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Sweetheart Of The Rodeo (Pre-Order)Release Date: August 3, 2018*
Celebrate 5 Decades Of The Byrds' 1968 Classic!
First Time 180-Gram Translucent Blue & Green Swirl Vinyl
Liner Notes From Chris Hillman
Impeccably Mastered By Joe Reagoso - Pressed At R.T.I.
Featuring: Roger Mcguinn, Chris Hillman, Gram Parsons, Kevin Kelley, John Hartford & Clarence White
In 1968, The Byrds changed the course of popular music as Roger McGuinn, Chris Hillman & new members Gram Parsons and Kevin Kelley delivered one of the first bluegrass/rock albums with their masterpiece Sweetheart Of The Rodeo. This album remains one of the most influential pieces of music of all time.
The masterwork kicks off with their hit You Ain't Going Nowhere and follows with the brilliant I Am A Pilgrim, featuring Chris Hillman.
More choice material abounds thanks to Gram Parsons with his signature works Hickory Wind and One Hundred Years From Now.
Friday Music proudly presents for the rst time on 180 Gram Translucent Blue & Green Swirl Audiophile Vinyl, the 50th Anniversary Edition of The Byrds' Sweetheart Of The Rodeo. Impeccably mastered by Joe Reagoso at Friday Music Studios & Capitol Mastering, the Lp is pressed at R.T.I. and is featured in a stunning gatefold cover.
To celebrate this limited edition album, we are also including recent liner notes from Chris Hillman along with some very rare photos from The Byrds archives at Sony.
*Please note that release dates are subject to change.1. You Ain't Going Nowhere
2. I Am A Pilgrim
3. The Christian Life
4. You Don't Miss Your Water
5. You're Still On My Mind
6. Pretty Boy Floyd
7. Hickory Wind
8. One Hundred Years From Now
9. Blue Canadian Rockies
10. Life In Prison
11. Nothing Was Delivered$32.99180 Gram Audiophile Virgin Vinyl LP PRE-ORDER Buy Now
Teardrop SweetheartThis Asian/American duo presents their first long player; a cycle of happy/sad love songs with a new take on an old pleasure: the classic pop album. Revolving around seemingly light-hearted lyrics, bittersweet melodies, and analog circuitry, the opener Scars sets the tone of the album, combining the anything goes sound and structure of contemporary pop with the glamour-filled, nostalgic optimism of the modern era, when everything burned brightly and anything was possible. Below the bright and colorful side of this record lurks something darkly. Misha compare this feeling of dislocation to an empty city and attempt to fill that void not only by giving comfort, but also by raising questions about the failure of belonging that many people relate to.1.Scars
6.Crystal in Love
8.Book, The (Of Glaciers)
10.Shake a Little Closer
11.Trying$15.99Vinyl LP - Sealed Buy Now
Our Beloved Revolutionary Sweetheart
25th Anniversary Reissue
Featuring New Liners And Photos
When indie superstars Camper Van Beethoven signed with Virgin Records in the late 1980s, it seemed inconceivable. How could that band move to a
major label without "selling out" and sacrificing all that made them great?
The first three tracks on Our Beloved Revolutionary Sweetheart were a pop song, an instrumental and an adaptation of a folk dirge about death. Heck, the
release even had a love song for Patty Hearst. No, Camper Van Beethoven didn't sell out. They just had better distribution now.
Omnivore Recordings is proud to take everyone back to 1988, when musical worlds collided and Camper Van Beethoven helped break the mold and blur
the lines between indie rock and "alternative." Suddenly, it was an even playing field and Our Beloved Revolutionary Sweetheart found itself in the bins
next to Chicago and Cinderella. Produced by Dennis Herring (Elvis Costello, Counting Crows), the 25th anniversary of this landmark album finds it
reissued for the first time since its original issue.
Featuring new liners and photos, Our Beloved Revolutionary Sweetheart is being reissued in tandem with its acclaimed follow up
Key Lime Pie, with full cooperation and input from the band themselves. These are the releases CVB fans have been dreaming of.
It's been a few years since the end of the 1980s, but Camper Van Beethoven has always been timeless. Our Beloved Revolutionary Sweetheart proves
that. It's even spelled out in the title: beloved, revolutionary and a real sweetheart.1. Eye Of Fatima (Pt. 1)
2. Eye Of Fatima (Pt. 2)
3. O Death
4. She Divines Water
5. Devil Song
6. One Of These Days
7. Turquoise Jewelry
9. Change Your Mind
10. My Path Belated
11. Never Go Back
12. The Fool
14. Life Is Grand$22.99Vinyl LP - Sealed Buy Now
Saturday Night SweetheartMore street-grit than surfside, Thee Tsunamis are a rock'n'roll joyride
with Tura Satana at the wheel. On their debut full-length Saturday Night
Sweetheart, the trio (Betsy on guitar, Jenna on bass, and Sharlene on
beats) blend girl-group bubblegum with feral punk, hugging every hairpen
turn of Kim Fowley's twisted, trashbucket heart along the way. With
jagged harmonies over fuzz-crusted pop hooks, theirs is the sound of
Brill Building teen-sploitation with bloodier results. From
heart-in-a-blender tales to drag-race party anthems, these 12 tracks are
as catchy as they are cutting and together they tell a story as old as time:
what the men don't know, the little girls understand. Like Thee Tsunamis'
tape A Goodbad Man Is Hard To Find (2013) and horror-concept EP
Delirium and Dark Waters (2014), Saturday Night Sweetheart (May,
2015) was recorded to tape in the basement studio of Magnetic South
and has all the signature fidelity of a subterranean rock'n'roll
echo-chamber. So play it loud, and hold on to your seat!1. Female Trouble
2. Trash Talk
3. I Know
6. Cry Baby
7. Kill, Kill, Kill
8. Skip Tracer
9. Shakee Jake
11. Teenage Dream
12. Saturday Night Love$18.99Vinyl LP - Sealed Buy Now
Sweetheart Of The RodeoRanked 117/500 on Rolling Stone Magazine's 500 Greatest Albums of All Time.
