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  • Show Time Show Time Quick View

    $34.99
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    Show Time

    Show Time (1981) is the sixth album by the American Funk band Slave. The album reached number seven on the Top Soul Albums charts. The lead single, Snap Shot, reached number six on the Soul Singles charts.


    All of the tracks are immediately recognizable as Slave offerings. Show Time is recommended to Funk addicts without hesitation.


    Show Time was the last album that Steve Arrington recorded with the band. Therefore, you can say that Show Time was the end of an era for Slave.

    1. Snap Shot
    2. Party Lites
    3. Spice Of Life (Oh Yes, You're The Best)
    4. Smokin
    5. Wait For Me
    6. Steal Your Heart
    7. For The Love Of U
    8. Funken Town
    Slave
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Survival Survival Quick View

    $24.99
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    Survival

    Features Original Artwork

    Containing what is considered Marley's most defiant and politically charged statement to date, Survival concerns itself with the expressed solidarity of not only Africa, but of humanity at large. The album was controversial right down to the jacket, which contains a crude schematic of the stowage compartment of a typical transatlantic slave ship.


    Survival is intended as a wake-up call for everyman to resist and fight oppression in all of its insidious forms. From Tyrone Downie's opening synthesizer strains on So Much Trouble in the World to the keyboard accents emerging throughout Zimbabwe, the sounds of Survival are notably modern. The overwhelming influence of contemporary African music is also cited with the incorporation of brass, á la Fela Kuti and his horn-driven Africa '70. While Top Rankin', Ride Natty Ride, and Wake Up and Live are the most obvious to benefit from this influence, there are other and often more subtle inspirations scattered throughout. Survival could rightly be considered a concept album. Marley had rarely been so pointed and persistent in his content. The days of the musical parable are more or less replaced by direct and confrontational lyrics.


    From the subversive Zimbabwe -- which affirms the calls for the revolution and ultimate liberation of the South African country -- to the somewhat more introspective and optimistic Africa Unite, the message of this album is clearly a call to arms for those wanting to abolish the subjugation and tyranny of not only Africans, but all humankind. Likewise, Survival reinforces the image of Marley as a folk hero to those suffering from oppression.

    1. So Much Trouble In The World
    2. Zimbabwe
    3. Top Rankin'
    4. Babylon System
    5. Survival
    6. Africa Unite
    7. One Drop
    8. Ride Natty Ride
    9. Ambush In The Night
    10. Wake Up And Live
    Bob Marley
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Take Control Take Control Quick View

    $21.99
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    Take Control

    Take Control is the second studio album by English punk duo Slaves. The album was produced by former Beastie Boys member Michael Mike D Diamond, who also makes a guest appearance on the song Consume or Be Consumed.
    1. Spit It Out
    2. Hypnotised
    3. Consume Or Be Consumed (feat. Mike D)
    4. Take Control
    5. Mr Industry (Skit)
    6. Rich Man
    7. Play Dead
    8. Lies
    9. Fuck The Hi-Hat
    10. Gary (Skit)
    11. People That You Meet
    12. Steer Clear ft. Baxter Dury
    13. Cold Hard Floor
    14. STD's/PHD's
    15. Angelica
    16. Same Again
    Slaves
    $21.99
    Vinyl LP - Sealed Buy Now
  • Slave Ambient Slave Ambient Quick View

    $19.99
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    Slave Ambient


    Philadelphias The War on Drugs, the vehicle of Adam Granduciel, frontman, rambler, shaman, pied piper guitarist and apparent arranger-extraordinaire, returns with Slave Ambient. On their debut, the life-affirming Wagonwheel Blues, and the follow-up EP, Future Weather, The War on Drugs seemed obsessed with disparate ideas, with building uncompromised rock monuments from pieces that may have seemed like odd pairs. Folk-rock marathons come damaged by drum machines. Electronic and instrumental reprises precede songs theyve yet to play, and Dr. Seuss becomes lyrical motivation for bold futuristic visions. Now, Granduciel has done it again, better than before: Slave Ambient, their proper second album, is a brilliant 47-minute sprawl of rock n roll, conceptualized with a sense of adventure and captured with seasons of bravado.


    Slave Ambient features a team of Philadelphias finest musicians, including multi-instrumentalists Dave Hartley and Robbie Bennett, and drummer Mike Zanghi. Recorded throughout the last four years at Granduciels home studio in Philly, Jeff Zieglers Uniform Recording and Echo Mountain in Asheville, NC, the album puts the weirdest influences in just the right places. Synthesizers fall where you might expect more electric guitars (and vice versa); country-rock sidles up to the warped extravagance of 80s pop.


    Instant classic Baby Missiles is part Spingsteen fever dream, part motorik anthem. Original Slave might sound like a hillbilly power drone, but City Reprise #12 suggests Phil Collins un-retiring to back Harmonia. I Was There is Harvest rebuilt by some selection of psychedelic all-stars, while the shuffling, sleepy opener Best Night offers a band with too many ideas to be in a hurry. During the mid-album centerpiece Come to the City, Granduciel howls and moans, All roads lead to me/I've been moving/Ive been drifting. Indeed, however unlikely that might seem, all these sounds arrive cohesively in one unmistakable place. Every song on Slave Ambient is instantly identifiable and infinitely intricate, a latticework of ideas and energies building into mile-high rock anthems.

