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  • The Robert Johnson Songbook (Awaiting Repress) The Robert Johnson Songbook (Awaiting Repress) Quick View

    $24.99
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    The Robert Johnson Songbook (Awaiting Repress)

    Peter Green is widely regarded as one of the finest guitarists of his generation. His virtuoso blues playing was an integral part of the sound of the original Fleetwood Mac, which he founded in 1967, and his tortured lead placed him on a par with legends such as Eric Clapton, Jeff Beck, and Jimmy Page.


    In the early '70s, Green left the band and he was to spend much of the next three decades in the wilderness, battling a number of health issues. He re-emerged in the late 1990s performing with the Peter Green Splinter Group, and the second album of his remarkable revival, 'The Robert Johnson Songbook', is one of the greatest classic blues records and was the first British album to win the prestigious WC Handy Award. The music features 16 exquisitely heart-breaking performances of the best Johnson originals, with Green on lead guitar, harmonica and vocals, plus support from Nigel Watson, Roger Cotton, Larry Tolfree, Neil Murray and guest Paul Rodgers.


    This edition of Peter Green's 'The Robert Johnson Songbook' will be available as an LP for the first time, pressed on to 180g heavyweight audiophile vinyl in single packaging including a 2-page insert with sleeve notes and new artwork.

    1. When You Got A Good Friend
    2. 32-20 Blues
    3. Phonograph Blues
    4. Last Fair Deal Gone Down
    5. Stop Breakin` Down Blues
    6. Terraplane Blues
    7. Walkin` Blues
    8. Love In Vain Blues
    9. Ramblin` On My Mind
    10. Stones In My Passway
    11. Me And The Devil Blues
    12. Honeymoon Blues
    13. Kind Hearted Woman Blues
    14. I Believe I`ll Dust My Broom
    15. If I Had Possession Over Judgement Day
    16. Sweet Home Chicago
    Peter Green
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Beck-Ola (Deluxe Edition) Beck-Ola (Deluxe Edition) Quick View

    $31.99
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    Beck-Ola (Deluxe Edition)

    Deluxe Edition 180 Gram Audiophile Green Vinyl With Gatefold Cover


    Jeff Becks position in the pantheon of great electric guitarists is indisputable. As visionary a musician as Jimi Hendrix, Beck made his name as the second of three hall of fame stringbenders for the legendary Yardbirds (following in the Slowhand shoes of Eric Clapton and preceding the pre-Zep/session gigging Jimmy Page). Known for his blistering leads and the wild chances he took as one of the first axemen to widely employ feedback during a solo, Beck immediately launched his solo career upon leaving the Yardbirds in 1967. Together with vocalist Rod Stewart and multi-instrumentalist Ron Wood on bass, he cut a pair of albums that expanded on the greatness of his previous work.


    A year after Truth, Beck & company returned with the even thicker sound of Beck-Ola, an album often sited as one of heavy metals firestarters. Along with Stewart, Wood and pile-driving new drummer Tony Newman, the album features the inspired addition of storied session man Nicky Hopkins on keyboards. Hopkins added welcome texture to the albums seven tracks, most notably on the Hopkins-composed Girl From Mill Valley. Elsewhere, group tears through two Elvis Presley covers and four band compositions with an intensity that practically leaps from the stylus to the speakers.


    Could a band this heavy, this hard-hitting last? Unfortunately no, it could not. Following the completion of the album, the group splintered on the eve of the Woodstock festival with Stewart and Wood leaving to join the Faces. Of course, Beck went on to future triumphs in a variety of genres and styles and Stewart and Wood found wider fame and fortune as well. How fortunate, then, that we have this time capsule from June, 1969, to document their seminal collaboration. Relive those electrifying moments on this superb Sundazed Music reissue, sourced directly from the original Epic analog session tapes and purposely pressed on high-definition vinyl. Its guaranteed to leave you All Shook Up!

