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  • JBL Studio 220 Speakers JBL Studio 220 Speakers Quick View

    $299.99
    Buy Now
    x

    JBL Studio 220 Speakers


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Includes 2 Speakers


    Unrivaled sound. Unrivaled technology. Pure JBL.


    For those who know what they're looking for when it comes to a loudspeaker system - and who want it flexible besides - we give you the new JBL Studio 220 2-way bookshelf loudspeakers. As part of the groundbreaking 10-piece JBL Studio 2 loudspeaker series, the Studio 220 propels you into a world where legacy sound-craft and advanced technology go hand-in-hand in shaping a listening experience like none before. The Studio 220's 4" PolyPlas midrange driver is designed to bring you pitch-perfect vocal clarity and tight, accurate bass. Add to that the built-in High Definition Imaging (HDI) waveguide design and the 1" CMMD Lite high-frequency driver, and you've got a loudspeaker that takes its cues from JBL's own legendary M2 Master Reference Monitor. Combine this with the sleek, urbane design of the loudspeaker itself - both inside and out - and you're dealing with a rare breed of sonic horsepower and brainpower ready to define its era.


    JBL Speakers
    $299.99
    JBL Studio 220 Buy Now
  • JBL Studio 230 Speakers JBL Studio 230 Speakers Quick View

    $399.99
    Buy Now
    x

    JBL Studio 230 Speakers


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Includes 2 Speakers


    Unrivaled Sound. Unrivaled Technology. Pure JBL.


    For those in search of the purest, most powerful embodiment of legacy sound - and who want flexible speaker placement where that came from - we give you the new JBL Studio 230 2-way bookshelf loudspeakers. As part of the groundbreaking 10-piece JBL Studio 2 loudspeaker series, the Studio 230 propels you into a world where legacy sound-craft and advanced technology go hand-in-hand in shaping a listening experience like none before. The Studio 230's 6.5" PolyPlas midrange driver is designed to bring you pitch-perfect vocal clarity and tightbass that's as accurate as it is cinematic. Add to that a built-in High Definition Imaging (HDI) waveguide design and a 1" CMMD Lite high-frequency driver, and you've got a loudspeaker that takes its cues from JBL's own legendary M2 Master Reference Monitor. Combine this with the sleek, urbane design of the loudspeaker itself - both inside and out - and you're dealing with a rare breed of sonic horsepower and brainpower ready to define its era.


    JBL Speakers
    $399.99
    JBL Studio 230 2-Way 6.5" Bookshelf Loudspeaker Buy Now
  • The Monitor The Monitor Quick View

    $22.99
    Buy Now
    x

    The Monitor

    The Monitor was recorded this past August (2009) by producer and engineer Kevin McMahon at his studio Marcata Recording in New Paltz, NY. The usual suspects from the world of Titus Andronicus were all in attendance, as well as members of Ponytail, Wye Oak, Vivian Girls, and the Hold Steady. McMahon also mixed the album, and it was mastered by Greg Calbi whom the band chose because he is the only person alive who can claim involvement in both The Chemistry of Common Life by Fucked Up and Bat Out of Hell II: Back Into Hell by Meat Loaf!
    1. A More Perfect Union
    2. Titus Andronicus Forever
    3. No Future Part Three: Escape From No Future
    4. Richard II
    5. A Pot In Which To Piss
    6. Four Score And Seven
    7. Theme From ôCheersö
    8. To Old Friends And New
    9. ...And Ever
    10. The Battle Of Hampton Roads
    Titus Andronicus
    $22.99
    Vinyl LP - Sealed Buy Now
  • JBL Studio 270 Speakers JBL Studio 270 Speakers Quick View

    $799.99
    Buy Now
    x

    JBL Studio 270 Speakers


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    Includes 2 Speakers


    Unrivaled Sound. Unrivaled Technology. Pure JBL.


