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Reich: Drumming (Deluxe)Composer Steve Reich turns 80 on October 3 and DG celebrates with a deluxe, numbered limited edition of his breakthrough 1974 recording of "Drumming" and two other early works. Presented in its original LP format in authentic packaging, the set includes Reich's original liner notes with many session photos as well as an extensive article including Reich's original correspondence (nearly 50 letters) with his DG producer.LP 1
1. Part I (Original Version)
2. Part II (Original Version)
1. Part III (Original Version)
2 .Part IV (Original Version)
1. Six Pianos
2. Music for Mallet Instruments, Voices And Organ$69.99Vinyl LP - 3 LPs Sealed Buy Now
Drumming (Pure Pleasure)Simply put, Drumming is, along with some of Philip Glass' Einstein On The Beach, one of the most fascinating pieces of first-generation minimalism. The version recorded for Elektra/Nonesuch in 1987 ranks among Reich's masterpieces. The 60-minute continuous work features one basic rhythm pattern. Throughout four segued movements it is multiplied, played in canon on various percussion instruments. Part I is for four pairs of tuned bongo drums; Part II for three marimbas (played by nine players) and two singers mimicking the sound of marimbas; Part III for three glockenspiels, piccolo, and whistling (played by Reich himself); Part IV for all previous instruments, including voices. Transitions between movements are gradual, the whole piece being built on accumulation and reduction. When it is time to go to the next movement, players are slowly removed, quarter-notes replaced by rests, in order to make room for the new instruments. The piece almost comes to a complete halt at the end of Part III, keeping only the most basic pulse before the whole process starts over, building up to the finale. There is a sense of happiness and lightness irradiating from Drumming. It is a perfect example of the paradox of the simple and the complex, the easy and the challenging underlying minimalist music. Both cerebral and vitally tribal or ritualistic, this album is a must-have.
- Bob Becker, Ben Harms, Gary Kvistad, Steve Reich, Gary Schall, Glen Velez, Thad Wheeler (tuned drums, marimbas, glockenspiele)
- Pamela Wood Ambush, Jay Clayton (voc)
- Steve Reich (whistling)
- Mort Silver (flute)
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.
This title is not eligible for discount.1. Part I
2. Part II
3. Part III
4. Part IV$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
AutomatonGossamer is Evan Reiner-the producer, guitarist, synthesizer scientist and
urban-spelunking field recorder whose full-length debut Automaton dissolves
the genre-breaking electronica of Autechre and Boards of Canada into a
bottomless sea of found sound and ambient atmosphere. It's less an album than
an environment all its own, or a journey into the unexplored. And whether it's
inspiring a trip deep into the discography of Steve Reich or into California's
beautifully desolate Ansel Adams Wilderness, it's that fearless spirit of
exploration that brought Automaton to life.
Reiner grew up in the L.A. neighborhood of Eagle Rock with a father telling war
stories about seeing Black Flag and the Germs play and with a set of cousins
who'd get him started listening to hip-hop. (Especially instrumentals by
iconoclastic producers like Premier, RZA and New York's crushing DITC crew,
Reiner remembers.) As he turned 16, he was playing guitar "religiously," he says,
as well as listening intently to Slayer and Cannibal Corpse on the way to
ferocious hardcore shows on the fringes of Los Angeles.
By the time he graduated high school, he was a hardcore kid with a heavy
grounding in hip-hop who'd developed so tremendously as a guitarist that he
was practicing notoriously formidable Django Reinhardt songs for fun. The
connection might not seem obvious, but it was there nonetheless-these were
three distinct musical forms equally dedicated to passion, individual technique
and total commitment to expression.
He won admission to the prestigious Berklee School of Music in Boston, where
his first semesters in the fall of 2009 were everything he'd hoped. But the more
he studied, the clearer it became that he'd need to strike out on his own: "So
many professors would tell their students what the right thing to do was in a
creative setting," he says now. "There is no right way."
He'd once used his computer just to help with his composition homework, but
now he was restless. So he began to focus on the potential of electronic music:
"I realized it was like having every component of a band at your fingertips," he
says. "It felt free and genuine with no distractions." He'd begun to make his own
field recordings, too, capturing the sounds of Boston at sunrise and stirring
them into his beat experiments. Intense study of movie sound and foley artistry,
like pouring sand across drum cymbals or using spent shells from a gun range
for percussion, gave him a whole new vocabulary, and he found further
inspiration in artists from Ai Weiwei to Maya Duren to Stanley Kubrick to Delia
Derbyshire-people who blew open the boundaries of their own disciplines.
