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Stanislaw Skrowaczewski

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  • Chopin: Concerto No. 1 (Pre-Order) Chopin: Concerto No. 1 (Pre-Order) Quick View

    $34.99
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    Chopin: Concerto No. 1 (Pre-Order)

    RCA Living Stereo Classical LPs - The Gold Standard For Top Quality Orchestral Performance And Sound!


    Remastered From The Original Master Tape And Cut At 33 1/3 Rpm By Ryan Smith At Sterling Sound


    Lacquers Plated By Gary Salstrom And Pressed On 200-Gram Vinyl At Quality Record Pressings!


    RCA Living Stereo Reissue Series No. 2 - 25 Newly-Remastered Classical Mainstays!


    Analogue Productions' RCA Living Stereo Reissue Series No. 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon - from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, Living Stereo logo, Shaded Dog label and all!


    Mastered by Ryan K. Smith at Sterling Sound from the original 2-track master tapes, cut at 33 1/3, and plated and pressed at Quality Record Pressings - makers of the world's finest-sounding vinyl LPs, - no other editions match these for the quietest 200-gram platters available.


    Rubinstein recorded the Chopin Concertos numerous times. This version of Chopin's first Concerto is particularly successful, partly thanks to the sensitive accompaniment of the New London Symphony Orchestra, conducted by Stanislaw Skrowaczewski. Tempos are well-judged and phrasing is supple and natural.


    This title is not eligible for discount.

    1. Allegro Maestoso
    2. Romanze. Larghetto
    3. Rondo. Vivace
    Stanislaw Skrowaczewski
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed PRE-ORDER Buy Now
  • Prokofiev - Romeo & Juliet Suites 1 and 2 (Speakers Corner) Prokofiev - Romeo & Juliet Suites 1 and 2 (Speakers Corner) Quick View

    $34.99
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    Prokofiev - Romeo & Juliet Suites 1 and 2 (Speakers Corner)

    As is widely known, ballet suites are the 'little sisters' of large ballet compositions that have been compiled by the composer mostly at a later date for performance in the concert hall. Prokofiev's Romeo and Juliet is another story however. Strangely enough, his two Suites were given their first performance before the premiere of the complete Ballet. The applause can still be heard echoing through the world of music. This music is one of the pillars of a good record collection - and with good reason! Both Suites contain a wealth of delightful melodies that are given substance by colourful harmonic writing. Just how Prokofiev can ideally sound is brought to us by Stanislaw Skrowacziewski and the Minneapolis Symphony Orchestra. In the first Suite he lets his musicians sweep with √Član through the Burlesque, the splendour of the Love Theme is full of lyrical intensity, and rises to a forceful climax filled with sharp dissonances in Death of Tybalt.



    The Second Suite, too, is of the very highest standard, both from an artistic and recording point of view. The characteristic themes and motifs are well contoured and brought to the fore while embedded in a fresh and natural carpet of sound which is sometimes filled with immense warmth.
    It is clearly noticeable that all participants have given much time and thought to this first-rate production. And the listener will certainly enjoy giving over a good portion of his leisure time to this delightful music.




    Recording: April 1962 at Northrop Memorial Auditorium, Minneapolis, USA,

    by C.R. Fine and Robert Eberenz / Production: Wilma Cozart




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Stanislaw Skrowaczewski with Minneapolis Symphony
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Shostakovich - Symphony No. 5 (Speakers Corner) Shostakovich - Symphony No. 5 (Speakers Corner) Quick View

    $34.99
    Buy Now
    x

    Shostakovich - Symphony No. 5 (Speakers Corner)

    One of the most fascinating aspects of Dmitri Shostakovich's music was and still remains his aesthetic ambiguity, the likes of which is almost impossible to find in modern music. The Fifth Symphony in particular is regarded as an excellent example of how, during Stalin's regime, Shostakovich outwardly remained true to the regulations concerning art while still managing not to forfeit his own artistic freedom and identity. Conceived in a classical vein, the work is filled with powerful motion and Russian song, even going almost as far as late-Romantic transfiguration. But this idyll is deceptive. Again and again the apparent harmony is disrupted by biting sarcasm: the spirited main theme of the first movement soon stiffens into a march-like farce, while in the untroubled second movement a shrill motif in the winds tears apart the cheerful mood.



    Skrowacziewski amalgamates the contrasting tender sweetness of the violins and the violence of the attacking wind instruments in his precise and sparing interpretation, which is free of sugary expression and forced dynamics. His well-balanced conducting, combined with the wonderfully transparent recorded sound creates an ideal basis for identifying all the details which Shostakovich composed 'between the lines of the staff'.




    Recording: March 1961 at Northrop Memorial Auditorium, Minneapolis, USA, by C.R. Fine and Robert Eberenz

    Production: Wilma Cozart Fine




    About Speakers Corner



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.



    Stanislaw Skrowaczewski
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ravel: Works for Orchestra (Out Of Stock) Ravel: Works for Orchestra (Out Of Stock) Quick View

    $29.99
    x

    Ravel: Works for Orchestra (Out Of Stock)

    Stanislaw Skrowaczewski conducts the Minnesota Orchestra performing Ravel's Works for Orchestra.


    This is a record that The Absolute Sound has been talking about since some of their first issues. Originally on Vox, recorded by Marc Aubort and Joanna Nickrenz.


    This title is not eligible for discount.

    1. Fanfare
    2. La Valse
    3. Alborada del gracioso
    4. Rapsodie espangole
    5. Menuet antique
    6. Valses nobles et sentimental
    Stanislaw Skrowaczewski
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
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