    1. Best Night

    2. Brothers
    3. I Was There
    4. Your Love Is Calling My Name
    5. The Animator
    6. Come To The City
    7. Come For It
    8. It's Your Destiny
    9. City Reprise #12
    10. Baby Missiles
    11. Original Slave
    12. Black Water Falls
    War On Drugs, The
    $19.99
    Vinyl LP - Sealed Buy Now
  • Slave To Nothing Slave To Nothing Quick View

    $19.99
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    Slave To Nothing


    Limited Edition Colored Vinyl


    Fit For A King will release their third full-length album Slave To Nothing, The band has spent the last year touring in support of their debut label release Creation / Destruction (March 2013), which set Solid State Records history by becoming the highest-selling first week debut release on the label. Fit For A King then re-released their independently produced and recorded Descendants, which featured the original songs completely re-tracked.

    1. Kill the Pain
    2. Young & Undeserving
    3. Slave to Nothing
    4. Break Away
    5. Hooked
    6. Selfish Eyes
    7. A Greater Sense of Self
    8. Forever Unbroken
    9. Impostor
    10. Cleanse My Soul
    11. The Final Thoughts of a Dying Man
    Fit For A King
    $19.99
    Colored Vinyl LP - Sealed Buy Now
  • Slave To The Game Slave To The Game Quick View

    $15.99
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    Slave To The Game

    in 2007 the world was introduced to EMMURE on their Victory Records debut, Goodbye To The Gallows, and in the years following, the band has been an absolute machine. During this period of time, EMMURE released four highly successful full-length
    albums that have sold over 225,000 units worldwide, performed nearly 1,000 shows in over 20 countries including prominent spots on some of the world's largest music festivals, and helped define the genre known as "deathcore".


    In 2012, EMMURE solidified their partnership with Victory Records by re-signing with the label and now have added to their already impressive existence with the release of their fifth full-length album, Slave To The Game.


    EMMURE established themselves as the heavyweight kings of metal-influenced hardcore since day one and will raise the standards again on Slave To The Game with even more intensely brutal songs combined
    with menacing lyrics.


    EMMURE set out to dominate the world and will proudly enforce their "YOU CAN'T FUCK WITH US" attitude to anyone who stands in their way.


    Slave To The Game was produced by Joey Sturgis (THE DEVIL WEARS PRADA, ATTACK ATTACK!, ASKING ALEXANDRIA).

    1. Insert Coin
    2. Protoman
    3. She Gave Her Heart to Deadpool
    4. I Am Onslaught
    5. Bison Diaries
    6. Poltergeist
    7. Cross Over Attack
    8. Umar Dumps Dormammu
    9. Blackheart Reigns
    10. MDMA
    11. War Begins with You
    12. A.I.
    Emmure
    $15.99
    Vinyl LP - Sealed Buy Now
  • Slave To The Sword Slave To The Sword Quick View

    $16.99
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    Slave To The Sword

    Includes Color Lyric Insert


    It's that mix of thrash, death metal and SHRED that make Exmortus so absolutely irresistible! We're so sure you'll feel the same way that we've decided to premiere to the world the title track from their forthcoming album Slave To The Sword. If you liked "Immortality Made Flesh" - also on the album and part of an exclusive 7 with a Judas Priest cover on the B-side - you'll most definitely like this one too. 2014 is the year that Exmortus are going to make their imprint upon the metal scene at large; they're just too damned good not to, and with Prosthetic Records backing them this time around they'll have the support they deserve.


    Here's a quote from drummer Mario Moreno:


    2013 has been a pretty exciting year for EXMORTUS. We recorded a killer album with engineer/ producer Zack Ohren, got amazing album art done by Phil Lawvere, signed a record deal with Prosthetic Records and now we're finally announcing a release date for our upcoming album "Slave to the Sword". Pretty damn exciting right!? The year isnt over and we're already stoked on 2014. Our relationship with Prosthetic is still fresh but things are already off to a great start. Be sure to pick up a copy of Slave to the Sword in February online, in stores or on our upcoming North American Tour with Dark Tranquility and Omnium Gatherum starting February 1st in Atlanta, GA at The Masquerade. See you all soon! \m/

    - Metalsucks

    Exmortus
    $16.99
    Vinyl LP - Sealed Buy Now
  • Slaves And Masters Slaves And Masters Quick View

    $34.99
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    Slaves And Masters

    'Slaves and Masters' is the thirteenth studio album by Deep Purple, and was released in 1990. Deep Purple went through more than their share of personnel changes over the years.


