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  • IT (Original Motion Picture Soundtrack) IT (Original Motion Picture Soundtrack) Quick View

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    IT (Original Motion Picture Soundtrack)

    WaterTower Music today announced the release details of the Original Motion Picture Soundtrack for New Line Cinema's highly anticipated IT, the movie based on the iconic Stephen King novel of the same name which has been terrifying and thrilling readers for decades.


    When children begin to disappear in the town of Derry, Maine, a group of young kids are faced with their biggest fears when they square off against an evil clown named Pennywise, whose history of murder and violence dates back for centuries.


    Golden Globe® and Emmy® nominee Benjamin Wallfisch (A Cure for Wellness, Lights Out, Annabelle: Creation), widely acknowledged as one of Hollywood's most exciting and innovative composers, has assembled a thrillingly unsettling 38-track Original Soundtrack for IT with a palpable spirit of suspense, adventure and anarchy, using powerful themes, a full symphony orchestra and children's choir.


    "Every now and again, you come across a movie where the storytelling is so powerful, the subtext so visceral, the synergy between director, narrative and actors so palpable, that as a composer you can feel the music being energized by something so much bigger than what's just on the screen," Wallfisch said. "Creating a score to tell the story of a shapeshifting antagonist of unimaginable evil that can only be defeated when a group of individuals come together as one, required metamorphic themes, extremes of sonic irreverence and heartfelt quiet, and, most importantly, a musical language that strived to be constantly informed by the profound emotional truth driving the heartbeat of the filmmaking. To collaborate with Andy Muschietti on IT was to be invited into a thrilling, deeply inspiring and richly creative dynamic space. It was a true honor, and, as a lifelong Stephen King fan, a great privilege."

    1. Every 27 Years
    2. Paper Boat
    3. Georgie, Meet Pennywise
    4. Derry
    5. River Chase
    6. Egg Boy
    7. Beverly
    8. Come Join The Clown, Eds
    9. You'll Float Too
    10. Slideshow
    11. Georgie's Theme
    12. 29 Neibolt Street
    13. Time To Float
    14. You'll Die If You Try
    15. Return to Neibolt
    16. Into The Well
    17. Pennywise's Tower
    18. Deadlights
    19. Searching For Stanley
    20. Saving Beverly
    21. Georgie Found
    22. Transformation
    23. Feed On Your Fear
    24. Welcome To The Losers Club
    25. Yellow Raincoat
    26. Blood Oath
    27. Kiss
    28. Every 27 Years (Reprise)
    29. Epilogue - The Pennywise Dance
    Benjamin Wallfisch
    $29.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Creepshow: Original 1982 Score (Colored Vinyl) Creepshow: Original 1982 Score (Colored Vinyl) Quick View

    $38.99
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    Creepshow: Original 1982 Score (Colored Vinyl)

    'Kill Lights' Deep Red with Blue Smoke Colored Colored Vinyl


    Heavyweight Casebound Tip-on Gatefold Jacket With A Satin Coating


    Director Essay From George A. Romero & Composer Essay From John Harrison


    A Built-in Booklet Featuring Production Stills, Artwork, And Liner Notes


    A Satin Coated 12x12 Art Print Of The Creeper


    Full Album Packaging Artwork By Ghoulish Gary Pullin


    Waxwork Records is thrilled to announce their next LP release to the 1982 horror anthology classic, CREEPSHOW. The film was directed by George A. Romero and written by Stephen King. The score was composed and performed by John Harrison (DAY OF THE DEAD, TALES FROM THE DARKSIDE).


    This definitive release of the film score has never before been released. The original master tapes of the CREEPSHOW film score were lost for over 30 years, but with the efforts of composer John Harrison and Waxwork Records, the tapes were located in the attic of Jeree Recording Studios in New Brighton, PA. The tapes remained in remarkable shape over the years and were re-mixed and re-mastered for vinyl. The CREEPSHOW score has never sounded this good.

    1. Prologue
    2. The Creepshow Welcomes You
    3. Henry Is Told The Family Secrets
    4. She Bashed His Head In
    5. Bedelia Arrives
    6. Where's My Cake? I Want My Cake
    7. Nate Comes Out Of The Grave
    8. Henry Goes Looking
    9. Henry Meets Nate; Henry Gets Crushed
    10. I Got My Cake
    11. Sylvia On A Platter - A Meteor Arrives
    12. Jordy Discovers His Meteor
    13. Jordy Hallucinates And Takes A Bath
    14. From The Farm To The Beach
    15. Get In The Hole Harry
    16. If You Can Hold Your Breath
    17. Richard Watches Them Drown
    18. From The Beach To The College
    19. Mike Discovers The Crate
    20. Dex And Mike Move The Crate
    John Harrison
    $38.99
    Colored Vinyl LP- Sealed Buy Now
  • Creepshow 2 Soundtrack Creepshow 2 Soundtrack Quick View

    $44.99
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    Creepshow 2 Soundtrack

    Pressed On 180 Gram 2x Colored Vinyl Inspired By "The Raft" (Lake Water Clear & Black Blob Vinyl) & "Old Chief Woodenhead" (Metallic Golden Brown & And Deep Teal Swirl)


    Old Style Tip-On Gatefold Jacket With Built In Booklet


    Remastered From The Original Master Tapes


    Artwork By Ghoulish Gary Pullin


    Cut To 45 RPM For Best Sound Quality


    Liner Notes By Composer Les Reed


    Waxwork Records is thrilled to announce the debut soundtrack release of CREEPSHOW 2. The 1987 anthology horror film is a sequel to 1982's CREEPSHOW, which was directed by George A. Romero and written by Stephen King. The film is once again based upon stories by Stephen King, and features three horror-segments, Old Chief Woodenhead, The Raft, and The Hitchhiker, with an animated-horror wrap around story.


    The score, co-composed and performed by Les Reed and Rick Wakeman, features a mix of both classic, orchestral compositions and electronic, synth cues. Waxwork's CREEPSHOW 2 deluxe, double LP soundtrack release marks the very first time that the music from the film has been released in any format. After a lengthy search of the original masters, Waxwork Records was able to work directly with composers Les Reed and Rick Wakeman to acquire the original source material and re-master for vinyl.


    Waxwork's 2014 vinyl release of the original 1982 CREEPSHOW score by John Harrison has become a fan favorite amongst film music lovers, horror fans, and record collectors, thus being re-pressed and selling out almost immediately upon release on both occasions.


    Packaging details include 2xLP 180 gram colored vinyl with variants correlating to stories within the film, old style tip-on gatefold jackets with a built in booklet featuring liner notes by composer Les Reed, and an LP package that is jam-packed with all new artwork by Ghoulish Gary Pullin!


    This item is not eligible for discount.

