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Northern LightsNorthern Lights - Southern Cross is the sixth studio album by Canadian-American rock group The Band released in 1975. It was the first album to be recorded at their new California studio, Shangri-La, and the first album of all new material since 1971's Cahoots.1. Forbidden Fruit
2. Hobo Jungle
4. Acadian Driftwood
5. Ring Your Bell
6. It Makes No Difference
7. Jupiter Hollow
8. Rags and Bones$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
No Cross No Crown (Splatter Vinyl)Splatter Colored Vinyl
Limited to 1000
Whenever CORROSION OF CONFORMITY releases a new album, folks take notice. But their latest is a true event. It's been a
dozen years since C.O.C. recorded new material with vocalist/guitarist Pepper Keenan at the helm. In that time, there have been
rumors, whispers and outright allegations that the legendary Southern rock outfit would reunite to blow the doors off the whole
damn scene again. In 2014, after nearly a straight decade traversing the globe as a guitarist with New Orleans supergroup Down,
Keenan reconnected with the core C.O.C. trio of Woody Weatherman, Mike Dean and Reed Mullin to hit the road hard and write
& record "No Cross No Crown".1. Novus Deus
2. The Luddite
3. Cast The First Stone
4. No Cross
5. Wolf Named Crow
6. Little Man
7. Matre's Diem
8. Forgive Me
9. Nothing Left To Say
10. Sacred Isolation
11. Old Disaster
13. No Cross No Crown
14. A Quest To Believe (A Call To The Void)
15. Son And Daughter$32.99Colored Vinyl LP - 2 LPs Sealed Buy Now
WARB-ATL-2664xCrosby, Stills & Nash
Daylight Again (Pre-Order)Release Date: June 29, 2018*
Daylight Again is the seventh album by Crosby, Stills & Nash, and their fourth studio album comprising original material. Originally released on June 21, 1982, the album peaked at #8 on the Billboard 200 albums chart, the final time the band has made the top ten to date. Three singles were released from Daylight Again, all making the Billboard Hot 100: Wasted on the Way peaked at #9, Southern Cross at #18, and Too Much Love to Hide at #69. It was certified platinum by the RIAA with sales of 1,850,000.
*Please note that release dates are subject to change.1. Turn Your Back On Love
2. Wasted On The Way
3. Southern Cross
4. Into The Darkness
6. Since I Met You
7. Too Much Love To Hide
8. Song For Susan
9. You Are Alive
10. Might As Well Have A Good Time
11. Daylight Again/Find The Cost Of Freedom$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
Black Age Blues
Contains 2 Exclusive Tracks
Comes In Stoughton Gatefold Jacket
Black Age Blues is an instant classic, with each one of the nine songs an anthem, and each of the four members of GOATSNAKE in top form. Everything is magnified; Pete Stahl's vocals have never sounded so good, the rhythm section comprised of Greg Rogers on drums and Scott Renner on bass are the driving force on each track, and Greg Anderson's riffs are heavier than ever before.
Appearing on the album intro to "Another River To Cross" is acoustic guitar courtesy of David Pajo (Slint, Aerial M, Papa M), the track also containing previously released recordings from GOATSNAKE's "The River." Piano is played by Mathias Schneeberger and Petra Haden contributes violin and vocals. Another welcome addition to the album, across multiple tracks, are brilliant backing vocals by Dem Preacher's Daughters: Wendy Moten, Gale Mayes and Andrea Merrit.