    In 1990, their lineup consisted of guitarist Ritchie Blackmore (who had returned to the Purple fold in 1984 after leaving the band to form Rainbow following the release of Stormbringer in November 1974), singer Joe Lynn Turner(who was once the lead singer of Rainbow), keyboardist/organist Jon Lord, drummer Ian Paice, and bassist Roger Glover. Longtime Purple followers where more than happy with the return of Blackmore. King Of Dreams, The Cut Runs Deep, and Fire In The Basement are all classic Deep Purple tracks. Blackmore's guitar solos and Lord's keyboard runs harp back to the Deep Purple of old.


    The album sounds like a cross between a Rainbow and a Deep Purple album. Now available again on Heavy 180 gram vinyl with an insert.

    1. King Of Dreams
    2. The Cut Runs Deep
    3. Fire In The Basement
    4. Fortuneteller
    5. Truth Hurts
    6. Love Conquers All
    7. Breakfast In Bed
    8. Too Much Is Not Enough
    9. Wicked Ways
    Deep Purple
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Slaves To The Grave Slaves To The Grave Quick View

    $19.99
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    Slaves To The Grave

    Slaves to the Grave is the last will and testament of the Dallas/Ft Worth band who influenced artists from Nine Inch Nails to Slipknot, and features members of GWAR, Ministry, Warbeast, Revolting Cocks and Lard. Fated for release, the recording sessions wrapped just days before the tragic loss of guitarist Mike Scaccia, who suffered a massive heart attack and collapsed while performing on stage. Rigor Mortis hit the national scene in 1987 as the first underground Heavy Metal band to sign to a major label. Their 1988 debut record, RIGOR MORTIS (Capitol), has since become legendary in the thrash/speed metal community, influencing bands like Toxic Holocaust and Goatwhore, and motivating Ministry to leave the disco for the Metal arena. Ministry would, in turn, influence everything from Nine Inch Nails to Marilyn Manson and Slipknot. The members would remain friends through thick and thin throughout the years, and in 2012 the pieces finally came together. Rigor Mortis entered the studio to record what was to be their comeback record. Older, wiser and good with their personal lives Rigor Mortis had finally come full circle. Then, on December 22nd, 2012, it all came to a halt. While playing their home town club in Ft. Worth in celebration of singer Bruce Corbitt's 50th birthday, midway through the set Mike Scaccia suffered a massive heart attack and collapsed on stage. He could not be revived and was pronounced dead shortly after midnight. Rigor Mortis was over. Though never discussed, all knew there was no Rigor Mortis without Mike, but the album was recorded and almost finished. As fate would have it, just days before he died Mike went into the studio and put the finishing touches on all of his parts, effectively enabling the guys to finish the record, knowing that Scaccia was happy with it. They endeavored every step of the way to do justice to the Rigor Mortis legacy, and bring honor to Mike Scaccia's last recorded testament. We think he would be proud.
    Poltergeist
    Rain Of Ruin
    Flesh For Flies
    The Infected
    Blood Bath
    Ancient Horror
    Fragrance Of Corpse
    Curse Of The Draugr
    Sacramentum Gladiatorum
    Ludus Magnus
    Rigor Mortis
    $19.99
    Vinyl LP - Sealed Buy Now
  • Slaves Mass (Pure Pleasure) Slaves Mass (Pure Pleasure) Quick View

    $34.99
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    Slaves Mass (Pure Pleasure)

    Not strictly a jazz album in the strict sense, Slaves Mass has strong compositional themes among its seven tracks. The maestro Hermeto Pascoal plays everything from flutes, soprano saxophone, guitar, Fender Rhodes, acoustic piano and clavinet on this set, and enlists help from Ron Carter, Airto, Flora Purim, Raul DeSouza, David Maro and others. Mixing Pot, is the opener and an anomaly in that it is a vanguard fusion tune where Pascoal really digs in and improvises. It also features the only appearance on this set of Alphonso Johnson on electric bass. In Missa Dos Escravos, the title track, Pascoal's emblematic pig gives his first growls in a song dominated by Brazilian Indian references. Wonderfully and intricately composed, it centers around folk tropes. Chorinho Para Ele is a beautiful and modern choro with a somewhat challenging glissando bridge that really proposed new directions for the traditional genre. Aquela Valsa is a beautiful six/eight theme that turns into a samba with a beautiful trombone solo by DeSouza. Cannon is an utterly improvisational piece that meanders and winds around Pascoal's flute solo. Atonalism dominates the piano solo in Escuta Meu Piano, which also presents bits and pieces of different styles (like baio) and folk songs. Hot samba improvisation is found in GelÉia de Cereja, that slips and slides through a variety of schema and dynamic changes without much internal focus, but it is a compelling bit of creative anarchy nonetheless in that it displays Pascoal's full range of restless musical and textural impulses -- as well as a beautiful soprano solo.



    Musicians:



    • Hermeto Pascoal (saxophone, trombone, flute, keyboard)

    • David Amaro (guitar)

    • Raul De Souza (trombone)

    • Airto Moreira (drums)

    • Flora Purim (vocal)



    Recording: 1977



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    This title is not eligible for discount.

