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Limited, Numbered Edition Of 1,500 Copies
Pressed On Audiophile-grade 180 Gram Vinyl At
Pallas Group In Germany
Mastered From Original Analog Tapes By Bernie
Features Jim Hall On Guitar And Connie Kay On
Everyone wanted Desmond to come up with a sequel to the monster
hit "Take Five"; and so he did, reworking the tune and playfully
designating the meter as 10/8. Hence "Take Ten," a worthy sequel with
a solo that has a Middle-Eastern feeling akin to Desmond's famous
extemporaneous excursion with Brubeck in "Le Souk" back in 1954.
It was here that Desmond also unveiled a spin-off of the then-red-hot
bossa nova groove that he called "bossa antigua" (a sardonic play-on-words meaning "old thing"), which laid the ground for Desmond's
next album and a few more later in the decade. Jim Hall now gets
plenty of room to stretch out, supported by Connie Kay's gently
dropped bombs, and he is the perfect understated swinging foil for
the wistful altoist. There is not a single track here that isn't loaded with
ingeniously worked out, always melodic ideas. Now Take Ten finally
gets the audiophile treatment it deserves, with this 180gram reissue,
mastered from original analog tapes by Bernie Grundman. Each copy
of this limited edition release is numbered with a gold foil stamp.1. Take Ten
2. El Prince
3. Alone Together
5. Theme From Black Orpheus
7. Samba De Orpheu
8. The One I Love (Belongs To Somebody Else)$29.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Take TwoSpotlighted by the immortal hit "It Takes Two," this album hit the R&B top 20. The only LP to feature Marvin Gaye with fellow Motown artist Kim Weston, it's a special listen from the first track through their Motown covers ("Baby I Need Your Loving") and delightful versions of standards including "Secret Love."1. It Takes Two
2. I Love You, Yes I Do
3. Baby I Need Your Loving
4. It's Got To Be A Miracle (This Thing Called Love)
5. Baby Say Yes
6. What Good Am I Without You
7. Til There Was You
8. Love Fell On Me
9. Secret Love
10. I Want You 'Round
11. Heaven Sent You I Know
12. When We're Together$24.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Take Ten (Speakers Corner)
No, not Take Five but Take Ten is the title of this LP and its very first number. Certainly this should be taken as a hint that it was not Dave Brubeck but Paul Desmond who was the composer of this 'million seller'. At the recording session, the guitarist Jim Hall was more than a substitute for the piano - he contributed to the quartet a whole new sound colouring which was tinged with the influences of bossa nova.
The numbers are all easy-going and airy, the melodic lines and sound are filled with transparency. All the while one is curious as to the clear part-writing, and the wealth of ideas emanating from the soloists. This does not only apply to the old favourites Alone Together, Nancy and The One I Love, all three of them arrangements made ad hoc in the studio and which demonstrate how familiar the musicians were with one another, how they listened to one another, answered, and kept the dialogue flowing. The atmosphere is relaxed, and this conveys itself to the listener even after almost half a century.
RCA's recording and reproduction technology was ahead of its time. The music of these South-American-sounding gems comes out of the loudspeakers with brilliance, clarity and - at last - without the frustrating crackle of a second-hand LP.
- Paul Desmond (alto saxophone)
- Jim Hall (guitar)
- Gene Cherico, Gene Wright (bass)
- Connie Kay (drums)
Recording: 1963 in Webster Hall, New York, by Ray Hall
Production: George Avakian
About Speakers Corner
At the beginning of the 90s, in the early days of audiophile vinyl re-releases, the situation was fairly straightforward. Companies such as DCC, Mobile Fidelity, Classic Records and, of course, Speakers Corner all maintained a mutual, unwritten ethical code: we would only use analogue tapes to manufacture records.
During the course of the present vinyl hype, many others have jumped on the bandwagon in the hope of securing a corner of the market. Very often they are not so ethical and use every imaginable source to master from: CDs, LPs, digital files, MP3s - or employed existant tools from the 80s and 90s for manufacturing.
A digital delay is gladly used when cutting a lacquer disc because tape machines with an analogue delay have become quite rare and are therefore expensive. When cutting the lacquer, the audio signal is delayed by one LP revolution against the signal, which controls the cutter head, and for this a digital delay is very often employed. Of course, the resultant sound signal is completely digital and thus only as good as this delay.
