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Stranger Things 2'
Stranger Things 2 Soundtrack
Upside Down Inter-Dimensional Blue Vinyl
Soundtrack to the second season of the hit Netflix Series, Stranger Things, with music by Kyle Dixon & Michael Stein.$29.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Stranger Things: Music From The Netflix Original SeriesStranger Things: Music from the Netflix Original Series contains songs from Seasons 1 & 2! This 2LP set contains a mini 8x12 fold-out poster and a crack-and-peel sticker! The album features nineteen songs and eleven audio clips from the show.LP 1
1. Will Byers - Will Singing The Clash (Intro)
2. The Police - Every Breath You Take
3. The Clash - Should I Stay Or Should I Go
4. Jim Hopper - Coffee And Contemplation
5. The Bangles - Hazy Shade Of Winter
6. Echo And The Bunnymen - Nocturnal Me
7. Joyce Byers - Bring Him Home
8. Corey Hart - Sunglasses At Night
9. Duran Duran - Girls On Film
10. Jonathan Byers - Just Because People Tell You
11. Joy Division - Atmosphere
12. Joyce Byers - Maybe I'm Crazy
13. Olivia Newton-John - Twist Of Fate
14. Mike & Eleven - Says Logic
15. The Psychedelic Furs - The Ghost In You
16. Toto - Africa
1. Jim Croce - You Don't Mess Around With Jim
2. Dustin & Lucas - Accident Or Not
3. Devo - Whip It
4. Bon Jovi - Runaway
5. Cyndi Lauper - Time After Time
6. The Romantics - Talking In Your Sleep
7. Mike & Eleven - Mouthbreather
8. Fad Gadget - Back To Nature
9. Dustin - She's Our Friend And She's Crazy
10. Scorpions - Rock You Like A Hurricane
11. Peter Gabriel - Heroes
12. Eleven - Friends Don't Lie
13. New Order - Elegia
14. Will Byers - Will Singing The Clash (Outro)$24.99Vinyl LP - 2 LPs Sealed Buy Now
The Natch'l Blues (Pure Pleasure)Taj Mahal's second album, recorded in the spring and fall of 1968, opens with more stripped-down Delta-style blues in the manner of his debut, but adds a little more amplification (partly courtesy of Al Kooper on organ) before moving into wholly bigger sound on numbers like She Caught The Katy And Left Me A Mule To Ride and The Cuckoo -- the latter, in particular, features crunchy electric and acoustic guitars and Gary Gilmore playing his bass almost like a lead instrument, like a bluesman's answer to John Entwistle. Most notable, however, may be the two original closing numbers, You Don't Miss Your Water ('Til Your Well Runs Dry) and Ain't That A Lot Of Love, which offer Taj Mahal working in the realm of soul and treading onto Otis Redding territory. This is particularly notable on You Don't Miss Your Water, which achieves the intensity of a gospel performance and comes complete with a Stax/Volt-style horn arrangement by Jesse Ed Davis that sounds more like the real thing than the real thing. Ain't That a Lot of Love, by contrast, is driven by a hard electric guitar sound and a relentless bass part that sounds like a more urgent version of the bassline from the Spencer Davis Group's Gimme Some Lovin'. This LP reissue includes a trio of bonus tracks: a faster-paced rendition of The Cuckoo with a more prominent lead guitar, the slow electric lament New Stranger Blues featuring some good mandolin-style playing on the guitar, and the rocking instrumental Things Are Gonna Work Out Fine, which is a killer showcase for Davis' lead electric guitar and Taj Mahal's virtuosity on the harmonica.
- Taj Mahal (harmonica, guitar)
- Jesse Edwin (guitar, piano, arranger)
- Al Kooper (organ, piano)
- Gary Gilmore (bass)
- Chuck Blackwell, Earl Palmer (drums)
Recording: May & October 1968
Production: David Rubinson
About Pure Pleasure
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Pure Pleasure all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existent tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasize that Pure Pleasure Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects and that the lacquer discs are newly cut.1. Good Morning Miss Brown Corinna
2. I Ain't Gonna Let Nobody Steal My Jellyroll
3. Going Up To The Country, Paint My Mailbox Blue
4. Done Changed My Way Of Living
5. The Cuckoo (alternative version)
6. She Caught The Katy And Left Me A Mule To Ride
7. The Cuckoo
8. You Don't Miss Your Water ('Til Your Well Runs Dry)
9. A Lot Of Love
10. New Stranger Blues
11. Things Are Gonna Work Out Fine$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
My Midnight Things (Pre-Order)Release Date: June 15, 2018*
Since 1983, the name Lizzy Borden has been synonymous with heavy metal music of the highest caliber. With My Midnight Things he has reaffirmed this standing, delivering the biggest, most dramatic, moving and cinematic record of his career, and one of the most essential additions to the genre in 2018. While showcasing a diverse range of sounds, tones and moods, it is unmistakably the work of the man who released a string of classic albums in the 1980s and two more in the 00s, but with a new fire burning at the heart of the record, it is one that he has lovingly crafted for those who scream along with every word at his shows. "On our last tour across Europe, Asia and South America, I noticed that the audience had changed," he states. "It got a lot younger. I looked out to see all these kids in every country singing at the top of their lungs to songs that were written before they were born, and that made me want to start writing some full-blown albums just for them. I wanted to make songs that would be theirs, albums that they could be a part of."