    1. Mixing Pot
    2. Slaves Mass
    3. Little Cry For Him
    4. Cannon (Dedicated To Cannonball Adderley)
    5. Just Listen
    6. That Waltz
    7. Cherry Jam
    Hermeto Pascoal
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • New Slaves Part II: Essence Implosion! EP New Slaves Part II: Essence Implosion! EP Quick View

    $16.99
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    New Slaves Part II: Essence Implosion! EP

    Zs New Slaves Part II: Essence Implosion! EP on Limited Edition 12 LP + Digital Download With Bonus Tracks



    Zs album New Slaves Part II: Essence Implosion! serves as a companion (or sequel) to New Slaves, their acclaimed double album from the spring of 2010 and features a series of focused and diverse remixes of that material by such luminaries as Thee Majesty (Genesis Breyer P-Orridge and Bryin Dall), JG Thirlwell (Foetus), Cex, Gabe Andruzzi (The Rapture), Zebrablood (Excepter), Weasel Walter (Flying Luttenbachers), and Ecstatic Sunshine. It is fascinating to hear these wholly individual talents pontificate about what the music of Zs is to them through their own sounds.



    Zs also insinuate themselves in to the mix contributing the opening track MMW IV: Essence Implosion!, a side long epic which uses the aforementioned remixes as a sound palette from which to compose. On it they have furthered the band's kalaedoscopic membership principle that has long centered around the vision of tenor/saxist Sam Hillmer. For this recording he is joined by no-wave hero Weasel Walter, WFMU's Marty McSorely (to put the mix in the remix at the tables), and long-time Zs drummer Ian Antonio. The track also sees the return of founding Zs member, and Extra Life pioneer, Charlie Looker.



    On New Slaves Part II: Essence Implosion! Zs' continue to embrace the studio as instrument, including not just the faculties of a studio in their process, but outside remixers and producers as well, demonstrating the ultimately collaborative nature of their approach to music. It is both the perfect accompaniment to New Slaves and a definitive musical statement in its own right. Zs have managed to craft a work that both reflects on (and even interacts with) their past, while also looking forward to its future through new collaborations.

    1. MMW IV: Essence Implosion!
    2. Concert Black (Thee Majesty Remix)
    3. Acres (Cex Vs. Remix)
    4. New Slaves (JG Thirlwell Remix)
    Zs
    $16.99
    Vinyl 12 LP - Sealed Buy Now
  • Master/Slave Master/Slave Quick View

    $12.99
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    Master/Slave

    Master/Slave is Whips/Chains monstrous debut 12EP.



    Taking no time to set a tone, opener Secular Front crawls through a wreckage of noise before breaking into a D-Beat stride. Other songs Brick and Mortar, Trembling and Alone, and Human Filth carry this same bombastic quality, but also introduce subtle hooks into the fray. These dynamics make Whips/Chains not only powerful, but also uniquely listenable. Creating a mesmerizing push and pull throughout the grime and fury.

    1. Secular Front
    2. Brick and Mortar
    3. Trembling and Alone
    4. Master/Salve
    5. Human Filth
    Whips/Chains
    $12.99
    Vinyl LP - Sealed Buy Now
  • Devil Is Fine (Picture Disc) Devil Is Fine (Picture Disc) Quick View

    $23.99
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    Devil Is Fine (Picture Disc)

    Limited Edition Picture Disc


    Imagine this: Tarantino's Django sacrifices a goat on stage while intimidating slave chants roar and screeching guitar riffs burn in the background. Then the rhythmic chain rattling evoking a satanic summoning makes way for the eerily familiar melodies of Norwegian black metal. This genre mix that has been garnering attention online since April 2016 belongs to Zeal & Ardor.


    The forthcoming album 'Devil Is Fine' thematically revolves around more typical black metal fare - rituals, human sacrifice, fire, and blood. Zeal & Ardor take the blaspheme up a notch by delivering the lyrics in the fashion of slave spirituals sung by chain gangs. Black metal from the cotton fields.


    Zeal & Ardor is the one-man brainchild of Swiss-American musician Manuel Gagneux. His approach draws on an alternate history and stems from two thoughts: Christianity was imposed upon American slaves (just as it was imposed in Norway) and black metal in the '90s grew as a rebellion to monotheism. What would have happened if American slaves had rebelled in the same way? Or put bluntly: what would satanic spirituals sound like?


    Gagneux comments, Devil Is Fine was not created thinking that this many would ever hear it. There is no stylistic compromise or pandering on it. Only things I personally like."

    1. Devil Is Fine
    2. In Ashes
    3. Sacrilegium I
    4. Come On Down
    5. Children's Summon
    6. Sacrilegium II
    7. Blood In The River
    8. What Is A Killer Like You Gonna Do Here?
    9. Sacrilegium III
    Zeal & Ardor
    $23.99
    Vinyl LP Picture Disc - Sealed Buy Now
  • Devil Is Fine Devil Is Fine Quick View

    $20.99
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    Devil Is Fine

    Pressed On Colored Vinyl


    Imagine this: Tarantino's Django sacrifices a goat on stage while intimidating slave chants roar and screeching guitar riffs burn in the background. Then the rhythmic chain rattling evoking a satanic summoning makes way for the eerily familiar melodies of Norwegian black metal. This genre mix that has been garnering attention online since April 2016 belongs to Zeal & Ardor.


