- Lowest Price
- Highest Price
Songs From The Wood'
Songs From The WoodJethro Tull's tenth album was inspired by Ian Anderson's departure to a more rural environment in a transition which bore clear influence on the writing and recording process, with the band notably doffing a cap to British folklore and countryside.
Songs From The Wood is often referred to as one of the most commercially appealing Jethro Tull albums, containing elements of rock, prog and folk-rock. Although media reaction at the time divided opinion, the album has certainly developed a nostalgic rapport with fans through the years and it is perceived today as one of the band's most popular albums. Drummer Barrie Barlow comments that it sounds Fresh, unique, great textures, interesting and dynamic!, while guitarist Martin Barre remembers that It was a very tight band, one of the strongest line-ups Tull ever had I think that Songs From The Wood and Heavy Horses [the follow up album] as a pair of albums are near the top of the tree.1. Songs From The Wood (Steven Wilson Stereo Remix)
2. Jack-In-The-Green (Steven Wilson Stereo Remix)
3. Cup Of Wonder (Steven Wilson Stereo Remix)
4. Hunting Girl (Steven Wilson Stereo Remix)
5. Ring Out, Solstice Bells (Steven Wilson Remix)
6. Velvet Green (Steven Wilson Stereo Remix)
7. The Whistler (Steven Wilson Stereo Remix)
8. Pibroch (Cap In Hand) [Steven Wilson Stereo Remix]
9. Fire At Midnight (Steven Wilson Stereo Remix)$21.99Vinyl LP - Sealed Buy Now
Songs From Stamford HillSpringsteen, Dylan and Americana fans will find nothing unauthentic about James Maddock's brand of singer-songwriter music from Leicester, England which goes by the brand name, Wood. The verse to the opener Stay You, is Boss-ified, while Whole Lot To Think About is a country-Neil Young moment (Maddock must've heard Only Love Can Break Your Heart a time or two).
With his influences on the sleeve of his peasant shirt, Maddock's dreamy, gentle songs sound familiar-it's impossible not to imagine his musings as outtakes from the Jackson Browne/Eagles songbooks. And that's the problem: Wood's best songs (Straight Line has a Fleetwood Mac/Landslide-feel; Knock on the Head could be an inverted Going to California ) sound like retreads of others'-and those are only the first four! Ultimately, Maddock will have to invent something he can claim as his own, but for now he's picked a primo crop to emulate.
-Denise Sullivan (All Music Guide)1. Stay You
2. Straight Lines
3. Whole Lot To Think About
4. Knock It On The Head
5. I Only Came For You
6. Let Me Fall
7. You Said The Words
8. Could I Be (Radio Edit)
9. Our Time Has Come
10. You Make Me Feel Bad
11. Man On Fire
12. Never Ending
13. Ending$16.99Vinyl LP - Sealed Buy Now
Shifty Adventures In Nookie WoodShifty Adventures in Nookie Wood is a title to set tongues wagging and minds wondering, but for an album that seems born of a return to John's youth it seems safely apt in its mischievousness.
After nearly 50 years of making music it's still freshly evident that Cale draws from a make believe world first imagined by his young self. Track title 'Mothra' pays homage to the Japanese monster from Godzilla movies. As a boy practicing scales in grey skied Welsh valleys such fantastical flights of fancy must have been reassuring of the path that was potentially about to unfold for him. Lyrics reveal even more explicitly earlier incarnations of Cale and in the same song we relive an encounter with a local bully, You see me running, you see me climb, reading my books and always trying, laughing and teasing and I love to play, dreaming my dreams are never far away.
Elsewhere Cale's doing what he does best, guiding listeners through the places, politics, and people of the day. A wide range of human experience is reflected and often it's for the listener to dig deeper to find what's being documented. Sometimes however part of the tapestry is pulled soberingly into focus; when listening to 'Scotland Yard' while the Leveson enquiry plays out, it's all too easy to recognize the guilty.
As a producer Cale has reached a new plateau on this record. At the albums most maximal, it feels like looking at a collection of precious stones. Myriads of differently coloured and textured surfaces carefully placed together, each finding their own space to beckon the ear. It's a blend of chaos and beauty in equal measure and a testament to the exploratory spirit at work, which ensures that as always, there's something new to the ears here.1. I Wanna Talk 2 U
2. Scotland Yard
4. Face To The Sky
5. Nookie Wood
6. December Rains
8. Vampire Cafe
10. Living With You
11. Midnight Feast
12. Sandman (Flying Dutchman)$26.99150 Gram Audiophile Vinyl LP - 2 LPs Sealed Buy Now
The Woods"Sleater-Kinney is America's best rock band" - Greil Marcus, Time (2001)
Sleater-Kinney is an acclaimed, American rock band that formed in
Olympia, Washington in 1994. The band's core lineup consists of Corin
Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and
Janet Weiss (drums). Sleater-Kinney were known for their feminist,
left-leaning politics, and were an integral part of the riot grrrl and indie
rock scenes in the Pacific Northwest.
The Woods is the seventh and final studio album from Sleater-Kinney,
released on May 24, 2005 by Sub Pop. It was produced by Dave
Fridmann and recorded from November 2004 to December 2004 at
Tarbox Road Studios in Cassadaga, New York.
The Woods reached #80 on the US Billboard Top 200 chart and #2
on the Independent Albums chart. The album appeared at number four
in The Village Voice's "Pazz & Jop" critics' poll for 2005.
"They bash Eighties nostalgia, tell a feminist fairy tale and even quiet
down for a couple sensitive love songs - needed breaks from music so
intense you wonder how they can contain its explosiveness." [100 Best
Albums of the 2000's] - Rolling Stone
"To survive these days, you have to be either suicidal or superficial.