Having not dropped a record since 2007's mighty Appointment With Death, fans have understandably champed at the bit waiting for new material. Though penning numerous songs throughout that period, when it became time to seriously focus upon writing an album, the multi-instrumentalist did what needed to be done to be sure of creating the best possible music. "I knew the only way I could find what I was looking for was to lock myself away and experiment, so that's what I did. I wrote and recorded in my studio in North Hollywood in a very industrial area all night every night, with only sirens from fire trucks and these songs to keep me company. It was a lonely time, but very fruitful. You might even hear some of those sirens in some of the songs if you listen closely." Starting with between forty and fifty songs, he steadily whittled these down to fifteen, and finally to the ten that made the record, only wanting the very best to make the cut. As with all of his albums, once Borden hones in on a core subject matter he builds the album around it, and in the case of My Midnight Things, the theme is that of love. However, adopting a different approach to writing than usual, rather than starting with music, he instead focused on the lyrics, and penned the music later to best serve the stories being told, wanting every song to stand up on its own while keeping the storyline of the record moving forward. "I just let the lyrics drive the mood and the way I would sing each song, but overall I kept it varied and engaging enough so that listeners will want to devour the whole album in one sitting, without you hearing me repeat myself."
The diversity of the record makes it abundantly clear that he succeeded, and it makes for a thrilling ride from start to finish. Opening with the titanic stomp of the title track, the cinematic feel kicks off from the start, a serpentine seductiveness coiling through it, and the likes of "A Stranger To Love" and the bruising "Our Love Is God" inhabit similarly dark territory. The more stripped down, haunting strains of the reprise of the title track - which was in fact the first version penned - is achingly frail, and then counterpointing all of the record's darker and more brooding moments are the upbeat "Long May They Haunt Us", the hugely anthemic and uplifting closer "We Belong In The Shadows", and the frankly glorious "Run Away With Me". While the title of the album "means many different things" to Borden, he chooses not to disclose these, allowing listeners to find their own meaning in it, which is something important to him. In terms of the record's central theme, he acknowledges that while "love" seems somewhat obvious, he tried to find a way to see it through a different lens. "Sometimes being in love is the worst thing that can happen to you if you're with the wrong person and you can't stop it, and sometimes it's the best thing in the world. I knew I could find things in between every other song that's been written about it. So that was the challenge. But, even though I write with a theme in mind and with different personalities singing each song, I never write in storyboard form. I always try to write in poetry form. I think you can search for more meaning that way, from one line to the next there can be multiple meanings, as opposed to being trapped telling a story."
Having signed a new contract with Metal Blade on the strength of three demo tracks, Borden opted to produce My Midnight Things himself, with Joey Scott as co-producer, who also handled all the drumming duties. Having an old school approach to his drumming, feeding off the vocals, lyrics and melody rather than just acting as a time keeper, he was perfectly suited to Borden's approach to the record, which also applied to his role as co-producer. "I knew what I was going for and had doubts that I could find a producer who would understand that. My approach is very different than what is happening in today's music, but Joey got that and wanted the same thing." With Marliese Quance Mildenberger handling the majority of the keyboards, her unique melancholy playing style added even more "emotion and dimension" to each song, while Borden himself handled all of the bass, guitars, some keys and all of the vocal parts. Anyone exposed to My Midnight Things will find it hard to deny that like all of his records, it is a true vocal tour de force, each track endowed with a phenomenal amount of layering to create something that is uniquely Lizzy Borden. "The style that I record vocals harkens back to The Beatles and Queen. It's time consuming and tedious, but the result gives you a more multi-dimensional feel than you would get with a single vocal. When I recorded 'Master Of Disguise' (1989), I was clocked in at a seven-octave vocal range between all the backing and lead vocals. It gave the feel of multiple personalities within my voice, and I've used that technique on the last four albums."
That every song on the record could be released as a single is testament to just how strong this collection is. While truly a record for his fans, its appeal will easily reach much further, and Borden is as eager to get back on stage as his devout followers who cannot wait to see him back up there. "I've already started working on the 'My Midnight Things' Show, and I really can't wait to play these songs live. There are so many talented players out there in the world, I know I will find the right guys or girls to be on stage with me in my touring band, and just based on what is being talked about, so far it will be the best show I've ever done. I really do feel a new excitement that I have not felt in years. The best is yet to come."
*Please note that release dates are subject to change.Tracklist coming soon!$25.99Vinyl LP - Sealed PRE-ORDER Buy Now
LP 2At a time when the music world is saturated with more bands than ever, Restorations are a refreshing change of pace: an act who undeniably embody the DIY spirit but also bring along a real breadth of musical knowledge and an unlikely set of influences that somehow manage to work perfectly together.
Formed out of the ashes of the long-running Philadelphia rock act Jena Berlin, Restorations sees the band-vocalist/guitarists Jon Loudon, Dave Klyman and Ben Pierce joining forces with drummer Carlin Brown and bassist Dan Zimmerman, crafting an album that transcends punk rock and picks up where they're extremely well-received self-titled LP left off.
LP2 is a unique blend of indie rock, punk rock and focused psychedelia that can only come from spending a decade honing their skills organically. After producing their music largely on their own the band linked up with close friend Jon Low (Local Natives, Twin Sister, Kurt Vile) at Philadelphia's Miner Street Studios to create an album that captures the unbridled energy, sonic grandeur, and sheer volume of the band's live performances.
From the driving, anthemic vibe of "The New Old" to the inventive indie rock of "The Plan," LP2 is a remarkably diverse album, which makes sense when you consider how varied the members' respective tastes are. "I think the influences for us are a little broader than a lot of bands because we don't have one central songwriter," Loudon explains, citing everyone from the classic punk acts, classic rock, metal, drone and noise. "Over the years we've become more comfortable with trying stranger things and odder combinations to see what works," he continues. "The general rule is, if everyone is into it then we just go for it. We really carried that spirit into these songs."