Then in July 2013, he began to make what would become his first full-length
album as Gossamer. He'd rent an armful of microphones and hike to the tunnels
under Pasadena's eerie Devil's Gate Dam, site of suicides and barely-thwarted
summonings in the tradition of Aleister Crowley. ("The echo is crazy," he says.)
During a month in Japan, he recorded "terrifying trains" and cicadas and the
squeals of a rusting bicycle. He'd record himself smashing trash under a bridge
in downtown L.A., or knocking rebar against rotting wood 8,000 feet above sea
level in California's Ansel Adams Wilderness Area. Then he'd come
home-whether "home" at that particular moment was his own studio, a capsule
hotel in Japan, a friend's place in Boston or a temporary space in New York-and
"make accidents happen," he says, with recorders and samplers and guitar and
(this time) a stable of analog synthesizers.
The result was Gossamer's Automaton, a precise and gentle dreamscape of
experimental electronica, where the ambient atmosphere of Gas drifts across
the fractured beats of Autechre or Boards of Canada. It starts with its own
sunrise on "Thoughtform," where birdsong melts into ghostly vocals and waves
of synthesizer, and then shifts into the haunting "Print," which transplants the
sci-fi sensibilities of Vangelis to some desolate and wild new world. His "Okuma"
is like a Tortoise song that never touches solid ground, while tracks like  and
 recall the Brian Eno of Fourth World, somehow ancient and futuristic at
once. When the crickets start chirping on closer "-;- ", it's a signal that the
day-and the journey-are both coming to an end. It's might be his first album,
but it's also a first step towards something new.
"Automaton is me," Reiner explains. "It's my process. It's a symbol of having
accepted that there is a difference between being alone and being lonely. It's a
coping mechanism for the struggle to realize and balance what I am and am not
in control of in my life. It reminds me of playing Bioshock and watching Blade
Runner at the same time while naked in the jungle on another planet. It makes
me think of watching an old home video of myself and seeing Neptune right
outside my window. The list goes on and on-I could go forever."1. Thoughtform
3. 3d Relief
5. J - Cruise
6. Off World
8. For Sleep$17.99Vinyl LP - Sealed Buy Now
RingerThe Ringer mini album is a 32 minute, four-track excursion into the kind of wide-open spaces you might find if you set out to make techno with an afrobeat/ krautrock sensibility. Ringer locks together gloriously rich synthesizer arpeggios; ôWing Body Wingö slips from crisp clusters of disco percussion to Steve Reich polyrhythms; and in between are another two euphoric ripples of sound, ôRibbonsö and ôSwimmer.ö The techno heartbeat comes from Kieran HebdenÆs regular DJ residences over the last couple of years as well as his ongoing collaborations with legendary jazz drummer Steve Reid. Whether in the studio or live, Kieran and Steve often click into the kind of deep 4/4 grooves that can depart in any direction with a little adjustment. Ringer carries that minimal pulse over into Four Tet, and while KieranÆs trademark recuttings of jazz breaks may be less in evidence, his feel for harmony and melody is, as always, unmistakable.1. Ringer
4. Wing Body Wing$14.99Vinyl LP - 2 LPs Sealed Buy Now
AntidotesThis is the debut from Oxford, England's five-piece dance-rock band. Completing the circuit between the minimalism of American composer Steve Reich, guitars that sound like insects, and tennis player Andy Roddick, theirs is a uniquely winning formula. Driving percussion high in the mix, guitars played above the 12th fret, no chords, and splashes of synth color all come together like the schematics for a piece of precision engineering.1. French Open
3. Red Socks Pugie
4. Olympic Airways
5. Electric Bloom
7. Heavy Water
8. Two Steps Twice
9. Big Big Love (Fig. 2)
10. Like Swimming
13. Mathletics$17.99Vinyl LP - Sealed Buy Now
The Unexamined LifeSupreme Dicks put out one single in their career. It was a double B-side. Maybe they had a sense of humor, but in hindsight it's hard to tell.
Falling somewhere between Captain Beefheart, Throbbing Gristle and SALEM in the lineage of musicians who've found a muse in the nasty, brutish brevity of life, Supreme Dicks chose to cloak disarmingly real paranoia and grief in the contemporary trappings of late '80s and early '90s lo-fi college rock. They may have inhabited the same sonic and physical space as colleagues like Dinosaur jr. (Lou Barlow was an occasional Dick, and at least one early Dinosaur jr show was actually played by Dicks in disguise), but they stripped away all youthful yearning and anticipation in favor of a bleak and unblinking certainty. Honest, frank, and free of ironic distance. Obtuse and yet so essential that it can't help but feel familiar to anyone who's ever spent a sleepless night wondering whether there's any point to all of this. And, on occasion, warm, intimate and lovely.