Sleater-Kinney, meanwhile, get by simply sounding fucking supersonic."
[9.0/10] - Stephen Deusner, Pitchfork
The album has been freshly remastered by Greg Calbi for this release.
This reissue coincides with Sub Pop's release of
remastered versions of Sleater-Kinney's six other albums, as well as a
limited-edition, deluxe vinyl box set featuring all seven albums.1. The Fox
3. What's Mine Is Yours
5. Modern Girl
8. Steep Air
9. Let's Call It Love
10. Night Light$19.99Vinyl LP - 2 LPs Sealed Buy Now
Too Dumb for Suicide: Tim Heidecker's Trump SongsVinyl Includes A Cover Of "Trump's Private Pilot" By Father John Misty
Well here it is. About one year in the making, all my Trump songs in one place. Most of these songs were written and recorded quickly, with the blood still boiling from whatever indignity or absurdity had popped up on my newsfeed that day. Certainly, Trump Tower was written in the rotten dawn, days after Trump's win. Let's hope I don't write any more of these, but I probably will. Thanks to Davin Wood for playing piano on Trump Tower, and thanks to Jonathan Rado, who produced and played on a good number of these (the ones you hear some of that beautiful tape hiss on mostly) - his tribute to Steve Nieve on Imperial Bedroom is particularly inspired. Thanks to Kane Ritchotte and Max Whipple for providing the best rhythm section a boy could ask for, and to Jordan Katz, Taylor Plenn and David Ralicke for laying down some sweet horns on Wilbur Ross. Thanks to Vic Berger for adding some backups to Sentencing Day and for usually being the first audience for these tunes. Thanks to Josh Tillman for surprising me with a tear-inducing cover of Trump's Private Pilot and for allowing us to include it here. Same goes to Andrew Bird for having me over, letting me use our live session and adding beautiful violin and harmony to Trump Talkin' Nukes.
Finally, NO thanks to Paul Simon who didn't let us include I Am A Cuck - you fucker.1. Trump Tower
2. Imperial Bathroom
3. Richard Spencer
4. For Chan
5. Mar A Lago
6. Trump's Private Pilot
8. Wilbur Ross
9. Cooked Chinese Chicken
10. Trump Talkin' Nukes
11. Sentencing Day
12. Trump's Private Pilot (Father John Misty version)
13. Trump Talkin' Nukes (Live with Andrew Bird) [Bonus Track]$19.99Vinyl LP - Sealed Buy Now
Man Of The WoodsTen-time Grammy® winner and four-time Emmy® winner Justin Timberlake is set to release his fourth studio album, Man of the Woods via RCA Records.
Man of the Woods marks Timberlake's most ambitious album to date, both sonically and lyrically. Combining the sounds of traditional American rock with the modern influences of collaborators The Neptunes, Timbaland, Chris Stapleton, and Alicia Keys, this new material explores storytelling inspired by his son, his wife, and his personal journey from Memphis to where he is today.
Multi-talented actor and musician Justin Timberlake has sold over 32 million albums worldwide, sold out arenas all across the globe, received numerous awards and nominations and has wildly become one of the most highly respected entertainers in the business.
All three of Timberlake's solo albums (Justified, FutureSex/LoveSounds and The 20/20 Experience) have received various platinum or multi-platinum certifications worldwide. In the US, Timberlake has received five #1 songs on the Billboard Hot 100 with seventeen being in the top ten as well as garnered the most Mainstream Top40 Top 10's among solo males in the chart's 25-year history (18 total).
Most recently, Timberlake released the 4X platinum-selling song "CAN'T STOP THE FEELING!" from the film TROLLS which debuted #1 on the Billboard Hot 100, became the singer's first #1 debut on the chart and ultimately the best-selling US single for 2016. Additionally, it marked Timberlake's tenth Grammy Award® and garnered a nomination for an Academy Award® and Golden Globe Award®.
A gifted actor, Timberlake has appeared in diverse films including ALPHA DOG, BLACK SNAKE MOAN and SHREK THE THIRD. He won strong reviews for his performance in Oscar®-nominated THE SOCIAL NETWORK. His other credits include BAD TEACHER, FRIENDS WITH BENEFITS, IN TIME, INSIDE LLEWYN DAVIS, RUNNER RUNNER, TROLLS and WONDER WHEEL. Timberlake has also won four Emmys for his appearances on "Saturday Night Live."1. Filthy
2. Midnight Summer Jam
4. Man of the Woods
5. Higher, Higher
8. Morning Light (feat. Alicia Keys)
9. Say Something (feat. Chris Stapleton)
10. Hers (Interlude)
13. Breeze Off the Pond
14. Livin' Off the Land
15. The Hard Stuff
16. Young Man$19.99Vinyl LP - 2 LPs Sealed Buy Now
Neck Of The WoodsNeck of the Woods, the third album from Los Angeles, CA fuzz-rockers Silversun Pickups, started with a chance meeting when the band stumbled across Grammy-winning producer Jacknife Lee (R.E.M., U2, Weezer) while recording guest vocals for a Snow Patrol track. But band frontman Brian Aubert is quick to point out that, in fact, pretty much everything about the album from producer to studio location right down to its found-photo album art, has been serendipitous. It's bizarre, the affable singer/guitarist explains. We can't take credit for any of it. It just accidentally happened.
For one example of a happy accident, Aubert was surprised to discover Lee's home studio was smack in the middle of the Topanga Canyon woods, minutes from where the singer grew up. I hadn't been back in years, he recalls. I thought it would be fun to walk down my old street. It was like playing with fire a little bit. So much came back that I had forgotten about and it was a really emotional experience. I just realized this place and the feelings I had are still ingrained in me.
