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Sleep's Holy Mountain (Colored Vinyl)Pressed On Purple Colored Vinyl
Sleep's legendary second studio album was originally released in 1992 and is considered a seminal album in the evolution of stoner rock.1. Dragonaut
2. The Druid
3. Evil Gypsy - Solomons Theme
4. Some Grass
6. Holy Mountain
7. Inside The Sun
8. From Beyond
9. Nains Baptism$22.99Colored Vinyl LP - Sealed Buy Now
Red Colored Vinyl
Side B Etching
Finally...a new Sleep song!!! The first new song from the masters since their life changing, anthemic 63 minutes & 36 second opus to marijuana: Dopesmoker (1999)!: "The Clarity" on side A, Etching on side B. Artwork (Etching) by David V. D'Andrea. Mastered by John Golden. Recorded by Noah Landis. "The Clarity" 12" was previously only available directly from the band via their merch table or online web-store. This Southern Lord version has been recut by Adam Gonsalves/Telegraph Mastering and pressed on 180 gram vinyl at RTI.
The Lord version also has the ultra heavy-weight vinyl housed in a thick plastic picture disc style sleeve with the iconic Sleep logo silk-screened on the front.
While there may have been a few like them before them, there were none like them really and certainly none of after them. And so in 2009 when they were reborn with Cisneros who'd been reframing the world with the band OM, Matt Pike doing double duty with this and his HIGH ON FIRE, and the estimable Jason Roeder doing the same with NEUROSIS, SLEEP did what it had done and what it had left to do. Largely and without pause, make music in tune with The Ages.1.The Clarity$17.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
DopethroneRe-issue of the bands seminal 2000 album Dopethrone!!! Probably the bands dirtiest, heaviest and most extreme release to date; cited by many as the pinnacle of their career. Following the demise of such legendary bands as Kyuss, Sleep etc; Electric Wizard took over the vacant throne of drug riddled earth moving Doomed rifferama. Often described as the heaviest band in the world; Dopethrone may well give you a clue as to why!LP 1
1. Vinum Sabbathi
3. Weird Tales
iii.AltAr of Melektaus
5. I, The Witchfinder
6. The Hills Have Eyes
7. We Hate You
9. Mind Transferral$37.99Vinyl LP - 2 LPs Sealed Buy Now
It is with an immense amount of pride that Southern Lord brings you a mighty offering from the gods known as Sleep! In 2011, Southern Lord was contacted by Sleeps' Al Cisneros about the possibility of releasing a deluxe version of the classic Sleep recording: Dopesmoker. Cisneros wanted to breathe some new life into the old beast and finally have the original vision of the album fully realized. Southern Lord was overwhelmingly ecstatic about the challenge of taking the reigns of one of the most important recordings in the history of Heavy Metal!
The Lord version features brand new artwork by long time Sleep artist, Arik Roper, who created something specifically special for the albums' rebirth. The biggest difference between this new version and the old releases is the phenomenal remastering job by From Ashes Rise guitarist, Brad Boatright (OFF!, Noothgrush, Deviated Instinct). His vision was to enhance the original recording without changing it drastically.
What he has done makes this epic opus sound invigorated, more powerful with renewed clarity and all-around unbelievably mammoth. His work was enthusiastically approved by the band and considering how focused, vigilant and protective of their masterpiece the band is, that is nothing short of a miracle! Also exclusive to the reborn version of Dopesmoker, is a unreleased live track of one of the best songs the band ever did, "Holy Mountain." Purple 180g double vinyl pressing from Southern Lord with bonus track and brand new artwork in thick Stoughton gatefld jacket with spot uv-varnish.
Formed as a Bay Area hc/punk rock band called Asbestosdeath, the band changed their musical direction and name and debuted as Sleep with their Volume One album in 1991. After Justin Marler left the band, the core lineup of Al Cisneros, Matt Pike and Chris Hakius went into the studio to record a demo cassette that they sent to Earache Records. The recording was released in November of 1992 (exactly as received by the label!) under the name Sleep's Holy Mountain and went on to forever alter the musical landscape. Countless current bands cite Sleep's Holy Mountain as a major inspiration, and the unique sound and style of the record can be heard in many subsequent releases by bands from all over the world.
Sleep's Holy Mountain created such a humongous buzz that major label London Records signed the band. Unfortunately, the label lacked the vision necessary to actually follow through and release the album that Sleep recorded, mostly because it took the not-radio-friendly form of a single song, a 63 minute long ode to weed, called "Dopesmoker." Sleep returned to the studio and edited the track down to 52 minutes and re-titled it "Jerusalem," but it was again rejected. London Records shelved the record and dropped the band, leading to their dissolution.
