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Southern BloodSOUTHERN BLOOD serves as a remarkable final testament from an artist whose contributions have truly shaped rock & roll throughout the past four decades. This is Allman's first all-new recording since 2011's GRAMMY® Award-nominated solo landmark, LOW COUNTRY BLUES.
Produced by Don Was and recorded in Muscle Shoals where Duane Allman and the earliest seeds of the Allman Brothers Band were sown, Southern Blood is among the most uniquely personal of the Rock & Roll Hall of Famer's career. This emotionally expansive collection of songs written by friends and favorite artists including Jackson Browne, Willie Dixon, Jerry Garcia & Robert Hunter, Lowell George and Spooner Oldham & Dan Penn serves as a salutary farewell to his legion of devoted fans and admirers.1. My Only True Friend
2. Once I Was
3. Going Going Gone
4. Black Muddy River
5. I Love The Life I Live
7. Blind Bats And Swamp Rats
8. Out Of Left Field
9. Love Like Kerosene
10. Song For Adam$24.99Vinyl LP - Sealed Buy Now
Blood!As far as stories of lost and found recorded material go, few tales can be told where all the pieces of the puzzle come together in fortunate ways, resulting in a brand new recording that surprised even the band themselves.
Having formed in 1982, infamous Santa Cruz hardcore legends BL'AST! released their first album, The Power of Expression in 1985. This debut blew everyone away and went on to become one of the highly sought after, "must- have" hardcore albums of the '80s. BL'AST! was beyond intense, continually pushing the boundaries of hardcore with their advanced musicianship, unstoppable energetic delivery and explosive live performances. This overwhelming power caught the attention of SST records, who released the band's second album, It's In My Blood in 1987. Their third LP, Take The Manic Ride, was then released by the label in 1989. BL'AST!'s wide-eyed, ambitious approach and intense perseverance became an influence for many bands to come. Shortly after the release of Take The Manic Ride, the band broke up and their story was buried by time and dust .UNTIL NOW!
Earlier this year BL'AST! guitarist Mike Neider contacted Southern Lord with news that he had found some mysterious old BL'AST! master tapes in a abandoned storage locker. Greg Anderson, a BL'AST! fanatic, wasted no time in sending the tapes to a studio to be baked. Needless to say, after 25 years gathering dust, the quality had deteriorated. Still, nobody could have anticipated what would follow. With the audio digitized, Southern Lord contacted fellow longtime BL'AST! fiend, Dave Grohl about mixing this recording, his response was an enthusiastic "FUCK YEAH!, LETS DO THIS"!
Whilst inside Grohl's famous 606 Studios (and with the Neve console as featured in the recent Grohl produced documentary Sound City) an astonishing discovery was made; a completely unheard, unreleased BL'AST! recording session from the mid-'80s.
The lineup of the band at the time of the recording included second guitarist William Duvall (from Neon Christ, and now the current vocalist for Alice In Chains) who had moved from his hometown of Atlanta out to Santa Cruz on a tip from mutual friends, Corrosion of Conformity, to join the band. Unfortunately, his tenure with BL'AST! was short-lived and no recordings from that lineup were ever released.
From the thunderous bass intro of "Only Time Will Tell" to the apocalyptic warnings of "It's In My Blood," the album completely rips and rages from start to finish. All parties involved were completely amazed at how vibrant, unique and fresh this newly-discovered material sounded. All things considered, it is miraculous the record survived this long and that everyone who was involved in bringing this recording to life, could be. Everything fell into place, when it could have easily crumbled along the way. This record is a time capsule that is meant to be heard!
There is no doubt in our minds that Blood will be a crucial purchase for any current hardcore fiend as well as punk/hardcore fans who loved the band back in the day. START THE MACHINE!1. Only Time Will Tell
4. Winding Down
5. Look into Myself
7. Your Eyes
10. Something Beyond
11. It's in My Blood$15.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
ADAD-NUM-2211xNikki Sudden & Rowland S. Howard
Kiss You Kidnapped CharabancNikki Sudden's collaboration with former Birthday
Party guitarist Rowland S. Howard peaked with Kiss You
Kidnapped Charabanc, the duo's 1987 first and only full
length. Howard's sinister guitar flourishes and malevolent
lyrical motifs lead Sudden's paisley-clad disposition into
murkier waters, drudging the same sludge inhabited by
The Gun Club and Nick Cave's Bad Seeds. Unhinged slide
guitars, noise and primal drumming draw up demented
pacts forged in the blood of Southern Gothic swamp
stomp and Depression-era devotionals-tales of lovers and
demons split between the vocal transmissions of the two
minds behind this goth-steeped, blues-punk essential.
