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  • Rule The World: The Greatest Hits (Pre-Order) Rule The World: The Greatest Hits (Pre-Order) Quick View

    $34.99
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    Rule The World: The Greatest Hits (Pre-Order)

    Tears For Fears - Roland Orzabal [vocals, guitar, keyboards] and Curt Smith [vocals, bass, keyboards] - close out 2017 with the release of their first career-spanning Greatest Hits album, Rule The World
    1. Everybody Wants To Rule The World
    2. Shout
    3. I Love You But I'm Lost

    4. Mad World
    5. Sowing The Seeds Of Love
    6. Advice For The Young At Heart
    7. Head Over Heels
    8. Woman In Chains

    9. Change
    10. Stay
    11. Pale Shelter
    12. Mothers Talk
    13. Break It Down Again
    14. I Believe
    15. Raoul And The Kings Of Spain
    16. Closest Thing To Heaven
    Tears For Fears
    $34.99
    Vinyl LP - 2 LPs Sealed PRE-ORDER Buy Now
  • Songs From The Big Chair Songs From The Big Chair Quick View

    $24.99
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    Songs From The Big Chair

    Tears for Fears' biggest-selling album, Songs from the Big Chair, will be released in its most spectacular format on November 4, 2014, via Universal Music Enterprises. The album spawned classic songs like "Everybody Wants To Rule the World," "Mother's Talk," "Shout" and "Head over Heels. Tears for Fears' phenomenal 10-million-selling second album marked a transition in the band's sound and catapulted them into international prominence.
    1. Shout
    2. The Working Hour
    3. Everybody Wants To Rule The World
    4. Mothers Talk
    5. I Believe
    6. Broken
    7. Head Over Heels
    8. Listen
    Tears For Fears
    $24.99
    Vinyl LP - Sealed Buy Now
  • Ready Boys & Girls Ready Boys & Girls Quick View

    $12.99
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    Ready Boys & Girls

    Three exclusive covers of songs by Arcade Fire, Hot Chip and Animal Collective on 10 colored vinyl.
    1. My Girls
    2. Ready To Start
    3. Boy From School
    Tears For Fears
    $12.99
    10 Colored Vinyl LP - Sealed Buy Now
  • Limits Of Desire Limits Of Desire Quick View

    $17.99
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    Limits Of Desire

    Limits of Desire is SmallBlack's most accomplished album yet. It's a crystalline realization of a sound they've
    been building toward since their self-titled EP in 2009. Now a full-time four piece, Josh Hayden Kolenik
    (keys, vocals), Ryan Heyner (guitar, keys, vocals), Juan Pieczanski (bass, guitar) and Jeff Curtin (drums,
    percussion), the band have moved way beyond the hazy home recorded sound of their previous releases
    toward a full-fledged, but still self-produced, clear approach. Where 2010's New Chain was a lesson in
    maximalist pop, Limits of Desirefindsthe band trimming theirsound to the essentials, yet hitting new and
    unexpected heightswith the addition of live drums, electric guitar and trumpet to the existing Small Black
    palette.


    Tonally the songs sweep and glide over lush keys, bolstered by lyrics that illustrate the semi-abstract
    moments of lost opportunities and misread signs, hinted at by the coverimage.The title trackwhirlssoftly,
    and channels luminaries Tears for Fears and The Blue Nile, anchored by Pieczanski's punchy bass as
    Kolenik sings: "Otherlives droned/ farfrom the grasswhere Ilay/ each eye stared out the oppositeway."As
    much as the record is about looking for deeper connections, it's also about avoiding real life, if only for a
    moment-getting out of your own head just long enough to calm down and find perspective.
    "Free At Dawn" and "No Stranger" do what fans have come to love Small Black for, only better. They're
    smart pop bangerstingedwith a specific brand of melancholy thatslowly build to night-affirming climaxes.


    While Breathless" ups the tempo, over synth stabs, with lyrics that tackle apathy and uncertainty with
    catchy grace: "I'm standing in tomorrow'sway/ future'sfine/least itseems okay." It paints a concise portrait
    of a generation strugglingwith unlimited freedom and malaise.
    The band builds on a rich history of synth pop by making a thoroughly modern album, on both the front
    and back end. One that seeks out cohesion, connection and calm in a world that won't sit still. Limits of
    Desire doesn't attempt to provide any solutions, but coming to terms with not finding the answers feels
    infinitely more fruitful.