Lyrically, LP2 sees Loudon once again collecting his own vignettes and pairing them with the
group's music to create a narrative that isn't linear but is instead as vast as the instrumentation that supports it. "The theme of this band is boredom and repetition and focusing on little tiny moments and that type of thing, so this record is just a collection of those stories," he explains. Sharing these stories is what lies at the core of the band. Restorations aren't looking to be the biggest band, they just want to continue to create music, evolve, and bring their musical stories all over the world.
"I feel like if we tried to set a real goal with this band it would be kind of pointless because we've been doing it long enough where if you think you're getting to a certain level then you're just setting yourself up for disappointment," Klyman explains. "So it's better to just see what happens, which is how we've always approached this band." Whatever ends up happening, there's no question that with these songs as a vehicle, Restorations is headed somewhere uncharted and they invite you to come along for the ride.1. D
2. Let's Blow Up the Sun
3. Civil Inattention
4. Kind of Comfort
5. In Perpetuity Throughout the Universe
6. New Old
8. The Plan
9. Adventure Tortoise$17.99Vinyl LP - Sealed Buy Now
Limited To 2,000 Copies Worldwide
[A Place to Bury Strangers] sculpts something unexpectedly elegant out of the type of din you'd expect to
hear on an airport tarmac - SPIN MAGAZINE
Hypnotic and forward-looking, A Place to Bury Strangers sound more vital than ever"- ALLMUSIC
A real sonic adventure that never relinquishes its grip on structure, despite the fact that the guitar effects
pedals are practically stomped into the floor- POPMATTERS
That's the most intense fear and feeling-when you go to a show and you're actually scared, says Oliver
Ackermann, guitarist and frontman of Brooklyn trio A Place To Bury Strangers.
Or you can palpably feel the danger in the music, adds bassit Dion Lunadon, Like it's going to fall apart
at any moment and the players doing it are so in the moment they don't give a shit about anything else.
They're just going for it. It's a gutter kinda vibe; everything about it is icky and evil and dangerous.
The same could be said the band's fourth album, Transfixiation. Rather than fixate on the minute details
like they may have done in the past, the group, rounded out by drummer Robi Gonzalez, trust their
instincts and try to keep things as pure as possible. Music is much more exhilarating when it's
unpredictable even on repeat plays, and this is very much an unpredictable record. Gonzalez makes his
recording debut with the band here, and it's obvious that he's helped pushed the band's recordings closer
to the level of their infamous live shows.
The one thing we have in common is this fire when we're playing, adds Gonzalez. I don't know; it's real
3. Love High
4. What We Don't See
6. Lower Zone
7. We've Come So Far
8. Now It's Over
9. I'm So Clean
10. Fill The Void
11. I Will Die$18.99Vinyl LP - Sealed Buy Now
RR7349 (Awaiting Repress)Experimental synth quartet S U R V I V E ' s sophomore full-length and Relapse debut is a dark, sweeping exercise in analog synth mastery. The pulsating, 9-song instrumental release showcases immense diversity between tracks - RR7349's compositions range from grim tom-tom thunder to space-age epics, pairing tense plodding grooves with meditative ambience and driving, rhythmic beats. Inspired by IDM and horror scores alike, RR7349 is simultaneously ominous and hopeful; tense and relaxed; percussive and melodic. Additionally, two of the group's members also recently scored the soundtrack for the hit new sci-fi / horror show Stranger Things on Netflix. RR7349 is a unique addition to the Relapse discography, and unquestionably S U R V I V E ' s best work to date.1. A.H.B.
4. High Rise
7. Low Fog
9. Cutthroat$19.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
The Natch'l BluesTaj Mahal's second album, recorded in the spring and fall of 1968, opens with more stripped-down Delta-style blues in the manner of his debut, but adds a little more amplification (partly courtesy of Al Kooper on organ) before moving into wholly bigger sound on numbers like She Caught The Katy And Left Me A Mule To Ride and The Cuckoo -- the latter, in particular, features crunchy electric and acoustic guitars and Gary Gilmore playing his bass almost like a lead instrument, like a bluesman's answer to John Entwistle. Most notable, however, may be the two original closing numbers, You Don't Miss Your Water ('Til Your Well Runs Dry) and Ain't That A Lot Of Love, which offer Taj Mahal working in the realm of soul and treading onto Otis Redding territory. This is particularly notable on You Don't Miss Your Water, which achieves the intensity of a gospel performance and comes complete with a Stax/Volt-style horn arrangement by Jesse Ed Davis that sounds more like the real thing than the real thing. Ain't That a Lot of Love, by contrast, is driven by a hard electric guitar sound and a relentless bass part that sounds like a more urgent version of the bassline from the Spencer Davis Group's Gimme Some Lovin'. This LP reissue includes a trio of bonus tracks: a faster-paced rendition of The Cuckoo with a more prominent lead guitar, the slow electric lament New Stranger Blues featuring some good mandolin-style playing on the guitar, and the rocking instrumental Things Are Gonna Work Out Fine, which is a killer showcase for Davis' lead electric guitar and Taj Mahal's virtuosity on the harmonica.1. Good Morning Miss Brown (Album Version)
3. I Ain't Gonna Let Nobody Steal My Jellyroll (Album Version)
4. Going up to the Country, Paint My Mailbox Blue
5. Done Changed My Way of Living
6. She Caught the Katy and Left Me a Mule to Ride
7. The Cuckoo (Album Version)
8. You Don't Miss Your Water ('Til Your Well Runs Dry) (Album Version)
9. Ain't That a Lot of Love$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Hive MindIf youve heard Daniel Martin-McCormicks name recently, it would have been either in association with his disco / punk / echo band Mi Ami, or as Sex Worker on the Not Not Fun label, or as Ital on NNFs sister label 100% Silk. Raised in Washington, DC, Martin-McCormick has a history in the citys hardcore scenehe was in Dischord Records band Black Eyes in the early 2000sbut was also making dance-inspired tracks during the same period, coming from a very different angle than the average guy with a copy of Logic Pro and a working knowledge of dance musics history.