Aubert says the songs sound like a horror movie, all of them beginning to percolate while he was country-hopping and people-watching during a European vacation. (2009's) Swoon was more about what I was feeling at that particular time, he says, whereas with this one, I wanted to see what built me. It was learning why I am the way I am.1. Skin Graph
2. Make Believe
3. Bloody Mary (nerve endings)
4. Busy Bees
5. Here We Are (chancer)
6. Mean Spirits
8. The Pit
9. Dots and Dashes (enough already)
10. Gun-shy Sunshine
11. Out of Breath$19.99Vinyl LP - 2 LPs Sealed Buy Now
Maze of WoodsInventions are the collaborative sum of longtime friends Matthew Cooper of Eluvium, and Mark T. Smith of Explosions In The Sky. Their 2014 eponymous debut album introduced an ambition to create music that was both challenging and comforting. Their new album, Maze of Woods, opens with a vocal sample declaring, I wanted to do something that I don't know how to do. Using this as a mission statement, Inventions have crafted a complex and exuberant album from an array of instruments, samples, found sounds, beats, chants, and raw bursts of noise, with a much greater emphasis on strong vocal accompaniment in every song. Two albums released in the span of 10 months speaks to the drive that these two have felt since they started playing together. Much like on the first record, they again mixed the album in a house on the Oregon coastline, with final mixing and production all done by Smith and Cooper. Inventions have stated that much of the inspiration for Maze of Woods comes from the closing paragraph of Denis Johnson's novella Train Dreams. In that paragraph, Johnson describes the nonverbal howl of a feral wolf boy, a pre-language that is yearning and instinctual; a statement of wordless distress and love. Maze of Woods is the product of two masters of their craft getting lost in the wilderness, doing something that they don't know how to do, and emerging with something wholly unexpected and beguilingly beautiful.1. Escapers
4. Slow Breathing Circuit
5. A Wind From All Directions
8. Feeling The Sun Thru The Earth At Night$19.99Vinyl LP - Sealed Buy Now
From Elvis In MemphisRanked 190/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
The Elvis Presley/Friday Music 180 Gram Audiophile Vinyl Series Continues!
Mastered by Joe Reagoso and Kevin Gray from the Original RCA Records Tapes/Manufactured at RTI
Elvis' Groundbreaking Comeback Album!
Elvis Aaron Presley was born during the Great Depression into a poor family in Mississippi. They moved to Memphis during the early '50s, and as a struggling young truck driver, he cut some demos at Sun Studios as a gift for his beloved mother Gladys. These initial songs, of which he had only paid a few dollars to record, would become the catalyst that would kick-start the beginnings of a soon to be worldwide superstar unlike the world has ever known!
The folks at RCA Victor knew that this young fellow named Elvis was destined for superstardom. They quickly bought out his contract and signed the legend to a long-term deal, and his first RCA single "Heartbreak Hotel" forever etched 'The King Of Rock And Roll' trademark to his name. For the remainder of the 1950's into the mid-60's, Elvis Presley would release several dozen more hit albums and smash singles, spend time in the Army, star in a plethora of top charting films, as well as sell out concert tours around the states and Canada making him the most successful solo artist of all time.
As the turbulent '60s roared on, styles of music would change and rock and roll was becoming more infused with psychedelic and harder rock elements. Elvis wasn't a follower by any means, so he got back to his roots and began another chapter of his career which many have called The Elvis "Comeback" era. First witnessed on his impeccable Elvis television program on NBC-TV in 1968, a new and exciting rock superstar was truly back to reclaim his crown.
Thanks to his chart topping smash recording of "In The Ghetto," this southern fried deep soul sounding Elvis Presley was just what the fans were screaming for and soon enough an entire album was built around this great new sound entitled From Elvis In Memphis. The 1969 album also was a blockbuster as it topped the upper rungs of the pop and country charts, making this one of his biggest albums of his career as well as one of his most revered. From Elvis In Memphis truly proved once again that his career was unlike any other in music history.
Produced by Chips Moman, the From Elvis In Memphis album takes off with the two soul stirring rockers "Wearin' That Loved On Look" and the Jerry Butler Philly groove of "Only The Strong Survive." More Elvis favorites follow with the country ballad "Long Black Limousine" and the rockin' interpretation of Hank Snow's classic "I'm Movin' On." The album also features a nice helping of solid interpretations of Elvis' own favorites like Burt Bacharach's classic "Any Day Now," the timeless "Gentle On My Mind" by John Hartford, and of course the heartfelt Mac Davis composition "In The Ghetto." In total, the album showcases twelve important Elvis Presley recordings which have truly gone onto become definitive classics by any measure of popular music.
In honor of the Man, the Music, the Legend, the King Of Rock And Roll, Friday Music is very proud and honored to announce the limited edition 180g audiophile vinyl release of the RCA Victor classic From Elvis In Memphis by Elvis Presley. As a third installment in their exciting Elvis Presley 180 Gram Audiophile Vinyl Series, Friday presents this masterwork in all its high fidelity glory. Mastered impeccably from the original stereophonic RCA Victor Records tapes by Joe Reagoso at Friday Music Studios with Kevin Gray and manufactured at R.T.I., From Elvis In Memphis will be a much anticipated audiophile dream release for Elvis fans everywhere!
For this exclusive presentation, Friday is also including for the first time ever gatefold artwork which includes the groundbreaking original LP cover elements as well as more rare visuals from this historic Elvis Presley era. They are also enclosing a poly bag to protect your album cover and poly lined inner sleeve to help keep your Elvis vinyl in mint shape.