We should like to emphasise that Speakers Corner Records on principle only uses the original master tape as the basis for the entirely analogue cutting of lacquer discs. In addition, the pressing tool is newly manufactured as a matter of principle. We have one digital recording in our catalogue (Alan Parsons / Eye In The Sky"), but even in this particular case we used the analogue tapes for cutting.
We only employ existing tools for manufacturing if an improved result is not forthcoming, e.g. the title Elvis Is Back, which was mastered by Steve Hoffman and Kevin Gray, or several titles from our Philips Classics series, which in any case Willem Makkee cut from the original masters at the Emil Berliner Studios in the 90s. It goes without saying that we only used the mother and that new tools were made for our production.
To put it in a nutshell: we can ensure you that our releases are free from any kind of digital effects - excluding the exception above - and that the lacquer discs are newly cut.1. Take Ten
2. El Prince
3. Alone Together
5. Theme from ''Black Orpheus''
6. Nancy (With the Laughing Face)
7. Samba de Orfeu
8. The One I Love (Belongs to Somebody Else)$34.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
I Can't Take ItI Can't Take It was Clay's second and final recording for the Hi label, issued five years after his 1972 debut Trying To Live My Life Without You. In addition to a reprise of Home Is Where The Heart Is and Slow And Easy, the album is comprised of leftover material from those initial 1972 sessions including album highlights Pussy Footing Around and House Ain't A Home (Without A Woman).1. Pussy Footing Around
2. Too Much Mystery
3. I Can't Take It
4. Home Is Where The Heart Is
5. I've Got To Find A Way (To Get You Back)
6. Slow and Easy
7. House Ain't A Home (Without A Woman)
8. Keep On Loving Me
9. Born To Be With You$16.99Vinyl LP - Sealed Buy Now
Ready Take OneErroll Garner was one of the great American Jazz pianists of the 20th century, yet very few know his name or his music. Ready Take One is the first completely new Garner studio album in nearly 25 years.
As never before, listeners are treated to a rare peek behind the studio doors, with revealing conversation between Garner, his quartet, and longtime manager/producer Martha Glaser included between many of the songs. As pianist/producer Geri Allen writes, a kind of fifth member of the band, Glaser would support Erroll Garner in the moment of the creative act, as evidenced by the title of the album, a direct reference to Glaser's steady refrain of, Ready, take one.
Ready Take One features six never before released original Garner compositions, including the infectious Wild Music and beautiful ballad, Back To You. Recorded during a prolific five-year period beginning in 1967, all 14 songs on Ready Take One are previously unreleased, having only recently been discovered after nearly 50 years.LP 1
1. High Wire
2. I Want to Be Happy
3. I'm Confessin' (That I Love You)
5. Wild Music
7. Back to You
1. Night and Day
2. Chase Me
3. Satin Doll
4. Latin Digs
5. Stella By Starlight
6. Down Wylie Avenue
7. Misty$24.99Vinyl LP - 2 LPs Sealed Buy Now
Can't Take Me HomeGold Colored Vinyl
Can't Take Me Home is the debut album by singer P!nk, originally released in the United States on April 4, 2000 by LaFace Records. It produced three singles-There You Go, Most Girls, and You Make Me Sick, and peaked at number twenty-six on the U.S. Billboard 200. Producers included Kevin She'kspere Briggs, Babyface, Kandi Burruss, Terence Tramp Baby Abney, Daryl Simmons, and Tricky.1. Split Personality
2. Hell Wit Ya
3. Most Girls
4. There You Go
5. You Make Me Sick
6. Let Me Let You Know
7. Love Is Such A Crazy Thing
8. Private Show
9. Can't Take Me Home
10. Stop Falling
11. Do What U Do
13. Is It Love$24.99Colored Vinyl LP - 2 LPs Sealed Buy Now
Take A RideMotor City legends Mitch Ryder and the Detroit Wheels set unsurpassed standards for balls-out American white-boy R&B. Under the aegis of crack producer Bob Crewe, the Wheels shot to fame, propelled by Ryder's sweat-soaked soulful vocals, the piercing, mile-a-minute guitar sting of Jim McCarty, and the piledriver drum attack of Johnny Bee. Attacking rock and R&B with a startling, head-on frenzy, the group created a rock-n-soul dynasty still without equal.
Sundazed presents the 180 gram vinyl debut of 1966's Take A Ride... galvanizing mono, with the classic original album artwork faithfully reproduced!