In founding Swell Maps, the post-punk prefacing
Birmingham art-snots, Nikki Sudden and his drumming
brother Epic Soundtracks charted new territory for racket
and corrosive guitar. But after folding Swell Maps at the
dawn of the '80s, Nikki Sudden plowed through another
decade's worth of terrifically fertile ground. Drawing on
his devotion to the Rolling Stones and T. Rex-alongside
guitarist Dave Kusworth as Jacobites, plus a cheekily named
cohort of British sidemen-Nikki Sudden cut a string of
raw, inspired rock 'n' roll records, etched with double-edged travel melancholia and hard-bitten punk dejection.1. Rebel Grave
2. Sob Story
4. A Quick Thing
5. Feather Beds
7. Don't Explain
8. Better Blood
9. Debutante Blues$24.99Vinyl LP - Sealed Buy Now
Godless Prophets and The Migrant FloraDrawing from the bands 21 years' experience, this album is set to solidify Darkest Hour's legacy as a metal powerhouse. Raw as all hell, musically complex, melodic, yet cutting with razor blade precision, Darkest Hour's 9th full-length record, Godless Prophets and the Migrant Flora is fierce and hungry for blood.1. Knife in the Safe Room
2. This Is the Truth
3. Timeless Numbers
4. None of This Is the Truth
5. The Flesh & the Flowers of Death
6. Those Who Survived
7. Another Headless Ruler of the Used
9. Enter Oblivion
10. The Last of the Monuments
11. In the Name of Us All
12. Beneath it Sleeps$14.99Vinyl LP - Sealed Buy Now
The Art Of Self Defense180g double vinyl version from Southern Lord in Stoughton gatefold jacket with 20 page bound in 12" x 12" book and printed inner-sleeves.
Cult metal favorite High On Fire was founded by former Sleep guitarist Matt Pike in the summer of 1998. Berthed out of the need to simply play guitar again, Pike jammed with and settled on a line-up of powerhouse drummer Des Kensel and longtime guitarist compatriot George Rice, who made the switch to bass to round out the trio. They had scarcely been together for a few months before demoing three songs. That demo, featuring "Master of Fists" and instant classics "10,000 Years" and "Blood from Zion," became among the most sought-after tapes in the underground metal scene. High On Fire got straight to the point, bashing away with a neanderthal sense of purpse and creating hyptnotic, droning waves of powerful riffs and low-end thunder of the likes not heard before.
Throughout '99, High On Fire continued writing for their debut full-length. The band recorded their debut with Sleep engineer/producer Billy Anderson at Shark Bite Studios in Oakland, CA. The Art of Self Defense served up a rock hard, unorthodox form of modern metal cloaked in strange religious theology and the trio's style was unique, distinct, heavy as all fuck and absolutely crushing. The album immediately became a cult classic and not even the closure of the label that released the album (Man's Ruin) could stop the powerhouse that had been unleashed. Tee Pee records reissued the album in 2001 with 2 bonus tracks: "Steel Shoes" and a ripping cover of the Celtic Frost song "The Usurper."
Another meticulously packaged vinyl release from the masters of the craft. Without question one of the most supernal releases in the history of the label!1. Baghdad
2. 10,000 Years
3. Blood From Zion
6. Master of Fists$26.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Heavy WindowAfter three LPs and a clutch of 45s, Southern Indiana's Apache Dropout have
loosened an adherence to the divine mono sound and forged a scaly stereo
technique for HEAVY WINDOW This is a deeper, blown out swagger of peer-less
rock 'n' roll filtered through a lush three-dimensional spectrum.
These 11 songs hoist Sonny Blood as one of today's finest guitarist/writers stewed in
the melodic tonic of Sir Winston & The Commons and his own fug'ed 'n' frenzied,
black-out solos. Overdubbed and bounced between tracks until saturation set in,
Sonny's fuzz drenches the caveman rhythms into a timeless sound poetry smacking
onto our suffering, circumstance and flesh. Yet this trio's songs about conspiracies,
revolutionaries and paranoia remain maverick, compact pop songs tethered to a
chorus and groove.
Just as their self-titled debut snapped heads back, Apache Dropout has proven again
they can rescore the garage rock aesthetic and remain undisputed purveyors of true
lysergic North American boogie.
Formed in 2008, Apache Dropout have toured the sub-U.S. underground insistently
while chaste to their uncompromising, out-of-step vision. After previous full-lengths
on Trouble In Mind and Family Vineyard, Apache Dropout return to Magnetic South,
the imprint of their debut single and the publishing arm of their analogue studio, for
this LP/CD release. John Dawson recorded this album at the Bloomington, Indiana
studio during fall 2013.1. Sittin' Around
2. Heavy Window
3. Trash Is Treasure
4. Movie Magic
5. Little Georgie
6. Tired Old Story
7. Crystal Ball
8. Left the Nest
10. Radio Double Agent
11. After the Space Age$18.99Vinyl LP - Sealed Buy Now
What It Is To Burn - X LiveFormed in Temecula, CA
in 1999, the quintet of Nate
Barcalow, Alex Linares, Randy
Strohmeyer, Alex Pappas
and Derrek Doherty known
as Finch, are labeled as the
fore-fathers of the "screamo"
and post hardcore genre. Influenced by the hard leanings
of bands like Deftones and
Hum, and the pop sensibilities of Jimmy Eat World and
Blink-182, Finch began a sonic
revolution in popular music
that still echoes today.