    Floorstanding loudspeaker. Groundbreaking sound. As part of the groundbreaking 10-piece JBL Studio 2 loudspeaker series, the Studio 270 vaults you into a world where legacy sound-craft and visionary technology go hand-in-hand in shaping a listening experience like none before. The Studio 270's 4" and 6.5" PolyPlas drivers are designed to bring you pitch-perfect vocal clarity and tight bass that's as accurate as it is cinematic. Add to these a built-in High Definition Imaging (HDI) waveguide design and a 1" CMMD Lite high-frequency driver, and you've got a loudspeaker that takes its cues from JBL's own legendary M2 Master Reference Monitor. Combine all this with the sleek, urbane design of the loudspeaker itself - both inside and out - and you're dealing with a rare breed of sonic horsepower and brainpower ready to define its era.


    JBL Speakers
    $799.99
    JBL Studio 270 3-Way 6.5 Floorstanding Loudspeaker Buy Now
  • AmpsandSound Seneca Horn-Loaded Loudspeaker AmpsandSound Seneca Horn-Loaded Loudspeaker Quick View

    $20,000.00
    Buy Now
    x

    AmpsandSound Seneca Horn-Loaded Loudspeaker


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    AmpsandSound Products Are Handmade In Small Batches and Go Through Extensive Quality Control


    The Seneca is AmpsandSound's nod to studio monitors. Inspired by the flat response and dynamic range of the best studio monitors from TAD and JBL, the Seneca is a 2way horn loaded monitor. They've combined a massive 15" woofer for effortless bass and 2" beryllium compression driver provides for lighting fast transient, wide bandwidth and ultra-low distortion.


    The Seneca like the Hudson is a partial horn-loaded loudspeaker system configured as an ultra-wide bandwidth 2way. The foundation of the Seneca is a direct radiating 15" woofer for low frequencies, providing usable bass into the 35hz range and crossing to the Mid-Horn @ 500hz. The Seneca mates a modern high-efficiency compression driver to Elliptical traxtrix horn. The reduction of a crossover point and driver increases coherence without sacrificing high frequency information. The concept of the Seneca is to have big horns, state of the art crossovers and drivers into the smallest form factor possible; and yielding bass response, efficiency, dynamic capabilities, low distortion, and scale of much larger designs in a much smaller enclosure.


    The Seneca had long been utilized by ampsandsound's founder in his personal system due to its more relaxed presentation. The core design was revisited with the development of the Hudson. Now paired with our newest crossover design and utilizing one of the most a calmed mid ranges, the Senenca was transformed into a loudspeaker capable of life like realism. Gone was the reference to a good sounding speaker, but now music was described as hearing the artist just feet away from you; as if you were at the counsel in the studio and they were playing to just you.


    Its compact size makes it capable of being installed into even small most rooms, minimizes room interactions. Front ported and horn loaded reduces back wall interaction. The Seneca offers dynamic range, life like scale, tonal accuracy will appeal to audiophiles who desire all of the positive attributes of horn-loaded designs but without the issues of size and room interaction that are inherent to many designs.


    The Seneca features a state of the art hand-wired crossover network, which utilizes high-order filters, and minimal driver lover lap, through use of large air-core inductors for low signal loss. If the heart of the Seneca is its horns and midrange, the crossover represents its cerebral cortex. The Seneca is art though design, providing detail rich rendering without coloration. Its crossover minimizes frequency overlap, and achieves phase coherence and perfect time alignment. Its crossover is hand-made and built to the same rigorous standards as our amplifiers and loudspeakers, utilizing Hyper-litz inductors and low Q capacitors. Each crossover weighs more than 15 pounds and is unlike anything you've seen or heard in horn-loaded loudspeakers.


    The Seneca's bass section utilizes a 15 woofer in a direct-radiating configuration that is front-ported to minimize interaction with front walls. Through the use of FFT analysis, ampsandsound has carefully built an inert cabinet that features strategic bracing and dampening. As a result, the Hudson is capable of high output with minimal excursion, and greatly reduced levels of distortion over conventional designs.


    The heart of the Seneca is its large CNC-cut midrange horn, which utilizes a hybrid tractrix flare, providing controlled horizontal dispersion and limiting vertical dispersion to reduce room interactions. The midrange horn is mated to a 2 large-format midrange compression driver with beryllium diaphragm. No need for a tweeter with a midrange capable of extending past 20khz and providing a rule flat midrange. The combination of a large, precision-made wood horn with a large throat and large midrange compression driver has resulted in a midrange that is tonally accurate, yet rich with detail. The midrange is smooth, fast-sounding, and easy to listen to for hours.