With one mighty swing of the axe, the Byrds changed not only the face of rock 'n' roll but country music, as well, with their sixth album, 1968's Sweetheart Of The Rodeo. Tired of dipping a toe into the genre, Roger McGuinn and Chris Hillman added singer Gram Parsons and drummer Kevin Kelley and went for total immersion. The baptism of country-rock was a natural with Parsons, former International Submarine Band frontman, now on board. And the repertoire was wide open for country classics by the Louvin Brothers (The Christian Life) and Merle Haggard (Life In Prison), as well as Depression-era ballads (Woody Guthrie's Pretty Boy Floyd) and honky tonk weepers cut by George Jones (You're Still On My Mind). The town wasn't big enough for both of them, of course, and Parsons soon split to form the Flying Burrito Brothers, but it sure was nice while it lasted!
We're proud to present the reissue of this monumental recording in its original, stereo incarnation, cut directly from the original Columbia Recordings analog stereo masters, with perfect artwork restoration and meticulously faithful mastering.1. You Ain't Going Nowhere
2. I Am a Pilgrim
3. The Christian Life
4. You Don't Miss Your Water
5. You're Still On My Mind
6. Pretty Boy Floyd
7. Hickory Wind
8. One Hundred Years from Now
9. Blue Canadian Rockies
10. Life In Prison
11. Nothing Was Delivered$28.99Vinyl LP - Sealed Buy Now
Sketches For My Sweetheart The DrunkImport
Sketches for My Sweetheart the Drunk is the
collection of studio tracks and four-track demos
recorded by Jeff Buckley in the summer of 1996
and early 1997.
Buckley had been working on an album to be called
My Sweetheart, the Drunk, but the album had
yet to be finished at the time of his death. It was
released posthumously in May 1998. Given the raw
and somewhat unfinished nature of the songs, the
collection that was released was called Sketches
for My Sweetheart the Drunk.
The album's original sessions were produced by
Television frontman Tom Verlaine. Despite its
unfinished state, the album received many positive
reviews. After the audiophile releases of Grace ,
The Grace EP´s and Mystery White Boy, this
release on Music on Vinyl completes the series of
available Jeff Buckley studio material.
This 3LP audiophile set is housed in a firm
5mm sleeve.1. Sky Is a Landfill
2. Everybody Here Wants You
3. Opened Once
4. Nightmares by the Sea
5. Yard of Blonde Girls
6. Witches' Rave
7. New Year's Prayer
8. Morning Theft
10. You and I
11. Nightmares by the Sea
12. New Year's Prayer
13. Haven't You Heard
14. I Know We Could Be So Happy Baby (If We Wanted to Be)
15. Murder Suicide Meteor Slave
16. Back in N.Y.C.
17. Gunshot Glitter
18. Demon John
19. Your Flesh Is So Nice
20. Jewel Box
21. Satisfied Mind$55.99180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
Lazy Days/ ReputationRecorded during the earliest period of the Sweetheart of the Rodeo sessions, these March 1968 Nashville recordings are presented here for the first time ever in their unique mono mixes. Originally intended for potential single release on Columbia Records, Lazy Days features a previously unheard instrumental track (with Roger McGuinn on six- string electric) while Reputation showcases a previously unheard vocal take by Gram Parsons and Chris Hillman.1. Lazy Days
2. Reputation$9.997 Vinyl LP - Sealed Buy Now
Sanctuary IVFirst time on vinyl for all tracks! Annotation by Byrds' Roger McGuinn, Chris Hillman and Kevin Kelley!
The Sanctuary spotlight shifts with volume IV to the Nashville sessions for the Byrds' landmark 1968 album Sweetheart of the Rodeo. Spurred on by new member Gram Parsons, formerly of the International Submarine Band, the Byrds traveled to Nashville to fashion the innovative country/rock blend that's been part of American culture ever since. Sanctuary IV collects all of Parsons' vocal takes for the first time, as well as other outtakes and rehearsals which document the creation of an album unlike any other.1. The Christian Life
2. Pretty Polly
3. One Hundred Years From Now
4. You're Still On My Mind (rehearsal version)
5. You Don't Miss Your Water
6. All I Have Is Memories (instrumental)
7. Life In Prison (rehearsal version)
8. You Got A Reputation
9. One Hundred Years From Now (rehearsal version)
10. The Christian Life (rehearsal version)
11. Lazy Days$28.99Vinyl LP - Sealed Buy Now
Now Is The Time For Hearts & FlowersThough they are often only referred to in passing, as a sort of footnote of '60s West Coast scene, Los Angeles group Hearts And Flowers were actually one of the most eclectic groups of the time, incorporating elements of psych and country into their folk-rock sound. Founded by Larry Murray, a southern transplant to LA, and a graduate of the same vibrant Southern California bluegrass scene that gave way to Byrds and Burritos, the group's 1967 debut, Now Is The Time For Hearts And Flowers, is a classic album that deserves mention in the same breath as Sweetheart Of The Rodeo or Bradley's Barn. Reissued on 180g vinyl in a deluxe tip-on jacket from 4 Men With Beards.1. Now Is The Time
2. Save Some Time
3. Try For The Sun
4. Rain, Rain
5. The View From Ward 3
6. Rock & Roll Gypsies
7. Reason To Believe
9. 1-2-3 Rhyme In Carnivour Thyme
10. I'm A Lonesome Fugitive
11. Road To Nowhere
12. 10,000 Sunsets$21.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Hawk RelaxesLike a fine wine, Coleman Hawkins proves on The Hawk Relaxes that good things only get better with age. Joined by six-string maestro Kenny Burrell, the
legendary tenor saxophonist grooves in a mellow mood in this quintet setting alongside pianist Ronnell Bright, bassist Ron Carter, and drummer Andrew
Cyrille. A high water mark in his later career, The Hawk Relaxes showcases the understated sophistication of Hawkins' playing as he makes instant
classics out of tunes from the Great American Songbook in a style befitting of an evening by the fire, the calm ocean, or a late night with a sweetheart
over candles and wine. This quintet, quite possibly the most unique Hawkins ever fronted, delivers a supple, relaxed, and sophisticated affair on par with
anything he ever did during this period. Recorded by the inimitable Rudy Van Gelder, this classic jazz album has now been newly reissued on VINYL and
is a must-have for both the casual fan and the hard-core jazz aficionado.1. I'll Never Be The Same
2. When Day Is Done
3. Under A Blanket Of Blue
4. More Than You Know
6. Just A Gigolo
7. Speak Low$21.99Vinyl LP Reissue - Sealed Buy Now
Gram Parsons had a habit of taking over whatever band he happened to be working with, and on the first three albums on which he appeared - the International Submarine Band's Safe at Home, the Byrds' Sweetheart of the Rodeo, and the Flying Burrito Brothers' The Gilded Palace of Sin - he became the focal point, regardless of the talent of his compatriots. Burrito Deluxe (1970), the Burritos' second album, is unique in Parsons' repertoire in that it's the only album where he seems to have deliberately stepped back to make more room for others.