    Free At Dawn
    Canoe
    No Stranger
    Sophie
    Breathless
    Proper Spirit
    Only A Shadow
    Limits Of Desire
    Shook Loves
    Outskirts
    Small Black
    $17.99
    Vinyl LP - Sealed Buy Now
  • Orphan Black Soundtrack Orphan Black Soundtrack Quick View

    $24.99
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    Orphan Black Soundtrack

    180 gram album with full color photos on the inner sleeve and a gatefold package. This Pop Soundtrack from the
    award winning and cult phenomnena TV Series, Orphan Black, features key pop songs that helped create the soundbof the show, (Matthew Dear, Foxygen, Tears for Fears, The Troggs etc.) The album also includes the Orphan Black Theme by Two Fingers (alter-ego of electronic musician Amon Tobin).
    1. Theme From Orphan Black by Two Fingers
    2. Rain Of Gold by Young Empires
    3. It Ain't You by The Ettes
    4. Earthforms by Matthew Dear
    5. Mon Ton Ton by Humans
    6. Shuggie by Foxygen
    7. Bitch by Merideth Brooks
    8. Blame Fiction by The Belle Game
    9. Live In The Bedroom by Tim Moxam
    10. Head Over Heels by Tears For Fears
    11. Crazy by Diana Salvatore
    12. When I Was by Abroad by Daniel Romano
    13. West End Sky by Elliott Brood
    14. Love Is All Around by The Troggs
    Various Artists
    $24.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • The Making Of The Making Of Quick View

    $19.99
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    The Making Of

    The Bohicas debut album The Making Of lands blow after blow. A barrage of killer hooks, razor blade riffs and choruses that slap you in the face, grab your hand and lead you onto the dance floor. All shot through with pulp imagery torn from the pages of a graphic novel. Their story begins in Essex where as schoolmates they first came together over a love of The Beatles, The Kinks, Ray Charles and the new wave of guitar bands who emerged at the start of the century after the scrag ends of Britpop had finally limped off. The album was was produced by Mark Rankin (Queens Of The Stone Age, Bombay Bicycle Club), Chris 'Merrick' Hughes (Tears For Fears, Adam And The Ants) and Oli Bayston (Toy, Boxed In). The Making Of is 21st Century rock and roll.
    1. I Do It For Your Love
    2. To Die For
    3. Only You
    4. Girlfriend
    5. The Making Of
    6. Where You At
    7. XXX
    8. Swarm
    9. Red Raw
    10. Upside Down and Inside Out
    11. Somehow You Know What I Mean
    The Bohicas
    $19.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • Ellipsis Ellipsis Quick View

    $23.99
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    Ellipsis

    180 Gram Vinyl Record


    As is tradition, writing sessions for the album saw Biffy Clyro - Simon Neil (vocals/guitar) and the Johnstonbrothers James (bass) and Ben (drums) working in the intimate environment of their practice room. They then headed to Los Angeles for recording sessions with producer Rich Costey (Muse, My Chemical Romance, SigurRos). Citing influences as diverse as Tears For Fears' Songs From The Big Chair album, DJ Arca and Deafheaven,Simon Neil has described Ellipsis as more of a punch to the nose than a big cuddle.


    Lyrically, the album's songstackle personal issues with the idea of fighting back a recurring theme. Such themes are also apparent in the album's visceral first single Wolves of Winter which captures BiffyClyro's famous blend of angular riffs, pummelling rhythms and strident hooks. Says Neil: 'Wolves of Winter' isabout us being wolves on a patch and if you come onto that patch, we'll tear you limb-from-limb.


    An Ellipsis (most commonly depicted as ...) indicates a continuation: in this case, Biffy Clyro's new body of workis an ongoing representation of everything that the band have stood for since first debuting in 2002 with theBlackened Sky album.