    AmpsandSound
    $20,000.00
    Horn-Loaded Loudspeaker (Pair) Buy Now
  • Lehmann StudioCube Lehmann StudioCube Quick View

    $499.00
    Buy Now
    x

    Lehmann StudioCube


    Have a question about this product? Please email our audio advisor or call 1-877-929-8729 with any questions or concerns regarding your equipment purchase.


    I've been shocked at how much the studio cube has been inspirational as a monitoring device. [...] I monitor at lower levels and more relaxing levels than I ever have before..
    - Paul Pilot, Producer


    Our StudioCube is the ideal partner for the personal monitoring: it enables a nuanced, transparent and fatigueless listening in the studio and on stage. At the same time this compact headphone amplifier fascinates the most demanding musicians and master sound engineers with its outstanding sound qualities.


    Being a musician or a sound nerd, it's your natural ambition to always deliver optimum results on stage and in the studio. For a pro-level headphone amplifier this ambition poses a special challenge. Our StudioCube copes with any task brilliantly and is your true and flexible companion in every situation. An all-out professional whose uncompromisingly truthful sound you can always depend on.


    Essential jack-of-all-trades


    The StudioCube distinguishes itself by high-class technology and practical features. Its first-grade components, coupled with balanced input stages, give it outstanding sound qualities and a punchy, clean bass reproduction. Like all our devices the StudioCube, too, is a role model for exceptional transparency and extremely low noise.


    Its excellent transient behaviour ensures that studio musicians can work at a lower listening volume level. This does not only protect their hearing and allow a longer concentration phase. That way crosstalk from the headphone into the nearby microphones is audibly reduced as well. All people involved can rejoice over a more inspiring, more musical result.


    Practical features


    Apart from its excellent sound properties the StudioCube offers a number of practical features: it consorts well with virtually every headphone. The front panel has a practical input level indicator and a conveniently located toggle switch to assign a mono signal to both the left and right output channel simultaneously. The Loop output can be used to feed several devices through a daisy chain. Thanks to its special design bracket it mounts very conveniently on a microphone stand or under the table.


    Lehmann Audio
    $499.00
    Headphone Amplifier Buy Now
  • Candy-O (Expanded Edition) Candy-O (Expanded Edition) Quick View

    $24.99
    Buy Now
    x

    Candy-O (Expanded Edition)

    D-Side Etching

    The Cars' second album, 1979's Candy-O will be reissued as an expanded edition.

    This new 2017 edition of Candy-O comes with seven bonus tracks: 'Northern Studios' versions of four songs (including previously unissued song They Won't See You), two monitor mixes and a B-side. This edition uses the Ric Ocasek supervised mastering from last year's The Elektra Years box set.

    Candy-O is being reissued as a 2LP vinyl edition with all the extra audio. The gatefold vinyl has music on three sides and an etching on the fourth.

    1. Let's Go (Remastered)
    2. Since I Held You (Remastered)
    3. It's All I Can Do (Remastered)
    4. Double Life (Remastered)
    5. Shoo Be Doo (Remastered)
    6. Candy-O (Remastered)
    7. Night Spots (Remastered)
    8. You Can't Hold On Too Long (Remastered)
    9. Lust For Kicks (Remastered)
    10. Got A Lot On My Head (Remastered)
    11. Dangerous Type (Remastered)
    12. Let's Go - Roy Thomas Baker Monitor Mix
    13. Candy-O - Northern Studios Version
    14. Nights Spots - Northern Studios Version
    15. Lust for Kicks - Roy Thomas Baker Monitor Mix
    16. Dangerous Type - Northern Studios Version
    17. They Won't See You - Northern Studios Version, Previously Unissued
    18. That's It - Let's Go B-side
    The Cars
    $24.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Mono Masters Mono Masters Quick View

    $69.99
    Buy Now
    x

    Mono Masters

    The Beatles' Original Mono Studio Albums Remastered At Abbey Road Directly From The Analogue Masters For Vinyl Release By Sean Magee and Steve Berkowitz


    Lacquers Cut Using Neumann VMS-80 Lathe


    Manufactured For The World At Optimal Media In Germany, The Beatles' Albums Are Presented In Their Original Glory, Both Sonically And In Their Packaging.