The Supreme Dicks formed while students at Massachusetts' Hampshire College in the twilight of the Reagan era. The campus was a fractured post-hippie free-for-all that many students theorized was a right-wing think tank experiment in pitting progressives against each other. The constantly revolving lineup centered around Daniel Oxenberg, Jon Shere, Steve Shavel, Mark Hanson, Jim Spring, and whoever else was around and willing to torture an instrument. They advocated the teachings of Wilhelm Reich and were vocal about focusing their creative energy via celibacy. This may do much to explain the constant, unrelenting tension that provides the driving force behind the most powerful moments in their music. Regardless of tempo or arrangement, Supreme Dicks songs play like soundtracks to autoerotic asphyxiation, haunting tones that ring in the ears at the moment consciousness is lost and not guaranteed to return.
Jagjaguwar is proud to reintroduce the complete recordings of Supreme Dicks in the form of Breathing and Not Breathing, a four CD set that includes both of the band's studio albums, The Unexamined Life from 1993 and The Emotional Plague from 1996, along with 1994's Workingman's Dick, a collection of early archival recordings, and the 1996 EP This Is Not A Dick, which has been fleshed out with rare and unreleased tracks. Also available are 2xLP editions of The Unexamined Life and The Emotional Plague, neither of which has been previously released on vinyl.1. In A Sweet Song
2. The Arabian Song
3. The Sun's Bells
4. Jack Smith
5. That I May Never Forget And Stay
6. Garden Of Your Past
8. River Song
9. The Fallout Song
10. Azure Dome
11. The Forest Song (or Especially When The October Wind With Frosty Fingers, Punishes My Hair)
12. Hyacinth Girls
13. Ten Past Eleven
14. Woody Would Have Wanted It That Way
15. Strange Song$19.99Vinyl LP - Sealed Buy Now
MoondogHe was born Louis Hardin, but the world knew him as Moondog-and his avant-garde compositions influenced a generation of minimalist composers like Philip Glass and Steve Reich. Now, Moondog, The Viking of 6th Avenue's seminal 1969 album recorded with producer James William Guercio, will be reissued vinyl, its first pressing in over a decade. Featuring original symphonic and classically-inspired works (including material dedicated to Charlie Parker and Benny Goodman), Moondog is an album that must be heard to be believed.1. Theme
2. Stamping Ground
3. Symphonique #3 (Ode to Venus)
4. Symphonique #6 (Good For Goodie)
1. Minisym #1; I - Allegro
2. Minisym #1; II - Andante adagio
3. Minisym #1; III - Vivace
4. Lament I, Bird's Lament
5. Witch of Endor; I - Dance
6. Witch of Endor; II - Trio; A. Adagio (The Prophesy)
7. Witch of Endor; II - Trio; B. Andante (The Battle)
8. Witch of Endor; II. Trio; C. Agitato (Saul's Death)
9. Witch of Endor; III - Dance (Reprise)
10. Symphonique #1 (Portrait of a Monarch)$19.99Vinyl LP - Sealed Buy Now
Selected Ambient Works Vol. 2Aphex Twins 1994 masterpiece Selected Ambient Works Volume II includes barely anything resembling a beat or any sign of typical song structure, yet the album continues to garner adulation generally reserved for holy music. Fans have been testifying on its behalf for nearly two decades, as if it were capable of curing ills or healing the soul. Its synthetic construction belies the intuitive, human, melancholic and uplifting nature of the music.
Some have speculated the album was intended by Aphex Twins Richard D. James as a farce, as if its Über-minimalism was a joke played on an electronic community that relied so heavily on the beat; an expectation-defying statement from ambient-houses young hero. The album induces varied responses and often from the same person. A listener may go from being incredulous to drenched in tears within the span of a single track. Music critic Frank Owen described the music as veering between an eerie beauty and an almost nightmarish desolation. James himself described it as like standing in a power station on acid.