Martin-McCormicks music is a stranger thing. Hive Mind, his debut full-length under the Ital moniker, uses houses easygoing 4/4 structure as a kind of camouflage for more out-there sonic explorations, subverting expectations, seeking the links between dubs space- and sound-bending, industrials unsettling sonics and the effects and black holes of minimal at its weirdest. The album has a sculptured feel: sounds twist in space while melodies pitch-shift in an unsettling way, voices fade in and out, nothing is ever allowed to settle comfortably, everything vibrates.
Opener Doesnt Matter (If You Love Him) sounds a bit like Tackhead if they had made house music, using a flickering and confidently repeated phrase over a lumbering drum and bass line, introducing swirling and bombing synths into the mix once the secret comes out. The strange marriage of treated voices and swelling, pitch-bent chords and effects on Floridian Void draws the listener into its strange atmosphere; its an ambient house track of sorts, but the ambience here is a swirling, confusing, watery vortex rather than fuzzy, new age pap. Privacy Settings builds creepy wolf howls over a slow bass line and cold, far-away drums, estranged from their usual disco setting, while Israel picks things up again, with weird, pitch-shifting bells over dubby toms and cold chords. Final Wave restores the album to something resembling normality, with a disco-like swing that recalls Moodymanns beat-down productions slid through brutal dub-like effects that bring out a shade of strangeness in an otherwise happy groove.1. Doesn't Matter (If You Love Him)
2. Floridian Void
3. Privacy Settings
5. First Wave$23.99Vinyl LP - 2 LPs Sealed Buy Now
The Jeff Beck/Friday Music 180 Gram Audiophile Series Continues!
Jeff Beck's 1968 Masterwork Album - First Time Authorized Audiophile Vinyl
Stunning Gatefold Cover With Rare Photo Of The Jeff Beck Group
Mastered From The Epic Records Stereo Tapes By Joe Reagoso And Manufactured At R.T.I.
Jeff Beck is truly a worldwide gift to rock music and guitar enthusiasts everywhere. There will never be another Jeff
Beck, a guitar genius who has enthralled generations of aspiring musicians and music lovers with the many fine recordings
he has made for the past five decades.
Celebrating five decades in the music business, this English native initially captivated millions of kids in the 60's with
his first recordings with The Yardbirds. He drove the rockers mad with his famous guitar licks and dynamic presence on the
stage. As individual members of the band started solo projects, Jeff Beck began the rudiments of The Jeff Beck Group with
his friends Jimmy Page, Nicky Hopkins, Keith Moon and John Paul Jones and threw down the mega instrumental Beck's
Bolero. This track along new tracks recorded at Abbey Road with Rod Stewart, Ronnie Wood, Nicky Hopkins and Mick Waller
would serve up his very first solo smash album Truth.
Kicking things off with the hard hitting Shapes of Things, this Yardbirds' revisit takes on a whole new approach with
the soulful vocals of Rod Stewart paired with the guitar antics of Jeff Beck. A match made in heaven, these two pioneers of
the British blues scene carry on with more masterful workouts on such fare as their hits Rock My Plimsoul, Let Me Love You
and their inspiring tour de force Blues De Luxe. Willie Dixon's I Ain't Superstitious and You Shook Me, plus their brilliant Tim
Rose cover of Morning Dew along with the brilliance of Beck's Bolero made Truth the revered masterpiece that it still is today.
Noted for his stellar guitar work, pretty much introducing new ways of using technique, distortion and effects to a
whole new generation of guitar players, Jeff Beck's Truth is truly a primer for a ton of rock and blues artists.
Friday Music is no stranger to the music of the legendary Jeff Beck, his arsenal of fine recordings already on our label.
That is why we are so very proud to announce another fine installment in The Jeff Beck/Friday Music 180 Gram Audiophile
Vinyl Series with his first legendary masterpiece Truth.
Mastered impeccably by Joe Reagoso (Jeff Beck, Yes, Deep Purple) for the first time on audiophile vinyl from the Columbia
stereophonic tapes, Jeff Beck's Truth will truly become one of the most important and historical 180 Gram Audiophile
Vinyl titles in quite some time.
To celebrate Jeff Beck's five decades in the music business, we further enhance this limited anniversary edition with a
stunning gatefold cover featuring the original artwork elements as well as a classic inside gatefold rare photo of the original
Jeff Beck Group with Jeff, Rod Stewart, Ronnie Wood and Mick Waller.
Jeff Beck Truth Impeccable first time audiophile stereo Happy New Year!
Shapes of Things!!!1. Shapes of Things
2. Let Me Love You
3. Morning Dew
4. You Shook Me
5. Ol' Man River
7. Rock My Plimsoul
8. Beck's Bolero
9. Blues De Luxe
10. I Ain't Superstitious$31.99180 Gram Audiophile Virgin Vinyl LP Buy Now
HomeThe Helm are no strangers to the Hex Records roster. They released their initial 7 with the label before releasing their first full length with California mainstay Indecision Records. Two national tours later The Helm found themselves at an impasse, bringing in a new rhythm section and taking a break to focus on getting the new members acclimated to the vicious sounds which they excel at. After getting comfortable and writing some new songs Hex records once again approached them to rejoin the label, which they were happy to do. The result is Home, the new full length recorded by Chris Common (These Arms Are Snakes) that finds the band taking new twists and turns to their tired and true gritty hardcore attack. Moving beyond the simple His Hero Is Gone comparisons and taking cues from fellow Northwest noisemongers like Kiss It Goodbye this crew makes things interesting for the noise-damaged ear, yet still makes a lot of room for 2-minute anthems of mistrust for a rotten world.
