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  • Ted Nugent (45 RPM) Ted Nugent (45 RPM) Quick View

    $54.99
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    Ted Nugent (45 RPM)

    The Best-Sounding Track - Stranglehold - Has Side 1 All To Itself! Cut At 45 RPM, Spread Over One Whole Side - Unbelievable Sound! Stranglehold Indeed!


    Gatefold Jacket!


    Mastered By Ryan Smith At Sterling Sound Using Legendary Mastering Engineer George Marino's Notes From His Original Mastering Sessions With The Original Analog Tapes!


    Remastered By Smith In George's Mixing Room Using Marino's VMS 80 Lathe


    200-Gram Vinyl Plated By Gary Salstrom And Pressed At Quality Record Pressings, The World's Finest Lp Maker!


    Self-Titled Album Made Nugent And His Gonzo Guitar A Rock Icon!


    There was a moment, in 1975 to be exact, when Ted Nugent was taken very seriously. As a musician. Before he decided to become whatever it is that he is now. ... Let's think back to 1975 when Ted was just a sex-crazed rock star who made a killer self-titled debut solo record that has now been remastered and reissued as a gatefold, by Chad Kassem's Analogue Productions and Quality Record Pressings. While his songwriting interests have never really changed, these were the best takes on all those ideas that Nugent would from this point on build his career on. ... on Ted Nugent his guitar riffs were never sharper, his playing never less indulgent. This is a record where even the inner cuts like 'Just What the Doctor Ordered' and 'Queen of the Forest' were good to great. - Robert Baird, Stereophile, May 2014


    We were fortunate with this one. Fortunate you say? How so? Well for starters, the late and lauded mastering engineer George Marino at Sterling Sound mastered and cut the original 1975 release of Ted Nugent. Almost 40 years later, after some digging by George's protege, Ryan Smith, on behalf of this Analogue Productions reissue - lo and behold - George's mastering notes resurfaced as well as the original analog tape masters.


    With the release of Ted Nugent, the self-proclaimed Motor City Madman and god of gonzo guitar became not just a star, but one of rock 'n' roll's icons. The songs Motor City Madhouse and Just What The Doctor Ordered would become two of many of Ted's road anthems. These and the other 10 monster tracks on Ted Nugent were clear evidence that Ted was an artist to be reckoned with.


    Ted Nugent still likes to reflect back on what his critics were saying as he put his band, the Amboy Dukes, to rest and started the next phase of his career-one that would be under his own vision, his own direction and most importantly, his own name.


    I remember some of the more creative writers of the ilk claimed it would be 'the final nail in my coffin' - quote, unquote, Nugent says with a redemptive laugh. I knew better.


    The mention of Ted's name elicits different reactions from rock fans today in different parts of the country. Nods of familiarity on both coasts, and clenched fists and knowing grins in the vast Midwest and South. He's sold millions of albums. Rock radio couldn't play enough of him - and neither could promoters, who made him the hardest-working and top-grossing gunslinger of the mid- and late-'70s. While most other rockers posed with their sleek Stratocasters and Les Pauls, there was Nugent, whipping his mane of hair around his head as he cranked out sound on his big Gibson Birdland, a hog of a guitar with rich, thick and creamy tones - clearly not something to be trusted to amateurs. But in Nugent's hands it screamed, squealed and cried, providing a vivid 3-D voice for the monster crunch of Stranglehold, the menacing stomp of Stormtroopin and the fiery boogie of Hey Baby, Motor City Madhouse and Snakeskin Cowboys.


    We feel this is Ted's finest recording by far. And here, you'll hear this classic more clearly and vividly than ever before. This reissue was remastered by Smith in the late George Marino's mixing room at Sterling Sound using Marino's VMS 80 lathe and an ATR 102 tape machine modified by Mike Spitz-the only one of its kind in the world.. Then this 200-gram vinyl beauty was pressed by Quality Record Pressings, makers of the world's finest LPs, where it was plated for vinyl by Gary Salstrom, QRP's master plating technician and general manager. The power burned into these grooves is difficult to find anywhere else this side of the Atlantic, and indeed it remains a rare commodity anywhere in the world.


    As Ted himself proclaims: If anyone wanted to know what rock 'n' roll was all about, this is the only album they'll need.


    This title is not eligible for discount.

    LP 1
    1. Stranglehold
    2. Stormtroopin'
    3. Hey Baby
    4. Just What the Doctor Ordered


    LP 2
    1. Snakeskin Cowboys
    2. Motor City Madhouse
    3. Where Have You Been All My Life
    4. You Make Me Feel Right at Home
    5. Queen of the Forest

    Ted Nugent
    $54.99
    200 Gram Audiophile Virgin Vinyl LP 45 RPM - 2 LPs Sealed Buy Now
  • Pushing My Luck Pushing My Luck Quick View

    $16.99
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    Pushing My Luck

    Robert Belfour's sophomore effort for Fat Possum -- at 63, he is one of the youngest artists on the roster and is by far the most polished, if the Delta blues can ever really be called that -- proves his debut was indeed only a beginning.


