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New 24 Bit /96 kHz Transfer Taken From The Original Master Tapes
Deluxe Silver Foil Jacket (Tip-On)
Limited Blue Sky Colored Vinyl
Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), Silver Apples quickly gained a reputations New York's leading underground musical expression.
Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become "Krautrock."
Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more.
The first remarkable trait of Lazy Smoke's sound is the lead vocal's similarity to John Lennon. Upon digging just a little deeper below the surface, we instead find a darker tone and a patient, eerie feeling resonating through the songs.
While bands like The Beatles and Love were singing about love, lament and hallucinated travel experiences, the songs on Corridor of Faces get sincerely dark right away.
Even the seemingly-light teenage love-themed "Sarah Saturday" shares an undercurrent of on-the-edge uncertainty. It's this undercurrent that calls to mind comparisons to Forever Changes era Love. Originally privately pressed in MA in an edition of only 500 copies in 1968. Now repressed again in 2016 on Blue Sky Colored Vinyl.1. Oscillations
2. Seagreen Serenades
5. Velvet Cave
8. Dancing Gods
9. Misty Mountain$27.99Colored Vinyl LP - Sealed Buy Now
CongratsA cyborg dance party for a broken future that's closer
than you think - Pitchfork
Off Your Face Euphoria - The Line of Best Fit
hypnotic, electronic climax-rock - SPIN
scuzzy, funk-fuelled energy - FACT Mag
Holy Fuck took the world by surprise around 2005 because there was
just nothing like them-a hardcore thrift-store found-object punk
band with a relentless commitment to rhythm and a sense for
atmosphere better matched to a close encounter of the third kind
than a simple rock concert. Think EinstÜrzende Neubauten re-inspired
by Fela Kuti with Brian Eno working as keyboard tech and every
channel on the mixer set to max power. It was the best ride out there
while it lasted, up to and including their 2010 full-length Latin,
recorded largely in too-brief breaks while on the road. That album
cemented Holy Fuck's sound and reputation for unapologetic
instrumental noise but at the end of yet another insane touring cycle,
it was time to take a break which turned into a hiatus which turned
into a chance to explore other projects and production work. (Like the
bands Lids, Dusted and Etiquette, or production for Metz, Alvvays and
They'd been moving faster than they'd ever expected, especially after
a 2007 sophomore release that came close to securing Canada's
prestigious Juno and Polaris Music Prize. (Not to mention festival slots
at All Tomorrow's Parties, Glastonbury, Coachella and more-plus Lou
Reed said they were the best band he'd seen at SXSW.) The strategy
was just to stay busy, says founder and noisemaster Brian Borcherdt,
but soon they started to feel like Indiana Jones running from that
boulder: "He had to step aside and let things settle!"
But there's nothing Indiana Jones does better than the shock reveal, is
there? And so in 2016 Holy Fuck suddenly announced the release of
Congrats, a surprise full-length two years in the making that is by any
scientific measure their holiest fuckiest release ever: "When you're
sitting still in a van and staring out the windows, you start to dream
about all the other things you want to do," says Borcherdt. "This album
is exactly what we couldn't do then."
Checking into a "proper" studio, rather than the barn in rural Ontario
where most of Holy Fuck's records were made, Congrats was
recorded by the same lineup that recorded Latin: Borcherdt, Graham
Walsh, Matt "Punchy" McQuaid, and Matt Schulz. As they worked, they
discovered that Congrats was a process of refining things, Walsh
says-both physically and philosophically. Their ad hoc arsenal of
low-budget hi-tech toys has been streamlined down to what he calls
the nervous system of the band: "What gets run through our system is
the seed of the idea for our music, and the system is what we play. This
record is almost a beginning-the first stage of a new way for us."
So consider those previous albums prelude to Holy Fuck's true
breakthrough, and recognize Congrats as the moment when Holy
Fuck take the chaos and craziness (and charm) that have always been
at the heart of their band and not so much control it as concentrate it.