The albums raw emotional power is built upon the influences of Brian Eno, Erik Satie, Steve Reich, Terry Riley and The Orb. Each of its tracks has an elegiac and desolate feel far removed from the tooth-rattling, drill-n-bass or abstract electronica for which James was originally known. The soft, nimble flow leaves one in a tranquilized state. Throughout the album, James resists the temptation to layer the sound with beats or samples. Instead, he relies on swathes of sound and harmonics and almost-implied pulses. When the music does incorporate subtle industrial sounds, rhythmic drums or muted samples, it is only to affect a menacing feel in the textures.
Remarkably, for an album that is often perceived as difficult, Selected Ambient Works Volume II is quite accessible. Featured in films, commercials and video games, the music continues to offer an entry point for listeners new to the ambient genre while remaining a classic touted by connoisseurs.No tracklist available$33.99Vinyl LP - 3 LPs Sealed Buy Now
PassagesPassages is a collaborative chamber music studio album co-composed by Ravi Shankar and Philip Glass, released in 1990. The album is a hybrid of Hindustani Classical music and Glass' distinct American minimal contemporary Classical style.
A collaboration between an avant-garde modern Classical composer and a traditional Indian/Hindi composer/performer seems pretty unlikely. However, Passages works splendidly. Shankar's smooth style fits nicely with Glass' dissonant orchestrations.
The album reached a peak position of number three on Billboard's Top World Music Albums chart. Recommended to fans of other minimalist composers such as John Cage, Steve Reich and Terry Riley.1. Offering
3. Channels And Winds
4. Ragas In Minor Scale
5. Meetings Along The Edge
6. Prashanti$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
TimespanMajeure is the alter ego of Zombi drummer A.E. Paterra, and Timespan is its debut release. Taking the term "full-length" quite literally, the album is made up of three epic side-long journeys through time and space. Merging the darkness of Vangelis' Blade Runner-era Moog-driven scores and the stately minimalism of Steve Reich and Philip Glass with the relentless drive of Can and Silver Apples, Timespan delivers inspiring sci-fi disco of the highest caliber.1. The Dresden Codex
3. Timespan$19.99Vinyl LP - 2 LPs Sealed Buy Now
RumspringaThough technically residing in Nashville, TN, rising singer/songwriter Daniel James aka Canon Blue has spent the majority of the past three years touring the world with Efterklang while simultaneously writing and recording Rumspringa in their Copenhagen studio. He then headed to Iceland to record orchestral arrangements with renowned string quartet Amiina. The result is a breathtakingly gorgeous mix of orchestral pop and neoclassical minimalism that blends the soulful intimacy of Jeff Buckley and the playful whimsy of Sufjan Stevens with the stately meditation of Steve Reich and Philip Glass.1. Chicago (Chicago)
2. Autark (Nashville)
3. Indiana Summer (Des Moines)
4. Honeysuckle (Milwaukee)
5. Velveteenager (Minneapolis B)
6. Heavy Heart (Minneapolis A)
7. Lulls (Memphis)
8. Fading Colors (Bloomington)
9. A Native (Madison)
10. Bows & Arrows (Vegas)
11. Andalusia (Davenport)$16.99Vinyl LP - Sealed Buy Now
Struggle For PleasureClassical by Music On Vinyl proudly presents its first release. Wim Mertens has released Struggle For Pleasure in 1983 under the group name Soft Verdict. Later, it would be released under his own name.
Mertens called the music on Struggle For Pleasure 'petite musique de chambre', small chamber music. The six compositions are topped by ''Close Cover'' that proved to be a massive single. There are lots of documentaries and films that still use this beautiful arrangement.
While Mertens is strongly influenced by American minimalist composers like Steve Reich and Philip Glass, he adds his own signature sound to the mix.1. Tourtour
2. Struggle For Pleasure
4. Close Cover
6. Gentleman Of Leisure$33.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
ADAD-SOC-6219xSian Alice Group
The title of their debut comes from its running time. It's an epic record that showcases the talent, range, and ambition of this young group, taking in elements of various genres and making them their own. Sian Alice Group's more classical inclinations show their willingness to tread their own path. Comparisons can be made to Arthur Russell, Angelo Badalamenti, and Steve Reich. The album features contributions from Douglas Hart (Jesus & Mary Chain), John Coxon (Spiritualized, Spring Heel Jack), and Brian DeGraw (Gang Gang Dance). Beautiful, lush, dreamy and ethereal, but there's a dark, rainy spookiness at its core that sets it apart from so many experimental groups out there - Vice.1. As the Morning Light
2. Way Down to Heaven
3. Interlude 7'35'
6. Interlude 19'39''
8. Days of Grace III
10. Interlude 36'52''
13. Interlude 46'52''
15. Larsen B
16. Complete Affection$19.99Vinyl LP - 2 LPs Sealed Buy Now
Club MedsAfter a two year hiatus, an induction into fatherhood, and some time to regroup, two-time JUNO Award-winner Dan Mangan has returned under a new moniker, Dan Mangan + Blacksmith. The new name encompasses the spirit of the project's longstanding ensemble members joining the band from Vancouver's experimental music community, Kenton Loewen, Gordon Grdina, John Walsh (and often Jesse Zubot, JP carter and Tyson Naylor) with a communal sensibility that merits the marquee amendment.