    Biffy Clyro
    $23.99
    180 Gram Audiophile Virgin Vinyl LP - Sealed Buy Now
  • To The Bone (Out Of Stock) To The Bone (Out Of Stock) Quick View

    $29.99
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    To The Bone (Out Of Stock)

    Steven Wilson will release his expansive, brilliant fifth album, To The Bone, via Caroline International. It is the follow-up to 2015's Hand. Cannot. Erase. (one of Rolling Stone's best albums of 2015). A gloriously dynamic modernist pop record as imagined by the UK's biggest underground artist, To The Bone is Steven Wilson's hat-tip to the hugely ambitious progressive pop records of his youth (think Peter Gabriel's So, Talk Talk's Colour of Spring, Tears for Fears Seeds of Love).
    1. To The Bone
    2. Nowhere Now
    3. Pariah (feat. Ninet Tayeb)
    4. The Same Asylum As Before
    5. Refuge
    6. Permanating
    7. Blank Tapes (feat. Ninet Tayeb)
    8. People Who Eat Darkness
    9. Song Of I (feat. Sophie Hunger)
    10. Detonation
    11. Song Of Unborn
    Steven Wilson
    $29.99
    Vinyl LP 45 RPM - 2 LPs Sealed Temporarily out of stock
  • To The Bone (Bone Colored Vinyl) (Out Of Stock) To The Bone (Bone Colored Vinyl) (Out Of Stock) Quick View

    $29.99
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    To The Bone (Bone Colored Vinyl) (Out Of Stock)

    Limited Edition Of 1000 Pressed On Bone Colored Vinyl


    Steven Wilson will release his expansive, brilliant fifth album, To The Bone, via Caroline International. It is the follow-up to 2015's Hand. Cannot. Erase. (one of Rolling Stone's best albums of 2015). A gloriously dynamic modernist pop record as imagined by the UK's biggest underground artist, To The Bone is Steven Wilson's hat-tip to the hugely ambitious progressive pop records of his youth (think Peter Gabriel's So, Talk Talk's Colour of Spring, Tears for Fears Seeds of Love).

    1. To The Bone
    2. Nowhere Now
    3. Pariah (feat. Ninet Tayeb)
    4. The Same Asylum As Before
    5. Refuge
    6. Permanating
    7. Blank Tapes (feat. Ninet Tayeb)
    8. People Who Eat Darkness
    9. Song Of I (feat. Sophie Hunger)
    10. Detonation
    11. Song Of Unborn
    Steven Wilson
    $29.99
    Colored Vinyl LP 45 RPM - 2 LPs Sealed Temporarily out of stock
  • Nightbringers (Out Of Stock) Nightbringers (Out Of Stock) Quick View

    $25.99
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    Nightbringers (Out Of Stock)

    Any band that has earned an army of devout followers through dropping seven killer full-lengths - and touring their collective ass off for sixteen years - could perhaps be forgiven for thinking they could take it easy as they wade into their eighth release. But that's just not The Black Dahlia Murder's style, and Nightbringers is testament to that. Having released their most accomplished, aggressive, and emotionally diverse music to date in the form of 2015's Abysmal, the Michigan quintet have once more pushed themselves to new heights, and the 34 minutes of searing melodic death metal that comprises Nightbringers is riveting listening. "I always feel a responsibility to the people who support this band when we start making a new record," asserts vocalist Trevor Strnad. "The pressure that comes from people being excited to hear what you come up with next can be intimidating, but it's so exciting that those people love you so much for just doing what you do. It makes you want to honor what you've done in the past, but also excite them with where you go next, and that definitely drove us on Nightbringers. When we started writing I honestly didn't know we had this album in us, and I feel really proud of it. It's a great moment for us."


