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Simon And Garfunkel'
Bridge Over Troubled Water (UltraDisc One-Step Box Set) (Pre-Order)
Mastered from the Original Master Tapes with Mobile Fidelity's One-Step Process: Bridge over Troubled Water UD1S 45RPM Box Set Is the Ultimate Analog Version of Simon and Garfunkel's Masterpiece
Lavish Packaging Includes Opulent Box and Special Foil-Stamped Jackets: Deluxe Audiophile Pressing Strictly Limited to 7,500 Numbered Copies (Limit Two Per Customer)
A Beacon of Hope and Hymn of Reassurance: Grammy-Winning 1970 Work Features Meticulous Production, Watershed Performances, Gorgeous Songwriting, and Healing Spirit
Unifying, soothing, comforting: Simon and Garfunkel's Bridge over Troubled Water quickly became the album of an era upon release in 1970, the benchmark set serving as a beacon of hope and hymn of reassurance during a time marked by polarizing changes, social unrest, uncertain politics, and the dawn of a new era. These uplifting reasons - to say nothing about the gorgeous songwriting, meticulous production, and watershed performances - attest to why it is more relevant than ever in our current climate. Music, Bridge over Troubled Water simultaneously suggests and proves, heals all wounds and lifts all boats. Music Direct is honored to give the seminal effort Rolling Stone named the 51st Greatest Album of All Time unsurpassed treatment befitting the most important recordings.
Simon and Garfunkel's epochal album reaches three-dimensional sonic and emotional heights never before attained on Mobile Fidelity's opulent UD1S (UltraDisc One-Step) box set. Strictly limited to 7,500 numbered copies, this ultra-hi-fi collector's edition literally and figuratively brings you closer to music that picks up where the duo's Bookends leaves off. You'll enjoy deep-black backgrounds, boundless soundstaging, pointillist details, staggering dynamics, and arguably, the most lifelike tonalities and nuances ever committed to vinyl. Experienced via UD1S, Bridge over Troubled Water places Simon, Garfunkel, and their cadre of session pros in your listening room. Every note, breath, and movement is reproduced with exquisite accuracy, wowing clarity, and impeccable balance. Consider this edition your new go-to reference.
The lavish packaging and beautiful presentation of Mobile Fidelity's Bridge over Troubled Water pressing befit its extremely select status. Housed in a deluxe box, this UD1S version contains a unique print, special foil-stamped jackets, and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this reissue of Bridge over Troubled Water exists a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound quality and creativity, and who desire to fully immerse themselves in the art - and everything involved with the album, from the images to the textures and liner notes.
The best-selling record in the U.S. for several years running, and winner of six Grammy Awards - including nods for Record of the Year, Album of the Year, Song of the Year, and Best Engineered Recording - Bridge over Troubled Water endures as a staple of accessible sophistication, angelic elegance, effortless singing, unhinged ambition, and therapeutic spirit. While it would turn out to be the final studio set for a duo surrounded by creative and personal disagreement, Simon and Garfunkel's collaborative ethos and soaring harmonies - combined with reflective narratives centered on the American experience, friendship, romance, and farewells - combine to turn the 11-track work into a paean to resolution, reconciliation, calm, and balance.
Home to the legendary title track graced by Garfunkel's pacifying solo lead vocals as well as the equally famous folk ballad The Boxer, Peruvian-based El Condor Past (If I Could), upbeat Cecilia, and rock n' rolling Baby Driver - recently the inspiration behind the film of the same name - Bridge over Troubled Water remains as renowned for its musical diversity as its lyrical poignancy. Moving beyond the templates they'd perfected on four prior albums, Simon and Garfunkel embrace a then-unimaginable swath of styles. Rock, pop, gospel, country, R&B, South American, and jazz strains course throughout the songs, each sparked with bold experiments yet grounded in a well-orchestrated melange of melody, rhythm, and classicism that makes every note feel personal, familiar, and warm.
Not for nothing is Bridge over Troubled Water one of the finest-sounding albums ever made. Featuring instrumentation helmed by members of Los Angeles' fabled Wrecking Crew as well as multiple choral and string sections, songs took hundreds of hours to complete and involved pioneering recording techniques. Evoking both Phil Spector's liveWall of Sound approach as well as inventive effects, Bridge over Troubled Water is a triumph of texture, atmosphere, and architecture. Mobile Fidelity's premier UD1S edition brings the record's unique traits to the fore. Whether the reverberation generated by Garfunkel's cassette recorder on Cecilia, echoing drums captured in a corridor heard throughout The Boxer, automobile noises peppering Baby Driver, layer upon layer of voices dotting The Only Boy Living in New York, or echo-chamber percussion on the title track, each and every detail comes through with unprecedented accuracy, clarity, and dimensionality. In every regard, Bridge over Troubled Water exudes genius.
More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior:
Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a convert. Delicate converts are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.