Black Age Blues is familiar, but nothing here is a repetition of what we've heard before, as GOATSNAKE continues to refine the timeless, ultra-heavy rock that they are infamous for, surpassing even the highest of expectations.1. Another River To Cross
2. Elevated Man
3. Coffee & Whiskey
4. Black Age Blues
5. House Of The Moon
6. Jimi's Gone
8. Grandpa Jones
9. A Killing Blues
11. Breakfast With The King*
* Vinyl exclusive bonus track$25.99Vinyl LP - 2 LPs Sealed Buy Now
AdventusAdventus is the Latin word for arrival. And so Cody Canada and The Departed emerge with their first original album. Upon the disbanding of Cross Canadian Ragweed, The Departed took root; Cody Canada and his long time Ragweed band mate, Jeremy Plato on bass and vocals, with Seth James on guitar and vocals, Steve Littleton on B3 organ and keys, and Chris Doege on drums. The band members had spoken reverentially of each other's musicianship before getting together almost two years ago. But make no mistake; Adventus is anything but a relic of the past. It rocks hard, it burns in the Southern sun, and it represents a new era of creative growth, tapping into the eternal emotions and sonics that have informed the great American musical styles from the start.1. Worth The Fight
3. Prayer For The Lonely
4. Blackhorse Mary
5. Hard To Find
8. Cold Hard Fact
10. Set It Free
11. Better Get Right
12. 250,000 Things
13. Mark It Wrong
14. Sweet Lord$15.99Vinyl LP - Sealed Buy Now
Fire MusicDanko Jones has announced the release of FIRE MUSIC via Bad Taste Records/MRI. The new album is loaded with some of the most incendiary, fierce, and downright pissed-off songs the band has ever committed to tape. In the past, Danko Jones' repertoire has frequently exhibited a physical and emotional release for those times when love is unkind, but with these songs the trio exhibits what happens when therapy doesn't work. Song to song, the listener experiences Danko's pent-up agitation that has been left to stew, getting expelled into pure, merciless, violent rock 'n' roll fury. The repertoire unleashes a torrent of Misfits-worthy shout along hooks, as Jones crosses into a realm where whatever belief he ever had in love and romance has disintegrated into the darkest depths of a blackened soul.
Danko Jones' composition "Gonna Be A Fight Tonight" has been selected as the official theme song for WWE's Royal Rumble Pay-Per-View Event, taking place on January 25, 2015 at Wells Fargo Center in Philadelphia, PA. One of WWE's pinnacle annual events, this year it is especially buzzing in anticipation of its main event "Triple Threat Match" featuring WWE Heavyweight Champion Brock Lesnar versus John Cena versus Seth Rollins.
With the new album, co-founders Danko Jones and John JC Calabrese welcome new drummer Rich Knox, formerly of southern fried Toronto rockers Flash Lightning. FIRE MUSIC was produced and mixed by Juno Award winning producer Eric Ratz (Billy Talent, Monster Truck, Metric), and the cover / packaging was designed by Grammy Award winner Gail Marowitz.1. Wild Woman
2. The Twisting Knife
3. Gonna Be A Fight Tonight
4. Body Bags
5. Live Forever
6. Do You Wanna Rock
7. Getting Into Drugs
8. Watch You Slide
9. I Will Break Your Heart
11. She Ain't Coming Home$15.99Vinyl LP - Sealed Buy Now
ADAD-ANT-6193xBen Harper & Charlie Musselwhite
No Mercy In This Land (180 Gram)Pressed On 180-Gram Vinyl
No Mercy In This Land is a blues record. Charlie Musselwhite and Ben Harper were introduced to one another by John Lee Hooker. The legendary musician thought the two men should play together, so he brought them into the studio to record a song called simply "Burnin' Hell." The two remained friends and their paths periodically crossed out there on the road. But it wasn't until 2013 that the two met up in a studio to record what would be their Grammy-winning album Get Up!. And as good as that record was, it was just the beginning. Both men agree that their friendship deepened in the many months of touring that followed. And it's that bond, that closeness, that makes this new record something special.
At first glance, Ben Harper and Charlie Musselwhite might seem an unlikely pairing. While Ben grew up in in the tree-lined Southern California college town of Claremont, a bastion of culture and liberalism just east of Los Angeles, Charlie was raised in Memphis during the time of rockabilly and Sun Records. But while the two might have come to their musical knowledge in different eras and places, as Charlie explains, "We were both searchers and we're still seeking." Each of them possesses an enduring hunger for musical knowledge that came to them early.1. When I Go
2. Bad Habits
3. Love And Trust
4. The Bottle Wins Again
5. Found The One
6. When Love Is Not Enough
7. Trust You To Dig My Grave
8. No Mercy In This Land
9. Movin' On
10. Nothing At All$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Drugs 'N HymnsDrugs 'n Hymns is the newest release from LA-based artist Rocco Deluca. The album finds the blues-steeped musician forging a solo path armed with his National guitar, distinctively emotive voice and 10 reflective, vivid song-stories. The hypnotically spare compositions conjure a world of characters seeking a certain solace and salvation while continually mired in the disturbed darkness. The album was anti-produced by Rocco DeLuca and features guests such as the Echo Park Jubilee Tambo Flower Unsung Heroes Choir. Drugs 'N Hymns is a fascinating recording in its quiet intensity, conveying a wide swathe of emotions from quietude mixed with underlying dread to hopeful exhilaration.
