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  • The Secret Sisters The Secret Sisters Quick View

    $24.99
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    The Secret Sisters

    The Alabama-reared siblings, Laura and Lydia Rogers, whose new album is steeped in the familial camaraderie and mesmerizing harmonies braced by their Mussel Shoals roots, recorded their inaugural musical effort at Nashville's renowned Blackbird Studio. Produced by revered county knob-turner Dave Cobb (Waylon Jennings and Jamey Johnson), and executive-produced by T-Bone Burnett, The Secret Sisters' sound captured on their debut has been described by Burnett as as close to pure as it gets, and I've been doing this for forty years.



    Recorded in a marathon two-week recording session, the producers also brought in vintage analog recording equipment and vintage microphones, determined to properly capture the sisters' magical harmonizing and stunning vocal power. Their signature sound is evident on songs such as Why Don't Ya Love Me, Why Baby Why, and the lifting anthem Tennessee Me, among others.



    The Secret Sisters co-wrote several of the songs on the new album and reworked found treasures, including the Frank Sinatra classic Something Stupid. They also enlisted the support of legendary country musicians such as pedal steel great Robbie Turner and piano legend Pig Robbins, among others.

    1. Tennessee Me
    2. Why Baby Why
    3. The One I Love Is Gone
    4. My Heart Skips A Beat
    5. Somethin' Stupid
    6. I've Gotta Feeling
    7. Do You Love An Apple
    8. All About You
    9. Waste The Day
    10. Why Don't You Love Me
    11. House Of Gold
    Secret Sisters, The
    $24.99
    Vinyl LP - Sealed Buy Now
  • Put Your Needle Down Put Your Needle Down Quick View

    $23.99
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    Put Your Needle Down

    The Secret Sisters' incredible story is as simple and true as the effortless harmonies that got them here. Begin anywhere -- the thick and fertile brambles
    of their own family history or light upon the branches of the wondrous, fractal menagerie that makes up their self-titled debut album. The pair of Alabama
    sisters direct from Muscle Shoals (barely twenty-somethings themselves) caught the attention of T Bone Burnett, who signed on as Executive Producer of
    their debut album after spending time with Laura and Lydia and hearing them sing live, and is releasing the album on his new label created especially for
    this release -- Beladroit. As Burnett explains, I have been making music for over forty years and The Secret Sisters album is as close to pure as it gets.


    Their self-titled debut album consists of ballads, originals, and cover songs such as Why Don't Ya Love Me?, Why Baby Why, and the Frank Sinatra
    song Somethin' Stupid. The album also includes two originals written by Laura Rogers: Tennessee Me and Waste the Day. The album was recorded
    in two weeks at Blackbird studios. Their eleven-song debut was produced by Dave Cobb, who has worked with artists such as Waylon Jennings and
    Jamey Johnson, and also executive produced by T-Bone Burnett. The Secret Sisters brough in studio musicians such as steel guitar player Robbie
    Turner and pianist Pig Robbins. Also included on the album is a cover of the 60s rock song by then teenage singer Nancy Baron I've got a Feeling,
    written by Wally Zober and C. Laverne. The album was also recorded with classic analog equipment. The production team and the Sisters utilized vintage
    microphones and classic recording techniques, down to the same type of tape they would have used fifty years ago.

    1. Rattle My Bones
    2. Iuka
    3. Dirty Lie
    4. The Pocket Knife
    5. Let There Be Lonely
    6. Black And Blue
    7. Lonely Island
    8. I Cannot Find A Way
    9. If I Don't
    10. Good Luck, Good Night, Goodbye
    11. Bad Habit
    12. River Jordan
    The Secret Sisters
    $23.99
    Vinyl LP - Sealed Buy Now
  • Brothers and Sisters of the Eternal Son Brothers and Sisters of the Eternal Son Quick View

    $16.99
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    Brothers and Sisters of the Eternal Son

    Damien is out of his goddamn mind.


    This isn't a recent development, but it's an important aspect of his work that often goes ignored. In place of
    this key element is the idea that his music is a sober and in-depth excavation of the American landscape and
    rural psyche. Well, folks,I'm sorry, but it's not.


    Damien Jurado is every character in every Damien Jurado song. He is the gun,the purple anteater,the paper
    wings, the avalanche, the airshow disaster, Ohio, the ghost of his best friend's wife. It is a universe unto its
    own,with it's own symbolism, creation myth, and liturgy. You might go as far as to call it a religion, and your
    religion is a character in his religion.


    Level with me. You're reading this because of Damien Jurado's new album,Brothers and Sisters of the Eternal
    Son (produced by Richard Swift). You are a progressive minded, left-leaning person who in parlor-style
    conversation regarding the globo-political ramifications of Sky Person relationships laughs knowingly so as
    not to be judgmental and very reasonably concedes "Well, I don't believe He's some old man with a beard
    sitting up in the clouds" at which point everyone agrees on [insert benign middle-ground] and moves on.


    Consider this:What if the only way to understand a religion is to create your own?


    Who is this Silver community? Where the hell are they in the Bible? Is this heresy? Agnostic reference? Isn't
    this sun business a little, I don't know, animistic? Pagan? Go ahead and answer that question for yourself. I'll
    give you a second.


    Do you understand the music any better?


    You know that adage we all use so we have something to say while we shrug our shoulders? "People change"?
    That one. Is that applicable to Jesus Christ? Maybe he's been on a personal journey of discovery since he
    ascended. He went through the 60's, 70's,he turned on,tuned out, got disillusioned. Why can't we talk about
    that Jesus? Does it have to be the old-timey one all the time? American folk Jesus,ugh. The one who's always
    winning Best Soundtrack Oscars for people. Rarely do stories of faith make us identify with Jesus. It's
    Abraham, Satan, Silver Timothy, Salome, Dr.J, Saul of Tarsus; divinely imperfect brothers and sisters who give
    Gawd something to do.


    Damien Jurado made up his own Jesus because a Damien Jurado album needs a beautiful Jesus. Some freaky
    space Jesus that I don't recognize. The name is the same, a lot of the imagery is the same, but he's reborn.
    Born again,I mean. Yeah, as if Jesus got born again. That's what this album sounds like.


    Jesus is out of his goddamn mind and I want to live in Damien's America.


    Sign me up.