    1. All Shook Up
    2. Spanish Boots
    3. Girl From Mill Valley
    4. Jailhouse Rock
    5. Plynth (Water Down the Drain)
    6. The Hangman's Knee
    7. Rice Pudding

    Jeff Beck
    $31.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Beck-Ola Beck-Ola Quick View

    $28.99
    Buy Now
    x

    Beck-Ola

    Jeff Becks position in the pantheon of great electric guitarists is indisputable. As visionary a musician as Jimi Hendrix, Beck made his name as the second of three hall of fame stringbenders for the legendary Yardbirds (following in the Slowhand shoes of Eric Clapton and preceding the pre-Zep/session gigging Jimmy Page). Known for his blistering leads and the wild chances he took as one of the first axemen to widely employ feedback during a solo, Beck immediately launched his solo career upon leaving the Yardbirds in 1967. Together with vocalist Rod Stewart and multi-instrumentalist Ron Wood on bass, he cut a pair of albums that expanded on the greatness of his previous work.


    A year after Truth, Beck & company returned with the even thicker sound of Beck-Ola, an album often sited as one of heavy metals firestarters. Along with Stewart, Wood and pile-driving new drummer Tony Newman, the album features the inspired addition of storied session man Nicky Hopkins on keyboards. Hopkins added welcome texture to the albums seven tracks, most notably on the Hopkins-composed Girl From Mill Valley. Elsewhere, group tears through two Elvis Presley covers and four band compositions with an intensity that practically leaps from the stylus to the speakers.


    Could a band this heavy, this hard-hitting last? Unfortunately no, it could not. Following the completion of the album, the group splintered on the eve of the Woodstock festival with Stewart and Wood leaving to join the Faces. Of course, Beck went on to future triumphs in a variety of genres and styles and Stewart and Wood found wider fame and fortune as well. How fortunate, then, that we have this time capsule from June, 1969, to document their seminal collaboration. Relive those electrifying moments on this superb Sundazed Music reissue, sourced directly from the original Epic analog session tapes and purposely pressed on high-definition vinyl. Its guaranteed to leave you All Shook Up!

    1. All Shook Up
    2. Spanish Boots
    3. Girl From Mill Valley
    4. Jailhouse Rock
    5. Plynth (Water Down the Drain)
    6. The Hangman's Knee
    7. Rice Pudding

    Jeff Beck
    $28.99
    Vinyl LP - Sealed Buy Now
  • Diary: Remastered Diary: Remastered Quick View

    $17.99
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    Diary: Remastered

    Originally formed in Seattle in 1992, Sunny Day Real Estate featured Nate Mendel (bass), William Goldsmith (drums), Dan Hoerner (guitar,vocals) and Jeremy Enigk (vocals, guitar). Following the completion of a U.S. Tour to support Diary, the band's debut album, the group headed back into the studio with Wood to record the follow-up. But during the recording sessions, internal tensions splintered Sunny Day Real Estate, resulting in a sudden break-up and the finished album being turned in to Sub Pop without a title or artwork. LP2 was released in November of 1995, by which time both Goldsmith and Mendel had joined Foo Fighters and Enigk had begun a solo career.


    Sub Pop Records will re-issue both Diary and the band's second full-length album, commonly known as LP2 (or The Pink Album for its entirely pink cover). Both re-mastered albums will include rare bonus tracks as well as newly written liner notes.


    Following a more than 10 year hiatus, all four original members of pioneering Seattle rock band Sunny Day Real Estate will regroup for a 20-date US tour starting September, 2009.

    1. Seven
    2. In Circles
    3. Song About an Angel
    4. Round
    5. 47
    6. The Blankets Were the Stairs
    7. Pheurton Skeurto
    8. Shadows
    9. 48
    10. Grendel
    11. Sometimes
    12. 8 (bonus track)
    13. 9 (bonus track)
    Sunny Day Real Estate
    $17.99
    Vinyl LP - Sealed Buy Now
  • LP2: Remastered LP2: Remastered Quick View

    $17.99
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    LP2: Remastered

    Originally formed in Seattle in 1992, Sunny Day Real Estate featured Nate Mendel (bass), William Goldsmith (drums), Dan Hoerner (guitar,vocals) and Jeremy Enigk (vocals, guitar). Following the completion of a U.S. Tour to support Diary, the band's debut album, the group headed back into the studio with Wood to record the follow-up. But during the recording sessions, internal tensions splintered Sunny Day Real Estate, resulting in a sudden break-up and the finished album being turned in to Sub Pop without a title or artwork. LP2 was released in November of 1995, by which time both Goldsmith and Mendel had joined Foo Fighters and Enigk had begun a solo career.