    The Beatles in mono: This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. MONO MASTERS is released in mono on three 180-gram vinyl LPs with faithfully replicated artwork, newly mastered from the analogue master tapes.


    In an audiophile-minded undertaking, The Beatles' acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While THE BEATLES IN MONO CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.


    Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.


    Via Michael Fremer (Analog Planet) on the mastering process:


    The EQ applied was based upon the original cutting engineers' notes as well as careful listening to original first lacquer, first mother, first stamper EMI pressings (-1, 1, G matrix). The cartridge used was Ortofon's 2M Black.


    It's important to remember that the tapes have aged-some as much as fifty years-and the monitoring, playback and mastering equipment have changed as well, even though the work was done in the very same room in which the originals were mastered. Solid state has replaced tubes in the cutting chain.


    Lacquers were cut using Abbey Road Studios' Neumann VMS-80 lathe, equipped with a Neumann SX-74 cutter head. The originals were cut on a Scully lathe, perhaps with a Westrex cutter head.

    LP 1
    1. Love Me Do (Original Single Version)
    2. From Me To You
    3. Thank You Girl
    4. She Loves You
    5. I'll Get You
    6. I Want To Hold Your Hand
    7. This Boy
    8. Komm Gib Mir Deine Hand
    9. Sie Liebt Dich
    10. Long Tall Sally
    11. I Call Your Name
    12. Slow Down
    13. Matchbox
    14. I Feel Fine
    15. She's A Woman


    LP 2
    1. Bad Boy
    2. Yes It Is
    3. I'm Down
    4. Day Tripper
    5. We Can Work It Out
    6. Paperback Writer
    7. Rain
    8. Lady Madonna
    9. The Inner Light
    10. Hey Jude
    11. Revolution


    LP 3
    1. Only A Northern Song
    2. All Together Now
    3. Hey Bulldog
    4. It's All Too Much
    5. Get Back
    6. Don't Let Me Down
    7. Across The Universe
    8. You Know My Name (Look Up The Number)

    The Beatles
    $69.99
    180 Gram Audiophile Virgin Vinyl LP Mono - 3 LPs Sealed Buy Now
  • The White Album (Mono) The White Album (Mono) Quick View

    $38.99
    Buy Now
    x

    The White Album (Mono)

    The Beatles' Original Mono Studio Album Remastered At Abbey Road Directly From The Analogue Masters For Vinyl Release By Sean Magee and Steve Berkowitz


    Lacquers Cut Using Neumann VMS-80 Lathe


    Ranked 10/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    Manufactured For The World At Optimal Media In Germany, The Beatles' Albums Are Presented In Their Original Glory, Both Sonically And In Their Packaging.


    The Beatles in mono: This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. THE BEATLES is released in mono on two 180-gram vinyl LPs with faithfully replicated artwork, newly mastered from the analogue master tapes.


    In an audiophile-minded undertaking, The Beatles' acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While THE BEATLES IN MONO CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers.


    Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.


    Via Michael Fremer (Analog Planet) on the mastering process:


    The EQ applied was based upon the original cutting engineers' notes as well as careful listening to original first lacquer, first mother, first stamper EMI pressings (-1, 1, G matrix). The cartridge used was Ortofon's 2M Black.


    It's important to remember that the tapes have aged-some as much as fifty years-and the monitoring, playback and mastering equipment have changed as well, even though the work was done in the very same room in which the originals were mastered. Solid state has replaced tubes in the cutting chain.


    Lacquers were cut using Abbey Road Studios' Neumann VMS-80 lathe, equipped with a Neumann SX-74 cutter head. The originals were cut on a Scully lathe, perhaps with a Westrex cutter head.


