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44 is the fourth album released by American grunge rockers Stone Temple Pilots, released in 1999. The album was a return to the band's earlier Hard Rock roots, while also blending elements of Heavy Metal, Psychedelic Rock, and Alternative Rock.
Despite the lack of promotion due to singer Scott Weiland's one-year jail sentence shortly before the album's release, No. 4 was certified Platinum by the RIAA in 2000. The song Down was nominated for Best Hard Rock Performance at the Grammy Awards. The album also produced one of STP's biggest hits, Sour Girl, which charted at #78 on the Hot 100, their only song to appear on that chart.
No.4 displays a deliberate effort by the band to return to a more Hard Rock-oriented sound featured on its first two albums. Allmusic cited the album as STP's hardest effort since Core, remarking that it's as if STP decided to compete directly with the new generation of alt-metal bands who prize aggression over hooks or riffs. Stephen Erlewine also wrote that No.4 consolidates all [of STP's] strengths.1. Down
2. Heaven & Hot Rods
4. Church On Tuesday
5. Sour Girl
6. No Way Out
7. Sex & Violence
9. I Got You
11. Atlanta$39.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Stone Sour180 Gram Audiophile Vinyl
1,500 Numbered Copies On Colored Mixed Vinyl (Crystal Clear With A Tip Of Black), Black Vinyl Thereafter
4-Page Insert / Gatefold
Debut Album By Corey Taylor's (Slipknot) And Jim Root's (Slipknot) Other Band
First Time On Vinyl
Stone Sour is an American rock band formed in Des Moines, Iowa. To date Stone Sour have released five studio albums. Since 2006, the group has consisted of Corey Taylor (lead vocals), Josh Rand (guitar) and Roy Mayorga (drums). Longtime members Joel Ekman (drums, percussion), Shawn Economaki (bass guitar), and Jim Root (guitar) left the group in 2006, 2011, and 2014 respectively.
Originally released in 2002, Stone Sour is the debut studio album by the band. Writing for the album began in 2000 while vocalist Corey Taylor and guitarist Jim Root were still actively involved in their other band, Slipknot. Work began on the album after Slipknot had gone on hiatus following touring in support of their second album Iowa. Guest musician on the album is Sid Wilson (Slipknot). Following the release of the album, Stone Sour went on to promote it for almost a year; releasing three singles and touring in several regions, including the United States and Europe.
The album received positive reviews. It was praised for showing a diversity in Taylor's vocals. It was certified Gold in the United States. The single Bother, which was featured on the Spider-Man soundtrack (credited only to Taylor), peaked at number 2 on the Mainstream Rock Chart as well as number 4 on the Modern Rock Tracks and 56 on the Billboard Hot 100. The two singles Get Inside and Inhale received Grammy Award nominations for Best Metal Performance in consecutive years.1. Get Inside
3. Cold Reader
9. Blue Study
10. Take A Number
11. Idle Hands
13. Omega$34.99180 Gram Audiophile Vinyl LP - Sealed Buy Now
HydrogradIncludes Bonus CD
The gold-selling Iowa hard rock outfit Stone Sour has sold over four million albums worldwide over the course of three full-length releases. Their self-titled debut and sophomore effort Come What(ever) May both exceeded Gold status, while 2010's Audio Secrecy debuted at #6 on the Billboard Top 200. Their arsenal includes number one singles such as Through Glass, Say You'll Haunt Me and Bother,and three Grammy Award nominations. Given those accomplishments, it'd be easy for the band-Corey Taylor [Vocals], James Root [Guitar], Josh Rand [Guitar], and Roy Mayorga [Drums]-to tread the same ground with very successful results.