Gun As Gavel
A Few Days Ago
Because We Can
Boarded Up$12.99Vinyl LP - Sealed Buy Now
International (Awaiting Repress)To put it bluntly, Lust For Youth's International is unrecognizable as a Lust For
Youth record on first listen. Hannes Norrvide's previous solo albums under the
Lust for Youth moniker have been described as "dark, cold, atonal, tormented,
lonely, and lower than lo-fi." The approach on International has shifted dramatically. Writing as a three-piece now, with longtime live collaborator Loke Rahbek
and new band member Malthe Fisher, who produces and plays guitar, LFY have
entered a completely new territory. The result is stunning. International is a
buoyant synth masterpiece in the vein of early Depeche Mode, Pet Shop Boys
and New Order. Norrvide's work has always had pop sensibilities buried deep
in the reverb, but the hooks are front and center on International, and there is
nothing lo-fi about it.
That is not to say the record is without substance. There are still some deeply
introspective moments as well, notably the instrumental passages "Ultras" and
"Basorexia," which evoke the morning-after loneliness that a lot of earlier LFY
work has explored. According to Rahbek, "the record sort of happened by
chance. Hannes and I had talked about recording some stuff together for the
fun of it, and Malthe offered to help us record. Initially, we were just going to do
a song or two, but within a few weeks it was obvious that it was a combination
that worked. The period was strange, terrible things happened in everyone's life
outside of the studio, so as a result many hours were spent in the studio, like a
"As the title indicates," Rahbek adds, "the record deals with the rootless, sometimes almost inhuman, nature of traveling and touring. Hotel rooms and
strangers' beds, drugs and clubs, and the impossibility of living a regular life." It
may be an irregular life, but nothing could suit them better. International is Norrvide's magnum opus, and with Fisher's production and Rahbek's co-writing
skills, the potential this band has always shown has been fully realized.1. Epoetin Alfa
4. New Boys
7. After Touch
10. International$18.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Go Bo Diddley
The Bo Diddley/Friday Music 180 Gram Audiophile Series Begins!
Bo Diddley's Masterwork Album!
First Time Official Audiophile Vinyl - Stunning First Time Gatefold Cover
Mastered From The Authorized Chess Records Mono Tapes By Joe Reagoso
Bo Diddley (Elias McDaniel) was truly an American original. There will never be another Bo Diddley nor anyone in the music
industry who could influence generations upon generations of aspiring rock 'n rollers like Bo Diddley has and continues to this
day, even years after his short time on earth.
Celebrating six decades in the music business, this Mississippian native initially captivated millions of kids in the fifties
with his first recordings like Bo Diddley and Say Man. He drove the rockers mad with his famous guitar riffs and boogie beat,
filled with poetic lyrics and a thrilling presence on the stage.
Bringing his original "Bo Diddley Beat" to Chess Records in early 1955, the Chicago based label and the pioneer rocker hit
a goldmine immediately with his arsenal of tunes that he presented to Phil and Leonard Chess. A lot of these great songs became
top charting singles which culminated in his masterwork album Go! Bo Diddley.
Kicking things off with one of his finest smash hits Cracking Up, Bo roars through a treasure trove of 11 more champions
which made this one of the most important and emulated albums of all time. The album features classic gems like his classics
Dearest Darling, Say Man, Don't Let It Go and The Clock Struck Twelve. Noted for his stellar guitar work, pretty much introducing his Bo Diddley Beat riff to a whole new generation of guitar players, Go! Bo Diddley was truly a primer for a ton of rock and
blues artists for years like Eric Burdon and The Animals, George Thorogood, Buddy Holly, The Rolling Stones, The Beatles and
Bo Diddley opened the doors for millions of music fans around the world to enjoy rock and blues, making him along with
Chuck Berry, Elvis Presley and Little Richard as one of the first pioneers of the popular recording business that we all enjoy to
Friday Music is no stranger to the music of the legendary Chess Records arsenal of fine recordings. That is why we are so
very proud to announce our first installment in The Bo Diddley/Friday Music 180 Gram Audiophile Vinyl Series with his legendary
masterpiece Go! Bo Diddley.
Mastered impeccably by Joe Reagoso (Muddy Waters, John Lee Hooker, Chuck Berry) for the first time on audiophile vinyl
from the Chess monophonic tapes, Bo Diddley's Go! Bo Diddley will truly become one of the most important and historical 180
Gram Audiophile Vinyl titles in quite some time.
To further celebrate this first time audiophile vinyl LP, we enhance this limited edition masterwork with a stunning gatefold
cover featuring the original artwork elements as well as two classic rare inside gatefold photos of the man who helped start
rock and roll.
Bo Diddley Go! Bo Diddley Impeccable mono from the AUTHORIZED Chess Records tapes! Go Bo Diddley!1. Crackin' Up
2. I'm Sorry
3. Bo's Guitar
4. Willie and Lillie
5. You Don't Love Me (You Don't Care)
6. Say Man
7. The Great Grandfather
8. Oh Yea
9. Don't Let It Go
10. Little Girl
11. Dearest Darling
12. The Clock Strikes Twelve$26.99180 Gram Audiophile Virgin Vinyl LP Mono Buy Now
It's AliveSeattle's La Luz recorded their debut EP, Damp Face, in a small trailer on a hot August day. But barring the inevitable "no-AC-in-the-van" summer tour calamity, La Luz runs cool. Their brand of coolness isn't about distance or affect; it's a mood, and-sue me, but I'm about to totally rip off Zelda Fitzgerald: Something about this music vibrates to the dusky, dreamy smell of dying moons and shadows. So yeah, that kind of cool.