Produced by Colin Stewart and Dan Mangan, Club Meds at times evokes images of subtler American-underground innovators like Blonde Redhead or Steve Reich. At other moments, it hits emotional pay dirt reminiscent of British scene-survivors like Peter Gabriel or Radiohead. Blacksmith brings an unmistakable character to Club Meds; a stark glassy edge that swells and sways like a roaring ocean. Through a fog of analog feedback loops and synths, the band's performances breathe deeply and steadily like a dragon at rest.1. Offred
4. A Doll's House / Pavlovia
7. War Spoils
9. Club Meds
10. Pretty Good Joke
11. New Skies$22.99Vinyl LP - Sealed Buy Now
AmberAmber, the second full-length from Autechre and considered by many to be their ambient opus (though we imagine they wouldn't call it that!) having been out of print on vinyl since 2001. Amber contains eleven tracks of sparse Ae minimalist machine modules that blur the boundaries between isolationist electronica and richly vivid techno soundscapes. Considered by many fans to be the most crucial recording from the group, it contains some of their most immersive soundscapes to date. Steering away from the post-hardcore dynamics that shone through on Incunabula, Amber moves further away from anything resembling 'techno' and moved into more territories of abstract ambience. These eleven crystal-like cubes of sound came together to produce some of the most mind-bendingly hypnotic sounds to be committed to wax during the 90's. Placing Ae up in the ranks of legendary composers such as Steve Reich and Manuel Gottsching as well as their Artificial Intelligence contemporaries with whom they were crafting the building blocks of the future.There is something uniquely immersive about Amber, it's almost as if as you are playing it the sounds are fading away before they even begin, when played from the start you can lose a lot of time within the endless gradients that adorn its cover, before the sounds just seemingly, disappear.1. Teartear
11. Foil$24.99Vinyl LP - Sealed Buy Now
High LifeWritten and recorded across a series of recording sessions in April of 2014 (some of which were open to selected media from around the world), none of the music on High Life existed before Someday World was completed! The resulting record, at 6 tracks and 45 minutes, is the clearest expression yet of the 'Reichkuti' (Steve Reich meets Fela Kuti) direction that first brought the Eno Hyde collaboration into being. And as the polyrhythms and melodies build, swirl and syncopate, the album feels truly alive with the energy of this time in the studio. High Life reunites Eno and Hyde with the 20 year old producer/multi-instrumentalist Fred Gibson, previous Eno-collaborator Leo Abrahams on guitar, drummer Chris Vatalaro, and keyboardist Don E. Taken alongside Someday World, it provides a fascinating insight in to how consistent influences can lead to very different but connected music, and continues to tell the story of two iconic musicians collaborating and exploring together. We look forward to seeing how fans select their own favorites across the two albums.LP1
2. Slow Down, Sit Down & Breathe
4. Moulded Life
2. Time to Waste It
3. On a Grey Day
4. Cells & Bells$24.99Vinyl LP - 2 LPs Sealed Buy Now
All We GrowThe debut album from S. Carey, All We Grow, is the result of a young lifetime spent immersed in music. As a band member of Bon Iver from the very beginning, Sean Carey witnessed a flip of his formal training to step firmly into a worldwide-touring rock band. His performance degree in classical percussion from the University of Wisconsin and his love for jazz drumming prepared him for a central role in the inspiring force of the Bon Iver live show.
All We Grow is a convergence of Carey's Waltz For Debby-era Bill Evans inflected jazz tendencies, and traditional rock band experience, taking leads from Mark Hollis' Talk Talk. It also retests the waters of modern classical composition, investigating the moodiness generated by percussive repetition in a manner familiar to fans of Steve Reich. In his downtime on tour with Bon Iver, Sean would spend time composing. During infrequent tour breaks at home he would patiently record these pieces, adding layers eachtime. Two years later, the parts converged to make an album.