The album includes songs like Cody, Cody, and Older Guys. It also contains the first issued version of the song Wild Horses, released almost a year before its appearance on Sticky Fingers by The Rolling Stones. The band sounds tight and they play with genuine enthusiasm. Burrito Deluxe is certainly better than your average Country-Rock album.1. Lazy Days
2. Image Of Me
3. High Fashion Queen
4. If You Gotta Go
5. Man In The Fog
6. Farther Along
7. Older Guys
8. Cody, Cody
9. God's Own Singer
10. Down In The Churchyard
11. Wild Horses$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Dr. Byrds & Mr. HydeA key transitional touchstone in The Byrds' fabled canon, 1969's Dr. Byrds & Mr. Hyde
was the next stop in the band's pioneering country-rock trajectory and the first album by
the post-Gram Parsons lineup. With leader Roger McGuinn at the helm of a stellar new
edition of the band featuring guitar god Clarence White, drummer Gene Parsons, and
bassist John York, Dr. Byrds & Mr. Hyde sees The Byrds bridging the gap between the
psychedelic flights of the group's mid-'60s albums and the down-home, country-based
style developed only months earlier with Sweetheart of the Rodeo.
In addition to containing strong McGuinn originals (King Apathy III, Old Blue),
more of the band's beloved interpretations of Bob Dylan classics (This Wheel's on Fire
and a medley blending The Bard's My Back Pages' with Jimmy Reed's Baby, What You
Want Me to Do), and even a Gram Parsons collaboration (the bemusing Drug Store
Truck Drivin' Man, which cleverly celebrates The Byrds' love of country music while
simultaneously taking a dig at small-minded rednecks), Dr. Byrds & Mr. Hyde also boasts
two tracks composed by McGuinn for the obscure, racy '60s cult movie Candy.
Mastered from the original Columbia Records analog master reels, Sundazed's exact
reproduction of the original LP will have Byrdmaniacs everywhere soaring to high heaven!1. This Wheel's On Fire
2. Old Blue
3. Your Gentle Way Of Loving Me
4. Child Of The Universe
5. Nashville West
6. Drug Store Truck Drivin' Man
7. King Apathy III
9. Bad Night At The Whiskey
11. My Back Pages
12. B.J. Blues
13. Baby, What Do You Want Me To Do$28.99Vinyl LP - Sealed Buy Now
Hot Chili MamaBeausoleil has been steadily releasing albums of indigenous Louisiana music since the mid-'70s. Led by the incendiary fiddle playing of founding member Michael Doucet, the group draws on Cajun (a hybrid of American country and traditional French folk songs), zydeco (a hybrid of Cajun and R&B), rock, jazz, and blues. Though each of Beausoleil's releases is supremely roots-conscious, some, such as Hot Chili Mama, represent the spectrum of the group's influences.
Such conventional Cajun material as Le Bons Temps Rouler Waltz and the spicy, danceable title cut, which features standard zydeco percussion such as rubboard, triangle and spoons, alternate with touches of calypso (La Chanson De Cinquante Sous), and even a tongue-in-cheek stab at klezmer gumbo (The Mosquito That Ate Up My Sweetheart in New Iberia Polka). Fertile fiddle and accordion interplay and, of course, French lyrics bring the music's rich history to the fore, while the band's adventurous and vigorous approach makes these songs anything but museum pieces. Hot Chili Mama is one of Beausoleil's best, most representative efforts.1. Acadian Two-Step
2. Les Bons Temps Rouler Waltz
3. Joe Pitre's So Bad
4. Canray's Contredanse
5. La Chanson De Cinquante Sous
6. Je Veux Me Marier
7. Chanson De Sagesse
8. Hot Chili Mama
9. Je Suis Marie Avec Une, Mais En Amour Avec Un Autre
10. The Mosquito That Ate Up My Sweetheart In New Iberia Polka
11. Grand Mallet
13. Oberlin Two-Step$13.99Vinyl LP - Sealed Buy Now
New Roman Times
Expanded Reissue Of 2004 Reunion Album
Contains Four Previously Unissued Tracks
New Artwork Features Liner Notes From CVB's
Camper Van Beethoven reunited in 2000
and even recorded and released a pair of
records, but it was 2004's New Roman Times that
was the "official" document of the band's reformation.
The band's David Lowery states in his liner notes, that it
was "the one that got all the press and fanfare. And it was a
good thing, because it was an extremely ambitious record."
Omnivore Recordings is proud to celebrate New Roman Times
by presenting an expanded reissue on double
LP. Released in conjunction with the band,
and following in the footsteps of last year's Omnivore reissues
of Our Beloved Revolutionary Sweetheart and Key Lime Pie, New Roman Times
features new artwork, extensive notes from Lowery and four
previously unissued tracks culled from the sessions.
This definitive edition of Camper Van Beethoven's
"sci-fi alternate-reality rock opera" not only brings the
fan favorite to vinyl for the first time, but expands
and presents all formats in a way that proves
these are indeed New Roman Times!