    The forthcoming album 'Devil Is Fine' thematically revolves around more typical black metal fare - rituals, human sacrifice, fire, and blood. Zeal & Ardor take the blaspheme up a notch by delivering the lyrics in the fashion of slave spirituals sung by chain gangs. Black metal from the cotton fields.


    Zeal & Ardor is the one-man brainchild of Swiss-American musician Manuel Gagneux. His approach draws on an alternate history and stems from two thoughts: Christianity was imposed upon American slaves (just as it was imposed in Norway) and black metal in the '90s grew as a rebellion to monotheism. What would have happened if American slaves had rebelled in the same way? Or put bluntly: what would satanic spirituals sound like?


    Gagneux comments, Devil Is Fine was not created thinking that this many would ever hear it. There is no stylistic compromise or pandering on it. Only things I personally like."

    1. Devil Is Fine
    2. In Ashes
    3. Sacrilegium I
    4. Come On Down
    5. Children's Summon
    6. Sacrilegium II
    7. Blood In The River
    8. What Is A Killer Like You Gonna Do Here?
    9. Sacrilegium III
    Zeal & Ardor
    $20.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Cosmic Priestess Cosmic Priestess Quick View

    $19.99
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    Cosmic Priestess

    For well over a decade now, Tia Carrera have been melting minds with their own twist on the '70s rock n' roll jam. Mostly improvised, each live show is more of an experience than a performance, transporting you from wherever you are to places you didn't even know existed.


    Erik Conn, Jason Morales and now permanent member Jamey Simms have taken their music to a new level both live and in the studio. Simms and Morales switch instruments seamlessly, sometimes mid-jam while Conn whales on, taking the listener on a wild, mind altering ride.


    Their new release Cosmic Priestess, Small Stone 2011, highlights these elements to near perfection, bringing to the music new depths and lengths. Whether you're strapped to a chassis of a Texas hot rod in Slave Cylinder, exploring the colorful world of a coral reef in Sand, Stone and Pearl or three quarters of the way through the near 33 minute Saturn Missile Battery, Tia Carrera's improvisational scores will not disappoint.

    1. Slave Cylinder

    2. Sand, Stone And Pearl

    3. Saturn Missile Battery
    Tia Carrera
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Good Life The Good Life Quick View

    $17.99
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    The Good Life

    Three years ago, Michael Gardner sold his bass and bought a drum kit. Pierre Moore bought a cheap microphone and plugged it into a practice amp. Like their good ol' days growing up in Jackson, Mississippi, they were playing the blues! Within weeks of forming their two-piece juke group, they met Ryan Lynn. The friendship came immediately and once Ryan picked up the bass, the music quickly followed. By combining musical elements from the genres they loved, the songs poured out in an inspired fury. Only three months after meeting, they chose the name of the folkloric slave hero, John The Conqueror, and took to the stage in Philadelphia, playing their own blend of the southern rock from their childhoods, the punk of their adolescence, and the blues and soul they had always held closely. Entirely written by Pierre Moore, with the exception of a notable cover ("Let's Burn Down The Cornfield"), "The Good Life" is the follow up to the band's self-titled debut album released in 2012 on Alive. It is a collection of vignettes from Pierre's childhood in Mississippi and tales of his life in the streets of a Philly project, where the three friends currently live.
    1. Get 'Em
    2. Mississippi Drinkin'
    3. Waking Up To You
    4. What Am I Gonna Do
    5. Golden Rule
    6. Burn Down The Cornfield
    7. Road To Bayport
    8. You Don't Know
    9. John Doe
    10. Daddy's Little Girl
    11. She Said
    John The Conqueror
    $17.99
    Vinyl LP - Sealed Buy Now
  • The White Tape The White Tape Quick View

    $19.99
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    The White Tape

    Pressed on 180-gram vinyl, Phish (aka The White Tape) was created from four-track recordings which the band and band members mixed, dubbed and circulated as a demo. It consists of an assortment of four-track recordings from 1984-1985 including four songs recorded by
    all the existing members of Phish as a band: Alumni Blues, AC/DC Bag, Slave To The Traffic Light and Dog Gone Dog (a/k/a Dog Log). The
    balance was recorded separately by the band members and blended together from 4-track cassettes to create the album as we know it. Trey
    has said The White Tape exemplifies, perhaps more than any other studio effort, the band's unbridled creative freedom of the day. The
    White Tape highlights Phish's early development with ethereal soundscapes and interesting sketches on Phish's classics-to-be such as an
    acoustic The Divided Sky as it existed then and even an acapella rendering of You Enjoy Myself.


    In 1998, The White Tape was re-mastered from the 2-track cassette master and sold as the first CD from the band's extensive archives.
    The original art for the cassette demo was created by Trey himself and was updated for the CD and LP release by artist Jim Pollock. A snapshot
    in time, The White Tape is a must-have for any fan and a perfect introduction to the band's studio work.