    LP 1
    1. Welcome To Another Edition Of Creepshow
    2. Old Chief Woodenhead
    3. Benjamin
    4. Cherished Treasures
    5. Here To Do A Little Shopping
    6. This Hair Is Gonna Get Me Paid & Laid
    7. One More Step & BLAM!
    8. Rock Candy
    9. There Ain't No Dust In Hollywood
    10. War Paint
    11. Tomahawk
    12. Old Chief Woodenhead's Revenge
    13. May Your Spirit Rest, Old One
    14. Venus Fly Trap
    15. The Raft


    LP 2
    1. "Help! It hurts!"
    2. "I'm fast! I can make it!"
    3. Hold Me
    4. Love Theme / "I Beat You!"
    5. No Swimming
    6. The Hitchhiker
    7. "You're Seeing Things, Bitch"
    8. Thanks For The Ride, Lady!
    9. Shooting The Hitchhiker
    10. You Killed Me!
    11. "Till Next Issue, Try To Stay Scared"

    Les Reed & Rick Wakeman
    $44.99
    180 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Ride The Lightning (Deluxe Box Set) Ride The Lightning (Deluxe Box Set) Quick View

    $149.99
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    Ride The Lightning (Deluxe Box Set)

    Limited To 30,000


    Ride The Lightning Remastered On 180 Gram Vinyl


    Double LP Featuring A Previously Unreleased Live Set At The Hollywood Palladium - Los Angeles, CA, 1985


    Creeping Death Picture Disc


    6 CDs Including Ride The Lightning Remastered, Unreleased Interviews, Rough Mixes & Demos, And Previously Unreleased Live Sets


    Live DVD Featuring 3 Songs And An Interview From MTV's Day On The Green In 1985, As Well As A Previously Unreleased Live Set From Metal Hammer Festival At Freilichtbuhne Loreley In St. Goarshausen, Germany


    64 Page Book Including Essays, Never-Before-Seen Photos, Various Ephemera


    Mini-Book Of Handwritten Lyrics


    Poster Set (3 Posters From European Tour In 1984)


    Deluxe numbered box set of Ride the Lightning including four vinyl records, six CDs, one DVD, a hardcover book including never before seen photos, a mini-book of handwritten lyrics and a set of three posters.


    The LPs include a newly remastered 180 Gram pressing of Ride The Lightning, a previously unreleased double LP - Live At The Hollywood Palladium, Los Angeles, CA - March 10th, 1985, and a Creeping Death picture disc.


    The CDs include a remastered Ride The Lightning, three previously unreleased interviews (one with Metal Forces in 1984, one with WUSC Cleveland Radio in 1985, and one with Metal Madness in 1985), a CD of previously unreleased rough mixes and demos from Lars' vaults, and three full live shows from London, UK in 1984, San Francisco, CA in 1985, and Castle Donington, UK in 1985.


    Additionally, the box set contains a DVD featuring three live songs and an interview from MTV's Day On The Green, as well a previously unreleased live set from the Metal Hammer Festival at Freilichtbuhne Loreley in St. Goarshausen, Germany, a 64 page hardcover book featuring new essays and never-before-seen photos, as well as a poster set containing three posters from their 1984 European tour.


    Ride the Lightning is the second studio album by American heavy metal band Metallica. The album was recorded in three weeks with producer Flemming Rasmussen at the Sweet Silence Studios in Copenhagen, Denmark. The artwork, based on the band's concept, represents an electric chair in the midst of a thunderstorm. The album title was taken from a passage in Stephen King's novel The Stand. Whilst still rooted in the thrash metal genre, the album showcased the band's musical maturity and lyrical sophistication. This was partially because bassist Cliff Burton introduced the basics of music theory to the rest of the band and because he had more input in the songwriting. It was the last album to feature songwriting contribution from former lead guitarist Dave Mustaine.


    Ride the Lightning received positive response from music critics, who saw it as a more ambitious effort than its predecessor. Metallica promoted the album on the Bang That Head That Doesn't Bang European tour in late 1984, and on its North American leg in the first half of 1985. The band performed at a few major music festivals, such as Monsters of Rock and Day on the Green later that year. Two months after its release, Elektra Records signed Metallica to a multi-year contract and reissued the album. Ride the Lightning peaked at number 100 on the Billboard 200 with no radio exposure. Although 75,000 copies were initially pressed for the American market, the album sold half a million by November 1987. It was certified 6× platinum by the Recording Industry Association of America (RIAA) in 2012 for shipping six million copies in the United States. Many rock publications have ranked Ride the Lightning on their best album lists, saying it had a lasting impact on the genre.

    LP 1: Ride The Lightning (Remastered) 180 Gram
    1. Fight Fire With Fire
    2. Ride The Lightning
    3. For Whom The Bell Tolls
    4. Fade To Black
    5. Trapped Under Ice
    6. Escape
    7. Creeping Death
    8. The Call of Ktulu


    LP 2: Live At The Hollywood Palladium, Los Angeles, CA - March 10th, 1985 *Previously unreleased
    1. The Ecstasy of Gold
    2. Fight Fire With Fire (Live)
    3. Ride The Lightning (Live)
    4. Phantom Lord (Live)
    5. (Anesthesia) - Pulling Teeth (Live)
    6. For Whom The Bell Tolls (Live)
    7. No Remorse (Live)
    8. Fade To Black (Live)
    9. Seek & Destroy (Live)
    10. Creeping Death (Live)
    11. Am I Evil? (Live)
    12. Motorbreath (Live)


    LP 3: Creeping Death Picture Disc
    1. Creeping Death
    2. Am I Evil?
    3. Blitzkrieg


    CD 1: Ride The Lightning (Remastered)
    1. Fight Fire With Fire
    2. Ride The Lightning
    3. For Whom The Bell Tolls
    4. Fade To Black
    5. Trapped Under Ice
    6. Escape
    7. Creeping Death
    8. The Call of Ktulu


    CD 2: Metallica Interviews *Previously unreleased
    1. Metal Forces Interview with Lars, November 1984
    2. WUSC Cleveland Radio Interview with Cliff & Kirk, February 1985
    3. Metal Madness Interview with Lars, March 1985


    CD 3: Demos & Rough Mixes From Lars' Vault *Previously unreleased
    1. Ride The Lightning (Studio Demo)
    2. When Hell Freezes Over (Studio Demo)
    3. Creeping Death (Studio Demo)
    4. Fight Fire With Fire (Studio Demo)
    5. Ride The Lightning (Garage Demo)
    6. When Hell Freezes Over (Garage Demo)
    7. Fight Fire With Fire (Garage Demo)
    8. Ride The Lightning (Boom Box Demo)
    9. Blitzkrieg (Rhythm Track Rough Mix)
    10. Am I Evil? (Rhythm Track Rough Mix)


    CD 4: Live At Kabuki Theatre, San Francisco, CA - March 15th, 1985 *Previously unreleased
    1. Fight Fire With Fire (Live)
    2. Ride The Lightning (Live)
    3. Phantom Lord (Live)
    4. The Four Horsemen (Live)
    5. (Anesthesia) - Pulling Teeth (Live)
    6. For Whom The Bell Tolls (Live)
    7. No Remorse (Live)
    8. Fade To Black (Live)
    9. Creeping Death (Live)
    10. Guitar Solo (Live)
    11. Am I Evil? (Live)
    12. Motorbreath (Live)


    CD 5: Live At The Lyceum Theatre, London, UK - December 20th, 1984 *Previously unreleased
    1. Phantom Lord (Live)
    2. The Four Horsemen (Live)
    3. (Anesthesia) - Pulling Teeth (Live)
    4. For Whom The Bell Tolls (Live)
    5. No Remorse (Live)
    6. The Call of Ktulu (Live)
    7. Seek & Destroy (Live)
    8. Whiplash (Live)
    9. Creeping Death (Live)
    10. Guitar Solo (Live)
    11. Metal Militia (Live)