    LP 1
    1. Back in the U.S.S.R.
    2. Dear Prudence
    3. Glass Onion
    4. Ob-La-Di, Ob-La-Da
    5. Wild Honey Pie
    6. The Continuing Story Of Bungalow Bill
    7. While My Guitar Gently Weeps
    8. Happiness Is A Warm Gun
    9. Martha My Dear
    10. I'm So Tired
    11. Blackbird
    12. Piggies
    13. Rocky Raccoon
    14. Don't Pass Me By
    15. Why Don't We Do It In The Road?
    16. I Will
    17. Julia


    LP 2
    1. Birthday
    2. Yer Blues
    3. Mother Nature's Son
    4. Everybody's Got Something To Hide Except Me And My Monkey
    5. Sexy Sadie
    6. Helter Skelter
    7. Long, Long, Long
    8. Revolution 1
    9. Honey Pie
    10. Savoy Truffle
    11. Cry Baby Cry
    12. Revolution 9
    13. Good Night

    The Beatles
    $38.99
    180 Gram Audiophile Virgin Vinyl LP Mono - 2 LPs Sealed Buy Now
  • Rubber Soul (Mono) Rubber Soul (Mono) Quick View

    $22.99
    Buy Now
    x

    Rubber Soul (Mono)

    Ranked 5/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.


    The Beatles' Original Mono Studio Album Remastered At Abbey Road Directly From The Analogue Masters For Vinyl Release By Sean Magee and Steve Berkowitz


    Lacquers Cut Using Neumann VMS-80 Lathe


    Manufactured For The World At Optimal Media In Germany, The Beatles' Albums Are Presented In Their Original Glory, Both Sonically And In Their Packaging.


    The Beatles in mono: This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. The Beatles' nine U.K. albums, the American-compiled Magical Mystery Tour, and the Mono Masters collection of non-album tracks will be released in mono on 180-gram vinyl LPs with faithfully replicated artwork. Newly mastered from the analogue master tapes, each album will be available both individually and within a lavish, limited 14-LP boxed edition, The Beatles In Mono, which also includes a 108-page hardbound book.


    In an audiophile-minded undertaking, The Beatles' acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers. Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.


    Via Michael Fremer (Analog Planet) on the mastering process:


    The EQ applied was based upon the original cutting engineers' notes as well as careful listening to original first lacquer, first mother, first stamper EMI pressings (-1, 1, G matrix). The cartridge used was Ortofon's 2M Black.


    It's important to remember that the tapes have aged-some as much as fifty years-and the monitoring, playback and mastering equipment have changed as well, even though the work was done in the very same room in which the originals were mastered. Solid state has replaced tubes in the cutting chain.


    Lacquers were cut using Abbey Road Studios' Neumann VMS-80 lathe, equipped with a Neumann SX-74 cutter head. The originals were cut on a Scully lathe, perhaps with a Westrex cutter head.


    1. Drive My Car
    2. Norwegian Wood (This Bird Has Flown)
    3. You Won' See Me
    4. Nowhere Man
    5. Think For Yourself
    6. The Word
    7. Michelle
    8. What Goes On
    9. Girl
    10. I'm Looking Through You
    11. In My Life
    12. Wait
    13. If I Needed Someone
    14. Run For Your Life
    The Beatles
    $22.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • Revolver (Mono) Revolver (Mono) Quick View

    $22.99
    Buy Now
    x

    Revolver (Mono)

    Ranked 3/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time!


    The Beatles' Original Mono Studio Album Remastered At Abbey Road Directly From The Analogue Masters For Vinyl Release By Sean Magee and Steve Berkowitz


    Lacquers Cut Using Neumann VMS-80 Lathe


    Manufactured For The World At Optimal Media In Germany, The Beatles' Albums Are Presented In Their Original Glory, Both Sonically And In Their Packaging.


    The Beatles in mono: This is how most listeners first heard the group in the 1960s, when mono was the predominant audio format. Up until 1968, each Beatles album was given a unique mono and stereo mix, but the group always regarded the mono as primary. The Beatles' nine U.K. albums, the American-compiled Magical Mystery Tour, and the Mono Masters collection of non-album tracks will be released in mono on 180-gram vinyl LPs with faithfully replicated artwork. Newly mastered from the analogue master tapes, each album will be available both individually and within a lavish, limited 14-LP boxed edition, The Beatles In Mono, which also includes a 108-page hardbound book.