- Elvis Presley (vocals, guitar, piano)
- Tommy Cogbill (bass)
- Bobby Emmons (organ)
- Mike Leech (bass)
- The Memphis Horns
- Ronnie Milsap (piano)
- Bobby Wood (piano)
- Reggie Young (guitar)1. Wearin' That Loved On Look
2. Only The Strong Survive
3. I'll Hold You In My Heart (Till I Can Hold You In My Arms)
4. Long Black Limousine
5. It Keeps Right On A-Hurtin'
6. I'm Movin' On
7. Power Of My Love
8. Gentle On My Mind
9. After Loving You
10. True Love Travels On A Gravel Road
11. Any Day Now
12. In The Ghetto$29.99180 Gram Audiophile Virgin Vinyl LP Buy Now
The Shipwreck From The ShoreAnthony D'Amato releases his forthcoming album, 'The Shipwreck From The Shore," a riveting 10-track collection. The NYC-based songwriter is growing from his early homespun self-recorded solo acoustic work to a more ambitious, full-band sound. The album was recorded at The Great North Sound Society, an 18th Century farmhouse-turned-studio deep in the woods of Maine, and features Matt McCaughan of Bon Iver on drums, Brad Cook of Megafun on bass, and producer/keyboardist Sam Kassirer's (Josh Ritter, Lake Street Dive, Langhorne Slim) rich production. D'Amato's songs are self-mined, wailing tales of moving past life's dramas bolstered by waves of drums and guitars.1. Was A Time
2. Back Back Back
3. Good and Ready
5. Hard To Say
6. If It Don't Work Out
7. Middle Ground
8. No Not Tonight
9. Cold Comfort
10. Calico, Alone$18.99Vinyl LP - Sealed Buy Now
Sleater-Kinney: Live in ParisLive in Paris is the first official record of Sleater-Kinney's
famously blistering stage performance. The thirteen track
album, which features Carrie Brownstein, Corin Tucker, Janet
Weiss, and touring member Katie Harkin, was captured on
March 20th, 2015 at the Paris's historic La Cigale venue, during
the band's sold-out, international tour in support of their
acclaimed eighth album, 2015's No Cities to Love.
Live in Paris includes songs from nearly every Sleater-Kinney
album, including No Cities to Love, The Woods, One Beat, The
Hot Rock, Dig Me Out, and Call the Doctor. The recording was
mixed by John Goodmanson at Avast and mastered by Greg Calbi
at Sterling Sound.1. Pricetag
3. What's Mine is Yours
4. A New Wave
5. Start Together
6. No Cities to Love
7. Surface Envy
8. I Wanna Be Your Joey Ramone
9. Turn It On
12. Dig Me Out
13. Modern Girl$16.99Vinyl LP - Sealed Buy Now
Gimme Some Neck (Speakers Corner)'Gimme Some Neck' - words with a double meaning! Ron Wood's demand for a guitar and/or a bottle serves well to demonstrate both his lifestyle and his commitment to music. On the one side he is a rock'n'roll legend who played his way up the career ladder beginning with the Jeff Beck Group via The Faces to become a member of The Rolling Stones. On the other side we hear a man who was not adverse to the odd drink now and again, but who was a musician through and through, and whose slick hands conjured magical waves of sound on his slide guitar. This sound is brilliantly demonstrated in the opening number I Don't Worry No More, with its bluesy, earthy honky-tonk groove. It is followed by Breakin' My Heart, which gives us a glimpse of Wood's soul by means of sharp organ chords which come from a psychedelic abyss. Then he turns another corner to take us to the gentle, sensitive poetry of Delia with an unamplified guitar.
Woods presents Buried Alive and Come To Realize with powerful vocals and enough power for a stage performance, and then comes a previously unreleased song by Bob Dylan - Seven Days, in which he sounds more like Big D than D himself. But this is no cover version for Wood's personality is more than alive and kicking. Ron Wood remains Ron Wood - totally distinctive and quite inimitable.
- Ron Wood (guitar, vocal, harmonica)
- Bobby Keys (saxophone)
- Mick Jagger, Keith Richards (guitar, vocals)
- Dave Mason (guitar)
- Ian McLagan (keyboards)
- Swamp Dogg, Harry Phillips (piano)
- Mick Taylor (bass, guitar)
- Mick Fleetwood, Jim Keltner, Charlie Watts (drums)
Recording: January - March 1978 at Pathe Marconi Studios, Paris, and October - December 1978 at Cherokee Studios, Los Angeles
Production: Roy Thomas-Baker
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. Worry No More
2. Breakin My Heart
4. Buried Alive
5. Come To Realise
7. Seven Days
8. We All Get Old
9. F.U.C. Her
10. Lost And Lonely
11. Don't Worry$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
GliderBeautiful post-folk ballads a thing of tremendous sonic depth one of the year's best debuts BOOMKAT
A bold and beautiful album CYCLYC DEFROST
haunting and atmospheric. THE 405
...compelling...it never dissolves after the first listen instead it only acquires new layers, new musical textures. THE GUARDIAN
It's a ravishing, terrific, gorgeous album-the rare kind that throws its listeners into reverie. PORTLAND MERCURY
Heather Woods Broderick excels at distilling her experiences into a soulful melancholy
that's enduring both for it's intimate relatable moments and its persistent
sense of mystery. Her uncanny ear for evocative production and gorgeous vocal
harmonies serves her well on her new album Glider. Throughout the album, the rich
dreamlike atmospheres she creates hint at a darkness looming on the horizon, while
the singularity of her ethereal voice always seems to linger long after the music has
As a talented multi-instrumentalist and vocalist, Heather has had the opportunity to
record and tour with plenty of incredible artists including Horse Feathers, Efterklang,
and Sharon Van Etten, which has kept her moving house and traveling around
the world for much of the past decade. She's currently living in Portland, Oregon,
but it's easy to imagine how her peripatetic lifestyle might diminish her sense of a
place to call home, while also strengthening her resilience, and her connection to
the reassuring constants in her life. As she explains Living in so many different
places has made me able to feel pretty comfortable everywhere. Her uncommon
sense of ease and grace, despite her hectic life, stems in part from her deeply
rooted and intertwined musical and familial background.