These original mono mixes best capture the band's energy and essence. -Jim McCarty, The Detroit Wheels1. Shake A Tail Feather
2. Come See About Me
3. Let Your Lovelight Shine
4. Just A Little Bit
5. I Hope
6. Jenny Take A Ride
7. Please, Please, Please
8. I'll Go Crazy
9. I Got You
10. Sticks And Stones
11. Bring It On Home To Me
12. Baby Jane (Mo-Mo Jane)$24.99Vinyl LP - Sealed Buy Now
Take A PictureTake a Picture blends Margo's infectious and highly intelligent songcraft with her absolutely unique voice - equal parts girl group innocence and seductive torch. One of the most endearing and delicious soft rock records from its era, here's an impeccable Sundazed vinyl reissue of this '68 masterpiece, direct from the original masters.
Margo Guryan is the most original songwriter that I've ever produced, and also something of an enigma. Underneath it all, she's a schooled composer, but she writes moving pop songs. She writes from her heart, but also from her head.
- John Hill, album producer
When Margo heard God Only Knows for the first time, she dropped everything. Steeped in learnings of jazz and composition, Margo was shaping her musical self in 1966, and Pet Sounds was just what she wanted to hear. Inspired, and working in the glow of Brians masterpiece, Margo began work on Take A Picture. Its a beautiful lost gem. I love this album dearly. The first thing to notice is Margos voice, a unique upper register whisper. But when it starts off you say whoa, what is this? as Sunday Morning sounds like a garage funk band with studio musician talents. The albums production is wonderful in that it is so expert, but never showy. This is one of the most laid back albums Ive heard. Another sunday morning staple....Its jazz, slightly psych pop, with all the ornaments of the Pet Sounds orchestra. A brilliant record...
-The Rising Storm1. Sunday Morning
3. Love Songs
5. Don't Go Away
6. Take a Picture
7. What Can I Give You?
8. Think of Rain
9. Can You Tell
10. Someone I Know
11. Love$24.99Vinyl LP - Sealed Buy Now
Take A BreakCan I get a witness! The Gimmes play that funky music and pay homage to R&B classics. Who says white boys ain't got no riddum?1: Where Do Broken Hearts Go
3: End Of The Road
4: Ainât No Sunshine
5: Nothing Compares 2 U
7: Isnât She Lovely
8: I Believe I Can Fly
9: Oh Girl
10: Iâll Be There
11: Mona Lisa
12: Save The Best For Last
13: Natural Woman$14.99Vinyl LP - Sealed Buy Now
Take Her Up To MontoTake Her Up to Monto is the fourth studio album by Irish singer Róisín Murphy. It was produced with long-time Murphy collaborator Eddie Stevens during the same five-week session period that resulted in her previous album, 2015's Hairless Toys.1. Mastermind
2. Pretty Gardens
3. Thoughts Wasted
4. Lip Service
5. Ten Miles High
7. Romantic Comedy
8. Nervous Sleep
9. Sitting and Counting$22.99Vinyl LP - Sealed Buy Now
Take Refuge In Clean LivingRemastered For Vinyl From Original Recordings
Opening with a nod to Syd Barret's Pink Floyd (Piper at the Gates of Dawn) Take Refuge In Clean Living begins with morse code and drops into one of the heaviest slow-burn grooves in the Grails canon. Sounding something like Hawkwind and Ravi Shankar scoring Blade Runner, it's lysergic and earthy for Grails in a new way. The rest of the record moves from blissful Eno-inspired ambience, to epic Morricone rock hymns, to an unexpected take on a Ventures tune that returns the listener to the very beginnings of instrumental rock music. The touring incarnation of Grails in 2006 and 2007 included good friend and drummer Ben Nugent, allowing Emil Amos to switch to 3rd guitar for the band's live instrumentation. The DNA of this guitar-heavy line-up allowed for new kinds of arrangements and bigger melodies. In early 2007, the then-5-piece entered Steven Lobdell's (Faust) Audible Alchemy studio to document the new songs written with this augmented ensemble. Those sessions make up Take Refuge In Clean Living.