Rocco DeLuca was born in Southern California surrounded by a vibrant arts community that inspired him to follow his muses at an early age. By seven he was learning to play listening to Billy Holiday, Nina Simone and the Delta Blues heroes of the 1920s. He soon crossed paths and performed with the likes of John Lee Hooker, Johnny Cash and June Carter and Daniel Lanois, an amazing musical association key in the evolution of DeLucas unique sound whether fronting a band or playing solo.
Says Daniel Lanois: I fully believe in DeLuca. I think that hes got the power to be a contemporary troubadour, as I see it, and I hope I can be his friend for a long time, whether I am operating in the same limelight, ahead of him, behind him, in his shadow, whatever it takes, Ill be there. The one thing that I love about Rocco DeLuca is he is driven by his own heart.1. Lucky
2. My My
5. Pray On
7. They Stride Like Gods
8. Snake Oil Salesman
10. Drugs n Hymns$13.99Vinyl LP - Sealed Buy Now
Making GhostsYou can call Great Peacock a folk band... but don't expect them to make music for campfires or square dances. Raised in the Deep South and headquartered in Nashville, they're a group of red-blooded country boys who aren't afraid of the big city. Case in point: Making Ghosts -- the duo's harmony-heavy, guitar-driven debut album -- whose 11 songs find the middle ground between rootsy, down-home Americana and super-sized arena pop/rock.
"To us, it's just pop music with organic acoustic instruments," says Andrew Nelson, who shares lead vocals and guitar duties with co-founder Blount Floyd. "The album has some fiddle, some pedal steel and a whole lot of acoustic guitar, which sounds like the traditional setup for a country band. But this isn't a country record. It's not really a folk record, either. It's a pop/record... with folk tendencies."
Nelson and Floyd first crossed paths in their early 20s, bonding instantly over a shared love of cheap beer and good Southern music. After logging several years together in a loud, Tennessee-based rock band, they split off to form their own project, swapping out the amplified swagger of their previous group for a straightforward sound anchored by acoustic guitars, anthemic melodies and two intertwined voices. Like an old-school harmony duo retuned for a new generation, they started off with a handful of classic influences -- the country croon of George Jones, the working class rock & roll of Bruce Springsteen, the heartland hum of Tom Petty -- and expanded their sound from there, turning Great Peacock into the sort of band that's simultaneously rooted in tradition and headed toward new territory.
The music on Making Ghosts reflects Great Peacock's ambition. Songs like "Tennessee" are swooning, sweeping tributes to the band's homeland, while "Take Me To The Mountain" pushes the band toward anthemic territory, fueled by super-sized drums and a radio-ready melody. On "Arms," the guys jump between haunting verses and big, Technicolor choruses, capping everything off with a screeching guitar solo. These peacocks know how to strut their stuff.
What's in a name, by the way? In Great Peacock's case, quite a bit.
"We initially thought it was just a funny name for a band," Nelson admits, "but through the evolution of everything we've done, we've always been big and colorful. That's why Blount jumps around onstage. That's why I wear a suit jacket embroidered with feathers, which is basically a poor man's nudie suit. We've embraced the image of the big peacock feathers, and we want to entertain you. We look that way, we think that way, and we sound that way, too."1. Making Ghosts
2. Church Bells
4. Take Me to the Mountain
5. Go Back
6. Desert Lark
7. Gulf Dreams
8. Broken Hearted Fool
9. Summer Song
11. Higher Ground$21.99Vinyl LP - 2 LPs Sealed Buy Now
Elwan (Awaiting Repress)For the last five years, Tinariwen have been busy criss-crossing the globe bringing their
triumpant tours to all five continents and expanding their audience. During this time their
beloved homeland in the Adrar des Ifoghas, a Saharan mountain range that straddles the
border between north-eastern Mali and southern Algeria has, in effect, been transformed
into a conflict zone, a place where nobody can venture without putting themselves in danger.
These conflicts have forced the band into exile to record their 8th album, Elwan.
Elwan means 'the elephants ' - an animal metaphor to describe those 'beasts', whether
militias or multinational consortiums, who have trampled everything in their path: in the
desert, where both the human and ecological equilibriums are extremely fragile.