Their new 15-track album, which follows their two part House Of Gold & Bones release was produced by Jay Ruston (Anthrax/Steel Panther) and was recorded at the Sphere Studios in North Hollywood, CA.LP 1
2. Taipei Person/Allah Tea
3. Knievel Has Landed
5. Song #3
7. The Witness Trees
8. Rose Red Violent Blue (This Song Is Dumb & So Am I)
1. Thanks God It's Over
2. St. Marie
4. Whiplash Pants
5. Friday Knights
6. Somebody Stole My Eyes
7. When The Fever Broke$34.99Vinyl LP + CD - 2 LPs Sealed Buy Now
Come What(ever) May (10th Anniversary Edition)2xLP 10th Anniversary Edition Pressed On Gold & Black Vinyl
Features 5 Previously Unreleased Tracks
Come What(ever) May is the second studio album by the American alternative metal band Stone Sour. It was recorded and produced by the band and Nick Raskulinecz at Studio 606 in Los Angeles, California, and was originally released on August 1, 2006, by Roadrunner Records.LP 1
2. Come What(ever) May
3. Hell & Consequences
5. Made Of Scars
7. Your God
8. Through Glass
10. 1st Person
12. Zzyzx Rd.
1. Though Glass (Live Acoustic)*
2. Wicked Game (Live Acoustic)*
3. Wild Horses (Live Acoustic)*
4. Cardiff (Acoustic)*
5. Zzyxx Rd. (Acoustic)*
8. Freeze Dry Seal
9. The Day I Let Go
10. The Frozen
*Previously Unreleased$29.99Colored Vinyl LP - 2 LPs Sealed Buy Now
RideFor his fiftieth birthday, Anthrax guitarist Scott Ian wanted one present more than any other - the reunion of one of his favorite unsung heroes, Mother Superior - only he wanted to be a part of the lineup. They're a great, classic band that hit me in the same spot as all my favorite '70s bands, whether it's UFO, Ted Nugent, Cheap Trick or KISS, Ian explains. I knew getting to play with them would be like joining KISS.
Thanks to Scott's wife Pearl Aday, who has been working with Mother Superior front man Jim Wilson for years, all it took was a quick phone call and the stage was literally set for Scott's dream gig.
The band, which quickly gained the interests of Joey Vera (Armored Saint/Fates Warning) and John Tempesta (White Zombie, The Cult) called itself Motor Sister after the Mother Superior song Little Motor Sister and got together the day before the party to rehearse in Ian's jam room. The energy in the room was amazing, Ian says. It felt awesome. It was just something we did for fun and to celebrate my birthday.
The minute I started to play with Scott, Joey and John the chemistry was amazing, Wilson says. We sounded like a band that had been together forever. Enthralled at the idea of making a record of his favorite Mother Superior songs, Ian contacted producer Jay Ruston (Anthrax, Steel Panther, Stone Sour) and asked if he thought it was possible to recapture the same spontaneous energy generated at their makeshift gig. He said, 'Yeah, we can make the record in two days and we can make it sound really good.' So that's what we did, Ian says. A week and a half later, we made the record in LA over a two day period. We recorded the whole thing live in the studio.
While everyone in Motor Sister is busy with their day jobs, they are all interested in playing live as much as possible. We are a great live band Ian says. We proved it to ourselves in my jam room. It was our ability to play live together that made this happen and I can see us getting onstage and playing this shit back-to-back, Ramones-style, and just blowing people's minds with the power of these songs. And the door is always open to write more material because Pearl and Jim are always working together and I'm always with them. So we'll see what happens in the future.LP 1
1. A Hole
2. This Song Reminds Me of You
3. Beg Borrow Steal
4. Fool Around
5. Get That Girl
6. Head Hanging Low
1. Fork in the Road
2. Little Motor Sister
3. Pretty in the Morning
6. Devil Wind$30.99Vinyl LP - 2 LPs Sealed Buy Now
Greatest Hits Vol. 1Gray and Black Colored Vinyl
The long-gestating brainchild of Corrosion Of Conformity founder/drummer/vocalist Reed Mullin, guitarist Mick Murphy (My Ruin, The Birds of Satan, Neanderthal) and producer John "Lou" Lousteau, Teenage Time Killers' Greatest Hits Vol. 1 is 20 concise seismic shocks created by an all-star line up of punk and metal legends spanning decades. Joining Reed on drums and Mick on guitar on the album's 20 mostly original tracks and few covers of underground classics (including the Rudimentary Peni deep cut that inspired the project's title) includes: Jello Biafra, Randy Blythe of Lamb of God, Dave Grohl and Pat Smear of Foo Fighters, Nick Oliveri, Matt Skiba of Alkaline Trio, Corey Taylor of Slipknot and Stone Sour, Tommy Victor of Prong and Danzig, Lee Ving of Fear, Mike "IX" Williams of Eyehategod, Mullin's Corrosion of Conformity band mates Mike Dean and Woody Weatherman, Karl Agell and many, many more. All instrumental tracks on Teenage Time Killers' Greatest Hits Vol. 1 were recorded at Grohl's 606 Studios in Northridge, CA. The album was produced by John Lou Lousteau, Reed Mullin and Mick Murphy, engineered and mixed by John Lou Lousteau at 606.LP 1