The band signed to Drive-Thru
Records in 2001 after guitarist Strohmeyer sent out a demo to owners Richard and Stephanie Reines while he was working on the label's street team.
Drive-Thru saw something in the Southern California band and decided
to take a risk on a sound that was more aggressive than their current range
of artists. Their first EP, Falling into Place sold more than 6,000 copies
within the first few months and gave them the momentum they needed to
create their groundbreaking first album What It Is To Burn. Recorded in
the winter of 2001, What It Is To Burn was released the following spring.
The album produced three radio hits, charted Number 1 on the Billboard
Heatseekers chart and 188 on the Billboard 200.
They spent years touring in support of What It Is To Burn, sharing
the stage with the likes of Glassjaw, The Starting Line, Yellowcard, and
Blink-182, among others. In 2005, they decided it was time for a follow up,
and went in a more artsy direction with Say Hello To Sunshine. Drummer
Alex Pappas left the band and was replaced by Marc Allen. After years of
heavy touring, the band went on a short hiatus, rejoining one another in
2007 with new bassist Daniel Wonacott to record their self-titled EP. Critics
hailed the EP as a return to glory while still adding to their old sound.
Finch would tour off the release for a few years until deciding on another
break in 2009.
In 2013, Finch reunited to its nearly original lineup and announced that
they would embark on the What It Is To Burn Ten Year Anniversary
tour. The group performed the full-length in its entirety with a few extra
bonuses for fans along the way. One concert in particular in Pomona, CA
was filmed and recorded and will be released via Tragic Hero Records. With no bad blood and everything firing on all fronts, it's hard to
tell what will come next for Finch, but one thing remains certain: all eyes
are watching to find out.1. New Beginnings
2. Letters To You
3. Post Script
4. Grey Matter
5. Perfection Through Silence
7. Without You Here
8. Stay With Me
9. Project Mayhem
11. Three Simple Words
13. Worms Of The Earth ** Previously Unreleased
14. New kid ** Previously Unreleased
15. What It Is To Burn$19.99Vinyl LP - 2 LPs Sealed Buy Now
UNIM-BMX-9984xThe Band Perry
The Band PerryDaddy rocked us to sleep with the Rolling Stones; Mama woke us up with Loretta Lynn. So we get it honest. - Kimberly Perry
Inheriting a cross-pollinated love of country and rock & roll from their parents, The Band Perry - siblings Kimberly, Reid, and Neil Perry - say that they bleed the bright red blood of American music. The three have always felt the drive to perform and create music, sweating out the summers in Mobile, Alabama playing in any dusty roadhouse or church that would have them. Kimberly strapped on her first Gibson - and fronted her first high school band - at age 15, employing Reid, then 10, and Neil, only 8, as her roadies. Changing guitar strings and polishing cymbals for their big sister lost its charm after awhile, so the brothers formed their own band, opening for Kimberly's band.
My bass and I've been attached at the hip since I was 10 years old, says Reid. While most of my friends were playing little league, I was sitting in my room learning Rolling Stones' and Beatles' bass lines. It's really all I've ever known. Even as the three worked in different bands, the siblings would spend nights at home playing together: I remember sitting out on our front porch singing old Hank Williams and Bobbie Gentry songs in three-part harmony, hoping to channel the spirits of old country through musical sÉance while fighting off the southern Alabama mosquitoes, says Kimberly. We always knew we'd take the stage together - all we were waiting on was the right moment. That moment came in July of 2005, when - after years of writing together - the siblings decided to join forces as one band. The Band Perry was then invited by the Coca-Cola Bottling Company to open all of the dates on their New Faces Of Country Tour that year.
In the summer of 2008, after spending a few years on the road honing their sound, TBP met longtime Garth Brooks manager Bob Doyle. Partnering with Bob and Josh Pegram, The Band Perry spent the fall and winter of 2008 writing in Nashville and collecting songs for their first country recording session.
The three of us bring different strengths into the writing room, Neil points out. Kimberly carries in a bag of melodies and lyrics, Reid always has some really great musical ideas in his back pocket, and I bring in a sense of humor and some thread that ties it all together.
The new recordings caught the ears of Scott Borchetta and Jimmy Harnen, the CEO and President of Republic Nashville, signing to the new label in the summer of 2009.