    CD 6: Live At Castle Donington, UK - August 17th, 1985 *Previously unreleased
    1. Creeping Death (Live)
    2. Ride The Lightning (Live)
    3. For Whom The Bell Tolls (Live)
    4. The Four Horsemen (Live)
    5. Fade To Black (Live)
    6. Seek & Destroy (Live)
    7. Whiplash (Live)
    8. Motorbreath (Live)


    DVD: Metal Hammer, Day On The Green & Danish TV
    Metallica Live at MTV's Day On The Green at Oakland Stadium, Oakland, CA - August 31st, 1985
    1. Creeping Death
    2. Ride The Lightning
    3. For Whom The Bell Tolls
    MTV Day On The Green Interview with Lars and James
    Metallica Live at Metal Hammer Festival at Freilichtbuhne Loreley in St. Goarshausen, Germany *Previously unreleased
    1. Creeping Death
    2. Ride The Lightning
    3. Disposable Heroes
    4. No Remorse
    5. (Anesthesia) - Pulling Teeth
    6. For Whom The Bell Tolls
    7. The Four Horsemen
    8. Fade to Black
    9. Seek & Destroy
    10. Whiplash
    11. Fight Fire With Fire
    12. Guitar Solo
    13. Am I Evil?
    14. Motorbreath

    Metallica
    $149.99
    180 Gram Audiophile Virgin Vinyl LP Box Set + 6 CDs + DVD - 4 LPs Sealed Buy Now
  • The Best Of King Curtis The Best Of King Curtis Quick View

    $29.99
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    The Best Of King Curtis

    Limited Anniversary Edition


    Pressed On 180 Gram Vinyl


    Mastered Impeccably From The Atco Records Stereophonic Tapes By Joe Reagoso


    King Curtis will be forever known as one of the leading voices of the 60's soul renaissance and truly one of the more championed musicians during his short lifetime. Thanks to today's respect and care given to his music by a whole new generation of musicians and fans, King Curtis forever reigns as one of soul's pioneers. Much like Ray Charles, Otis Redding, and other superstars before him, Curtis Owsley (King Curtis) had the necessary ingredients of stellar musicianship and songwriting acumen which successfully reached across all gospel, soul, rock and pop genres.


    King Curtis created some of his greatest sides ever for ATCO Records, where he spent his time on earth creating some of the most masterful and funkiest soul music ever waxed. In 1968, he was honored with his first greatest hits collection simply titled "The Best of King Curtis." This stunning array of his most memorable hit singles and stellar album staples continues to illustrate how important a force he was then and still is today, over four decades since!


    "The Best of King Curtis" features a heavy menu of his finest moments like the funk infused "Harper Valley P.T.A." and Stevie Wonder's "I Was Made To Love Her", the definitive balladry of Ben E. King's "Spanish Harlem", and of course his chart toppers "Ode To Billie Joe" "Soul Serenade" and a definitive tribute to his friend Otis Redding with "(Sittin' On) The Dock Of The Bay" which truly opened up a worldwide audience to this sorely missed genius.


    This 1968 Greatest Hits LP hasn't been available on vinyl for many decades... that is until now! Friday Music is very proud to announce for the first time ever the stunning 180 Gram Audiophile Vinyl release of The Best Of King Curtis. Mastered impeccably from the original ATCO Records tapes by Joe "Philly Soul" Reagoso at Friday Music Studios and Capitol Mastering in Hollywood, these classic tracks truly reach sonic heights in the audiophile vinyl domain.


    To further enhance your listening enjoyment, we have also included the original artwork elements by Loring Eutemey and the classic photo of King Curtis by Stephen Paley.


    The soul lives on here at the Friday Music label, and as with our recent original pioneering soul albums from Ray Charles, Aretha Franklin, Solomon Burke, Wilson Pickett, The Spinners and others, we feel this stunning King Curtis 180 Gram Audiophile Vinyl will be a much anticipated and welcomed release to all the soul, funk and rock audiophile vinyl fans.

    1. Harper Valley P.T.A
    2. Ode To Billy Joe
    3. Soul Serenade
    4. I Heard It Through The Grapevine
    5. (Sittin' On) The Dock Of The Bay
    6. Memphis Soul Stew
    7. Spanish Harlem
    8. Jump Back
    9. Something On Your Mind
    10. You've Lost That Lovin' Feelin'
    11. Makin' Hey
    12. I Was Made To Love Her
    King Curtis
    $29.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Beautiful: The Carole King Musical (Original Broadway Cast Recording) Beautiful: The Carole King Musical (Original Broadway Cast Recording) Quick View

    $24.99
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    Beautiful: The Carole King Musical (Original Broadway Cast Recording)

    Beautiful: The Carole King Musical, produced by Jason Howland and Steve Sidwell with Kurt Deutsch serving as executive producer, was recorded Feb. 17.


    The musical's score comprises songs Carole King penned with Gerry Goffin as well as tunes Barry Mann wrote with Cynthia Weil.


    Based on King's life and music, Beautiful had its world premiere earlier this season at San Francisco's Curran Theatre. The Broadway production began previews Nov. 21, 2013, prior to an official opening Jan. 12 at the Stephen Sondheim Theatre.


    Paul Blake and Sony/ATV Music Publishing produce the musical that features a book by Academy Award nominee Douglas McGrath, who collaborated with Woody Allen on the screenplay for Bullets Over Broadway. He also penned Infamous and Emma.


    Marc Bruni (Pipe Dream, Ordinary Days, Old Jews Telling Jokes) stages the production with choreography by Josh Prince and musical direction by Jason Howland.


    Tony Award nominee Mueller (Mystery of Edwin Drood, On a Clear Day, Nice Work If You Can Get It) stars as King. Appearing as her musical collaborators are Jake Epstein (Degrassi, Spider-Man) as Gerry Goffin, Anika Larsen (Xanadu, Avenue Q) as Cynthia Weil and Jarrod Spector (Jersey Boys) as Barry Mann. Principal casting also includes Jeb Brown as producer/publisher Don Kirshner and Liz Larsen as King's mother, Genie Klein.


    The ensemble features Ashley Blanchet, E. Clayton Cornelious, Joshua Davis, Alysha Deslorieux, Kevin Duda, James Harkness, Carly Hughes, Sara King, Rebecca LaChance, Douglas Lyons, Chris Peluso, Gabrielle Reid, Rashidra Scott, Sara Sheperd, Yasmeen Sulieman, Daniel Torres, Melvin Tunstall and Alan Wiggins.


    The complete creative team includes Derek McLane (set design), Alejo Vietti (costume design), Peter Kaczorowski (lighting design), Brian Ronan (sound design), Charles G. LaPointe (wig and hair design), Steve Sidwell (orchestrations and music arrangements), Jason Howland (music supervision) and John Miller (music coordination).


    Here's how the creators bill the musical: Long before she was Carole King, chart-topping music legend, she was Carol Klein, Brooklyn girl with passion and chutzpah. She fought her way into the record business as a teenager and, by the time she reached her twenties, had the husband of her dreams and a flourishing career writing hits for the biggest acts in rock 'n' roll. But it wasn't until her personal life began to crack that she finally managed to find her true voice. Beautiful tells the inspiring true story of King's remarkable rise to stardom, from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music, she wrote the soundtrack to a generation.