Still, La Luz's live shows, more than most these days, are about connection. It's evident that the four ridiculously talented ladies on stage are not only playing music with each other, but for each other. And they engage their audience as well. Like a proper punk band-which they are not- they give you shit for not dancing. They convey a gritty self-possession, a sense that they've been there and back again. And, like the expert, but seemingly effortless, surf licks and meandering bass lines that rise and fall throughout their songs, their mocking is playful and dreamy and disarming enough to get most of the crowd (and sometimes the keyboard player) dancing down the center line of a soul train.
But as any half-assed Freudian will tell you, there can be no meaningful connection without first weathering some dark and lonely times. Here comes the chilly part: What makes La Luz stand out-and stand out fast-the band has only been playing together for a year and people took notice almost immediately-is that this is a band that embodies that most elusive slant on the human condition: longing, and the fleeting relief that tags alongside deep desire.
In Spanish, La Luz means "light" and that's the perfect thing to evoke when your songs give the illusion of veering in the opposite direction. But lift out most any lyric-which is a good excuse to give a closer listen to the delicate, four-part harmonies that are fast becoming the band's signature-and you'll find that the aches and pains of love and loss, of living in a world where no foothold is ever a promise-all this is delivered with a nuanced dose of perfectly timed exhilaration, like the whole thing might just be worth it in the end.
Last spring, La Luz returned to that steamy trailer park to record It's Alive - the much-anticipated follow up to Damp Face - with their friend and engineer Johnny Goss. From the first get-psyched drum roll and eerie chords of "Sure As Spring", the dinged-up pop gem that opens the album, the rest moves like a slow drive on a dangerous road, slinking and bending as the terrain shifts. On "What Good Am I?", the lead vocals, and the swirl of harmonies that surround it, recall the Spartan haze of Mazzy Star's misty-eyed super hit. Smack in the middle is the title track. "It's Alive" is a jangly rocker with a spooky refrain, oodles of ooohs, and a marauding narrative that nails down the misty logic of the rest of the album. Two instrumentals, "Sunstroke" and "Phantom Feelings", showcase the band's beach jam surf chops, and fall perfectly between the chilled out heartache that surrounds them.
Imagine all of the Shangri-La's trying, precariously, to balance on top of Link Wray's surfboard.
The kind of sweet surf rock with a touch of melancholy that should be the soundtrack to the slow-dancing-at-prom scene in every teen movie.
-- The Stranger1. Sure As Spring
2. All the Time
3. Morning High
4. What Good Am I?
6. It's Alive
7. Big Big Blood
8. Call Me in the Day
9. Pink Slime
10. Phantom Feelings
11. You Can Never Know$13.99Vinyl LP - Sealed Buy Now
ImpressionsThe Los Angeles trio Music Go Music began humbly, recording songs in their spare time and playing them for friends. A few songs posted online caught the ears of a surprising number of strangers, who implored the band to make a go of it. They eventually, and reluctantly, agreed to this, and before long the show had been officially taken on the road; MGM was being buzzed about, flying back and forth across the the Atlantic, touring around with Glasgow rockers Franz Ferdinand, and performing for the most discerning of music lovers in Moscow, London, LA, and points in between. Their debut album Expressions was a warmly received dance-pop-prog excursion that drew apt comparisons to Abba, Kate Bush, Bonnie Tyler, and Giorgio Moroder. After things settled down and they got back to their workaday lives, they began chipping away at a new record. In the course of several years, one or two songs at a time, 'Impressions' took shape. By now, the world has swayed in ways that seemed unlikely back at the band's dawning. When their first EPs began coming out in 2007, MGM was an anomaly; a real band capable of crafting a steady stream of hook-dense A-sides, who played honest-to-goodness live dance music. This time around, of course, they're sending a record out into a world that has turned just enough to embrace the kind of analog disco that MGM has been making for years. While remaining unambiguously pop, Impressions sees the group's aural sheen and careworn elegance joined to deeper grooves and oblique sonic turns. Never before, though, has an unhinged recounting of love won and lost been so blatantly entertaining. It's an assured, kinetic journey through light and dark, calm and chaos, with nothing less than pop transcendence waiting on the other side.1. Love Is All I Can Hear
3. People All Over The World
4. Tell Me How It Feels
5. Part Of Me
6. Nite After Nite
7. Tuff Turf
8. Never Get Over You
9. Shine Down Forever$17.99Vinyl LP - Sealed Buy Now
Spreading RumoursSpreading Rumors is Grouplove's second full-length album.
Hannah Hooper met Christian Zucconi late one evening on the lower east side of Manhattan. They had both been living in New York for years and had never crossed paths before. But from that night forward the two could hardly be pulled apart. Soon after their connection Hooper was invited to an art residency in Greece on the island of Crete and Hooper insists without any hesitation she invited Zucconi to join her on this journey. Seriously, we had only known one another for a few days but are both so inspired and alive when we are together that going to Greece seemed like a magical and natural thing to do recalls Zucconi.
On Crete, in a small remote mountain village, Hooper and Zucconi met the members of their future band Grouplove a year before it was officially formed. Sean Gadd, a natural songwriter and guitar player, born and bred in London instantly bonded with the two eccentric New Yorkers. Their relationship became apparent through the music they were making day in and day out. Andrew Wessen, a pro surfer and musician from Los Angeles and his childhood friend Ryan Rabin, an accomplished drummer and producer, were also at the residency and quickly joined in with the musical trio. These five musicians make up the members of what we now know as Grouplove.