    Sub Pop Records will re-issue both Diary and the band's second full-length album, commonly known as LP2 (or The Pink Album for its entirely pink cover). Both re-mastered albums will include rare bonus tracks as well as newly written liner notes.


    Following a more than 10 year hiatus, all four original members of pioneering Seattle rock band Sunny Day Real Estate will regroup for a 20-date US tour starting September, 2009.

    1. Friday
    2. Theo B
    3. Red Elephant
    4. 5/4
    5. Waffle
    6. 8
    7. Iscarabaid
    8. J'nuh
    9. Rodeo Jones
    10. Spade and Parade (bonus track)
    11. The Crow (bonus track)
    Sunny Day Real Estate
    $17.99
    Vinyl LP - Sealed Buy Now
  • Left Banke Too Left Banke Too Quick View

    $24.99
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    Left Banke Too

    Beloved 1968 Lost Classic Available Again After More Than 40 Years!


    Sourced from the Original Stereo Master Tapes


    The Left Banke was one of the most distinctive pop bands of the 60s, renowned for the unique baroque rock that allowed them to stand out during that heady musical era. While the bands 1967 debut album, and its signature hits Walk Away RenÉe and Pretty Ballerina have long been acknowledged as classics, the bands 1968 sophomore effort The Left Banke Too has maintained a persistent under-the-radar mystique, beloved by a loyal cadre of followers yet little-known by the general public.


    The Left Banke Too emerged from a turbulent period of the bands brief but eventful history. Despite the success of their 1967 debut album Walk Away RenÉe/Pretty Ballerina, the Left Bankes lineup splintered soon after its release, with keyboardist and main songwriter Michael Brown exiting the group. His former bandmates Steve Martin, Tom Finn and George Cameron regrouped and rose to the occasion for The Left Banke Too, crafting a musically inventive, emotionally evocative set thats every bit as magnificent as its predecessor.


    The trios exquisite vocal interplay and adventurous songwriting are prominent on such intoxicating tracks as Theres Gonna Be a Storm, Goodbye Holly, Dark Is the Bark and the Brown-penned Desiree, which is widely regarded as one of the groups greatest studio achievements. Several of The Left Banke Toos tracks also feature backing vocals by a young Steven Tyler, several years before he achieved stardom with Aerosmith.


    This lost classic is once again available on 180 gram vinyl LP and has been sourced from the original stereo master tapes.

    1. Goodbye Holly

    2. Theres Gonna Be a Storm
    3. Sing Little Bird Sing
    4. Nice to See You
    5. Give the Man a Hand
    6. Bryant Hotel
    7. Desiree* (mono)
    8. Dark is the Bark
    9. In the Morning Light
    10. My Friend Today
    Left Banke
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Dan Dyer Dan Dyer Quick View

    $19.99
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    Dan Dyer

    It may be generalizing. Hopefully it isn't offensive. But let's face it: Dan Dyer has one hell of a soulful voice for a white guy. It's a soulful voice for anybody. But for a white guy?! Close your eyes and you're likely to picture something more along the lines of Al Green or Stevie Wonder or Sly Stone than some east Texan around 40 years old. But this is Dan Dyer's gift - a voice oozing soul along with deeply introspective, serious songwriting.


    Dyer was born and raised in the small east Texas town of Tool. He was given a guitar at age 5 but didn't learn to play until he was 18 and had moved to Austin, Texas. It was there that he began to study music seriously, attacking the guitar, and exploring his until-then untapped singing and songwriting powers.


    While attending Texas State in San Marcos, Texas, Dyer formed a band, Breedlove, with guitarist Tyrone Vaughan (son of Jimmie Vaughan), drummer Jason White, keyboardist Ezra Reynolds and bassist Josh Dawkins. The group developed a dedicated following and released Reach Out in 1996 before disbanding in 1998.


    From there, Dyer moved to New York City and began writing commercial music jingles, having songs placed in marketing campaigns for Budweiser, Chevrolet, Dr. Pepper and Campbell's Soup. While there, Lenny Kravitz, who had just begun a Warner Bros. imprint called Roxie Records, signed Dyer and produced his What Lies Beneath record in 2004, the first release on the label. Kravitz co-wrote four of the songs with Dyer and also played guitar on the record.