Tinariwen chose to record this album is several locations around the world, including for 4
days at the desert hideaway of Rancho De La Luna studio in Joshua Tree, CA, the studio
known as a favored refuge for many an eclectic artist from Queens of the Stone Age to
Daniel Lanios to Arctic Monkeys to Iggy Pop and more. For Tinariwen, the geographical
location of the studio proved to be particularly propitious in terms of creativity. And the
human climate was just as favorable.
A few friends dropped in during the sessions to add some magic to a few tracks including,
Kurt Vile (electric guitar), Mark Lanegan ( Vocals on 'Nànnuflày'), Matt Sweeney (electric
guitar) and producer/guitarist, Alain Johannes (Cigarbox guitar). Sessions were also
recorded in Morocco, where the band were accompanied by local musicians, in a land
where they are considered musical legends.
Lovers of those sensual yet abrasive riffs that are Tinariwen's signature won't be disappointed.
But neither will those who love their funky, danceable side, which comes through
loud and clear. All that potential has been wonderfully honed by the album's mixing engineer
Andrew Schepps, known well for his work with the Red Hot Chilli Peppers, Johnny
Cash, and Jay Z.1. Tiwàyyen
3. Nizzagh Ijbal
6. TÉnÉrÉ Tàqqàl
7. Imidiwàn n-àkall-in
10. Arhegh ad annàgh
12. Intro Flute Fog Edaghan
13. Fog Edaghàn$21.99Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
Calico ReviewIf you drive past the 200 block of South La Brea, there is a lamp shop, a pet shop, and a little glass door that says "Casting Agency" above it. Inside you'll find one of LA's most stereotypical rituals, where men & women from all walks of life vie for the attention and popularity of the Hollywood producer. It's a dream factory for some of them. It's also a place where Los Angeles outsiders learn what the city is really like, beyond the sun and surf and celebrities, where every brightly-lit surface eventually faces a cloud.
Indeed, the lessons learned by the Allah-Las - guitarists Miles Michaud and Pedrum Siadatian, bassist Spencer Dunham, drummer Matthew Correia - since their auspicious formation in 2008 have been tempered with experience. Now, with their third album Calico Review (their first for Mexican Summer), their experience transforms once more, this time into wisdom. The band's trajectory, formed around mutual appreciation for the same kinds of music and a host of shared experiences, focuses on both the outer trappings of their home and surroundings, and the through line of darkness that suffuses life in LA county.
Where the Allah-Las display their insight, and what really shines across the 12 songs that comprise Calico Review, is the way that the group has pivoted from specific influences and nods to the music they love, to crafting the feelings of freedom, grit, and melancholy in their music. That feeling - the peerless capture of music long in the tradition and mood of California pop, the sound that's captured the essence of the LA experience - aligns with their stylistic technique and their experience in the studio environment to create their strongest album to date, one which showcases their developments in songwriting and arrangements.
The process began with their self-titled debut, which captured the Allah-Las' live set circa 2012 and continued onward with 2014's Worship the Sun, where they began to experiment with overdubs and writing songs individually instead of as a band. Now, Calico Review showcases a band that's grown confident in its own style to reflect the perspectives of each member, to craft an album that changes up the approach from song-to-song, while retaining their abilities as a cohesive unit.
Audiences familiar with the band will recognize the levels of nuance and steadiness the Allah-Las have grown into throughout Calico Review. It's immediate, the first thing you recognize about the band in the opening moves of "Strange Heat," in the amount of control and character burning off of the band's knack for restraint. Songs like "Famous Phone Figure" cradle character sketches over delicate strains of violin, organ, and Mellotron, Correia's drumming carefully underlining a three-note theme that casts a phantom sadness over the proceedings, the group exerting a touch both light and steady enough to bring your mood to theirs. "
Could Be You" works off a steady percussive gallop, guitarist Miles Michaud waxing reflexively on second chances while the band focuses on forward motion. "Roadside Memorial" applies the Bo Diddley beat to the open road, Pedrum Siadatian stepping up on vocals, and finding new ways to match his talents to propulsive musical ends. Elsewhere, "High & Dry," featuring drummer Matthew Correia on lead vocals, focuses on the Allah-Las most quintessential and peerless quality: writing emotionally resonant pop, at once direct and detached, casual and knowing, and instantly memorable. The dream factory itself gets called out in the fun, surf-stung number "200 South La Brea," its carnival-like atmosphere reflecting the excitement and anxiety of those who await their judgment.