    In stark contrast to his labelmates, Belfour strictly plays acoustic blues, but he plays them with the same dark, trancelike feel of Junior Kimbrough, haunting spookiness of Fred McDowell, rhythmic intensity of John Lee Hooker, and sprawling drawl of Lightnin' Hopkins. Ted Gainey aids Belfour on a drum kit.


    While the first album was all of a piece, and everything but the vocal seemed to be recorded at the same level (and even then, Belfour couldn't always be understood among the ringing guitars and shuffling drums), Pushin' My Luck is nervier, a bit more edgy. Belfour's truly nearly unbelievable singing is a bit more in the foreground, enough to add to the hypnotic repetition in his music, while the drums -- played no more elaborately than Meg White's in the White Stripes -- are mixed just a tad higher, bringing it extremely close to the punch this stuff has when played in front of a live audience.


    Fans of Kimbrough's guitar playing -- or Ali Farka Toure's, for that matter -- will be instantly drawn to the polyrhythmic, droning chords and ambling, elegantly raw, slippery fills that Belfour plays, whether it's on Hill Stomp, the title track, I Got My Eyes on You, Sweet Brown Sugar, or I'm Gonna Leave, which closes the set. The vibe is the same everywhere; this is deep, hot Mississippi blues full of a slow, steamy, writhing sexual vibe; twisted soul; and a sense of foreboding mystery that cannot be mentioned, let alone explained.


    This is the first great blues record of 2003 and if it isn't nominated for the W.C. Handy Award, the damned foundation should be disbanded on the basis of deafness. I hope this guy lives to be a 100 and makes a record every year he's on this planet. Forget everything you just read: This record is amazing; just buy it.


    - Thom Jurek (All Music Guide)

    1. Hill Stomp

    2. Breaking My Heart

    3. Pushin' My Luck

    4. Go Ahead On

    5. You Got Me Crying

    6. I Got My Eyes On You

    7. Sweet Brown Sugar

    8. Stayed Awake

    9. Crazy Ways

    10. I'm Gonna Leave You

    Robert Belfour
    $16.99
    Vinyl LP - Sealed Buy Now
  • Killing Is My Business... And Business Is Good - The Final Kill (Awaiting Repress) Killing Is My Business... And Business Is Good - The Final Kill (Awaiting Repress) Quick View

    $29.99
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    Killing Is My Business... And Business Is Good - The Final Kill (Awaiting Repress)


    Pressed On 2x 180-Gram Vinyl


    New Artwork Which Finally Sees Mustaine's Original Vision Fully Realized As An Actual Sculpture


    Brilliant Remix By Mark Lewis (Trivium, Devil Driver, Whitechapel) Which Restores Previously Unheard Parts And Performances, Allowing You To Experience This Album With A Whole New Level Of Details And Notably Increased Sonic Force


    Remastered By Ted Jensen For An Optimal Listening Experience


    Featuring An Introduction By Mustaine, Live Recordings Covering All Album Songs, And The Original 1984 "Skull Beneath The Skin" Demo


    The story of Dave Mustaine's fights with Metallica, which ultimately led to the birth of his own band MEGADETH is basic knowledge of every metal head out there and nothing that's necessary to revisit when talking about the debut assault "Killing Is My Business...And Business Is Good!". It was, is and forever will be one hell of an aggressive, no-holds-barred, maniacal speed/thrash record that now returns in its ultimate version! From the new artwork, which finally sees Mustaine's original vision fully realized as an actual sculpture to the brilliant remix by Mark Lewis (Trivium, Devil Driver, Whitechapel), which restores previously unheard parts and performances, allowing you to experience this album with a whole new level of details and notably increased sonic force. Featuring an introduction by Mustaine, live recordings covering all album songs and the original 1984 "Skull Beneath The Skin" demo, the 2018 edition of "Killing Is My Business...And Business Is Good!" is a must for each and every MEGADETH fan! Now, rattle your goddamn head!

    LP 1
    1. Last Rites / Loved to Deth (Remastered)
    2. Killing Is My Business...And Business Is Good! (Remastered)
    3. The Skull Beneath the Skin (Remastered)
    4. Rattlehead (Remastered)
    5. Chosen Ones (Remastered)
    6. Looking Down the Cross (Remastered)
    7. Mechanix (Remastered)
    8. These Boots (Remastered)


    LP 2
    1. Last Rites / Loved to Deth (live) (1987 London, UK)
    2. Killing Is My Business...And Business Is Good! (live) (1986 Denver, CO)
    3. The Skull Beneath the Skin (live) (1990 London, UK)
    4. Rattlehead (live) (1987 Bochum, Germany)
    5. Chosen Ones (live) (1986 Denver, CO)
    6. Looking Down the Cross (live) (1986 Denver, CO)
    7. Mechanix (live) (1986 Denver, CO)
    8. Last Rites / Loved to Deth (demo) (Remastered)
    9. The Skull Beneath the Skin (demo) (Remastered)
    10. Mechanix (demo) (Remastered)

    Megadeth
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Killing Is My Business... And Business Is Good - The Final Kill (Red Vinyl) (Awaiting Repress) Killing Is My Business... And Business Is Good - The Final Kill (Red Vinyl) (Awaiting Repress) Quick View