    In an audiophile-minded undertaking, The Beatles' acclaimed mono albums have been newly mastered for vinyl from quarter-inch master tapes at Abbey Road Studios by GRAMMY®-winning engineer Sean Magee and GRAMMY®-winning mastering supervisor Steve Berkowitz. While The Beatles In Mono CD boxed set released in 2009 was created from digital remasters, for this new vinyl project, Magee and Berkowitz cut the records without using any digital technology. Instead, they employed the same procedures used in the 1960s, guided by the original albums and by detailed transfer notes made by the original cutting engineers. Working in the same room at Abbey Road where most of The Beatles' albums were initially cut, the pair first dedicated weeks to concentrated listening, fastidiously comparing the master tapes with first pressings of the mono records made in the 1960s. Using a rigorously tested Studer A80 machine to play back the precious tapes, the new vinyl was cut on a 1980s-era VMS80 lathe.


    Via Michael Fremer (Analog Planet) on the mastering process:


    The EQ applied was based upon the original cutting engineers' notes as well as careful listening to original first lacquer, first mother, first stamper EMI pressings (-1, 1, G matrix). The cartridge used was Ortofon's 2M Black.


    It's important to remember that the tapes have aged-some as much as fifty years-and the monitoring, playback and mastering equipment have changed as well, even though the work was done in the very same room in which the originals were mastered. Solid state has replaced tubes in the cutting chain.


    Lacquers were cut using Abbey Road Studios' Neumann VMS-80 lathe, equipped with a Neumann SX-74 cutter head. The originals were cut on a Scully lathe, perhaps with a Westrex cutter head.


    1. Taxman
    2. Eleanor Rigby

    3. I'm Only Sleeping
    4. Love You To
    5. Here, There And Everywhere
    6. Yellow Submarine
    7. She Said She Said
    8. Good Day Sunshine
    9. And Your Bird Can Sing
    10. For No One
    11. Doctor Robert
    12. I Want To Tell You
    13. Got To Get You Into My Life
    14. Tomorrow Never Knows
    The Beatles
    $22.99
    180 Gram Audiophile Virgin Vinyl LP Mono - Sealed Buy Now
  • The Nightfly (45 RPM Box Set) (Out Of Stock) The Nightfly (45 RPM Box Set) (Out Of Stock) Quick View

    $99.99
    x

    The Nightfly (45 RPM Box Set) (Out Of Stock)


    Limit 1 Per Customer


    Mastered From The Original Master Tapes With Mobile Fidelity's One-Step Process: The Nightfly US1S 45RPM Box Set Is The Ultimate Analog Version Of Donald Fagen's 1982 Landmark Debut


    Lavish Packaging Includes Opulent Box And Special Foil-Stamped Jackets: Deluxe Audiophile Pressing Strictly Limited To 6000 Numbered Copies


    Cinema For The Ears: The Nightly Remains One Of The Best-Sounding Albums Ever Made With Reference Production, Standout Playing, And Jazz-Like Arrangements That Embody Timeless Cool


    Donald Fagen's largely autobiographical The Nightfly remains one of the best-sounding albums ever made. Revered by audiophiles, the Steely Dan co-founder's 1982 set immediately became a demonstration disc at hi-fi shows and audio salons the world over. It also quickly emerged as an irreplaceable monitor-evaluating tool for recording-studio engineers and front-of-the-house testing device for concert-venue soundboard engineers who continue to use it today. Painstakingly recorded over eight months by illustrious producer Gary Katz and a Hall of Fame-worthy cast of perfectionist-minded musicians, The Nightfly endures as a rare trifecta of superlative performance, consummate songwriting, and crisp, benchmark production. Mobile Fidelity is honored to give this seminal effort unsurpassed treatment befitting the most serious music connoisseurs.


    Fagen's solo debut reaches three-dimensional sonic and emotional heights never before attained by analog recordings on Mobile Fidelity's opulent UD1S (UltraDisc One-Step) box set. Strictly limited to 5,000 numbered copies, this ultra-hi-fi collector's edition literally and figuratively brings you closer to music that picks up where Steely Dan's Gaucho leaves off. You'll enjoy deep-black backgrounds, boundless soundstaging, pointillist details, staggering dynamics, and arguably, the most lifelike tonalities and nuances ever committed to vinyl. Experienced via UD1S, The Nightfly places Fagen and his session pros in your listening room. Every note, breath, and movement is reproduced with exquisite accuracy, wowing clarity, and impeccable balance. Consider this edition your new go-to reference.