All hail, Camper!1. Prelude
2. Sons Of The New Golden West
4. White Fluffy Clouds
5. That Gum You Like Is Back In Style
6. Might Makes Right
7. Militia Song
8. R 'n' R Uzbekistan
9. Sons Of The New Golden West (Reprise)
10. New Roman Times
11. The Poppies Of Balmorhea
12. The Long Plastic Hallway
13. I Am Talking To This Flower
14. Come Out
15. Los Tigres Traficantes
16. I Hate This Part Of Texas
17. Hippy Chix
18. Civil Disobedience
19. Discotheque CVB
20. Hey Brother
Previously Unissued Bonus Tracks:
21. Los Tigres Dub
22. Alien Ghost Song
23. It's Gonna Rain
24. Might Makes Right Dub$29.99Vinyl LP - 2 LPs Sealed Buy Now
Fun In FriscoLive At The Avalon Ballroom - San Francisco, CA - On November 1st and 2nd, 1968
The Byrds performances across the weekend of the 1st and 2nd November 1968 at the Avalon Ballroom in San Francisco were performed at a time of great change and uncertainty for the band. Gram Parsons, who had joined a faltering line up in early '68, had departed prior to a disastrous tour of South Africa for which McGuinn notably had received much criticism. The country rock album they had recorded with Gram, Sweetheart of the Rodeo, alienated many Byrds fans and equally attracted hostility from the traditional country music community. It remains their poorest performing record, despite its status in later years as the first proper country-rock album. Clarence White (Guitar) and Gene Parsons (Drums - no relation) were both brought in around this time, but then Chris Hillman quit! The Avalon show was the gig first performed by the line-up of McGuinn, White, Gene Parsons and new recruit John York on bass and harmony vocals (very apparent on this recording), who had only been a Byrd for about a week at the time of this show.LP 1
1. Old Blue
2. My Back Pages/Baby What Do You Want Me To Do
3. Mr. Spaceman
4. Time Between
5. Goin' Back
6. Blue Suede Shoes
7. He Was A Friend Of Mine
8. So You Want To Be A Rock 'n' Roll Star
9. Drug Store Truck Drivin' Man
1. This Wheel's On Fire
2. Stanley's Song
3. Pretty Boy Floyd
4. 8 Miles High
5. You Don't Miss Your Water
6. So You Want To Be A Rock 'n' Roll Star
7. Hickory Wind
8. King Apathy III
9. Bad Night At The Whiskey
10. Nashville West$37.99Vinyl LP - 2 LPs Sealed Buy Now
It Doesn't Have To Make SenseBorn in New York City and raised by her mother, a sculptor, and her father, a classical composer, Ingrid Michaelson has artistry in her DNA. At four she began taking piano lessons but it wasn't until after she graduated college with a degree in musical theatre and was touring the country in a theater troupe that she began to write the dreamy, pensive-but-poppy songs that would connect with millions. Her music taps into universal themes like self-doubt, betrayal, and of course love, but her spirit is fiercely indie; all of Ingrid's music is released on the label she founded, Cabin 24 Records which has sold one million albums and over 6 million singles to date.
In the past year, Ingrid has vaulted from overachieving indie-pop sweetheart to a bona-fide pop star. Her fifth studio album, Lights Out (Cabin 24/Mom+Pop), was her highest charting debut yet, bowing at No. 4 upon its release and building on the successful debuts of her two previous records, Human Again (No. 5), in 2012 and Everybody (No. 18), released in 2009. Lights Out's debut single "Girls Chase Boys" spent 20 weeks on Billboard's Top 100, became her first Top 40 hit and introduced her to a whole new audience.
Ingrid is currently preparing for the release of her next studio album, It Doesn't Have To Make Sense, gearing up for a fall US Tour, working on writing & producing her own sitcom, and writing songs for film.
For more information about Ingrid, please visit her website at www.ingridmichaelson.com or follow her @ingridmusic.1. Light Me Up
2. Whole Lot of Heart
3. Miss America
4. Another Life
5. I Remember Her
6. Drink You Gone
7. Hell No
8. Still The One
10. Old Days$22.99Vinyl LP - Sealed Buy Now
Paris 1969Blue Note Records has announced Thelonious Monk Paris 1969, a fascinating and important late-career document of the legendary jazz pianist and composer in performance with his Quartet at the Salle Pleyel concert hall in Paris, France on December 15, 1969. Beautifully captured on B&W film, the concert also featured a surprise guest appearance from renowned drummer Philly Joe Jones. Also included is a rare on-camera interview with Monk that was conducted by the French bassist Jacques Hess after the concert.
"The 1969 Paris concert captures the power and the undiminished beauty of Monk's music, reminding us that even as his body aged his musical imagination knew no limits," writes Monk scholar Robin Kelley in his liner notes essay. However, Kelley also illuminates what a peculiar and challenging moment 1969 was for the 52-year-old pianist. Monk hadn't achieved true success until the late-50s with his legendary run at the Five Spot CafÉ in New York City with John Coltrane (a band that was brilliantly captured on the lost recording Thelonious Monk Quartet with John Coltrane at Carnegie Hall from 1957 which was discovered and released on Blue Note in 2005). By the early-60s Monk's success had peaked when he signed with Columbia Records and was eventually featured on the cover of TIME Magazine in 1964.
However, by 1969, in addition to health issues, Monk's success was beginning to wane with the emergence of rock and the resulting jazz fusion movement. His recording contract with Columbia had just come to end after an ill-advised attempt at marketing him to a younger rock audience. That disappointment was followed by the departure of drummer Ben Riley and bassist Larry Gales from his band which left Monk with two chairs to fill on short notice before his European tour.
Monk eventually found two young musicians - bassist Nate Hygelund and drummer Paris Wright - to fill out the Quartet with his longtime tenor saxophonist Charlie Rouse. Luckily the inexperienced rhythm section had some time to gel before hitting the stage in Paris with a lengthy engagement in London followed by stops in Germany and Italy. By the time they reached the Pleyel the band was in fine form, which made for a triumphant return for Monk to the very stage he had made his Parisian debut on in 1954 in front of a hostile audience who felt that Monk was too avant-garde. 15 years later the situation could not have been more different with an enthusiastic audience and the concert being broadcast on television.
In addition to rollicking Quartet versions of Monk classics such as "I Mean You," "Straight No Chaser," and "Blue Monk," the set also includes three stunning solo piano performances on "Don't Blame Me," "I Love You Sweetheart Of All My Dreams," and "Crepuscule With Nellie." However, an undeniable highlight of the concert was when the veteran drummer Philly Joe Jones who was an expat living in Paris at the time comes from backstage to borrow the sticks from the 17-year-old Wright, providing a palpable spark on Monk's "Nutty."1. I Mean You
2. Ruby My Dear
3. Straight No Chaser
4. Bright Mississippi
5. Light Blue
7. Don't Blame Me
8. I Love You Sweetheart of All My Dreams
9. Crepuscule With Nellie
10. Bright Mississippi
12. Blue Monk$19.99180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed Buy Now
For Better, Or WorseOh Boy Records will release John Prine's latest, For Better, Or Worse, a duet album and follow up to the Grammy nominated In Spite of Ourselves. In this timeless album, produced by Jim Rooney, John sings with country sweethearts Iris DeMent, Alison Krauss, Miranda Lambert, Kathy Mattea, Kacey Musgraves, Fiona Prine, Amanda Shires, Morgane Stapleton, Susan Tedeschi, Holly Williams, and Lee Ann Womack.