    --- Father John Misty; 09-20-2013

    1. Magic Number
    2. Silver Timothy
    3. Return To Maraqopa
    4. Metallic Cloud
    5. Jericho Road
    6. Silver Donna
    7. Silver Malcolm
    8. Silver Katherine
    9. Silver Joy
    10. Suns In Our Mind
    Damien Jurado
    $16.99
    Vinyl LP - Sealed Buy Now
  • Sister Big Stuff Sister Big Stuff Quick View

    $24.99
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    Sister Big Stuff

    Grammy-nominated bluegrass sensation, The Steep Canyon Rangers proudly present their debut Rounder Records effort Nobody Knows You. Grammy nominated for their collaboration with icon Steve Martin, these personable young musicians are as Steve puts it, "not only great musicians who continue to explore both the new and old styles of bluegrass and bring a fresh energy to the traditions of American music, but they are also really fun on a bus."


    Deft musicianship, impeccable songwriting, distinctive vocals, and creative arrangements are just some of the qualities that set The Steep Canyon Rangers apart from the rest of the pack. Unafraid to break the mold, whether taking the unexpected musical turn or bringing home the surprising lyric, it's no wonder that Martin chose them as just the right band to record and tour with. Nobody Knows You is the most adventurous and fully realized accomplishment The Steep Canyon Rangers have achieved to date.


    Guitarist Woody Platt's take on Nobody Knows You to No Depression, I think this record is an obvious step for us if you were to go back and listen to all of our records in order. To me, Nobody Knows You has the most depth from start to finish, and I believe that it features our best songwriting to date.


    He adds, Although it is a bluegrass album, and we are very proud to be a bluegrass band, there are elements of pop, honky-tonk, jazz and rock and roll all kind of mixed into the album. The variety of the record will hopefully enable us to reach a larger audience of music fans, and not limit it to only bluegrass fans. Compared to our previous discography, I'd say that this record has the best chance to have a broad appeal.

    1. South Of The Border
    2. Still
    3. Protection
    4. Why Not Tonight
    5. Wish Your Picture
    6. Sata A Masa Gana
    7. Sister Big Stuff
    8. Stand Accused
    9. Bridge Over Troubled Waters
    10. Stick By Me
    11. Young Gifted And Black
    12. Cool Operator
    Prince Buster
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Cast The Same Old Shadow Cast The Same Old Shadow Quick View

    $17.99
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    Cast The Same Old Shadow

    A native of Muscle Shoals, Alabama - and part of the growing music scene there (Alabama Shakes, Secret Sisters, Civil Wars etc) Twenty-three year old Dylan was practically raised in the legendary Fame Studios where his dad was a regular player, and where people like Otis Redding, Wilson Pickett, Etta James and countless others recorded.


    Fame's head, Rick Hall, signed Dylan to its publishing arm. Part of the deal was that Dylan got access to the studio, where he recorded both his debut album Paupers Field (2010) and the bulk of the forthcoming follow-up Cast The Same Old Shadow.

    1. Part One: The End
    2. Innocent Sinner
    3. Brother
    4. Diamonds and Pearls
    5. Where Are You Now
    6. Chesapeake Land
    7. The Ties That Bind
    8. Comfort Me
    9. Cast the Same Old Shadow
    10. Lonesome Waltz
    Dylan LeBlanc
    $17.99
    Vinyl LP - Sealed Buy Now
  • More Rain More Rain Quick View

    $18.99
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    More Rain

    M. Ward has released a string of acclaimed solo albums over the past
    several years, along with five LPs with Zooey Deschanel as She & Him
    and a 2009 collaborative album with My Morning Jacket's Jim James
    and Bright Eyes' Conor Oberst and Mike Mogis under the moniker
    Monsters of Folk. In addition to his celebrated work as a musician,
    Ward is an accomplished producer, handling those duties for such
    luminaries as Mavis Staples, Jenny Lewis, and Carlos Forster as well as
    his own musical projects.


    More Rain, Ward's eighth solo affair, finds the artist picking up the
    tempo and volume a bit from his previous release, 2012's A Wasteland
    Companion. Where that record introspectively looked in from the
    outside, More Rain finds Ward on the inside, gazing out. Begun four
    years ago and imagined initially as a DIY doo-wop album that would
    feature Ward experimenting with layering his own voice, it soon
    branched out in different directions, a move that he credits largely to
    his collaborators here who include R.E.M.'s Peter Buck, Neko Case,
    k.d. lang, The Secret Sisters, and Joey Spampinato of NRBQ. The
    result is a collection of upbeat, sonically ambitious yet canonically
    familiar songs that both propel Ward's reach and satisfy longtime fans.

    1. [More Rain]
    2. Pirate Dial
    3. Time Won't Wait
    4. Confession
    5. I'm Listening (Child's Theme)
    6. Girl From Conejo Valley
    7 .Slow Driving Man
    8. You're So Good to Me
    9. Temptation
    10. Phenomenon
    11. Little Baby
    12. I'm Going Higher
    M. Ward
    $18.99
    Vinyl LP - Sealed Buy Now
  • Dangerous Things Dangerous Things Quick View

    $21.99
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    Dangerous Things

    Dan Layus is set to release his debut album, Dangerous Things, via Plated Records.


    Dangerous Things spans influences from Hank Williams to Tom Waits, from Dwight Yoakam to Woody Guthrie. The album was recorded in Nashville at SouthxSea Studios with minimal production. The lyrics are about life's struggles and its simple joys, and harmonies are provided by Muscle Shoals' own Secret Sisters.


    Primarily known as the frontman of the critically acclaimed band Augustana, Layus explains, "I always knew this album was out there waiting, I just had to let it come to me. That was the most challenging part of this record. It was three years of repeatedly realizing I was trying too hard to write a perfect song. It all started to make sense and feel good as soon as I stopped treating songwriting like it was songwriting. Somewhere along the way I decided that if an idea was going to turn into a song on this album, then it had to be written organically and purely. It had to be an inspired moment that was unfolding melodically, musically and lyrically, all while making me feel something. Subsequently, that's how I recorded the songs-I played the song live a few times in front of some microphones and when I felt something real happen, we moved onto the next one. The songs and recordings on this album are inspired by other people's stories and informed by my own experiences and I've never felt more proud or comfortable sharing an album as I feel with this one."

    1. Dangerous Things (feat. The Secret Sisters)
    2. Driveway
    3. Four Rings (feat. The Secret Sisters)
    4. You Can Have Mine (feat. The Secret Sisters)
    5. Only Gets Darker (feat. The Secret Sisters)
    6. Call Me When You Get There
    7. Let Me Lose You
    8. Fell In Love On A Beach
    9. Destroyer
    10. Enough For You
    11. The Nightbird (feat. The Secret Sisters)
    Dan Layus
    $21.99
    Vinyl LP - Sealed Buy Now
  • Side Pony Side Pony Quick View

    $20.99
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    Side Pony

    Lake Street Dive announce their Nonesuch Records debut album, Side Pony. The four band members-drummer Michael Calabrese, bassist Bridget Kearney, singer Rachael Price, and guitarist/trumpeter Michael McDuck Olson-worked with Nashville-based producer Dave Cobb (Sturgill Simpson, Chris Stapleton, Secret Sisters) on the record.