    $29.99
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    Killing Is My Business... And Business Is Good - The Final Kill (Red Vinyl) (Awaiting Repress)


    Pressed On 2x 180-Gram Red Colored Vinyl


    New Artwork Which Finally Sees Mustaine's Original Vision Fully Realized As An Actual Sculpture


    Brilliant Remix By Mark Lewis (Trivium, Devil Driver, Whitechapel) Which Restores Previously Unheard Parts And Performances, Allowing You To Experience This Album With A Whole New Level Of Details And Notably Increased Sonic Force


    Remastered By Ted Jensen For An Optimal Listening Experience


    Featuring An Introduction By Mustaine, Live Recordings Covering All Album Songs, And The Original 1984 "Skull Beneath The Skin" Demo


    The story of Dave Mustaine's fights with Metallica, which ultimately led to the birth of his own band MEGADETH is basic knowledge of every metal head out there and nothing that's necessary to revisit when talking about the debut assault "Killing Is My Business...And Business Is Good!". It was, is and forever will be one hell of an aggressive, no-holds-barred, maniacal speed/thrash record that now returns in its ultimate version! From the new artwork, which finally sees Mustaine's original vision fully realized as an actual sculpture to the brilliant remix by Mark Lewis (Trivium, Devil Driver, Whitechapel), which restores previously unheard parts and performances, allowing you to experience this album with a whole new level of details and notably increased sonic force. Featuring an introduction by Mustaine, live recordings covering all album songs and the original 1984 "Skull Beneath The Skin" demo, the 2018 edition of "Killing Is My Business...And Business Is Good!" is a must for each and every MEGADETH fan! Now, rattle your goddamn head!

    LP 1
    1. Last Rites / Loved to Deth (Remastered)
    2. Killing Is My Business...And Business Is Good! (Remastered)
    3. The Skull Beneath the Skin (Remastered)
    4. Rattlehead (Remastered)
    5. Chosen Ones (Remastered)
    6. Looking Down the Cross (Remastered)
    7. Mechanix (Remastered)
    8. These Boots (Remastered)


    LP 2
    1. Last Rites / Loved to Deth (live) (1987 London, UK)
    2. Killing Is My Business...And Business Is Good! (live) (1986 Denver, CO)
    3. The Skull Beneath the Skin (live) (1990 London, UK)
    4. Rattlehead (live) (1987 Bochum, Germany)
    5. Chosen Ones (live) (1986 Denver, CO)
    6. Looking Down the Cross (live) (1986 Denver, CO)
    7. Mechanix (live) (1986 Denver, CO)
    8. Last Rites / Loved to Deth (demo) (Remastered)
    9. The Skull Beneath the Skin (demo) (Remastered)
    10. Mechanix (demo) (Remastered)

    Megadeth
    $29.99
    180 Gram Audiophile Virgin Vinyl LP - 2 LPs Sealed AWAITING REPRESS Buy Now
  • Feel Feel Quick View

    $14.99
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    Feel

    The LP version of "Feel" comes with a bonus CD.


    Sleeping With Sirens has turned into a monster of a band. As the band prepares to release their 3rd full length album, they
    are selling a combined 4,000+ albums a week of catalog, with all 3 titles (2 full lengths and 1 Ep) fast approaching 100k sales
    apiece. The EP hasn't been out a full year and has sold over 84,000 units. While the band is on a steep climb up, it's been
    something Sleeping With Sirens has worked towards for years, creating a large, rock solid foundation of loyal fans who are
    eagerly awaiting the new album. For the past few years Sleeping With Sirens has been touring non-stop, with bands such as
    Of Mice & Men, Pierce the Veil and Memphis May Fire, including a stint on the Vans Warped Tour. The band is currently
    doing a full US headliner that has been 100% sold out and will be on the Main Stage of The Vans Warped Tour this summer
    after doing a sold out UK and European Tour in May.


    The band's 3rd album is their best material yet. Teaming up with Cameron Mizell who they've worked with
    on a previous full length, and enlisting mixer Dan Korneff (Breaking Benjamin, My Chemical Romance,
    Mayday Parade) and masterer Ted Jensen (Green Day, Bon Jovi, The Offspring) to complete the
    team creating the album, Sleeping With Sirens was able to deliver their best, most heartfelt album,
    sonically more superior than anything they've done to date. With tracks like the radio friendly single
    Alone (featuring rapper MGK) to the hard hitting anthems like Congratulations (featuring Matty
    Mullins of Memphis May Fire), Feel is sure to instantly please their current fans while winning over
    countless new people!

    1. Feel
    2. Here We Go
    3. Free Now
    4. Alone (FEAT. MGK)
    5. I'll Take You There (FEAT. Shayley Bourget)
    6. The Best There Ever Was
    7. Low
    8. Congratulations (FEAT. Matty Mullins)
    9. Deja Vu
    10. These Things I've Done
    11. Sorry
    12. Satellites
    Sleeping With Sirens
    $14.99
    Vinyl LP With CD - Sealed Buy Now
  • Ride Ride Quick View

    $30.99
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    Ride

    For his fiftieth birthday, Anthrax guitarist Scott Ian wanted one present more than any other - the reunion of one of his favorite unsung heroes, Mother Superior - only he wanted to be a part of the lineup. They're a great, classic band that hit me in the same spot as all my favorite '70s bands, whether it's UFO, Ted Nugent, Cheap Trick or KISS, Ian explains. I knew getting to play with them would be like joining KISS.