This title is not eligible for discount.1. Bridge over Troubled Water
2. El Condor Pasa (If I Could)
4. Keep the Customer Satisfied
5. So Long, Frank Lloyd Wright
6. The Boxer
7. Baby Driver
8. The Only Boy Living in New York
9. You Don't Write Me
10. Bye Bye Love
11. Song for the Asking$99.99Vinyl LP UltraDisc One-Step 45 RPM Box Set - 2 LPs Sealed PRE-ORDER Buy Now
The Complete Columbia Album CollectionThe Complete Simon & Garfunkel Columbia original album discography in one place. Their classic 5 studio albums, spanning 1964-1970, plus the 1972 Greatest Hits LP. Newly remastered from first-generation analog sources on 180-gram vinyl. Booklet contains rare photos documenting each album's release.LP1
1. You Can Tell the World
2. Last Night I Had the Strangest Dream
3. Bleecker Street (Album Version)
4. Sparrow (Album Version)
5. Benedictus (Album Version)
6. The Sound of Silence
7. He Was My Brother (Album Version)
8. Peggy-O (Album Version)
9. Go Tell It on the Mountain
10. The Sun Is Burning (Album Version)
11. The Times They Are A-Changin' (Album Version)
12. Wednesday Morning, 3 A.M. (Album Version)
1. The Sound of Silence
2. Leaves That Are Green (Album Version)
3. Blessed (Album Version)
4. Kathy's Song (Album Version)
5. Somewhere They Can't Find Me
6. Anji (Album Version)
7. Richard Cory (Album Version)
8. A Most Peculiar Man (Album Version)
9. April Come She Will (Album Version)
10. We've Got a Groovy Thing Goin'
11. I Am a Rock
1. Scarborough Fair / Canticle
4. Homeward Bound
5. The Big Bright Green Pleasure Machine
6. The 59th Street Bridge Song (Feelin' Groovy)
7. The Dangling Conversation
8. Flowers Never Bend with the Rainfall
9. A Simple Desultory Philippic (Or How I Was Robert McNamara'd into Submission)
10. For Emily, Whenever I May Find Her
11. A Poem on the Underground Wall
12. 7 O'Clock News / Silent Night; 7 O'clock News\ Silent Night
1. Bookends Theme (Album Version)
2. Save the Life of My Child
3. America Simon & Garfunkel
4. Overs (Album Version)
5. Voices of Old People
6. Old Friends (Album Version)
7. Bookends Theme (Album Version)
8. Fakin' It (Album Version)
9. Punky's Dilemma
10. Mrs. Robinson
11. A Hazy Shade of Winter
12. At the Zoo
1. Bridge over Troubled Water
2. El Condor Pasa (If I Could)
4. Keep the Customer Satisfied
5. So Long, Frank Lloyd Wright
6. The Boxer
7. Baby Driver
8. The Only Living Boy in New York
9. Why Don't You Write Me
10. Bye Bye Love
11. Song for the Asking
1. Mrs. Robinson
2. For Emily, Whenever I May Find Her (Live)
3. The Boxer
4. The 59th Street Bridge Song (Feelin' Groovy)
5. The Sounds of Silence
6. I Am a Rock
7. Scarborough Fair / Canticle
8. Homeward Bound
9. Bridge over Troubled Water
11. Kathy's Song (Live)
12. El Condor Pasa (If I Could)
14. Cecilia$149.99180 Gram Audiophile Virgin Vinyl LP Box Set - 6 LPs Sealed Buy Now
The Concert In Central ParkThe Concert in Central Park is the first live album by American folk rock duo Simon & Garfunkel, released in February 1982 on Warner Bros. Records. It was recorded in September 1981 at a free benefit concert in Central Park, New York City, where the pair performed in front of more than 500,000 people.LP1
1. Mrs. Robinson (Live)
2. Homeward Bound (Live)
3. America (Live)
4. Me and Julio Down by the Schoolyard (Live)
5. Scarborough Fair (Live)
6. April Come She Will (Live)
7. Wake up Little Susie (Live)
8. Still Crazy After All These Years (Live)
9. American Tune (Live)
10. Late in the Evening (Live)
1. Slip Slidin' Away (Live)
2. A Heart In New York (Live)
3. Kodachrome / Mabellene; Kodachrome\ Mabellene (Live)
4. Bridge over Troubled Water (Live)
5. Fifty Ways to Leave Your Lover (Live)
6. The Boxer (Live)
7. Old Friends (Live)
8. The 59th Street Bridge Song (Feelin' Groovy) (Live)
9. The Sounds of Silence (Live)$39.99Vinyl LP - 2 LPs Sealed Buy Now
SPCO-SPE-3180xSimon & Garfunkel
The Graduate (Speakers Corner)
With his film The Graduate, which was crowned with an Oscar and five Golden Globes, director Mike Nichols created far more than just the story of the erotic initiation of the college graduate Benjamin. Not only the scenario but also the production modalities were revolutionary. For the very first time the crusted morals of the American upper class were attacked by means of film, an Alfa Romeo - a European car - was advertised most effectively, and a soundtrack was put together from already existent, successful pop numbers. No words are really necessary about the music, since numbers such as Sound Of Silence, Mrs. Robinson and Scarborough Fair have entered into the annals of musical culture ever since they were used in the film. It is astounding to note how seamlessly the various works fit snugly into the film's context, as though they had been specially written for the scenes.
This soundtrack is a monument to Dustin Hoffman, who played his first big role in the film, and it catapulted Simon & Garfunkel right to the top of the list of ballad singers. But it also recalls to memory the peppy, instrumental insertion numbers by Dave Grusin, who virtually fell into oblivion after all the hype about this provocative movie.
- Paul Simon (guitar, vocal)
- Art Garfunkel (vocal)
- Dave Grusin
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.
This title is not eligible for discount.1.The Sound Of Silence - Simon And Garfunkel
2. The Singleman Party Foxtrot - David Grusin
3. Mrs. Robinson - Simon And Garfunkel
4. Sunporch Cha-Cha-Cha - David Grusin
5. Scarborough Fair / Canticle (Inerlude) - Simon And Garfunkel
6. On The Strip - David Grusin
7. April Come She Will - Simon And Garfunkel
8. The Folks - David Grusin
9. Scarborough Fair / Canticle - Simon And Garfunkel
10. A Great Effect - David Grusin
11. The Big Bright Green Pleasure Machine - Simon And Garfunkel
12. Whew - David Grusin
13. Mrs. Robinson - Simon And Garfunkel
14. The Sound Of Silence - Simon And Garfunkel$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Onward And SidewaysCleveland born, songwriter/performer Joshua Radin has earned a loyal following for his wistful meditations and hit songs. His rootsy-pop track, "I'd Rather Be With You" from Simple Times topped the iTunes album chart at #1 and hit 'top 10' in ten different countries. The hushed, emotionally raw "Winter" and Closer from his 2006 album, We Were Here received a four-star review in Rolling Stone Magazine. Radin's compositions have a proven track record having been sound-tracked on shows like Grey's Anatomy, American Idol and House. His songs have been used more than 100 times in various films and television shows making him a 'behind the scenes' artist whose music is heard most everywhere.