    After touring for a year behind What Lies Beneath, Dyer moved to St. Louis and started a family. In 2007, he returned to Austin where he'd reunited with friend David Boyle, who recorded and produced Dyer in his converted-church studio for the self-titled Dan Dyer. The record was released in 2008 on Fat Caddy Records. From the chain gang-inspired sound of Love Chain to the gospel-tinged I Walk On Gilded Splinters and Stewart Copeland-esque syncopations of Play On Little Children, Dyer and Boyle weave a diverse fabric that extends beyond conventional musical boundaries.


    This title is not eligible for discount.

    1. Prisoner Of Fear
    2. Howling Wind
    3. Come Home
    4. Come Home Pt. 2
    5. Reach Out
    Dan Dyer
    $19.99
    180 Gram Audiophile Virgin Vinyl LP D2D -Sealed Direct to Disc (D2D) Buy Now
  • Stage Fright Stage Fright Quick View

    $34.99
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    Stage Fright

    180 Gram Numbered, Limited Edition


    1970 Set an Organic, Iconic Rock Landmark - In Special Textured Finish Gatefold Jacket


    Record Shivers With Raw Emotions, Dark Confessionals, and Intense Singing


    Half-Speed Mastered from the Original Analog Tapes: Transcendent Sound


    A sharp stylistic and thematic detour away from its first two albums, the Band's Stage Fright is a compelling snapshot of a group coping with massive success and internal changes. Recorded in 1970 at the Woodstock Playhouse, the set shivers with raw emotions, dark confessionals, and intense singing. Largely devoid of the quintet's trademark all-for-one harmony vocals, Stage Fright is an utterly distinctive piece of the Band's catalog-and a historic landmark that's a necessary part of any music collection.


    "When Stage Fright came about, all I was doing was feeling my way along. But, where everybody was in a huddle on both Big Pink and The Band, with Stage Fright it didn't feel like we were all connected in the same kind of way. In this period of experimentation in life, in music, in drugs, people kept wanting to stretch and reach and go somewhere and try things and, in the course of that, some real alienation can take place as well. When these things are chemically induced, you can feel an incredible shutdown of communication." -guitarist Robbie Robertson, as told to Rob Bowman


    Such splintered camaraderie and personal demons appear in now-famous songs such as the title track, "The Shape I'm In," and "The W.S. Walcott Medicine Show." The music is rife with palpable tension, and as a credit to the Band's unique sound, absolutely singular. It's impossible to think of any other group playing these tunes. Robertson's balladic ode to his daughter, "All La Glory," featuring a gorgeous vocal turn from Levon Helm, provides a sunny contrast to the darker compositions.


    Circumstances behind the recording sessions also reflected the mood. While the Band had intended to capture the album in one take in front of a small crowd at the theater, the town residents vetoed the idea due to concerns over being inundated by too many visitors. Consequently, the Band played to an audience of no one, sometimes with the curtains closed and other times, with them open. Todd Rundgren, who engineered the album, couldn't even see what was going on-he was sitting in a canvas prop tent that became the control room, behind the theater.


    As always, Mobile Fidelity half-speed mastered this numbered limited-edition 180g LP from the original master tapes for a superior sonic experience. This analog edition of Stage Fright bursts with supreme tonal clarity and an airiness that brings the genius of Rundgren's preservation of high frequencies to complete realization. Even the fine textures of the hand drums on the stunning "Daniel and the Sacred Harp" come to light with microscopic detail. Perfectly blended, MoFi's Stage Fright takes its place as the most balanced and punchy record in the Band's oeuvre.


    Stage Fright is part of Mobile Fidelity's effort to present the Band's timeless music in the highest fidelity possible.


    This title is not eligible for discount.