    Thanks to Scott's wife Pearl Aday, who has been working with Mother Superior front man Jim Wilson for years, all it took was a quick phone call and the stage was literally set for Scott's dream gig.


    The band, which quickly gained the interests of Joey Vera (Armored Saint/Fates Warning) and John Tempesta (White Zombie, The Cult) called itself Motor Sister after the Mother Superior song Little Motor Sister and got together the day before the party to rehearse in Ian's jam room. The energy in the room was amazing, Ian says. It felt awesome. It was just something we did for fun and to celebrate my birthday.


    The minute I started to play with Scott, Joey and John the chemistry was amazing, Wilson says. We sounded like a band that had been together forever. Enthralled at the idea of making a record of his favorite Mother Superior songs, Ian contacted producer Jay Ruston (Anthrax, Steel Panther, Stone Sour) and asked if he thought it was possible to recapture the same spontaneous energy generated at their makeshift gig. He said, 'Yeah, we can make the record in two days and we can make it sound really good.' So that's what we did, Ian says. A week and a half later, we made the record in LA over a two day period. We recorded the whole thing live in the studio.


    While everyone in Motor Sister is busy with their day jobs, they are all interested in playing live as much as possible. We are a great live band Ian says. We proved it to ourselves in my jam room. It was our ability to play live together that made this happen and I can see us getting onstage and playing this shit back-to-back, Ramones-style, and just blowing people's minds with the power of these songs. And the door is always open to write more material because Pearl and Jim are always working together and I'm always with them. So we'll see what happens in the future.

    LP 1
    1. A Hole
    2. This Song Reminds Me of You
    3. Beg Borrow Steal
    4. Fool Around
    5. Get That Girl
    6. Head Hanging Low


    LP 2
    1. Fork in the Road
    2. Little Motor Sister
    3. Pretty in the Morning
    4. Whore
    5. Doghouse
    6. Devil Wind

    Motor Sister
    $30.99
    Vinyl LP - 2 LPs Sealed Buy Now
  • Colours Colours Quick View

    $18.99
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    Colours

    Ashley Eriksson (darling to many for her work with LAKE) has achieved a status few artists ever know: her song Island Song can be hummed by almost any teenager in the United States (a surprising discovery she made while teaching Portland's
    Rock Camp for Girls last summer). Used as the closing theme for Cartoon Network's cult sensation Adventure Time, Island Song has over a million views on Youtube and has generated dozens of cover videos, making Ashley Eriksson the equivalent of a household name to the youth of America.


    Now Ashley Eriksson has recorded Colours [KLP245], her inspired solo debut on K, and a collection of piano pieces, ballads and songs for her fans around the world. Tucker Martine (producer of LAKE, Decemberists) planted the idea that Ashley should make a solo record after they worked together in 2011, but it wasn't until returning from a trip to Sweden that Ashley was motivated to create Colours, and her vision for a solo piano album quickly evolved to include songs with her beloved '70s style of instrumentation and pop sensibility (most strikingly her cover of Ett Stilla Regn a song by the tragic Swedish pop team Ted and Kenneth GĂ„rdestad, adapted in the style Me and My Arrow by Harry Nilsson). Because Ashley engineered and recorded the album herself (using the same 8-track she's been recording with since she was a teenager), she was able to capture her collection of songs in a variety of old haunts, including favorite grange halls and churches, her tiny shed in northern Sweden, friends' houses, and in the Whidbey Island studio-trailer where she lived with husband (and LAKE collaborator) Eli Moore.


    It's the emotional space Ashley reserved for herself while recording Colours that makes it such a personal and vivid statement. Of writing the beautiful, lead ballad Why Are You So Helpless?" Ashley says "I dreamt this song while I was sleeping in the little shed behind my dad's house in northern Sweden. I was in a record store and a John Lennon song came on I'd never heard before. It was a 70's 'super group' album, like the Band or CSNY or something like that. When I woke up I was anxious
    to capture the song. I recorded the demo on my phone and sang with an acoustic guitar I had with me." In a similar way, all the songs on Colours are collected from her dreams, expanded by graceful piano notes and the peaceful echoes of fire-lit
    evenings.

    01. March of the Conch
    02. Why Are You So Helpless?
    03. West of the Mountain
    04. Arguably
    05. Ett Stilla Regn
    06. Good Storm
    07. Colours
    08. Bury the House
    09. Mother Nature's Promise
    10. Sunset
    11. Humming in the Dark
    12. Organ Music
    13. In The Stubborn Eyes of a Demon
    Ashley Eriksson
    $18.99
    Vinyl LP - Sealed Buy Now
  • Birds Birds Quick View

    $19.99
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    Birds

    Seth Glier's new album Birds is steeped in conflict and contradictions. There's grief and loss, but also strength and resilience; doubt and dismay, but also a sense of optimism as Glier confronts heavy topics and wrestles them into the daylight.