When talking about The Band Perry, each member of the trio stresses how much family figures into the mix: Reid, Neil and I share genes and a musical pedigree, Kimberly explains. We read the same classics and cook from the same recipes. With all of our likenesses though, I believe it's our distinctions that stir up the magic when we create. When the three of us sit down to write songs together, we pull from all of our individual perspectives and happenstances to create the most interesting song concoctions.
There's a tightness between the three of us that goes way beyond even best friends, Neil adds. Family vocal harmonies can't be fabricated. And, besides - the three of us know that through the thick and thin of life and the music business, we're watching after each other.
Blood runs thick. The music business can be hard, but the three of us are committed not only to our lives in music, but to living them together, Reid says. I think the security of knowing that about each other allows us to be uninhibited when we create. It's a democracy. It's a safe haven.
We've walked a long way to find your ears, Kimberly Perry finishes with a grin. So play us long and play us loud. The Band Perry is here, and we just have so darn much to say.1. You Lie
2. Hip To My Heart
3. If I Die Young
4. All Your Life
5. Miss You Being Gone
6. Double Heart
7. Postcard From Paris
8. Walk Me Down The Middle
10. Quittin' You
11. Lasso$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Scorpion ChildBlack Double-LP in Gatefold
Includes Bonus Track and Poster. Side D: Etched!
Hooks: a musical idea or short riff, passage, or phrase that catches the ear of the listener. Some bands have 'em, most don't. Austin-based five-piece SCORPION CHILD have 'em in spades. Whether it's an extended blues jam or a short slice of bombastic heavy rock "The Child" lay a hook so tasty everyone bites. SCORPION CHILD come from lots of different places, not only logistically but musically. Their sound heralds back to early 70's kraut and psych-rock with a modern twist and lists PENTAGRAM, HAIRY CHAPTER and LUCIFER'S FRIEND as influences. They originally formed in 2006 and have spent the last few years perfecting both their songwriting and stage presence. Aryn Jonathan Black fronts the outfit with a siren-like voice reminiscent of a young Robert Plant. Guitarists Christopher Jay Cowart and Tom Frank layer high-energy twin-guitars over the band's driving rhythm section fueled by Shaun Avants (bass) and Shawn Alvear (drums). "Our influences are diversified as classic 80's thrash metal to the old school southern blues of Blind Willie Johnson, Lemon Jefferson and Willie McTell," says Black. "We came to Austin to form a band with a single vision and though we've played in different bands with a range of styles, after jamming together, we found our footing in what we do best." Balancing full-time jobs at coffee shops and bars around town forced the group to be very disciplined. "Austin's a great city to develop and hone your skills musically," admits Black. "Every genre can be found here from blues and jazz to punk and hardcore." In 2010, after years of slogging it out in the Austin scene, SCORPION CHILD gained peer recognition with critical praise from local and regional press while selling out high profile gigs at SXSW. The stage was set for the band's recording debut. After songwriting sessions in Nashville, the band spent last year recording their self-titled album with Grammy-nominated producer Chris "Frenchie" Smith known for his work with THE ANSWER, JET, AND YOU WILL KNOW US BY THE TRAIL OF DEAD, DAX RIGGS, and many others). The result is a hybrid of nine, hook-filled heavy-psych classics that breathe new life into a stale hard rock market. Their music erupts with big drums, thunderous guitar riffs and dangerous soul ridden bass lines. Black's powerful rock vocals convey a sexiness and swagger not heard since the days of FREE and HUMBLE PIE. A surge of electricity bursts from the first notes of "Kings Highway" to the pummeling drive of "The Secret Spot" and the highly addictive open-chord "Liquor". Built for the big stage is "Salvation Slave" which hearkens back to a time when guitar rock ruled the airwaves and made going to a concert the ultimate main event. Building on dynamic tension comes the acid-infused "Antioch", a progressive number with hypnotic beats and subtle shades of light that build into a blinding guitar duet. A galloping pulse distinguishes "In The Arms of Ecstasy" as a celebration of groove that is followed by the raw unchained riffage of "Paradigm". The album concludes with the slow building "Red Blood (The River Flows)" which continues to attract comparisons to LED ZEPPELIN. "We do have this whole acoustic side that sounds very ZEPPELIN III with a lot of gospel", says Black. "ZEPPELIN were very innovative and not afraid to go outside the usual confines of electric blues. I guess that's where the comparison comes from." Recently signed to legendary metal label Nuclear Blast the band has pulled "Polygon of Eyes" as their lead single. A nod to DIO-era RAINBOW, the song is four minutes of power-heavy rock plowing through an ancient storyline of swords and mystics. Says Black, "I've always wanted to hear new musical ingredients within a classic heavy sound. We want to maintain spontaneity while putting special emphasis into integral hooks." As vinyl continues to gain momentum, SCORPION CHILD with Nuclear Blast have plans to release their debut in June 2013 as a glorious gatefold edition with different colored vinyl in each pressing. Building up to the debut release was a large-scale tour with CLUTCH and UK's ORANGE GOBLIN the perfect event to introduce SCORPION CHILD to the masses. Several summer festivals are to follow including Rock The Range and Rocklahoma. The band join an elite few including THE SWORD, GRAVEYARD, WOLFMOTHER and RIVAL SONS who celebrate a warm Marshall and liquid feedback while still pushing boundarie1 Kings Highway
2 Polygon Of Eyes
3 The Secret Spot
4 Salvation Slave
7 In The Arms Of Ecstasy
9 Red Blood (The River Flows)
10 Keep Goin' (LUCIFER'S FRIEND cover)$24.99Vinyl LP - 2 LPs Sealed Buy Now
Making GhostsYou can call Great Peacock a folk band... but don't expect them to make music for campfires or square dances. Raised in the Deep South and headquartered in Nashville, they're a group of red-blooded country boys who aren't afraid of the big city. Case in point: Making Ghosts -- the duo's harmony-heavy, guitar-driven debut album -- whose 11 songs find the middle ground between rootsy, down-home Americana and super-sized arena pop/rock.
