
Side B - Un Dos - Geepieland Music
1. What's A Telephone Bill?
2. Munchies For Your Love
3. Can't Stay Away
4. Reprise: We Want Bootsy$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Mr. Tambourine Man (MONO)Ranked 232/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
The Byrds burst upon an already fertile pop/rock music scene in the spring of 1965 with a stunning retooling of Bob Dylan's Mr. Tambourine Man that changed everything. The debut album of the same name that followed, featuring mindblowing folk-rock gems like The Bells Of Rhymney, I'll Feel A Whole Lot Better and Chimes Of Freedom, was so aromatically intoxicating it even lit a fire under the Beatles across the Atlantic, beavering away on Rubber Soul. The Mr. Tambourine Man longplayer is so bountiful it almost doubles as a Byrds greatest hits, volume one. Here Without You and I Knew Id Want You weave a sense of mystery into the Byrds' eerie harmonic tapestry. And All I Want To Do, along with Spanish Harlem Incident, once again, connect Dylan's magic to the pop charts in a way only McGuinn, Crosby, Clark, Hillman and Clarke could pull off.
Unavailable for over 40 years, we're proud to present the first ever reissue of this monumental recording in its original, highly-sought-after mono incarnation, cut directly from the original Columbia Recordings analog mono masters, with perfect artwork restoration and meticulously faithful mastering.1. Mr. Tambourine Man
2. I'll Feel A Whole Lot Better
3. Spanish Harlem Incident
4. You Won't Have to Cry
5. Here Without You
6. The Bells Of Rhymney
7. All I Really Want To Do
8. I Knew I'd Want You
9. It's No Use
10. Don't Doubt Yourself, Babe
11. Chimes Of Freedom
12. We'll Meet Again$28.99Vinyl Mono LP - Sealed Buy Now
Punk 45: Extermination Nights in the Sixth City - Cleveland, OH 1975-80Soul Jazz Records' new 'Punk 45' album Extermination Nights in the Sixth City charts the rise of underground punk in the mid-west city of Cleveland, Ohio, which for many people is the true birthplace of punk music in the mid-1970s. Featuring a fantastic collection of punk 45 singles from Cleveland groups including Pere Ubu, electric eels, The Pagans, Rockets From The Tomb, Mirrors, X-X and more. The album follows on from Soul Jazz Records' earlier Punk 45 albums about USA and British punk (Kill The Hippies! Kill Yourself! and There Is No Such Thing As Society) as well as the cover art book Punk 45. Extermination Nights in the Sixth City coincides with the release of as a second album about Ohio's early punk scene, Burn, Rubber City, Burn - featuring the music scene of nearby Akron.LP1
1. The Pagans - Street Where Nobody Lives
2. Jazz Destroyers - Love Meant to Die
3. Pere Ubu - Final Solution
4. The Broncs - Tele
5. Electric Eels - Splittery Splat
6. The Pagans - Dead End America
7. X - X
8. Defnics - 51%
9. Pere Ubu - Heart of Darkness
1. The Human Switchboard - the Human Switchboard
2. X - X
3. Pressler - Morgan One Plus One
4. The Pagans - I Juvenile
5. Poli Styrene Jass Band - Drano in Your Veins
6. Mirrors - Hands in My Pockets
7. Electric Eels - Bunnies
8. Styrene Money - Everything Near Me
9. Rocket From the Tombs - Life Stinks$29.99Vinyl LP - 2 LPs Sealed Buy Now
SPCO-PUR-5598xIke & Tina Turner
Feel Good (Pure Pleasure)Feel Good, not Curtis Mayfield's Superfly, is the sound of early-'70s pimping - even when the tempo slows down, which happens rarely, it's for a slow blues grind, not a ballad, and songs like Tina's Kay Got Laid (Joe Got Paid) make no apologies for mythologizing pimps. This results in a supremely sleazy, utterly addictive record, one that's relentless in its rhythms and fearless in its funk as Ike lays down nasty rock & roll guitar - check his solos on Feel Good, where he's as elastic as rubber - and Tina tears it up with pure, unbridled passion. Feel Good is quintessentially '70s - the fuzztoned funk practically conjures up platform shoes and mile-wide collars - but it doesn't belong to any one sound, it casually draws from Southern soul, James Brown funk, black pride, Superfly style and juke joint R&B, a sound that is uniquely identified with Ike & Tina. And while this contains no flat-out classics like Nutbush City Limits or Proud Mary as an album Feel Good undoubtedly ranks among their very best: it's a non-stop party.