    Side Pony takes its name from a song on the record that refers to a whimsical hairstyle, but it also serves as a metaphor for Lake Street Dive's philosophy and personality as a band. As Kearney puts it, When we were settling on the album title, that one just stuck out to us as embodying the band's spirit. We've always been this somewhat uncategorizable, weird, outlying, genre-less band. That's the statement we wanted to make with this record: be yourself.


    Olson echoes her sentiment: It has also come to mean anything you're doing for the sheer joy of it. We have always 'rocked our side pony.' Now we have a convenient phrase for it.


    Cobb's working method was to keep the recording fast and loose, as live-in-the-studio as possible, and to embrace the unorthodox. This provided Lake Street Dive with a welcome challenge: an opportunity to experiment with sound and arrangements and to collaborate on songwriting in a way the band had never attempted before.


    Calabrese says of the recording process, Dave's process was mercurial, changing direction quickly, going from 'we don't have anything' to 'we've got it!' He continues, We weren't always so sure. But then we'd listen to a comp and we'd agree that he'd heard something we hadn't.


    Price adds, It was great to see, through this particular recording process, how beautifully our individual strengths complement each other.

    1. Godawful Things
    2. Close to Me
    3. Call Off Your Dogs
    4. Spectacular Failure
    5. I Don't Care About You
    6. So Long
    7. How Good It Feels
    8. Side Pony
    9. Hell Yeah
    10. Mistakes
    11. Can't Stop
    12. Saving All My Sinning
    Lake Street Dive
    $20.99
    Vinyl LP - Sealed Buy Now
  • My Funny Valentine My Funny Valentine Quick View

    $34.99
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    My Funny Valentine

    Numbered, Limited Edition


    Historic Recording Captures Elegant Ballads Performed at February 1964 Concert


    Audiophile Reference-Standard Sound: Album Boasts Lifelike Tones, Balances, Images, and Ambience


    Davis Taps Divine Inspiration: Compositions Marked by Deep Emotions, Spontaneous Brilliance, Sensitive Beauty, and Sublime Poignancy


    Miles Davis' My Funny Valentine marks several historic turning points. For Davis, the live album represents the final time on record he'd perform standards rather than original compositions. It also stands as one of the last documents made by the same band that created Seven Steps of Heaven. As such, the work teems with bebop melodicism yet steers clear of Davis' oft-controversial avant-garde leanings. Most significantly, however, the set captures the ballads performed at a benefit concert from New York's then-new Philharmonic Hall just months after President Kennedy's assassination. Tapping into a seemingly divine inspiration, Davis never sounded so elegant or poetic.


    Boasting gorgeous sound and pressed on 180g LP at RTI, Mobile Fidelity's choice reissue of the trumpeter's scintillating work bookends the label's release of Four & More from the same show and features similar enhancements relating to depth, presence, dynamics, clarity, and ambience. Presented in reference-standard fidelity, the record boasts balances, tonalities, and airiness that duplicate the experience of witnessing live jazz in an acoustically ideal hall. The images of each individual instrument, the decay of the notes, the inner reaches of the piano, and symmetry of the horns-all are rendered with palpable detail. This is the very definition of reach-out-and-touch-it realism.


    Staged as a benefit to support voter registration in the South, the February concert came amidst the height of the Civil Rights movement, a cause dear to Davis' heart. Yet unforeseen circumstances raised the stakes. Having professed his admiration for Kennedy years prior, Davis appears to approach the compositions on My Funny Valentine (and, in particular, the title track) as homage to the fallen leader, a collective soliloquy comprised of pieces shot through with deeply emotional passages, spontaneous brilliance, sensitive beauty, and sublime poignancy. Elegiac moods permeate the performances; Davis and his Harmon mute paint with intricate brushstrokes.


    Pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams are their leader's equal, and would continue with Davis until later in the decade, helping form what's now known as the "second great quintet." But the secret weapon on both My Funny Valentine and its sister Four & More arrives in the form of tenor saxophonist George Coleman, whom jazz experts Brian Morton and Richard Cook deem "one of the unsung heroes of modern jazz." His lines are subtle and sophisticated, straight ahead but capable of unanticipated direction, and here, he comes into his own. As does the entire band.


    Indeed, the combination of introspective chemistry, lyrical reach, and telepathic communication demonstrated by the quintet on My Funny Valentine arguably exceeds that on any of Davis' myriad other live efforts. One listen confirms something special transpiring, and on this Mobile Fidelity reissue, those properties are rendered in a manner that's as transparent to the source as humanly possible. Do not miss this.


    This title is not eligible for discount.

    1. My Funny Valentine
    2. All of You
    3. Stella By Starlight
    4. All Blues
    5. I Thought About You
    Miles Davis
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Visions Of Us On The Land Visions Of Us On The Land Quick View

    $22.99
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    Visions Of Us On The Land

    "Damien Jurado is every character in every Damien Jurado song. He is the gun, the purple anteater, the
    paper wings, the avalanche, the air show disaster, Ohio, the ghost of his best friend's wife."

    - Father John Misty


    Providing the ideal entry point for neophytes and an intoxicating aural high for the faithful, Damien
    Jurado's new opus extends the hot streak ignited by 2012's Maraqopa and its 2014 follow-up Brothers and
    Sisters of the Eternal Son. Cut once again with label-mate and super producer Richard Swift at the latter's
    National Freedom recording facility in rural Oregon, Visions of Us On The Land completes the tale of an
    individual who has had to disappear from society in order to discover some universal truths.

    1. Amateur Night
    2. Omaha
    3. Abilene
    4. Texas To Ohio
    5. Window
    6. I Can't Get Over You
    7. Intoxicated Hands
    8. Tether
    9. Matinee
    10. Bad Dreams
    11. Abilene (demo)
    12. I Can't Get Over You (demo)
    13. The Killer (demo)
    14. Amateur Night (demo)
    15. Omaha (demo)
    16. Smith 1972 (Just In Time For Something EP)
    17. Motion Sickness (Just In Time For
    Something EP)
    18. Night Out For The Downer (Just In
    Time For Something EP)
    19. Prices (Just In Time For Something
    EP)
    20. Engine Fire (Just In Time For
    Something EP)
    Damien Jurado
    $22.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Feeling The Space Feeling The Space Quick View

    $23.99
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    Feeling The Space

    If you've listened to Feeling the Space, Yoko Ono's personal-is-political 1973 album, it should come as no surprise that the once-reviled artist is inspiring a new generation of activists in 2017.On such songs as the righteous chant "Woman Power," the empathetic ballad "Angry Young Woman," the hilarious proto-grrrl "Potbelly Rocker," and the satirical "Men Men Men," Yoko sings in surprisingly straightforward fashion about the burdens carried by women and the mandate for feminism. Supported by such skilled studio vets as guitarist David Spinozza, sax player Michael Brecker, and drummer Jim Keltner, this is perhaps Yoko's most accessible album,and her most intimate.