Dopesmoker was recorded by Billy Anderson (Neurosis, Melvins) at Record Two Studio in Comptche, California. While recording the song, it began to form differently than the band had originally envisioned. Pike stated that "The song was getting slower and slower and then it got weird. We started tripping out and second guessing ourselves." Recording the album was difficult. Pike recalled that "There was so much to memorize for that album, and we had to do it in like three different sections because a reel-to-reel only holds 22 minutes. It was really cool, but it was one of the hardest things I've ever done in in my life." Sleep were in the studio for one month then went home to rehearse and returned for another month. Pike noted that they ended up with two or three different versions of the song.
In the aftermath of the breakup of the band, four versions of the album were released. In 1999, Jerusalem came out with a running time of 52 minutes and is a single composition split into six identically-named tracks. There are 3 different versions/releases of Jerusalem: (1) a rare London Records promotional disc, (2) a bootleg with cover art by Arik Roper, and (3) the Rise Above/Music Cartel Records release. All three of these versions are edited and considered unauthorized versions. The version of the album titled Dopesmoker was released on April 22, 2003 by Tee Pee Records on compact disc and vinyl with a 63-minute running time. That version is the only version the band considers to be "authorized" and worthy of release. Dopesmoker stands as one of the towering achievements in recent metal history... a mesmerizing, intoxicating, and incredibly complex song that is still unrivaled in the annals of (stoner) metal!LP1
1. Holy Mountain (Live at the I-Beam, San Francisco, CA 1994)
2. Sonic Titan (Live at Gilman St, San Francisco, CA 1992)$28.99180 Gram Audiophile Virgin Vinyl LP - 2LPs Sealed Buy Now
The Art Of Self Defense180g double vinyl version from Southern Lord in Stoughton gatefold jacket with 20 page bound in 12" x 12" book and printed inner-sleeves.
Cult metal favorite High On Fire was founded by former Sleep guitarist Matt Pike in the summer of 1998. Berthed out of the need to simply play guitar again, Pike jammed with and settled on a line-up of powerhouse drummer Des Kensel and longtime guitarist compatriot George Rice, who made the switch to bass to round out the trio. They had scarcely been together for a few months before demoing three songs. That demo, featuring "Master of Fists" and instant classics "10,000 Years" and "Blood from Zion," became among the most sought-after tapes in the underground metal scene. High On Fire got straight to the point, bashing away with a neanderthal sense of purpse and creating hyptnotic, droning waves of powerful riffs and low-end thunder of the likes not heard before.
Throughout '99, High On Fire continued writing for their debut full-length. The band recorded their debut with Sleep engineer/producer Billy Anderson at Shark Bite Studios in Oakland, CA. The Art of Self Defense served up a rock hard, unorthodox form of modern metal cloaked in strange religious theology and the trio's style was unique, distinct, heavy as all fuck and absolutely crushing. The album immediately became a cult classic and not even the closure of the label that released the album (Man's Ruin) could stop the powerhouse that had been unleashed. Tee Pee records reissued the album in 2001 with 2 bonus tracks: "Steel Shoes" and a ripping cover of the Celtic Frost song "The Usurper."
Another meticulously packaged vinyl release from the masters of the craft. Without question one of the most supernal releases in the history of the label!1. Baghdad
2. 10,000 Years
3. Blood From Zion
6. Master of Fists$26.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
No Sleep 'til Hammersmith180 gram reissue of Motorhead's UK Chart-topping 1981 live album. Features live versions of Motorhead classics, "Ace Of Spades", "Overkill", "Motorhead" & more.1. Ace of Spades
2. Stay Clean
4. The Hammer
5. Iron Horse/Born to Lose
6. No Class
8. (We Are) the Road Crew
11. Motorhead$18.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
REDD-SLE-2739xLess Than Jake
GNV FLAWith their ninth album GNV FLA, named in honor of their hometown of Gainesville, Florida, Less Than Jake reverts back to the roots of what has made them ska-punk icons. Musically, GNV FLA is a return to form and it revisits the traditional Less Than Jake trademark sound of horn driven, bouncy ska grooves. Produced by Matt Allison (Rise Against, Alkaline Trio, The Falcon) at Atlas Studios in Chicago. The record is due out on the band's own Sleep It Off Records and it's their first non-major label album since 2000's Borders and Boundaries.