    Beautiful is produced by Paul Blake, Sony/ATV Music Publishing, Jeffrey A. Sine, Richard A. Smith, Mike Bosner, Harriet N. Leve/Elaine Krauss, Terry Schnuck, Orin Wolf, Patty Baker/Good Productions, Roger Faxon, Larry Magid, Kit Seidel, Lawrence S. Toppall, Fakston Productions/Mary Solomon, William Court Cohen, John Gore, BarLor Productions, Matthew C. Blank, Tim Hogue, Joel Hyatt, Marianne Mills, Michael J. Moritz, Jr., StylesFour Productions, Brunish/Trinchero, and Jeremiah J. Harris.

    1. Overture
    2. So Far Away
    3. 1650 Broadway Medley
    4. It Might as Well Rain Until September
    5. Some Kind of Wonderful
    6. Happy Days Are Here Again
    7. Take Good Care of My Baby
    8. Will You Love Me Tomorrow
    9. He's Sure the Boy I Love
    10. Will You Love Me Tomorrow
    11. Up on the Roof
    12. On Broadway
    13. The Locomotion
    14. You've Lost That Lovin' Feeling
    15. One Fine Day
    16. Chains
    17. Walking in the Rain
    18. Pleasant Valley Sunday
    19. We Gotta Get Out of This Place
    20. Uptown
    21. It's Too Late
    22. You've Got a Friend
    23. You Make Me Feel Like) A Natural Woman
    24. Beautiful
    25. I Feel The Earth Move
    Various Artists
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Stand By Me Soundtrack Stand By Me Soundtrack Quick View

    $36.99
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    Stand By Me Soundtrack


    30th Anniversary 180 Gram Vinyl


    Thirty years ago, director Rob Reiner chose the picturesque town of Brownsville, Oregon as the filming location for his classic coming-of-age story, Stand By Me. The heart-warming movie was nominated for an Academy Award and has continued to be a favourite of both critics and fans around the world.


    The film, whose plot is based on Stephen King's novella The Body and title is derived from the Ben E. King's eponymous song, which plays over the opening and ending credits, tells the story of four boys in small town Oregon who go on a hike across the countryside over Labour Day weekend in 1959 to find the dead body of a missing child.


    The classic original soundtrack is crammed with early rock & roll hits (Yakety Yak, Lollipop & Great Balls of Fire o.a.) and still sounds very alive today, decades after they were originally recorded.

    1. Everyday (Buddy Holly)
    2. Let the Good Times Roll (Shirley and Lee)
    3. Come Go With Me (The Del Vikings)
    4. Whispering Bells (The Del Vikings)
    5. Get a Job (The Silhouettes)
    6. Lollipop (The Chordettes)
    7. Yakety Yak (The Coasters)
    8. Great Balls of Fire (Jerry Lee Lewis)
    9. Mr. Lee (The Bobbettes)
    10. Stand By Me (Ben E. King)
    Various Artists
    $36.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Who Made Who Who Made Who Quick View

    $24.99
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    Who Made Who

    On paper, Who Made Who is just a cheap soundtrack to a cheap movie (Stephen King's disastrous Maximum Overdrive), but it's actually much more than that. It serves as a ripping AC/DC retrospective, tearing through such classics as 'You Shook Me All Night Long' and 'For Those About to Rock,' adding the pounding title track to the band's canon, and rescuing overlooked songs like 'Sink the Pink' from otherwise mediocre albums. It's not a perfect retrospective there's no 'Back in Black,' 'Highway to Hell,' or 'Dirty Deeds Done Dirt Cheap' but what is here is terrific.

    1. Who Made Who - 3:27
    2. You Shook Me All Night Long - 3:30
    3. D.T. - 2:53
    4. Sink the Pink - 4:13
    5. Ride On - 5:51
    6. Hells Bells - 5:12
    7. Shake Your Foundations - 3:53
    8. Chase the Ace - 3:01
    9. For Those About to Rock (We Salute You) - 5:53
    AC / DC
    $24.99
    Vinyl LP -Sealed Buy Now
  • Cujo: Music From The Motion Picture Cujo: Music From The Motion Picture Quick View

    $26.99
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    Cujo: Music From The Motion Picture

    Pressed On Black And Brown "St. Bernard" Colored Vinyl


    Limited To 1000 Copies


    Ah, life in the country such bucolic bliss. Until your neighbor's dog contracts rabies, kills its owner, and then comes after you! With such emotional extremes, Cujo was not an easy movie to score, but when Stephen King's classic novel came to the screen in 1983 starring Dee Wallace and Daniel Hugh-Kelly with Lewis Teague directing, composer/conductor Charles Bernstein (A Nightmare on Elm Street) proved mightily up to the task. In addition to employing harsh synthesizer effects and dissonant orchestral layers leading up to the climactic showdown between Mom and beast, Bernstein also penned a tender theme expressing the gentle joys of family life. Unfortunately, post production woes mixed up some cues and caused the score to be abbreviated in the film; Intrada's recent CD release presented Bernstein's work for the first time as it was originally recorded, and that's where the 18 tracks on our first-ever vinyl release come from, with new (and terrifying) cover art. Limited black and brown "St. Bernard" vinyl edition limited to 1000 copies!

    1. Main Title & Rabbit Chase
    2. Bedroom
    3. Kemp to Dinner Table
    4. Cujo's Entrance (Revised)
    5. Hoist Delivery & Spilt Milk
    6. Monster Words Wall & Cujo in Fog
    7. Brett and Charity
    8. Cujo Kills Garry
    9. Cujo Kills Camber
    10. Drive to Siege
    11. Crane to Cujo & Car Stalls
    12. Pee-Em Phone & Sunrise
    13. Cujo Attacks Car
    14. Cujo Attacks Donna & 360 in Car (Revised)
    15. Cujo on the Hood to Sunrise II (Revised Alternate #2)
    16. Final Confrontation
    17. Revive Tad
    18. Cujo End Credits
    Charles Bernstein
    $26.99
    Colored Vinyl LP - Sealed Buy Now
  • Salem's Lot Soundtrack Salem's Lot Soundtrack Quick View

    $48.99
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    Salem's Lot Soundtrack

    Pressed On 2x 180-Gram Blue Vinyl


    The Complete, Remastered Score Available On Vinyl For The First Time


    Waxwork Records is thrilled to announce the double LP soundtrack release of SALEM'S LOT. Directed by TOBE HOOPER (The Texas Chainsaw Massacre, Poltergeist) and adapted from the novel by STEPHEN KING, SALEM'S LOT originally aired as a two-part miniseries on CBS in 1979. Since then, the film has reached cult classic status and is regarded as one of the greatest vampire films ever made thanks to its creepy atmosphere, gripping story-line, and chilling climax.


    Waxwork Records presents, for the first time ever on vinyl, the complete, re-mastered score of SALEM'S LOT. Featuring all 84 musical cues from the film, this two-record set clocks in at over one hour of atmospheric, old-fashioned horror film music. Composed and conducted HARRY SUKMAN, the classic score to SALEM'S LOT was his final work before his death in 1984. Waxwork has commissioned art from FRANCESCO FRANCAVILLA (Afterlife with Archie, Marvel Comics, DC Comics, Dark Horse Comics) for the entire LP package.