    Feeling the Space was recorded during the time when the avant-garde visionary artist became estranged from her rock-star husband John Lennon. He plays only briefly on the album (billed as Johnny O'cean); she produced and wrote all the songs. The result is a definitive soundtrack/document of the era of consciousness raising and of radical critique of the family structure. Yoko and company deliver this hard message soft rock style, or as soft as Yoko could get. Yoko was on the front lines of the women's liberation movement. Dedicated "to the sisters who died in pain and sorrow and those who are now in prisons and in mental hospitals for being unable to survive in the male society," it's an emotional exploration of the psychological toll of oppression.

    1. Growing Pain
    2. Yellow Girl (Stand By For Life)
    3. Coffin Car
    4. Woman Of Salem
    5. Run, Run, Run
    6. If Only
    7. A Thousand Times Yes
    8. Straight Talk
    9. Angry Young Woman
    10. She Hits Back
    11. Woman Power
    12. Men, Men, Men
    Yoko Ono
    $23.99
    Vinyl LP - Sealed Buy Now
  • Instant Replay Instant Replay Quick View

    $29.99
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    Instant Replay

    The Monkees have been one of the world's most enduring rock and pop acts of all time. Since their beginnings in 1966, their television show, multiplatinum albums, hit singles and concert tours truly made The Monkees one of the most colossal stories in the music business. In 1969, Davy Jones, Michael Nesmith and Micky Dolenz went back to the studio as a trio this time and recorded the classic Instant Replay album. Noted for their hit single Tear Drop City, this masterwork also found The Monkees reuniting with the production team of Tommy Boyce and Bobby Hart for several of the tracks as well as previous team Monkees writers like Carole King and Neil Sedaka, and highly touted producers like Bones Howe (The Association/Tom Waits) and Shorty Rogers and resulted in some of the finest collaborations ever with this superstar act. Instant Replay also offered the first look at Michael Nesmith's experimental and groundbreaking recording sessions in Nashville as well as solid compositions from all three Monkees.


    Opening up with the pop rocker Through The Looking Glass, Micky Dolenz is on top of his game vocally with a brilliant background of horns, Bobby Hart on piano and guitar work by legends Keith Allison (Paul Revere & The Raiders) and Gerry McGee (The Ventures/John Mayall). A major fan favorite, this classic was performed at many of the reunion concerts over the years. The late great Davy Jones belts out another Boyce and Hart classic with the haunting ballad Don't Listen To Linda. The tune truly resonated with the fans back then and continues to be one of the more appreciated classics in his long list of time tested Monkees favorites. Carole King and Gerry Goffin's I Won't Be The Same Without Her features a strong vocal performance by Michael Nesmith and the stunning guitar work of both Monkees' Peter Tork and Glen Campbell. A real summer time feeling song, this track would be a nice bridge to Micky Dolenz's orchestral masterpiece Just A Game.


    It is no secret that Nesmith was a fan of country music, but also lauded as one of the first pioneers of the country rock genre, not only with his contributions to the earlier Monkees' recordings as far back as Papa Gene's Blues, even for other noted artists like Linda Ronstadt for whom he penned her first smash single Different Drum. For the Instant Replay album, Nesmith ventured to Nashville's RCA Studios and cut Don't Wait For Me, the first released tune from his now famous Nashville sessions. With the fusion of country studio players and the voice and guitar of Michael Nesmith, The Monkees again were on the forefront of this new genre and would continue with this groundbreaking sound ever more so into future classics like The Monkees Present.


    As the '60s would come to a close, Davy Jones would also contribute his major impact on the generation with his truly hip and psychedelic masterpiece You And I. Noted for its hard rock opening to side two, the track also features the stunning lead guitar textures of Neil Young who recently departed with The Buffalo Springfield. More favorites like Nesmith's While I Cry is one of the artist's finest compositions of the era. With Mike's beautiful acoustic guitar work and help from friends like Harry Nilsson, this ballad would truly become one of the more enduring songs from this 1969 classic Monkees album.


    Neil Sedaka and Carol Bayer Sager contribute one of the classiest Monkees ballads ever with The Girl I Left Behind Me. Once again, the late great Davy Jones provides a superstar vocal second to none, with a soulful orchestra fill and band setting featuring the production and skillful piano work of Neil Sedaka, while Micky Dolenz would close out the album with his classic Shorty Blackwell. The whimsical tale of Micky's cat and a nod to his friends The Beatles' A Day In The Life, Shorty Blackwell would take almost a year to record and feature a bevy of the original wrecking crew of Hollywood musicians like drummer Jim Gordon (Eric Clapton/Traffic), Tommy Tedesco on guitar and even his sister Coco Dolenz on vocals. This track along with the other eleven tunes make this one of the more enduring and loved albums in the superior catalog of Monkees classics.


    Friday Music is once again very honored to announce the continuation of The Monkees Friday Music 180 Gram Audiophile Series with the re-release of their 1969 masterwork Instant Replay. Mastered by Joe Reagoso (The Monkees/Elvis Presley/Brian Wilson) from the original Colgems Records tapes at Friday Music Studios, this first time audiophile vinyl release is also for a very short time being offered in limited edition red vinyl as well as a first time gatefold cover presentation.