Remastered for vinyl and reissued for the first time in nearly a decade, Take Refuge In Clean Living sees Grails pulling back their already wide lens on multiple sonic horizons. Grails often take what would sound over-ambitious on paper and make it sonically flow in an effortless, laid-back style. The band is defined by exploration and they've created a template for themselves where any style or method can be ingested to reap legitimate rewards. Take Refuge In Clean Living rightly suggested that Grails wouldn't run out of ideas.1. Stoned at the Taj Again
3. 11th Hour
4. Take Refuge
5. Clean Living$23.99Vinyl LP - Sealed Buy Now
Take Me To The Disco
Meg Myers has announced her new album 'Take Me To The Disco,' a relentless and brutally honest record, and the raw result of Meg's own personal journey. As on her breakout 2015 debut album 'Sorry,' Meg's tremendously powerful voice (Rolling Stone) and seething...riffs (The New York Times) are front and center, but this time around, she explores love, loneliness and trauma with unflinching candor, facing her inner green-eyed monster head-on and attacking each bar with a primal ferocity.
To accompany the announcement, Meg has released lead single Numb, a haunting look at the pressures of the music business and life in general. 'Feeling numb' relates to the many pressures of life and our reactions to this weight, says Meg. When this burden becomes too much and we can no longer run...we essentially numb out. Billboard said of the song, piano and electronics gnaw at the alt-rock arrangement, declaring, the cathartic 'Numb' leaves you with a paradoxically life-affirming feeling, a weapon against the modern-day frustrations inherent in life and music.
Meg co-wrote most of the songs on the album with her producer and collaborator Christian Leggy Langdon, and enlisted the help of Victor Indrizzo, who has played with Depeche Mode, to play drums on the record. Meg also used a live string section for the first time - The Section Quartet appears on six songs on the album.
Listening back to some of these songs made me realize what I was really writing about...what was underneath it all, says Meg. On the surface, I thought I was writing about love loss but I've learned it goes much deeper than that. It's going back to the child in me that needed to be healed. I've always written from a true place, but in getting to know myself better, I'm now writing from an even deeper level of honesty.
Meg, who grew up in a Jehovah's Witness household, moved to Los Angeles when she was 19 where she recorded her debut album 'Sorry' on Atlantic Records. That album spawned Top 15 and Top 20 alternative radio hits, Desire and Sorry, respectively, with MTV calling Desire the female answer to Nine Inch Nails' Closer. Meg's striking and visceral music videos have skyrocketed to upwards of 9 million YouTube views, and her Spotify plays rank in the tens of millions. She's graced the pages of every major publication from Rolling Stone to Cosmopolitan, and has brought her hypnotizing performances to Conan and Last Call with Carson Daly, in addition to major tours with the Pixies, Alt-J, and Royal Blood and notable festival slots including Coachella, Lollapalooza and Governors Ball.
On Numb, Meg's mysteriously shape-shifting (Entertainment Weekly) vocal acrobatics are in full force as she alternates between seductive verses and a no-holds-barred chorus. When I first wrote 'Numb,' explains Meg, it was about my experience with a major record label. But as I dug deeper, I found that it goes back to some early childhood stuff and how shutting down, or escaping, felt like the safer thing to do.
Other album highlights include the dreamy, atmospheric title track and the driving Tourniquet, an eerie yet poignant song that details the trials of being trapped in an unhealthy relationship. The thunderous rocker Jealous Sea is a walk on the darker side, says Meg, but it also shows the beauty in the darkness. With each song on 'Take Me To The Disco,' Meg fearlessly bares her soul with an intensity only she can convey.1. Take Me To The Disco
4. Tear Me To Pieces
5. Jealous Sea
6. The Death Of Me
7. Some People
9. I'm Not Sorry
10. Little Black Death
12. Constant$19.99Vinyl LP - Sealed Buy Now
Live In Little FiveFive albums, fourteen years, hundreds of shows and thousands of miles have melded the Athens, GA power trio The Whigs into a live tour-de-force. For the first time, fans old and new can take their legendary live show home in all its limited edition vinyl glory. The ten-song collection spans the band's entire catalog, featuring long-enduring fan favorites alongside new, unreleased material. Recorded and produced by acclaimed engineer David Barbe (Drive-By Truckers, Deerhunter, Animal Collective), Live In Little Five captures the band at the height of their rock 'n' roll might.1. Like A Vibration (Live)
2. Production City (Live)
3. Violet Furs (Live)
4. Soon Comes Fast (Live)
5. Waiting (Live)
6. Right Hand On My Heart (Live)
7. Already Young (Live)
8. Cleaning Out The Cobwebs (Live)
9. Black Lotus (Live)
10. Staying Alive (Live)$18.99Vinyl LP - Sealed Buy Now
Take All My Loves - 9 Shakespeare SonnetsGrammy-nominated singer-songwriter Rufus Wainwright presents TAKE ALL MY LOVES, a collection of his own
compositions to beloved sonnets by the most performed playwright in the world, William Shakespeare.