    1. Strawberry Wine
    2. Sleeping
    3. Time to Kill

    4. Just Another Whistle Stop
    5. All La Glory
    6. The Shape I'm In
    7. The W.S. Walcott Medicine Show
    8. Daniel and the Sacred Harp
    9. Stage Fright

    10. The Rumor
    The Band
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • COIN COIN Chapter Two: Mississippi Moonchile COIN COIN Chapter Two: Mississippi Moonchile Quick View

    $25.99
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    COIN COIN Chapter Two: Mississippi Moonchile

    180g LP Audiophile Pressing Includes Art Poster


    The spokeswoman for a new, politically conscious and refractory jazz scene. - Jazzthetik


    Roberts gives her audience a long look at something ghostly, tragic, and beautiful. - Peter Margasak, Chicago Reader


    A major talent. - The Wire


    COIN COIN Chapter Two: Mississippi Moonchile is the much-anticipated new installment of Matana Roberts' unique and forward-looking project. Guided by an aesthetic practice she has dubbed 'panoramic sound quilting' (partly in homage to the literal handicraft heritage of her patrilineal line), COIN COIN finds Roberts conjuring some of the most nuanced, thoughtful and substantial American liberation music of the 21st century.


    COIN COIN has also been a profoundly generous and collaborative process for Roberts, who has been developing various chapters of the COIN COIN cycle with a wide range of musicians from diverse backgrounds over many years. The hugely acclaimed Chapter One: Gens de couleur libres was the culmination of two years of regular visits to MontrÉal and featured fifteen musicians assembled from that city's out-jazz, experimental and avant-rock scenes. Chapter Two: Mississippi Moonchile was developed for a more intimately woven New York jazz sextet and was recorded with this group in late 2012, following several years of local and international performances of the piece with this line-up.


    Mississippi Moonchile takes the next leap forward in Roberts' iconoclastic and complex project of memory and recuperation, where historical and contemporary musical tropes, fragmentary spoken and sung narratives, and Matana's cascading alto saxophone are supported by prodigiously talented players on piano (Shoko Nagai), trumpet (Jason Palmer), double bass (Thomson Kneeland), drums (Tomas Fujiwara) and operatic tenor voice(Jeremiah Abiah). While demarcated by 18 titles and track IDs, the album presents an uninterrupted, incantatory swirl of through-composed music, where thematic structure and
    free improvisation are propelled in continual and fluid co-existence.


    While Chapter One was marked by more defined set pieces, stark juxtapositions, and the epic cacophony of a sprawlingly unconventional big band, Chapter Two unfolds as a cohesive album-length piece unto itself, channeling the drama and catharsis of Gens de couleur libres into something more measured and circumscribed, playing with notions of dignity, rarefaction and restraint. The inclusion of a male operatic singer contributes significantly to the tone and tension of Mississippi Moonchile in this respect, and operates as a fascinating foil to Roberts' own voice, which alternates between splintered 'wordspeak' and deeply soulful singing. The six players are in a perpetual motion of coalescence and divergence, where melodic themes, occasional ostinato passages, and variously deployed
    literal voices ('There are some things I can't tell you about ') serve to rally the overriding theme of individual narratives and personal expressions as struggles with, celebrations of and threads within collective history. The contortions of empowerment, pride, shame, suffering, eulogy, empathy, liberation and transcendence are Matana's raw material in the
    broadest and most specific senses;she has given this raw material another beautiful and compelling shape in the second chapter of the COIN COIN story.


    Illustrated once again with Roberts' own graphic scores, COIN COIN Chapter Two: Mississippi Moonchile is gorgeously packaged in a heavyweight 100% recycled paperboard jacket and includes an art poster.

    1. invocation
    2. humility draws down blue
    3. all nations
    4. twelve sighed
    5. spares of the world
    6. secret covens
    7. river ruby dues
    8.confessor haste
    9. amma jerusalem school
    10. for this is
    11. responsory
    12. the labor of their lips
    13. was the sacred day
    14. lesson
    15. woman red racked
    16. thanks be you
    17. humility draws down new
    18. benediction.
    Matana Roberts
    $25.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Performance: Rockin' The Fillmore Performance: Rockin' The Fillmore Quick View

    $33.99
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    Performance: Rockin' The Fillmore

    Featuring Dead-Quiet Surfaces, This Wax Cathedral LP is Pressed at RTI, America's best record plant!