In 2008, Ellen DeGeneres asked Joshua to perform at her wedding. Radin said, "I played six of my songs and Ellen and Portia just sat right in front of me looking at each other, crying, and looking at me. I actually teared up a little-that's never happened to me before."
Live performances have always been Radin's lifeblood. After stints as a screenwriter in New York and as an inner-city art teacher in Chicago, he moved to Southern California to test the waters as a musician. "More than drawing, I taught those kids in Chicago a general perspective of the world-looking at something and not being overwhelmed. And it's how I've always looked at life," he says. "I've always wanted to wake up every day and have the opportunity to be creative, to express what's going on in my head and heart, and to be able to connect with the world in that way. I may have started playing music later in life than my peers, but I love living with the idea that it's never too late."
When his father gave him a guitar on a whim for his birthday, Radin taught himself how to play. Soon after, in 2004, he wrote his first song, "Winter," about a fractured relationship with his longtime girlfriend. The song so moved his college friend Zach Braff, that the actor passed it along to a producer on his TV show, Scrubs. Three weeks later, it was played on the show. Buzz from the Scrubs show was fast and furious, crashing the NBC site and winning Radin thousands of new fans. Afterward, he worked hard to build a grassroots movement on social-media sites and continued to build his fan base.
For various albums, Radin has recruited 'dream teams' of musicians to enhance his sounds. Among them: pianist Benmont Tench (Tom Petty and the Heartbreakers), drummer Jim Keltner (Bob Dylan, John Lennon), and string arranger Jimmie Haskell (Simon and Garfunkel). Joshua has sold over two and a half million singles and over 700,000 full-length albums.
In 2015, Radin releases his sixth studio album, "Onward and Sideways." His first single, "Beautiful Day" features a duet with American, singer songwriter Sheryl Crow.1. We'll Keep Running Forever
3. Beautiful Day (feat. Sheryl Crow)
5. In Your Hands
6. Let Our Sun Shine Down
7. Another Beginning
8. Blow Away
9. Away We Go
10. Worlds Apart
11. One and Only
12. Old Friend
13. My Baby$18.99Vinyl LP - Sealed Buy Now
If You're Feeling SinisterWhimsy and preciousness is an integral part of 'If You're Feeling Sinister', along with clever wit and gentle, intricate arrangements - a wonderful blend of the Smiths and Simon & Garfunkel, to be reductive.1. The Stars of Track and Field
2. Seeing Other People
3. Me and the Major
4. Like Dylan in the Movies
5. The Fox in the Snow
6. Get Me Away from Here, I'm Dying
7. If You're Feeling Sinister
9. The Boy Done Wrong Again
10. Judy and the Dream of Horses$22.99Vinyl LP Buy Now
Still Crazy After All These YearsThe third new studio album of Paul Simon's post-Simon & Garfunkel career was a musical and lyrical change of pace from his first two, Paul Simon and There Goes Rhymin' Simon. Where Simon had taken an eclectic approach before, delving into a variety of musical styles and recording all over the world, Still Crazy found him working for the most part with a group of jazz-pop New York session players, though he did do a couple of tracks (My Little Town and Still Crazy After All These Years) with the Muscle Shoals rhythm section that had appeared on Rhymin' Simon and another (Gone at Last) returned to the gospel style of earlier songs like Loves Me Like a Rock. Of course, My Little Town also marked a return to working with Art Garfunkel, and another Top Ten entry for S&G. But the overall feel of Still Crazy was of a jazzy style subtly augmented with strings and horns. Perhaps more striking, however, was Simon's lyrical approach. Where Rhymin' Simon was the work of a confident family man, Still Crazy came off as a post-divorce album, its songs reeking of smug self-satisfaction and romantic disillusionment. At their best, such sentiments were undercut by humor and made palatable by musical hooks, as on 50 Ways to Leave Your Lover, which became the biggest solo hit of Simon's career. But elsewhere, as on Have a Good Time, the singer's cynicism seemed unearned. Still, as out of sorts as Simon may have been, he was never more in tune with his audience: Still Crazy topped the charts, spawned four Top 40 hits, and won Grammys for Song of the Year and Best Vocal Performance.
- William Ruhlmann (All Music Guide)1. Still Crazy After All These Years
2. My Little Town
3. I'd Do It for Your Love
4. 50 Ways to Leave Your Lover
5. Night Game
6. Gone at Last
7. Some Folks' Lives Roll Easy
8. Have a Good Time
9. You're Kind
10. Silent Eyes$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Ash & ClayThe Ash & Clay culminates a whirlwind first year of the Milk Carton Kids' existence. In that short time the duo of Kenneth Pattengale and Joey Ryan have built a vibrant following with the simple purity of their music: touring with the Lumineers, Old Crow Medicine Show, Punch Brothers, and KD Lang; appearing on NPR's Tiny Desk concert series; charming audiences with their deadpan on-stage humor (riffing on the Smothers Brothers for young fans who have never heard of the Smothers Brothers); offering their debut album for free to willing fans - over 110,000 downloaded - from their website; and grabbing press acclaim usually reserved for veteran artists. A sweetly dazzling variation on closeharmony vocals, part Simon and Garfunkel and part Everly Brothers, with occasional acoustic prestidigitation," proclaimed The New York Times. With three new Milk Carton Kids songs - "Snake Eyes," "The Ash & Clay" and "The Jewel of June" - featured in the new Gus Van Sant film Promised Land starring Matt Damon, 2013 looks to be a big year for these Kids.