Now they're heavier, wilder, leaner, sharper, more daring and more
unpredictable than ever before, on fire with the power of inspired
outsiders like Suicide, Silver Apples, Can, Mission of Burma or the
Monks or even Sun Ra, says Borcherdt, whose pursuit of his own kind
of musical purity is exactly what Holy Fuck are after. Yes, it took them
a few years, which in 2016 is supposed to be the career suicide, but
they took that time to take chances. "We were told we did everything
wrong," Borcherdt says now, laughing-but really Congrats is the
sound of a band doing absolutely everything right.1. Chimes Broken
2. Tom Tom
4. Xed Eyes
5. Neon Dad
6. House Of Glass
10. Crapture$21.99Vinyl LP - Sealed Buy Now
TimespanMajeure is the alter ego of Zombi drummer A.E. Paterra, and Timespan is its debut release. Taking the term "full-length" quite literally, the album is made up of three epic side-long journeys through time and space. Merging the darkness of Vangelis' Blade Runner-era Moog-driven scores and the stately minimalism of Steve Reich and Philip Glass with the relentless drive of Can and Silver Apples, Timespan delivers inspiring sci-fi disco of the highest caliber.1. The Dresden Codex
3. Timespan$19.99Vinyl LP - 2 LPs Sealed Buy Now
The TerrorThe nine grim, harrowing songs that comprise the Flaming Lips thirteenth studio album The Terror are as much a paradigm shift in the Lips' sound as Zaireeka and The Soft Bulletin before it. Recorded on and off last year at Tarbox Road Studios with longtime co-producer Dave Fridmann in the wee hours between Heady Fwends collaborations, the album finds the Lips favoring heavy-lidded loops and drum machine mesmerism. Traces of Silver Apples, Suicide, Can, Beak>, and Broadcast abound, riding motorik grooves that push everything all deep into Wayne Coyne's heart of darkness. Or, as he put it from his compound in Oklahoma City, these were songs to be sung from this despondent futuristic dystopian church.
-Andy Beta1. Look The Sun Is Rising
2. Be Free, A Way
3. Try To Explain
4. You Lust
5. The Terror
6. You Are Alone
7. Butterfly, How Long It Takes To Die
8. Turning Violent
9. Always There In Our Hearts$24.99Vinyl LP - 2 LPs Sealed Buy Now
Felt (Pre-Order)There are those in our ranks who are touting this new triumphant
collection from Montreal's art-rock heroes SUUNS as the
most outright grooved record they've made. But hold it right
there. Not so fast. SUUNS have always had that deep groove
on fucking lock, albeit oft-slithering within an austere and/or
sneering veneer. Consider, if you will, how Kraftwerk had far
more funk flowing through their wires and cables than most of
we flesh bodies. Same goes for the necromancers of SUUNS.
And their world class drummer Liam O'Neill has heroically
accepted the challenge of playing in and around programmed
beats like a diabolical, sentient metronome. O'Neill's kit is a bit
more out front than it's been in a hot minute and he's as patient
and ferocious as ever. Meanwhile, Singer/guitarist Ben Shemie's
sourmilk deliver is as frightening and enchanting as ever, but
now coming from some deep area that feels like a human heart.
And as alluded to by its title and neon-warm album art, SUUNS'
Felt is gonna make you feel things. You're gonna learn
something about your body listening to cuts like on DJ Shadow-leaning,
head-bobber "Look No Further" or "Make It Real,"
which could be a radio signal of a lost Silver Apples cut - that
is, before it becomes a doomsday siren breakup song. These
four gentlemen could be making beats for 21 Savage or Migos.
But for now, lucky for you, they're ruthlessly set on being one of
the planet's finest, bravest bands.1. Look No Further
3. Watch You, Watch Me
5. After the Fall
7. Make It Real
9. Peace and Love
11. Materials$19.99Vinyl LP - Sealed PRE-ORDER Buy Now
Yesterdays2001 was a vintage year for the Jarrett trio, as three outstanding live albums - "The Out-of-Towners", "Always Let Me Go" and "My Foolish Heart"- have already shown. "Yesterdays", registered at Tokyo's Metropolitan Festival Hall, is a fourth 2001 concert recording, with an all-standards programme and a strong emphasis on bebop, including Charlie Parker's "Scrapple from the Apple", "Shaw'nuff" by Parker and Dizzy Gillespie, and Horace Silver's "Strollin'". There is also an exhilarating splash of ragtime in the shape of "You Took Advantage Of Me", and beautiful ballads including the title track and "Smoke Gets In Your Eyes" (both from Jerome Kern's pen). As a bonus: the album concludes with a radiant "Stella by Starlight" captured at a soundcheck: Jarrett, Peacock and DeJohnette playing just for the joy of it...