The classic songs on For Better, Or Worse, originally recorded by artists such as Hank Williams, George Jones, Ernest Tubb, Buck Owens and others, are in John's blood. "I cut my teeth on Hank Williams songs," he says. "When I sing these songs there is a small pipeline straight from my heart to my lips." The tracks take listeners through the universal cycle of love's pull, love's bend, love's life, and love's end.1. Who's Gonna Take the Garbage Out (feat. Iris Dement)
2. Storms Never Last (feat. Lee Ann Womack)
3. Falling in Love Again (feat. Alison Krauss)
4. Color of the Blues (feat. Susan Tedeschi)
5. I'm Telling You (feat. Holly Williams)
6. Remember Me (feat. Kathy Mattea)
7. Look at Us (feat. Morgane Stapleton)
8. Dim Lights, Thick Smoke (feat. Amanda Shires)
9. Fifteen Years Ago (feat. Lee Ann Womack)
10. Cold Cold Heart (feat. Miranda Lambert)
11. Dreaming My Dreams (feat. Kathy Mattea)
12. Mental Cruelty (feat. Kacey Musgraves)
13. Mr & Mrs Used To Be (feat. Iris Dement)
14. My Happiness (feat. Fiona Prine)
15. Just Waitin'$19.99Vinyl LP - Sealed Buy Now
Tomorrow's Daughter (Pre-Order)Release Date: June 15, 2018*
"When I was young, the artists that I really admired were the ones who always found a way to keep making music and expressing themselves," Matthew Sweet says on the occasion of the release of his 13th solo album Tomorrow's Daughter. "To me, those guys were the real artists, and I've tried to hold on to that attitude in my own work."
The seasoned singer/songwriter/producer/multi-instrumentalist is currently in the midst of a personal musical renaissance that's seen him produce some of the most compelling and ambitious music of his three-decade career.
That description applies to Tomorrow's Daughter, on which such instantly memorable new tunes as "Belong," "Run Away," "Lady Frankenstein" and "Out of My Misery" demonstrate his uncanny ability to tap into a bottomless well of pop history to craft music that's effortlessly catchy yet deeply personal.
Tomorrow's Daughter-the follow-up to the artist's acclaimed 2017 set Tomorrow Forever-is a persuasive testament to the enduring qualities of Sweet's adventurous, emotion-charged songcraft. The new album's 12 songs abound with the punchy melodic sensibility, playful sonic experimentalism and introspective lyrical insight that have been constants in his expansive catalog.
Tomorrow's Daughter is the product of a burst of creative inspiration that followed Sweet's 2013 return to his native Nebraska, where he reestablished his Black Squirrel Submarine home studio. This period yielded 38 brilliant new songs, 17 of which appeared on Tomorrow Forever. It instantly became clear that this potent body of work merited a follow-up release, hence Tomorrow's Daughter.
"It just sort of became my next record," Sweet says of Tomorrow's Daughter, which like its predecessor is released via his own Honeycomb Hideout imprint but this time distributed by MRI / Sony. Both albums feature Sweet's current touring band, comprised of guitarist Jason Victor (also a member of the recently-reformed Dream Syndicate) and his longtime rhythm section of bassist Paul Chastain and drummer Ric Menck (also known for their own acclaimed work with Velvet Crush).
"When I put together Tomorrow's Daughter out of what I'd recorded, the 12 songs totally made sense to me in sequence," Sweet explains. "I enlisted some of the people around me, friends and family, to listen to everything I'd recorded and pick their favorites, and everyone pretty much agreed on what was the top stuff. I think it stands up as a separate record, and as a time capsule of the time that we made it."
The distinctive musical and lyrical qualities that illuminate Tomorrow's Daughter have been hallmarks of Matthew Sweet's work since he began making music as a high school student in his native Lincoln, Nebraska. While attending the University of Georgia in Athens, Georgia, he became active in that town's burgeoning underground music scene, as a member of the now-legendary indie combos Oh-OK and Buzz of Delight, and in collaborations with R.E.M.'s Michael Stipe and Chris Stamey of The dB's.
A demo recorded with producer Don Dixon led to solo deals with Columbia (which released Sweet's debut album Inside in 1986), A&M (1989's Earth) and finally Zoo, which issued his commercial and creative breakthrough Girlfriend in 1991. Girlfriend won raves from critics and established him with a wide international fan base that continues to support him today.
Sweet continued to reveal new layers of songwriting depth and sonic creativity on his subsequent efforts Altered Beast, the spin-off EP Son of Altered Beast, 100% Fun, Blue Sky on Mars and In Reverse. His musical gifts continued to shine into the new century with Kimi Ga Suki, Living Things, Sunshine Lies, Modern Art and the Under the Covers series, a three-volume collaboration with Susanna Hoffs of the Bangles (Sweet also served as producer of the Bangles' 2011 album Sweetheart of the Sun).
"I can barely even fathom it," Sweet says of his massive body of recorded work. "But here I am, so I try to live up to whatever it is I've established so far. To do the work is the really important thing to me, but knowing that I'm connecting with people makes me happy. I've continued touring pretty consistently, and it's nice to see that people still care enough to come out to the shows. There seems to be a real emotional attachment for them, which means a lot to me."
Sweet is in the midst of an especially productive period that's seen him continue to generate new material at a prolific pace. He's already recorded
Wicked System of Things, a collection of new original songs to be released as a limited-edition vinyl LP in November 2018 for Black Friday Record Store Day, and is planning his next general-release album.
"I feel like I'm gonna be pretty active for awhile, and it's fun to be releasing a lot of music," he says. "I thought that there might be some resistance to putting out so much stuff, but that hasn't been the case, and that's encouraged me to keep going."
Now firmly ensconced, along with his wife, cats and vintage recording gear, in Nebraska after a two-decade-plus stretch in Los Angeles, Sweet works out of his home studio, which allows him to indulge his bottomless musical imagination, and to engage in long-distance collaborations with musicians in other locations-a method that he employed on both Tomorrow Forever and Tomorrow's Daughter.