    1. Alumni Blues
    2. And So To Bed
    3. You Enjoy Myself
    4. AC/DC Bag
    5. Fuck Your Face
    6. The Divided Sky
    7. Slave To The Traffic Light
    8. Aftermath
    9. Ingest
    10. NO2
    11. Fluff's Travels
    12. Dog Gone Dog
    13. He Ent To The Bog
    14. Run Like An Antelope
    15. Minkin
    16. Letter to Jimmy Page
    Phish
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Lost In The Dream Lost In The Dream Quick View

    $21.99
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    Lost In The Dream

    Lost In The Dream is the third album by Philadelphia band The War on Drugs,but in many ways,it feels
    like the first. Around the release of the 2011 breakthrough Slave Ambient,Adam Granduciel spent the
    bulk of two years on the road, touring through progressively larger rock clubs, festival stages and late night television slots. As these dozen songs shifted and grew beyond what they'd been in the studio, The War on Drugs became a bona fide rock 'n'roll band.


    That essence drives Lost In The Dream, a 10-song set produced by Granduciel and longtime engineer Jeff
    Zeigler. In the past, Granduciel built the core of songs largely by himself. But these tunes were played
    and recorded by the group that had solidified so much on the road: Dave Hartley, (his favorite bassist
    in the world), who had played a bit on The War on Drugs' 2008 debut Wagonwheel Blues, and pianist
    Robbie Bennett, a multi-instrumentalist who contributed to Slave Ambient. This unit spent eight
    months bouncing between a half-dozen different studios that stretched from the mountains of North
    Carolina to the boroughs of New York City. Only then did Granduciel-the proudly self-professed
    gearhead, and unrepentant perfectionist-add and subtract, invite guests and retrofit pieces. He
    sculpted these songs into a musical rescue mission, through and then beyond personal despair and
    anxiety. Lost In The Dream represents the trials of the trip and the triumphs of its destination.


    "I wanted there to be a singular voice, but I wanted it to be a project of great friends. Everyone in the
    band cares about it so much,"he says."That is the crux of it-growing up,dealing with life,having close
    friends, helping each other get by. That is what the record's all about.


    As such, these tunes reveal a careful and thrilling reinvention of the sound that's become The War on
    Drugs' trademark. The signature meld of long tones and scatter shot layers still stands, with phantom
    drum machines and organ lines dotting the musical middle distance all across Lost In The Dream.Note
    the way the keys whisper against the guitar's growl as the tempestuous"An Ocean in Between the Waves"
    approaches pentecostal heat. Hear how,when a sharp and hard riff cuts into the inescapable chorus of
    "Red Eyes," synthetic strings and baritone saxophone shape a soft, infinite bed beneath it. But there's a
    new found directness to these tunes, too. Granduciel's voice steps out from behind its typical web of
    effects-louder now, with more experiences to share and more steel from having survived them. He
    sounds less like a prismatic reflection of a rock bandleader, more like the emboldened actualization of
    that idea. With its crisp, unencumbered delivery, "Eyes to the Wind" becomes the album's centerpiece
    and the group's new anthem.This is Granduciel's to-date triumph and the exact moment where Lost In
    The Dream moves from a tale of confusion to one of resolve. Throughout most of the record, grips
    loosen and senses fail, memories are mourned and expectations are abandoned. But after the Rolling
    Thunder lift of "Eyes to the Wind," Granduciel finds new contentment and direction. Anguish
    sublimates into deliverance. Backed by his bros, Granduciel becomes a preacher in a new pulpit.

    1. Under The Pressure
    2. Red Eyes
    3. Suffering
    4. An Ocean In Between The Waves
    5. Disappearing
    6. Eyes To The Wind
    7. The Haunting Idle
    8. Burning
    9. Lost In The Dream
    10. In Reverse
    The War On Drugs
    $21.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • The Battle Rages On The Battle Rages On Quick View

    $34.99
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    The Battle Rages On

    Original Deep Purple riff-smith Ritchie Blackmore and vocal scorcher Ian Gillan are finally reunited on this, their 1992 full-length The Battle Rages On Also present are organ-grinder Jon Lord and fellow musicians Roger Glover and Ian Paice, the same line up for the Slaves and Masters [MOVLP505] recording. The Battle Rages On presents the listener with another Deep Purple classic album, at long last available on 180 gram heavyweight vinyl!
    Side 1

    1 The Battle Rages On

    2 Lick It Up

    3 Anya

    4 Talk About Love

    5 Time To Kill



    Side 2

    1 Ramshackle Man

    2 A Twist In The Tale

    3 Nasty Piece Of Work

    4 Solitaire

    5 One Man's Meat

    Deep Purple
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ibeyi Ibeyi Quick View

    $22.99
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    Ibeyi

    Ibeyi (pronounced ee-bey-ee) means "twins" in the language of the Yoruban culture
    of Lisa-Kainde and Naomi Diaz. The album of the same name, produced by
    XL Recordings boss Richard Russell, is the story of two sisters: their relationship,
    their origins, their shared history and their musical chemistry.