Comes with bonus 7.1. City Of Gainesville
2. The State Of Florida
3. Does the Lion City Still Roar?
4. Summon Monsters
5. Abandon Ship
6. Handshake Meets Pokerface
7. Settling Son
8. Malachi Richter's Liquor's Quicker
9. Golden Age Of My Negative Ways
10. The Space They Can't Touch
11. Conviction Notice
12. This One's Gonna Leave A Bruise
13. The Life Of The Party Has Left The Building
14. Devil In My DNA$18.99180 Gram Audiophile Virgin Vinyl LP + Bonus 7'' - Sealed Buy Now
Brothers Of The 4x4The king of Hellbilly, Mr. Hank3 himself, is pleased to announce a triple-threat of new releases. Hank3 will release a brand new DOUBLE country album, entitled Brothers of the 4x4, and a single punk album, entitled A Fiendish Threat, with his new project "3".
Recording in his own home and releasing music on his own label, the Megaforce distributed Hank3 Records, allowed Williams complete creative control during the four month period it took to make both records.
Besides living the songs subject matter first, Hank3 sang and played both guitar and drums on the records. As if pulling triple duty wasn't enough, he engineered, produced, mixed and mastered all the tunes as well. Not bad for someone who in his own words is dyslexic and has ADD, according to Hank3 "my mind is all over the place". But even a man talented and driven enough to do (count 'em) seven jobs at once has his limits, so Hank3 has once again assembled a top-notch ensemble of pickers and pluckers for Brothers Of The 4x4 and A Fiendish Threat.
The required stand-up bass holds the low end down at the deft hands of Zach Shedd, with David McElfresh and Billy Contreras whipping razor sharp bows across the fiddle. Daniel Mason handles banjo, with a special guest appearance on Possum In A Tree by former National Old-Time Banjo Champion Leroy Troy working his banjo in the old school clawhammer style, while Andy Gibson wrings the sweetest of notes out his stand up steel guitar. Finally, long-time collaborator and fellow multi-instrumentalist extraordinaire Johnny Hiland rips his chicken pickin' guitar to feathers and shreds.
Hank3's latest country record is just that- country, and the realness of it shines throughout the record like moonlight hitting a mason jar of corn liquor- it ain't always the smoothest, and it doesn't come wrapped in a fancy package, but it's 100% pure whoop-ass in a bottle that gets the job done quicker and better and reminds you of where you originally came from once you figure out what just hit you. On Outdoor Plan he sings of fishing and hunting as a way of life, and it's a fact that more than one deer and turkey has met its maker at the end of Hank3's gun's barrel. The title track, Brothers of the 4x4 celebrates the wide open full throttle love of off roadin' and rootin' in a four wheel drive - the cover of the record shows Williams mud bogging in a custom 4x4, and it's not some redneck rental - that's his ride. And because life ain't always happy, when the heartbreak and hard times cracks through the sonic celebration on songs like Loners 4 Life and Ain't Broken Down, it's because Hank3 is well acquainted with the darker side of life, and not as some tourist. The album is a rich and gritty sounding mixture of sadness, pride, hope- in other words, it's a great country record.
With the release of Brothers of the 4x4 and A Fiendish Threat, Williams is ready to hit the road, and when he hits the road, he hits it much harder than most. Hank3 shows are legendary for their length and intensity, averaging three hours a night, starting with a country set and ending with whatever his latest musical experiment happens to be.
With these dual releases, Brothers Of The 4x4 and A Fiendish Threat added to his already huge and varied arsenal of music, Hank3 will be raising all sorts of hell on stage while the fans raise their glasses in the audience once again, and you can bet your last dollar a damn good time will be had by all. The man goes full throttle all the time, every time, as anyone who has ever been to one of his innumerable shows will attest.
Listen to Brothers of the 4x4 and A Fiendish Threat, go to a show, and find out for yourself. Just remember the next day, after a few aspirins, a dinner at your own table, and a sleep in your own bed, that Hank3 will be down the road doing his thing again, and for that rebel, "doing the best I can" means something a little different than it does for the average man.1. Nearly Gone
2. Hurtin' For Certin
3. Brothers of the 4×4
4. Farthest Away
5. Held Up
6. Outdoor Plan
7. Deep Scars
8. Lookey Yonder Commin
9. Ain't Broken Down
11. Loners 4 Life
12. Dreadfull Drive
13. Getting Dim
14. Possum in a Tree
15. Broken Boogie
16. Toothpickin$24.99Vinyl LP - 2 LPs Sealed Buy Now
Cancer For CureIndependent rap icon El-P is set to release his long awaited new solo album Cancer For Cure, at his new home Fat Possum. The new album marks his first full length rap album since 2007's critically acclaimed I'll Sleep When You're Dead, though El-P's rap trajectory has been on a steady ascent following a prolific year that saw high profile appearances on Das Racist's mixtape and debut album, a hugely buzzed Adult Swim single "Drones Over Bklyn," a verse (which made Stereogum's top 10 guest verses of the year) on one of the year's biggest online hits, Mr. Muthafuckin' Exquire's "Huzzah," among several other honors.