Music took root in Heather's life before she was even born, when her parents, both
musicians, met for the first time at one of her mom's gigs, which her dad was
attending. The two married and moved to Maine where Heather, second of three
children, was born at home. When she was 8-years-old the family moved across the
country to Oregon, and soon after moving, she asked if she could take piano
lessons, a practice she would continue through high school and into college. In
elementary school band she learned flute, and later picked up cello and guitar.
Though the songs on Glider aren't explicitly about touring, her life on the road
provides the backdrop and context for her songs that are often about relationships
that naturally fade as two people grow apart. I've realized that I really used the
songs on Glider and the time I put into writing them as a way to pay some attention
to things I'd been putting off, and to find some clarity around certain events, says
Heather. Building on what she learned from her first solo effort From the Ground
(2009), the dynamic structures and emotional complexity of her new songs are
evidence of how much she's grown as a person and as a songwriter. More confident
and self-assured than ever, songs like Fall Hard evolve from vulnerable bare piano
and vocals to hypnotizing swells of vocals reminiscent of Grouper or Cocteau Twins'
Elizabeth Fraser. Her voice soars in stride with a wall of guitars on Wyoming,
while Mama Shelter introduces a gentle groove as Heather conjures the sensuality
of Stevie Nicks. The album closes with the heartbreaking All for a Love, ending
with the refrain I can see our love is dragging you down. As dark as the sentiment
can be, Heather always seems to be leaning into the light.1. Up In the Pine
2. Mama Shelter
3. Fall Hard
5. The Sentiments
6. A Call For Distance
9. All For A Love$17.99Vinyl LP - Sealed Buy Now
ACSO-APO-7080xPhil Woods & Donald Byrd
The Young Bloods (Mono)This 1956 hard bop Prestige release features Phil Woods and Donald Byrd co-leading a quintet rounded out by Al Haig (piano), Teddy Kotick (bass) and Charlie Persip (drums). The 6-song set is dominated by four strong originals from the prolific Woods including House of Chan and In Walked George which also see the alto saxophonist taking solo honors in style.
This title is not eligible for discount.1. Dewey Square
3. Once More
4. House of Chan
5. In Walked George
6. Lover Man$34.99200 Gram Audiophile Virgin Mono Vinyl LP - Sealed Buy Now
Another LifeJames Maddock affirms his status as a fixture in downtown Manhattan's folk and Americana scene with his album 'Another Life.' As NPR says of the British transplant, "his timeless songwriting style, which seems to draw from great songwriters of every era, conveys quiet confidence and lovely intimacy."
Nodding to '70s rock with shimmering acoustic guitars, an understated rhythm section and flourishes of fiddle, mandolin, piano and dobro, 'Another Life' bridges the mainstream appeal of songwriters like Jesse Harris and Norah Jones and the quirkier sensibility of Loudon Wainwright. With funding entirely from fan contributions through PledgeMusic, Maddock worked with producer Matt Pierson, multi-instrumentalist Larry Campbell (who's played with Bob Dylan and Levon Helm) and bassist Tony Scherr (who plays with Norah Jones).
The 13 songs on 'Another Life' paint a portrait of a man reaching the midpoint of his life, a natural progression from themes in Maddock's earlier releases. He's looking back on roads not taken, and isn't always sure he chose the right one. On the title track, Maddock wants an extra 50 years to try "acting, white-water rafting," "some illegal substances," even having a kid or three. "I've Been There Too," built around an indelible guitar riff, shows Maddock's knack for instrumental hooks as well as lyrical ones. "Don't Go Lonely," in a well-timed moment of levity, hints at reggae with dub bass, bubbling organ and the chorus's entreaty to "go get high, go get found, go crazy on this town / don't go lonely."
After fronting the Columbia Records band Wood, whose debut 'Songs From Stamford Hill' was featured prominently on TV shows such as "Dawson's Creek," Maddock moved from England to New York City in 2003. His 2009 album 'Sunrise On Avenue C' won a New York Music Award for Best Americana Album, while follow-up 'Wake Up And Dream' ranked among the top albums of 2011 in WFUV's (NYC) Listener Poll. He's performed with Bruce Springsteen, Willie Nile, Aaron Comess (Spin Doctors) and David Immergluck (Counting Crows), sang on an album with Susan McKeown, and is a resident artist at Rockwood Music Hall. According to radio legend Vin Scelsa, Maddock's heartbreakingly beautiful and exquisitely crafted music touches the soul.1. Another Life
2. Arizona Girl
3. Timing's Everything
4. Ive Been There Too
5. That's Heavy
6. What I Miss
7. Easy To Give
8. Don't Go Lonely
9. What Have I Done?
10. Strategies For Life
11. Better On My Own
12. If I Had A Son
13. Making Memories$16.99Vinyl LP - Sealed Buy Now
OVSE-MOV-1638xTrue Sounds Of Liberty
Change Today? is the third studio album by the American rock band T.S.O.L. (True Sounds Of Liberty), released in 1984. It was the band's first album with singer/guitarist Joe Wood and drummer Mitch Dean, replacing founding members Jack Grisham and Todd Barnes who had left the band in late 1983.