Like all good things, the summer and the residency came to an end and the five friends scattered back to their homes all over the globe. With Sean in London, Christian and Hannah in Brooklyn and Ryan and Andrew in Los Angeles Grouplove was faced with the challenge of what to do now. We all understood how rare it is for five strangers to feel as close as family and create passionate music together. We couldn't just return to Brooklyn and let the music we all made fade into a memory of that summer we had in Greece, explains Zucconi. Everyone pulled their funds together and Sean, Christian and Hannah made their way to Ryan Rabin's studio in LA to record their album. We seriously had the best time of our lives doing that record, says Zucconi. And the result is an incredibly special album where soaring harmonies coupled with sweeping anthems lead you through their powerful journey. Like the members of Grouplove, their music is diverse in influence and style but bonded together by an undeniably creative kinship.
Their experience back together and recording together was so potent that Hooper and Zucconi packed up their lives in Brooklyn and moved to LA to live and play their music.
We never could have dreamt this up says Zucconi, but at the same time we're not at all surprised - GROUPLOVE is meant to be. Our story a testament to fate, and our music is something we are ready to share.1. I'm With You
2. Borderlines And Aliens
4. Ways To Go
5. Shark Attack
6. Sit Still
7. Hippy Hill
8. What I Know
9. Didn't Have To Go
10. Bitin' The Bullet
11. News To Me
13. Save The Party For Me$20.99Vinyl LP - Sealed Buy Now
Tyler Bryant And The ShakedownA Band On The Verge Of Rock N Roll Greatness!
After carving out a fervent fan base and drawing widespread critical applause with their heady, high-voltage brand of guitar-driven rock, shooting from both hip and heart, Nashville's Tyler Bryant & The Shakedown find themselves at the epicenter of an advanced rock 'n' roll adventure that continues to take them around the world, appearing at some of the biggest venues along the way
Starting with a guest spot on AC/DC's 'Rock or Bust' World Tour in 2016, the quartet - Caleb Crosby on drums, Noah Denney on bass and backing vocals, Graham Whitford on guitar and Texas-born Tyler himself on vocals and guitar, a musician immersed in blues music from an early age - have continued to share events and stages with some of rock's most legendary names, including Guns N' Roses, Tom Petty & the Heartbreakers, Aerosmith, Deep Purple and ZZ Top.
At the same time as projecting their music into stadiums, Tyler Bryant & The Shakedown - The Shakedown to friends and fans - have continued to build their name and reputation as a headline act, and indeed it was backstage after a sold-out, bill-topping show in London (June 2017) that the band signed their new deal with Snakefarm Records - the most immediate and exciting result being an 11-track, self-titled studio album set to be the label's inaugural release, with November 3rd locked in as the day of the launch
"So many great things have happened over the past few months," exclaims Caleb, "and it's all just so surreal. I remember seeing that Guns N' Roses were playing two stadium shows in London on June 16th and 17th earlier this year, which are birthdays for Noah and myself, back to back, and I said wouldn't it be amazing if we appeared on both of those shows and we did!"
Rewinding back to 2008, Tyler moved to Nashville by himself at the ripe age of 17 to write songs and form a band. It was here he met Caleb, and together they put together what would become The Shakedown
"The instant we started playing, I knew there was something special," reflects Caleb. "We played our first show a week later and haven't stopped since!"
The next addition to the ranks was Graham Whitford, a young guitarist from Boston, Massachusetts. Introduced to Tyler as the guy who could put him out of a job, it was clear from the start that Whitford was a force to be reckoned with. As soon as Tyler heard him play, he asked him to uproot and move to Nashville to join the band.
All that was needed now was the right bassist: enter Noah Denney, who instantly added a whole new dimension to The Shakedown's sound. As Tyler recalls, "his bass sound scared me and he brought an edge and an attitude to the band that we didn't even know we needed."
2013's 'Wild Child' album announced the quartet's arrival with a bang as they logged time on the road with the likes of Aerosmith, Jeff Beck & ZZ Top, while receiving the endorsement of Guitar World, Rolling Stone, Los Angeles Times, Nylon, Interview Magazine and Paste. Taking over TV, they lit up the stage at both Jimmy Kimmel LIVE! and AXS Live.
Following the release of 'The Wayside' EP (2015, produced by Grammy Award winner Vance Powell), the boys crisscrossed the country alongside Billy Gibbons & AC/DC on that celebrated 2016 run. April 2017 found them without a label and only a month out from joining Guns N' Roses on a European tour
"We had just decided to self-produce a record completely on our own," says Tyler. "I'll never forget driving home that morning and getting a call from our manager saying, 'You wanna go back to Europe with Guns N Roses?' That was a great kick-start to the first day of tracking."
So they hunkered down and set about writing & recording their second full-length album, with John Fields (Soul Asylum, Paul Westerberg) coming on board to handle the mix. Blending a sense of history with a youthful, energetic heartbeat, this anticipated outing features a host of brand new tracks, some of which have become staples of the live set. It also stands as the start of a relationship with the newly-launched Snakefarm label.
Housed within the global infrastructure of Spinefarm Records (a UMG label), the Snakefarm brand will provide a targeted home for international artists, both established and new, from the increasingly buoyant roots rock world - music based on authenticity and emotion, under-pinned by core values and beliefs.