Wainwrightis joined on this album by Florence Welch (Florence + the Machine), teams up with his sister, Martha Wainwright, and has enlisted soprano Anna Prohaska for a number of tracks. Between songs, Helena Bonham Carter, Carrie Fisher, William Shatner and others recite the sonnets.1. Sonnet 43 - Siân Phillips
2. When Most I Wink (Sonnet 43) - Anna Prohaska
3. Take All My Loves (Sonnet 40) - Rufus Wainwright, Marius de Vries
4. Sonnet 20 -Frally Hynes
5. A Woman's Face (Sonnet 20)
6. For Shame (Sonnet 10) - Anna Prohaska
7. Sonnet 10 - Peter Eyre
8. Unperfect Actor (Sonnet 23) - Helena Bonham Carter, Rufus Wainwright, Martha Wainwright
9. Sonnet 29 - Carrie Fisher
10. When In Disgrace With Fortune and Men's Eyes (Sonnet 29) - Florence Welch
11. Sonnet 129 - William Shatner
12. Th'Expense of Spirit in A Waste of Shame (Sonnet 129) - Anna Prohaska
13. All dessen mud (Sonnet 66) - JÜrgen Holtz, Christopher Nell, Rufus Wainwright
14. A Woman's Face - Reprise (Sonnet 20)
15. Sonnet 87 - Inge Keller
16. Farewell (Sonnet 87) - Anna Prohaska$25.99Vinyl LP - 2 LPs Sealed Buy Now
Need A Little Lovin' / Take Me BackAn indescribably-great, Chicago 60's garage floor-filler!!! "Take Me Back and Hold Me" is a beyond-frantic rocker supercharged with wild guitar and wailing harmonica, while "Need a Little Lovin'" is a perfectly-moody folk-rocker drenched with electric 6 and 12-string guitars. Nearly impossible to find as an original, Sundazed is proud to offer this 45 as part of its DJ Series. A note-perfect reissue, sourced from the original U.S.A. Records mono masters- you'll have the dance floor packed by the first chorus!!1. Need A Little Lovin'
2. Take Me Back And Hold Me$9.99Colored 7 Vinyl Single Mono - Sealed Buy Now
Takes OffJefferson Airplanes Jet Age Sound reverberated throughout the ballrooms of San Francisco in 1966. Here, for the first time in nearly four decades, is their stratosphere-shaking debut album in its original uncensored form, taken from the original RCA Victor mono masters.1. Blues From an Airplane
2. Let Me In
3. Bringing Me Down
4. It's No Secret
5. Tobacco Road
6. Runnin' 'Round This World
7. Come up the Years
8. Run Around
9. Let's Get Together
10. Don't Slip Away
11. Chauffeur Blues
12. And I Like It$24.99Vinyl LP Mono - Sealed Buy Now
Take Off Your Pants And Jacket (Awaiting Repress)Enema of the State is the third studio album by American rock band Blink-182. Produced by Jerry Finn, the album was originally released on June 1, 1999 by MCA Records. After a long series of performances at various clubs and festivals and several indie recordings throughout the 1990s, Blink-182 first achieved popularity on the Warped Tour and in Australia following the release of their sophomore effort Dude Ranch (1997) and its rock radio hit Dammit. To record their third album, Blink-182 turned to veteran punk rock producer Jerry Finn, who previously worked on Green Day's breakthrough album, Dookie (1994). Enema was the band's first album to feature second drummer Travis Barker, who replaced original drummer Scott Raynor. It is also the first album to feature their second lineup and not to feature their full original lineup.1. Anthem Part Two
2. Online Songs
3. First Date
4. Happy Holidays, You Bastard
5. Story Of A Lonely Guy
6. The Rock Show
7. Stay Together For The Kids
8. Roller Coaster
9. Reckless Abandon
10. Everytime I Look For You
11. Give Me One Good Reason
12. Shut Up
13. Please Take Me Home$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now
Bach: Five Concertos for Harpsichord" Rondeau is one of the most natural performers one is likely to hear on a classical music stage these days. Affectation and ostentation are not part of his makeup and, once seated at the instrument, he and the harpsichord become one." -The Washington Post
Jean Rondeau, the imaginative young French harpsichordist, describes the Bach family as "one of the great dynasties of western music". Having devoted his first Erato disc, Imagine, to works by the towering Johann Sebastian, he now returns to Bach's world for his third release, Dynastie, which complements concertos by Johann Sebastian with concertos by his three most famous sons, Wilhelm Friedemann, Carl Philipp Emmanuel and Johann Christian.