The record is arriving hot on the heels of the new Killer Mike album R.A.P. Music, which El-P produced in full and is already making huge noise with its first single "Big Beast (featuring Bun B, T.I. and Trouble)," which was awarded Pitchfork's rare 'Best New Track' designation.Cancer For Cure takes another huge leap forward from the production work of his 2010 instrumental album Weareallgoingtoburninhellmeggamixxx with a bombastic collision of synths, bottomless bass tones, live instrumentation, ear-worming melody, and tightly coiled drum patterns, setting the standard for hip hop production higher than ever.
The obvious diversion from the previous album is the presence of El-P's ever-developing vocal style, continuing to raise the bar on his already highly verbose flow that swiftly and muscularly navigates a rapidfire explosion of syllabic conundrums and quick-witted elocutions full of heart, purpose, style and grit. Rounded out by feature appearances by a host of high profile guests including Killer Mike, Danny Brown, Mr. Muthafuckin' Exquire, Paul Banks (Interpol), and more, this will easily be one of the year's most talked about albums.1. Request Denied
2. The Full Retard
3. Works Every Time (with Paul Banks of Interpol)
4. Drones Over Bklyn
5. Oh Hail No (with Mr. Motherfucking Exquire & Danny Brown)
6. Tougher Colder (with Killer Mike and Despot)
7. True Story
8. The Jig Is Up
9. Sign Here
10. For My Upstairs
11. Stay Down (with Nick Diamonds of Islands)
12. $ Vic/FTL (Me And You)$18.99Vinyl LP - Sealed Buy Now
Sleep RemixesBuilding on the international success of Max Richter's groundbreaking eight-hour work SLEEP - his "personal
lullaby for a frenetic world" - and the one-hour adaptation from SLEEP, a series of remixes have been produced by a range of high-profile and up-and-coming artists. This vinyl release brings together remixes from Mogwai, Clark, Digitonal, JÜrgen MÜller, Marconi Union and Kaitlyn Aurelia Smith.1.Path 5 [Mogwai Remix]
2.Path 5 [Clark Remix]
3.Path 5 [Digitonal's Theo In Dreamland Mix]
4.Dream 3 [JÜrgen MÜller Remix]
5.Dream 13 [Marconi Union Remix]$22.99Vinyl LP - Sealed Buy Now
Deep SleepSleeping Bag sounds different, you guys. On their third LP, "Deep Sleep", Dave
Segedy (the group's drummer, songwriter and primary vocalist) has taken the band
into heavier, more epic territory. The sunny jangling guitars and fun whistle choruses
are gone; obliterated in a full on fuzz-guitar assault. Dave sings, "I want to free the dog
that I am." and he means it.
Segedy's signature pop songwriting style is still in full effect, now brought to life by
guitarist Tyler Smith and bassist Glenn Meyers. Tracks like "Hush" and "Wrestle"
exemplify Sleeping Bag's honest, bedroom-pop approach and Malkmus-deadpan
vocal delivery, but compared to the sunny disposition of the previous records "Deep
Sleep" sounds downright tuff. Drenched in distortion & reverb, the album culminates
with the nine-minute closer, "The Portal" - an epic shred-fest, equal parts My Bloody
Valentine & Weezer "Only In Dreams". It's quite an affair.1 Riff Randall
3 MT Cup
5 Whatcha Gonna Du
6 Predominantly Blue
7 Hole In One
8 These Are The Wolves
10 The Portal$22.99Vinyl LP - Sealed Buy Now
Losing SleepChris Young's upcoming album, Losing Sleep, is set for release via Sony Music Nashville. Working toward his third album release in under two years, Chris co-wrote every single song for the first time in a remarkable show of creative force, in addition to taking his third turn behind the board as co-producer.
"Every album you make as an artist, you want to continue to grow," Chris explains. "And you also want people to be in love with it. That's such a difficult thing to balance, but I think there's a little bit of something for everybody on this record."