    Glier (pronounced Gleer) recorded Birds in an airy loft in western Massachusetts outfitted with a grand piano and floor-to-ceiling windows. Birds roost just outside those windows, on the roof of the converted mill building where he lives, and they became his sympathetic audience while Glier made the album. I felt a tremendous amount of comfort talking to the Birds, he says I'd check in with them regularly to see how they thought things were going so far.

    Birds is Glier's fifth album, and the latest entry in a burgeoning career that has included a Grammy nomination and a pair of Independent Music Awards while touring with artists including Ani DiFranco and Ryan Adams.

    The songs on Birds range from personal to political, and are bound together by the awareness that our world is a fragile place that is all the more magical for it. Glier makes that point on a large scale with Water on Fire, a terse, grinding tune that opens with a cynical reworking of a Ray Charles lyric as Glier uses fracking to dig into the false equivalence between freedom and capitalism. Hasn't Hit Me Yet has a more visceral, intimate approach: the soulful slow jam, full of warm guitars and multi-tracked vocals, is about the death of Glier's autistic brother.

    Together, those songs represent the opposite poles of Birds. I was really trying to explore connections on this record, Glier says. Among those connections is the one between race and the criminal justice system on Justice for All, a raw chain-gang stomp that sounds almost like an old field recording. Like I Do takes a more oblique tack, drawing out feelings of anger through the use of noisy synthesizers and fuzzed-out bass pads.

    The songs on Birds reflect a scope of sound and style: the title track is lush and & orchestral, for example, while Too Much Water pairs Glier's voice and piano with subtle accompaniment from horns, for a classic, elegant feel that calls to mind Harry Nilsson in the early '70s. People Like Us is jaunty and up-tempo, while the trebly guitar arpeggios and moaning saxophone on Just Because I Can sound like a sock-hop slow dance, until you zero in on lyrics delivered by a narrator who dynamites his domestic bliss simply for the power trip. Conflict. Contradiction.

    Even the cover tune, a reimagined version of Buffalo Springfield's For What It's Worth, evokes urgency. Although it was written 50 years ago, it's still about what's happening right now, Glier says.

    Birds began taking shape after Glier lost his brother, Jamie, who died in October 2015, and inspired a TED Talk performance that Glier gave in 2016. My brother passing away was a huge component of where I was and what I was looking for, Glier says. In particular, I was looking for meanings, wanting his life to mean more than just being over.

    For a long time afterward, Glier passed the time by writing songs and inspecting each melody with the feathered fellows by his windowsill. Instead of recording the album in a Los Angeles studio, as he did on his 2015 album If I Could Change One Thing, he decided to make Birds at home.

    I thought that I should just stay close to the windows here, Glier says. I think this sort of happened by accident, but by the time I started recording the record, it was fall in New England, which is a profoundly beautiful death. The air is full of honesty, the sky is full of geese, and there is bright gorgeousness woven into the dying of things. It all seeped into the textures of this record.

    1. Sunshine
    2. Water On Fire
    3. Birds
    4. Just Because I Can
    5. People Like Us
    6. Like I Do
    7. For What It's Worth
    8. Too Much Water
    9. Justice For All
    10. Hasn't Hit Me Yet
    11. I'm Still Looking
    Seth Glier
    $19.99
    Vinyl LP - Sealed Buy Now
  • Encore (Awaiting Repress) Encore (Awaiting Repress) Quick View

    $19.99
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    Encore (Awaiting Repress)

    Encore, the highly anticipated new album from acclaimed singer, songwriter and performer Anderson East, is set for release via Elektra Records.


    Encore was produced by Grammy Award-winning producer Dave Cobb and recorded at Nashville's historic RCA Studio along with additional production at House of Blues and Farmland Studio. The album features eleven songs, including "All On My Mind" (written by Ed Sheeran, Johnny McDaid, East and Aaron Raitiere), "King For A Day" (written by East, Chris Stapleton and Morgane Stapleton), "Girlfriend" (written by East, Cobb, Raitiere and Tim Bergling) as well as renditions of songs by Ted Hawkins and Willie Nelson.


    The release of Encore culminates a breakout series of years for East following his widely praised debut album, Delilah, which NPR Music called "an eclectic, fully formed debut " Additional critical praise included The Wall Street Journal who described, " highlighted by Mr. East's raw and raspy vocals and a backing band that channels the urgent rhythms and gospel-flavored sounds of '60s R&B and Southern soul music," while American Songwriter asserted, "New artist debuts don't come with much more industry buzz than the first release from singer/songwriter Anderson East For better or worse, that sets expectations higher than those of most new artists. Thankfully, East meets them in 10 tracks and 33 minutes."