    Rather than meticulously plan things out or stick rigidly to any kind of template, when it comes to writing The Black Dahlia Murder prefer to let things happen organically. In the hands of guitarist Brian Eschbach - who co-founded the band with Strnad in 2001 - and new recruit Brandon Ellis (Cannabis Corpse/ex-Arsis) Nightbringers is rich with dynamic riffs that are at once fresh and classic TBDM, resulting in a collection that shifts through many moods and effortlessly incorporates various elements of extreme metal. With guitarist Ryan Knight having amicably stepped down in 2016, the addition of twenty-four-year-old Ellis to the band's ranks has helped usher in an exciting new era. "He's very professional for his age, I think he's skilled far beyond his years, and his live energy is exceptional. When Max (Lavelle, bass) joined the band he challenged a lot of us on stage to raise our personal bar, and Brandon's pushed that even further," states Strnad. "Brandon coming into the band and writing a bunch of songs was an awesome surprise too. He really took the reins, and this record is also the most involved that Alan (Cassidy drums) has been too. The way that we were doing the demos and bouncing things back and forth he had a lot of room to do what he wanted to do, and I think it's definitely a more colorful album for that. I also think as we get older the emotional content goes up. I think we better realize how to grip the listener. Personally, I try to write lyrics that are going to match each part, and kind of ramp up those feelings that we're putting across." Strnad's statements are vividly borne out by every moment of Nightbringers. For fans attending 2017's Summer Slaughter tour, the first taste of of the record came with the inclusion of the title track in their set, which has an undeniable immediacy to it, rich with hooks and boasting a "circusy, evil and playful" air. By contrast, "Catacomb Hecatomb" is suffused with tragedy, the mournful tone of its slower passages deeply affecting. This too is dramatically different to "As Good As Dead", which has some swagger to it that Strnad likens to Megadeth, or "Matriarch", described by Eschbach as a "wild, neoclassical romp" and stands as one of the most cutthroat and all out aggressive tracks in the quintet's arsenal. Upon first hearing the latter, Strnad was intent on matching its visceral intensity. "I felt inspired to write very violent lyrics to it. It's told from the perspective of a woman who is trying to have a child and not having any luck, and she goes kind of crazy and stalks this other woman who is due to have a child. She finds her moment to take it from her, cutting it right out of her stomach." While Strnad explores a variety of themes and ideas with his lyrics, they are united by the album's title, which embraces a tenet that has been central to The Black Dahlia Murder's output since the very beginning. "A lot of archaic ideas that are still upheld - such as marriage and monogamy - came from Christianity, whether people want to acknowledge it or not, and to me, death metal has always been bucking that. It's 'being-the-villain music', because we're the enemy of Christianity, the enemy of all that is good and traditional. Death metal is for free thinkers, it's for showing people the path to inner strength and operating on your own will, instead of being told what to do and living in fear, and songs like the title track and "Kings Of The Nightworld" are about leading a legion of awakened minds into battle." Following this theme also motivated Strnad to forge into ever-darker territory, even when this meant tearing things up and starting over. "I felt I needed to rise to the occasion to make as much of the blood and guts and heinousness as possible, and there was actually a couple of points where I rewrote some songs. I just didn't feel like they were dark enough, or violent enough, so I was really trying to ramp up the monstrous aspects of things, and definitely trying in different ways to take down tradition."


    Rather than decamp to a single studio, the members split off when it came time to start laying down the songs - all well versed in how to get the best out of their individual performances. With former bassist Ryan Williams once again assisting, the drums were tracked at The Pipe Yard in Plymouth, Michigan and rhythm guitars in the band's practice space in Warren, Michigan [was bass tracked there too?]. Ellis then recorded his many blistering solos in his home studio, while Strnad headed to Full Force Studios on Long Island, with Joe Cincotta (Suffocation, Internal Bleeding) overseeing his sessions. For the unique and haunting cover art they turned to Kristian Wåhlin, aka Necrolord, who has designed seminal artwork for the likes of At The Gates, Bathory, Emperor and also TBDM's 2007 release, Nocturnal. "I think he's the most prominent artist when it comes to classic releases in the melodic death metal genre, and kind of bringing things full circle with it being the ten-year anniversary of Nocturnal felt right. By now people probably wouldn't have expected us to go back to him, so it's kind of a surprise, but at the same time it's a very classic cover too." With the band celebrating the 10-year anniversary of the aforementioned album by playing it in its entirety on Summer Slaughter, it has given them a moment to reflect not only on the road that has led them to here but also that which lies ahead. "When I think back to when we started the band I feel very proud of everything we've done, and I also see a lot of improvement over the years," says Strnad. "In the early songs I can hear us as kids, and then segueing into our adulthood as musicians and writers, but sixteen years in I still feel young as a band. I feel like we have a shit ton left to do, and I think we're sitting pretty with the best lineup we've ever had. I also think Nightbringers could be our finest hour yet. I feel very strongly that it will affect people, I want to get all of these songs in people's ears, and I want them to check out everything we've got on this record. There's so much variety and so many great ideas, and I think that this could take us to another place."

    1. Widowmaker
    2. Of God and Serpent, of Spectre and Snake
    3. Matriarch
    4. Nightbringers
    5. Jars
    6. Kings of the Nightworld
    7. Catacomb Hecatomb
    8. As Good as Dead
    9. The Lonely Deceased
    The Black Dahlia Murder
    $25.99
    Vinyl LP - Sealed Temporarily out of stock
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