    The twins' roots are reflected in the polyglot nature of the lyrics - in English,
    French and Yoruban - and music which combines ritual chants with synths and
    samplers, jazz vocals with the spellbinding mystery of Björk and Fever Ray, the
    traditional with the modern. This uniquely cosmopolitan sound is the perfect
    vehicle for their intimately personal stories. According to them, "This album is
    about love and family and people who are gone."


    Lisa-Kainde and Naomi (the eldest by two minutes) were born in Paris, where
    they still live, but spent their first two years in Cuba. Their father was Miguel
    "Anga" Diaz, the member of the Buena Vista Social Club, who was acclaimed as
    the greatest conga player.


    Record producer and XL Recordings boss Richard Russell first encountered
    Ibeyi when he saw them performing "Mama Says" on a 2013 YouTube video. He
    soon invited them to meet him - a serious offer from someone who in recent
    years has produced albums by Gil Scott-Heron I'm New Here and Bobby Womack
    The Bravest Man In The Universe (co-produced with Damon Albarn), as well
    Albarn's own acclaimed 2014 solo album Everyday Robots.


    The album is a subtle melange of diverse influences: not just Lisa-Kainde's soul
    and jazz leanings and Naomi's up-to-the-minute beatmaking but the bloodlines
    of France, Cuba and Africa, including the use of Yoruban chants they first heard in
    the Santeria ceremonies. The tense, dramatic "Oya," the lead track on their debut
    EP, addresses the deity (or "Orisha") of change and destruction while "River"
    honours Oshun, the Orisha of love, rivers and fertility. Yoruban culture travelled
    from Nigeria and Benin to Cuba and Brazil with the slave ships centuries ago but
    is little-known in Europe.

    1. Eleggua (Intro)
    2. Oya
    3. Ghosts
    4. River
    5. Think Of You
    6. Behind The Curtain
    7. Stranger / Lover
    8. Mama Says
    9. Weatherman
    10. Faithful
    11. Yanira
    12. Singles
    12. Ibeyi (Outro)
    Ibeyi
    $22.99
    Vinyl LP - Sealed Buy Now
  • Boxed In Boxed In Quick View

    $17.99
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    Boxed In

    "This album will enhance your life Oli Bayston, the main guy behind [Boxed In], is an impressive songwriter and his
    piano-pinned dance-pop album carries zero duds." - NME


    "[Boxed In] hits hard enough in places to get the party started and holds just enough back to make you want to return to
    it again and again." - The Line of Best Fit


    "Oli Bayston's transition from go-to producer to dazzling solo artist is complete." - DIY Mag


    Boxed In is London, England-based songwriter and producer Oli Bayston. Having played in indie band Keith, written for
    The 2 Bears, sung for George FitzGerald and been a producer for the likes of Charlie Boyer and the Voyeurs, Rosie Lowe
    and The Bohicas, Oli is now bringing his wide array of talents to bear on his own solo project.


    Boxed In brings together Oli's two greatest musical loves: Krautrock and house music. "The album has a bit of both of
    those two things combined," he says, "But the principle focus is always the songs. I'm a slave to the songs and I try to
    incorporate my love of specific genres of music into that." Inspired by the motorik rhythms of Can, Cluster and Neu! as
    well as house producers, like PÉpÉ Bradock and Theo Parrish, Oli nevertheless emphasizes that the art of pop song writing
    is right at the heart of Boxed In.


    In the UK Boxed In is already buzzing with "Mystery" on the A List at BBC Radio 6 Music, Rough Trade's selecting the selftitled
    debut as their album of the week January 19, and attention from influential press outlets like NME, Uncut, Sunday
    Times Culture, The Sun, Clash, and The Line of Best Fit who rated the album 8/10 saying "[Boxed In] hits hard enough in
    places to get the party started and holds just enough back to make you want to return to it again and again."

    1. Mystery
    2. Subtle Knife
    3. All Your Love Is Gone
    4. Sailing
    5. No Joke
    6. Bug
    7. False Alarm
    8. Foot of the Hill
    9. Run Quicker
    10. Lo Life (feat. CockNBull Kid)
    11. Wild West
    Boxed In
    $17.99
    Vinyl LP - Sealed Buy Now
  • Culcha Vulcha Culcha Vulcha Quick View

    $25.99
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    Culcha Vulcha

    Snarky Puppy introduces their first new band album in two years, Culcha Vulcha. The album title refers to how we- the Western civilized world-have all become slaves to Pop culture, consuming as many messages to "buy", "be" and "get" as possible.


    The album is a slight departure for Snarky Puppy; darker, with elements of Rock along with
    brilliant flourishes of R&B, Funk, Soul, Jazz, Bossa Nova, electric Blues and more. True!


    Standout tracks: "Big Ugly," "Semente" and "Grown Folks."