"To us, it's just pop music with organic acoustic instruments," says Andrew Nelson, who shares lead vocals and guitar duties with co-founder Blount Floyd. "The album has some fiddle, some pedal steel and a whole lot of acoustic guitar, which sounds like the traditional setup for a country band. But this isn't a country record. It's not really a folk record, either. It's a pop/record... with folk tendencies."
Nelson and Floyd first crossed paths in their early 20s, bonding instantly over a shared love of cheap beer and good Southern music. After logging several years together in a loud, Tennessee-based rock band, they split off to form their own project, swapping out the amplified swagger of their previous group for a straightforward sound anchored by acoustic guitars, anthemic melodies and two intertwined voices. Like an old-school harmony duo retuned for a new generation, they started off with a handful of classic influences -- the country croon of George Jones, the working class rock & roll of Bruce Springsteen, the heartland hum of Tom Petty -- and expanded their sound from there, turning Great Peacock into the sort of band that's simultaneously rooted in tradition and headed toward new territory.
The music on Making Ghosts reflects Great Peacock's ambition. Songs like "Tennessee" are swooning, sweeping tributes to the band's homeland, while "Take Me To The Mountain" pushes the band toward anthemic territory, fueled by super-sized drums and a radio-ready melody. On "Arms," the guys jump between haunting verses and big, Technicolor choruses, capping everything off with a screeching guitar solo. These peacocks know how to strut their stuff.
What's in a name, by the way? In Great Peacock's case, quite a bit.
"We initially thought it was just a funny name for a band," Nelson admits, "but through the evolution of everything we've done, we've always been big and colorful. That's why Blount jumps around onstage. That's why I wear a suit jacket embroidered with feathers, which is basically a poor man's nudie suit. We've embraced the image of the big peacock feathers, and we want to entertain you. We look that way, we think that way, and we sound that way, too."1. Making Ghosts
2. Church Bells
4. Take Me to the Mountain
5. Go Back
6. Desert Lark
7. Gulf Dreams
8. Broken Hearted Fool
9. Summer Song
11. Higher Ground$21.99Vinyl LP - 2 LPs Sealed Buy Now
Quazarz: Born on a Gangster Starspeaking of air and darkness, Born on a Gangster Star cameinto the world in a big damn hurry, like nightfall on an island.You can see it happening, but then again it's so gradual that thenext thing you know-it's dark.
Imbued with the energy and ideas from all the creative embersfloating in the atmosphere like fireflies, Shabazz Palacesrecorded this entire album over the course of two weeks withBlood in Seattle. New gear and new equipment disintegratedcomfort zones into dust and a new path appeared in the rubble.
Herein the Palaceer continues the tale of Quazar, a sentientbeing from somewhere else, an observer sent here to Amurdercato chronicle and explore as a musical emissary. What he finds inour world is a cutthroat place, a landscape where someone likehim could never quite feel comfortable amidst all the brutalityand alternative facts and death masquerading as connectivity.
Inspired by days on end spent in the waves-water and light,both-of Southern California, the work came to the Palaceer in aflash, like being picked up by something and carried. Alwaysdribbling with his head up, he can see what's going on aroundhim and react to it, rather than starting in a certain direction andhoping to achieve something upon arrival.
What's good?-the kids ask. What does it even mean, and whatdoes it even matter? Who is behind these choices? We are all ofus sitting under a waterfall of all. this. shit. But it's the excessthat is casting us into ruts.