Rondeau has described JS Bach, who has been part of his life since his childhood, as "daunting like a mighty mountain", but at the same time feels that "his music is so full of humility, so generous, that we have the right and the duty to play it, to share it, and to take the hand that he extends to us."1. Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro
2. Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio
3. Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro
4. Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): I. Allegro di molto
5. Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): II. Andante
6. Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): III. Prestissimo$22.99Vinyl LP - Sealed Buy Now
URPD-SMA-135xFive Horse Johnson
The Taking Of BlackheartReleased in January 2013, The Taking of Black Heart literally sees retro-rock survivors Five Horse Johnson galloping back into action -- or at least that's the rhythmic feel of the album's opening number, The Job, the image gracing its cover art, etc. Given all they've been through (none of it more traumatizing than frontman Eric Oblander suffering a stroke!), few would expect the group to come riding in to rescue classic rock from a fate worse than death (irrelevance), especially some six years removed from their last long-player's release. But as song after song rolls by, oftentimes driven by bluesier and rootsier songwriting ethics than 5HJ's ever displayed before, hope does spring eternal -- amen, bruvvers and sistahs, alright. Wailing harmonica and slippery slide guitars wrap themselves round and round laid-back groovers (Keep on Diggin', Smash & Grab, Die in the River) and foot-stomping bruisers alike (Black Heart Baby, Shoot My Way Out), thereby luring patrons left and right into 5HJ's juke joint -- and the first shot of canned heat is on them. Heck, and if any additional credibility were needed, get a load of Cheap Trick's Robin Zander taking over the mike stand for the album's funkiest, most euphoric moment in You're My Girl -- Otis Redding surely would approve. Perhaps more than any other track, the latter also highlights Five Horse Johnson's enduring faith and pure joy in playing rock & roll, regardless of how many paying customers show up on any given night. They're a band's band, at the end of the day: playing to play -- and The Taking of Black Heart is therefore a welcome return, bringing good news to the rock & roll faithful everywhere.
-Eduardo Rivadavia (All Music Guide)1. The Job
2. Keep On Diggin'
3. Black Heart Baby
5. Beating In My Hand
6. Quick On The Trigger
7. Smash & Grab
8. Hangin' Tree
9. You're My Girl
10. Shoot My Way Out
11. Die In The River$19.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Taking The Long WayNewly Remastered And Pressed On High Resolution 150 Gram Vinyl
With 2006's Taking The Long Way, Dixie Chicks made their most powerful musical and cultural statement to-date. Produced by Rick Rubin, driven by the anthemic mission statement, Not Ready to Make Nice, Taking The Long Way was embraced by critics and fans alike. Dixie Chicks made music history at the 49th Annual Grammy Awards when they became the first female group ever to take home the big three top Grammy honors: Song Of The Year (for Not Ready To Make Nice), Record Of The Year (for Not Ready To Make Nice) and Album Of The Year (for Taking The Long Way). They achieved another Grammy milestone that night when Taking The Long Way became the first Best Country Album ever to win the Album Of The Year trophy. In addition to joining a handful of artists to have claimed all three top Grammys in a single year, the Dixie Chicks went an incredible five-for-five, winning in each of the five categories for which they were nominated including Best Country Performance By A Duo Or Group With Vocal (for Not Ready To Make Nice) and Best Country Album (for Taking The Long Way).LP 1
1. The Long Way Around
2. Easy Silence
3. Not Ready To Make Nice
4. Everybody Knows
5. Bitter End
6. Lubbock Or Leave It
1. Silent House
2. Favorite Year
3. Voice Inside My Head
4. I Like It
5. Baby Hold On
6. So Hard
7. I Hope$29.99Vinyl LP - 2 LPs Sealed Buy Now
