Pro-ject Authorized & Certified VPI Dealer

A World of Vinyl

(877) 929-8729
Site Search
Menu Free shipping on domestic orders over $49.99! - We ship worldwide!
15% Off Vinyl - LP15
Home > Products for: '

Steve Ray Vaughan

'
  • 1
Results per page:
  • Texas Flood (Pure Pleasure) Texas Flood (Pure Pleasure) Quick View

    $44.99
    Buy Now
    x

    Texas Flood (Pure Pleasure)

    It's hard to overestimate the impact Stevie Ray Vaughan's debut, Texas Flood, had upon its release in 1983. At that point, blues was no longer hip, the way it was in the '60s. Texas Flood changed all that, climbing into the Top 40 and spending over half a year on the charts, which was practically unheard of for a blues recording. Vaughan became a genuine star and, in doing so, sparked a revitalization of the blues. This was a monumental impact, but his critics claimed that, no matter how prodigious Vaughan's instrumental talents were, he didn't forge a distinctive voice; instead, he wore his influences on his sleeve, whether it was Albert King's pinched yet muscular soloing or Larry Davis' emotive singing. There's a certain element of truth in that, but that was sort of the point of Texas Flood. Vaughan didn't hide his influences; he celebrated them, pumping fresh blood into a familiar genre.



    When Vaughan and Double Trouble cut the album over the course of three days in 1982, he had already played his set lists countless times; he knew how to turn this material inside out or goose it up for maximum impact. The album is paced like a club show, kicking off with Vaughan's two best self-penned songs, Love Struck Baby and Pride and Joy, then settling into a pair of covers, the slow-burning title track and an exciting reading of Howlin' Wolf's Tell Me, before building to the climax of Dirty Pool and I'm Crying. Vaughan caps the entire thing with Lenny, a lyrical, jazzy tribute to his wife.




    Musicians:



    • Texas Flood - Stevie Ray Vaughan (g, voc)

    • Tommy Shannon (b)

    • Chris "Whipper" Layton (dr)




    Recording: November 1982 at Down Town Studios, Los Angeles, and Riverside Sound, Austin (Texas) by Richard Mullen / September 1983 at The Palace, Hollywood, California

    Production: Stevie Ray Vaughan, Richard Mullen & Double Troubledeutsch



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.



    1. Love Struck Baby
    2. Pride And Joy
    3. Texas Flood
    4. Tell Me
    5. Testify
    6. Rude Mood
    7. Mary Had A Little Lamb
    8. Dirty Pool
    9. Im Cryin
    10. Lenny


    Bonus Tracks:
    11. SRV Speaks
    12. Tin Pan Alley (AKA Roughest Place In Town)
    13. Testify (live)
    14. Mary Had A Little Lamb (live)
    15. Wham! (live)

    Stevie Ray Vaughan
    $44.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Try! Live In Concert Try! Live In Concert Quick View

    $39.99
    Buy Now
    x

    Try! Live In Concert

    Import

    Back in 2005, longtime listeners could have seen it coming: it was only a matter of time before John Mayer dropped the pop star burden and proved he could really bring it on the six-string! Chalk it up to one too many Dave Matthews comparisons, or his image after the success of Your Body Is a Wonderland, but something convinced Mayer it was time to take it to the next level.


    With help from studio pros Steve Jordan and Pino Palladino, he succeeds on Try!

    His covers of Jimi Hendrix's Wait Until Tomorrow and Ray Charles' I Got a Woman should convince even the most purist Guitar Player magazine subscibers. Or else, the blues-rock opener Who Do You Think I Was will do for sure.

    Mixed in with the Stevie Ray Vaughan and Eric Clapton-esque stuff are a few mellow numbers (Daughters most notably), but even those songs seem juiced up with rock-God hormones.


    Play on, John!

    LP 1
    1. Who Did You Think I Was
    2. Good Love Is On The Way
    3. Wait Until Tomorrow
    4. Gravity
    5. Vultures
    6. Out Of My Mind


    LP 2

    1. Another Kind of Green
    2. I Got A Woman
    3. Somethings Missing
    4. Daughters
    5. Try

    John Mayer
    $39.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • Couldn't Stand The Weather (Pure Pleasure) Couldn't Stand The Weather (Pure Pleasure) Quick View

    $49.99
    Buy Now
    x

    Couldn't Stand The Weather (Pure Pleasure)

    With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80's. Vaughan drew equally from bluesmen like Albert King, Otis Rush, and Muddy Waters and rock & roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre. Vaughan bridged the gap between blues and rock like no other artist had since the late '60s. For the next seven years, Stevie Ray was the leading light in American blues, consistently selling out concerts while his albums regularly went gold. His tragic death in 1990 only emphasized his influence in blues and American rock & roll.

    Musicians:



    • Stevie Ray Vaughan (vocal, guitar)

    • Jimmie Vaughan (guitar)

    • Stan Harrison (tenor saxophone)

    • Tommy Shannon (bass)

    • Chris "Whipper" Layton, Fran Christina (drums)



    Format: 2LPs 33rpm / standard sleeve



    About Pure Pleasure



    At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.



    During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.



    A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.



    We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.



    We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.



    To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.


    Side 1
    1. Scuttlebuttin'
    2. Couldn't Stand The Weather
    3. Things That I Used To Do


    Side 2
    4. Voodoo Chile (Slight Return)
    5. Cold Shot


    Side 3
    6. Tin Pan Alley
    7. Honey Bee
    8. Stang's Swang


    Side 4
    9. SRV Speaks
    10. Hide Away
    11. Look at Little Sister
    12. Give Me Back My Wig
    13. Come On (Pt.3)

    Stevie Ray Vaughan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
  • From Acid To Zen (Discontinued) From Acid To Zen (Discontinued) Quick View

    $15.99
    Buy Now
    x

    From Acid To Zen (Discontinued)

    For the last several years, BigBang have been earning a reputation as one of the most surprising and influential bands to hail from Scandinavia. Coming off the heels of Radio Radio TV Sleep, the best selling live album in Norway's history, BigBang's new album quickly shot to Norway's # 1 album slot. Building on their International success, the band began to play the U.S. in early 2008. Encouraged by radio support from Steve Jones of Jonesy's Jukebox on Indie 103.1 and rave reviews from the U.S. media, the boys returned home to play at the Spot music festival in Denmark and 9 U.K. dates with The Raconteurs. BigBang now returns with their first ever U.S. release From Acid To Zen. The first single will be the track Hurricane Boy.


    Led by singer-guitarist Oystein Greni, BigBang lit the powerpop chime and songwriting of Big Star and late-Eighties R.E.M. with the power blues dynamics of Stevie Ray Vaughan's Double Trouble. David Fricke @ Rolling Stone

    1. Early December
    2. Wild Bird
    3. The One
    4. Saturn Freeway
    5. Hurricane Boy
    6. My First Time
    7. Savior Soul
    8. From A Distance
    9. Wherever You Are
    10. From Acid To Zen
    11. Where The World Comes To An End
    Bigbang
    $15.99
    Vinyl LP - Sealed Buy Now
  • 1
Go to top