    1. King For A Day
    2. This Too Shall Last
    3. House Is A Building
    4. Sorry You're Sick
    5. If You Keep Leaving Me
    6. Girlfriend
    7. Surrender
    8. All On My Mind
    9. Without You
    10. Somebody Pick Up My Pieces
    11. Cabinet Door
    Anderson East
    $19.99
    Vinyl LP - Sealed AWAITING REPRESS Buy Now
  • Triplicate Triplicate Quick View

    $49.99
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    Triplicate

    Triplicate, is the new three-disc studio album from Bob Dylan. The collection features 30 brand-new recordings of classic American tunes and marking the first triple-length set of the artist's illustrious career. With each disc individually titled and presented in a thematically-arranged 10-song sequence, Triplicate showcases Dylan's unique and much-lauded talents as a vocalist, arranger and bandleader on 30 compositions by some of music's most lauded and influential songwriters. The Jack Frost-produced album is the 38th studio set from Bob Dylan and marks the first new music from the artist since Fallen Angels, which was released in early 2016.


    For Triplicate, Dylan assembled his touring band in Hollywood's Capitol studios to record hand-chosen songs from an array of American songwriters such as Charles Strouse and Lee Adams (Once Upon A Time), Harold Arlen and Ted Koehler (Stormy Weather), Harold Hupfield (As Time Goes By) and Cy Coleman and Carolyn Leigh (The Best Is Yet To Come). The titles of the individual discs are 'Til The Sun Goes Down, Devil Dolls and Comin' Home Late. According to Bob Dylan, I am finding these great songs to be a tremendous source of inspiration that has led me to one of my most satisfying periods in the studio. I've hit upon new ways to uncover and interpret these songs that are right in line with the best recordings of my own songs, and my band and I really seemed to hit our stride on every level with Triplicate.


    Dylan's two previous album of classic American songs, 2016's Fallen Angels and 2015's Shadows in the Night, were both worldwide hits and garnered Grammy Award nominations in the category of Best Traditional Pop Vocal Album. Both albums received worldwide critical acclaim, with Randy Lewis writing of Fallen Angels in The Los Angeles Times, [Dylan] immediately liberates songs from the big band/big orchestra world from which they emerged, and in which they are most frequently revisited . [He] reaches to the blues at the core of many of these songs. Thus, they elicit the ache of romantic yearning and loss that often gets subsumed by swelling orchestral forces, background choirs or by singers who are more focused on crafting elegant vocals than finding emotional resonance. The Telegraph's Neil McCormick awarded Shadows in the Night five out of five stars and described the work as spooky, bittersweet, mesmerizingly moving [with] the best singing from Dylan in 25 years. Jon Pareles wrote of that album in the New York Times, Mr. Dylan presents yet another changed voice a subdued, sustained tone .Shadows in the Night maintains its singular mood: lovesick, haunted, suspended between an inconsolable present and all the regrets of the past.


    Bob Dylan has sold more than 125 million records around the world.

    LP 1: 'Til The Sun Goes Down
    1. I Guess I'll Have to Change My Plans
    2. September Of My Years
    3. I Could Have Told You
    4. Once Upon A Time
    5. Stormy Weather
    6. This Nearly Was Mine
    7. That Old Feeling
    8. It Gets Lonely Early
    9. My One and Only Love
    10. Trade Winds


    LP 2: Devil Dolls
    1. Braggin'
    2. As Time Goes By
    3. Imagination
    4. How Deep Is The Ocean
    5. P. S. I Love You
    6. The Best Is Yet To Come
    7. But Beautiful
    8. Here's That Rainy Day
    9. Where Is The One
    10. There's A Flaw In My Flue


    LP 3: Comin' Home Late
    1. Day In, Day Out
    2. I Couldn't Sleep A Wink Last Night
    3. Sentimental Journey
    4. Somewhere Along The Way
    5. When The World Was Young
    6. These Foolish Things
    7. You Go To My Head
    8. Stardust
    9. It's Funny To Everyone But Me
    10. Why Was I Born

    Bob Dylan
    $49.99
    180 Gram Audiophile Virgin Vinyl LP - 3 LPs Sealed Buy Now
  • The Association -  Greatest Hits (Awaiting Repress) The Association - Greatest Hits (Awaiting Repress) Quick View

    $29.99
    Buy Now
    x

    The Association - Greatest Hits (Awaiting Repress)


    First Time Authorized Audiophile Vinyl Release Of The Association 1968 Greatest Hits Album


    Mastered Impeccably From The Original Valiant Records & Warner Bros


    Records Tapes By Joe Reagoso At Friday Music & Capitol Mastering


    The legendary L.A. pop rockers The Association set the record charts on fire in the sixties and beyond with
    their superstar brand of harmony driven vocal rock and pop music. The band included the stellar musicianship
    of Jules Alexander, Terry Kirkman, Jim Yester, Larry Ramos, Russ Giguere, Brian Cole and Ted Bluechel Jr. They
    would soon go on to sell multiple millions of records with their first two chart topping hits with the controversial
    Along Comes Mary and of course the ultimate #1 love song of 1966, Cherish.


    With a dazzling number of chart topping singles and LP's already under their belts, fortune would continue
    for the band as they kicked off the Monterey Pop Festival in 1967, which helped launch their hipness factor to
    a whole new generation, as more smash hits like Windy and Never My Love filled the airwaves throughout the
    Summer Of Love and beyond.