- Ike Turner, Tina Turner (vocal) & band
Recording: March 1972 by Barry Keene, Ike Turner and Jim Saunders at Bolic Sound, Los Angeles
Production: Gerhard Augustin and Ike Turner
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. Chopper
2. Kay Got Laid (Joe Got Paid)
3. Feel Good
4. I Like It
5. If You Can Hully Gully (I Can Hully Gully Too)
6. Black Coffee
7. She Came In Through The Bathroom Window
8. If I Knew Then (What I Know Now)
9. You Better Think Of Something
10. Bolic$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Briefcase Full Of Blues
Celebrate The New Year With Their Classic # 1 Mega Platinum Debut Album
First Time Audiophile Vinyl Release
Mastered Impeccably From The Authorized & Original1978 Atlantic Records Tapes By Joe "i Got The Blues" Reagoso
After their phenomenal success on Saturday Night Live and a number of smash comedy movies already in
their resume, John Belushi and Dan Akroyd dove headfirst into their love of soul, blues and r & b and began
the Blues Brothers duo, netting them a number one album, top hit singles, a box office smash and acclaim
from purists and blues lovers from all over with their first LP, Briefcase Full Of Blues.
Recorded in 1978 at the Universal Amphitheater in Los Angeles, the late great John Belushi and Dan
Akroyd opened a set before comedian and good friend Steve Martin. To the crowd's amazement, the duo
blasted them a blistering rock 'n' blues performance which was captured on tape for their first album Briefcase
Full Of Blues. They later appeared on SNL and the rest as they say is history, as this stunt became reality in no
time and thus began a short lived but amazing piece of rock and blues history.
Released during the holiday season, the album became a number one smash and netted two smash singles
with the classic nod to the Stax sound with Sam & Dave's "Soul Man" as well as the '50s doo wop
classic, "Rubber Biscuit."
With a stellar musician lineup of classic R & B and traditional blues purists like Steve Cropper and Duck
Dunn from Booker T. & The M.G.'s, Chess Records sideman to the stars Matt "Guitar " Murphy,
saxophone champion Tom Scott and a handful of New York City's finest on the reeds, rounded out with Paul
Shafer on keys, The Blues Brothers were a force to reckon with as their albums would go on to sell in the
millions making them one of the biggest bands in the late seventies into the eighties.
With a stunning set list of righteous blues and soulful interpretations, this masterpiece is filled with nonstop classics like the hard boppin' opener Hey Bartender, blues belters like Junior Wells' "Messin' With The
Kid" and Big Joe Turner's "Flip Flop Fly," plus southern rockers like Delbert McClinton's "'B" Movie Box Car
In addition to these legendary performances, this unique concert recording yielded more with powerhouses
like the smash I Don't Know, King Floyd's Groove Me, and the blues thriller Shot Gun Blues.
Friday Music is no stranger to the blues. Therefore, it is with much honor to announce the first installment
in our Blues Brothers 180 Gram Audiophile Vinyl Series with their brilliant masterwork Briefcase Full Of Blues.
For the first time ever on 180 Gram Vinyl, this limited edition classic was mastered impeccably and
faithfully from the original 1978 Atlantic Records tapes by their Atlantic Records label alumni Joe Reagoso
(John Lee Hooker/ Muddy Waters/Johnny Winter) at Friday Music Studios and Capitol Records in Hollywood,
To enhance your Jake and Elwood experience even further, this stunning limited anniversary edition also
includes the original album cover art, Miami Mitch Glazer's funny liner notes as well as the 12 brilliant tunes
you will truly forever enjoy in the audiophile vinyl domain.
Blues Brothers .Briefcase Full Of Blues The Anniversary Edition, A first time Audiophile Vinyl
Experience . Authorized and Live ..Exclusively from your friends at Friday Music .
I'M A SOUL MAN!!!1. Opening / I Can't Turn You Loose
2. Hey Bartender
3. Messin' With The Kid
5. Rubber Biscuit
6. Shot Gun Blues
7. Groove Me
8. I Don't Know
9. Soul Man
10. "B" Movie Box Car Blues
11. Flip, Flop & Fly
12. Closing / I Can't Turn You Loose$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now