Early Takes Vol. 1Early Takes Vol. 1 features music from Martin Scorsese's acclaimed 2011 documentary on George Harrison entitled Living in the Material World. The 10-song set consists of Harrison's rare demos and early takes on such classic material as Bob Dylan's Mama You Been On My Mind and many songs that would appear on his solo 1970 masterpiece All Things Pass including My Sweet Lord, the Dylan/Harrison composition, I'd Have You Any Time, Awaiting On You All, Behind That Locked Door and the album's title track.1. My Sweet Lord (demo)
2. Run Of The Mill (demo)
3. I'd Have You Any Time (early take)
4. Mama You've Been On My Mind (demo)
5. Let It Be Me (demo)
6. Woman Don't You Cry For Me (early take)
7. Awaiting On You All (early take)
8. Behind That Locked Door (demo)
9. All Things Must Pass (demo)
10. The Light That Has Lighted The World (demo)$19.99Vinyl LP - Sealed Buy Now
Time Takes TimeImport
180-Gram Audiophile Vinyl
25th Anniversary Of Ringo's 10th Album
Includes The Singles Weight Of The World And Don't Go Where The Road Don't Go
Featuring Jeff Lynne, Brian Wilson, Harry Nilsson, Andrew Gold (Wax), Jeff Baxter (Steely Dan), Mark Hart (Supertramp) & Many Other Guest Appearances
When The Beatles were formed in 1960, Ringo Starr was a member of another Liverpool group, Rory Storm and the Hurricanes. After achieving moderate success with that band, he quit and joined The Beatles in August 1962, replacing Pete Best. Starr played key roles in The Beatles' films and appeared in numerous others. After the break-up in 1970, Ringo Starr released several successful singles including the It Don't Come Easy, Photograph Back Off Boogaloo and You're Sixteen.
Ringo Starr achieved commercial and critical success with his 1973 album Ringo, which was a top ten release in several countries. He has been featured in a number of documentaries and hosted television shows. Since 1989, he has toured with twelve variations of Ringo Starr & His All-Starr Band.
Time Takes Time is the tenth studio album by Ringo Starr, released in 1992, his critically acclaimed comeback album. His first studio album since 1983's Old Wave, it followed a successful 1989-90 world tour with his All-Starr Band. Time Takes Time features several celebrity guests including Brian Wilson, Harry Nilsson and Electric Light Orchestra front man Jeff Lynne.
Many critics considered Time Takes Time Starr's best album since 1973's Ringo. Rolling Stone magazine wrote, The drummer's most consistent, wide-awake album since Ringo, from 1973.
Hot on the heels of the release of Ringo's latest album Give More Love, 2017 also marks the 25th anniversary of Time Takes Time. The album is now finally available again on vinyl.1. Weight Of The World
2. Don't Know A Thing About Love
3. Don't Go Where The Road Don't Go
4. Golden Blunders
5. All In The Name Of Love
6. After All These Years
7. I Don't Believe You
9. In A Heart Beat
10. What Goes Around$37.99180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
Cinco: The First Five LPs (Box Set) (Awaiting Repress)ZZ Top's First Five Albums Pressed On Heavyweight 180-Gram Vinyl
Presented In A Box Made To Look Like The Custom "Nudie Suits" Worn By "That Little Ol' Band From Texas" On Stage Around The World
ZZ TOP drops the needle into the groove for a new vinyl set that takes listeners on a rocking ride through the long-running Texas trio's early years. It includes the band's first five albums pressed on heavyweight 180-gram vinyl, presented in a box made to look like the custom "Nudie Suits" worn by "That Little Ol' Band From Texas" on stage around the world.LP 1: ZZ Top's First Album
1. (Somebody Else Been) Shaking Your Tree
2. Brown Sugar
4. Goin' Down To Mexico
5. Old Man
6. Neighbor, Neighbor
7. Certified Blues
8. Bedroom Thang
9. Just Got Back From Baby's
10. Backdoor Love Affair
LP 2: Rio Grande Mud
2. Just Got Paid
3. Mushmouth Shoutin'
4. Ko Ko Blue
6. Apologies To Pearly
8. Sure Got Cold After The Rain Fell
9. Whiskey'n Mama
10. Down Brownie
LP 3: Tres Hombres
1. Waitin' for the Bus (2006 Remastered Version)
2. Jesus Just Left Chicago (2006 Remastered Version)
3. Beer Drinkers & Hell Raisers (2006 Remastered Version)
4. Master of Sparks (2006 Remastered Version)
5. Hot, Blue and Righteous (2006 Remastered Version)
6. Move Me On Down The Line (Remastered Version)
7. Precious And Grace (Remastered Version)
8. La Grange (2005 Remastered Version)
9. Sheik (Remastered Version)
10. Have You Heard ? (Remastered Version)
LP 4: Fandango!