    1. Through The Looking Glass
    2. Don't Listen To Linda
    3. I Won't Be The Same Without Her
    4. Just A Game
    5. Me Without You
    6. Don't Wait For Me
    7. You And I
    8. While I Cry
    9. Tear Drop City
    10. The Girl I Left Behind Me
    11. A Man Without A Dream
    12. Shorty Blackwell
    The Monkees
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Loyalty Loyalty Quick View

    $21.99
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    Loyalty

    The record was called Loyalty from the beginning-it was the first decision I made about it. It's a word you
    usually see written in copperplate script, a virtue: LOYALTY. But the songs don't treat it that way, just as a
    thing to unpack. It's a force that you have to reckon with: loyalty to the dream, to the "work," to the mythical idea of "you" that somebody thought they saw. It can be a weakness as much as a strength; it can keep you from the reality of your own life, your own self. - Tamara Lindeman


    In excess virtue lies danger, or at least limits to pragmatic action-it's a lesson hard learned by anyone
    disillusioned by the erosion of youthful mythologies. Strict fealty to a fixed ideal of identity doesn't do us
    any favors as adults. Loyalty, the third and finest album yet by The Weather Station (and the first for
    Paradise of Bachelors) wrestles with these knotty notions of faithfulness/faithlessness-to our idealism,
    our constructs of character, our memories, and to our family, friends, and lovers-representing a bold
    step forward into new sonic and psychological inscapes. It's a natural progression for Toronto artist
    Tamara Lindeman's acclaimed songwriting practice. Recorded at La Frette Studios just outside Paris in
    the winter of 2014, in close collaboration with Afie Jurvanen (Bahamas) and Robbie Lackritz (Feist),
    the record crystallizes her lapidary songcraft into eleven emotionally charged vignettes and intimate
    portraits, redolent of fellow Canadians Joni Mitchell, Leonard Cohen, and David Wiffen, but utterly her
    own.


    Lindeman describes La Frette, housed in an enormous, crumbling 19th-century mansion, as
    "a secret garden, a place of enchantment and grace": walls mantled in ivy and lions, corridors piled high
    with discarded tape machines, old reels, and priceless guitars. As she puts it, "Recording where we did
    meant we embraced beauty-we weren't afraid of it being beautiful." Like the record itself, it's a quietly
    radical statement, especially since certain passages achieve a diaphanous eeriness and harmonic and
    rhythmic tension new to The Weather Station. The stacked vocal harmonies of "Tapes," the drifting,
    jazz-inflected chording in "Life's Work," and the glacial percussion in "Personal Eclipse" contribute to a
    pervading sense of clock-stopping bloom and smolder, recalling the spooky avant-soul of Terry Callier's
    Occasional Rain.


    Beyond the decaying decadence and vintage gear, the brokedown palace atmosphere of
    La Frette afforded a more significant interior luxury as well, one stated with brutal honesty in the
    stunning "Shy Women": "it seemed to me that luxury would be to be not so ashamed, not to look away."


    Accordingly, Loyalty brings a freshly unflinching self-examining gaze and emotional and musical control
    to The Weather Station's songs. She is an extraordinary singer and instrumentalist-on Loyalty she plays
    guitar, banjo, keys, and vibes-but Lindeman has always been a songwriter's songwriter, recognized for
    her intricate, carefully worded verse, filled with double meanings, ambiguities, and complex metaphors.
    Though more moving than ever, her writing here is almost clinical in its discipline, its deliberate wording
    and exacting delivery, evoking similarly idiosyncratic songsters from Linda Perhacs to Bill Callahan.


    Outside her musical practice, Lindeman also happens to be an accomplished film and
    television actor, and it's her directorial eye for quietly compelling characters and the rich details of the
    everyday, Bressonian in its specificity and scope, that drives the limpid singularity of The Weather
    Station's songs. As in Bresson's films, there is no trace of theater here, no brittle singer-songwriter
    histrionics, but rather a powerful performative focus and narrative restraint, a commitment to what the
    auteur called the "simultaneous precision and imprecision of music." Despite the descriptive delicacy, the
    album never lapses into preciousness or sentimentality, instead retaining its barbs and bristles and
    remaining resolutely clear-eyed and thick-skinned. Lyrically, Loyalty inverts and involutes the language
    of confession, of regret, of our most private and muddled mental feelings, by externalizing those
    anxieties through exquisite observation of the things and people we accumulate, the modest meanings
    accreted during even our most ostensibly mundane domestic moments. ("Your trouble is like a lens," she
    discerns in "I Mined," "through which the whole world bends.")


    "Tapes" and "I Could Only Stand By" expose and exalt the quotidian-"the little tapes"
    hidden beneath a lover's bed, "the sunken old moorings" at the "bruise-colored lake"-without romanticizing
    these scenes of, respectively, grief and guilt. "Like Sisters" analyzes the darker contours of a
    friendship with devastating scrutiny. The breathless momentum of "Way It Is, Way It Could Be"-"both
    are," she sings of the way we sometimes live, for better or for worse, amid multiple truths-hinges on a
    mysterious moment when two brown dogs die underwheel, then don't, and that gut-sickness is
    overturned, a sin redeemed with a second glance. "Floodplain" and "Personal Eclipse" are also road songs
    about traveling through, and owning, the empty places in-between, literally and figuratively-what
    Lindeman deems "the various ways people try to disappear from themselves, in physical distance, in
    politeness."


    To invoke Melville (author of PoB's namesake story), "extreme loyalty to the piety of love"
    can be a destabilizing force, a kind of bondage from which we must emancipate ourselves. The line is
    from his strange masterpiece Pierre, or the Ambiguities; The Weather Station's Loyalty could quite easily
    support the same subtitle for the fascinating ways it navigates the deep canyons between certainty and
    uncertainty, faith and doubt.

    1. Way It Is, Way It Could Be
    2. Loyalty
    3. Floodplain
    4. Shy Women
    5. Personal Eclipse
    6. Life's Work
    7. Like Sisters
    8. I Mined
    9. Tapes
    10. I Could Only Stand By
    11. At Full Height
    The Weather Station
    $21.99
    Vinyl LP - Sealed Buy Now
  • Generation Generation Quick View

    $20.99
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    Generation

    Joyrides atop a walloping disco beat and furious percussive guitars, headed somewhere between the Rapture, Chic, and Talking Heads, but with a cartoonish giddiness that takes me back to the heyday of Junior Senior and Scissor Sisters. - Stereogum


    Rising stars - DJ Mag


    On their full-length 2014 debut Voyage, L.A duo De Lux learned how to
    take their influences and create a sound all their own-a beyond-their-years
    synthesis of post-punk, disco, funk and of course synthesizer wizardry,
    drawing inspiration from the same combination of agitation and exhilaration
    that helped LCD Soundsystem and Talking Heads deliver some of the most
    danceable social commentary ever. And now that they've found their sound,
    De Lux are creating a story to go with it on their new album Generation: "All
    of these things that they put us through," sings co-founder and multi-instrumentalist
    Sean Guerin, "I'm writing it down / I'm writing it down."