The Palaceer stays away from the fleeting and the superficialnonessential. Stay away from your device-your phantomlimb-and stay away from your image-your phantom self; thatis his decree. Considering the motions behind the things you liketo consume artistically, rather than just the way something looksor sounds, and thinking in layers, and trying to be more considerateand not so self-oriented-this is his medicine for combat.
Born on a Gangster Star flirts with a pop sensibility, but throughthe prism of Shabazz Palaces's fire and fury. For the Palaceer,that sense is all about how the groove is moving, and thesupernatural telepathy that occurs amongst his cohort. Appearinghere, in body or in spirit, are Julian Casablancas, Thundercat,Darrius Willrich, Gamble and Huff, Loud Eyes Lou, Thaddillac,Ahmir, Jon Kirby, Sunny Levine, and Blood. The storybelongs to Quazarz, but the air and darkness belong to us.
And so we shine a light on the fake.1. Since C.A.Y.A
2. When Cats Claw
3. Shine a Light (feat. Thaddillac)
4. Dèesse Du Sang
5. Eel Dreams (feat. Loud Eyes Lou)
6. Parallax (feat. The Palaceer Lazaro)
7. Fine Ass Hairdresser
8. The Neurochem Mixalogue
9. That's How City Life Goes
10. Moon Whip QuÄz (feat. Darrius)
11. Federalist Papers$19.99Vinyl LP - Sealed Buy Now
LaylaRanked 115/500 On Rolling Stone Magazine's List Of The 500 Greatest Albums Of All Time.
Eric Clapton and Duane Allman in the Same Band for the Only Time: Derek and the Dominos' Layla a Timeless Batch of Fire-Pot Blues, Poignant Gospel, Searing Rock, and Lustful Emotion
Mastered from the Original Master Tapes and Pressed at RTI: Mobile Fidelity 180g 2LP of Layla Is the Definitive-Sounding Analog Edition, Presents Music With Immersive Detail and Realism
The reputation of Derek and the Dominos' Layla and Other Assorted Love Songs, their lone record, precedes it. Eric Clapton performing in the studio with Duane Allman, Bobby Whitlock, Carl Radle, and more for the only time. A batch of fire-pot blues, poignant gospel, and searing rock - all birthed from the leader's insatiable lust for his friend George Harrison's wife. Now, experience it all, and one of the most famous guitar solos and codas in history, in unsurpassed sound courtesy of this quintessential Mobile Fidelity reissue.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 2LP set exposes the brilliance of Tom Dowd's original production and the scope of the virtuoso musicians' playing. You've never been closer to the aching vocals, stinging leads, tormented emotions, or wowing intensity that grace every track. Clapton's tones emerge with unprecedented soulfulness. Afforded their own space in the mix, Allman's slide-guitar passages crackle with urgency. All-important sonic components such as soundstaging, imaging, and dynamics transport you to the actual event. Mobile Fidelity's analog version testifies on behalf of why fans deemed Clapton god.
Then, of course, there's the title track - crowned the 27th greatest song of all time by Rolling Stone. What to say about the outro - arguably the most famous, passionately penetrating, visceral, double-edged guitar solo in history. Clapton's strings weeping with longing, hope, regret, unrequited love. It deserves the best-possible sonic platform, and receives it here, on a pressing that brings Slowhand's every finger moment into great relief. Get inside Clapton's head, burrow into the conflicted emotions fluttering in his heart as he pines for his another man's wife, and in the process, produces an album that forever lives in the souls of anyone who's ever loved and lost.
Clapton's pained yearning permeates everything here. Works such as the swampy Tell the Truth, the pleading Why Does Love Got to Be So Sad?, and blues-drenched Have You Ever Loved a Woman? attest to his raw-nerve discomfort, guilt, and desire. He leaves teardrops on the microphone stand and blood on the floor, singing and playing as if his life depends on it and if, by some miracle, the music will serve as both a confessional and apology to Harrison. It's all magnified by Clapton achieving a spiritual and sonic oneness with his band, which matches his high-stakes precision with a rolling, tumbling looseness.
Allman adds firepower and achieves a still-unrivaled simpatico bond with Clapton, but each participant soars. Consider: The call-and-response, Sam and Dave-derived vocal exchanges between Whitlock and Clapton. Rich, creamy, Southern-stoked blends of R&B, blues, and soul. Vibrant tapestries in which the pianos, bass, guitars, and voices explode with ravishing fervor, naturalism, and desperation. Indeed, maybe a combo this great was only intended one shot in the studio. Perhaps the paralyzing degree of potency on display here, and the musicianship that remains the standard by which any blues-rock is judged, is meant to be preserved as one standalone record. Whatever the case, this is the analog version to own.