    LP 1
    1. Teaser
    2. The Church
    3. Holy Water (Main Title #1)
    4. Straker
    5. Straker's Place
    6. Susan
    7. The House #1
    8. The House #2
    9. The Cemetery
    10. He Writes Good
    11. Lovely Susan
    12. Straker Is Troubled
    13. Straker Is Nervous
    14. The Day Is Here
    15. Tell Me It's Not True (Source #1)
    16. Dead Dog
    17. It's Cold In Here
    18. The Thing
    19. Mark's Room
    20. Nothing Is Forever (Source #2)
    21. Source #3
    22. It's Still Moving
    23. It's Freezing
    24. The Monster Appears
    25. Bumper / Somebody's Up There
    26. Old Faithful
    27. So Long Kid
    28. Hold It, Larry
    29. Goodbye Crockett
    30. Ralph Is Floating
    31. Faithful
    32. So Long, Danny!
    33. Confident And Evil
    34. Opening Soon
    35. Ben Ponders
    36. Let Us Pray
    37. Now, Danny's Mother
    38. Mike Dives In #1
    39. Fangs Sink In
    40. End Credits #1


    LP 2
    1. Main Title #2
    2. Back In Mark's Room
    3. Now It's Mark's Turn
    4. Mark Fondles Cross
    5. Mike And Jason
    6. Mike's Getting The Message
    7. Appointment With Destiny
    8. Eva Knows
    9. Vivaldi - L'Inverno #4 (Arr. Harry Sukman)
    10. I Want A Crucifix
    11. That's All For Max
    12. And Now Jason
    13. He's Gonna Do It
    14. It's Mr. Barlow Again
    15. Face The Master
    16. Bumper / Poor Mrs. Glick
    17. Good Girl
    18. Leave Town
    19. A Funny Dream / Uncertain Swan
    20. Susan Is Curious
    21. Susan Stalks Mark
    22. Stuffed Cats
    23. It's Susan's Turn
    24. Have You Seen Susan?
    25. Evil Presence
    26. Bill Beware
    27. And Now Straker
    28. Sprained Ankle / He's Here
    29. Mike Dives In #2
    30. Green Faced Barlow / Stake For Mr. Barlow / The Skull
    31. Goodbye House
    32. Two Years Later
    33. Found Us Again
    34. Poor Susan
    35. Conclusion (With Tympani Overdub) / Conclusion
    36. End Credits
    37. Holy Water (Main Title #1 Alternate)
    38. The Church (With Chimes)
    39. Conclusion (Without Overdub)
    40. Conclusion (With Tympani & Horn Overdub) / Conclusion
    41. Main Title (Feature Version)
    42. Vampires! (Feature Version)
    43. End Credits (Feature Version)

    Harry Sukman
    $48.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Ride The Lightning Ride The Lightning Quick View

    $19.99
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    Ride The Lightning

    Ride the Lightning is the second studio album by American heavy metal band Metallica. The album was recorded in three weeks with producer Flemming Rasmussen at the Sweet Silence Studios in Copenhagen, Denmark. The artwork, based on the band's concept, represents an electric chair in the midst of a thunderstorm. The album title was taken from a passage in Stephen King's novel The Stand. Whilst still rooted in the thrash metal genre, the album showcased the band's musical maturity and lyrical sophistication. This was partially because bassist Cliff Burton introduced the basics of music theory to the rest of the band and because he had more input in the songwriting. It was the last album to feature songwriting contribution from former lead guitarist Dave Mustaine.


    Ride the Lightning received positive response from music critics, who saw it as a more ambitious effort than its predecessor. Metallica promoted the album on the Bang That Head That Doesn't Bang European tour in late 1984, and on its North American leg in the first half of 1985. The band performed at a few major music festivals, such as Monsters of Rock and Day on the Green later that year. Two months after its release, Elektra Records signed Metallica to a multi-year contract and reissued the album. Ride the Lightning peaked at number 100 on the Billboard 200 with no radio exposure. Although 75,000 copies were initially pressed for the American market, the album sold half a million by November 1987. It was certified 6× platinum by the Recording Industry Association of America (RIAA) in 2012 for shipping six million copies in the United States. Many rock publications have ranked Ride the Lightning on their best album lists, saying it had a lasting impact on the genre.

    1. Fight Fire With Fire

    2. Ride The Lightning

    3. For Whom The Bell Tolls

    4. Fade To Black

    5. Trapped Under Ice

    6. Escape
    7. Creeping Death

    8. The Call Of Ktulu
    Metallica
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Head Alternate Head Alternate Quick View

    $33.99
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    Head Alternate

    Celebrate The Monkees 1968 Counter Culture Classic! Alternatively!!!


    First Time Vinyl Rare Mixes, Rare Stereo Versions & Alternate Tracks


    Pressed On Limited Edition 180 Translucent Gold Vinyl


    Presented In A First Time Stunning Gold Foil Cover (Front & Back) & Full Color Back Cover With Alternate Photo Of Band


    Mastered Impeccably From The Colgems Records Tapes By Joe Reagoso


    1968 was an interesting year for The Monkees. Aside from releasing more hit singles & another smash Lp with The Birds The Bees & The Monkees, future superstar and upcoming filmmaker Jack Nicholson, Bob Rafelson & The Monkees were developing the concept for a psychedelic film about this successful rock band who were trying to escape from their manufactured image. Albeit an underlying glimpse of reality, the movie wound up being a swan song for the original line-up of the band until 1996's Justus. As the Head movie was underrated at the time, it has since gone on to become ranked as one of the finest films in the rock genre.


    The original soundtrack of Head by The Monkees has a history itself as being one of their strongest albums with stellar material ranging from The Monkees' Michael Nesmith and Peter Tork, plus more great tracks from Harry Nilsson and Carole King with musical help from friends like Carole King, Stephen Stills and Dewey Martin from Buffalo Springfield.


    A hit single emerged with Porpoise Song featuring the powerful lead vocal of Micky Dolenz, as the rest of the album is interwoven with keen Monkees dialog and skits that were in the original film, plus the stellar score by Ken Thorne.


    In honor of The Monkees, Friday Music is once again pleased to continue the celebration of the Monkees Golden Anniversary with The Monkees Head Alternate. This first-time vinyl album features first-time vinyl versions of Porpoise Song, rarities like Can You Dig It with Peter Tork's vocal, Daddy's Song remixed with the long sought after Davy Jones' slow verse, and the rare stereo mix of Circle Sky.


    Produced by The Monkees in 1968, this stunning new version is now impeccably mastered by Monkees fan and friend Joe Reagoso and pressed on 180 Gram Audiophile Translucent Gold Vinyl.


    For the very limited Golden Anniversary edition, the LP cover will be manufactured with a stunning gold foil front and back, featuring a rare alternate color photo of the band on the back cover.


    Simply one of the finest rock soundtracks of all time!