    They first started writing Generation in the kind of uncommitted
    instances that happen so rarely once a new band puts out its first album. Once
    Voyage was released, De Lux found themselves playing and interviewing and
    touring and remixing-"All fun!" says Sean-but they had to fight to find time
    to write. A random Instagram of work-in-progress song "It's A Combination"
    was the tipping point, when Sean and co-founder Isaac Franco realized they'd
    been rough-drafting for a year: "Let's finish it now," they decided, and that's
    the exact moment when Generation officially started.


    They returned to the L.A. practice space where they wrote and recorded
    Voyage, this time with new instruments-like the little-known but sought-after
    synthesizer guitar beloved of King Crimson's Adrian Belew-and new inspirations,
    chief among them punk peformance artist Karen Finley, whose 1987
    debut album Sean discovered at a Seattle record store simply because it
    looked promising. Her infamously uncensored lyrics made him realize there
    was more he could sing about, too: "You admire the ambition behind her
    saying whatever she wants," he says.


    So if Generation is a darker album than Voyage-and it's inherited plenty
    of the modern urban anxiety of David Byrne-that's because it's a fearlessly
    honest and candid album, too. In fact, call it a millennial documentary. In
    Generation's eleven songs, De Lux chart the distance between childhood and
    adulthood, nostalgia and aspiration and dream and reality, all with unflinching
    autobiographical detail. (And with a secret nod to the Pokemon theme, too.)
    Says Sean: "When I write lyrics, I try and be as specific as possible. We think
    about if someone listens to us in 30 years: 'Oh, that's what was going on at
    that time.'"


    The result is a sort of Less Than Zero for the post-Social Network era.
    Think of it as a nighttime freeway drive that starts with the propulsive "L.A.
    Threshold" and rides the borderline between feel-good rhythm and artfully
    sophisticated sentiment. "There's dark moments, but it's still fun," explains
    Sean. "The first album was just more innocent." There's new space in De Lux's
    sense of rhythm and groove, says Isaac, for Sean to say what he needs to say:
    "The song gives him the freedom to be himself."


    And so Generation is an album about high highs, low lows and the vast
    space in between. "Center of L.U.B" is a roller-skate jam that starts with a
    Can-style guitar riff before spinning into an examination of one utility company
    employee's ennui-you knew this wasn't going to be a love song,
    right?-while "It's A Combination" is a brooding Italo disco track and
    unexpected piano piece "Conditions" is like Harry Nilsson or John Lennon
    suddenly transplanted to Rough Trade Records. Then there's the alternately
    hilarious and harrowing "Oh Man The Future"-a satirical reading on the shape
    of things to come, propelled by a bass-and-drum rhythm right off one of ESG's
    first EPs-to the desolate-yet-funky "When Your Life Feels Like A Loss," where
    De Lux dissect just what happens when "you think you're special/no, you're
    not special/you're just an average guy."


    In other words, Generation isn't a departure. This is De Lux going
    deeper, not farther away, and the result is surely the most anthropologically
    daring dancefloor album of the year. That might seem difficult to pull off, but
    that's why they did it, explains Sean: "At some point we realized creativity is
    just limitless," he says. "You can do anything. There might be certain people
    who think, 'Oh, you can't do that.' That's when you say, 'Well-I'm doing it!'"

    1. LA Threshold
    2. 30
    3. Living In An Open Place
    4. Center of L.U.B.
    5. Simba Simba Simba
    6. No One Really Cares Who You Are
    7. Oh Man The Future
    8. Conditions
    9. When Your Life Feels Like A Loss
    10. It's A Combination
    11. Someday Now
    De Lux
    $20.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Thin Walls Thin Walls Quick View

    $22.99
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    Thin Walls

    The world is growing ever smaller. There are less places to hide and less space to think. Nothing is private. It's a notion that Belgian quintet Balthazar felt keenly as they traversed the world touring their 2012 album Rats. It was an intense period where they clocked up the sort of hard road mileage that can make or break a band but Balthazar's two songwriters, Maarten Devoldere and Jinte Deprez, emerged emboldened. As Jinte explains, we know each other's darkest secrets now. We grew together. You live together as each other's brother and sister. We discovered we really like each other.


    Lives lived in each other's pockets has left its mark on Thin Walls, the stunning new album from the five-piece who are completed by Patricia Vanneste, Simon Casier and Michiel Balcaen. Thin Walls is all about touring and never having any privacy, says Jinte. The songs were written in a hazy hyperactive state between shows. Balthazar's previous two albums, 2010's Applause and the calculated, searing alt-rock of 2012's Rats, were created in a slow, considered manner back home. This time round, the band had to fit in writing sessions whenever they had a spare day off. When you're on tour, the mood is very restless and chaotic, says Maarten. Life on tour is kind of weird, everything is prepared for you and you drink way too much. If you write with a hangover, then you write differently...

    1. Decency
    2. Then What
    3. Nightclub
    4. Bunker
    5. Wait Any Longer
    6. Dirty Love
    7. Last Call
    8. I Looked for You
    9. So Easy
    10. True Love
    Balthazar
    $22.99
    Vinyl LP - Sealed Buy Now
  • Weird Sister (Out Of Stock) Weird Sister (Out Of Stock) Quick View

    $15.99
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    Weird Sister (Out Of Stock)

    We're excited to announce the release of the debut album by thrilling Cardiff-based noisepop five-piece Joanna Gruesome. Brimming with irresistible pop melodies and spiked with dissonant fuzzy jangle, their songs are shot through with loud discordant feedback and super-fast, hardcore punk drumbeats. Kicking it against sexism and homophobia, nothing is off-limits, drawing inspiration from DIY scenes such as Riot Grrrl/noisepop/C86/K Records as well as post hardcore like Drive Like Jehu/Converge and the art rock of The Velvet Underground, Swirlies and My Bloody Valentine.


    Joanna Gruesome comprise Alanna on vocals, Owen on guitar, Max on bass, George on guitar and Dave on drums. Most of the album was written during a month long stay in a seedy west Brighton hotel called The Hell House and recorded under the guidance of producer MJ of the much lauded Hookworms. Awash with nods to mental illness and the dark recesses of the mind, the record is littered with references to the devil or zombies and allusions to comic books.
    Take first single "Secret Surprise," in which mental illness takes a physical form and is fought using razor blades. Or Anti-Parent Cowboy Killers, which is about stealing a scooter and driving it into the ocean when you should be in school LEARNING. Or Sugarcrush, about spending a summer burning knitwear. Slotting in with contemporaries like Swearin' and Speedy Ortiz, Joanna Gruesome offer a staggeringly diverse album, unexpectedly quiet and surprisingly loud.