This title is not eligible for discount.1. I Looked Away
2. Bell Bottom Blues
3. Keep on Growing
4. Nobody Knows You When You're Down and Out
5. I Am Yours
7. Key to the Highway
8. Tell the Truth
9. Why Does Love Got to Be So Sad?
10. Have You Ever Loved a Woman
11. Little Wing
12. It's Too Late
14. Thorn Tree in the Garden$49.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
Return Of SaturnJust like the heavenly occasion which inspires its name, Return of Saturn, the latest album from Southern California rock band No Doubt, is best experienced with both feet firmly on the ground, and with eyes and ears held wide open.
The album's title refers to the notion that in the first 29 years of someone's life (the same time it takes the planet Saturn to orbit the Sun), a person is only beginning to understand himself or herself, which, singer and songwriter Gwen Stefani explains, helped her to discern her own place in life as she turned 30 years old. I wrote the song 'Artificial Sweetener', Gwen says, which has the line, 'the Return of Saturn, assessing my life, second guessing.' From the time you're born till the time Saturn returns to that point is a time of reassessment and a growing period, where you second-guess everything, and you clear out things that are going to be in the way of moving on in your life. I really did feel like I was going through a transitional phase in my life as I made this album. I think the name Return of Saturn is relevant in the sense that it shows how we've grown as a band, and as songwriters.
The culmination of two years of creative blood, sweat and tears for the quartet, Return of Saturn is a bold and exciting coming-of-age saga. An intimate view of the world as seen by a group of musicians and friends who watched their humble worlds turned literally upside-down by the unexpected (though well-deserved) success of No Doubt's third album, Tragic Kingdom. While that youthful recording reflects the concerns and observations of a band at the edge of possibility, Return of Saturn represents that same group looking collectively inward. What they saw and what they created those two years, will surprise and fascinate you. Who am I, and how did I get to this point in my life, when I thought I was going to be something completely different? -- that pretty much sums up the subject of this album, says Gwen.
Return of Saturn was recorded in two Los Angeles studios during 1998 and 1999. Twelve of the album's 13 songs were produced by Glen Ballard, (Alanis Morissette, Aerosmith), whose contribution was a key ingredient in the album's creation. In our band, everyone has such strong opinions that if you put the four of us in the room together you could have some troubles, says bassist Tony Kanal. But if you get somebody as experienced as Glen, not only as a producer but as a songwriter, you can bounce ideas off him and get some really cool objective answers, and it helps level the creative playing field.
One song on the album, New (also heard on the GO soundtrack) was produced by the band with Jerry Harrison (Talking Heads, Live). It was fun to start with a clean slate and create something brand new, says guitarist Tom Dumont, who also wrote much of the album's music. We hadn't really done much writing on the road, so when it came time, we had to come up with the entire record. Every time we wrote a song it was like having a baby. It's such a good feeling to sit down with an acoustic guitar and a tape recorder, and later to have created something really cool.
In light of the international success of Tragic Kingdom (more than 15 million copies sold worldwide, including over 11 million in the U.S.), the four band members were bound to be subject to any number of outside influences and pressures when it came time to make their follow-up.
But as it turned out, the band was able to turn any outside distraction to their ultimate benefit, beginning with pre-production and writing sessions at a rented Hollywood Hills house. I remember being in a very open, optimistic mood, says Tony, getting the house up in the hills, and just feeling like we had time to do it right. There was no deadline to deliver a record, so I remember not feeling pressure. It just felt like a good place to be, creatively.
Drummer Adrian Young agrees: We were just more conscious of the fact that we're following a huge record, and we need good songs, but I don't know what kind of album we wanted, or expected to make. It was very experimental most of the time. In fact, we didn't have any predisposition about it. That's always a good way for us to approach the music. We've always been across the board, stylistically, and I'm glad we didn't lose that part of the band, he says.
Songs on Return of Saturn like Marry Me, Simple Kind of Life and the album's first single Ex Girlfriend show vocalist Gwen Stefani in a reflective and unashamedly romantic mood, traits which she says are often overlooked in her hectic life. I think I am a romantic at heart, but my life in a lot of ways these days doesn't reflect that, she remarks. So I have this inner conflict about it, and this guilt about it. I'm very hopeful that someday those things will happen in my life, because it's all I've ever dreamed of. But right now it seems like my life doesn't have any room for it, and I won't make any room for it because I'm so passionate about what No Doubt is doing right now.
The music on each of No Doubt's three previous albums (1992's No Doubt, 1995's Beacon Street Incident, Tragic Kingdom) runs the stylistic gamut, mixing in as many influences as the band members can think of, and this collection is no different. Tom says the band has few rules when it comes to songwriting. We discovered a way to write on songs like Just a Girl and Spiderwebs and some of the older ones, which we incorporated when we started this album, and that was that there were no preconceived ideas at all. We would sit down in a room with a tape recorder and acoustic guitars and start improvising things. All the songs were written very spontaneously, starting from a blank slate every time.