"In some ways I think that moving has had a positive effect musically," he reflects. "I think it reconnected me a little bit to what it felt like when I was really young and music was new to me, and maybe that's reflected in the music. But it's hard to say, because making music is so internal for me that it's mostly in my head rather than my surroundings."
Meanwhile, Sweet's catalog continues to be a source of inspiration for longtime fans and new converts. For instance, the Intervention label is planning deluxe two-LP vinyl editions of Girlfriend, Altered Beast, Son of Altered Beast and 100% Fun, which will feature a wealth of rare and unreleased material. But it's creating new music that remains Matthew Sweet's main concern, and he continues to do so with renewed intensity.
"This feels like a really good time for me, and I feel lucky and grateful to still be doing what I love to do," Sweet asserts. "I feel like I'm in a totally positive place, and maybe moving has been a catalyst for that.
"When I meet young people and they ask for advice about a career in music, I always say, 'Do music because it's what you love to do, and because you'd do it no matter what happens,'" he concludes. "I've tried to keep that attitude about it, because that's always worked for me. I just try to keep doing my thing and keep believing."
*Please note that release dates are subject to change.1. I Belong To You
2. Run Away
3. Lady Frankenstein
5. Out Of My Misery
6. Something Someone
7. Girl With Cat
8. Now Was The Future
9. Ever After
10. Show Me
11. Can't Pretend
12. Passerby$19.99Vinyl LP - Sealed PRE-ORDER Buy Now
The Journey Man"In my music," says Goldie, "is everything I've learned, everyone I've met, everything I've experienced." And it's been an incredible trip. The maverick innovator - who rewrote the future of the jungle scene with landmark releases that still sound like they were kidnapped from tomorrow - has a unique story to tell. From children's homes in the West Midlands through stints in New York and Miami as one of the UK's most celebrated exponents of graffiti art to rubbing shoulders with an exceptional list of musical collaborators including David Bowie, Noel Gallagher and KRS-One, Goldie has defiantly, definitively, done it his own way. "I'm an alchemist," he likes to insist. "I practice the dark arts of messing with the form of something solid."
Though marriage and his passion for bikram yoga have, he says, proved a calming influence, these days he's just as full of inspired, out-there ideas as he was back in 1993 when he did his first cover interview for the rave magazine Generator. "My music is about fallout," he said then, "about the damage that has been done to the system." Today, in the office of one of his London-based contacts, the ideas are still sparking. "Drum'n'bass has done to electronic music what graffiti has done to the art world," he muses, before launching into a rapid-fire synthesis of art history, dancefloor evolution and his own hyperactive brand of self-actualization, which loosely translates as: "Why do something ordinary when you can do something extraordinary?"
It sums up the reason why, in 1994, music critic Simon Reynolds famously observed: "Goldie revolutionized jungle not once but three times. First, there was Terminator (pioneering the use of time stretching), then Angel (fusing Diane Charlemagne's live vocal with David Byrne/Brian Eno samples to prove that hardcore could be more conventionally musical), now there's Timeless, a 22-minute hardcore symphony." Each of these were moments that shaped the musical fabric of the decade and beyond, presaging Goldie's transition from the underground rave scene into the world of bona fide A- list superstars.
But it didn't start out like that. The boy who would become Goldie was born Clifford Price on 19 September 1965, just as The Rolling Stones hit the top of the charts with Satisfaction. His dad Clement, originally from Jamaica, had been plying his trade as a foundryman in Leeds. His mum Margaret, who had been born in Glasgow, was a popular singer in the pubs and clubs of the West Midlands. Barely more than a toddler, Goldie was just three when she placed him into foster care (though she kept his younger brother Melvin). He still remembers, he says, the day the social workers came to take him away.
Over the next 15 years, he bounced between a series of foster homes and local government institutions around the Walsall area. His eclectic musical taste was forged, he reckons, in those same local authority homes listening to the sonic tangle of other teenagers' record collections. "In one room," he says, "a kid would be playing Steel Pulse while through the wall someone else had a Japan record on and another guy would be spinning Human League." On rare visits to see his dad, he'd lie sprawled over the living room couch, listening to Jazz FM, marveling at the lavishly-tooled '80s productions of Miles Davis, Pat Metheny, David Sanborn and Michael Franks, adding further layers to his complex musicography.
Already developing the irresistible urge to excel that has marked his inimitable musical career, Goldie's first love was roller-hockey. He earned a place as goalkeeper in England's national squad before the lure of music overtook the lure of sport. After discovering electro and hip hop, he grew his hair - the "goldilocks" that won him his nickname - and joined a breakdance crew called the B-Boys in nearby Wolverhampton. He also discovered graffiti. "They called me 'the spray can king of the Midlands'," he says proudly. His talent was undeniable, bringing him to the attention not only of Britain's Arts Council but to Dick Fontaine, producer of a Channel 4 TV documentary on graffiti. Fontaine's 1987 film Bombin' captured a visit to the UK by New York artist Brim Fuentes. Brim met Goldie and his B-Boys crew in Wolverhampton's Heathtown before heading a dozen miles away to Birmingham's Handsworth, where the producer filmed the aftermath of rioting that had left four dead, 35 injured and dozens of stores burned out. Several months later, Fontaine reversed the process and took Goldie to New York, introducing him to hip-hop pioneer Afrika Bambaataa. For Goldie, on his first trip abroad, never mind his first trip over the Atlantic, the Big Apple was love at first sight. Back in Britain, he begged, borrowed and saved until he had enough to fund a return trip to the Bronx.