Keith Jarrett - piano
Gary Peacock - double-bass
Jack DeJohnette - drums
Recorded April 20011. Strollin'
2. You Took Advantage Of Me
5. You've Changed
6. Scrapple From The Apple
7.A Sleepin' Bee
8. Smoke Gets In Your Eyes
9. Stella By Starlight$25.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Anyway You Love, We Know How You FeelThe Chris Robinson Brotherhood have announced the release of their fourth studio album, Anyway You Love, We Know How You Feel, via Robinson's own Silver Arrow Records. The band relocated to northern California for the sessions, recording on the side of a mountain overlooking the foggy Pacific Ocean and channeling the natural majesty of their surroundings into the album's eight sprawling tracks. Having spent the prior two years touring relentlessly, the CRB were road-tested and in peak form to capture their kinetic chemistry and immersive sound, which Uncut Magazine called, " a celebration of how American musical traditions can be at once honored and psychedelically expanded."
"It was an opportunity to see where our expression could take us. For us, when it comes to making records, the looser it gets the better," says Robinson. "It's all about taking our intuition and following it to where our ideas can really manifest themselves. This turned out to be the most spontaneous record I've ever been a part of."
Indeed, when the Chris Robinson Brotherhood entered the studio to begin recording the album, no one knew just what to expect. These would be the band's first recordings with new drummer Tony Leone (Ollabelle, Levon Helm) and their first time producing themselves. Robinson purposely left as much open-ended as possible. Rather than coming into the studio with a collection of finished songs as he had in the past, he would present the group with sketches-a verse and melody here, a chorus and chord progression there-and let the band follow its collective muse to bring the music to life. They'd lean into the improvisational nature that makes their live shows such enthralling spectacles and thrive on the unexpected.
"All it takes is one good, small idea, and then if everyone's focused and in the moment, a few hours later, you can have something that you realize you'll be playing for as long as you're making music," Robinson continues. "I think when everyone's aware that that's the sort of magic that we're looking for. More than any other session that I've ever been a part of, that's how all of these songs were done."
The album kicks off with "Narcissus Soaking Wet," a psychedelic toe-tapper that marks Robinson's first co-write with keyboardist Adam MacDougall. It touches on everything from Dylan and Parliament Funkadelic to psych rock and Chicago rhythm and blues. "Ain't It Hard But Fair" calls to mind the soulful Americana of The Band, while "Oak Apple Day" is a mediation on life in the CRB, and "Forever As The Moon" came together in a stream of consciousness between The CRB's lead guitarist Neal Casal and Robinson. "Leave My Guitar Alone" was a song Robinson had been sitting on for nearly 15 years, but only once he presented it to the rest of the band did it roar to life in a way that had eluded him for more than a decade. Some of Robinson's finest writing to date arrives in the album's final minutes, with the country-soul, gospel-tinged closer "California Hymn," which finds him singing "Glory glory hallelujah / It's time to spread the news / Though my good words may sound profane to some."
The Chris Robinson Brotherhood emerged in 2011 by playing close to 50 shows over nine weeks in California before ever leaving the Golden State or officially releasing music. Their introduction on the national stage came in 2012 when they'd release not one, but two acclaimed full-length albums within a few months of each other. Critics hailed their sprawling debut, Big Moon Ritual, as a revelation, with The Independent raving that Robinson had "finally found the ideal vehicle to indulge his taste for 'Cosmic California Music.'" The reviews were similarly ecstatic for its immediate follow-up, The Magic Door, which was praised by Relix as "classic rock in the finest sense." The band's epic tour schedule brought their shimmering acid-Americana around the world for a staggering 118-date tour, firmly establishing the CRB as the new standard-bearers of the psychedelic roots torch. In 2014, they returned to the studio for Phosphorescent Harvest, a masterful collection that showcased the blossoming songwriting partnership between Robinson and Neal Casal. Rolling Stone raved that the album was "electrifying boast[ing] a vintage rock vibe that's at once quirky, trippy, soulful and downright magnetic," and Guitar World called it "a treasure trove of soul that advances the band's bluesy, kaleidoscopic sound."1. Narcissus Soaking Wet
2. Forever As the Moon
3. Ain't It Hard But Fair
4. Give Us Back Our Eleven Days
5. Some Gardens Green
6. Leave My Guitar Alone
7. Oak Apple Day
8. California Hymn$21.99Vinyl LP - Sealed Buy Now
Betty's Self-Rising Southern Blends Vol. 3Chris Robinson Brotherhood's acclaimed live album series, 'Betty's Blends,' returns with 'Volume 3: Self-Rising, Southern Blends.' Recorded and mixed live from the soundboard by legendary Grateful Dead archivist and recording engineer Betty Cantor Jackson, this latest edition captures the CRB on a Southern swing through Atlanta, Raleigh and Charleston in November 2015.