The album was recorded using money loaned to T.S.O.L. by the Dead Kennedys, and found the new incarnation of the band moving away from the Hardcore Punk associations of the original lineup in favor of a traditional Rock and Gothic Rock sound.
Over the course of four nights at Mad Dog Studio in Venice, California T.S.O.L. recorded their new songs with recording engineer Stuart Schanwetter and producer Chris Grayson. The album was mastered by Eddy Schreyer.1. Black Magic
2. Just Like Me
3. In Time
4. Red Shadows
5. Flowers By The Door
6. American Zone
7. It's Gray
9. Nice Guys
10. How Do$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Weird and mournful yet highly rhythmic, Brooklyn's
Glass Ghost offers dance-friendly art pop.
- TIME OUT NEW YORK
...that irresistible, disjointed mix of pop hooks and
...an affecting, gently aspirated bedtime piece...In
tune and percussion it struck me as the nocturnal
cousin to Merriweather Post Pavilion's Guys Eyes.
...a fractured bit of art-pop featuring...intoned
falsetto over some spare production and airy beats.
Since the release of their debut album Idol Omen in 2009, Glass Ghost's founding members Eliot
Krimsky and Michael Johnson have kept busy. In addition to playing dozens of shows, including
a tour with White Rabbits, Johnson joined Dirty Projectors as their new drummer, Krimsky has
been collaborating with Here We Go Magic on keys, and the duo welcomed two new members to
the group, Tyler Wood on keyboards and percussion, and Aerial East on vocals. Like their debut,
LYFE was produced by Tyler Wood, who also produced Joan As Policewoman's 2014 album The
Classic. For the LYFE recording sessions, the group recruited many of their friends to contribute, including Joan Wasser of Joan As Policewoman, Nat Baldwin of Dirty Projectors, and
Christopher Tignor of Slow Six and Wires Under Tension. Pushing their songs to new levels by
working with Brooklyn's musical elite is nothing new for Glass Ghost. They worked with more
than a dozen of their friends from Brooklyn's music community, including Sharon Van Etten
(who in 2011 noted "Eliot Krimsky is one of my favorite writers."), Here We Go Magic's Luke
Temple, and Matt Iwanusa of Caveman, for their debut which was described by the New Yorker
as "elegant compositions of frosted indie pop," and by Time Out New York as "weird and mournful yet highly rhythmic.
On their new album LYFE, Krimsky (who's currently working on his M.A. in Media Studies at The
New School, where he's exploring the convergence of technological mediation, identity and
music) turns his observations of the absurd and mundane into metaphors about living in a
world where every detail about your life is harvested, quantified, and used by marketing companies to manipulate your behavior. Rather than sounding didactic or overly intellectual, the
songs provide windows into the band's internal world, as Krimsky's tender falsetto glides over
the icy landscapes of synths, strings, woodwinds, and regal horns. As the product of Krimsky,
Johnson, and Wood's mutual trust, vision, and relentless attention to every detail, LYFE masterfully blends airy, melancholy, and chilly atmospherics with Glass Ghost's irresistible bottom-heavy grooves and hooky pop sensibilities.1. Life Is For The Living
2. Sound of Money
4. Wait A Second
6. Home For the Holidays
8. American Dollar
9. Hearing The Sound
10. Traveling With You
11. Outro$16.99Vinyl LP - Sealed Buy Now
A New World Record (Awaiting Repress)Jeff Lynne reportedly regards this album and its follow-up, Out of the Blue, as the high points in the band's history. One might be better off opting for A New World Record over its successor, however, as a more modest-sized creation chock full of superb songs that are produced even better. Opening with the opulently orchestrated Tightrope, which heralds the perfect production found throughout this album, A New World Record contains seven of the best songs ever to come out of the group. The Beatles influence is present, to be sure, but developed to a very high degree of sophistication and on Lynne's own terms, rather than being imitative of specific songs.
Telephone Line might be the best Lennon-McCartney collaboration that never was, lyrical and soaring in a way that manages to echo elements of Revolver and the Beatles without ever mimicking them. The original LP's second side opened with So Fine, which seems like the perfect pop synthesis of guitar, percussion, and orchestral sounds, embodying precisely what Lynne had first set out to do with Roy Wood at the moment ELO was conceived. From there, the album soars through stomping rock numbers like Livin' Thing and Do Ya, interspersed with lyrical pieces like Above the Clouds (which makes striking use of pizzicato bass strings).1. Tightrope
2. Telephone Line
4. Mission (A World Record)
5. So Fine
6. Livin' Thing
7. Above The Clouds
8. Do Ya
9. Shangri-La$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Rubber Soul (Awaiting Repress)Ranked 5/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
Sourced From the Original Master Tapes
Cut at Abbey Road Studios
Pressed on 180 gram vinyl
From a modern perspective, this is where things start to get very interesting. Breaking out of the routine of squeezing albums between touring, Rubber Soul is the result of their first extended period in the studio.
The production is open and spacious, adorned but not yet overcrowded with new instruments and ideas. The songs themselves are like little Pop Art vignettes, where the lyrics are starting to match the quality of the melodies and arrangements. Even a simple, witty rocker such as Drive My Car is played with such tight grooviness (listen to the synchronised bass and guitar) that it practically sparkles with self-amusement.
Lennon, whose personality and leadership has been strongly at the fore throughout the early Beatles, really raises his game on Rubber Soul, with such thoughtful, breakthrough classics as Norwegian Wood (which showcases Harrison on a sitar), Nowhere Man, Girl and the utterly majestic In My Life (replete with George Martin's flighty harpsichord solo), surely one of the most perfect songs ever written.