    "Abrasion, anger, attitude. One guitarist is in the audience, but this isn't too much of a stretch. There are slower parts where the musicians take a second to breath. There are noisier bits where the musicians take a second to reflect. There are thumpy bits where the musicians take a second to dance and enjoy themselves. Everyone's smiling. Everyone's hugging themselves. What a glorious mess of a noise to be a part of. What a glorious sense of community." - Everett True, Collapse Board


    A brilliant band from Cardiff who love their fuzzy melodies and songs dripped in scuzzy reverb. Huw Stephens, Radio One.

    1. Anti-Parent Cowboy Killers
    2. Sugarcrush
    3. Wussy Void
    4. Madison
    5. Lemonade Grrrl
    6. Secret Surprise
    7. Do You Really Wanna Know Why Yr Still In Love With Me?
    8. Candy
    9. Graveyard
    10. Satan
    Joanna Gruesome
    $15.99
    Vinyl LP - Sealed Temporarily out of stock
  • Walk Of Shame (Out Of Stock) Walk Of Shame (Out Of Stock) Quick View

    $15.99
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    Walk Of Shame (Out Of Stock)

    Walk Of Shame is the debut album from IAMSOUND recording artist Nikki Lane. Throughout the 12-song set, Lane weaves in and out of ballads of heartache, one-night stands, leaving, lust and longing. She plays the rambler and sometimes drunkard with such an ardent aptitude shed fit right in alongside classic country icons like Patsy Cline, Loretta Lynn and Dolly Parton. Walk Of Shame was produced by David Cobb (Jamey Johnson, Shooter Jennings, Secret Sisters) and Lewis Pesacov of Fool's Gold (Best Coast).
    1. Lies
    2. Walk of Shame
    3. Coming Home to You
    4. Gone, Gone, Gone
    5. Sleep For You
    6. Look Away
    7. Hard Livin'
    8. Save You
    9. Come Away Joe
    10. Blue Star In The Sky
    11. I Can't Be Satisfied
    12. 30 Days In (vinyl only bonus track)
    Nikki Lane
    $15.99
    Vinyl LP - Sealed Temporarily out of stock
  • Tin Star (Out Of Stock) Tin Star (Out Of Stock) Quick View

    $19.99
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    Tin Star (Out Of Stock)

    Tin Star, the latest album from critically lauded singer-songwriter Lindi Ortega, is released by Last Gang Records. The record follows 2012's Polaris Prize long-listed Cigarettes and Truckstops and her 2011 Juno Award-nominated debut Little Red Boots. Billboard called Cigarettes and Truckstops heartfelt and mood-inducing, a uniquely bluesy twist on pre-outlaw country while The New York Times praised Ortega for having untamed instincts, but classic bones.


    Produced by Grammy-nominated Dave Cobb (Secret Sisters, Shooter Jennings), Tin Star demonstrates the unique voice and songwriting that Ortega has come to be known for and is largely inspired by Ortega's adopted home of Nashville. Born and bred in Toronto, Ortega made the move to Music City to be closer to the musicians who inspired her. It's always my goal to raise the bar with each record I put out. I have witnessed so much talent living in Nashville that has inspired me to push myself even further, she explains. I like to work with different musicians and producers to change the feel of every release. I don't want to risk making the same record over and over. Working with a new group brings a new spirit and new ideas to the music.


    - Richard Best (Broadway World)

    1. Hard As This
    2. Gypsy Child
    3. Tin Star
    4. Voodoo Mama
    5. Lived And Died Alone
    6. I Want You
    7. This Is Not Surreal
    8. Something For You
    9. All These Cats
    10. Waitin' On My Luck To Change
    11. Songs About
    Lindi Ortega
    $19.99
    Vinyl LP - Sealed Temporarily out of stock
  • Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (Out Of Stock) Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (Out Of Stock) Quick View

    $44.99
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    Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis (Out Of Stock)

    A one-night-only concert was held at New York City's Town Hall last fall, to celebrate the music of the Coen brothers film Inside Llewyn Davis. The evening was filmed for a documentary that was broadcast by Showtime last winter, and now Nonesuch Records releases a live recording of the concert, Another Day, Another Time: Celebrating the Music of "Inside Llewyn Davis,"on January 13, 2015. The concert, documentary, and live album were produced by Inside Llewyn Davis writer/director/producers Joel and Ethan Coen and soundtrack producer T Bone Burnett. (Nonesuch also released the film's soundtrack.)


    As Burnett explains, "Inside Llewyn Davis was filled with live performances of some of the folk songs that had survived the McCarthy hearings. Some of the songs were a hundred years old; some had just been written but sounded a hundred years old. In order to get attention for a film that was not exactly on the beat we decided to throw a concert featuring the actors and musicians who had performed in the movie and on the soundtrack. We also invited members of the extraordinary community of musicians who have coalesced around this old music-and have kept it alive in the wake of the most recent technological revolution-to join us that night. We asked them to perform an old song and one of their new songs.


    He continues, "Several new stars emerged from their performances that evening-The Secret Sisters, Lake Street Dive, The Milk Carton Kids, Rhiannon Giddens, and Punch Brothers all proved themselves as good as the best as they took the stage next to Hall of Famers Joan Baez and Elvis Costello, and established younger artists like The Avett Brothers, Colin Meloy, Marcus Mumford, Conor Oberst, Willie Watson, Gillian Welch, and Jack White." In fact, T Bone Burnett has since produced albums by both Punch Brothers and Rhiannon Giddens, which will be released shortly after Another Day, Another Time.


    Huffington Post called Another Day, Another Time "one of those only-in-New-York events," while Rolling Stone said it was "a bustling salute to the sounds and the idea of Sixties folk music," and continued, "For all the formality of the night, which was exceedingly well-paced and organized, the concert recalled a time when one or two people, bearing one or two unplugged instruments, could be as enthralling as the greatest rock or EDM track."