    At the turn of the 1970s, Humble Pie rivaled Led Zeppelin as the biggest blues-rock band in the world. Performance: Rockin' the Fillmore demonstrates why. Capturing the group at the height of its powers, the live set smokes with outlandish energy, virtuosic interplay, rhythmic might, and blistering grooves. Guitarist Peter Frampton and vocalist Steve Marriott use their individual star power to complement rather than compete with one another, while the remainder of the band follows suit with similar intensity.


    Soaring on the strength of Frampton's struck-by-lightning melodies and Marriott's soulful high-pitched deliveries, Humble Pie personifies classic 1970s hard rock throughout this set, defined by zealous reinventions of songs by Willie Dixon, Ray
    Charles, and Dr. John. The group appropriates the classics as its own, with twin guitars harmonizing and harmonicas blowing, the original arrangements extended and reshaped, the band members pushing each other at every turn. That Frampton departed shortly after this San Francisco concert makes this album all the more memorable.


    Remarkable, too, are the two epic workouts, one a 23-minute-plus jam on Dr. John's "I Walk on Gilded Splinters"-listen for the sound of the bottle dropping at the beginning-and the other an inventive perusal of Muddy Waters' "Rollin' Stone" that
    closes with a boogie-based rendition of "My Babe." Frampton, Marriott, and Co. were never as good as they are here.


    Music sounds better on vinyl. Especially when it's experienced on new pressings from RTI, America's finest record plant. Introducing Wax Cathedral, an imprint focused on reissuing great albums on LP, complete with dead-quiet surfaces and authentically replicated artwork. Wax Cathedral goes where few other labels dare, restoring titles from diverse genres, myriad eras, and recognizable artists beloved by generations of listeners. Wax Cathedral is all about bringing back quality vinyl titles that have been out-of-print on LP for decades, and having fun in the process. Get your turntables ready.

    1. Four Day Creep
    2. I'm Ready
    3. Stone Cold Fever
    4. I Walk on Gilded Splinters
    5. Rollin' Stone
    6. Hallelujah I Love Her So
    7. I Don't Need No Doctor
    Humble Pie
    $33.99
    Vinyl LP - Sealed Buy Now
  • Band Of Outsiders (Awaiting Repress) Band Of Outsiders (Awaiting Repress) Quick View

    $16.99
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    Band Of Outsiders (Awaiting Repress)


    Limited Edition Black And Red Splattered Vinyl


    When jazz hits you in the face with a stack of bricks, Mike Dillon is there...twisting chaos into order before turning it back on itself again. -Splinters & Candy


    The Mike Dillon Band is a predictably gruesome and sublime elixir of stealthy jazz vibes, street poetry raps and post-punk sonic carnage. -Boulder Weekly


    A body in motion tends to stay in motion, at least when The Mike Dillon Band is supplying the dance music. The psychedelic rock group shakes and gyrates with heavy, vibraphone driven grooves, delivering a steady stream of infectious rhythms and hypnotic percussion. -Pittsburgh City Paper


    How many artists can claim being praised a punk rock provocateur, jazz vibraphone visionary and percussion virtuoso in the same sentence? There's only one: Mike Dillon. Whether through his affiliation with artists like Les Claypool, Brave Combo and Ani DiFranco, collaborations such as Garage A Trois, The Dead Kenny Gs and Critters Buggin or bands he's fronted, including Billy Goat and Hairy Apes BMX, the Texas-native has set his own standard for 25 years now.


    With his latest effort, Band of Outsiders-released via Brooklyn label The Royal Potato Family-Mike Dillon has conjured the perfect storm of all these past endeavors. His manic creative vision found its match in three young musicians he met in New Orleans. Carly Meyers-whom Dillon describes as "a High Priestess of Trombone who channels the energy of Iggy Pop through the chops of JJ Johnson in second-line parade"-provides harmonic counterpoint to his vibes and percussion ("All Walks of Life") as she simultaneously ups the band's art-rock ante ("Carly Hates The Dubstep"). The rhythm section of bassist Patrick McDevitt and drummer Adam Gertner turns on a dime between snarling punk rock assaults ("Homeland Insecurity"), deep funky go-go ("Head"), ska grooves ("Here The Burro") and experimental hip-hop beats ("7AM At The Jazzfest") with all points covered in between.