    The lavish packaging and beautiful presentation of Mobile Fidelity's The Nightfly pressing befit its extremely select status. Housed in a deluxe box, this UD1S version contains special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this reissue of The Nightfly is a curatorial artifact meant to be preserved, poured over, touched, and examined. It is made for discerning listeners that prize sound quality and creativity, and who desire to fully immerse themselves in the art - and everything involved with the album, from the images to the textures and liner notes.


    Nominated for seven Grammy Awards, The Nightfly represent[s] certain fantasies that might have been entertained by a young man growing up in the remote suburbs of a northeastern city during the late fifties and early sixties, i.e., one of my general height, weight, and build, pens Fagen in the liner notes, revealing the work's thematic thrust and wistful, nostalgic appeal. At their core, songs look at the world via an optimistic, mindfully innocent lens and through the eyes of an adolescent holed up in his bedroom with his ear to a radio whose exciting transmissions inspire thoughts of futuristic cities, late-night deejays, otherworldly hopes, and Cold War romances. Cinema for the ears, The Nightfly comes on like a film transferred to wax - its stories filled with relatable vulnerability, ambition, and warmth.


    It is also timelessly cool, with everything from the iconic album cover - complete with Fagen in the role of a cigarette-smoking disk jockey spinning a Sonny Rollins album on an RCA turntable at 4:09 in the morning - to the flawless playing honoring the laid-back, hip, stylish jazz pedigree of the arrangements. Indeed, The Nightfly's fame owes as much to the stunning contributions by stickler musicians - saxophonist Michael Brecker, trumpeter Randy Brecker, guitarist Larry Carlton, drummer Steve Jordan, bassist Marcus Miller, drummer Jeff Porcaro, and Harmonica Frank Floyd included - as it does the particulars behind its creation, which involved cutting-edge technology, novel microphoning techniques, and pioneering recording methods that gave Fagen exactly what he demanded. His insistence on dialing in exacting drum sounds is by itself the stuff of legend.


    The results of the meticulous sessions transcend eras and generations - part of its very design. Virtually every track connects with classic 50s and 60s styles. Green Flower Street doubles as an homage to the jazz standard On Green Dolphin Street. The title track draws imagery from blues pioneer Charley Patton. Ruby Baby references soul greats the Drifters. Maxine nods to harmonies perfected by big-band vocal quartets like the Four Freshmen. The Goodbye Look acknowledges the bossa-nova craze of Fagen's youth. In all respects, The Nightfly rules the airwaves.


    More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

    Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a convert. Delicate converts are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.


    This title is not eligible for discount.

    1. I.G.Y.
    2. Green Flower Street
    3. Ruby Baby
    4. Maxine
    5. New Frontier
    6. The Nightfly
    7. The Goodbye Look
    8. Walk Between Raindrops
    Donald Fagen
    $99.99
    Vinyl LP UltraDisc One-Step 45 RPM Box Set - 2 LPs Sealed Temporarily out of stock
  • The Nat King Cole Story (Out Of Stock) The Nat King Cole Story (Out Of Stock) Quick View

    $159.99
    x

    The Nat King Cole Story (Out Of Stock)

    Analogue Productions' Blue Note and Nat King Cole Reissues WIN A Positive Feedback 2010 Brutus Award!
    ...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out! - David W. Robinson, Positive Feedback, Issue 52



    The results on this five 45rpm 180g LP set are simply astonishing, particularly if you've heard the originals. The transparency, dynamics and three-dimensionality create the intense sensation of being in the studio with the musicians and especially with Cole who appears as a visceral, floating apparition between the speakers. The size and three-dimensionality of the vocal image produces the sensation of the listener being a 'fly on the microphone mike stand' listening to Cole perform, surrounded by musicians. The arrangements and performances are faithful to the originals but the sound of course is far superior. The feeling is of sitting in on history by being there, not merely eavesdropping after the fact. Music = 10/11; Sound = 11/11 - Michael Fremer, Musicangle



    ...mastered from the original three-track work tapes is a sonic spectacular that outdoes the original by a wide margin - as does its packaging. The SACD includes three-channel and two-channel mixes. A major reissue. Stereophile Records To Die For - Michael Fremer, Stereophile, February 2010



    One of Nat King Cole's crowning achievements and a fittingly lavish celebration of a cultural and musical icon, The Nat King Cole Story offers a glorious overview of the career of one of the greatest and most beloved performers in popular music history. 38 tracks, many re-recorded in stereo for this anthology, offer a selection spanning his popular career.