The truth is, I feel like I've been turned inside-out after writing this album, adds Gwen. It's everything that I have been in the last two years, which have been really hard years for me. I just feet this sense of accomplishment, and this lightness has come over me since the album has been finished. It's so rewarding to be done and feel so proud of it, I can't wait for people to hear it.LP1
2. Simple Kind of Life
4. Six Feet Under
5. Magic's in the Makeup
6. Artificial Sweetener
7. Marry Me
2. Too Late
3. Comforting Lie
4. Suspension Without Suspense
5. Staring Problem
6. Home Now
7. Dark Blue$24.99Vinyl LP - 2 LPs Sealed Buy Now
Bloodmines (Out Of Stock)Vancouver's BAPTISTS recently completed work on their second full-length album, the follow-up to their 2013 debut Bushcraft. Entitled Bloodmines, the new album (like the debut) was recorded at Godcity Studios in Salem, Massachusetts with with Kurt Ballou.
Like its predecessor, Bloodmines is a fast, exhilarating album of rage, oozing with genuine raw emotion and punk rock fury. Shards of feedback make way for fast powerful riffs and savage vocals, whilst explosive drumming pumps blood around the band's beating heart. On album tracks like Vistas, Calling and the title track, Bloodmines, the pace changes, revealing powerful, almost anthemic, jagged noise rock akin to influential San Diego post-hardcore band Drive Like Jehu and similar acts which go beyond the two minute mark. Discordant guitar melodies and abrasive vocal passages are elongated, still volatile but perhaps allowing for further contemplation of the band's underlying message.
BAPTISTS continually find new ways to express their rage and with Bloodmines they have created a memorable and commanding album.1. Chamber
3. String Up
4. Closed Ports
6. Harm Induction
11. For Profit$15.99Vinyl LP - Sealed Temporarily out of stock
Wild Moon (Out Of Stock)Plowboy Records' latest signing, J.D. Wilkes and The Dirt Daubers, release 'Wild Moon', their third album. Produced by Cheetah Chrome, 'Wild Moon' finds The Dirt Daubers - previously an old-timey, acoustic group - plugged in and wailing away on raw, blissfully distorted rock-n-roll and blues. The
Dirt Daubers were formed by Legendary Shack Shakers front man, artist, director and country punk pioneer J.D. Wilkes in 2009 with his wife Jessica. Wilkes' "gothic preacher" persona and frantic blues harmonica whips 'Wild Moon' into a frenzy, trading lead vocal duties with his feminine foil.
J.D. and Jessica are joined by electric guitarist Rod Hamdallah and drummer Preston Corn. Smoky baritone sax grooves are provided by Tom Waits' sideman Ralph Carney, with piano played by Wilkes himself - delving deeper into the bluesy
recesses of American music. Jessica emotes pained lyrics about life, love and loss on tunes like "No More My Love" and "Apples and Oranges," while J.D. continues his southern storytelling style on "Angel Crown" and the title track.
Wilkes is also an accomplished harmonica player, having recorded for such artists as Merle Haggard, John Carter Cash, Mike Patton, and Hank Williams III. He can also be spotted playing harmonica for Hank Williams III in the 2004 American Masters film Hank Williams: Honky Tonk Blues. His song `Swampblood` can be heard on the Grammy-nominated
soundtrack for HBO's True Blood series. Shore Fire Media on board to spearhead publicity and marketing efforts.
"Wilkes writes mind-blowing lyrics rife with Biblical references and ruminations of life, death, sin and redemption " -BILLBOARD1. French Harp Hustle
2. Apples and Oranges
3. Wild Moon
5. No Rest For the Wicked
6. No More My Love
7. Angel Crown
8. Let It Fly
9. You Know I Love You
10. Hidey Hole
11. Don't Thrill Me No More
12. River Song
13. God Fearing People$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
Master Of Brutality (Out Of Stock)Import
Originally released on Southern Lord Records back in 2001, Master of Brutality reached number 17 in the Terrorizer magazine albums of the year. Featuring a cover of Blue Oyster Cult classic Cities on Flame the rest of the album is drenched in typical blooded-soaked murder tales of the worlds sickest serial killers unspeakable acts against mankind. Heavy shit from Japans true masters of doom!
Since then Church of Miserys fanbase has grown to a very respectable status around the world. Out of print for over six years, Rise Above Records is delighted to present this Doom Sludge classic in re-mastered form with three extra tracks and brand new, familiar looking artwork.1. Killfornia (Ed Kemper)
2. Ripping Into Pieces (Peter Sutcliffe)
3. Meglomania (Hurbert Mullin)
4. Green River
5. Cities on Flame
6. Master of Brutality (John Wayne Gacy)
7. Boston Strangler (Albert De Salvo)
8. Candy Man (Dean Coroll)
9. Lucifer Rising (Live)$37.99Vinyl LP Reissue - Sealed Temporarily out of stock