Lyrically, McCartney lags behind, but in some ways his lighter, poppier songs help keep Rubber Soul fresh and bubbly, while his melodic bass-playing takes a huge leap forward, propelling everything. There is a crisp innocence about this album, a sense of sweet delight and joyful discovery.
A team consisting of some of the best producers and engineers in the recording industry were brought together and would spend 4 long years mixing and mastering with some of the most state of the art recording equipment. Treating these records much like a science experiment, engineers ran extensive tests before copying the analog master tapes over into a digital format using 24-bit/192 kHz resolution, and carefully removing clicks, vocal pops and poor edits. Never altering the original songs them selves, just polishing them up a bit.1. Drive My Car
2. Norwegian Wood (This Bird Has Flown)
3. You Won't See Me
4. Nowhere Man
5. Think For Yourself
6. The Word
8. What Goes On
10. I'm Looking Through You
11. In My Life
13. If I Needed Someone
14. Run For Your Life$22.99180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
Don't Act Like You Don't CareBefore the success of his group Here We Go Magic, Luke Temple worked full-time as a plasterer. At nights after work, he spent his hours crafting what would become Here We Go Magic's self-titled debut. During the days he wrote a completely different set of songs in his head. The resulting record Don't Act Like You Don't Care shines with clarity and daylight, in contrast to Here We Go Magic's hazy aquatic debut.
After recording two critically acclaimed solo records for Mill Pond (2005, 2007) Temple's work still hadn't garnered much attention from the record-buying public. Frustrated, but not defeated, he focused his creative energy into the writing of two amazing, but completely different records. Initially referred to as 'The Country Record,' Don't Act Like You Don't Care was shelved due to the success of Here We Go Magic's self-titled debut. Now, three years later, we're finally able to offer this incredible collection of folk-pop songs.
Unlike the Here We Go Magic record, Don't Act Like You Don't Care focuses on Temple's songwriting and evocative tenor. From heartbreaking ballads like So Long, So Long and Ballad for Dick George to jaunty pop gems like Ophelia and In The Open you'll become fast friends with these songs that continue to satisfy after hundreds of listens.
Inspired by Rudy Van Gelder's early Blue Note recordings, Temple and friends recorded the songs in two 4-hour sessions using just three microphones and a 4-track recorder. Temple is fortunate to have some amazingly talented friends with Eliot Krimsky (Glass Ghost) on synths, Tyler Wood on piano, Parker Kindred (Antony and the Johnsons, Jeff Buckley) on drums, Michael Bloch (Here We Go Magic) on guitar and Adam Chilenski on bass.1. In The Open
2. More Than Muscle
3. How Could I Lie
4. Weekend Warrior
6. Ballad for Dick George
7. So Long, So Long
8. You Belong To Heaven
9. Luck Part$18.99Vinyl LP - Sealed Buy Now
Gasoline AlleyNumbered Limited Edition LP
Rod the Mods 1970 Landmark Set Tone for All Folk-Rock Albums That Followed
Evocative, Low-Key, and Rustic: Gasoline Alley Finds Stewart At His Peak
Mastered on Mobile Fidelitys World-Renowned Mastering System and Pressed at RTI: LP Has Never Sounded More Organic, Warm, or Transparent
Backed By Fellow Faces Ron Wood, Ronnie Lane, Ian MacLagan, Kenny Jones
Stewarts Equally Iconic Every Picture Tells A Story Also Available on LP from Silver Label
No matter what era or phase of Rod Stewart you prefer, nearly everyone is unanimous in choosing the artists early 1970s output as his very finest. Proof comes courtesy of Gasoline Alley. A 1970 record that literally set the template for all folk-rock efforts that followed, the critically acclaimed album has been cited as one of the 1001 Albums You Must Hear Before You Die and remains a blueprint for evocative vocals, low-key presentation, and incredible interpretation.
Barely removed from his debut, Stewart comes into his own on Gasoline Alley, essentially a largely unplugged record on which the singer surrounds himself with a transcendent blend of acoustic guitars, mandolin, fiddle, piano, and understated percussion and channels the music with a gritty, rock n roll attitude. The results? Tough, organic, warm, swaggering, and unfettered songs that bow to country, rockabilly, blues, and folk influences all the while managing to belong to their own genre. Its just one of the reasons why Gasoline Alley remains a study in distinctive excellence.
Another is due to Stewarts passionate singing. Sensitive, understated, wistful, and raggedly worn, he inhabits the role of a journeyman that inhabits the narratives on standard-bearing covers of Bob Dylans Only a Hobo, Elton Johns Country Comforts, and the R&B shuffle Cut Across Shorty. He conveys a bevy of complex emotionssadness, regret, optimism, sorrow, loss, humor, yearningwith a poignancy that suggests every song here is disarmingly personal. Of course, having a band sympathetic to his desires and directions, and one that claims the talent of players such as guitarist Ronnie Wood and organist Ian MacLagan, doesnt hurt matters.
Mastered on Mobile Fidelitys world-renowned mastering system and pressed at RTI (America's best record plant), this numbered limited edition LP allows Gasoline Alley to come across with unrivaled warmth, organic tones, and transparent presence. The signature acoustic-electric blend of rock, blues, soul, and country crackles with energy; midrange and highs are vastly improved, affording listeners a clearer image of the Faces dynamic contributions and chemistry. And Stewarts vocals take place right in your room. Wait until you hear the inflections and contrasts.
Dont hesitate on this all-time rock and folk classic.