In this respect, Tyler Bryant & The Shakedown - who can lay claim to a fast-growing international presence, with major UK festivals such as Download, Ramblin' Man and British Summer Time already under their belt, alongside headline shows plus guest appearances with Nashville neighbors The Cadillac Three - are a flagship representation; what's more, in 'Tyler Bryant & The Shakedown' they've delivered a genuine genre-defying labour of love, a varied and infectious statement shot through with passion, pride and a welcome dash of glamour.
"This is the definitive Shakedown record as of now, and that's why we decided it should be self-titled," explains a fired-up Tyler. "It's the definitive Shakedown record due to the fact there were no other cooks in the kitchen. We put so much energy into writing and recording each song. It's not just a guitar album; it's a song album, and I'm proud to hang my hat on this one."
The first single / video, 'Heartland', introduces Tyler Bryant & The Shakedown with a one-two punch of gritty guitars and soulful vocals before slipping into a hypnotic bridge punctuated by airy clean guitars. Tyler sings, "There's a slow beat in the heartland, going down in the quicksand, stack 'em up and watch the cards fall, if it happens to one, then it happens to all".
"It's no secret that there's crazy stuff going on all over the world right now. There's madness all around and people are constantly picking sides. Every night when the Shakedown takes the stage, I'm amazed that music brings people together. Nobody is thinking about what side they're on when they're singing at the top of their lungs next to a complete stranger. I thought maybe through music I could remind myself and our TBSD family that when one person falls, the rest of us do, too. I wanna get together with a bunch of folks and sing that sentiment because it's one I strongly believe in.
Elsewhere, 'Backfire' struts along on a stomping drum groove driven by thick distortion with lyrics "about pulling the short end of the straw and feeling vengeful". Then there's 'Aftershock'. Hinging on hummable riffing, the track simmers at a steady swamp crawl before the Sabbathian refrain.
"That's a tune about feeling the effects of a situation long after it's come and gone.
As Tyler Bryant & The Shakedown spend 2017 lighting up stages with the likes of Guns N' Roses (again), The Who & Alice Cooper - as well as making their first appearance at Rock In Rio - this new album sees them fully realize their vision with a sound that resounds above the bleachers, plus a collective desire to keep the entertainment flag fully unfurled
"I want people to put this on and literally escape," Tyler leaves off. "I hope they feel free. That's what rock 'n' roll makes me feel. You don't have to think about your bills or any of the other things that have the power to bring you down when you've got your fist up in the air, your eyes closed and you're lost in the music. Angus Young told me, 'You've got to make the audience think you're taking them on a journey, and they'll go with you. If you believe it, they will too'. I believe it with this record."1. Heartland
2. Don't Mind The Blood
3. Jealous Me
5. Ramblin' Bones
6. Weak And Weepin'
7. Manipulate Me
8. Easy Target
9. Magnetic Field
11. Into The Black$29.99Vinyl LP - Sealed Buy Now
Stranger Things Vol. 2 (A Netflix Original Series Soundtrack) (Out Of Stock)Housed In A Gatefold Sleeve
STRANGER THINGS is the breakout Netflix original series set in 1983 Indiana where a young boy vanishes into thin air. As friends, family and local police search for answers, they are drawn into an extraordinary mystery involving top-secret government experiments, terrifying supernatural forces and one very strange little girl. A love letter to the '80s supernatural classics that captivated a generation, STRANGER THINGS stars Winona Ryder, David Harbour, Matthew Modine, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer and Charlie Heaton. The series is now streaming on Netflix globally.
Formed in 2009, the prolific Austin, TX experimental synth quartet S U R V I V E have released two full-lengths and numerous EPs / singles since their inception, including recent contributions to the soundtrack for the acclaimed indie horror film The Guest. Additionally, two of the group's members recently scored the soundtrack for the first season of STRANGER THINGS, launched this summer on Netflix. S U R V I V E has appeared at esteemed festivals across the US including Moogfest, Levitation Fest, Fun Fun Fun, Beserktown, Day in The Desert, Decibel, etc. and have played alongside acts like Goblin, John Maus, Tame Impala, Lightning Bolt, This Will Destroy You, A Place To Bury Strangers, Max Cooper, and many others; Noisey even called their live show ''transcendental.''
Now, S U R V I V E have completed self recording their second full length via their home studios, which will see a September 30 via Relapse. The synth quartet's sophomore full length and Relapse debut is a dark, sweeping exercise in analog synth mastery. The pulsating, 9-song instrumental release showcases immense diversity between tracks - RR7349's compositions range from grim tom-tom thunder to space-age epics, pairing tense plodding grooves with meditative ambience and driving, rhythmic beats. Inspired by IDM and horror scores alike, RR7349 is simultaneously ominous and hopeful; tense and relaxed; percussive and melodic. A unique addition to the Relapse discography, and unquestionably S U R V I V E's best work to date.
The first season of STRANGER THINGS is available to stream now on Netflix.1. Hopper Sneaks In
2.I Know What I Saw
3. Rolling out the Pool
5. Gearing Up
7. First Kiss
9. Walking Down the Tracks
10. Where's Barb?
11. Speak of the Devil
12. Danger Danger
15. Kids Two
16. Talking to Australia
17. Night of the Seventh
18. See Any Rain?
19. Coffee & Contemplation
20. Inside the Black Room
21. Starts to Rain
22. Eleven Is Gone
23. Time for a 187
24. Something in the House
25. Still Pretty
28. They Found Us
29. Bad Men
30. Spiked Bat
31. Making Contact
32. What Do You Know?
33. It's Not My Boy
34. Something in the Wall
35. Let's Go
36. Leap of Faith
37. In Pursuit
38. Breaking and Entering
39. Stranger Things (Extended)$24.99Vinyl LP - 2 LPs Sealed Temporarily out of stock