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  • Saudade Saudade Quick View

    $21.99
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    Saudade

    Thievery Corporation, one of the most influential and respected names on the electronic/dance music scene, are pleased to announce their seventh studio album, Saudade, their first record devoted entirely to the Brazilian-born genre that first connected the duo.


    Saudade borrows its title from a Portuguese word meaning "a longing for something or someone that is lost, a contented melancholy, or, simply, the presence of absence." Drawing influence from classic Brazilian performers like Antonio Carlos Jobim, Gal Costa, and Luis Bonfá-along with Serge Gainsbourg, Ennio Morricone, and more modern artists like electro-samba pioneer Isabelle Antena-Saudade achieves its delicate yet deeply sensuous sound with the help of more than a dozen guest musicians. With each track sung by one of five female vocalists (including longtime Thievery cohort LouLou Ghelichkhani, newcomer Elin Melgarejo, Nouvelle Vague singer Karina Zeviani, Argentine chanteuse Natalia Clavier, and former Bitter:Sweet singer/songwriter Shana Halligan), the endlessly mesmerizing album also features such guests as U.N.K.L.E. drummer Michael Lowery, Argentine singer/songwriter Federico Aubele, and master Brazilian percussionist Roberto Santos.


    "We always try to progress into something different and stretch our musical chops, and taking a whole album to dive into this one sound seemed like a really great way to do that," says Eric Hilton. Adds Rob Garza: "It's a bit of a departure for us, but at the same time these are our roots, this is what brought us together. It's us coming full circle from electronic music back to something organic before we move on to our next chapter."

    1. Decollage (feat Lou Lou Gleichkhani)
    2. Meu Nego (feat Karina Zeviani)
    3. Quem Me Leva (feat Elin Melgarejo)
    4. Firelight (feat Lou Lou Ghelichkhani)
    5. Sola In Citta (feat Elin Melgarejo)
    6. No More Disguise (feat Lou Lou Ghelichkhani)
    7. Saudade
    8. Claridad (feat Natalia Clavier)
    9. Nos Dois (feat Karina Zeviani)
    10. Para Sempre (feat Elin Melgarejo)
    11. Le Coeur (feat Lou Lou Ghelichkhani)
    12. Bateau Rouge (feat Lou Lou Ghelichkhani)
    13. Depth Of My Soul (feat Shana Halligan)
    Thievery Corporation
    $21.99
    Vinyl LP - Sealed Buy Now
  • FRKWYS Vol. 11 - Contos De Lisboa FRKWYS Vol. 11 - Contos De Lisboa Quick View

    $23.99
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    FRKWYS Vol. 11 - Contos De Lisboa

    For the the eleventh volume of FRKWYS, an unrestricted series pairing contemporary
    artists with their influential predecessors, gifted guitar squire Steve Gunn meets roving,
    radiating legend Mike Cooper in Lisbon, Portugal.


    Sharing their vision over lengthy living room guitar sessions and evenings of cold wine
    in Fado taverns, Gunn and Cooper created Cantos de Lisboa, an album with variable
    vernacular shades and musical forms from Portugal's antiquity.


    Cantos means "corner" in Portuguese, as well as "chant" or "song" (this latter meaning
    evolved from the Latin antecedent referring to stanzas of verse in poetry). For two artists
    whose roots lie in the country blues and its subverted offshoots, the proverbial "corner"
    is actually home, the undisturbed spot where music can flourish.


    A tranquil interlude for these two travellers to create off-guard improvisations in their
    shared style of deconstructed guitar music, Cantos de Lisboa is a curious detail in the
    periphery of their snapshot of Portugal.


    In his fifty-year-plus career, Cooper's global ventures have transported his music to
    exotic locales parallel to Lisbon. 2004's Rayon Hula musically translated the patterned
    flora of aloha shirts (Cooper's signature garment) as looped samples of famed Hawaiian
    vibraphone player Arthur Lyman for an avant vivified form of exotica.


    Rayon Hula signaled Cooper's vital re-emergence as a dexterous alchemist of slide
    guitar. Cooper's discography is colored with similar instances of casually conceptual,
    improvisatory guitar music, including his 1970 masterpiece Trout Steel (an album Gunn
    recalls in Cantos de Lisboa's liner notes as shaping his own ambitions and music).
    For his part, Gunn's path to Portugal was compelled by his kinship to Cooper and
    his ilk's experimentation with guitar-picked country blues and 70s British folk. Gunn's
    extracurricular immersion in free jazz and psychedelia, no doubt influenced by his
    Philadelphia upbringing and surroundings, ensures his playing never grits or grids and
    always soars to ecstatic heights.


    These musical emblems were gracefully memorialized on Gunn's celebrated Time
    Off (Paradise of Bachelors, 2013) and across a substantial catalog of solo, duo and
    ensemble work that resembles that of a veteran player more than a young guitar
    slinger.


    On Cantos de Lisboa, Gunn and Cooper take emotive cues from Fado, the regional
    music of Portugal, which is in close plaintive spirit to the blues. A melancholy seeps into
    the music, while steering a wide berth from any bummer notes or pastiche. Cooper's
    sparse effects toolkit and stately, gliding cadences are nimbly employed, while Gunn's
    ashen voice and steady strum lend an intensely organic feel to the album's improvisatory
    portraits.