1.Exploder (feat. Reed Mullin)
2.Crowned by the Light of the Sun (feat. Neil Fallon)
3.Hung Out to Dry (feat. Randy Blythe)
4.Power Outage (feat. Clifford Dinsmore)
5.Ode to Sean Hannity (feat. Jello Biafra)
6.Barrio (feat. Matt Skiba)
7. The Dead Hand (feat. Reed Mullin)
8.Egobomb (feat. Corey Taylor)
9.Plank Walk (feat. Pete Stahl)
10.Time to Die (feat. Mike IX Williams)
11.Days of Degradation (feat. Tommy Victor)
12.Clawhoof (feat. Tairrie B. Murphy)
1.Big Money (feat. Lee Ving)
2.Devil In This House (feat. Karl Agell)
3.Say Goodnight to the Acolyte (feat. Phil Rind)
4.Ignorant People (feat. Tony Foresta)
5.Son of an Immigrant (feat. Jonny Webber)
6.Your Empty Soul (feat. Aaron Beam)
7.Bleeding to Death (feat. Vic Bondi)
8. Teenage Time Killer (feat. Tren
9.Ode to Sean Hannity (feat. Reed Mullin)
10.Ignorant People (feat. Reed Mullin)
11.Time to Die (feat. Reed Mullin)
12.My Revenge (feat. Reed Mullin)$22.99Colored Vinyl LP + CD - 2 LPs Sealed Buy Now
SavagesMax Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.
Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.
"All of the things that make SOULFLY killer are combined in Savages," Max declares.
»Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.
"I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."
A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.
SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.
In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).
Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"
Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."
Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."
Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."
Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song - clean guitars, feedback - he just makes the song better."
Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."
Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."
Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."
Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.
Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"
Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.LP 1
2. Cannibal Holocaust
4. Ayatollah Of Rock 'N' Rolla
5. Master Of Savagery
1. This Is Violence
3. El Comegente
5. Fuck Reality (Bonus Track)
6. Soulfly IX (Bonus Track)$24.99Vinyl LP - 2 LPs Sealed Buy Now
Ride Your HeartOn the heels of three well-received singles comes Ride Your Heart, the bombastic debut album by LA band Bleached. Sisters Jennifer and Jessie Clavin match their ability to blend a mix of freewheeling '77 punk with vintage sunny Southern California melodic rock and roll; creating blindingly bright hooks and dark heartfelt lyrics about love, loss, and the crazy fun moments in between. That's the goal: the sugary and sour, repurposed by two aggressively harmonic musicians and songwriters. Their first single Next Stop epitomizes this movement - fun, raw, adventurous and free. Tossing you out onto the dance floor, hair mussed from make-outs, cigarette still dangling from your fingertips.
As a whole, the twelve tracks on Ride Your Heart reveal the many facets of Bleached's music in a delicious vortex of playful harmonies, tangled guitars, and golden noise. Each song brings a new element, while also imbibing the classic moods of bands as varied and iconic in nature as The Ramones and The Cars to The Rolling Stones and Fleetwood Mac. From the syncopated backbeat and two-part chorus of Dead In Your Head,, the rolling riffs and sparkling melodies of Searching Through The Past and the pulsating energy and urgency of Dreaming Without You and Outta My Mind, Bleached take you on a sweeping emotional roller coaster that churns and burns. Ride Your Heart is a thrilling, beating, glorious wall of sound strong enough to withstand its own impact.1. Looking For A Fight
2. Next Stop
3. Outta My Mind
4. Dead In Your Head
5. Dreaming Without You
6. Waiting By The Telephone
7. Love Spells
8. Searching Through The Past
9. Ride Your Heart
10. Dead Boy
11. Guy Like You
12. When I Was Yours$18.99Vinyl LP - Sealed Buy Now