"I started painting the trains and getting involved on the streets," he says, remembering his total immersion in what was still, at that point, an emerging culture. Art and music as symbiotic technologies. Rubbing shoulders with the Big Apple's best graffiti artists, his own distinctive style was accelerated and enriched. A move to Miami followed. He worked in the flea markets, he says, "painting trucks for drug dealers" and developing a sideline in gold jewelry that included the distinctive grills that became a trademark on his return to the UK. The magical properties of shaping, working and bending precious metals to his will - as close to alchemy as the modern world gets - became an analogue for the way he prefers to operate in the studio, chasing quicksilver dreams, mercury-fast rivulets of imagination into impossibly lush, breakbeat concertos. Back in Britain, Goldie found himself seduced by the sweetheart of the rave. Though it took him eight attempts to get entry into the club, at London's Rage in 1991 he marveled at the alternate sonic worlds being forged by Fabio and Grooverider behind the decks. "It really flipped me out," he remembers. Soon he found himself in the orbit of Dego McFarlane and Mark Clair. Their label Reinforced was in the vanguard of breakbeat, issuing astonishing records that stripped out boundaries and limits while setting the tone for the scene's sense of adventure. At first, he helped out doing artwork and a bit of A&R. But soon he was in Reinforced's Internal Affairs studio watching intently as Mark and Dego recorded tracks like Cookin' Up Ya Brain and Journey From The Light. "I was watching what they could do," says Goldie, "trying to gauge the possibilities of the technology." Soon he was getting involved. "I remember one session we did that lasted over three days," he says, "just experimenting, pushing the technology to its limits. We'd come up with mad ideas and then try to create them. We were sampling from ourselves and then resampling, twisting sounds around and pushing them into all sorts of places."
What followed was a series of inspired break-driven releases such as Killa Muffin, Dark Rider and Menace. Then Terminator, with its writhing drum loop, dropped and suddenly Goldie's name was on everyone's lips. He followed up with the equally revolutionary Angel, tilting the axis towards the lush, trippy textures that made 1995's debut album Timeless the drum'n'bass scene's first platinum album. Incredibly, given what was happening elsewhere in the scene at the time, the recording of the album's epic title track began as far back as 1993, when most other producers were still focused on the original sonic tropes of hardcore rave.
Timeless was a masterpiece - of production, of songwriting, of sonic perfection and breakbeat futurism. Even today, it still sounds as astonishingly new and inspired as it did back on those early pre-release cassettes circulated by London Records in the early months of 1995 when Goldie was still living on the 18th floor of a North London tower block.
By then, Goldie had already set up his own record label - Metalheadz - with his friends the DJ duo Kemistry and Storm. Along with studio collaborator, Rob Playford's Moving Shadow and LTJ Bukem's Looking Good imprint, Metalheadz helped to define drum'n'bass as a distinct musical format with singles by J Majik, Asylum and Goldie himself. Still bursting with energy, he then launched a legendary club night, Metalheadz Sunday Sessions, at London's Blue Note. The scene's best producers - among them revolutionary artists like Photek, Source Direct, Peshay and Dillinja - would compete to have their latest recordings debuted at the club and the scene's faithful came from far and wide to hear the best tunes before anyone else. "Those nights at the Blue Note were magical," he recalls. "It was an underground phenomenon that became an institution." David Bowie, who was making the drum'n'bass-influenced album Earthling at the time, fell in love with the place. "I remember popping out to take a break from all the madness inside the club," says Goldie. "He was outside having a cigarette, a bit of a breather. We chatted for a bit, looked at each other, grinned and then plunged back into it all. It was just that kind of place."
Goldie is one of only a handful of artists ever to co-write with Bowie - on the track Truth from the drum'n'bass pioneer's second album Saturnz Return. Released in 1998, the album also saw his vision become more expansive (the opening track, Mother, clocked in at just over an hour). The album's collaborative approach included guest spots from rap legend KRS-One, Sex Pistols manager and all-around provocateur Malcolm McLaren, super-producer Trevor Horn and Oasis main man Noel Gallagher (on the single Temper Temper).
Fuelled by the limitless creativity that has been the hallmark of his career to date, Goldie next turned to acting. He reunited with Bowie in Andrew Goth's 1999 thriller Everybody Loves Sunshine then took the part of Bullion in the 1999 James Bond movie The World Is Not Enough. Other box office smashes - including Guy Ritchie's crime heist caper Snatch - followed before he joined the cast of BBC1 soap opera EastEnders, playing the gangster Angel Hudson.
A series of blockbuster TV appearances - on shows such as Maestro (where he learned to conduct an orchestra), Classic Goldie (which saw him perform his own orchestral composition at the Royal Albert Hall in the summer of 2009) and Goldie's Band: By Royal Appointment.
The orchestral training proved useful. In 2014, he translated his original vision for Timeless into the stunning Timeless (Sine Tempore). Performed live with the Heritage Orchestra at the Wilderness Festival to suitably rapturous acclaim, the performance was repeated the following year as part of the Meltdown Festival at London's Royal Festival Hall. In between, he found time to unveil Fragments Of Gold, a piece inspired by medieval chants that he performed live in Glasgow Cathedral.
Drum'n'bass, of course, has remained a consistent passion, both through his Metalheadz label and his releases under the Rufige Kru moniker (2007's Malice In Wonderland and 2009's Memoirs Of An Afterlife). "Technologically," he says, "breakbeat has managed to surpass all other forms of music to date. There isn't a recording engineer alive who can tell me there's any other form of music that is more complex than the music we make." Goldie has also recently announced he will be releasing a brand new double album 'The Journey Man' this year. The album comprises two parts, 16 brand new tracks in total, all written and produced by Goldie. It also features a host of collaborators handpicked by Goldie to help realize his vision for the album.
"I often look at music not so much as a producer but like a director. You're drawing together engineers, performers and arrangers to create something special, something magical. It's like alchemy. The notes, the music, the lyrics, they're all in my head and each element has to be communicated and brought to life to create the finished track. I'm always inspired by great movie directors - people like Stanley Kubrick and PT Anderson - and, if you think about it, it's quite a similar approach. They start off with a vision and then they use that vision to deploy the actors and the cameramen and the editors in order to create the finished film."
Collaborators on 'The Journey Man' album include vocalist and songwriter Natalie Duncan, who was discovered when chosen in the three-part BBC series 'Goldie's Band By Royal Appointment' and later provided the vocals for Goldie's 2012 single 'Freedom'. Other featured vocalists on the album include Terri Walker, Tyler Lee Daly, Natalie Williams, JosÉ James, Naomi Pryor as well as Goldie's wife, Mika Wassenaar Price.
'The Journey Man' will be released through Cooking Vinyl and Goldie's own record label, Metalheadz.