This LP contains a CD of the full album.1. Hope Of A Lifetime
2. Snake Eyes
3. Honey, Honey
4. Years Gone By
5. The Ash & Clay
6. Promised Land
7. The Jewel Of June
8. Whisper In Her Ear
9. On The Mend
11. Hear Them Loud
12. Memphis$19.99Vinyl LP - Sealed Buy Now
The StrangerRanked 67/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Joels Breakthrough Record Loaded With Smash Hits: Movin Out (Anthonys Song), Just the Way You Are, Only the Good Die Young, Shes Always a Woman
Getting It Right: Mobile Fidelitys Half-Speed Mastered Version Brings Phil Ramones Celebrated Production into Full-Color Detail
1977 Set a Grammy Winner for Record of the Year and Song of the Year
Billy Joel entered 1977 with a great track record but in need of breakthrough. Pairing with producer Phil Ramone (Carly Simon, Simon & Garfunkel), who developed the requisite ingredients missing from Joels formula, the singer-songwriter became a household name and chart-topping success courtesy of The Stranger. Certified ten-times platinum, Joels artistic and commercial smash remains a pop-rock benchmark. Better still, it now sounds astonishing.
An integral part of Mobile Fidelitys Billy Joel catalog restoration series, The Stranger is mastered from the original master tapes and pressed on 180g LP at RTI. Far superior to the previous Sony and Simply Vinyl analog reissues, this edition emphasizes the crucial touches and insightful techniques Ramone brought to a batch of material that ranks among Joels most clever, catchy, and sagacious.
Whereas a handful of Joels preceding efforts feature a near-flawless mix of melodic arrangements and poignant lyrics, the aspects he sought in order to graduate into a more serious artist arrive here via Ramones more muscular, fleshed-out, and rock-enabling production. The streamlined approach slightly strips back the sweeping developments heard on Piano Man and Turnstiles, and on this edition, lays bare the core of the material, allowing the vocalists bittersweet yearning, rollicking 88 notes, and working-class conviction to emanate with full-bodied detail, vivid color, and grand-scale dynamics.
A Grammy winner for both Record and Song of the Year, Just the Way You Are epitomizes Joels balladic reach, his ability to transfer wistful sentiments and lovelorn emotions. He also flashes a mean streak. The animated Only the Good Die Young bounces and hops to an updated classic-R&B rhythm and, underneath its beauty, Shes Always A Woman hints at trouble underfoot. And then theres the New York-centric, character-rich poetry of the vignettes.
Akin to many of his influences, Joel nails the grit, personality, specificity, descriptiveness, and behavior of protagonists that populate Movin Out (Anthonys Song) and Scenes From an Italian Diner, each equally at home on The Stranger as well as on a Broadway play or on a golden-era Hollywood film soundtrack. No wonder that, just months after its original release, Joel was no longer a stranger to any of the music-loving public. He would never look back.
Don't pass up this seminal pop-rock work in the best fidelity its ever enjoyed.
This title is not eligible for discount.1. Movin Out (Anthonys Song)
2. The Stranger
3. Just the Way You Are
4. Scenes From an Italian Restaurant
6. Only the Good Die Young
7. Shes Always a Woman
8. Get It Right the First Time
9. Everybody Has a Dream/The Stranger (Reprise)$49.99180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
Garden State SoundtrackThe soundtrack to Zach Braff's Garden State is nearly as much of a piece with the film as the similarly sweet, quirky combinations of sound and vision in Wes Anderson's films and soundtracks. Garden State, however, is more modern in its outlook and more emotionally direct, with a mixtape earnestness belied by using not one but two songs from the Shins' Oh, Inverted World. New Slang is an obvious choice, as the song just seems to grow in stature as time passes, but Caring Is Creepy, Oh, Inverted World's vulnerable, ever-so-slightly unhinged opening track, is not, and adds to the personal, diary-like feel of the album. The bright poignancy of the Shins' tracks stands out even more among the low-key melancholy of songs like Coldplay's Don't Panic, Remy Zero's Fair, and Colin Hay's I Just Don't Think I'll Ever Get Over You. The inclusion of Hay's track, Bonnie Somerville's Winding Road, and the Cary Brothers' Blue Eyes shows that Garden State doesn't go for the hipster, too-cool-for-school poses that one might expect from the soundtrack of a hot indie movie, even with the inclusion of Iron & Wine's cover of the Postal Service's Such Great Heights. Still, there's something of a collegiate feel to the soundtrack, especially with the re-rediscovery of Nick Drake (One of These Things First) and Simon & Garfunkel (The Only Living Boy in New York) as well as the tentative forays into electronica and trip-hop like Zero 7's In the Waiting Line, Frou Frou's Let Go, and Thievery Corporation's Lebanese Blonde. Perhaps this collegiate feel comes from the fact that those years are often the time when many people are the most ready and willing to explore music that is new to them (but not necessarily new), but, as the success of Garden State's soundtrack shows, any time can be the right time.