2. Jailhouse Rock
3. Backdoor Medley: Backdoor Love Affair; Mellow Down Easy; Backdoor Love Affair No. 2; Long Distance B
4. Nasty Dogs And Funky Kings
5. Blue Jeans Blues
7. Mexican Blackbird
8. Heard It On The X
LP 5: Tejas
1. It's Only Love
2. Arrested For Driving While Blind
3. El Diablo
4. Snappy Kakkie
5. Enjoy And Get It On
6. Ten Dollar Man
7. Pan Am Highway Blues
8. Avalon Hideaway
9. She's A Heartbreaker
10. Asleep In The Desert (Instrumental)$114.99180 Gram Audiophile Virgin Vinyl LP Box Set - 5 LPs Sealed AWAITING REPRESS Buy Now
It Takes A Nation Of Millions To Hold Us Back (Awaiting Repress)Ranked 78/500 On Rolling Stone Magazine's 500 Greatest Albums Of All Time.
I hated that record, said Public Enemy's Chuck D. Believe it or not, he's referring to Bring the Noise, the frenetic first track of It Takes a Nation of Millions to Hold Us Back, the group's 1988 agit-rap masterpiece and breakthrough album. Public Enemy had recorded the song in October 1987 for the soundtrack of the forgettable Less Than Zero. When Chuck (a.k.a. Carlton Ridenhour) first heard the final version, he said, I practically threw it out the window.
He changed his mind later that year when Public Enemy were on tour in England. I kept hearing people ask, 'What's this record you've got out? People are going crazy over it,' he remembered. I was like 'OK, pull that acetate out, and let's play it [in concert].' People went berserk.
Bring the Noise, along with Rebel Without a Pause and Don't Believe the Hype - all conceived in 1987 at the group's Hempstead, Long Island, studio, Spectrum City - would become the foundation of It Takes a Nation of Millions, an album that's loud, obnoxious, funky, avant-garde, political, uncompromising and hilarious all at once. Chuck may have been disgruntled over Bring the Noise, but he always liked Rebel Without a Pause, the track that introduced Public Enemy's trademark sirenlike horn squeals. Hank Shocklee of PE's production team, the Bomb Squad, says that Rebel started out as a response to Eric B. and Rakim's I Know You Got Soul. We were going for something that had the same feel but with more aggression, Shocklee said. Because we were angry.
For Rebel, PE coupled piercing squeals (a snippet from the J.B.'s' The Grunt played backward) with James Brown's Funky Drummer (Because that song was my milk, said Shocklee). Then it fell on Chuck to write the lyrics. I remember locking myself in the house for 24 hours, Chuck said. He emerged with verses that emulated Rakim's off-the-rhythm flow but stayed true to his own booming-baritone persona (Soul, rock & roll, comin' like a rhino); Chuck also dropped the name of black activist Joanne Chesimard, hinting at the political direction that his rhymes would soon take.
Don't Believe the Hype, recorded just before Bring the Noise, was Chuck's first foray into full-fledged polemics, in this case against the media. The lyrics were inspired by a slight against Chuck by New York-area radio DJ Mr. Magic. PE had serious doubts about that song, too. We thought 'Hype' was just garbage, said Shocklee. Again, they saw the response the song got when DMC (of the group Run-DMC) blasted the track out of his Bronco in Harlem on a Saturday night. The whole block was grooving to it, says Shocklee.
In January 1988, it all fit together. You had the combination of the noise from 'Rebel,' says Chuck, the tempo of 'Bring the Noise' and the subject matter of 'Don't Believe the Hype.' It set off Takes a Nation pretty nice.
- Rolling StoneLP 1
1. Countdown To Armageddon
2. Bring The Noise
3. Don't Believe The Hype
4. Cold Lampin' With Flavor
5. Terminator X To The Edge Of Panic
6. Mind Terrorist
7. Louder Than A Bomb
8. Caught, Can We Get A Witness?
1. Show 'Em Whatcha Got
2. She Watch Channel Zero?!
3. Night Of The Living Baseheads
4. Black Steel In The Hour Of Chaos
5. Security Of The First World
6. Rebel Without A Pause
7. Prophets Of Rage
8. Party For Your Right To Fight$24.99Vinyl LP - Sealed AWAITING REPRESS Buy Now