    With superstar producers like Bones Howe, Curt Boettcher and Jerry Yester on the mixing boards, The
    Association truly delivered a plethora of powerful albums like "Along Come The Association," "Insight Out" and
    "Birthday." These recordings would take the band to the top of all the popular music charts and would become
    some of the finest top 40 and rock radio hits of all time. With their massive radio airplay and an amazing string
    of hit records, The Association to this day are still revered and loved by their continual growing legion of fans
    worldwide.


    After delivering a plethora of hits in rapid succession for Warner Bros. Records, the label honored this
    hugely popular band with their incredible greatest hits album simply titled "The Association Greatest Hits."
    Filled with a treasure trove of chart topping singles and hit album tracks from their smash albums, this
    incredible 1968 effort awarded these rock legends with one of the best selling greatest hits albums ever released.
    All your favorites are here, as this masterpiece is loaded with hit after hit with smash singles like Time For
    Livin', Everything That Touches You, Like Always, No Fair At All and the album only version of the sixties classic Six
    Man Band. All in all, a collection of songs which took the fans by storm, forever associating the title superstars to
    The Association brand.


    Friday Music is pleased to announce for the very first time ever on audiophile vinyl "The Association
    Greatest Hits." Mastered impeccably from the original Valiant Records and Warner Bros. tapes by Joe Reagoso at
    Friday Music Studios and at Capitol Records, this amazing classic truly shines in the audiophile vinyl domain.
    To further enhance your stellar listening experience, this newly mastered limited edition masterpiece also
    includes the original psychedelic album cover artwork and lyrics not seen in decades.
    Look out for more solid smashes from The Association as Friday Music will continue to release their classic
    hit catalog both on 180 Gram Vinyl and compact discs soon.


    Welcome back the amazing The Association Greatest Hits an audiophile first time vinyl dream release,
    only from your friends at Friday Music.


    And then Along Comes Mary

    1. The Time It Is Today
    2. Everything That Touches You
    3. Like Always
    4. Never My Love
    5. Requiem For The Masses
    6. Along Comes Mary
    7. Enter The Young
    8. No Fair At All
    9. Time For Livin'
    10. We Love Us
    11. Cherish
    12. Windy
    13. Six Man Band
    The Association
    $29.99
    180 Gram Audiophile Virgin Vinyl LP AWAITING REPRESS Buy Now
  • Ted Nugent (Out Of Stock) Ted Nugent (Out Of Stock) Quick View

    $34.99
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    Ted Nugent (Out Of Stock)

    Mastered By Ryan Smith At Sterling Sound Using Legendary Mastering Engineer George Marino's Notes From His Original Mastering Sessions With The Original Analog Tapes!


    Remastered By Smith In George's Mixing Room Using Marino's VMS 80 Lathe


    200-Gram Vinyl Plated By Gary Salstrom And Pressed At Quality Record Pressings, The World's Finest Lp Maker!


    Self-Titled Album Made Nugent And His Gonzo Guitar A Rock Icon!


    There was a moment, in 1975 to be exact, when Ted Nugent was taken very seriously. As a musician. Before he decided to become whatever it is that he is now. ... Let's think back to 1975 when Ted was just a sex-crazed rock star who made a killer self-titled debut solo record that has now been remastered and reissued as a gatefold, by Chad Kassem's Analogue Productions and Quality Record Pressings. While his songwriting interests have never really changed, these were the best takes on all those ideas that Nugent would from this point on build his career on. ... on Ted Nugent his guitar riffs were never sharper, his playing never less indulgent. This is a record where even the inner cuts like 'Just What the Doctor Ordered' and 'Queen of the Forest' were good to great. - Robert Baird, Stereophile, May 2014


    We were fortunate with this one. Fortunate you say? How so? Well for starters, the late and lauded mastering engineer George Marino at Sterling Sound mastered and cut the original 1975 release of Ted Nugent. Almost 40 years later, after some digging by George's protege, Ryan Smith, on behalf of this Analogue Productions reissue - lo and behold - George's mastering notes resurfaced as well as the original analog tape masters.


    With the release of Ted Nugent, the self-proclaimed Motor City Madman and god of gonzo guitar became not just a star, but one of rock 'n' roll's icons. The songs Motor City Madhouse and Just What The Doctor Ordered would become two of many of Ted's road anthems. These and the other 10 monster tracks on Ted Nugent were clear evidence that Ted was an artist to be reckoned with.


    Ted Nugent still likes to reflect back on what his critics were saying as he put his band, the Amboy Dukes, to rest and started the next phase of his career-one that would be under his own vision, his own direction and most importantly, his own name.


    I remember some of the more creative writers of the ilk claimed it would be 'the final nail in my coffin' - quote, unquote, Nugent says with a redemptive laugh. I knew better.


    The mention of Ted's name elicits different reactions from rock fans today in different parts of the country. Nods of familiarity on both coasts, and clenched fists and knowing grins in the vast Midwest and South. He's sold millions of albums. Rock radio couldn't play enough of him - and neither could promoters, who made him the hardest-working and top-grossing gunslinger of the mid- and late-'70s. While most other rockers posed with their sleek Stratocasters and Les Pauls, there was Nugent, whipping his mane of hair around his head as he cranked out sound on his big Gibson Birdland, a hog of a guitar with rich, thick and creamy tones - clearly not something to be trusted to amateurs. But in Nugent's hands it screamed, squealed and cried, providing a vivid 3-D voice for the monster crunch of Stranglehold, the menacing stomp of Stormtroopin and the fiery boogie of Hey Baby, Motor City Madhouse and Snakeskin Cowboys.