Fresh off the most successful record of his prolific career, Losing Sleep finds Chris more inspired than ever before. There are new collaborators involved on the record with high-profile names like Liz Rose and Jon Randall, while he continues to work with a core group of tunesmiths including Josh Hoge and Chris's co-producer, Corey Crowder.1. Losing Sleep
2. Hangin' On
4. Radio and the Rain
5. Where I Go When I Drink
6. She's Got a Way
7. Leave Me Wanting More
8. Trouble Looking
9. Woke Up Like This
10. Blacked Out$19.99150 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
From SleepClear Vinyl
Acclaimed British composer Max Richter is about to make history, with a ground-breaking piece of work: his new
work, "SLEEP," is an eight-hour lullaby. An exploration of music, consciousness and human connectivity, the work is intended to be listened to while sleeping. The landmark work is played on piano, strings, with subtle electronic touches and vocals - but no words. This album, "From SLEEP," is a one-hour version.$34.99Clear Vinyl LP - 2 LPs Sealed Buy Now
Sleep TalkSilver Colored Vinyl
Perhaps best known as the pioneering guitarist behind the legendary groups Cap'n Jazz and Owls, Victor Villarreal is one of the most inventive guitarists of modern indie-rock. His unique guitar style includes elements of classical, spanish, indie and even metal. Now on the heels of his reunion with Owls (Polyvinyl), Victor is back with his new solo long player, "Sleep Talk".
"Sleep Talk" is Villarreal's second proper solo effort, and his first to enlist bassist (and early Joan of Arc member) Erik Bocek. Utilizing a "one man band" style of performance, the majority of "Sleep Talk" was recorded live in the studio, with Victor simultaneously performing guitar, percussion and vocals. Hinged on the tumbling rhythms of Villarreal's other-worldly guitar style, the tracks on "Sleep Talk" are diverse and moody, and will tickle your brain into a meditative stasis.1. Whoever "Everyone" Might Be...
2. My Halucidaydream
3. Dirtbike Girls
4. A Mad Dad Dash
6. "That Familiar Band" Song
7. Wade and Beware
8. Yubari King$22.99Colored Vinyl LP - Sealed Buy Now
Country SleepWelcome to the sound of Winston Yellen and Night Beds, who in one stunning ten-track debut album Country Sleep, have shown that there is plenty of life left in the world of American music if you have the voice, the songs and the gift to touch hearts and souls. Think of a space between Mark Kozelek (Red House Painters/Sun Kil Moon), Gram Parsons and the dreamier side of My Morning Jacket; a heavenly place of pure country soul, touched by an endearing innocence and honesty that can only come from someone still in their early twenties.1. Faithful Heights
3. Even If We Try
5. Borrowed Time
6. Cherry Blossoms
7. Wanted You In August
8. Lost Springs
9. Was I For You?
10. Tenn$17.99Vinyl LP - Sealed Buy Now
Sleep Well BeastWhite Colored Vinyl
The National are pleased to announce their 7th studio album,Sleep Well Beast, to be released on 4AD.
Sleep Well Beast was produced by member Aaron Dessner with additional production by Matt Berninger and Bryce Dessner. The album was mixed by Peter Katis and recorded at Aaron Dessner's Hudson Valley, New York studio, Long Pond.LP 1
1. Nobody Else Will Be There
2. Day I Die
3. Walk It Back
4. The System Only Dreams in Total Darkness
5. Born to Beg
1. Empire Line
2. I'll Still Destroy You
3. Guilty Party
4. Carin at the Liquor Store
5. Cark Side of the Gym
6. Sleep Well Beast$27.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Sleep In Safety (Pre-Order)Pressed On Ghastly Green Colored Vinyl
Limited To 1000 Copies
Formed from putrefying remnants of The Germs, The Consumers, The Bags, The Gun Club, and The Screamers among other L.A. punk outfits, 45 Grave were arguably the first American Goth/deathrock band and inarguably one of the best.
Fronted by the Exene-meets-Vampirella vocal and visual stylings of Dinah Cancer (still one of the greatest stage names in a punk rock genre full of 'em), 45 Grave also featured Paul B. Cutler on guitar, Don Bolles on drums, Rob (Ritter) Graves on bass, and Paul Roessler on keyboards, and from that all-star line-up came 1983's Sleep in Safety, their lone studio release and only recording with the band's original members. Probably most famous for the first appearance of the horrifyingly graphic, true-crime track "Partytime," Sleep in Safety also offered the early MTV track "Evil" and the band "theme song" "45 Grave" among other blandishments for those who like their rock and roll with a side of the macabre.