- Heather Phares (All Music Guide)LP 1
1. Don't Panic (Album Version) - Coldplay
2. Caring Is Creepy (Album Version) - The Shins
3. In the Waiting Line - Zero 7
4. New Slang (Album Version) - The Shins
5. I Just Don't Think I'll Ever Get Over You (Album Version) - Colin Hay
6. Blue Eyes (Album Version) - Cary Brothers
7. Fair (Album Version) - Remy Zero
1. One Of These Things First (Album Version) - Nick Drake
2. Lebanese Blonde (Album Version) - Thievery Corporation
3. The Only Living Boy in New York - Simon & Garfunkel
4. Such Great Heights (Album Version) - Iron And Wine
5. Let Go (Album Version) - Frou Frou
6. Winding Road (Album Version) - Bonnie Somerville$34.99Vinyl LP - 2 LPs Sealed Buy Now
Elvis SingsOn Elvis Sings, the King sings songs by a variety of artists like Bob Dylan, The Beatles, Ray Charles, Bee Gees, Simon & Garfunkel, Chuck Berry, Muddy Waters, Creedence Clearwater Revival and many more.LP1
1. Promised Land
2. What'd I Say
3. Early Mornin' Rain
4. You've Lost That Lovin' Feelin'
5. My Babe
6. Don't Think Twice, It's All Right
7. Got My Mojo Working / Keep Your Hands Off Of It
8. Bridge Over Troubled Water
9. Help Me Make It Through The Night
10. Gentle On My Mind
11. Funny How Time Slips Away
1. Sweet Caroline
2. You Don't Have To Say You Love Me
3. Proud Mary
4. I Got A Woman
7. You Don't Know Me
8. I'm So Lonesome I Could Cry
9. Danny Boy
10. My Way
11. Tomorrow Is A Long Time
12. Only The Strong Survive$43.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
The Golden Hits Of The Everly BrothersMastered from the Original Warner Bros. Tapes by Joe Reagoso
Don and Phil Everly are most certainly two of the most important figures in popular music history. Whether rock, pop, adult contemporary or country music, The Everly Brothers have consistently rose to the occasion with their successful harmonies, musicianship, and of course the knack to pick songs and write their own material which has made them legends in their own time.
Their legendary status has put them on world stages for over five decades and they have been honored and adored by both the fans and huge rock music icons like The Beatles, The Beach Boys, and Simon and Garfunkel. When the Everly Brothers joined the Warner Bros. label in the late '50s, their marquee value was just beginning to skyrocket. A long term lucrative deal, unprecedented at the time, afforded the boys the real opportunity to churn out hit after hit in record time.
While making a successful string of albums and hit singles, their greatest hits LP, simply titled The Golden Hits Of The Everly Brothers, showcased their star power in 1962. Filled with a dozen of their biggest hits like Cathys Clown, Thats Old Fashioned, Crying In The Rain, Ebony Eyes and their classic interpretation of Little Richards Lucille, the album itself was another home run for the duo. It rode the charts for months during its initial release and has been a consistent seller in various formats since the original album was discontinued decades ago!
Friday Music kicks off The Everly Brothers 180 Gram Audiophile Series with their greatest hits album The Golden Hits Of The Everly Brothers. This first time ever high grade audiophile vinyl release is mastered from the original Warner Bros. tapes by Joe Reagoso at Friday Music Studios and at Capitol Records with Ron McMaster. It also includes the brilliant album cover photography of Michael Levin and the all of the great songs you remember including other major Top 40 smashes like Dont Blame Me, Walk Right Back and the masterful ballad So Sad.
To keep your rock and roll investment in mint shape, Friday Music has also enclosed a vinyl lined album sleeve to protect the music and a poly bag for the album cover to enhance your listening for years to come.1. Thats Old Fashioned - 1962
2. How Do I Meet Her? - 1962
3. Crying In The Rain - 1962
4. Im Not Angry - 1960
5. Dont Blame Me - 1961
6. Ebony Eyes - 1961
7. Cathys Clown - 1960
8. Walk Right Back - 1961
9. Lucille - 1960
10. So Sad - 1960
11. Muskrat - 1961
12. Temptation - 1961$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
REDD-SUN-5332xThe Five Americans
I See The LightSourced from the Original Mono Master Tapes for the First Time!
The versatile Five Americans were so tapped into the heroic pop scene of 1965-66, they were able to pen brilliant original material that could, at times, sound something like the raw garage howl of the Rolling Stones, the jangle of the Byrds, the psychedelic mystery of Jefferson Airplane or the PhD folk-rock of Simon & Garfunkel.
Best of all, lead guitarist Mike Rabon, keyboardist John Durrill, rhythm guitarist Norman Ezell, bassist Jim Grant and drummer Jimmy Wright, put their own distinct stamp on a string of smashes that began with the mighty "I See the Light" in early 1966.
Hailing from Oklahoma, this hungry quintet hit the jackpot when they moved en masse to Dallas and hooked up with the red-hot Abnak label, run by John Abnor, Sr. Their debut longplayer, I See the Light, was a perfect snapshot of what made 1966 a watershed year for rock. The song of the same name opens with what may be the most famous held organ note in rock history, then turns to a stomping bass line that would have been the envy of Slade's Doc Marten army six years later.
"Goodbye" is a perfect extension of the Slick-Balin vocal tandem about to catch fire in San Francisco. "I Know They Lie" has that Byrds/Brummels Rickenbacker jangle down pat. "Don't Blame Me" and "It's a Crying Shame," a pair of snarling garage-rock nuggets, go directly for the jugular with results every bit as lethal as anything ever cut in the Lone Star state.
This 180g vinyl-only release is impeccably sourced from the original mono master tapes, the first time the album has been re-released in ultra-honest, bone-crunching mono!1. I See the Light
2. The Losing Game
4. I Know They Lie
5. Twist & Shout
7. The Train
8. It's a Crying Shame
9. I'm So Glad
10. Don't Blame Me
11. The Outcast
12. What'd I Say$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
As Recorded At Madison Square Garden (Music On Vinyl)The live album 'As Recorded at Madison Square Garden' was originally released in June 1972, just one week after the concert took place at the Madison Square Garden arena in New York City. This show was Presley's first live concert in the Big Apple since the 1950s. Many musicians attended one of his shows most notably amongst them George Harrison, Art Garfunkel, David Bowie, all the members of both Ten Years After and Led Zeppelin, Paul Simon and Bob Dylan. Being backed by an eight-piece band, an orchestra and eight backup singers the show itself is the more elaborately produced follow-up to his Las Vegas performances of 1969-1970.LP 1
1. Introduction: Also sprach Zarathustra (Theme from 2001: A Space Odyssey)
2. That's All Right
3. Proud Mary
4. Never Been To Spain
5. You Don't Have To Say You Love Me
6. You've Lost That Lovin' Feelin'
7. Polk Salad Annie
8. Love Me
9. All Shook Up
10. Heartbreak Hotel
11. Medley (Let Me Be Your) Teddy Bear / Don't Be Cruel
12. Love Me Tender
1. The Impossible Dream (The Quest)
2. Introductions By Elvis
3. Hound Dog
4. Suspicious Minds
5. For The Good Times
6. An American Trilogy
7. Funny How Time Slips Away
8. I Can't Stop Loving You
9. Can't Help Falling In Love
10. End Theme (Orchestra)$39.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Bus StopNo rest for the Hollies in 1966! Hot on the heels of Beat Group!, Bus Stop rolled into U.S. record shops, right on schedule. Written by Gouldman, the title track became the bands first Top Ten U.S. single, peaking at #5, and featuring their bell-tone harmonies to perfection. In addition to the sparkling single, the album is packed with their renditions of contemporary hits like Simon and Garfunkel's I Am A Rock, Smokey Robinson and the Miracles' Mickey's Monkey' and the Fred Neil/Roy Orbison chestnut Candy Man. Self-penned songs We're Through, Don't Run and Hide and You Know He Did also shine brightly and prove there was no danger of covering up the band members writing skills. With this disc, the Hollies put the rock world on notice that they were the British Invasions most beat-filled battalion!