The 3-LP/2-CD set includes original staple CRB material like Clear Blue Sky, Roan County Banjo and "Oak Apple Day," but focuses on the band's sprawling selection of cover material ranging from Allen Toussaint's "Get Out Of My Life Woman" to the Leiber/Stoller classic "I'm A Hog For You," Bob Dylan's "She Belongs To Me" to the Slim Harpo rarity "The Music's Hot." It also marks the first release in the series with current CRB drummer, Tony Leone. In Robinson's own words, "With Betty, we trust her sonic sensibilities and give her the space and freedom to do what the woman does, and what she does is beautiful and unique. It's the stuff rock n' roll dreams and recordings are made of. Viva la Betty!"1. I Ain't Hiding
2. Got Love If You Want It
3. Clear Blue Sky
4. The Music's Hot
5. Roan County Banjo
6. I'm A Hog For You
7. Oak Apple Day
8. Get Out Of My Life Woman
9. Honeysuckle Interlude
11. Tales Of Thunder Teeth
12. Girl I Love
13. She Belongs To Me$69.99Vinyl LP + 2 CD - 3 LPs Sealed Buy Now
AudioQuest USB Forest Lightning Cable
Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.
Lightning to A
No matter how you choose to connect with your music and media, AudioQuest provides a high-quality cable specifically designed for the job. Our complete line of USB cables includes four models now available with Apple's® Lightning™ connector (as used on all recent iOS devices). Whether you're connecting mobile devices to the USB ports common to so many car audio systems or streaming content to a home entertainment system, a high-quality, low-distortion cable is required for sound that is full-bodied, engaging, and three-dimensional. Thin and flat is a great look for an iPhone or iPad®, but it's not how the music from those marvelous devices should sound!
SOLID 0.5% SILVER CONDUCTORS: Solid conductors eliminate strand-interaction distortion and reduce jitter. Solid silver-plated conductors are excellent for very high-frequency applications, like USB audio. These signals, being such a high frequency, travel almost exclusively on the surface of the conductor. As the surface is made of high-purity silver, the performance is very close to that of a solid silver cable, but priced much closer to solid copper cable. This is an incredibly cost effective way of manufacturing very high-quality USB cables.
HARD-CELL FOAM INSULATION: Hard-Cell Foam insulation is used exclusively in most of AudioQuest's video and digital audio cables. Similar to Foamed-PE, it is nitrogen injected to create air pockets. 'Hard' foam is used because the stiffness of the material allows the conductors in the cable to maintain the same relationship with each other along the full length of the cable, thus ensuring that the characteristic impedance of the cable is consistent.
METAL-LAYER NOISE-DISSIPATION SYSTEM (NDS): 100% shield coverage is easy. Preventing captured RF Interference from modulating the equipment's ground reference requires AQ's Noise-Dissipation System. Noise-Dissipation System prevents a significant amount of RFI from reaching the equipment's ground plane.$39.00Digital Audio Cable - Multiple Lengths Available Buy Now
Several Shades Of WhyIn the quarter century since he founded Dinosaur Jr., J Mascis has created some of the era's signature songs, albums and styles. The laconically-based roar of his guitar, drums and vocals have driven a long string of bands such as Deep Wound, Dinosaur Jr., Gobblehoof, Velvet Monkeys, the Fog, Witch, Sweet Apple and he has also guested on innumerable sessions. But Several Shades of Why, recorded at Amherst, Massachusetts' Bisquiteen Studios, is J's first solo studio record, and it is an album of incredible beauty, performed with a delicacy not always associated with his work.
Nearly all acoustic, Several Shades of Why was created with the help of a few friends. Notable amongst them are Kurt Vile, Sophie Trudeau (A Silver Mount Zion), Kurt Fedora (long-time collusionist), Kevin Drew (Broken Social Scene), Ben Bridwell (Band of Horses), Pall Jenkins (Black Heart Procession), Matt Valentine (The Golden Road), and Suzanne Thorpe (Wounded Knees).
Together in small mutable groupings, they conjure up classic sounds ranging from English-tinged folk to drifty, West Coast-style singer/songwriters. But every track, every note even, bears that distinct Mascis watermark, both in the shape of the tunes and the glorious rasp of the vocals. Ten brilliant tunes that quietly grow and expand until they fill your brain with the purest pleasure.1. Listen To Me
2. Several Shades Of Why
3. Not Enough
4. Very Nervous and Love
5. Is It Done
6. Make It Right
7. Where Are You
8. Too Deep
9. Can I
10. What Happened$17.99Vinyl LP - Sealed Buy Now