Both the LP and CD have been out of print for an eternity, and cost an arm and a leg; for our Real Gone Music exhumation of this classic record, we have "embalmed" two very special editions. On LP, we have preserved the original album's gatefold edition complete with lyrics and added a custom inner sleeve drawn from the band's very rare "A Tale of Strange Phenomena" press release-limited edition of 1000 in "Ghastly Green" vinyl!1. Insurance from God
4. Dream Hits II
5. Slice O' Life
6. 45 Grave
8. Violent World
9. Bad Love
10. Surf Bat
11. Procession$26.99Colored Vinyl LP - Sealed PRE-ORDER Buy Now
The Devil Don't SleepBrantley Gilbert follows up his back-to-back PLATINUM albums with anticipated new release, THE DEVIL DON'T
SLEEP. In 2014, Brantley's JUST AS I AM landed in the Top 3 Best Selling Country Albums, scored the AMAs
Favorite Country Album, and produced 3X PLATINUM #1 Bottoms Up" and GOLD #1's "One Hell Of An Amen" &
"Small Town Throwdown." 180grm LPs in double pocket gatefold embossed jacket.1. Rockin' Chairs
2. The Ones That Like Me
3. The Weekend
4. You Could Be That Girl
5. Smokin' Gun
6. Bro Code
7. It's About To Get Dirty
8. Tried To Tell Ya
9. In My Head
10. Way Back
11. Baby Be Crazy
12. Outlaw In Me
13. Bullet In A Bonfire
14. The Devil Don't Sleep
15. We're Gonna Ride Again
16. Three Feet Of Water$24.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Sleep Through the Static1. All At Once
2. Sleep Through the Static
6. If I Had Eyes
7. Same Girl
8. What You Thought You Needed
10. Go On
11. They Do They Don't
12. While We Wait
14. Losing Keys$34.99Vinyl LP - 2 LPs Sealed Buy Now
Maps For SleepFormed in the Fall of 1991 by Brandon Capps (guitar/vocals), Kimber Lanning (drums) and Tim Patterson (bass), Half String created a lush, guitar-driven brand of noise pop. Their sound was an antidote to the desert jangle bar band scene that dominated Tempe, AZ at the time. While the group shared an aesthetic with much of the British shoegaze scene, and occasionally recalled the spirit of early 4AD and Factory Records, they certainly carved out a beautiful noise all their own. During their austere six-year lifespan, Half String inspired an underground music scene in their hometown, and gained a small but loyal following from beyond the desert.
Half Strings first demo was hand delivered to Independent Project Records Bruce Licher during the summer of 1992. Impressed, Licher released the 3-songs as the Eclipse 7 single on his revered post-punk fine art imprint. Matt Kruse joined on second guitar in 1993, adding another layer of texture and intricate melody to the bands broadening sound. This was evident on Oval, Half Strings second single, and the subsequent Tripped Up Breathing EP, both released by IPR in 1994. Patterson left the band that Winter, and was replaced by Dave Rogers, a multi-instrumentalist who added backing vocals.
In 1995, Germanys Pop Goes On! and IPR co-released Eclipse*Oval*Hue as a CD mini-album collecting together the first two singles along with three unreleased tracks. Later that same year, the group recorded their debut album, A Fascination With Heights. Issued by IPR in 1996, this would be Half Strings last release before the band parted amicably the following Summer and the fifth addition to Captured Tracks' recently launched Shoegaze Archives series.1. Eclipse
2. Maps for Sleep
7. Sun Less Sea
10. Quiet Like Seeds
12. Brief As Photographs
13. Landscape Burning
14. Tripped Up Breathing
17. Featherweight$35.99Vinyl LP - 2 LPs Sealed Buy Now
Sleep Is For The Week10th Anniversary Reissue
Side D Features Frank Turner Logo Etching (No Music)
10th Anniversary reissue of the Frank Turner debut album - Sleep Is For the Week. The Double LP features the original 13 tracks & 6 bonus demos. Side D will be etched with the Frank Turner logo. Standard weight, black vinyl.LP 1
1. The Real Damage
2. Vital Signs
3. Romantic Fatigue
4. A Decent Cup Of Tea
5. Father's Day
6. Worse Things Happen At Sea
7. My Kingdom For A Horse
8. Back In The Day
9. Once We Were Anarchists
10. Wisdom Teeth
11. The Ladies Of London Town
12. Must Try Harder
13. The Ballad Of Me And My Friends
LP 2 (No Music On Side 2)
1. Romantic Fatigue (demo)
2. The Real Damage (demo)
3. Wisdom Teeth (demo)
4. Sunshine State (demo)
5. This Town Ain't Big Enough For The One Of Me (demo)
6. Longing For The Day (demo)$29.99Vinyl LP - 2 LPs Sealed Buy Now
A Sleep & A ForgettingIslands new album A Sleep & A Forgetting continues the bands penchant for crafting adventuresome and infectious state of the art pop music. But this time band leader Nick Thorburn has infused the songs with a personal introspection that gives the record a new and powerful emotional resonance. The new album was produced by Thorburn and fellow Islands member Evan Gordon in less than two weeks, and the 11 songs were recorded live with hardly a single overdub. Its a stripped down process and beautifully understated sound which only reinforces the confessional content of the lyrics.