Out of print for decades, this classic album is FINALLY available again. Sourced from the aurally awesome original U.K. mono master, this LP is pressed on pristine 180-gram vinyl per your turntables request. Get in the queue!
Perhaps the most undervalued band of the original British Invasion, The Hollies hits are well known in the U.S. but their early albums are almost impossible to find! Taking their name from Buddy Holly and modeling their harmonies on the Everly Brothers, the Hollies gathered these American musical ingredients and whipped them into a wholly-UKnique concoction. Forging their sound to the east of their Liverpool brothers-in-beat, this Manchester quintet had it all: the soaring vocals of Allan Clarke, Graham Nash and Tony Hicks; Hicks cascading, arpeggio-laden licks on guitar and a hard-hitting rhythm section driven by drummer extraordinaire Bobby Elliot. On top of that, their keen ears for top quality songs, written by the premier songsmiths of the day like teenage wunderkind Graham Gouldman, Chip Wild Thing Taylor and the stellar in-house writing team of Clarke/Hicks/Nash, ensured that their albums were extraordinary from start to finish. In short, they were a band that exuded greatness on all fronts. Now, as that greatness has been acknowledged by their induction into the Rock and Roll Hall of Fame, Sundazed Music is proud to present meticulously restored vinyl editions of the rare U.S. mono versions of the Hollies third and fourth Imperial label albums, from 1966.1. Bus Stop
2. Candy Man
3. Baby Thats All
4. I Am A Rock
5. Sweet Little Sixteen
6. Were Through
7. Dont Run And Hide
8. Oriental Sadness
9. Mickeys Monkey
10. Little Lover
11. You Know He Did
12. Whatcha Gonna Do Bout It$24.99180 Gram Audiophile Virgin Vinyl Mono LP - Sealed Buy Now
Always On My Mind180 Gram Blue Colored Vinyl
Produced By Chips Moman + Bobby Emmons
First Time Audiophile Blue Vinyl & Gatefold Cover Presentation
Mastered Impeccablty By Joe Reagoso - Manufactured At R.T.I.
Willie Nelson is a musical phenomenon and an American icon. His
legendary musical career began in the 50's, followed with a plethora
of hit songs written for the likes of Ray Price, Patsy Cline and Roy
Orbison, and then his own six decade long recording career in the
country, rock, pop, adult, and even jazz genres, sharing his legendary
vocal, guitar and songwriting persona for millions of fans worldwide.
With 1982's Always On My Mind Lp, Willie Nelson created one of the
most successful top charting hit albums of all time. The Lp features
Willie's stellar vocal and guitar interpretations on the definitive outlaw
version of Procol Harum's A Whiter Shade Of Pale (featuring Waylon
Jennings), his melancholy #1 title track Always On My Mind, plus an
incredible reading of Aretha Franklin's Do Right Woman, Do Right
Alongside great versions of tunes like Bridge Over Trouble Water
by Simon & Garfunkel, you also get some masterful Willie Nelson
originals like the LP closer The Party's Over. All in all, making Always
On My Mind the legendary album it is and always will be.
This fine album has been out of print for decades on vinyl, and it
is our honor to announce the first time 180 Gram Audiophile Vinyl
presentation of Always On My Mind by the legendary Willie Nelson
on Friday Music. This limited edition audiophile masterpiece is now
impeccably mastered by Joe Reagoso and also for a very limited
time is pressed by R.T.I. on translucent Blue Vinyl, and features from
the original LP artwork not seen in years, in a first time gatefold
You Were Always On My Mind ..1. Do Right Woman, Do Right Man
2. Always on My Mind
3. A Whiter Shade of Pale
4. Let It Be Me
5. Staring Each Other Down
6. Bridge over Troubled Water
7. Old Fords and a Natural Stone
8. Permanently Lonely
9. Last Thing I Needed First Thing This Morning
10. The Party's Over$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
There Goes Rhymin' SimonRetaining the buoyant musical feel of Paul Simon, but employing a more produced sound, There Goes Rhymin' Simon found Paul Simon writing and performing with assurance and venturing into soulful and R&B-oriented music. Simon returned to the kind of vocal pyrotechnics heard on the Simon & Garfunkel records by using gospel singers. On Love Me Like a Rock and Tenderness (which sounded as though it could have been written to Art Garfunkel), the Dixie Hummingbirds sang prominent backup vocals, and on Take Me to the Mardi Gras, Reverend Claude Jeter contributed a falsetto part that Garfunkel could have handled, though not as warmly. For several tracks, Simon traveled to the Muscle Shoals Sound Studios to play with its house band, getting a variety of styles, from the gospel of Love Me Like a Rock to the Dixieland of Mardi Gras. Simon was so confident that he even included a major ballad statement of the kind he used to give Garfunkel to sing: American Tune was his musical State of the Union, circa 1973, but this time Simon was up to making his big statements in his own voice. Though that song spoke of the age's most uncertain hour, otherwise Rhymin' Simon was a collection of largely positive, optimistic songs of faith, romance, and commitment, concluding, appropriately, with a lullaby (St. Judy's Comet) and a declaration of maternal love (Loves Me Like a Rock) -- in other words, another mother-and-child reunion that made Paul Simon and There Goes Rhymin' Simon bookend masterpieces Simon would not improve upon (despite some valiant attempts) until Graceland in 1986.
