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The Good Feeling
Available on Audiophile 180 gram Vinyl for the First Time!
2012 Grammy Winner - Best Large Jazz Ensemble!
The good feeling you are about to feel is the kind that can only be derived by the collective efforts of players at the peak of their powers assembled and led by the one and only Christian McBride! The bassist with the mostest hosts an aggregation of players here including his own bandmate Steve Wilson, multi-reedman Ron Blake, trumpeter Nicholas Payton and his close personal friend, vocalist Melissa Walker. McB arranges and conducts the project, which has been a life-long dream of his. They don't call it brass for nothing! 180 gram double vinyl pressing from Mack Avenue Records.
- Christian McBride (bass, arranger, conductor)
- Steve Wilson (alto sax, flute)
- Todd Bashore (alto sax, flute)
- Ron Blake (tenor, soprano sax, flute)
- Todd Williams (tenor sax, flute)
- Loren Schoenberg (tenor sax)
- Carl Maraghi (baritone sax, bass clarinet)
- Frank Green (trumpet)
- Freddie Hendrix (trumpet)
- Nicholas Payton (trumpet)
- Nabate Isles (trumpet)
- Steve Davis (trombone)
- Michael Dease (trombone)
- James Burton (trombone)
- Douglas Purviance (bass trombone)
- Xavier Davis (piano)
- Ulysses Owens, Jr. (drums)
- Melissa Walker (vocals)LP1
1. Shake 'n Bake
3. Brother Mister
4. When I Fall In Love
5. Science Fiction
1. The Shade of the Cedar Tree
2. The More I See You
3. I Should Care
4. A Taste of Honey
5. Bluesin' In Alphabet City
6. In A Hurry$27.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Beethoven: Symphonies Nos. 4 & 5 (Speakers Corner)Schoenberg, Zemlinsky, Korngold - Bruno Walter knew them all: musicians who sought refuge from the henchmen of the Nazi Party in the New World and found artistic fulfilment there. And they all knew him and his meteoric rise to success at all the great houses in Europe. Formed by working with Gustav Mahler in Hamburg, under whose wing he rose from rÉpÉtiteur to Chorus Director and then to Kapellmeister, Walter took on further posts as Chief Conductor in Vienna, Munich and Leipzig where the talented artist matured to become a true maestro.
Just when the aged Walter was wanting to retire into private life, Columbia motivated him to record several symphonic works - including Beethoven's Symphonies - at a time when stereo recording, with its previously undreamt technical possibilities, was just dawning. Even without any knowledge of the still existent recordings of the rehearsals of the Fourth and Fifth Symphonies, the final recording reflects the lifelong experience and meticulousness of the great conductor. In a taut and relaxed manner, and certainly not mellowed with age, Walter brings the scores to glow. The players weave a web that holds the formal symphonic components together with sophistication and richly contrasted, whereby the conductor's love for tonal detail manifests itself in easily identifiable instruments.
This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.
- Ludwig van Beethoven (composer)
- The Columbia Symphony Orchestra conducted by Bruno Walter
Recording: January and February 1958 at American Legion Hall, Hollywood, USA
Production: John McClure
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.Symphony No. 4 In B-flat Major, Op. 60
1. Adagio; Allegro Vivace
3. Allegro Vivace. Trio. Un Poco Meno Allegro
4. Finale: Allegro Ma Non Troppo
Symphony No. 5 In C Minor, Op. 67
5. Allegro Con Brio
6. Andante Con Moto
7. Scherzo (Allegro Vivace)
8. Finale: Allegro$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
- Ludwig van Beethoven (composer)