This comes together to striking effect on songs like the darkly dramatic Oh Maria, written in the voice of Buddy Hollys anguished young widow and her reoccurring crash site dreams. She would have these dreams about being in the field where his plane went down,Thorburn says. She would be trying desperately to get past all the bystanders to see him one last time. Its such an evocative story it just stuck with me. And its absolutely consistent with the albums themes of heartbreak, death and dreaming. Far from being selfâ€pitying, A Sleep & A Forgetting powerfully transforms personal unrest into affecting and soulful pop music.
The LP version of A Sleep & A Forgetting comes with a cool and unique hidden track, toward the end of side 2 the album comes to false end with a locking groove of ambient loops. Listeners may then lift the stylus and find a hidden bonus track that closes the LP.1. In A Dream It Seemed Real
2. This Is Not A Song
3. Never Go Solo
4. No Crying
6. Can't Feel My Face
7. Lonely Love
8. Oh Maria
9. Cold Again
10. Don't I Love You
11. Same Thing$19.99Vinyl LP + CD - Sealed Buy Now
The Violent Sleep Of ReasonPressed On Grey / Black Splatter
Limited To 1000 Copies
The Violent Sleep of Reason, the band's eighth full-length studio album, finds MESHUGGAH building upon their legacy for fearless metal sculpting within the context of extreme metal, but also recapturing some of the magic and excitement specifically within the aspect of performance, finding flow and groove that would be a challenge for any lesser band to locate, given such technical geometric madness at mischievous hand.
"There's a distinct methodology", says drummer, writer and spokesman for the band Tomas Haake, that was put into motion to help the band achieve the level of "intensity" the attentive fan will feel as he/she makes their way through The Violent Sleep of Reason.
For this one, it's all live takes, with either 3 or 4 of the band members recording their respective instruments simultaneously - which is a way of recording they haven't used in many years. And that definitely goes against the stream of what you see in most technical metal nowadays, where editing, drum programming, the use of "beat detectives" etc. is a way more common approach to recording. So on this one, MESHUGGAH went back towards a more old-school approach, properly rehearsing the songs as a whole band before going into studio to record them. Jens was in one room, guitarists were in one room, bass player Dick was sitting right next to the drum set with an amplifier/cab in the next room. So in that sense this is more "old school"; the methodology is in that sense more like what bands were doing in the '80s and 90s. "And that vibrancy comes out", says Haake; "it's a very audible difference, sloppier sounding if you will, but at the same time it brings a different energy than the last few albums - this is "less perfect", but in that sense, also more alive."
The personal challenge taken on by the band produced fortunate byproducts as well, or, rather, it inspired them to "de-machine" other aspects of the technical MESHUGGAH juggernaut.
"Yes, for this one we also changed our approach toward the guitar recording/sounds," explains Haake, who nonetheless confirms that the band is still using eight-string axes, and for the most part, tuning down half a step to achieve that torrid MESHUGGAH guitar grunt. "The last few albums have been mostly digital, guitar sounds-wise, using all digital guitar gear as opposed to analog tube amps and regular cabs. The upside of using all digital like we did previous, is you can re-amp it afterwards, as it's basically a clean signal so you can pick, choose, and tweak things at a later point. But with this album, it was six speakers, all separately miked in one (super-loud) room, each cabinet with a different head -Marshall, Orange, Mesa Boogie etc-and then mixing it up a little bit depending on the song. If there was a song that was a little slower and sludgier, we might add more of the Orange amp to get a tad more of that stoner sound. And if it's a bit more metal, we'd maybe use the Marshall head or the Mesa head a little more in the mix. So we did have the opportunity, to mix and match for each song so the guitar sound is not exactly the same for every song. And that's a difference from Koloss and obZen, for example, where pretty much every song had the same drum and guitar sound."
But the end result is still a relentless onslaught of MESHUGGAH -patented ideas, save for one gorgeous and atmospheric respite, at the close of "Stifled."
Framing the pacing and contours of record, Tomas says, "None of the songs stick out quite like, for example, the way "Bleed" did on obZen. To me, it doesn't really have hits-it just has really cool songs! Not that we ever really had "hits" though (laughs). They're just maybe a little "wilder" sounding on this album, much due also to the live recording approach. Dick and I wrote about half of the material, and the rest was either me and Mårten working together or Mårten writing on his own. We were kind of going for something nuts as is the case with all our writing/recording albums - We wanted to hear something that we hadn't heard ourselves do before." Fredrik was not part of the songwriting for this one, as he's been hard at work on his next solo album, but as always he was still very involved with every aspect of the recording, from recording rhythm guitars, guitar solos etc . "And that's also a completely new thing," continues Tomas. "Dick was never involved in the songwriting prior to this album, whereas Fredrik always was. And that, of course, creates a difference in the way the album as a whole came out."