    1. Head Promo "Coming Soon"
    2. Porpoise Song (Alternate Stereo Mix) (Theme From "Head")
    3. Ditty Diego - War Chant (Alternate Stereo Mix)

    4. Circle Sky (Alternate Stereo Mix)

    5. Supplicio

    6. Can You Dig It (Peter's Vocal-Stereo Rough Mix)

    7. Gravy

    8. Superstitious
    9. As We Go Along (Alternate Stereo Mix)
    10. Dandruff?

    11. Daddy's Song (Remix With Slow Verse)
    12. Poll

    13. Long Title: Do I Have To Do This All Over Again (Rough Mix Acetate)
    14. Swami - Plus Strings (Alternate Stereo Mix)
    The Monkees
    $33.99
    180 Gram Audiophile Virgin Vinyl LP Buy Now
  • Drunk Is The New Sober/Stupid Is The New Dumb Drunk Is The New Sober/Stupid Is The New Dumb Quick View

    $24.99
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    Drunk Is The New Sober/Stupid Is The New Dumb

    Drunk Is The New Sober and Stupid Is The New Dumb are the twin subtitles of Drunk & Stupid, Dots Will Echo's debut album on Asthmatic Kitty, but those aren't just arch witticisms, they encapsulate the apparent contradictions that power the New Jersey duo's music. The warmly weird world created by multi-instrumentalist Nick Berry and drummer Kurt Biroc seems simultaneously sacred and profane, edgy and accessible, sad and transcendently silly. What else would you expect from a group that describes itself as "dour moralizers and drunken assholes" and identifies its key influences as "A little bit The Incredible String Band, a little bit AC/DC?"



    "I can see the carnival lights from here," sings Berry in a half-crazed, half-elated tone at the beginning of the opening track, "I Like It," sounding like either a psychotic infatuated with his own attractive fantasy world or a genius inventor marveling at the luminous landscape he's created. It's up to the listener to decide which, but either way it's 100% Dots Will Echo.



    Everything on Drunk & Stupid was played by Berry and Biroc, with the basic tracks recorded in a single marathon, three-day session. "I meant this to be a very raw recording, capturing the way we sound live," says Berry, who plays everything from guitars and keyboards to Autoharp, glockenspiel, and Andean charango over the course of the album, as he and Biroc build their own beautifully ramshackle universe from the ground up before your very ears.



    "A poorly played violin can sound better than a well played piano," says Berry half-jokingly of the organic, offhand feel of the tracks. From the first moment, Drunk & Stupid makes the listener a fly on the wall for a day in the life of Dots Will Echo, with snatches of goofy studio chatter interspersed between tunes. The bit that leads into the crooked campfire singalong "I'm a Monkey" is particularly telling, as Berry spontaneously announces, "I want to try a song I dreamt the other night," Biroc disapprovingly asks, "In the studio?" and Berry blithely counters, "Yeah, why not?"



    In fact, Berry dreams a large percentage of his songs. "Some are stupid, but I let 'em fly anyway," he says self-deprecatingly, "but the really stupid ones, nobody's ever gonna hear." By the time they enter our waking world, Berry's tunes bear trace elements of psychedelia, power pop, field-recording folk, DIY post-punk, and tantalizingly trashy garage rock (the duo does in fact rehearse in Biroc's garage). "What You Tryin' To Do," for instance, comes off like Sister Lovers-era Big Star recording for Harry Smith's Anthology of American Folk Music, while the giddy blastoff of "Rocket Girl" evokes early XTC covered by Guided By Voices, and the fragile, almost-ominous beauty of the hushed, acoustic ballad "Gates of Eden" feels like the greatest song Neil Young never wrote for Galaxie 500.



    The black humor that inhabits an impressive amount of real estate in the Dots Will Echo neighborhood isn't the whistling-through-the-graveyard variety, but rather the kind that finds all of creation to be a bit of a knee-slapper. Like the great writers in every medium, Berry finds the human dilemma a source of endless hilarity, even though you can always hear the big, gently bruised heart beating at the core of every song on Drunk & Stupid. Berry sounds like an amphetamine-fueled tour guide as he walks us through a field of mankind's folly on "Seven Deadly Sins," his loopy lyrics punctuated by Captain Beefheart-esque bursts of six-string cubism.



    Even when things get apocalyptic, as on the minimalist stomp of the cautionary "Shitstorm," Berry exhibits so much obvious glee in announcing the impending arrival of the titular phenomenon that you can't help singing "there's a shitstorm coming" right along with him and bobbing your head randomly to the track's triumphantly spastic anti-groove. The deceptively mellow-sounding anthem of global dystopia "History's Grave" was written in early 2008, but Berry notes, "Since then many of the events mentioned or alluded to have come to pass. This made me feel a little bit like a character in a Stephen King novel."



    At the same time, Drunk & Stupid sports songs like "Be a Friend" and "So Deep the Night," lambent, low-key ballads that balance between bittersweet and unabashedly sentimental without ever turning mawkish. On these tracks, the Lennon-like undertone in Berry's voice rises to the top of the mix, tapping into an almost spiritual vibe and making for some of the most undeniably poignant moments on the album.



    Berry and Biroc, who also work together at the same day job (the drummer is Berry's boss), have been making music together since 2004, hashing out their ideas in Biroc's garage and documenting them in Berry's basement studio. Along the way, they've made unofficial micro-pressings of their work, mostly for passing around to friends and admirers in an ad hoc fashion, but Drunk & Stupid represents the first time the duo's freewheeling work has ever been properly presented to the public at large as a full-on album. With all the material the prolific pair has been stockpiling, they had a huge tally of tunes to haul along with them for this project, and hearing it is a little like stumbling for the first time into a lost world with a long legacy of its own rituals, relics, regalia, and history. But once you wander in, you can't imagine how you ever existed without it.



    Originally meant to be two separate discs (the vinyl version is a double LP with download codes for bonus tracks), Drunk & Stupid is a wild ride that clocks in at just under 80 minutes and boasts 19 songs overflowing with insanely catchy melodies, endearingly off-kilter arrangements, and a strangely satisfying blend of the divine and the absurd." As Berry says, "We try to allow for the will of the universe to have a large part in our music. There must be something sacred in mistakes. This is our explanation for being fuck-ups."


    1. Untitled
    2. I Like It
    3. Untitled II
    4. I'm a Monkey
    5. Shitstorm
    6. Be a Friend
    7. Whatcha Tryin to Do
    8. Rocket Girls
    9. Caroline
    10. Run Away Anna
    11. History's Grave
    12. Sweet Sweet Sanity
    13. Anime
    14. Who Left You Here
    15. The Future
    16. Untitled III
    17. Peace in Your Life
    18. Our Little Part of the World
    19. Untitled IV
    20. Gates of Eden
    21. Visions of Light
    22. Seven Deadly Sins
    23. So Deep the Night
    Dots Will Echo
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Bleeder Bleeder Quick View

    $18.99
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    Bleeder

    Bleeder was recorded by drummer Ben Koller's Converge bandmate Kurt Ballou at his GodCity studio in Salem, MA. While Helium Head was recorded as a duo, the upcoming LP expands the original lineup of Koller and vocalist/guitarist Stephen Brodsky to include bassist Nick Cageao. The album is said to have bigger production, increased ferocity, and the bolstered confidence from writing as a three-piece unit, offering up everything from hardcore, to NWOBHM-styled arrangements, to sludge. The album's 1000 Mile Stare and Soft Spot in My Skull apparently blend thrash with King Crimson-minded prog, while other touchstones include Ronnie James Dio-period Black Sabbath.
    1. Bridgeburner
    2. Reptilian Soul

    3. Sweet Ivy

    4. 1000 Mile Stare

    5. Surveillance

    6. Beast

    7. Dead Dreams

    8. Soft Spot in My Skull

    9. Deadlock

    10. Bleeder
    Mutoid Man
    $18.99
    Vinyl LP - Sealed Buy Now
  • Reims Cathedral - December 13, 1974 Reims Cathedral - December 13, 1974 Quick View

    $18.99
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    Reims Cathedral - December 13, 1974

    A stunning concert performance, digitally remastered, that has become legendary among record collectors and underground music fans everywhere -now available on gorgeous 12" vinyl!