- William Ruhlmann (All Music Guide)1. Kodachrome (Album Version)
3. Take Me to the Mardi Gras
4. Something So Right
5. One Man's Ceiling Is Another Man's Floor
6. American Tune
7. Was a Sunny Day
8. Learn How to Fall
9. St. Judy's Comet
10. Loves Me Like a Rock$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
PlacesCombine evocative production, inventive songwriting, and multi-part harmonies mixed with the duo's passion for 60s and 70s pop, including The Kinks, Richard and Linda Thompson, The Jam, Simon and Garfunkel, and some Shake Some Action -era Flamin' Groovies and you've got Georgie James. These twelve tracks are pure pop bliss that look toward the future, but are undeniably rooted in music from generations past.1.Look Me Up
3.Need Your Needs
6.Henry and Hanzy
11.You Can Have It
12.Only 'Cause You're Young$16.99Vinyl LP - Sealed Buy Now
REDD-SUN-5142xVince Martin & Fred Neil
Tear Down The WallsThe rumbling baritone of Fred Neil and Vince Martins earthy tenor... Its a vocal blend every bit as impressive as the great duos in music history: the Everly Brothers and Simon & Garfunkel with a Greenwich Village twist, of course. Put Neil and Martin, a pair of New York City folkie legends-in-the-making, into a recording studio with a young, pre-Spoonful John Sebastian on harmonica and Felix Pappalardi (later to produce Cream and the Youngbloods) on guitarron (an acoustic Mexican bass guitar) and magic is inevitable. This, of course, is Fred Neil in 1964, well before he just walked away from the folk scene and split for Florida and premature retirement in 1971, to remain an enigma until his recent death. Every recording by this compelling, monstrously talented singer/songwriter should be cherished like spun gold. From the original Elektra Records stereo master, Tear Down the Walls is one of Neils first studio sessions and is undeniably also one of his best.1. I Know You Rider
2. Red Flowers
3. Tear Down the Walls
4. Weary Blues
5. Toy Balloon
7. Morning Dew
8. I'm a Drifter
9. Linin' Track
10. Wild Child in a World of Trouble
11. Dade County Jail
12. I Got 'Em
13. Lonesome Valley$24.9912 Vinyl LP - Sealed Buy Now
PasserbyIn a world where instant gratification is the norm, patience has become
a rare commodity. But for Zoë Randell and Steve Hassett, who make up
indie-folk duo Luluc (pronounced Loo-LUKE), letting things unfold in
due time not only defines their career trajectory, it also works as a pretty
good description of their approach to making music. Music that Sub
Pop co-founder Jonathan Poneman describes as bracing, subtle, tender
So while it may seem like Randell and Hassett's history is littered with
all kinds of good luck-from their initial meeting to their relationship
with The National's Aaron Dessner to opening slots with artists like
Lucinda Williams, Fleet Foxes, and JosÉ Gonzàlez; to their deal with Sub
Pop; to grabbing the attention of Nick Drake's producer-being in the
right place at the right time isn't just about fate. It's about knowing when
something feels right and having the confidence that people will respond
when they're ready.
There's no question that everything these Australians (who split their
time between Melbourne and their adopted hometown of Brooklyn) have
done in their lives has been leading up to this summer's Passerby, their
second album overall and first available worldwide. Passerby is a gorgeously
crafted 10-track album full of beautiful, slow-burning melodies and
delicate harmonies, which drip out of their mouths like honey. The
attention to detail is unmistakable, and highlights like "Reverie On
Norfolk Street" and "Early Night" are as haunting as they are hummable.
Unadorned guitars and voices make up the bulk of the dreamy sound,
though the power of the added instrumentation can't be overstated, with
well-placed piano, percussion, double bass, sax, trumpet, trombone,
and more adding color to the cosmopolitan atmosphere. Band favorites
like Simon and Garfunkel and Gillian Welch (and, of course, Nick Drake)
can be felt throughout Passerby, while the poignant restraint aligns them
well with labelmates Low.
Co-produced by the band and Dessner, Passerby shows off all of Luluc's
best qualities, retaining the gentle beauty of the duo's debut while adding
textures built with a cadre of impressive players. It's the trophy celebrating
Luluc's airtight case that good things-no, make that great things-really
do come to those who wait. The wait is over. The world is ready to hear
Luluc quiet and clear.1. Small Window
2. Without a Face
4. Winter is Passing
5. Tangled Heart
7. Reverie on Norfolk Street
8. Early Night
9. Gold on the Leaves
10. Star$15.99Vinyl LP - Sealed Buy Now
Acoustic SessionsAcoustic Sessions is the debut from The Ghost Of A Saber Tooth Tiger (Sean Lennon & Charlotte Kemp Muhl) on their own home-grown label Chimera Music. Like a chimera itself, a mythical two-headed creature, the G.O.A.S.T.T. work from one heart despite having two separate minds. Acoustic Sessions shows their love of quirky and whimsical '60s folk pop, reminiscent at times of Syd Barrett, the Incredible String Band and Simon & Garfunkel. G.O.A.S.T.T. weaves narratives around metaphysical geography of their own devising, finding a surrealist beauty in the mundane. Like Dali's imaginary landscapes, their world is a beguiling wonderland that makes for one stunning debut.1. Lavender Road
2. Jardin du Luxembourg
3. Candy Necklace
4. Schroedinger's Cat
5. Rainbows in Gasoline
6. Dark Matter, White Noise
7. Robot Boy
8. The World Was Made For Men
9. Song For James$17.99Vinyl LP - Sealed Buy Now
NeptuneNeptune is the major label debut album from Boston progressive folk duo, Tall Heights. Neptune is the follow up to 2015's Holding On, Holding Out EP which was met with critical acclaim from outlets like NPR and The Wall Street Journal who compared their emotive harmonies and poignant lyrics to the likes of Simon & Garfunkel, Sigur Ros and Bon Iver. Of particular note is the track "Spirit Cold", the lead single from the forthcoming release.