    LP 1
    1. Tarova
    2. Semente
    3. Gemini
    4. Grown Folks
    5. Beep Box


    LP 2
    1. GØ
    2. The Simple Life
    3. Palermo
    4. Big Ugly

    Snarky Puppy
    $25.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • A Live One A Live One Quick View

    $99.99
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    A Live One

    Pressed On 4x 180-Gram Red / Blue Colored Vinyl


    Phish and JEMP Records are set to release A Live One, the band's inaugural live album, for the first time on vinyl in a limited edition 4-LP set.


    A Live One was recorded primarily by Paul Languedoc on multitrack DA-88 DTRS digital tapes throughout Phish's 1994 summer, fall and holiday concert tours. The band produced the album, selecting the material and overseeing the mix to 1/2 reels in March-April 1995 with Ed Thacker and his team of engineers at Bearsville Studios.


    A Live One contains twelve original Phish compositions, five of which were previously unreleased: Gumbo," Slave To The Traffic Light," Wilson," Simple," and Harry Hood." The record was sequenced to approximate a two-set Phish performance and every track from the more-than-two-hour collection is notable - from the thirty-plus minute "Tweezer" to the "Wilson" opener from the band's first Madison Square Garden show. "Gumbo" featured an updated version of Phish's own Giant Country Horns. More than twenty years later, A Live One "Stash" and "Harry Hood" still rank among both songs' top performances. After five studio albums, A Live One captured and conveyed the magic of the band's improvisational live shows, and every song on the record (except "Montana") has remained a staple of Phish shows ever since.


    A Live One was originally released by Elektra June 27, 1995 on CD and cassette. It was the first Phish album to be certified gold and remains Phish's best selling album. The laquers for the vinyl edition were cut from the 1/2 flat masters by Chris Bellman at Bernie Grundman Mastering and pressed onto 180g vinyl.

    LP 1
    1. Bouncing Around The Room
    2. Stash
    3. Gumbo
    4. Montana


    LP 2
    1. You Enjoy Myself
    2. Bouncing Around The Room
    3. Slave To The Traffic Light


    LP 3
    1. Wilson
    2. Tweezer Part 1
    3. Tweezer Part 2


    LP 4
    1. Simple
    2. Harry Hood
    3. The Squirming Coil

    Phish
    $99.99
    180 Gram Audiophile Virgin Vinyl LP - 4 LPs Sealed Buy Now
  • G I R L G I R L Quick View

    $21.99
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    G I R L

    Redefining cool for a new generation, Pharrell Williams is a creative force, using music, fashion, and design to express his distinctive style. From his beginnings as a teenage prodigy and multi-instrumentalist in Virginia Beach back in the early '90s, through enough hits to earn him Billboard's Producer of the Decade in 2010, to his current status as multi-media superstar, Williams has never stopped creating. Starting his producing career as one half of The Neptunes with Chad Hugo, Williams has helped create such classics as Daft Punk's Get Lucky, Robin Thicke's Blurred Lines, Nelly's Hot in Herre, Jay-Z's I Just Wanna Love U (Give it 2 Me), Britney Spears's I'm A Slave 4 U, and Justin Timberlake's Like I Love You.


    With over 100 million copies of his productions sold, his music sounds like something no one else has thought of just yet. He's also created a new way of looking at established stars like SnoopDogg, Madonna, and even the Rolling Stones. Over four albums, Williams and Hugo along with Shae Haley created an unpredictable hybrid as part of the alt-rock/hip-hop group N.E.R.D. His prolific body of work also ranges from designing a sculpture with Tokyo-born artist Takashi Murakami to accessories and jewelry for luxury goods brands Louis Vuittonand Moncler. Now, with his latest venture i am OTHER a multi-media creative collective that serves as an umbrella for all his endeavors, including Billionaire Boys Club & ICECREAM apparel, textile company Bionic Yarn and dedicated YouTube channel Williams' vision continues to push pop culture forward.


    G I R L is Pharrell's highly anticipated new album, and features the hit single, Happy, an international phenomenon and radio smash. Happy was first featured on Despicable Me 2 (Original Motion Picture Soundtrack). It is nominated for an OSCAR this year for Best Original Song, and Pharrell will perform Happy on the OSCARs on March 2nd, on ABC.


    Happy has sold more than 2.3 million tracks worldwide, and has topped the chart in more than 175 countries. Currently in the US, the song generates over 120 million weekly audience impressions across 6 radio formats - Top 40, Rhythm, Hot AC, Urban, Urban AC, and AAA. Happy has also just been certified Platinum.


    In addition to the excitement of Pharrell's new album, he just took home four Grammy Awards, including including Producer of the Year, Album of the Year for Daft Punk s Random Access Memories, and Record of the Year as well as Best Pop Duo/Performance for Daft Punk's Get Lucky.

    1. Marilyn Monroe
    2. Brand New (feat. Justin Timberlake)
    3. Hunter
    4. Gush
    5. Happy
    6. Come Get It Bae (feat. Miley Cyrus)
    7. Gust Of Wind (feat. Daft Punk)
    8. Lost Queen
    9. I Know Who You Are (feat. Alicia Keys)
    10. It Girl
    Pharrell Williams
    $21.99
    Vinyl LP - Sealed Buy Now
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