Goldie's love affair with painting has remained consistent too and he continues to exhibit visual work that's just as dazzling as his sonic output. Beginning with Night Writers, the 1986 exhibition at Wolverhampton's art gallery that introduced Goldie and his Supreme Graffiti Team to the British Arts Council, his shows have defined a unique aesthetic that's all his own. And through them all, from 1987's Rockin' The City in Birmingham (where he exhibited alongside Massive Attack's Robert Del Naja) and the 1988 Crucial Creators exhibition in Walsall to more recent gallery events like 2007's Love Over Gold and 2012's Athleticizm collection (including portraits of London Olympics stars such as Victoria Pendleton, Tom Daley and Jessica Ennis), runs a consistent thread of energy, experimentalism and boundary-pushing. His 2013 collection, Lost Tribes, an innovative series of pieces fusing Goldie's style with the artistic expression of the ancient peoples of Africa, Asia and America was, he says, "my most important breakthrough".
And for the kid who lay awake, gazing at the stars, through the window of a children's home, growing up has brought some surprises. In 2012, he was selected as one of the BBC's New Elizabethans, 60 people - ranging from David Hockney to Roald Dahl, David Bowie and Tim Berners-Lee - who have helped shape British culture during the reign of Elizabeth II. Four years later, he was awarded the MBE in the Queen's New Year Honours. It's acceptance, of course, on a grand scale. But at heart, he's still the gatecrasher, amped-up on ideas, buzzing on nothing but love, hope and the certainty that, while his way might not be the easy way, it's very definitely the path of a true artist.
- Tim Barr, 2017LP 1
1. Horizons (feat. Terri Walker & Swindle)
5. The Mirrored River
1. I Adore You (w/ Ulterior Motive)
2. I Think of You
3. Truth (feat. Jose James)
1. Tu Viens Avec Moi?
2. The Ballad Celeste
3. This Is Not A Love Song
4. The River Mirrored (feat. Terri Walker)
6. Tomorrow's Not Today
7. Run Run Run$35.99Vinyl LP - 3 LPs Sealed Buy Now
Afro-DisiacLong out of print and never reissued in the U.S. on vinyl since its original release in 1970, Afro-Disiac just might be the musical panacea you've been looking for. Features the smoldering, deep-pocket Purdie showcase, "Sweetheart."1. Afro-Disiac
4. Odds On
6. Chanson De Nuit$24.99Vinyl LP - Sealed Buy Now
Taking Liberties180 Gram Vinyl
Taking Liberties is now available on vinyl for the first time since its original release in 1980! The album has been re-mastered from the original master tapes. Taking Liberties is a compilation album, produced by Nick Lowe and mostly made up of B-sides, although it does feature two previously unreleased recordings. Gems include "Radio Sweetheart," "My Funny Valentine," "Big Tears" and "Just A Memory."1. Clean Money
2. Girls Talk
3. Talking In The Dark
4. Radio Sweetheart
5. Black And White World
6. Big Tears
7. Just A Memory
8. Night Rally
9. Stranger In The House
10. Clowntime Is Over
11. Getting Mighty Crowded
12. Hoover Factory
13. Tiny Steps
14. (I Don't Want To Go To) Chelsea
15. Dr. Luther's Assistant
16. Sunday's Best
17. Crawling To The U.S.A.
18. Wednesday Week
19. My Funny Valentine
20. Ghost Train$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
The Magik Sounds of The Pine Hill HaintsThe Magik Sounds of the Pine Hill Haints ventures
softly into the cool, dark whisper of the haunted south. Short,
tight spun rhymes about silver quarters and vampires come
from a late evening session in a small pink house in south
Alabama, located next to an old Native American mound of
shells and bones, recorded at low volume with red eyes and
open windows. This is the 4th Halloween dance party long
player the Haints have cut for K.
Mrs Pac-Man sets the theme...although this record is
quicker and faster, Buddy Holly pop driven than most other
Haint efforts, the opening track places your mind in the
smokey state needed to feel the Magik Sound vibe. The sad
Queen of all truck stops and late night greasy spoons, the
lovely Angel Mrs Pac-man hold her charm over the listener
and keeps every loner in tune with midnight feeling.
I used to work a lot of third shift jobs, serving crummy food to
sweethearts, the day finished, done, another one in the
books, and the great burden of living in a modern nightmare
almost, almost felt like it had been lifted...the sweet early
a.m. twilight hours, where all humans are brothers again, all
hatreds and vices and ill wills are temporarily forgiven, folks
smile and tell a little joke or two, and the haunted Mrs Pac-man winks eternal in the background...1. Ms. Pac-Man
3. Rattle Them Bones
4.VillianVs. The Kid
5. Shattered Waltz
7. Can I Have Your Board When You Are Dead?
8. Total Zero
9. Coffin Black
10. Dead Ringer
11. Lady Bug
12. Scarlett Fever
13. What Am I Gonna Do But Wait Right Here
14. 7 on a Pair of Dice$18.99Vinyl LP - Sealed Buy Now
Fool's GoldTranslucent Gold Vinyl
My greatest hope is that it ends up becoming the soundtrack to some perfect romance, or at the very least a great cocktail party," says Jill Barber of her new album, 'Fool's Gold. Jill - aka "Canada's sweetheart" - is a two-time Juno Award nominee and Montreal Jazz Fest headliner whose last album hit #1 on the iTunes Jazz charts, and landed her a national segment with NPR. She has collaborated with Josh Ritter, Ron Sexsmith, and Kris Kristofferson has called her a "damn good songwriter." She also published a children's book, entitled 'Music is for Everyone,' this May. 'Fool's Gold' explores every nook of Jill's musical history: sultry torch songs, Hank Williams-inspired ballads, an homage to the golden era of the Brill Building, Motown and beyond. Lead single "Broken For Good" ventures into the early days of Motown with its strong backbeat, horns, a driving bass line and immediate pop appeal. She channels Patsy Cline on "The Careless One," a bittersweet Western, full of resignation and sorrow. As Jill puts it, "It hurts me to sing it, just a little. But that's how I know it is a keeper." The record was produced in Toronto by longtime collaborators and bandmates Les Cooper and Drew Jurecka.1. Broken For Good
2. The Least That She Deserves
3. Let's Call It Love
4. The Careless One
5. If Only In My Mind
6. To The Last
7. Lucky In Love
8. Darlin' It Was You
9. Only You
10. If You're Going To Break My Heart$16.99Colored Vinyl LP - Sealed Buy Now