    The latter half of Cantos de Lisboa echoes the "saudade" theme as referenced in
    the blissful opening track, Cooper's howl spiriting the Portuguese word that translates
    roughly into "loss" or "longing." Saudade is said to be the core feature of Fado music. In
    Cantos de Lisboa, Saudade becomes a spirit inhabiting the album's corners, but never
    disrupting the musicians' collaborative evocations.


    In the hands of these two limitless guitarists, Cantos de Lisboa convenes in an abstract,
    almost field recorded take on lap-steel and American Primitive guitar styles. For the
    brief idyll, Gunn and Cooper's collaboration is remarkably rich, marking their passage
    through Portugal not just as a time to revel in an ancient city, but a time for focused
    collaboration and creative consonance.

    1. Saudade Do Santos-o-Velho
    2. Pena Panorama
    3. Song For Charlie
    4. Pony Blues
    5. The Enchanted Moura
    6. Lampedusa 2013
    7. Saramago
    Mike Cooper & Steve Gunn
    $23.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Silt (Awaiting Repress) Silt (Awaiting Repress) Quick View

    $15.99
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    Silt (Awaiting Repress)

    Wonderwheel Recordings is proud to present the debut album, Silt, from Sudanese singer Alsarah and her band the Nubatones. Called "The New Star Of Nubian Pop" by The Guardian, the album was produced solely by Alsarah who describes the sound of Silt as "East African Retro Pop". It's music that harkens back to the hazy sounds of 1960s and 70s Nubian music with it's haunting instrumentation, soaring vocal melodies, and pentatonic arrangements.


    The album has it's musical roots in the Nubian "Songs of Return" that began to spring up after mass displacement and resettlement of hundreds of thousands in a region of lower Nubia that Went under water after Egypt built Aswan High Dam to Control the flooding of the Nile in 1970. The focus of these songs, both thematically and lyrically is about a return to home and the beauty of home and embodies a certain kind of saudade - a nostalgic longing for a place that no longer exists. The album encompasses Alsarah and her band's musical Curiosities around Concept of migration being all displaced immigrant themselves. Silt is their take on ' L ' the music of this time and place mixed with the fusion goings-on of Khartoum, along with Arabic and North African influences appearing in the mix.


    Alsarah, is a Sudanese born singer, songwriter and ethnomusicologist. Born in the capital city of Khartoum, where she spent the first 8 years of her life, she relocated to Taez, Yemen with her family to escape the ever stifling regime in her native country. She abruptly moved to the US in 1994, when a brief civil war broke out in Yemen. Now residing in Brooklyn, NY, she is a self-proclaimed practitioner of East-African retro-pop. Working on various projects, she most recently has been working with The Nile Project and was featured on their debut release, Aswan (named one of the top 5 must hear International albums of 2013 by NPR). She has also collaborated with French producer Dêbruit on the album Aljwal, released this past November via Soundway Records.


    The Nubatones started out as dinner conversation between Alsarah and percussionist Rami El Aasser in his living room, digging thru archives of old music from North Africa, and reading about migration patterns in modern day Nubia, Soon the conversation opened into a musical one and spread to include master Oud player and Luthier Haig Manoukian and bass player Mawuena Kodjovi. With a collective love for pentatonic music and a common understanding of what it means to be an immigrant, the group Went on to perform both nationally and internationally at prestigious venues such as The Kennedy Center, The Apollo Music Cafe, Celebrate Brooklyn at Prospect Park, The World Music festival in Chicago, and The Festival du Mon'd Arab in Montreal just to name a few.

    1. Habibi Taal
    2. Soukura (It's Late)
    3. Nuba Noutou
    4. Oud Solo
    5. Bilad Aldahb
    6. Fugu (Shams Alhurria)
    7. Rennat
    8. Wad Alnuba feat. Sounds of Taraab
    9. Yanas Baridou
    10. Nuba Drums (Solo)
    11. Jibal Alnuba
    Alsarah & The Nubatones
    $15.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • The House At Sea The House At Sea Quick View

    $18.99
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    The House At Sea

    Amor de Días, the collaboration between Alasdair MacLean (The Clientele) and Lupe Núñez-Fernández (Pipas), release their sophomore album The House at Sea. While debut Street of the Love of Days took three years to make, The House at Sea was recorded and mixed in only nine days. As a result, the sessions centered around a smaller band-the twin Spanish guitars and voices of Núñez-Fernández and MacLean, and an occasional rhythm section of James Hornsey and Howard Monk, both formerly of The Clientele. The fast pace of the sessions resulted in a rawer, more urgent album, recorded by Brian O'Shaughnessy (My Bloody Valentine, Primal Scream, Denim, Birdie) on 1970s valve equipment with a feeling for space and a deliberately limited palette, all the elements of which had to count. The House at Sea is a snapshot of a year's songs written in London and Madrid. There are pop songs, delirious dream accounts, strange lyrical puzzles, and stories from the city and the suburbs. The theme of the sea threads its way throughout the record along with a gentle sense of drifting and departure, of being lost, of saudade-a sadness at lost things.
    1. Voice in the Rose
    2. In the Winter Sun
    3. The House at Sea
    4. Day
    5. Jean's Waving
    6. Hampshire Lullaby
    7. Viento del mar
    8. The Sunlit Estate
    9. Piedras rotas
    10. Same Old Night
    11. Under the Glass
    Amor De Dias
    $18.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
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