For as much room to breathe as Carey allows his compositions, there are incredibly dynamic moments of bombast held right next to moments of subtle depth and texture. Engineered by Jaime Hansen and Brian Joseph, intermittently at home and at April Base (Justin Vernon's studio outside Eau Claire), All We Grow is an all-encompassing headphone experience as intimate as chamber music and as ambitious as a symphony.1. Move
2. We Fell
3. In the Dirt
4. Rothko Fields
7. In the Stream
8. All We Grow
9. Broken$16.99Vinyl LP - Sealed Buy Now
Hero BrotherPressed On 180 Gram Virgin Vinyl At Optimal (Germany)
Comes In Heavyweight Jacket With Black Poly-Lined Audiophile Dust Sleeve, Credit Insert, And Pull-Out Art Poster
Sarah Neufeld is a violinist and composer based in MontrÉal, Canada. Best known as a member of Arcade Fire, she is also a founding member of the acclaimed contemporary instrumental ensemble Bell Orchestre and has performed and recorded with many other groups, including The Luyas, Esmerine and Little Scream.
Neufeld began developing pieces for solo violin in a more formal and focused sense in 2011, though she has made improvisation and solo composition part of her process and practice since first picking up the instrument at a young age. Neufeld counts Bela Bartok, Steve Reich, Iva Bittova and Arthur Russell among the formative influences for her solo work, in tandem with an ear for the textures and sensibilities of contemporary electro-acoustic, avant-folk and indie rock music.
Neufeld's debut solo album Hero Brother indeed channels all of the above, flowing through shifting atmospheres and oscillating between restrained, stately ambience, emotive Études, and raw kinetic energy. Small touches of wordless vocalisation, harmonium and piano supplant the violin in a few places. The album was recorded in Berlin by pianist and producer Nils Frahm, with Neufeld's performances captured in a number of locations with site-specific acoustics, including an abandoned geodesic dome, an underground parking garage, and the legendary Studio P4 orchestral recording hall at the broadcast complex of the former GDR.1. Tower
2. Hero Brother
4. You Are The Field
5. Breathing Black Ground
6. They Live On
7. Wrong Thought
8. Right Thought
9. Sprinter Fire
11. Below$25.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
REDD-ROY-4793xBrian Haas & Matt Chamberlain
FramesThe debut Brian Haas & Matt Chamberlain album Frames features 11 instrumental compositions that spiral through the tempered scale. A through-composed work for piano and percussion, it was written entirely by Haas, the internationally renowned pianist and founder of Jacob Fred Jazz Odyssey. Now based in Santa Fe, Haas wrote Frames as a suite, equally influenced by stride piano masters Earl Hines, James P. Johnson and Fats Waller; the early minimalist works of Philip Glass and Steve Reich; and the lush aesthetic of modernists James Blake, Flying Lotus and Nigel Godrich. The music is pastoral, intensely melodic and tells the story of an imagined human life.
"After several years of non-stop touring with my band Jacob Fred Jazz Odyssey I felt completely drained," explains Haas. "I was pulled to move to the high desert and mountains of Sante Fe; the space/distance from the road, the unearthly view from my house and the strange hum of my new surroundings inspired this music. What started as an exercise in all 12 keys turned into Frames."
Brian Haas has recorded 21 albums and toured the world for two decades with Jacob Fred Jazz Odyssey, a band he started while a student at The University of Tulsa. Grammy Award-winning drummer Matt Chamberlain is one of the most revered musicians of his time having toured and recorded with the likes of Brad Mehldau, Edie Brickell & The New Bohemians, Critters Buggin, Tori Amos, Bill Frisell and Frank Ocean among others.1. Birth
2. Open Windows
3. Death: An Introduction
5. Of Many, One
8. Death: An Observation
9. Closing Window
10. An Empty House
11. From Nothing, Infinite$16.99Vinyl LP - Sealed Buy Now
Bryce Dessner: Aheym
45 RPM Mastered Double Gatefold LP
LP Contains CD of Full Album
Aheym is an astonishing collaboration between National
guitarist Bryce Dessner and journeyman new music string
quartet the Kronos Quartet. Performing four compositions by
Dessner, the Kronos Quartet champion an exciting young
composer, continuing a history of presenting new and
important works and composers that stretches back to their
founding in 1973. Dessner has a history of composition that
predates his membership in the National, and represents a new
generation who are blurring the lines between rock and
contemporary classical music.