    His beginnings leading the popular jazz-oriented Nat King Cole Trio are represented with selections including Route 66 and I Love You (For Sentimental Reasons). Hits including Nature Boy, Mona Lisa, Unforgettable, Orange Colored Sky, Night Lights and Looking Back are here to represent his unparalleled string of memorable hits as a popular vocalist. Calypso Blues and Ay Cosita Linda help illustrate the range his projects could cover. More contemporary to this anthology, selections including Wild Is Love are augmented here with two huge hits as a special bonus, Ramblin' Rose and Those Lazy, Hazy, Crazy Days of Summer to further expand the scope.



    A talent and voice for all times with a body of work that could and did help define their eras, Nat King Cole's career offers some of the finest, most enduring and treasured recordings ever made. Nat King Cole could never be fully served by any one set. But this wonderful cornucopia stands as a fantastic celebration for the enthusiast and a good starting point for someone just beginning to explore The Nat King Cole Story.



    Using the original first generation 2-track and 3-track session tapes from Capitol's vaults and all-analogue systems including custom headstacks, 3-track preview heads, console and monitoring chain installed at AcousTech specially for these releases, mastering engineers Kevin Gray and Steve Hoffman realize the stunning beauty of these recordings in this 45-RPM 180-gram five album set.



    Originally presented as a deluxe box set of 3 LPs in a canvas-bound embossed box with essays and pictures included in a album-sized booklet, The Nat King Cole Story was a prestigious release Capitol took obvious pride in. Complete with 5 LPs, canvas-bound embossed box and booklet with essays and pictures, Analogue Productions proudly recreates the experience for a new generation to cherish with this deluxe release. This truly is a no-expenses-spared project, resulting in the ultimate version of this title and a historic reissue.



    There are 38 songs in this collection. Of those, three are the same recordings included on other Analogue Productions Nat King Cole reissues. Stardust (track 28) is the same version included on Love Is The Thing. St. Louis Blues (track 30) is the same version included on the album of that title. And Paradise (track 33) is the same version included on The Very Thought Of You. Three more songs - Sweet Lorraine, It's Only A Paper Moon and (Get Your Kicks On) Route 66 - are songs that appear on After Midnight, however these versions are stereo re-recordings of the original arrangements from the 1940s.



    This title is not eligible for discount.

    1. Straighten Up And Fly Right
    2. Sweet Lorraine
    3. It's Only A Paper Moon
    4. (Get Your Kicks On) Route 66
    5. (I Love You) For Sentimental Reasons
    6. The Christmas Song (Merry Christmas To You)
    7. Nature Boy
    8. Lush Life
    9. Calypso Blues
    10. Mona Lisa
    11. Orange Colored Sky
    12. Too Young
    13. Unforgettable
    14. Somewhere Along The Way
    15. Walkin' My Baby Back Home
    16. Pretend
    17. Blue Gardenia
    18. I Am In Love
    19. Answer Me, My Love
    20. Smile
    21. Darling, Je Vous Aime Beaucoup
    22. The Sand And The Sea
    23. If I May
    24. A Blossom Fell
    25. To The Ends Of The Earth
    26. Night Lights
    27. Ballerina
    28. Stardust
    29. Send For Me
    30. St. Louis Blues
    31. Looking Back
    32. Non Dimenticar (Don't Forget)
    33. Paradise
    34. Oh, Mary, Don't You Weep
    35. Ay, Cosita Linda
    36. Wild Is Love (spoken intro and song)
    37. Ramblin' Rose
    38. Those Lazy-Hazy-Crazy Days Of Summer
    Nat King Cole
    $159.99
    200 Gram Audiophile Virgin Vinyl 45 RPM Box Set - 5 LPs Sealed Temporarily out of stock
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