    "On December 13, Nico performed at another of her always strikingly original concert venues, this time in Reims Cathedral, where France has traditionally crowned her kings for centuries. Following the event, outraged Catholics throughout the country claimed the church was desecrated and cried out for a special purification ceremony for the monument"

    - Stephen Demorest (Circus Magazine, April 1975)

    1. Janitor Of Lunacy
    2. the Falconer
    3. Valley Of the Kings
    4. the End
    5. Abschied
    6. mutterlein
    7. Frozen Warnings
    8. you Forgot to Answer
    9. We've Got the Gold
    10. No One Is there
    11. Ari's Song
    Nico
    $18.99
    Vinyl LP - Sealed Buy Now
  • Aretha Live At Fillmore West Aretha Live At Fillmore West Quick View

    $21.99
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    Aretha Live At Fillmore West

    Aretha Franklin's 1971 album Live at Fillmore West was a seminal soul breakthrough. It finally cemented her status beyond soul audiences and it matched her with a phenomenal rhythm section in King Curtis and the Kingpins. Franklin adroitly mixed pop, rock, and soul material throughout the three nights, including Stephen Stills' ''Love The One You're With,'' and Bread's ''Make It With You,'' and the Beatles' ''Eleanor Rigby,'' as well as true favorites ''Respect,'' ''Don't Play That Song,'' and ''Spirit in the Dark,'' which brought Ray Charles out of the audience for a spirited duet. Deluxe gatefold sleeve featuring photos from the concert and new liner notes by Down Beat contributor Mitch Myers (including fresh interviews with original album producers Jerry Wexler and Arif Mardin). Original cover art. 180 gram HQ vinyl
    1. Respect
    2. Love The One You're With
    3. Bridge Over Troubled Water
    4. Eleanor Rigby
    5. Make It With You
    6. Don't Play That Song
    7. Dr. Feelgood
    8. Spirit In The Dark
    9. Reach Out And Touch (Somebody's Hand)
    Aretha Franklin
    $21.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Capuchin Swing Capuchin Swing Quick View

    $54.99
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    Capuchin Swing

    Analogue Productions' Blue Note and Nat King Cole Reissues WIN A Positive Feedback 2010 Brutus Award!


    One of McLean's more underrated albums from a plethora of Blue Note releases, 1960's Capuchin Swing finds the bebop alto saxophonist in fine form on a mix of covers and originals. While McLean's future fascination with Ornette Coleman's free-form innovations can be sensed in some solos here, the majority of the album is in a classic hard bop vein. Like contemporaries Hank Mobley, Sonny Clark, and Lee Morgan, though, McLean doesn't just churn out pat jam-session fare, but comes up with consistently provocative charts and solos. Eschewing any ballad cuts, McLean focuses on mid- to fast-tempo swingers and blues. Standouts include originals like Francisco and Condition Blue and choice renditions of Just for Now and Don't Blame Me. McLean enlists a sparkling lineup of hard bop stars, including trumpeter Blue Mitchell, pianist Walter Bishop, Jr., bassist Paul Chambers, and drummer Art Taylor. Mitchell particularly impresses, matching many of McLean's own inspired flights with his supple and progressive playing. Along with other fine Blue Note titles like Jackie's Bag and Bluesnik, Capuchin Swing makes for a great introduction to McLean's extensive catalog.-- Stephen Cook


    Musicians:

    Jackie McLean: Alto Saxophone

    Blue Mitchell: Trumpet

    Walter Bishop, Jr.: Piano

    Art Taylor: Drums



    This title is not eligible for discount.

    1. Francisco

    2. Just For Now

    3. Don't Blame Me

    4. Condition Blue

    5. Capuchin Swing

    6. On The Lion
    Jackie McLean
    $54.99
    180 Gram Audiophile Virgin Vinyl 45 RPM LP - 2 LPs Sealed Buy Now
  • Hardcore Friends Hardcore Friends Quick View

    $16.99
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    Hardcore Friends

    Eric Slick and Dom Angelella are infinitely busy-Slick plays drums in Dr. Dog and Angelella writes songs for DRGN KING-but they finally orchestrated the time, nearly a decade into the bands life, to record their debut full-length album, Hardcore Friends. Recorded in five days by Joe Reinhart (Hop Along, Joyce Manor) and Kyle Pulley at The Headroom Studios in Philadelphia, Hardcore Friends spans the last ten years of their friendship. Hardcore Friends features unshakeable guitars and genuine lyrics that invoke the likes of Stephen Malkmus and Archers of Loaf. Lithuania is just as capable of writing a dawdling and quiet song, "Coronation Day," showing off their softer side with acoustic guitars, synthesizers, and Angelella's mollifying vocals. The album closer "Hardcore Friends," features guest vocals from friends Frances Quinlan (Hop Along) and Rachel Browne (Field Mouse).
    Lithuania
    $16.99
    Vinyl LP - Sealed Buy Now
  • Afraid Of Heights Afraid Of Heights Quick View

    $22.99
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    Afraid Of Heights

    Straight from the dungeons of L.A., Wavves deliver Afraid Of Heights, their fourth album. Now a duo consisting of guitarist Nathan Williams and bassist Stephen Pope, they sound bigger, brasher, and shockingly more professional than ever on Afraid Of Heights which positions the band to take their rightful place amongst the pop-punk gods. You know the story by now. Bored dude in his parents' tool shed-turned-room with no insulation and a record stuck to a hole in the wall to keep the mice out turns on a four-track recorder, fucks around and ends up with two of the oddest, noisiest, and downright catchiest albums in recent memory.


    The product of more than a year of writing and recording, Afraid Of Heights expands the Wavves sound while remaining true to the band's original vision - it was created with absolutely no label involvement, a specter that nearly derailed King Of The Beach. Working with producer John Hill (known for his work with M.I.A. and Santigold, as well as with hip-hop acts such as Nas and the Wu-Tang Clan), the band found a willing party in creating what they felt was the truest expression of what they wanted. As for the Afraid Of Heights sessions themselves, Williams paid for them out-of-pocket, explaining his reasoning with, In doing so, I had no one to answer to. We recorded the songs how and when we wanted without anybody interfering, and that's how it's supposed to be.