From the raw emotional
overtones of Aheym to the soaring choral crescendo - courtesy
of the Brooklyn Youth Chorus - of Tour Eiffel, Bryce Dessner's
music for the Kronos Quartet will delight longtime followers of
Kronos' work with Steve Reich, Philip Glass and others, and will
challenge and surprise the National's many fans. At the close of
day, Aheym addresses many of the same aches and dreams as
the music of the National, and it is the breaking down of these
artificial barriers of genre and performance that Bryce Dessner
has made a life's work.1. Aheym
2. Little Blue Something
4. Tour Eiffel$21.99Vinyl LP 45 RPM + CD - 2 LPs Sealed Buy Now
St. Carolyn By The Sea / Suite From 'There Will Be Blood'Dessner: St. Carolyn By The Sea; Greenwood: Suite From 'There Will Be Blood'
Never before have classical and rock converged in such an organic, compelling and sensual way as they do in the three short orchestral works written by and featuring The National guitarist Bryce Dessner on his new release St. Carolyn by the Sea, performed with the Copenhagen Phil and conducted by Andree de Ridder.
Dessner presents three pieces of modern classical music, written from the perspective of a rock musician who is keenly aware of the raw emotional impact music any music can have on an audience. He draws on elements from Baroque and folk music, late Romanticism and modernism, minimalist music and the blues, among others, as well as referencing the work of such legendary figures as John Fahey, La Monte Young, Bela Bartook, Glenn Branca, Benjamin Britten, Morton Feldman, Philip Glass and Steve Reich. Despite this broad spectrum of influences, his voice remains individual and distinct.
With this album, which also showcases a suite drawn from Radiohead guitarist Jonny Greenwoods soundtrack for There Will Be Blood, Bryce Dessner and Jonny Greenwood open up a new frontier for symphonic music.BRYCE DESSNER
1. St. Carolyn by the Sea
Suite from "There Will Be Blood"
4. Open Spaces
5. Future Markets
6. HW/Hope of New Fields
7. Henry Plainview
8. Proven Lands
9. Oil$25.99Vinyl LP - 2 LPs Sealed Buy Now
Fits & Starts
LP Packaging Features Custom Adhesive Wrap & 16 Page Booklet
For the tenth volume of FRKWYS, composer,
percussionist and sound designer david Van
tieghem alongside ten younger artists from
across the avant spectrum become a bulletin
of Fits & Starts.
In July of 2012, RVNG Intl. was invited to participate in Bulletin Boards, a group
exhibition at Venus over manhattan curated by White Columns' gallery director matthew
Higgs. An extension of an ongoing project which resides in the entrance of White
Columns' downtown New York gallery, Bulletin Boards featured 24 artists/entities, each
given a new bulletin board as an inspirational starting point.
In 1981, David Van Tieghem produced the experimental music video Ear To The
Ground. The film features Van Tieghem "playing" downtown New York City, a world
in which Van Tieghem established his rhythmic roots as a member of the love of life
orchestra, a frequent collaborator with laurie anderson, and a player on steve reich's Music
For 18 Musicians, robert ashley's Perfect Lives (Private Parts) / Perfect Lives and david Byrne
and Brian eno's My Life in the Bush With Ghosts among other seminal recordings including
In Ear To The Ground, all city surfaces become communications-or bulletins-under
Van Tieghem's twiddling, thwacking and thumping thumbs. Partially inspired by this and
by our blank but physically limited canvas space, Van Tieghem agreed to take part in
a sequence of improvised performances and creative editing to become part of our
We also invited ten younger musicians to post objects to the board. A cross section of
present day New York artists were represented by way of sam Hillmer as diamond terrifier
(with the aid of max alper), Future shuttle, Georgia, roberto Carlos lange as Helado negro,
darren Ho, eli keszler, Hiro kone and megafortress, alongside the regionally sympathetic
Blanche Blanche Blanche and maxmillion dunbar.
In place of business cards, broadsheets, and flyers, the objects/communications
contributed were broken toasters, firecrackers, 2x4s, thunder drums and customized
electronics, each intended as a percussive device. On opening night, the bulletin board,
disguised as assemblage, welcomed David's dialogue.
In the spirit of Ear To The Ground's infinite conversation, Van Tieghem returned to
Venus Over Manhattan to "play" the bulletin board without an audience. The process
of Van Tieghem discovering and responding to the objects/bulletins again was multitracked in high definition.