    1. Tumbling Tumbleweeds - Punch Brothers
    2. Rye Whiskey - Punch Brothers
    3. Will the Circle Be Unbroken - Punch Brothers, Gillian Welch, Dave Rawlings
    4. The Way It Goes - Gillian Welch & Dave Rawlings
    5. The Midnight Special - Gillian Welch, Dave Rawlings, Willie Watson
    6. I Hear Them All/This Land Is Your Land - Gillian Welch, Dave Rawlings, Willie Watson
    7. New York - The Milk Carton Kids
    8. Tomorrow Will Be Kinder - Secret Sisters & Punch Brothers
    9. You Go Down Smooth - Lake Street Dive
    10. Please Mr. Kennedy - Elvis Costello, Oscar Isaac, Adam Driver
    11. Four Strong Winds - Conor Oberst, Gillian Welch, Dave Rawlings
    12. Man Named Truth - Conor Oberst, Gillian Welch, Dave Rawlings
    13. Blues Run the Game - Colin Meloy
    14. Joe Hill - Colin Meloy, Gillian Welch, Joan Baez
    15. All My Mistakes - The Avett Brothers
    16. That's How I Got to Memphis - The Avett Brothers
    17. Head Full of Doubt/Road Full of Promise - The Avett Brothers
    18. Mama's Angel Child - Jack White
    19. Did You Hear John Hurt? - Jack White
    20. We're Going to Be Friends - Jack White
    21. Waterboy - Rhiannon Giddens
    22. 'S iomadh rud tha dhìth orm / Ciamar a nì mi 'n dannsa dìreach - Rhiannon Giddens
    23. Hang Me, Oh Hang Me - Oscar Isaac, Punch Brothers, Secret Sisters
    24. Green, Green Rocky Road - Oscar Isaac
    25. Tomorrow Is a Long Time - Keb Mo
    26. Rock Salt & Nails - Bob Neuwirth
    27. The Auld Trianole - Punch Brothers & Marcus Mumford
    28. Didn't Leave Nobody but the Baby - Carey Mulligan, Gillian Welch, Rhiannon Giddens
    29. Which Side Are You On? - Elvis Costello, Joan Baez, Chris Thile
    30. House of the Rising Sun - Joan Baez, Dirk Powell, Marcus Mumford
    31. I Was Young When I Left Home - Marcus Mumford
    32. Fare Thee Well (Dink's Song) - Marcus Mumford, Oscar Isaac, Punch Brothers
    33. Farewell - Marcus Mumford & Punch Brothers
    Various Artists
    $44.99
    Vinyl LP - 3 LPs Sealed Temporarily out of stock
  • Images 13 (Out of Stock) Images 13 (Out of Stock) Quick View

    $16.99
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    Images 13 (Out of Stock)


    "Dex Romweber was and is a huge influence on my music. I owned all of his records as a teenager, and was thrilled at the fact that we were able to play together recently on tour. [He is] is one of the best kept secrets of the rock n roll underground." -Jack White, White Stripes


    For a quarter century, Dex Romweber has trolled the dark corners and back shelves of the haunted thrift store of Americana ephemera and honed an extraordinarily idiomatic sound, a particular and readily identifiable DEXness for those in the know. It's a creepy doll collection of surf, proto-rockabilly, garage, dark and vengeful blues, and nobody, but nobody, plays it like Dex. First with the legendary Flat Duo Jets and now with his Duo, Dex distilled the punk ethos of less-is-more to the essential guitar/drums template. Left in the wake of his lecherous and slithery Silvertone were early acolytes like Jack White, Neko Case, and the Reigning Sound as well as a current crop of the indie pack like Ty Segall, No Age, Japandroids, and The Black Keys. All owe an unclaimed pawn ticket of debt to his sublime and spine-tingling sound. He is a live wire back to the murky, sometimes dangerous and always unpredictable headwaters of real rock and roll.


    Dex, with his whip-wristed sister Sara Romweber on drums, take Images 13 through neon-lit alleys, full of pulp fiction juvey rock, sci-fi theme songs and greasy denim hipster jive. Effortlessly versatile and raucously dismissive of genre constraints, exciting and darkly romantic, Images 13 would make everyone from Duane Eddy to Stan Kenton to Lenny Bruce crack a smile, a joke or the seal on a fifth of rye and head for the Naugahyde ice bucket.


    Recorded at Rick Miller's (Southern Culture on the Skids) Kudzu Ranch studio in North Carolina, the album bristles with a sense of drama, of tension, of release, of mystery. "Roll On" and "Long Battle Coming" display the cinematic sleaze nestled between The Cramps and West Side Story. Eerie ballads "Baby I Know What It's Like to be Alone" and "I Don't Want to Listen" reveal the crooning, bruised romantic, the harsh morning light of a strange hotel room, a Raymond Chandler novel on the bedside table. "Beyond the Moonlight" is part sea shanty longing and part campfire revival. Then, just as easily, the instrumentals take center stage. "Blackout!" updates Henry Mancini's Peter Gunn theme with a dynamic tension and sly cool, and Dex and Sara attack the big waves off Maui with a chaotic rush on "Blue Surf" - his guitar guiding you into the sweet spot of the pipeline and her drums pounding you into the sand. Hey Tarantino, wake up!


    Digging into the skeleton-filled rock 'n' roll closet, Dex Romweber Duo comes up with some obscure and wonderful gems. The early Who track "So Sad About Us," featuring Mary Huff (SCOTS) on vocals, hits an uncharacteristically sunny power pop vibe. The hopeful "We'll Be Together Again" written by Eddie Cochran's girlfriend Sharon Sheeley about his death in a car accident (that she and Gene Vincent survived). The song was never released formally but recorded by Jackie DeShannon in the early '60s. Finishing up the album is the music of Harry Lubin, who did theme music for shows like The Outer Limits and One Step Beyond. "Weird (Aurora Borealis)" is the music from the latter when ghosts, UFO's, or odd paranormal experiences begin to rear their strange heads, complete with tribal drums and Melissa Swingle (Trailer Bride, The Moaners) on the saw.


    Flat Duo Jets - so often emulated, so rarely duplicated - released the first of nine albums in 1990 to rave reviews worldwide. They starred, alongside R.E.M. and The B-52s, in the 1987 cult classic film Athens, GA: Inside/Out. Their first national tour in 1990 was as opening act for The Cramps and they made a stunning impression on Late Night with David Letterman. Dex Romweber Duo's first record Ruins of Berlin featured guest appearances by Neko Case, Cat Power, and Exene Cervenka. Dex was name-checked by Jack White in the guitar superstar documentary It Might Get Loud, and the Duo recorded a single and live album with White for his label Third Man Records in 2009. Subsequently, the Duo has shared the stage with dozens of rock icons including Wanda Jackson, Cat Power, Neko Case, and The White Stripes. In 2012, the documentary about Dex's sometimes harrowing career Two Headed Cow was released.

    1. Roll On
    2. Long Battle Coming
    3. Baby I Know What It's Like To Be Alone
    4. So Sad About Us
    5. Prelude in G Minor
    6. Blackout!
    7. I Don't Want To Listen
    8. Beyond The Moonlight
    9. We'll Be Together Again
    10. Blue Surf
    11. One Sided Love Affair
    12. Weird (Aurora Borealis)
    Dex Romweber Duo
    $16.99
    Vinyl LP - Sealed Temporarily out of stock
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