    Dillon recorded Band of Outsiders at Studio Center in Miami with the help of co-producers Gary Vandy and Richard Maloney Jr. Vandy is an old school engineer whose work includes over 200 platinum records predominantly in the disco and dance genres. His love of Zappa is what attracted him to Dillon's work. In the age of pro-tools chicanery, the production is straightforward, capturing Dillon and his band playing live in a room.


    "Two tours of Mexico and a steady dose of Brazilian music was the jumping off point for these new songs," explains Dillon. "Add our love for The Melvins, Deerhoof, Bad Brains, Dead Kennedys, Trouble Funk and all things New Orleans and this album surpasses our intention to make the freakiest, most vibrant dance music on the planet."


    Lyrically speaking, Mike Dillon draws from his love of Miguel de Cervantes, William Burroughs, Kurt Vonnegut and Robert Anton Wilson to tell stories of New Orleans debauchery mixed with age-old themes of travel, love, self-destruction and greed. Delivered with Dillon's trademark vocal rasp, the record has the intensity of a Tom Waits-meets-Frank Zappa black comedy. Rumor has it that Dillon lived for the past seven years in the same apartment that Waits shared with Rickie Lee Jones. Dillon discounts those rumors: This apartment has housed dudes from Morning 40 Federation, Ani DiFranco, an old Conga player and a bunch of heroin addicts."


    Taken in its entirety, Mike Dillon's Band of Outsiders is a snapshot of four musicians hitting full stride. Having relentlessly toured the country in 2013-both headlining and opening for artists like Fishbone, Clutch, Primus and Galactic-its 13 songs bristle with a group mind, spill over the sides with the visions invoked during countless dead-of-night drives crisscrossing the country in a van and hit their target with a sonic assault only possible from a band that's played 400-plus shows over the last two years.


    "People are always trying to figure out how to describe our music. Maybe we should call it New Orleans punk jazz Brazilian math rock? It's a gumbo of tribal percussion, The Meters, old school hardcore, Brazil, hard bop and anything else that might move us," concludes Dillon. "But you know, I really don't care what you call it. We kick out the jams harder than anyone, and we also know when to heed the lessons of The Minutemen's Double Nickels On The Dime and keep things straight to the point. There's a reason we called the record what we did. We're the living, breathing definition of a band of outsiders, but together we deliver simple majestic beauty, let's leave it at that."

    1. Head
    2. Hand of God

    3. Homeland Insecurity
    4. Hero The Burro
    5. Carly Hates The Dubstep
    6. Great Lakes Tuna
    7. Missing
    8. All Walks of Life 9. Celebrate the Hate
    10. 7AM at the Jazzfest
    11. So Long Pal
    12. Baby Flint Talk
    13. Dauphine & Desire
    Mike Dillon
    $16.99
    Colored Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Hot Foot Powder (Out Of Stock) Hot Foot Powder (Out Of Stock) Quick View

    $28.99
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    Hot Foot Powder (Out Of Stock)


    180 Gram Blue Vinyl


    Remastered With Printed Inner Bags And Sleevenotes


    13 interpretations of Robert Johnson's songs by the ultimate British blues guitarist - now part of the acclaimed complete blues series. The 29 songs that Robert Johnson recorded in various Texas hotel rooms in 1936 and 1937 are amongst the most significant and influential works in the history of blues music.


    It was thus very appropriate that it was to these landmark songs that Peter Green turned when recording the two albums that re-launched his career, 1998's "The Robert Johnson Songbook" and 2000's "Hot Foot Powder".


    These records showed a real return to form for the founder of Fleetwood Mac and one of the greatest ever white blues guitarists. "Hot Foot Powder" saw his splinter group joined by such blues legends as Buddy Guy, Otis Rush, Dr. John, Hubert Sumlin and Joe Louis Walker.

    1. I'm A Steady Rollin' Man
    2. From Four Till Late
    3. Dead Shrimp Blues
    4. Little Queen Of Spades
    5. They're Red Hot
    6. Preachin' Blues
    7. Hell Hound On My Tail
    8. Traveling Riverside Blues
    9. Malted Milk
    10. Milkcow's Calf Blues
    11. Drunken Hearted Man
    12. Crossroad Blues
    13. Come On In My Kitchen
    Peter Green
    $28.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
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