In between releases, the Allah-Las have toured around the world, and will continue that journey in support of Calico Review. The experience of traveling and idle time on tour inspired the group in different ways, and provided the pathways by which the band transports its listeners to a different place, be that wherever they are, and where the band has been.
What the Allah-Las present is not necessarily crossing the L.A. River, coin in mouth, on the Riverboat Styx. It's not Raymond Chandler and it's not Raymond Carver. But the band's four members are aware of the pitfalls that stack against the idyllic notion of southern California life that forms from outside of the city. It's a siren call to the hopeful, and it's a successful town for tempering dreams into wakeful reality. Even with over 8,000 people per square mile, there is room for everyone, and then some, to be completely alone, by choice or otherwise.
Calico Review bears the mark of four students becoming the teachers, sharing the sentiments of the town they call home. Join them. There's a lot to learn.1. Strange Heat
3. Could Be You
4. High & Dry
6. Roadside Memorial
7. Autumn Dawn
8. Famous Phone Figure PLAY
9. 200 South La Brea
10. Warmed Kippers
11. Terra Ignota
12. Place In The Sun$17.99Vinyl LP - Sealed Buy Now
The Band PerryDaddy rocked us to sleep with the Rolling Stones; Mama woke us up with Loretta Lynn. So we get it honest. - Kimberly Perry
Inheriting a cross-pollinated love of country and rock & roll from their parents, The Band Perry - siblings Kimberly, Reid, and Neil Perry - say that they bleed the bright red blood of American music. The three have always felt the drive to perform and create music, sweating out the summers in Mobile, Alabama playing in any dusty roadhouse or church that would have them. Kimberly strapped on her first Gibson - and fronted her first high school band - at age 15, employing Reid, then 10, and Neil, only 8, as her roadies. Changing guitar strings and polishing cymbals for their big sister lost its charm after awhile, so the brothers formed their own band, opening for Kimberly's band.
My bass and I've been attached at the hip since I was 10 years old, says Reid. While most of my friends were playing little league, I was sitting in my room learning Rolling Stones' and Beatles' bass lines. It's really all I've ever known. Even as the three worked in different bands, the siblings would spend nights at home playing together: I remember sitting out on our front porch singing old Hank Williams and Bobbie Gentry songs in three-part harmony, hoping to channel the spirits of old country through musical sÉance while fighting off the southern Alabama mosquitoes, says Kimberly. We always knew we'd take the stage together - all we were waiting on was the right moment. That moment came in July of 2005, when - after years of writing together - the siblings decided to join forces as one band. The Band Perry was then invited by the Coca-Cola Bottling Company to open all of the dates on their New Faces Of Country Tour that year.
In the summer of 2008, after spending a few years on the road honing their sound, TBP met longtime Garth Brooks manager Bob Doyle. Partnering with Bob and Josh Pegram, The Band Perry spent the fall and winter of 2008 writing in Nashville and collecting songs for their first country recording session.
The three of us bring different strengths into the writing room, Neil points out. Kimberly carries in a bag of melodies and lyrics, Reid always has some really great musical ideas in his back pocket, and I bring in a sense of humor and some thread that ties it all together.
The new recordings caught the ears of Scott Borchetta and Jimmy Harnen, the CEO and President of Republic Nashville, signing to the new label in the summer of 2009.
When talking about The Band Perry, each member of the trio stresses how much family figures into the mix: Reid, Neil and I share genes and a musical pedigree, Kimberly explains. We read the same classics and cook from the same recipes. With all of our likenesses though, I believe it's our distinctions that stir up the magic when we create. When the three of us sit down to write songs together, we pull from all of our individual perspectives and happenstances to create the most interesting song concoctions.
There's a tightness between the three of us that goes way beyond even best friends, Neil adds. Family vocal harmonies can't be fabricated. And, besides - the three of us know that through the thick and thin of life and the music business, we're watching after each other.
Blood runs thick. The music business can be hard, but the three of us are committed not only to our lives in music, but to living them together, Reid says. I think the security of knowing that about each other allows us to be uninhibited when we create. It's a democracy. It's a safe haven.
We've walked a long way to find your ears, Kimberly Perry finishes with a grin. So play us long and play us loud. The Band Perry is here, and we just have so darn much to say.1. You Lie
2. Hip To My Heart
3. If I Die Young
4. All Your Life
5. Miss You Being Gone
6. Double Heart
7. Postcard From Paris
8. Walk Me Down The Middle
10. Quittin' You
11. Lasso$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now