This title is not eligible for discount.1. Gasoline Alley
2. It's All Over Now
3. Only A Hobo
4. My Way Of Giving
5. Country Comforts
6. Cut Across Shorty
7. Lady Day
8. Jo's Lament
9. You're My Girl (I Don't Want To Discuss It)$24.99Vinyl LP - Sealed Buy Now
Songbird is a compilation album of songs by the late American singer Eva Cassidy, released in 1998, two years after her death in 1996.
Five tracks (Wade in the Water, Wayfaring Stranger, Songbird, Time is a Healer and I Know You by Heart) are from Cassidy's album, Eva by Heart. Four tracks (Fields Of Gold, Autumn Leaves, People Get Ready and Oh Had I a Golden Thread) are from her album, Live at Blues Alley. The remaining track, Over the Rainbow, is from the album The Other Side. The compilation album was certified Gold by the CRIA (50,000 units) in 2003. It was certified Gold by the RIAA in 2001 and Platinum in 2008 for shipments in excess of one million copies.
Eva Cassidy guitar, keyboards, vocals
Chris Biondo bass, guitar
Dan Cassidy violin
Hilton Felton organ
John Gillespie organ
Keith Grimes guitar
Raice McLeod drums
Larry Melton upright bass
Mike Stein violin
Chris Walker trumpet
Lenny Williams piano
Kent Wood organ1. Fields of Gold
2. Wade in the Water
3. Autumn Leaves
4. Wayfaring Stranger
6. Time Is A Healer
7. People Get Ready
8. I Know You By Heart
9. Oh, Had I A Golden Thread
10. Over the Rainbow$42.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Love ScenesLike a mink draped over mahogany, Diana Krall's luxuriously supple alto adorns the vintage songs of romance and longing found on Love Scenes with a palpable aura of glamour and late-night cool. Her ostensibly effortless command of phrasing and intonation, whether the mood is seduction or a sweet sassiness, further fortifies the opinion that the Canadian vocalist-pianist possesses one of the great female jazz voices to surface in the late 1990s.
Augmented by spare but skillful instrumentation from bassist Christian McBride and guitarist Russell Malone, Krall sustains a largely quiet (though hardly sleepy) ambience throughout the album's 12 selections, from Irving Berlin's How Deep Is the Ocean (How High Is the Sky), which she also uses as a showcase for her touch at the keyboard, to Gershwin's They Can't Take That Away from Me. Her swing is artfully subdued (All or Nothing at All), and her wry, expressive approach to Peel Me a Grape is pure charm. Yet Krall shines most luminously on languid gems such as I Don't Stand a Ghost of a Chance with You and Garden in the Rain. Anyone in search of an album ideal for watching city lights at 2 a.m. should keep Love Scenes in mind. --Terry WoodLP 1
1. All Or Nothing At All
2. Peel Me A Grape
3. I Don't Know Enough About You
4. I Miss You So
5. They Can't Take That Away From Me
6. Lost Mind
1. I Don't Stand A Ghost Of A Chance With You
2. You're Getting To Be A Habit With Me
3. Gentle Rain
4. How Deep Is The Ocean (How High Is The Sky)
5. My Love Is
6. Garden In The Rain$34.99Vinyl LP - 2 LPs Sealed Buy Now
Dagger BeachDagger Beachwas Recorded at Tiny Telephone on 2 Analog Tape Without the Use of Computers.
The Vinyl Release Will be Issued as a QRP 200 Gram Audiophile Limited Pressing.
While it's true I did endure a terrible break-up at the beginning of writing this record, this is not a break
up record. Dagger Beach is a put-me-the-fuck-back-together record.
The break up came in late 2011, after endless months of White Wilderness touring. I returned home to an
empty house, and, as that's pretty unbearable when you're not quite right in the head, I decided to set out
walking. I hiked the Lost Coast (36 miles of off-the-grid splendor in Southern Humboldt County), I hiked
the entire 150-mile trail system of Pt. Reyes, I hiked for days, deep, deep in the woods, usually alone.
As I walked and walked, listening to records on repeat, I started obsessing about music again. Three
records found their way into my psyche and inspired much of this new record: Joanna Newsom's Have
One On Me, Silver Jews' The Natural Bridge, and Radiohead's King Of Limbs. I don't think you'll find
traces of these records in Dagger Beach, but their spirit and fearlessness deeply affected me. (Hence the
shout-out on the record to one of my lifelong heroes, David Berman.)
The first two reminded me how crucial great lyrics can be, how your experience of a record can evolve
and change as you slowly decode complex and thoughtful writing. King Of Limbsshowed me how
powerful linear songwriting can be, when subtle changes in form and repeating motifs slowly shift into
something else entirely (just try to follow Morning Mr. Magpie on headphones). There are many songs
on Dagger Beach that take this approach: Damage Control and Gaslight were both written to drum
patterns played by Jason Slota, my long-time partner. Jason played drums alone, without music, and I
adapted to his structures and rhythms. Doing this keeps me from relying on my usual tricks and
structures and forces me into brand new territory.
This strange experience, the endless hiking and backcountry camping off the grid, it completely changed
the songwriting process for me. I edited lyrics while walking, I worked out songs in my head. It didn't
come easy: the first time I camped alone (I was deep inside the million-acre Mendocino National Forest) I
freaked out, ended my trip early, and wrote Raw Wood the next day. By the end of 2012, I could stay out
for a week on my own.
As the experience changed me, it changed the record. Dagger Beach is looser, weirder, and more free
because of itRaw Wood
Song for Dana Lok
How the West Was Won
Song for David Berman
Song for the Landlords of Tiny
Sleep it Off
North Coast Rep
Interlude #2$21.99Vinyl LP - Sealed Buy Now