At the lyrical end, highlights include the title track, which, set to a massively heavy arch-djent rhythm, speaks of "the violent outcome of not dealing with what is going on, the violent implications of being asleep. "The title is actually inspired by a Goya painting called 'The Sleep of Reason Produces Monsters.'"
A second highlight is strident opener and longest song on the album, "Clockworks," which is strafed by a typically super-human drum performance from Haake. "That's more about looking to yourself and who you are and things you want to change about yourself. And then in the context of how your mind works, as a clockwork. It's the idea of taking out all the little pins, wheels, and springs and kind of rebuilding it to make you function in a different fashion. So lyrics for that song is a look in on self, at things that you wish that you could change about yourself."
Listen to tracks like the vertigo-inducing "Nostrum" and the slower if equally circular and note-dense "By the Ton," and it's easy to understand why it's been four years since a MESHUGGAH album. But mind-numbing complexity of the material is not the only reason, explains Haake.
"No, well, I would say first of all, it takes us a lot of time to write. And we're very bad at focusing; we're very bad at multitasking. I don't think we ever wrote one single riff on a tour bus or in a hotel room. So if you have a touring cycle of two, two-and-a-half, three years, there's not going to be anything written in that time period. And that's just how we all function. We need to have a break, like, okay, time out now-nothing else for a year. We need to write for one year. But you also want to tour as much as possible for an album. Koloss, for example, we toured for like two-and-a-half years. And then you write. And when we do finally write, we scrutinize those songs, riffs, structures over and over and over, and change things as we go. So in a lot of the songs, maybe only one riff was actually there originally. So writing for us does take a long time, no doubt."
As a result, the band's erudite and intelligent fan base "get something that they don't really hear in any other bands". On the first album you still hear a lot of Metallica and Anthrax and Bay Area kind of thrash metal influence. "We knew that we sounded a bit like that, but we were aiming for something we hadn't heard in any other band. And that's still the main fuel. We're not trying to write your average metal song. We're not trying to write catchy songs. We're not trying to write hit songs (laughs). We're just trying to write something that is cool, that we haven't heard before, and hopefully our fans haven't heard before. And that also gets harder and harder though, because by now, there are so many awesome musicians and bands and so much great music out there. But it would seem like the followers that we do have, the people that have kept buying our albums and stayed with us for a lot of years, are not necessarily the typical metal fans. The crowd we have is diverse. We have a lot of geeks and nerds and weirdos, and they are beautiful ones, you know? We have a lot of people with talent, and a lot of people that are also interested in music as art, and not just an event."
But it's not lost on Tomas that MESHUGGAH is making daunting progressive music, music where melody is subservient to jackhammer rhythm, as evidenced by the way that even his lead singer, Jens Kidman, is situated within the maelstrom that is MESHUGGAH
"He's the perfect tool for the job. Just like most people, we all, of course, like music where there's "proper singing", and we all love a great singer. Personally, I think the voice is the most empathic instrument. You hear someone sing and you're like, oh my God, that's the coolest instrument in the world. But at the same time, what we're trying to do is not that. Just like the guitars and me as a drummer, Jens also is a rhythmic tool, one that adds aggression, as well as words to back up that aggression if you will."
So would Tomas then acquiesce to the idea of MESHUGGAH as metal's reigning enemies of melody?
"In a sense, yeah. I mean, there is definitely melody and a lot of melodic thought put into tonalities, harmonies between bass and guitars and things like that, but at the same time, we're not often going for anything pretty. Sometimes there's a little bit, where we go, 'Awww, that's beautiful," but then we usually immediately mess it up again. You give it a little bit of something "nice" sometimes, but basically we're not going for niceness (laughs)."
Produced by Meshuggah; engineered by Tue Madsen, Puk Studios, Kaerby, Denmark.1. Clockworks
2. Born In Dissonance
4. By The Ton
5. Violent Sleep Of Reason
6. Ivory Tower
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3. Looky Looky Yonder / Black Betty Yellow Womens Doorbells
4. The Gallis Pole
5. Big Fat Woman
6. Bring Me Lil Watter Silvy
7. John Hardy
8. Goodnight Irene
9. How Long Blues (feat. Sonny Terry)
10. On A Monday (Im Almost Done)
11. Blue Tail Fly
12. The Boll Weevil
13. Borrow Love And Go
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