    Lyrically, Williams took the focus less off of his own melancholy and out into the world, with songs that dealt with crooked preachers (Sail To The Sun), relationships (Dog) and killing cops (Cop). Even when he reaches outside his own damaged psyche, Williams is still making Wavves songs, saying, The general theme of the record is depression and anxiety, being death-obsessed and paranoid of impending doom. I feel like the narration is almost schizophrenic if you listen front to back; every word is important, even the constant contradictions and lack of self-worth. That's all a part of this record-questioning everything not because I'm curious, but because I'm paranoid. That paranoia manifests itself on many of the album's best tracks, such as the spacey drones and bummazoid vibes of the Weezer-referencing, getting-drunk-because-you-can't-bring-yourself-to-care-vibey Afraid Of Heights, or the string-aided I Can't Dream, which rounds the record out with the optimistic, I can finally sleep, before subverting itself with, But I can't dream. With their biggest and boldest-sounding record yet, Wavves might have finally come into their own, a fully-realized punk rock force in both sound and vision.

    1. Sail to the Sun
    2. Demon to Lean On
    3. Mystic
    4. Lunge Forward
    5. Dog
    6. Afraid of Heights
    7. Paranoid
    8. Cop
    9. Beat Me Up
    10. Everyhting Is My Fault
    11. That's On Me
    12. Gimme a Knife
    13. I Can't Dream
    Wavves
    $22.99
    Vinyl LP - Sealed Buy Now
  • The Prisoner The Prisoner Quick View

    $19.99
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    The Prisoner


    Reissued As Part Of The Blue Note 75th Anniversary Vinyl Reissue Campaign


    As one of the first albums Herbie Hancock recorded after departing Miles Davis' quintet in 1968, as well as his final album for Blue Note, The Prisoner is one of Hancock's most ambitious efforts. Assembling a nonet that features Joe Henderson (tenor sax, alto flute), Johnny Coles (flugelhorn), Garnett Brown (trombone), Buster Williams (bass), and Albert Tootie Heath (drums), he has created his grandest work since My Point of View. Unlike that effort, The Prisoner has a specific concept -- it's a tribute to Dr. Martin Luther King, evoking his spirit and dreams through spacious, exploratory post-bop. Often, the music doesn't follow conventional patterns, but that doesn't mean that it's alienating or inaccessible. It is certainly challenging, but Hancock's compositions (and his arrangement of Charles Williams' Firewater) have enough melody and space to allow listeners into the album. Throughout the record, Hancock, Coles, and Henderson exchange provocative, unpredictable solos that build upon the stark melodies and sober mood of the music. The tone is not of sorrow or celebration, but of reflection and contemplation, and on that level, The Prisoner succeeds handsomely...

    - Stephen Thomas Erlewine (All Music)

    1. I Have a Dream
    2. The Prisoner
    3. Firewater
    4. He Who Lives in Fear
    5. Promise of the Sun
    6. The Prisoner
    7. Firewater
    Herbie Hancock
    $19.99
    Vinyl LP Reissue - Sealed Buy Now
  • Pirates Pirates Quick View

    $34.99
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    Pirates

    Rickie Lee Jones Pirates On Numbered Limited-Edition 180-gram LP From Mobile Fidelity. Singer-Songwriters gorgeous-sounding 1981 album finally remastered!


    Rickie Lee Jones' Pirates arrives like a cloudburst in the desert of Eighties formula pop music and recycled heavy-metal rock. So wrote Stephen Holden in Rolling Stone in his five-star review of the eclectic artists sophomore album, a set that continues to defy eras and styles. While less-well known than her 1979 self-titled debut, the ambitious 1981 record remains Jones definitive statementan effort steeped in biographical details, fictional circumstances, and classic literary elements.


    Narratively blending West Side Story and Romeo and Juliet while also exploring spirit worlds and her breakup with Tom Waits, Pirates is at its core an idiosyncratic fusion of possibilities. And does Jones deliver! Accompanied by an all-star lineup that includes trumpeter Randy Brecker, Steely Dan icon Donald Fagen, drumming colossus Steve Gadd, session pro Victor Feldman, and legendary jazz arranger Ralph Burns, the singer-songwriter achieves a musical nirvana that encompasses post-bop, coffeehouse folk, bohemian pop, romantic soul, Beat poetry, and Broadway showtunes.


    Harmonized vocals and jive talking bring the piano-based records rich characters to life, making it seem as if listeners are overhearing conversations between strangers. In more than one way, Pirates is a self-contained theatrical production in which Jones singing is the star attraction. Her moody whispers, cries, and coos are the voices of spurned lovers, alienated outcasts, and unlikely heroines. Albums with this kind of stylistic magnitude, close-up intimacy, and emotional intensity come around only once or so a decade.


    Mobile Fidelity is proud to have had the opportunity to remaster Pirates from the original analog master tapes and produce a version that captures every nuance of this great-sounding studio masterpiece. Co-produced by Russ Titelman and Lenny Waronker (whose long list of credits include Randy Newman, James Taylor, and Eric Clapton records), trust us when we say that this 180-gram LP is one of the finest-sounding pop records youll hear. Fans of Steely Dan, Joni Mitchell, Randy Newman, Carole King, and Sarah Vaughan should consider this requisite listening. MoFis mini-LP style packaging only adds to the allure.


    So dont hesitate: Be the Lucky Guy that Jones sings about on the record by securing your lowest-numbered copy of Mobile Fidelitys half-speed mastered LP of Pirates today!


    This title is not eligible for discount.

    1. We Belong Together
    2. Living It Up
    3. Skeletons
    4. Woody and Dutch on the Slow Train to Peking
    5. Pirates (So Long Lonely Avenue)
    6. A Lucky Guy
    7. Traces of the Western Slopes
    8. The Returns
    Rickie Lee Jones
    $34.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Fillmore East 2-11-69 Fillmore East 2-11-69 Quick View

    $109.99
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    Fillmore East 2-11-69

    Live at the Fillmore East 2-11-69 is a double live album by the Grateful Dead recorded during the Live/Dead tour on February 11, 1969 at the Fillmore East in New York City.


    Performing two hour-long sets as the opening act to Janis Joplin's New York debut as a solo star, the Grateful Dead turned in a characteristic performance for this period in their career. In between the release of their second and third albums, they devoted much time to the songs that would turn up several months later on Aoxomoxoa, including acoustic renditions of Dupree's Diamond Blues and Mountains of the Moon. Pigpen dominated the first set, singing the blues standards Good Morning Little Schoolgirl, I'm a King Bee, and Turn on Your Lovelight. But a large part of both sets was given over to the group's extended medleys, in the first set Cryptical Envelopment/The Other One, in the second Dark Star/St. Stephen/The Eleven. These involved, largely instrumental pieces set the tone for the Dead at the end of the '60s and produced their breakthrough with Live/Dead, which was recorded within weeks of this show. There is also a game version of Hey Jude, the biggest hit of the previous year, to end the first set, and an unlisted, interrupted performance of Cosmic Charlie as a second-set encore.

    1. Good Morning Little School Girl
    2. Cryptical Envelopment
    3. The Other One
    4. Cryptical Envelopment
    5. Doin' That Rag
    6. I'm a King Bee
    7. Hey Jude
    8. Turn On Your Lovelight
    9. Introduction
    10. Dupree's Diamond Blues
    11. Mountains of the Moon
    12. Dark Star
    13. St. Stephen
    14. The Eleven
    15. Drums
    16. Caution (Do Not Stop on Tracks)
    17. Feedback
    18. We Bid You Goodnight
    Grateful Dead
    $109.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Buy Now
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