    We feel this is Ted's finest recording by far. And here, you'll hear this classic more clearly and vividly than ever before. This reissue was remastered by Smith in the late George Marino's mixing room at Sterling Sound using Marino's VMS 80 lathe and an ATR 102 tape machine modified by Mike Spitz-the only one of its kind in the world.. Then this 200-gram vinyl beauty was pressed by Quality Record Pressings, makers of the world's finest LPs, where it was plated for vinyl by Gary Salstrom, QRP's master plating technician and general manager. The power burned into these grooves is difficult to find anywhere else this side of the Atlantic, and indeed it remains a rare commodity anywhere in the world.


    As Ted himself proclaims: If anyone wanted to know what rock 'n' roll was all about, this is the only album they'll need.


    This title is not eligible for discount.

    1. Stranglehold
    2. Stormtroopin'
    3. Hey Baby
    4. Just What the Doctor Ordered
    5. Snakeskin Cowboys
    6. Motor City Madhouse
    7. Where Have You Been All My Life
    8. You Make Me Feel Right at Home
    9. Queen of the Forest
    Ted Nugent
    $34.99
    200 Gram Audiophile Virgin Vinyl LP - Sealed Temporarily out of stock
  • Black Death & Beyond (Out of Stock) Black Death & Beyond (Out of Stock) Quick View

    $84.99
    x

    Black Death & Beyond (Out of Stock)

    White, Black And Transparent Colored Vinyl


    'Black Death and Beyond' is a special collector's boxset featuring an in-depth book containing extensive accounts of the band's history and philosophy from both Gylve 'Fenriz' Nagell & Ted 'Nocturno Culto' Skjellum, as well as additional recollections from bass player Dag Nilsen. Numerous other artists and friends along the way give their thoughts on the legends too, plus the book contains a large amount of personal photos from the band archive.


    Also included are 3 vinyls featuring Darkthrone's own choice cuts from their illustrious collection of death/black/ & metal/punk classics, presented on white, black, and transparent vinyl.


    Fenriz explains the concept behind the track selections: "I never quit my day job; one of the reasons being that I can listen to music on headphones there all the time. To the extent that I rarely listen to music at home anymore, and if I do it's like I can't hear it PROPERLY. At work with headphones is where the details reveal themselves and also which songs I can and can't use in compilations or dj'ing appear quite clearly.
    Every time I get/buy a cassette or vinyl I have to transfer them to wav files via a computer programme, then I write a little note to accompany the final burnt disc. But the note first swings by my workplace where I can rate the various songs with a clever underlining-system called THE FENRIZOLATOR. And so passes the days.


    Then came the idea to do a Darkthrone book and with it a vast box set. There was talk about 3 compilation discs, one with Death, one with Black and one with our other styles. So be it. But this time I took it upon myself do it PROPERLY. And to do that....well, I had to face my own rating system. Because I also use the F-OLATOR on regular CD's, it took 3 whole days to rate all of our 16 full length albums. Certain discoveries
    were made, like the song I think is worst by Darkthrone is HANS SISTE VINTER (Scoring only 12 out of 60 points) and also that The Cult Is Alive is probably our best album - at least it's the one with the highest grades consistently. But I digress. AGGRESSIVE DIGRESSOR!!! Lists were made, and I truly tried to be as honest and fair as possible, Ted was initially going to do this but I think he suddenly saw how monumental
    a task it would be, and ended up with - well, what you hold in your hands right now. My "BEST OF" trying to follow both my biased ratings, crystal logic and also personal favours and my fave Ted songs".


    This edition of 'Black Death and Beyond' is to be limited to a single vinyl pressing.

    Black:
    1. In the Shadow of the Horns
    2. Inn I De Dype Skogers Favn
    3. Under a Funeral Moon
    4. I en Hall Med Flesk og Mjod
    5. The Hordes of Nebulah
    6. The Claws of Time
    7. Fucked Up & Ready to Die
    8. Hate is the Law
    9. The Cult of Goliath


    Death:
    1. Snowfall
    2. Sunrise over Locus Mortis
    3. Soulside Journey
    4. Neptune Towers
    5. Nor the Silent Whispers
    6. Iconoclasm Sweeps Cappadocia (NRK version)
    7. Sadomasochistic Rites
    8. In his Lovely Kingdom
    9. Black Daimon
    10. Paragon Belial


    Beyond:
    1. Graveyard Slut
    2. Forebyggende Krig
    3. These Shores are Damned
    4. Pervertor of the 7 Gates
    5. Wisdom of the Dead
    6. The Winds they called the Dungeon Shaker
    7. Grizzly Trade
    8. Those Treasures Will Never Befall You
    9. Stylized Corpse
    10. The Ones You Left Behind

    Darkthrone
    $84.99
    Colored Vinyl LP Box Set + Book - 3 LPs Sealed Temporarily out of stock
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