The multi-talented singer songwriters, composers and instrumentalists featuring Paul Wright on cello/vocals and Tim Harrington on acoustic guitar/vocals got their start busking on the streets of Boston, growing up in a neighboring town in Massachusetts. Neptune is a far lusher construct than those early acoustic days - along with pristine and emotive vocal harmonies, there's subtly chugging electric guitar and a spare descending bassline on "Iron in the Fire," ethereal synthesizers and a spacious drum part on "Spirit Cold," a brittle splash of percussion to open "Backwards and Forwards" and feedback created by two cellphones on "Cross My Mind."1. Iron in the Fire
2. Spirit Cold
3. River Wider
4. No Man Alive
5. The Runaway
7. Horse to Water
8. Backwards and Forwards
9. Two Blue Eyes
10. Cross My Mind
12. Wayfarers$20.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
FlagFlag is Classic JT: At-Home Folk Arrangements, Soft-Rock Coziness, Captivating Emotion
Narratives on 1979 Gem Peer into the Heart of Everyman and Everywoman
Mastered from the Original Master Tapes: Sonics As Mellifluous As Taylor's Voice on a Cool Summer Night
JT and Dad Loves His Work Also Available on 180g LP from Mobile Fidelity
James Taylor was an interesting place when he recorded the colossally underrated Flag. Fresh off his double-platinum J.T. (also available from Mobile Fidelity), the artist who defines the singer-songwriter genre had just collaborated with Art Garfunkel and Carly Simon, undertaken a Broadway musical, and become more active in political affairs. All these factors contribute to this 1979 treasure, which finds Taylor plying more of his trademark mellow vibes and insightful, soul-gazing lyrics.
While Flag has been previously remastered for CD, its never been sourced from the original analog master tapes. Mobile Fidelitys brilliant-sounding 180g LP is, and the results are as spectacular as chilling out to Taylors mellifluous voice on a summer night. Flush with exquisite acoustic textures, beautiful tonalities, and studio-perfect dynamics, this audiophile version brings Taylors music to life like never before.
Having landed in the Top Ten and sold more than two million copies, Flag nonetheless remains one of Taylors most under-appreciated efforts. And its not because the content is lacking. The beloved singer enters his hallmark storytelling mode on Sleep Come Free Me and dizzies the senses with the beloved Rainy Day Man. Drawing from his musical Working (based on legendary author Studs Terkels book of the same name), Millworker and Brother Trucker are lessons in character studies, Taylors narratives peering into the heart of blue-collar America and reflecting his knack for the everymanand everywoman.
Similarly, a pair of coversUp on the Roof and Day Trippershow his knack for reverent interpretation as well as originality. Flag reveals why we love JT. The literary descriptiveness, at-home folk arrangements, soft-rock fireplace coziness, captivating emotion, faithful tones, and stellar sense of instrumental placement, be it backing vocals, nuanced percussion, pedal-steel guitar, or subtle horns, the latter courtesy of do-it-all saxophonist David Sanborn. Alas, many of these facets have long gone unnoticed.
Ever since its original release, Flag has been plagued with muddled sound. No longer. Mobile Fidelitys analog reissue unlocks the well-kept sonic secrets and floods the record with the intimacy and impact that have always lurked underneath the surface. Finally, Taylors finite acoustic playing, well-mannered melodies, reflective words, and refined singing are experienced as a whole. The amount of new musical information thats been uncovered will boggle the minds of even the most ardent Taylor fans.
Trust us: Flag is one of Taylors finest works. After three decades, hear it all for yourself. And discover what is certain to become of your new favorite records.
This title is not eligible for discount.1. Company Man
2. Johnnie Comes Back
3. Day Tripper
4. I Will Not Lie for You
5. Brother Trucker
6. Is That the Way You Look?
8. Rainy Day Man
10. Up on the Roof
11. Chanson Française
12. Sleep Come Free Me$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
HypnophobiaHypnophobia, the brand new album from 'baroque pop' prince and
Dutch producer/multi-instrumentalist Jacco Gardner, casts a majestic
and vibrant psychedelic spell that will hypnotise listeners at the point
dreams and reality meet.
Capturing a true sense of exploration, Hypnophobia combines
Gardner's newfound love of travel with his continued passion for
collecting and playing vintage instruments. A stunning exhibit of lush
instrumental tracks as well as songs that boast lyrics worthy of any
great pop number, the record features a Wurlitzer electric piano that
was purchased on tour, waltzing alongside mellotrons, harpsichords,
an Optigan, and an antique Steinway upright piano sold to Gardner by
a local church.
Akin to the sonic boom of maverick contemporaries John Maus, and
Tame Impala, his is a sound that holds fast next to fellow paisley
performers Syd Barrett and Curt Boettcher, with the airy dynamics of
Stereolab or Simon & Garfunkel. Yet what truly marks Gardner from
his musical ancestors and accomplices is his forward-thinking, hi-tech
approach; "Hypnophobia is the next step into an alternate reality
influenced by the present. I'm so inspired by today's technology that
many things I do were not possible in the past."1. Another You
2. Grey Lanes
4. Find Yourself
5. Face To Face
6. Outside Forever
7. Before The Dawn
9. Make Me See
10. All Over$18.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now