These recordings were then presented to the ten contributing musicians for further
translation, "remix" and interpretation. For the final sequence, the unique pieces were
delivered to Van Tieghem to edit and embellish as the sound collages presented as Fits
& Starts across two album length sides of our tenth volume in the FRKWYS series.1. Slippery Slope
2. Cooler Heads Prevail$20.99Vinyl LP - Sealed Buy Now
By embedding both new age and noise-oriented
electronic themes into his pastoral pieces, Turnquist
unites disparate traditions and ideals, essentially
employing sonic counterweights to construct 57 minutes
that are as surprisingly dynamic as they are perfectly
- PITCHFORK (8.2)
New York's Turnquist is masterful. His right hand
technique is as orchestral as Nick Drake's, sending rivulets
of steel sadness out across the water, but applied to a
minimalist logic with the weight of early Philip Glass or
Turnquist layers his six and twelve string guitar
instrumentals with electronic drones, piano and vibes.
This first widely available release is a filmic beauty, its
chilly pastoralism distinguished by the physicality of his
Another bravura outing from Turnquist that is, in its own
unassuming way, a triumph
As an accomplished 12-string guitarist/composer, Alexander Turnquist was naturally
alarmed when the ulnar nerve in his left hand seized up in 2013, but after a surgical procedure he gratefully started the process of learning to play guitar again. His recovery was
cut short when not long after the surgery he was hospitalized with meningitis. Though his
recovery is ongoing, and he continues to struggle with a weakened immune system and
memory loss, he was inspired to soldier on, rather than being deterred by his physical
Turnquist's latest full-length Flying Fantasy confirms the idea that out of great hardship
can come great art. As he wrote the material for the new album it became clear that his
sensitivity had sharpened, his empathy magnified, and his sense of purpose blossomed.
The unfortunate circumstances he endured ostensibly forced his metamorphosis from a
remarkable guitar player to a truly great composer. Much like the butterflies that adorn
the album cover, he seems to have changed form and taken flight.
The album opens with the sparse harmonics of House of Insomniacs, which are soon
joined by lush swells of vibes, cello, and even wordless vocals. On the tracks that follow,
Turnquist continues to make use of this dynamic sonic pallet, even adding organ, piano,
marimba, steel drums, violin, and french horn to the mix. From Red Carousel, which was
inspired by Ray Bradbury's Something Wicked This Way Comes, to the somber lilt of the love
song Wildflower, to the truly arresting title track Flying Fantasy which uses only 4 open
strummed guitars and loops of damaged tape and wire recorders, every note vibrates with
life as Turnquist ushers us though his intoxicatingly colorful worlds of sound.1. House of Insomniacs
2. Finding the Butterfly
4. Red Carousel
5. Flying Fantasy
6. Cloud Slicing$16.99Vinyl LP - Sealed Buy Now
Tell Me I BelongJim-E Stack has come a long way. Born and raised in San Francisco, the now
Brooklyn-based artist born James Harmon Stack cut his musical teeth as a jazz
drummer, but it wasn't until he entered the world of solo production at the age of 16
that he found the freedom necessary to write and record how he wanted. After seeing a set from Fade to Mind boss Kingdom in 2009, freeform DJ sets and hybridized
club music planted the seeds of inspiration in the burgeoning producer. He made
his first splash with a bass-loaded remix of Nuguzunguzu's "Mirage", and went on
to release the bright and drum-focused Come Between EP, garnering acclaim from
international DJs and tastemakers alike.
Following time spent in New Orleans, James moved to New York in summer of 2012,
and started the slow process of sketching, refining, and developing the diverse tracks
that would make up his captivating Tell Me I Belong LP. The album was equally
fleshed out by looking forwards and backwards, which gives it the kind of purpose
and cohesiveness many debut outings lack. In every corner of Tell Me I Belong, you
can hear an artist who reveres classic jazz musicians like John Coltrane and McCoy
Tyner, experimental pioneers like Steve Reich, and Detroit techno greats Omar-S
and Robert Hood, but contemporary boundary pushers Arca, Oneohtrix Point Never,
and Actress are no less inspiring for Stack. "More so than anything, it's really on
some personal shit," he says of the themes woven into his debut LP. "The time period
between leaving San Francisco and moving to New York was a tough time for me,
and the music is kind of a reflection of that, the feeling like you don't belong." The
music may speak about a kind of alienation, but it also abundantly offers the chance
of collective experiences in the form of hard-hitting, club-specific dancefloor jams.
That fearless juxtaposition is the lifeforce of Tell Me I Belong.1. Somewheres
5. Everything To Say
6. Is It Me
7. Out Of Mind
8. Ease Up
10. Wake$18.99Vinyl LP - Sealed Buy Now